Category Archives: New York

The Myddle Class at the Excelsior House on Snyder’s Lake, NY, October 1966

The Myddle Class at the Excelsior House, October 1966, from left: Charlie (“Tony”), Dave, and Rick
The Myddle Class at the Excelsior House, October 1966, Charlie (“Tony”), Dave, and Rick
Ad in the Troy Record, October 15, 1966

The Myddle Class traveled to Snyder’s Lake, near Troy, New York, to play two weekends, October 14, 15 & 16, and 21, 22 & 23 at the Excelsior House nightclub, which was then attracting college students and other young people (the drinking age was 18) four to five nights a week to see acts like the Critters, the Liverpool Set and the Knickerbockers.

I was astonished to find 11 snapshots taken during their time at the club, along with autographs collected from each. Hilariously, Charles Larkey is noted as “Tony” on the album pages, though he signed his autograph correctly as Charlie Larkey.

The Excelsior House ran ads regularly for their shows. For the Myddle Class, some were spelled correctly, but a couple others billed them as the Middle Class.

See my recent post for a full listing of Excelsior House shows from 1964-1968.

Autographs of Dave Palmer, Myke Rosa and Rick Philp of the Myddle Class, from the Excelsior House, October 1966
Autographs of Charlie Larkey and Dan Mansolino of the Myddle Class, from the Excelsior House, October 1966
Charles Larkey (“Tony”) of the Myddle Class, at the Excelsior House, October 1966
Charlie Larkey (“Tony”) of the Myddle Class with patron or friend, at the Excelsior House, October 1966
The Myddle Class at the Excelsior House, October 1966, Dan Mansolino and Charlie (“Tony”) Larkey
The Myddle Class at the Excelsior House, October 1966, from left: Charlie (“Tony”), Dave, Myke and Rick
The Myddle Class at the Excelsior House, October 1966, from left: Dave Palmer, Rick Philp and Myke Rosa
The Myddle Class at the Excelsior House, October 1966, from left: Charlie “Tony” Larkey, Dave Palmer and Rick Philp
The Myddle Class at the Excelsior House, October 1966, Charlie Larkey and Dave Palmer
The Myddle Class at the Excelsior House, October 1966, Dave Palmer and Rick Philp

The Excelsior House on Snyder’s Lake near Troy: the Knickerbockers, Sundowners and other bands

The Excelsior House, a 19th century house on tiny Snyder’s Lake, a short drive southeast of Troy, NY, had a history dating back to the 1930s as a rural nightclub and restaurant. It drew crowds from a wide geographic area with various forms of entertainment and events.

In 1964, a new owner, Harry Doakmajian, started bringing in rock and pop acts. Over the next four years the Excelsior House hosted a succession of notable house bands.

The Knickerbockers: Jimmy, Beau, John, Buddy, at the Excelsior House, The Troy Record, May 1, 1965

The Knickerbockers made the Excelsior House their second home, with frequent months-long bookings from August 1964 until December 1965, and occasional monthly residencies in 1966 and 1967. The booklet of the Sundazed CD The Great Lost Knickerbockers Album! includes photos of Buddy Randell and Beau Charles on stage at the Excelsior House in 1966.

The Sundowners, from Lake George, held down monthly gigs in 1965 into 1966, and the Good Times were regulars from April through July 1966 (billed early on as “Direct from Harlow’s in N.Y.C.”) and again in September and December 1966, and January 1967.

The Kynds and the Good Times, Excelsior House, The Troy Record, 1966, April 9

I am not certain if this is the Goodtimes from Providence, RI, who also recorded as the Tradewinds, or more likely the band from Newburgh who recorded two albums of pop on Meteor as the Goodtimes III. This group, comprised of Johnny Babb, Timmy Jones, Dave Kennedy and Bobby Lonie, among others, cut some good unreleased songs, possibly recorded at Earl Kennett’s studio, as Dave Kennedy recommended the studio to the Jelly Bean Bandits to make their first demos.

Below is a compendium of the acts that played, compiled mainly from ads in the Troy Record newspaper (which became the Times Record).

Bands were usually booked Friday and Saturday evenings. Over time, early Sunday shows were added, then Wednesdays and Thursdays as well.

1964:

February: Tino and the Revlons
April 18: the James K4
June: Tino and the Revlons, the Act III
July: the Capris (“direct from Miami Beach”), and the Continental Twisters
August: the Act III and the James K4
August 3: Buddy Randell and the Knickerbockers
August: the Mystics and the Continentals
September through December: the Knickerbockers

1965:

Sundowners with Eddie Brick and Bobby Dickson, Excelsior House, The Troy Record, 1966, Nov 12

January: the Knickerbockers
February: the Sundowners
March: Tino and the Revlons (“Troy’s Own Beetles”), the Blue Counts and the Motions
April: the Motions, the Vi-Cleefs
April and May: the Knickerbockers

Nick Brignola and His Modern Jazz Quartet: Thursdays in June and July

July 31: Jay and the Americans plus the Knickerbockers
July: the Knickerbockers
August: the Knickerbockers
September: Don Sohl and the Road Runners (Nebraska band who cut great sax & guitar instrumentals like “Voo Doo” on Palms and “Rampage” on Dreem).
September: the Road-ents, the Progressions
October: the 4 Synns

Cordels at the Excelsior House, The Troy Record. 1965, Oct 9

October 16: the Classics and the Chessmen
November: the Cordels
December 23: the Knickerbockers and the Sundowners
December: Sundowners

1966:

The Chartbusters, the Sundowners, and the Big Bear Revue, the Troy Record, 1966, Feb. 12

By 1966 the Excelsior had two venues on the same compound: the main building with pop, rock and soul bands, and another called the Corral specializing in country music and square dancing, such as Rob Horton and the Friendly Travelers or Pete Williams and His Ranchers, but I have not compiled an extensive list of those c&w groups.

January – February: the Sundowners
February 19, 20: the Big Bear Revue (“Big Bear” / “People” on Cuppy Records)
February 25, 26: the Check Mates
March: Snoopy’s Crew
March 5: the Fugitives
March 12: the “ever popular” Esquires
March 25: the Fireballs
April 3: the Group 4
April 9, 10: the Kynds
April 14 had a special show, Jerry Lee Lewis and his Review!

May and June: Knickerbockers and Good Times

On July 29, the Souls Inc. “12 Man Group” took over through August, sometimes with Lord X and his X Chords
August 27 (Saturday): Tim Rose Trio

The Critters and the Good Times, Excelsior House, The Troy Record, September 23, 1966

The Good Times resumed house band status for September but there were a number of interesting featured acts that month and October:

September 2, 3 and 4: the Younger Boys (I don’t know anything about this group)
September 23: the Critters
September 28, 29, 30, 31 & October 5, 6, 7, 8 and 9: the Liverpool Set

The Myddle Class, Excelsior House, The Troy Record, 1966, Oct 22

October 14, 15 and 16 and 21, 22 and 23: the Myddle Class (billed in some ads as the Middle Class)

Check this new Myddle Class post to see photos from the interior of Excelsior House!

October 26, 28, 29 and 30: the Cleaners

November: the Sundowners with Eddie Brick

December: the Knickerbockers, The Good Times

Ricardo and the 4 Most, Excelsior House, The Troy Times Record, February 3, 1967
The Cleaners, Excelsior House, The Troy Record, October 29, 1966
Ricardo and the 4 Most, Excelsior House, The Times Record, Feb. 10, 1967

1967:

January: the Good Times
February: Ricardo the the Fore Most (4 Most)
March: the Sundowners and the O’Royals (the Fabulous Royals)
March 26: Roger Freeman with the Spoiled Brats
April 1: the Night Watch
April: the Liverpool Set
May: the Knickerbockers

1968:

February: the Shades of Brass, the Legends of Sound

Eva’s Towpath II, formerly Excelsior House, Imperials, The Troy Record, 1969, Nov 16

In September, 1969, the Excelsior House was taken over by Eva Varaday and renamed Eva’s Towpath II, but it only continued for a few months before it was shut down by the Rensselaer County Health Department for the same reason the previous owner lost his liquor license: the Excelsior House, like most of the other residences on the lake, had been sending raw sewage into Snyder’s Lake, which was only 1/8 of a square mile (approximately) in area! It did reopen in the mid-’70s for a short time as a meeting place, but I read there was a major fire in 2009.

If anyone has old photos of the Excelsior House, or a news clipping on the 2009 fire, please contact me!

Fate of the Excelsior House, May, 1970

Celebrating 20 years of Garage Hangover at Do The 45 Rock ‘n’ Soul Party at Quinns, Beacon, July 12

Do The 45 Rock 'n' Soul Party at Quinns, Beacon, July 12, 2024To celebrate 20 years of Garage Hangover I will be spinning some records at Do The 45 Rock ‘n’ Soul Party at Quinns in Beacon, NY on Friday, July 12, with old friends and fellow DJs Pete Pop (garage collector extraordinaire) and Phast Phreddie (who has known everyone cool in the music world since 1973).

Plus go-go dancers Sheba Shake and Bella Bombora!

Come out and say hello!

George Quarta Jr. “Get Loose” / “Don’t Move” and Bob Cribbie “Vow of Love” / “Rockabilly Yodel” on Cool Records

George Quarta, Jr. Cool 45 Get LooseToday I’m featuring two rockabilly artists, George Quarta Jr. and Bob Cribbie, who both grew up in Hudson, New York.

In 1959 they each released a 45 on the Cool Records label out of Harrison, New Jersey. George Quarta Jr. cut “Get Loose” / “Don’t Move”, and Bob Cribbie made “Vow of Love” / “Rockabilly Yodel”.

Cool Records attracted artists from Florida to Vermont. The Hudson connection might be coincidental. The records do not sound similar and may have been cut at different sessions or studios. What makes me think this could be more than coincidence is the 45s had successive release numbers: Bob Cribbie on Cool Records CJ-117, and George Quarta on Cool CJ-118.

George Quarta was born on December 21, 1931 and died on September 6, 2017. Quarta’s obituary states “He performed in the Hudson area including at the old Community Theatre where billboards of George lined the walls as the girls excitedly gathered to hear him sing and play his guitar.” The Community Theatre still stands, but has been disused for decades.

Bob Cribbie Cool 45 Rockabilly YodelBob Cribbie’s vocal on “Vow of Love” is straightforward, but his delivery on “Rockabilly Yodel” is very much “outsider” in nature; he certainly has an odd sense of timing! Bob became known as a idiosyncratic yodeler, appearing on radio and late night TV under his own name and then as Avalanche Bob.

Did George and Bob know each other? I have no idea. Nearly everyone involved in these records has passed away.

What was the connection that brought Hudson NY artists to record at Cool?

It was likely veteran talent scout Jim Small, of nearby Elizaville, NY.

Jim Small and Slim Whitman after WCOP’s Hayloft Jamboree, Cash Box May 16, 1953

Jim Small’s ten years of mentions in trade publications hints at the tough life of a record A&R man.

In 1953 and 1954, Jim received mentions in Cash Box as manager of WCOP, Boston, and business manager of New England’s “Dude Ranch Jamboree” out of WJAR-TV, in Providence, RI.

Billboard, Sept. 29, 1958:
Jim Small of Elizaville, N.Y. .. has accepted talent-scout duties with Johnny Dee’s Vitam Distribution Company, Harrison, N.J., and Johnny Ponz’s Ace Records, New York. Jim will cover Dee’s three labels, D, c.&w.; Vitam, pop, and Cool, rock ‘n’ roll. He’ll cover c.&w. and rock ‘n’ roll for the Pony label. Small, who was laid up most of last winter with pneumonia, says he’s good as new again.

Cash Box, October 11, 1958:

Jim Small … has been chosen by two record companies as a national talent scout. One is Vitam Distribs of Harrison, N.J., which has three labels: the strictly country “D” label, the pop Vitam, and the rock ‘n’ roll Cool label. Small will represent all three. The other outfit is Ace Records, New York, which will add country releases to its pop catalog.

(I am not familiar with a Harrison, NJ “D” label. It could be that it was not used because of Pappy Daly’s D label out of Houston which started earlier that year. I know of only one release on Vitam, Ray King and the Joe Derise Orchestra, “Can It Be Love” / “I’ll Always Love You.”)

Billboard, November 24, 1958 reported:

Visitors at the desk last Wednesday en route to the Nashville deejay festival, were promoter-manager Jim Small of Elizaville, N.Y. and a pair of his artists, Dick Sawyer of Stratford, N.Y. and Neil Swanson, who for the last four years has appeared on “Teen-Age Barn” TV show originating in Schenectady, N.Y … Sawyer’s initial release on Cool Records, “Sandy” b.w. “New Kind of Lovin’,” is due for early release.

The Glens Falls, NY Post-Star on August 6, 1959 mentions talent scout Jim Small in connection to Gerald Galusha, who made a record for Cool as Jerry Edwards, “Shedding Tears” / “Easy to Please” on Cool CJ-128.

Billboard August 3, 1959:

Jim Small, A&R man with Joe Flis’ Milo Recording Company, Harrison, NJ, has taken over the personal management of three Cool Records artists – Dave Osborn, Johnny White and Artie Davis. Small recently ushered Osborn to Wheeling, W.Va., for a guest shot on WJVA’s World’s Original Jamboree. White’s newest Cool release couples “Cryin’ Room” and “Rose in the Garden,” while Davis’ new one on that label is “Book of Love” b/w “Hawaiian Boogie.”

Billboard, April 4, 1960:

Jim Small, who has been associated with the c.&w. music field more than 25 years, has been named vice-president of Milo Recording Company, Harrison, N.J., by owner-manager Joe Flis. Jim has long served as talent scout for Milo and organized the firm’s c.&w. department with its Cool label. Small is presently in De Land, Fla., recuperating from an attack of ulcers which laid him low for several months. He is continuing with his scouting and auditioning during his Florida stay. With him is his right-hand man and assistant, Dave Osborn. Small’s home and office is in Elizaville, N.Y. [Dave Osborn came from nearby Hillsdale, NY, and made records on both Milo and Cool.]

Jim Small’s A-B-S Records label in March 1963: the artist pays $300 for 300 records … future royalties uncertain. George Quarta and Bob Cribbie probably made a similar deal with Cool Records

Billboard, July 25, 1960:

Jim Small, Veepee of Milo Recording Company and Cool Records, Harrison, N.J. is currently on a talent-scouting expedition thru Pennsylvania. Touring with him are his assistants Bud Bailey and Bob Weiss. Dave Osborn, who worked with Small out of the Cool branch in DeLand, Fla. the past winter, is spending the summer with his band in his native New York State. He will return to Florida with Small in the late fall. Jim reports that he is amazed at the amount of solid c.&w. talent that has been overlooked in Pennsylvania.

Billboard April 13, 1963:

Jim Small, president of A-B-S Records, Inc., Elizaville, N.Y., is back in action after spending most of the last 10 months in the hospital. Small has named Bud Bailey as general manger of A-B-S. Firm last week released a new one by Mickey Barnett and His Wranglers, “Just a Memory” b.w. “I’m Sorry I Cheated on You,” both penned by Mickey himself. A new A-B-S religious release spots “I’ve Been With Jesus” and “When I Move” as done by the Missionaires Quartet of Miami.

The Wilmington, Delaware News-Journal March 10, 1964:

Howard Rash, a songwriter and singer of country and western ballads, has purchased ABS Records from Jim Small of Elizaville, N.Y., and DeLand, Fla.

Sportin’ Life “I Can Feel It (Servant to the Sky)” on Riba Records

Sportin' Life Riba 45 I Can Feel It (Servant to the Sky)Sportin’ Life cut a great psychedelic 45 in the summer of 1968, “I Can Feel It (Servant to the Sky)” released on Riba Records R-1004/R-1003. I don’t know if Sportin’ Life was an actual group or a studio gathering. From writing credits on “I Can Feel It” members included Ronald Weissman, Michael Swerdlow, John Homenick, and possibly Richard Babeuf, who produced the record.

Babeuf also wrote the ostensible A-side, “I Can’t Wait Till Tomorrow)” and registered both songs with Kenyon Publications.

Babeuf owned Riba Records, with an address of 65 W. Merrick, Valley Stream, NY. Riba only had one other 45 I know of, the Renés “Shy Guy” / “You’re Wrong” on 45-10012 from 1965, also using Kenyon Pub.

I can’t find more info on Weissman, Swerdlow or Homenick, but Rick Babeuf had plenty of other credits in the music business.

One of the most notable is Gaslite Village “I Am Afraid” (written by Babeuf and Herbert Hilton) b/w “Up from the Underground” (Babeuf) on Murbo M-1029. Babeuf produced the record, which received a mention in the February 22, 1969 issue of Record World. Gaslite Village was probably a name made up for the record, the songs produced at different sessions, with copyright registered at different times (October ’68 and January ’69 respectively).

Babeuf was arranger on Jim Jackson “Welcome Me Home” / “Some Love with Soul” on Sandbag Records S102, produced by Mike Szymansky, who owned Sandbag and operated Omega Sound Studios in Rockville Center. Babeuf does not have any other credits on other Szymansky or Sandbag productions, but Sandbag released another good rock 45, the Epitome of Sound “You Don’t Love Me” / “Where Were You” on Sandbag S 101.

Babeuf and Frank Szelwach produced the Mauroks “Susan” / “Story of My Journey South” on De-Lite Records 517.

Babeuf produced and co-wrote (with Szelwach) the A-side of Frank Dean “My Son (This I Say To You)” / “If I Could Fly” on R & R Records R-102, also in 1969. I suppose Frank Dean was an alias of Frank Szelwach.

Cash Box August 9, 1969:

R&R Records Formed

R&R Records has been formed here at 1650 Broadway and 663 Fifth Ave. Heading up the operation, which also includes two publishing firms, Ren-Maur Music (BMI) and R.R. Music (ASCAP) are: Rena Romano, president, Steve Levy, business manager; and Richard Babeuf, general professional manager of the publishing units; Ric Drew, public relations director …

Billboard, August 8, 1970:

Riba Music Co. has just completed original music for 30″ and 60″ radio spots for Modern Sash and Aluminum Co., Inc. and Electro-Way of N.Y., Inc. Music was composed and arranged by Richard Babeuf.

Riba also did radio ads for Bick’s Family Restaurants and Hathaway’s Furniture Galleries.

Billboard September 12, 1970:

Richard Babeuf is also finishing up original material and charts for a new group called Labyrinth which will debut this fall with a new electro-visual presentation concept.

Billboard, October 17, 1970

Riba Music Co. will supervise all facets of the musical activity on the upcoming off Broadway play, “Iphegenia.” Richard Babeuf, general manager of Riba, will act as music director and conductor, and will supply all arrangements.

This may have referred to Wedding of Iphigenia and Iphigenia in Concert which ran at the Public Theater for a few months starting in December, 1971. However that production had music by Peter Link, performed by a group called Goatleg!

That’s as far as I got on Mr. Babeuf.

Sportin' Life Riba 45 I Can't Wait Till Tomorrow

Kennett Sound Studio acetates – Unknown and unidentified artists

Claud Stuard [sic] – Claude Stewart, or Claude Steward?
Bands and musicians from Schenectady, Albany, Poughkeepsie, and other areas traveled to Kinderhook to record at Earl Kennett’s studio.

A number of lacquer demos (commonly called acetates) of various sizes remained when Kennett Sound Studio closed and the property sold. Many of these demos are of the Cleaners (later known as the East Coast Clique), the group Kennett worked with the most. Others duplicate the recordings that would be released on 45 rpm records.

Below is a list of demos by unknown artists, in approximate chronological order. Because Earl was blind, many were unlabeled, though Earl’s young daughters sometimes added names or titles. Many song titles below are my guesses based on the lyrics.

Please take a listen to the audio excerpts and contact me if you know any of these artists.

8″ acetate by James Morse, not the same song as the Claude Steward, above. Another 8″ acetate has his name as Jimmy Morse
8″ lacquer acetates

Claude Steward (Claude Stewart?)
“I’m Going Your Way, I’ll Walk You Home” (excerpt)
“Goodbye Girl” (excerpt)

Jimmy Morse / James Morse
(two 8″ acetates, circa 1967)
“Can’t You See I Want You (Time After Time)” (excerpt)
“Back Alley Blues” (excerpt)
“Hey Little Girl” (excerpt)

Horvath family song, 1967 – Excerpt

Chain Reactions Kennett Sound Studio Acetate 45 Black and Blue

7″ lacquer acetates:

Unknown rock group circa 1968
“Goodbye” (excerpt)
“Girl” (excerpt)
Group from The Office Kennett Sound Studio Acetate 45
Chain Reactions (circa 1967)
“Black and Blue” (excerpt)

Group from “The Office” (circa 1968)
“He Was a Friend of Mine” (excerpt)
“Who Do You Love” (excerpt)

Unknown soul group – male lead with female backup
“Baby” excerpt

Pink Sydel Kennett Sound Studio 12 inch acetate
The Pink Sydel ?!

12″ lacquer acetates:

The Pink Sydel, 4/20/1968
“Memories”
“The Pink Sydel” (excerpt)
“Happy Together”
“We Gotta Get Out of this Place”

Unknown rock band circa 1969
“Darling Please” (excerpt)
“Please Try” (excerpt)

Folk singer Greg (surname?), associated with Hudson River Clearwater Sloop, circa 1969. Five songs, may not have been recorded at Kennett as it sounds like a radio broadcast.
Hear “My Dirty Stream” with discussion of Sloop restoration

Unknown band with horns, circa 1970:
“Vanilla on My Mind” (originally done by the Yellow Payges)
“Lady in the Night” (excerpt)
“Forty Million Dreams” (excerpt)
“It Will Take Time” (excerpt)

The Coachmen – “Green Green Grass of Home”
Unknown (The Coachmen?) – “Green River” (excerpt)
Unknown (The Coachmen?) –“You’re Gonna Be My Girl” (excerpt)

Unknown female vocalist with acoustic guitar, flute & drums, early ’70s:
“Lonely Eyes” (excerpt)
“If There’s No You Baby” (excerpt)

Unknown lounge/pop singer with combo:
“Lonely” (excerpt)
“Around the World” (excerpt)

Those Two Plus – Alex Rotter and Dawn Mickle “I’ll Be There”

Schenectady Gazette, September 17, 1968

Those Two Plus Kennett 45 I'll Be There

Those Two Plus – “I’ll Be There” / “It’s Rainin’ (Where I’m Bound)” (both by Alex Rotter, arranged by “Those Two”) Kennett Sound 0017, 1969.

Alex Rotter and Dawn Mickle performed as simply “Those Two” in a couple news reports. The Oneonta Star noted on August 10, 1968 that the duo took second place in the Folk Music Contest at the Otsego County Fair.

The Schenectady Gazette ran a photo of the duo on September 17, 1968:

Those Two, folksingers Dawn Mickle of Warnerville and Alex Rotter of Schenectady, who won top honors at the Cobleskill Fair and first in the semi-finals of the State Fair, entertained patients at the Eden Park Nursing home …

I have a 12″ acetate from the Kennett Sound Studio that includes both songs from the single. Another 12″ acetate contains five songs performed by Alex and Dawn which were not released.

From listening, I believe four of these to be original songs: “If I Were Free”, “Take Me to the Land of Lovin'”, “I Can Tell”, and “I Know What You Mean to Say” (titles are based on the lyrics), along with a version of Fred Neil’s “The Other Side of this Life”:

The Kennett Studio labels are blank.

Thank you to Peter Aaron for loan of the Those Two Plus single, and for finding the Gazette article on the duo.

Update: I’m pleased to say I was able to send the 12″ acetate of five unreleased songs to Alex Rotter’s family. Thank you to Sherry Rotter for contacting me.

Heathens – “The Other Way Around” / “Problems” on Vibra

The Heathens came from Schenectady, NY and cut one of the greatest singles of the area “The Other Way Around” / “Problems” on Vibra L-104. The Heathens recorded at Vibra Sound Recording Studio, but the cavernous sound does not diminish the energy of the group.

Michael Dellario wrote both songs and sang lead vocals. The labels credit Hooker, Stahl, Petticrew, Sheer & Marquez for arrangement.

Michael Dellario – lead vocals
Laddie Stahl – guitar
Steve Petticrew – guitar
Larry Hooker – keyboards
Paul Marquez – bass
Mike Sheer – drums

Steve Rosen wrote a profile on the band in Kicks #2, but the article had a number of typos in the names, such as Steve Pedicrue, Paul Marques, and Mike Sherer.

The article gives some interesting information about Vibra Sound studio:

The Heathens were the first to record at Schenectday’s first studio, Vibra Sound, which at the time was located in the home of proprietor Nate Schwartz. As Mike Dellario remembers it, conditions were primitive: “At the time, the studio was his garage and the engineering booth was his basement. I remember there was no eye contact at all. All the talking was through the microphone. Everything was done basically in just one shot, no concept of tracking.”

The Heathens broke up when the members graduated high school in June, 1967. The article states that Dellerio stuck it out with several subsequent bands and eventually cut some demos for Warner Brothers … He hopes to work with local bands on a producer/arranger level.

Mike Dellario changed his name to Michael Dellaira and became an orchestral composer.

The Sensations, including Larry Hooker with the tambourine, Michael Dellario on drums, and George Supreneault in the white shirt at right.

Walter Phelps (who was lead guitarist for the Ravens, also managed by Marty Wade) sent in this photo of the Sensations, which had two members who would go into the Heathens.

Michael Dellario told me he auditioned to sing for the Heathens, and brought Larry Hooker with him into the band on keyboards.

Morning After “I Don’t Need You Today” / “Dream” on Third Wave

Morning After Kingston Daily Freeman March 7, 1970Morning After released one record in 1970, “I Don’t Need You Today” / “Dream” on Third Wave 0027.

Members were:

Joe Kearney – lead guitar and vocals
Bruce Talbott – bass guitar and vocals
Jim Tate – drums and vocals

Although all three have song writing credit on the labels, copyright registration from March, 1970 shows Bruce E. Talbott wrote words and music to “I Don’t Need You Today”, and Talbott and Joseph Kearney co-wrote “Dream”. Dyad Music published the songs, but I don’t see them in BMI’s database.

According to an article in the Kingston Daily Freeman from March 7, 1970, the group met in New Paltz but were based in Kingston, NY. The group were in their early 20s, so they may have had previous band experience.

For Them, Rock’s the Mother Tongue

Morning After is not much interested in talking up a revolution. Its three clean-cut, suede-jacketed-and-vested members prefer to sing songs that are rhythmic with vocal harmony rather than rife with social movement … forsaking screaming lyrics and fire-eating antics for music with a straight-ahead sound.

Relying on the powerful, bluesy, lean sounds of Wallkill drummer Jim Tate, Kingston lead guitarist Joe Kearney, and bass guitarist Bruce Talbott of Walden … Their impeccable instrumental style and express-track delivery has brought them bookings at The Creamery in West Park, the Thunderbird in Saugerties, the Blue Eagle in New Paltz, and the Trade Wind and Coral Reef in Newburgh …

Talbott … tied in with the other two members of the group during a jam session while he was a student at New Paltz State University College.

The new disc, produced by Lance Naylor for Third Wave Records, was recorded at Kennett Sound Studios in Kinderhook: is currently available at Caldor’s Abrams and Britts.

(T.G.)

I don’t know if Talbott, Kearney or Tate continued in music after Morning After. Their record is one of the few singles from Kennett Sound studio that I don’t have in my collection.

Lance Naylor had a previous mention in the Daily Freeman, from March 25, 1969:

Theft of musical instruments valued at $1,000 from the Pleasure Yacht Tavern here, was under investigation …

Lance Naylor … manager of The Spurs, a musical group, reported the theft on Monday to authorities. He said the missing articles included three amplifiers and other musical equipment.