The Wild Kingdom: John Etheridge (drums), Glen (Robbie) Robertson (bass), Bruce West (vocals), and Mike Johnstone (guitar) Many is the time I’ve had a lead on a band that is obscure to me, which then gets forgotten in the avalanche of emails and comments I received from this site over time. I apologize for not following up in a timely manner.
Steven S. wrote to me a long time ago, 2008, about the Wild Kingdom, and though I corresponded with him, I neglected to post about the band, probably because they didn’t have any records to their name. Only recently have I noticed the connections to other bands such as the Mustangs and the Back Door, so I’ll add the photo and info he sent to me so long ago.
The Wild Kingdom were from the Peninsula (Hampton, Newport News) and used to play on the Southside at all the usual teen clubs.
The Swinging Machine and the Wild Wild Kingdom, at Hullabaloo, Newport News Daily Press, June 1968The band personnel were: John Etheridge (drums), Glen (Robbie) Robertson (bass), Bruce West (vocals), and Mike Johnstone (guitar). Johnstone was an extremely gifted player who enjoyed considerable acclaim among area musicians. Etheridge and Robertson wove a tightly solid sound, more like an R&B rhythm section than one might have expected from a hippie band in those days. West was a versatile singer and quite the showman.
At one point, they hooked up with Keith (of “98.6” fame) and toured as his backup band for awhile. They later morphed into “The Back Door” and continued playing at local clubs until they scattered to join various other local groups. They were the great unknowns in those days, being somewhat eclipsed by Swingin’ Machine. However, they were outstanding players and didn’t pay lip service at all to the “blue-eyed soul” genre that ruled the area back then. Their manager, Jim Tatum, also handled Bill Deal & the Rhondells – go figure!
Wild Kingdom and Back Door were a huge influence on many of us Southside garage punks. We ranked them above Swingin’ Machine, partly because they didn’t cover any radio hits, but mostly because they were the better band.
I don’t remember Wild Kingdom/Back Door surviving beyond 1969. At that time, Bruce West injured his leg in a motorcycle mishap and “retired” from the music scene. Robbie Robertson likewise dropped off the radar about then. Mike Johnstone & John Etheridge continued performing with various other area groups until at least the mid 1970’s. Some of the bands I recall were “Headstone Circus”, “Rooth”, “The Dubonettes”, and “Hot Cakes”.
To my knowledge, there are no recordings of the Wild Kingdom.
Jerry Harden published a brief memoir about Barnie’s in Buckroe Beach, VA that mentioned some of the bands I’ve covered, including Adrian & the Sinsations and Danny and the Delnotes. About the Wild Kingdom, he lists an additional member, Ray Witham, and writes that Robby Robinson [sic]: “was arrested on stage for wearing a sword as part of his costume”!
Steve Monaco and Bob Schlagel of the Back Door, 1967
Tina Monaco sent in these photos of the Rogues and the Back Door, two Hampton Virginia bands that didn’t make records but would have at least two members who would go on to Headstone Circus: Mike Johnstone on guitar and Bob Schlagal on bass.
The Rogues 1965-66, Hampton VA, from left: Tommy Clark, Bob Schlagal, Jimmy ?, Jerry ?, and Steve Monaco.
The Rogues ran during 1965 and 1966, and included:
Jerry ? – lead vocals Tommy Clark – lead guitar Jimmy ? – rhythm guitar Bob Schlagal – bass Steve Monaco – drums
The Back Door existed circa 1967 and included:
Bruce West Mike Johnstone – guitar Robbie Robertson Bob Schlagal – bass Steve Monaco – drums
Bruce West, Mike Johnstone and Robbie Robertson were also in the Wild Kingdom in 1968.
Tina wrote to me in 2025:
I am Tina Monaco, sister of Steve Monaco. He was a drummer for an incarnation of several bands from the 60s. The bands would practice in our garage at our residence on Big Bethel Road.
We were kids of a career Air Force father and our family retired in 1968 in Miami, Florida. Steve went on from there to marry his Lakenheath American High School sweetheart from our earlier days 1963-1965 in England. He became a commercial airline pilot for major airlines. He and Nancy are retired living in Arizona. I am retired as well, living in Lake Worth Beach Fl.
The Back Door, 1967 from left: Bruce West, Bob Schlagal (at top), Mike Johnstone, unidentified in white shirt, and Robbie Robertson at far right. Steve Monaco drummer not pictured.
The East Coastmen, from left: Don Newsome, Mike (surname unknown), Alan Partin, Spiller Anderson, Charlie Harbrook, Thom Clement, Dave Herndon, and Bob Kerwin. Photo submitted by the estate of Joanne Tluchak, Virginia Beach
The East Coastmen were not a garage band, but a revue or pop group with horns, listed in Billboard’s Campus Attractions issue of 1971.
Don Newsome commented with the names of the members, so I’ll add them here:
Don Newsome – Bass Mike (surname unknown) – Sax Alan Partin – Drums Spiller Anderson – Trumpet Charlie Harbrook – Trombone Thom Clement – Keyboards Dave Herndon – Frontman, lead singer Bob Kerwin – Lead guitar Gary Ricks – Trumpet, trombone
Personal Manager was D.C. Auman. They were booked by Attractions Ltd in Hampton.
Bob Kerwin sent in songs cut on a two track machine at D’Arcy Studios on 21st St in Norfolk, version of Ollie & The Nightingales “Girl You Make My Heart Sing” and Robert Parker’s “Barefootin’.
The East Coastmen, from left: Charlie Harbrook, Dave Herdon (wearing hat), Bob Kerwin, Thom Clement, Alan Partin, Mike (unknown last name), Spiller Anderson, and Don Newsome. Missing is Gary Ricks, trumpetThe East Coastmen, from left: Bob Kerwin, Spiller Anderson, Alan Partin, Charlie Harbrook, Dave Herdon, Thom Clement, Mike (unknown last name), and Don Newsome. Missing is Gary Ricks, trumpet
The Nite Liters horn section at D’Arcy studio, from left: George Resto, Harrel Baker and Danny Kelly.
Don Faulk and Harrel Baker wrote the A-side of the Nite Liters excellent single on Sounds International 631, “Set Me Free”. D’Arcy Sounds Studios‘ publishing company Twenty Grand Music belatedly registered copyright on over 20 songs including “Set Me Free” on April 3, 1968. Since this seems to be the earliest release on Sounds International, the single likely dates a year or two earlier.
Danny Kelly of the Nite Liters wrote to me about the group and sent the photo seen above:
I did play trumpet with the Nite Liters along with George Resto and Harrel Baker on sax and also rhythm guitar. Bobby Schnell on drums, Joe Fromel on keyboards and vocals, Donnie Faulk on bass and vocals, and Steve Keith on lead guitar filled out the rest of the band.
We all went to Hampton High School. Danny and the Del Notes went to Newport News High School which was a real rivalry in every sense.
We recorded an original titled “Set Me Free” and covered “The Harlem Shuffle” in D’Arcy Studio around the time Danny and the Del Notes did their record. We were both on the Sounds International label. Our 45 aired locally on AM and played on a few juke boxes. We only had 500 copies made.
Before George and I were recruited into the band, the Nite Liters played in the battle of the bands at the Peninsula Auditorium.
I remember playing with Dennis and the Times at the Peppermint Beach Club in Virginia Beach. The best times were when we were the house band at the Hullabaloo Club in Newport News, Va. We even tried getting into some psychedelic music there. That was really crazy.
There were other good times like when a couple of members including myself went down to North Carolina to get a dj Russ Spooner to play a demo tape on the air. We recorded that also at D’Arcy studio.
As of right now, we’re all still alive and kicking. Steve, Bobby and myself are the only ones still in the area. George and Joe are up in northern Va., Donnie’s somewhere out west and Harrel is music director with a group in Hawaii. He was a surfer back when we were at Hampton High School. I’m retired from the USPS.
Poster for Adrian and the Sensations at Nags Head Casino, March 22, 1969, submitted by Richard Dawes
James Shott wrote to me about a group he was in during the late ’60s, Adrian’s Sensations, or Sinsations. James wrote:
I played in a band called either Adrian’s SInsations, or Adrian and the SINsations (it was called both by audiences) in the Hampton/Newport News/Norfolk/Virginia Beach area. People knew me as “Smokey.”
The SINsations was a very good band, and played a good bit at the Peppermint Beach Club, filling in for Bill Deal and the Rhondells when they were gone.
Adrian Brandt played keyboards, Wayne Beckner played guitar, Joe Smith played drums, Jean Lynch sang, Jim Williamson and I played trumpet, Mike Minguez and Tom Gallucci played tenor sax, Dickie Dawes and David Champagne played trombone (at different times), Curly (can’t remember last name) played bass for a while and then another bass player, too. Gary Church was a singer in the band before Jean Lynch.
The Sinsations business card listing Gary Church on vocals with phone numbers for Adrian Brandt and Wayne Beckner
The band was quite good. We played soul, but also the top tunes of the day. Somewhat like Blood, Sweat & Tears, Chicago and Tower of Power, the Sinsations employed elements of jazz into the arrangements.
We spent a good bit of time in Virginia Beach at the Peppermint Beach Club, and played in clubs in Virginia Beach, Hampton, Newport News and Norfolk, and also played military bases. The horn players were music majors in college, and the rhythm section was mostly self taught, but quite good. Jean Lynch was a very thin girl with a big voice; sounded like Aretha Franklin.
I was in the band from either late 67 or early 68 until I was separated from the USAF (Jim Williamson, David Champagne also in AF, Mike Minguez in Army). I believe the group continued to work for a while after that, but lost contact with the guys.
I’d like to get some feedback from other members and anyone who heard/saw the group.
Thank you to Richard Dawes for sending in a photo of the rare poster of Adrian and the Sensations at the Casino at Nags Head and the scan of the Sinsations business card..
These Wild Cherries were a Hampton, VA band known for their ability to cover Beatles songs.
Members were:
Harold Souders (vocals, lead guitar, electric piano) Carl Moore (vocals, guitar) David Jenkins (bass) Wayne Dale (drums)
Hal Souders and Carl Moore were cousins, and composed both songs on this 45. In December of ’65 the band went to Richmond Sound Stages to cut their only recording, “I Cried Once” / “Baby Baby”.
“I Cried Once” begins with jarring guitar chords, and continues at an urgent pace through verse and chorus and a beautiful and very brief reverbed guitar solo until the ringing chords at the finish. Hal Souders’ syncopated piano overdub is a nice touch.
The tender “Baby, Baby” on the flip begins with nicely articulated notes cutting to a drum and bass break before the verse begins. The singer confesses “all the lies I told to you, not a one was true.”
To me this is one of the most successful of all teen 45s of the ’60s, sincere original songs flawlessly performed and superbly recorded. The upbeat “I Cried Once” balances the sedate “Baby, Baby”. The instruments and harmonies create an atmosphere akin to the Dovers great recordings.
The band released the songs on the Richmond based Shoestring label, which also had 45s by the Fugitives and Panics. Publishing was by Bargem Music.
The record had some play on WGH 1310 AM in Newport News, though it didn’t make any charts that I know of. The band broke up by the time Hal Souders started college in the fall of ’66.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials
