The Apostol brothers, Eddie, John, and Paul, formed the Pulsating Heartbeats in their home town of Anchorage Alaska.
The Pulsating Heartbeats were:
Eddie Apostol – guitar, vocals John Apostol (Raphael Apostol) – guitar, vocals Paul Apostol (Raul Apostol) – drums Frank “Skip” Konte – keyboards, vocals
Originally known as simply the Heartbeats, the group rehearsed in Betty Poeschel’s garage, and recorded in Betty’s Record Den.
As the Pulsating Heartbeats they made one very rare record, “Anne” / “Talkin’ Bout You” on Pace Setters Internationale 007 1/2.
John Apostol wrote “Anne” and co-wrote “Talkin’ Bout You” with Eddie. A local DJ, Ron Moore produced. I believe Pacesetters was a booking agency run by Poeschel and Ron Moore. The address on the record was 425 East 5th Avenue in Anchorage.
The group toured throughout Alaska, and also performed at rallies for Mike Gravel’s failed run as Congressman in ’66.
Heartbeats join union to play Mike Gravel’s campaign rally in Fairbanks, July 1966
Skip Konte left the group. He would move all the way to Tampa, Florida, joining the Blues Image in 1967 and co-writing their hit “Ride Captain Ride”.
Emerson Crivillo took Skip’s place on the keyboards. Eddie Apostol was drafted, leaving the band as a trio.
The group played in Hawaii and probably California as well.
In 1967 they went to Leo Kulka’s Golden State Recorders in San Francisco to cut a single as the Hartbeet Band. John and Paul Apostol wrote “Wait ‘Till Then” while “Run Around Kind” is credited to Apostol – Crivell [sic].
The Hartbeet Band single saw release on Golden Gate Records GG-1263 in small quantities, and is very rare now. The labels list Golden Gate’s publishing wing Guard Music Co. but I cannot find copyright registration for either, or for “Anne” / “Talkin’ Bout You”.
Lisa Wheeler found a demo of “Wait ‘Till Then” and wrote about the group for her site Elk Bugles.
The demo lists Pacesetters Custom Recording Studio.
I believe the Heartbeats / Hartbeet Band ended their touring around this time and returned to Anchorage. Eddie Apostol returned from service and the band would continue to play locally.
Most of the above videos above were made by one of the Apostol’s sons, and feature cool photos and info.
The Viscanes, from left: Al Martansic, John Ayers, Lou Dobrolosky, Jerry Hyde and Donald Jack Four song EP cut at Hertz Sound in Newark
The Viscanes came from Morristown, New Jersey, and included:
Donald Jack – lead guitar John Ayers – rhythm guitar Al Martansic – keyboards Jerry Hyde – bass Lou Dobrolosky – drums Billy King – vocals
They cut four unreleased songs at Hertz Recording Studio in Newark. From the songs on the acetate, the Viscanes had a style influenced by soul sounds of the day. There’s a cover of “Ooh-Poo-Pah-Doo”, and two original songs, the uptempo “Windstorm” and a ballad, “Black and Blue”. They also recorded a loose jam of organ and guitar solos with some ad-libbed vocals.
The Viscanes played regularly at Danny’s Hideaway in East Hanover NJ, located on Route 10, attached to a bowling alley. Some silent 8mm footage of the band exists, with part of the recordings as the Front Row added for a soundtrack:
They also played at Idaho Pines in Parsippany NJ, Dude Ranch Inn in Dover NJ, and Aunt Kate’s on Rt 46 in Stanhope NJ, as well as the Boardwalk at Seaside Heights and Atlantic City.
The Viscanes on stage Danny’s Hideaway, April 1966
The Front Row perform “The World’s Fantasy”, produced by Marty Foglia at Regent Sound Studio
The Front Row
With a couple lineup changes the Viscanes became the Front Row:
Donald Jack – lead guitar John Arends – rhythm guitar Frank Knox – keyboards Jerry Hyde – bass Lou Dobrolosky – drums Al Martansic – vocals
As the Front Row they made two acetates at Regent Sound Studios on West 56th St in Manhattan. One has two vocals, “The Worlds Fantasy” b/w “Hey Little Girl”. The second acetate has backing tracks for both songs, but with “The World’s Fantasy” titled “Roaches” for some reason.
“The Worlds Fantasy” is well-crafted commercial pop, with a great opening guitar lick and pounding drums. It certainly is good enough to have deserved release, but I don’t think it ever was. I can’t find copyright information on either song, and wonder if “The World’s Fantasy” was a working title.
The Front Row perform on the backing track to “The World’s Fantasy” produced by Marty Foglia
“Hey Little Girl” is a slower ballad. Marty Foglia’s name is on the labels, probably as producer. In 1966, Foglia recorded an early Jim Croce song called “Sun Come Up” with an unknown group called the Clique that Laurie Records released.
Marty Foglia had been active in the late ’50s, running the Cecilia Records label with a handful of pop and doo-wop singles by the Criterions, Johnny Starr and Mike Figlio. He co-wrote “New Orleans Beat” with Michael Ralph Colicchio. Foglia also recorded the Viscounts, selling the masters to Madison Records which hit with “Harlem Nocturne” in 1959 and again in 1965. But I can’t find many credits for him after 1961. Some info from Pop Archives.
Donald Jack moved to Sunrise, Florida in 1975 where he opened D&J Chevron in Deerfield Beach. His sons Don and Steve contributed the photos and info on the band. Don passed away in 2001, and Jerry Hyde passed in 2006.
Thank you to Don and Steve Jack for sharing these great photos and history.
The Viscanes on stage Danny’s Hideaway, April 1966
Delta Recording Center, aka Delta Studio, Fort Worth, 1965Opening announcement, Nov 23, 1965
Delta Recording Center opened in November 1965 at 910 Currie. It was one of a handful of Fort Worth recording studios in the mid-’60s, including Clifford Herring, Sound City, and Bluebonnet Recording Studios.
Garage rock was only a small part of their business, which would have included much gospel, country and other types of music.
I’m sure there were many other rock singles cut at Delta, but these seem to be definite:
Charay Records C-17 – The Elite – “One Potato” / “Two Potato” Charay Records C-31 – The Elite – “My Confusion” / “I’ll Come to You”
Ector Records 101 – The Jades – “I’m Alright” / “Till I Die” (Prod. & Eng. by Jesse Smith)
Sound Track ST-2000 – The Reasons Why – “Don’t Be That Way” / “Melinda”
November 1966 adJohn D. Maxson from Dallas was owner and engineer, Robert L. Farris, vice president, and John A. Patterson, production manager. It is often referred to as Delta Studio or Delta Recording Studio instead of Delta Recording Center.
Maxson was also part owner of Spot Productions, Inc, at 2831 Bledsoe, which produced TV and radio jingles, breaks, and programming.
Johnny Patterson, guitarist with Bob Wills’ Texas Playboys and other groups, bought the studio in 1969.
By 1973 it was running ads that boasted:
“Ampex and Scully mono, two, four and EIGHT TRACK recorders. When you record at Delta you receive a custom service … from mastering and processing, to labels, album covers, cassettes and cartridges.
In February, 1974 the Star-Telegram announced:
Lawton Williams is the new manager of Delta Recording Center, owned by Rick Snow and Jim Shadle. Johnny Patterson, formerly with the Bob Wills band is chief engineer and directs the house band.
Demos / acetates from Delta Recording:
The Tracks- “Rain in My Eyes” (?) / “Don’t Cut My Hair”
Louis Howard – “You Can Do as You Please” / “Comin’ Home to You”
Louis had a 45 on Impact Records I-4074 with the Red Hearts, “You’re Too Much” / “I’ve Got the Feeling”.
The Beau Havens had one record, the fantastic “Elizabeth” / “Feel So Good” on Gama Records 45-705 from September, 1966. The photos seen here were taken about a year earlier, in 1965.
I’m trying to decipher the hand-writing on this card, so members’ names may not be spelled correctly. Any help would be appreciated:
John Colgan – drums, vocals on “Feel So Good” Kerry Miller – lead guitar Jim Whelan – lead vocal on “Elizabeth” Allan Hurdle (or is it Allen Hurdle?) – guitar Tom Whelan – piano
Kevin Miller – manager
The group were all young teenagers in ’65.
Belle Haven, VA has been listed as their town of origin, however that eastern shore town is nearly four hours drive from the Springfield, Virginia American Legion Hall where these photos were taken.
The Beau Havens were actually from the Belle Haven subdivision south of Alexandria, VA, in Fairfax County (tip of the hat to Chris Farrell for pointing out the correct Belle Haven).
A neighborhood newsletter, the Belle Haven Tribune, from May 7, 1965 featured the group. The newsletter spells the brothers names as Tom Whealen and Jim Whealen.
A Pi Alpha Gamma banner appears behind the group, and it’s likely the Beau Havens shared the bill with the Londoners and the Roaches.
This should be Johnny Colgan on drumsPhoto of the Beau Havens – the drummer lacks his cravat
Jim Whelan wrote and, I think, sang lead on “Elizabeth”.
Rick Fulton wrote “Feel So Good”. I’m not sure if Rick was a later member of the band or simply a friend. Johnny Colgan appears to have sang lead on this side.
Both songs likely were cut at Edgewood Recording Studio at 1627 K Street, N.W. in Washington D.C. A couple of Edgewood acetates of the single exist. On one the song has the title “She Makes Me Feel So Good”, corrected in pen to “She Makes Me Feel Right”.
Doesn’t sound like the Beau Havens had a keyboard player on the record. Claiborne Music published both songs.
I believe this is Kerry Miller of the Beau Havens
More info on the Beau Havens would be appreciated.
Update May, 2022:
Danny G purchased a guitar in the D.C. area and the name on the case helped him trace it to this post, where it is clearly the guitar in the last photo above. Below are some interesting photos of this custom-made guitar provided by Danny along with his description:
Kerry Miller’s custom-made guitar
Likely a neck taken from an unbranded Kay guitar and put onto a solid chunk of mahogany (?). The white paint was to emulate the pickguard on a Höfner bass.
The guitar uses two Lafayette pickups, a 99-4536 in the neck which is a screw on pickup made for jazz arch top guitars and a PA-297 acoustic soundhole pickup in the bridge. The guitar has a really unique sound because of the odd choice of pickups, and that’s part of the reason I bought it.
The bridge pickup came with an RCA input and he simply repurposed it as the main input.
Kerry’s guitar – one hook to keep the pickup selector in place, and an eye for the guitar strapGretsch Tone-Twister palm vibratoLafayette pickups
Receipt from Clifford Herring Sound Equipment for the Motovators session
Clifford Herring and Sound City were two separate recording studios at the same address, 1705 W. 7th St. at the corner of Fournier St. in Fort Worth.
Clifford Herring opened his studio in the 1930s or early ’40s, a large room that could fit an orchestra or big band. Herring recorded many country, rockabilly and pop records, most famously Bruce Channel’s “Hey! Baby” and Paul and Paula’s “Hey Paula”, both produced by Major Bill Smith.
Besides the recording studio, Clifford Herring Sound Equipment Co. sold, rented and installed film, dictating and sound equipment, and also had a Muzak business.
The Motovators recorded a demo there on March 4, 1965, one of the last artists to use Herring’s studio.
On April 2, 1965, the Star-Telegram reported:
Radio station KXOL has purchased Clifford Herring Sound Equipment Co. for more than $200,000, The purchase includes the Herring firm’s recording studio and sound equipment operation said Wendel Mayes Sr. of Brownwood, president of the broadcasting station.
Earle Fletcher, the station’s vice president and general manager announced Thursday. Extensive remodeling of the Herring building at 1705 W. 7th will begin immediately with occupancy expected about June 1. The building will house the station’s AM and FM broadcasting studios, news facilities, sales offices and other departments.
Fletcher said remodeling of the Herring building will give the station more than double its present space at 3004 W. Lancaster.
KXOL renamed the Herring business Sound City, Inc. I believe Herring’s large recording room was converted into KXOL’s studios or office. The new Sound City Recording Studios opened in the basement below KXOL’s studios.
KXOL sold off the equipment and rental parts of the business to Thomas Electronics at the end of 1965. I’m not sure when KXOL sold the basement studio, but I’ve read the owners were Jim Rutledge and, apparently, T-Bone Burnett (Joseph Henry Burnett III) though he was only 17 in 1965.
Phil York became a house engineer at Sound City. York had worked with Dewey Groom at Echo Sound in Mesquite and would go on to work at Autumn Sound in Garland. While at Sound City he cut his own demo as Philip & the Yorkshires, “Once Again” / “Someone To Love You”, that was not released to my knowledge. York’s name appears in many classified ads run in 1966 and 1967 trying to drum up business for the studio.
A November 27, 1968 article notes that the studio was “recently sold to Don Schafer Promotions of Dallas”. Frank Henderson was another engineer at the studio about this time.
Perhaps the biggest hits recorded at Sound City were by the Van Dykes, such as “Never Let Me Go”, “No Man Is an Island”, “I’ve Got to Go On Without You”, and “You Need Confidence”, all produced by Charles Stewart and released on Mala.
T-Bone Burnett was usually referred to as Jon T. Bone on record labels during his Sound City time.
The Loose Ends included Burnett, Don McGilvray and David Graves, their singles “Free Soul” / “He’s a Nobody” (produced by Stan Rieck) and “Dead End Kid” / “Verses” were released on Mala, with co-producer credits to Burnett and Charles Stewart.
It would be interesting to assemble a discography of releases made at Sound City, but it’s an impossible task without documentation. Besides the ones mentioned above, it would include:
Brownfield BF-33 – The Rondels – “I Lost My Love” / “Crying Over You” Brownfield BF-1034 – Arthur Noiel - “It’ll Make You Holler” / “She Don’t Love Me” Brownfield BF-1035 – The Barons – “Don’t Burn It” / “I Hope I Please You” Brownfield BF-1037 – The Rondels – “You Made Me Cry” / “I Cry Cause I Care” Brownfield BF-1038 – Bruce Channel - “Don’t Go” / “The Actor” Brownfield BF-1040 – Jerry Williams & the Epics – “Whatever You Do” / “Tell Me What You See”
Cee Three – The Mods – “Days Mind the Time” / “It’s for You”
Cherry 101 – Charles Christy and the Crystals – “Cherry Pie” / “Will I Find Her”
Emcee Records - E-014 – The Gnats – “That’s All Right” / “The Girl”
Fat 12966 – Little Joe and the Gentlemen - “This Land” / “Stagger Lee”
Hue 375 – The Musical Training School – “Don’t You Fret” / “I’ll Go” (arranged by Jon T. Bone, produced by Charles Stewart) Hue 377 – James Mays – “Nothing’s Bad as Being Lonely” / “Gotta Make A Move”
Jan-Gi T-91 – The Trycerz – “Almost There” / “Taxman”
Psycho-Suave’ - PS-1033 – The Legendary Stardust Cowboy – “Paralyzed” / “Who’s Knocking at My Door” (picked up by Mercury)
Soft S-1008 – Roman Chariot - “Five Sensations” (arranged by John T-Bone) / “Cool” Soft S-1033 – Johnny Nitzinger – “Plastic Window” / “Life of John Doe” (produced by John Burnett and Charles Carey)
Unknown group the “Souls”
Sound City acetates or tapes:
Charles Christy & the Crystals – various titles (info to come)
The Cynics – “I’ll Go” / “Don’t You Fret”
Jackie Layne (with the Pathfinders) – “Give a Little, Take a Little” / The Galaxies – “Someone To Love You”
Larry & the Blue Notes – “In and Out” (early version) Larry & the Blue Notes – “Train Kept a Rollin'”
The Mods – “Evil Hearted You”
Rising Suns – “I’m Blue” / “Little Latin Lupe Lu” + two other cuts
Some tracks on the Galaxies CD collection Think About The Good Times were cut at Sound City, but I don’t have that release on hand.
LPs:
The Abstracts on Pompeii
The Yellow Payees cut one song from their Volume 1 album, “Never Put Away My Love For You” at Sound City.
Whistler, Chaucer, Detroit, and Greenhill – The Unwritten Works of Geoffrey, etc. , a Sound City studio group of two former members of the Mods, Scott Fraser and Edd Lively, with Phil White, David Bullock and John Carrick. Produced by Burnett.
Thank you to George Gimarc for help with this article.
Sources included: Frank Gutch, Jr., “Lost in Space: The Epic Saga of Fort Worth’s Space Opera” from the No Depression site is an excellent read with detailed information about later Sound City sessions.
David Campbell and Larry Harrison – notes to Fort Worth Teen Scene! volumes 1-3 on Norton Records.
The Valkryies recorded one single at Continental Recordings in Framingham, released on Cori Records CR 31003. “Love You Like I Do” is excellent garage rock, with sharp drumming and good guitar and sax solos. “Blues for Cookie” is a slow saxophone instrumental.
Members included:
Frank Curtis – lead guitar and vocals Steve Thorp – rhythm guitar and backing vocals; bass guitar on the single Domenic Palumbo – tenor sax and bass guitar Stan Baker – drums and backing vocals
Until Steve Thorp commented, I had no info on the group other than two song writer names: Francis Curtis (Francis Wesley Curtis, Jr.) and Domenic Palumbo. F. Curtis, Jr. registered “(That’s Why) I Love You Like I Do” on September 29, 1965. Domenic C. Palumbo registered “Blues for Cookie” on August 9, 1965. Donna Music BMI published both songs.
Steve sent in the photos and answered my questions about the Valkyries:
The Valkyries (also known as the New Valkyries) were active in the suburban Boston, Massachusetts area between 1965 and 1967.
The Valkyries in Medford MA, November 1965
Location and Personnel: The members of the band came from several small towns about 25 miles southwest of Boston. Frank “Snuffy” Curtis, the leader of the band, lived in Medway, Massachusetts. Curtis was a veteran of the local rock and roll/garage band scene and had fronted an earlier version of the Valkyries. He was 23 years old in 1965.
Stan Baker and Steve Thorp were from Medfield, Massachusetts, about 6 miles from Medway. Baker and Thorp had met in high school. Baker played drums in the school band and Thorp had been playing guitar for four years on his own and in a few small folk groups and rock bands.
Thorp and Baker shared a mutual love of rock and roll and R&B. The two started jamming together in 1964 at Baker’s house. Baker and Thorp met Curtis through the local music scene, probably at a house party, and the three started playing together. Curtis then invited Baker and Thorp to form a new version of the Valks in early 1965.
Curtis knew a lot of people from the local music scene and brought in various musicians to play in the band from time to time. Domenic “Gitch” Palumbo was a tenor sax player and a friend of Curtis. Palumbo may have been from Franklin, MA, a small nearby city. Palumbo was the same age as Curtis, and, like Curtis, had a lot of experience in the local music scene.
By mid-summer the line-up was set: Curtis on lead guitar and vocals, Palumbo on sax, Thorp on rhythm guitar and back-up vocals, Baker on drums and back-up vocals. A succession of bass players came and went through the band.
Instrumentation and styles: The band played late 1950’s/early 1960’s American pop style: up tempo, guitar driven rock, with lots of reverb and a heavy emphasis on beat. Palumbo’s sax playing added touches of rockabilly and surf rock. Curtis’s singing reflected earlier singers like Gene Vincent and Eddie Cochrane. Although the band played mostly covers, Curtis was a talented songwriter who contributed several originals to the repertoire.
Where the band played: mostly high school dances and house parties. The band’s choice of venues was limited because Baker and Thorp were both underage and couldn’t work in bars and night clubs. Nevertheless, the group worked regularly and by 1966 was working bigger venues. The group’s biggest gig was opening for Sam the Sham and the Pharaohs in either late 1965 or mid 1966 at the Lake Pearl ballroom in Wrentham, MA (Palumbo had left the group, which now had a regular bass player). The group began to play small bars and clubs in the Boston area. Thorp left the group by the fall of 1966. The band continued to play as the “New Valkyries” until 1967.
The Valkyries in Medford MA, November 1965
Two photos show the group in action at a high school dance in Medfield, MA, in November 1965. Curtis, in the plaid sport jacket, is at center mic. The bass player partially shown in one of the photos may be Palumbo. Thorp is shown taking the lead vocal in one photograph.How the recording came about: Curtis and Palumbo came up with the idea of recording in late 1965. Palumbo located Continental Recording Studios in Framingham MA, about 10 miles north of Medway, and he agreed to front the costs of recording and pressing the discs.
The band arrived at Continental’s studios, probably in mid-September, well-rehearsed and ready to play. The group didn’t have a bass player at the time, so Thorp played a borrowed electric bass on both tracks. The band recorded both tracks over a few hours, needing only a couple of takes on each track. “Love You Like I Do” was a Curtis original. “Blues for Cookie” was a slow, doo-wop instrumental featuring Palumbo, an acknowledgment of his fronting the recording and pressing costs.
The recording system was simple but effective. Both Curtis’s guitar solo and the harmony vocals were double-tracked, using an eight-track recorder.
The follow-up: although the record got a little air play on local radio stations, it never really went anywhere. The Valkyries continued on with different personnel throughout 1966 and 1967.
July 31, 1965, from left: Jimmy Smith, Terry Lee Hungerford, Roger Young on drums, Mike Langston, and Phil ReeceTerry Lee Hungerford with Gretsch guitar and amp, June, 1964
The Motovators formed in the spring of 1964 in Haltom City, just northeast of Fort Worth, Texas. The original lineup was:
Terry Lee Hungerford – bass and vocals Roger Young – drums Terry Fagan – lead and rhythm guitar Jimmy Nobles – rhythm guitar
Terry Lee Hungerford (b. June 28, 1947) and Roger Young played in all iterations of the group.
At least six other musicians would be in the group before their breakup in August of 1965:
Jimmy Moore – guitar Mike Langston – vocals and maracas Dale Morgan – lead guitar David Morris – lead and rhythm guitar Phil Reece – lead guitar Jimmy Smith – keyboards
The Motovators recorded two songs in March, 1965, but only two demo acetates were made and the record was never released.
Terry Lee Hungerford’s mother Blanche kept an excellent scrapbook of photos and clippings. She also kept a detailed log of the Motovators’ live shows, beginning with a steak house in Whitewright, TX, and notable events in the history of the band. Thanks to her work, and the help of Wm. Lewis Wms., I can present this detailed history of the Motovators and the Fort Worth scene in 1964-66.
Motorvators practice photo, 1964, from left: Mike Langston, Terry Lee Hungerford, Roger Young and Terry Fagan
May, 1964 – The Joker Club – Terry, Roger, Fagan, Jimmy (first paying gig)
In June of 1964, Jimmy Nobles moved out of state and was replaced by Jimmy Moore. That summer Mike Langston joined on vocals and maracas.
Motovators lineup at this time was:
Mike Langston – vocals and maracas Terry Fagan – lead and rhythm guitar Jimmy Moore – guitar Terry Lee Hungerford – bass and vocals Roger Young – drums
December 5, 1964 to January 1, 1965 – ten shows at the Hi-De-Ho Club
December 24, 1964 – Jimmy Moore leaves band, replaced by Dale Morgan on lead, and Terry Fagan moves to rhythm guitar.
Lineup December 24, 1964 – March 5, 1965
Motovators business card January or February 1965
Mike Langston – vocals and maracas Dale Morgan – guitar Terry Fagan – rhythm guitar Terry Lee Hungerford – bass and vocals Roger Young – drums
January 8, 9, 15, 16, 1965 – Club Contempo, 609 Riverside Drive (billed as Terry and the Motovators”
January 23, 1965 – Holiday Skating Rink ‘Battle-of-the-Bands” with the United Sounds, the Jades (2nd place), the Barons (1st place), the Coachmen and the Images, emcee is Mark Stevens WFJZ DJ.
February 6, 1965 – The Inn’s Tavern, 3132 East Lancaster
February 13, 1965 – Holiday Skating Rink – Valentine Dance “Holiday Hop” with the Images
February 20, 1965 – Jolly Time Skating Rink audition with KXOL DJ Bob Allen and rink manager Mr. Goodwin
March 1, 1965 – Panther Hall audition with KCUL DJ Ron McCoy
The Motivators, spring of 1965, from left: Mike Langston, Terry Lee Hungerford, Roger Young, Phil Reece (correct ID?), and Terry FaganReceipt from Clifford Herring Sound Equipment: 1 hour studio time, 1 1/4″ tape and 2 acetate 45s for $28.05Terry Lee Hungerford’s lyrics for “She’s Gone”
March 4, 1965 – Clifford Herring Recording Studio, “She’s Gone” by Terry Hungerford and “Darling, Don’t Go”, 1 hour of studio time, tape and two acetate demos $28.05. (Clifford Herring’s studio shared an address with the Sound City studio.)
March 5 – Dale Morgan quits band to join Bobby Crown’s band. Phil Reece joins on lead guitar.
Mike Langston – vocals and maracas Phil Reece – lead guitar Terry Fagan – rhythm guitar Terry Lee Hungerford – bass and vocals Roger Young – drums
March 5 – Cowtown Bowling Palace with the Barons and KXOL DJ Bill Warren
March 6, 1965 – Holiday Skating Rink with the Barons
March 8, 1965 – Panther Hall audition with KCUL DJ Ron McCoy and hall owner Bill Kuykendall. Other bands at the audition were the Chantones and the Images
March 10, 1965 – Panther Hall rehearsal for “Panther-a-Go-Go”
March 12, 1965 – Panther-a-Go-Go with the Images and the Sounds Unlimited. Host Ron McCoy, with Kay Harris and go-go-dancers. The Motovators on top stage with the Images and the Sounds Unlimited on the sides. Robin Hood Brians & His Merry Men were the main attraction. Outline of show
March 13, 1965 – Jolly Time Skating Rink with the Kasuals. The Motovators play “She’s Gone”. Phil Reece announces on Monday that he’s joining Bobby Crown’s band. However, it seems that Phil would rejoin the Motovators for in late April.
March 26, 1965 – Motovators turn down Panther-a-Go-Go show with the Images and Jerry Lee Lewis.
March 27, 1965 – The Inn’s Tavern
March 29, 1965 – band buys new striped coats and yellow shirts from Foreman & Clark, $13.84 each.
April 2, 1965 – National Hall Battle-of-the-Bands with the Capris, the United Sounds, and Charlie Christy & the Crystals. Emcees Bob Allen and Bill Warren of KXOL. The Crystals won the battle for 30% of the door.
April 3, 1965 – Holiday Skating Rink with the Barons. Photos bay Donnie Fisher
April 5, 1965 – The Teragon Club audition with the Coachmen, but lost the job to Jerry Williams & the Epics
April 10, 1965 – Terry & Roger made two trips to Dallas to see Marvin Montgomery about releasing their record, but he was out both times.
April 16 & 17, 1965 – The Inn’s Tavern
Transcription of “She’s Gone”, a necessary step for copyright registration
April 19, 1965 – Terry & Roger went to see Red Woodward at 3132 Waits to have lead sheet made of their song for $7.50. Filled out form Copy E to register with Library of Congress for a $4 fee
April 20, 1965 – Fagan leaves band, and Phil Reece rejoins on lead. David plays rhythm
Mike Langston – vocals and maracas Phil Reece – lead guitar David Morris – rhythm guitar Terry Lee Hungerford – bass and vocals Roger Young – drums
April 23, 1965 – The Teragon Club, lineup was Terry, Roger, Mike, David and Phil.
April 24, 1965 – Jolly Time Skating Rink, one band, 10 til midnight, $8 per person
April 30, 1965 – Colonial Country Club for the Lake Worth High School Senior banquet
May 1, 1965 – audition at the Pit in Dallas was cancelled, but the group auditions for Louann’s Club. $80 a night if booked.
May 5, 1965 – police called for loud practice at 11 PM.
May 7 & 8 – Safari Club at 3535 E. Belknap (private club)
May 13-15, 1965 – booked to play Jacque’s Lounge in Roswell, New Mexico for $125 per night, but cancelled when the owner found out the group was underage.
May 14, 1965 – Skyliner Ballroom lineup was Terry, Roger, Mike and Phil with David Morris, car stolen. Last show with David Morris.
May 15, 1965 – Jolly Time Skating Rink with the Coachmen (“one of the Coachmen played as 5th member of Motovators”)
May 16, 1965 – “Jimmy Smith joined band – playing the organ”
Mike Langston – vocals and maracas Phil Reece – lead guitar Jimmy Smith – organ Terry Lee Hungerford – bass and vocals Roger Young – drums
May 19, 1965 – practice in Terry’s garage is broken up by police at 9:30
May 21, 1965 – Panther-a-Go-Go (TV broadcast on May 23 on Channel 11) with Lady Wild & the Warlocks, the Velvateens from Lubbock/Texas Tech), Cecil Lang McCullough, and the Warlocks, plus Panther-a-Go-Go drummer Al Breaux. Kay Harris was one of the dancers.
May 21, 1965 – Louann’s Club, for two hours after playing Panther Hall
May 27, 1965 – Kenney’s Club – Terry played with Tommy Skagg’s band.
May 28, 1965 – Skyliner Ballroom
May 29, 1965 – Jolly Time Skating Rink
June 1, 1965 – Ft. Hood Crossroads Club, lineup with Terry, Roger, Mike, Phil and Jimmy, with Tommy Skaggs and Patti Myers joining on vocals. $170
June 2, 1965 – Roger has his hair cut short
Ad for the Shindig autograph party where the Motovators and the Elites played live, June 4, 1965
June 4, 1965 – Motovators and the Elites booked by Ray Beard for Shindig! autograph party at Round-Up Inn behind Will Roger’s Coliseum, with DJ Mark Stevens.
June 5, 1965 – appointment for audition at Studio Club in Dallas
June 5, 1965 – Ft. Hood N.C.O club, lineup with Terry, Roger, Mike, Phil and Jimmy, with Tommy Skaggs and Patti Myers joining on vocals. $170
Terry trades his original Gretsch “bikini” bass for a new Gibson at C&S Music, salesman Eddie Hale, June 8, 1965
June 11, 1965 – Teen a-Go-Go at Round-Up Inn
June 12, 1965 – Ft. Hood poolside party with Tommy Skaggs
June 17, 1965 – with Sandy Black at the Coronado Club, 3203 Holtzer St.
June 18, 1965 – New coats, blue plaid with black satin lapels from Al’s Formal Wear at $32.64 each
June 18, 1965 – National Hall Battle-of-the-Bands.
June 19, 1965 – Coronado Club
June 25, 1965 – Skyliner Ballroom
June 26, 1965 – Jolly Time Skating Rink -after the show Terry, Roger and Donnie left to Villa Acuna, Mexico at 4:15 AM, returned later than they expected on Monday causing Donnie to lose his job. This Monday was also Terry’s 18th birthday.
July 1, 1965 – audition at the Party Line Club
July 2, 1965 – National Hall with DJ Bill Warren for 25% of door
July 3, 1965 – Jolly Time Skating Rink with DJ Bob Allen
July 5, 1965 – Mike Langston leaves the group, which will continue as a four-piece: Terry, Roger, Phil and Jimmy
July 9, 1965 – Phil buys a new Fender amp, Jimmy a Sears amp
July 9, 1965 – Jolly Time Skating Rink
July 10, 1965 – Holiday a-Go-Go with the Blue Notes and DJ Mark Stevens. The Blue Notes ask Terry to join them for a three-day tour, but turns it down because of the Motovators bookings
July 13, 1965 – Mike Langston back in band
July 16, 1965 – Panther-a-Go-Go with Johnny Green & the Greenmen, Van Johnson, the TrenTones, Larry & Don. Joe Knapp taped the Motovators show and Terry Guinn took photos.
Terry turns down offer to join the Greenmen to finish education.
July 17, 1965 – Jolly Time Skating Rink with Bob Allen
July 18, 1965 – broadcast of Panther-A-Go-Go taped on July 16
July 24, 1965 – Caravan of Stars at Arlington Recreation Hall with KFJZ DJ Khan Hamon
Motovators drum head
July 25, 1965 – “sign made for Roger’s drums. Art shop on Commerce St.”
July 25, 1965 – Panther-a-Go-Go “Battle-of-the-Rock N Roll Bands” with Larry & the Blue Notes, the Jades, the Images, the Kasuals, the Visions, the Naturals, the Barons, Chas Christy & the Crystals, Jack & the Rippers and the Coachmen. Emcee was Bill Warren of WXOL, show host was Mr. Fred Slater.
1st place – Charles Christy & the Crystals 2nd place – Larry and the Blue Notes 3rd place – The Images
Prizes were a trip to the West Coast, 1 year of guaranteed bookings, and opening slot with the Righteous Brothers at Will Rogers Coliseum.
July 31, 1965 – professional photos taken of band at L.S.G.C. Auditorium by Bill Wood
July 31, 1965 – Jolly Time Skating Rink, Bob Allen DJ
August 1, 1965 – Panther-A-Go-Go rerun on TV with the Motovators doing “Walkin’ the Dog”
August 19, 1965 – KXOL DJ Bill Warren wants to manage the Motovators.
August 19, 1965 – Band offered to play six nights a week at Suite 225 club at 3520 Camp Bowie, but had to turn down because of Jolly Time booking on August 21.
Terry Lee Hungerford portrait (front page of scrapbook)
Terry Lee Hungerford would join Jerry Williams & the Epics in 1966. Starting in the 1970s he would be part of several bands including Ripe Chops, the Freedom Band, the Other Brothers Band, No Respect, Road Crew, and the Terry Hungerford Blues Band. He worked for Pacific Bell and even opened his own BBQ restaurant, Hungerford’s Finest in Watsonville.
Terry passed away on February 20, 2019.
All the posts based on Terry Hungerford’s scrapbook can be viewed at this tag link.
Special thank you to Andellyn Purvis-Hungerford for sharing this material.
The East Coastmen, from left: Don Newsome, Mike (surname unknown), Alan Partin, Spiller Anderson, Charlie Harbrook, Thom Clement, Dave Herndon, and Bob Kerwin. Photo submitted by the estate of Joanne Tluchak, Virginia Beach
The East Coastmen were not a garage band, but a revue or pop group with horns, listed in Billboard’s Campus Attractions issue of 1971.
Don Newsome commented with the names of the members, so I’ll add them here:
Don Newsome – Bass Mike (surname unknown) – Sax Alan Partin – Drums Spiller Anderson – Trumpet Charlie Harbrook – Trombone Thom Clement – Keyboards Dave Herndon – Frontman, lead singer Bob Kerwin – Lead guitar Gary Ricks – Trumpet, trombone
Personal Manager was D.C. Auman. They were booked by Attractions Ltd in Hampton.
Bob Kerwin sent in songs cut on a two track machine at D’Arcy Studios on 21st St in Norfolk, version of Ollie & The Nightingales “Girl You Make My Heart Sing” and Robert Parker’s “Barefootin’.
The East Coastmen, from left: Charlie Harbrook, Dave Herdon (wearing hat), Bob Kerwin, Thom Clement, Alan Partin, Mike (unknown last name), Spiller Anderson, and Don Newsome. Missing is Gary Ricks, trumpetThe East Coastmen, from left: Bob Kerwin, Spiller Anderson, Alan Partin, Charlie Harbrook, Dave Herdon, Thom Clement, Mike (unknown last name), and Don Newsome. Missing is Gary Ricks, trumpet
The Wild Prophets came from Ames, Iowa, about 35 miles north of Des Moines. They recorded one single on Kustom Records, Ltd ARS-1001, an energetic version of the Last Word’s “Can’t Stop Loving You” backed with “Do I Have to Come Right Out and Say It”, a Neil Young original with the Buffalo Springfield.
The lineup at the time of the record was:
Ted Nunemaker – vocals Keane Bonath – sax Ken Wood – guitar Roy Aasen – keyboard Larry Kelley – bass and vocals Andy Gielbelstein – drums
Mark Miller signed the label of the record, but he replaced Ken Wood on guitar after the record was made.
Earlier members included Jacque Furman and Ralph Stevens on drums, Ray West on keys.
Later members included Ron Arends on keys and Scott Erickson.
Larry Kelly wrote to me:
I had a few groups in high school. My first band I joined was the Mystics – the first combo at Boone High School. I left that group and started my own band called the Tel-Stars. In ’65 I left that band and got married.
In ’66 I started organizing a new band and we came up with the name The Wild Prophets – Ken Wood, Ray West, Jacque Furman and I. We did things like play guitar/bass behind our heads, lay down on the floor playing, etc. That’s where the ‘wild’ came from in the name. We went thru various other musicians when Ray left. Jacque left and Ralph Stevens played drums. He left in time and Andy took over. When Andy left, Randy Stultz took over on drums.
The recording came about with Ken, Keane Bonath, Ted Nunemaker (both Keane and Ted were ISU students at the time), Andy on drums, and Roy Aaesen played keys. We found the two songs we wanted to do and Ted sang lead on the slow song, me on “Can’t Stop Loving You” which was a Buffalo Springfield flip-side song from their hit, “For What It’s Worth”. But “Can’t Stop” was too slow so we sped it up a bit!
We had a school bus we fixed up to travel in along with the name of the band on each side in big letters. In ’69, we bought over $10,000 worth of new band equipment which today would be more like $80-100k. So many stories, too numerous to tell.
The Wild Prophets recorded at Audiosonic Recording Studio in Ames, and the record saw release in 1969.
According to the informative Boone Rock website, the band played “in Mason City. The Cellar in Ames was a favorite with a good crowd in attendance every time. Other venues they performed at include the Starlite in Carroll, the Pla-Mor in Fort Dodge, the Dance-Mor in Swisher, RJ’s Lounge in Marion.”
The Wild Prophets broke up in 1973. Jacque Furman continued in music, but I have few details other than playing with Cris Williamson and Glen Yarborough.
Ted Nunemaker died on Dec. 14, 2008.
Thank you to Larry Kelley for correcting the spelling of names.
Some information from http://members.iowatelecom.net/thx1136/pages/prophets.html (currently offline).
I can find a few other Audiosonic Recording Studio credits, such as:
Ted Hart – “Down in the Mine” / “I Don’t Need You Anymore” (both by Don Taft and J.T. Schreiner), produced by J.T. Schreiner on Leslie LR 72068 from 1968.
Syndrum of Soul - “Lost and Found” (Gary French, Floyd Brown) / “Do You Care” on SOS 100, produced by M. Harper, from 1970.
The Twilighters came from Kirksville, Missouri, a small city about 165 miles from Kansas City and 200 miles from St. Louis. In 1967 they cut two originals, “Spellbound” / “My Little Angel” at Technisonic Studios in St. Louis.
“Spellbound” is a fast-paced rocker, driven by Dave Daniels’s fantastic drumming. There’s a great guitar break and a double-time ending, and it’s over in less than two minutes.
The chant of “Spellbound” has a distinctive sound that may come from some other song but if so, I can’t think of it. It reminds me of a later cut, Steve Miller Band’s “Living in the U.S.A.” where the group chants “Stand Back”. I’d be interested if anyone has heard something very similar in another song from the era.
The B-side, “My Little Angel” is a ballad with fine vocals, and good recording production.
Released on Red Flame Records 45-1005, the labels show a 1966 copyright date, but the U4KM indicates a pressing date in the first half of 1967.
The Twilighters, from left: Everett Cassidy, Gary Blurton, David Daniels on drums, Bob Harbur, and Randy Elmore. Photo courtesy of David Daniels.
David Daniels wrote to me:
The Twilighters band began in 1963 with Gary Blurton (rhythm guitar and vocals), David Daniels (drums), Everett Cassidy (bass), and Bob Harbur (lead guitar). Randy Elmore joined the band in 1964 because Gary was leaving to join the National Guard and the band would be needing a lead vocalist. Randy played lead guitar as well.
Eventually Bob moved to the St Louis area and Everett also moved away from the Kirksville area. At that point Richard Hudson, also a local boy and friend of Randy and David, came on to play rhythm guitar.
The Twilighters, from left: Everett Cassidy on bass, Randy Elmore on guitar, David Daniels with drumsticks, and Gary Blurton, guitar. Photo courtesy of David Daniels.
This configuration of The Twilighters (Randy, David, and Richard) placed an ad in the local paper seeking a keyboard player, to which Carl Foultz responded and that was the group that made the record “Spellbound” / “My Little Angel”. Carl Foultz was the song writer and organ player, and the bass was covered by the bass pedals on the organ.
Randy Elmore – lead guitar and lead vocal Richard Hudson – rhythm guitar Carl Foultz – organ (and bass pedals) David Daniels – drums (background vocals for “My Little Angel”)
There were no headphones to monitor in the recording room and “Spellbound” was recorded in one live take. The band could not hear the vocal work at all until listening to the playback in the control room. Likewise for “My Little Angel.” It was the first recording the band had made and their first experience in a recording studio.
Randy, Richard, and David were local boys, born and raised in the Kirksville area. Carl was from Pennsylvania and came to Kirksville to attend university at Northeast Missouri Teachers College (now Truman State University).
The band members changed off and on over subsequent years with a total of about 20 different players having done some time with The Twilighters during their run (1963 – 1971).
Randy and David continued to play in many other bands in the NE Missouri area from 1971 – 2011, often times together, other times not, under the names: Country Flavor, Fox, Survival, Loose Louie, Twilighter’s Rockin’ Reunion, BJ Allen Band, and Blue Voodoo.
These photos are of the original players. There are no pics with Richard or Carl, so neither of these are the exact group of players that were on the recording.
David went on to buy Circle M Music in Kirksville in 1974 and operated the music store and built his own recording studio where he recorded many local musicians and vocal groups. David mentored many young kids over the years, sharing his love of music and recording. He retired in 2014 after serving the NE Missouri music community for 42 years. As an honor to his Grandpa David, Black Daniels & The Bears did a cover of “Spellbound” live at David’s retirement party in 2014, the 3rd generation of musicians in the Daniels family, carrying on the tradition.
Randy retired from SW Bell and now lives in Columbia, MO.
Richard did not continue with music but went on to other employment, was a private business owner, and has retired to Lake of the Ozarks.
Carl graduated from NE Missouri Teachers College and moved away, the other band members having lost touch with him.
Gary is retired from local employment in the Kirksville area.
Bob and Everett are now both deceased.
Dick Lawrence (deceased) was owner of Red Flame Records and was an avid music promoter throughout the NE Missouri area his entire life.
Carl Foultz was also a member of an r&b group called the Del-Fis or Del-Phis with Ed Corte, Frank Gantt, T.J. Jackson, Mac Pendelton, Nick Romanetz and Gary Smyth, some of whom were students at Northeast Missouri State Teachers College (now known as Truman State University).
After Carl Foultz left the Twilighters, Bill Daniels joined on guitar and Ray Beets on bass, as Ray states in his comment below.
Dick Lowrance owned Red Flame Records which released three singles by the group he was a member of, the Red Blazers, usually with Ike Haley as leader.
In 1966 Lowrance released a single by Friar Tuck and the Merrymen’s “Peanut Butter” / “Try Me” (Mike Barger) on his Sherwood Forest Records subsidiary. That band may have been from western Illinois though I’m not sure which town. I’ve found newspaper ads for a “new Friar Tuck and the Merrymen” playing at the Wayside Inn in Moberly, Missouri, about an hour south of Kirksville; not sure if this is the same group.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials
The group played in Hawaii and probably California as well.
