Category Archives: Delta Recording Center (Fort Worth)

Delta Recording Center and studio, Fort Worth

Delta Recording Center, aka Delta Studio, Fort Worth, 1965
Opening announcement, Nov 23, 1965

Delta Recording Center opened in November 1965 at 910 Currie. It was one of a handful of Fort Worth recording studios in the mid-’60s, including Clifford Herring, Sound City, and Bluebonnet Recording Studios.

Garage rock was only a small part of their business, which would have included much gospel, country and other types of music.

I’m sure there were many other rock singles cut at Delta, but these seem to be definite:

Charay Records C-17 – The Elite – “One Potato” / “Two Potato”
Charay Records C-31 – The Elite – “My Confusion” / “I’ll Come to You”

Ector Records 101 – The Jades – “I’m Alright” / “Till I Die” (Prod. & Eng. by Jesse Smith)

Sound Track ST-2000 – The Reasons Why – “Don’t Be That Way” / “Melinda”

Delta Recording Center Fort Worth Star-Telegram Nov 11, 1966
November 1966 ad
John D. Maxson from Dallas was owner and engineer, Robert L. Farris, vice president, and John A. Patterson, production manager. It is often referred to as Delta Studio or Delta Recording Studio instead of Delta Recording Center.

Maxson was also part owner of Spot Productions, Inc, at 2831 Bledsoe, which produced TV and radio jingles, breaks, and programming.

Johnny Patterson, guitarist with Bob Wills’ Texas Playboys and other groups, bought the studio in 1969.

By 1973 it was running ads that boasted:

“Ampex and Scully mono, two, four and EIGHT TRACK recorders. When you record at Delta you receive a custom service … from mastering and processing, to labels, album covers, cassettes and cartridges.

In February, 1974 the Star-Telegram announced:

Lawton Williams is the new manager of Delta Recording Center, owned by Rick Snow and Jim Shadle. Johnny Patterson, formerly with the Bob Wills band is chief engineer and directs the house band.

Demos / acetates from Delta Recording:

The Tracks- “Rain in My Eyes” (?) / “Don’t Cut My Hair”

Louis Howard – “You Can Do as You Please” / “Comin’ Home to You”

Louis had a 45 on Impact Records I-4074 with the Red Hearts, “You’re Too Much” / “I’ve Got the Feeling”.

The Reasons Why “Don’t Be That Way” on Sound Track

Reasons Why Waco-news-citizen-sep-03-1966-p-6
The Reasons Why in the Waco News-Citizen, September 3, 1966. Anyone have a better photo of the group?

Reasons Why Sound Track 45 Don't Be That WayThe Reasons Why cut one of the top Texas records in the ’60s, “Don’t Be That Way” on Sound Track ST-2000. I don’t own a copy, but I found this article on the group from the Waco, and since I don’t remember seeing this photo of the group before.

Members of the Reasons Why were:

Frank Kalenda – rhythm guitar and vocals
John Inmon – lead guitar and vocals
Johnny Schwertner – organ and vocals
Ronnie Miller – bass, vocals – replaced by Tommy Langford
Donny Dolon – drums and vocals

The article is very informative, noting “The group has just completed a session at the Delta recording studios in Fort Worth” [Delta Recording Center].

“W.F. Temple, president of Sound Track Records, was in Waco recently to audition this popular group and was so impressed that he immediately offered The Reasons Why, a recording contract.

The group is from Temple, and has been playing together for seven months. Their name comes from the first three words of “I’ll Feel a Whole Lot Better”, a recording by the Byrds.”

Most of the group attended Temple Junior College, except John Inmon: “Before joining the group John had played with bands on the west coast. He is a student at Temple High School.”

Carl Sachs managed the band and brought them to the Sound Track label. Bill Temple and Mickey Moody produced the single, released on Sound Track in late 1966 with a SoN 39531/2 mastering code.

“Melinda” was the A-side, written by Denis Jones who does not appear to have been a band member. Dennis Jones seems to have been a song-writer published through Sound-Age or Soundage, Bigtop and Le Bill Music. I suppose Bill Temple had publishing on “Melinda” and had the Reasons Why do the song. Luckily the Reasons Why were allowed to put their own song on the flip side.

Bassist and vocalist Ronald Miller wrote “Don’t Be That Way”. He seems to have left the group shortly after the single’s release, as most photos I’ve seen show Tommy Langford instead.

Top: Frank Kalenda, John Schwertner; bottom: Tom Langford, John Inmon, Donnie Dolan. Promo photo reproduced in Not Fade Away #3

Not Fade Away #3 had an interview with John Schwertner:

“The Reasons Why played … Fat City in Kilgore, Catacombs in Houston, LouAnn’s in Dallas, Pussy Cat a Go Go in San Antonio, and the New Orleans Club, Swingers a-Go-Go and Jade Room in Austin.”

John Schwertner is quoted:

The Beyersville SPJST was a great club, all the bands from Austin and Temple would play there: the Wig, Baby Cakes, Elevators … and all these kids from all the little towns in the area would pack the place.

John described the Baby Cakes:

We had always looked up to them ’cause they were the first band I remember to play English style rock and roll. A real scruffy looking band, sort of the Texas Rolling Stones I guess. They helped us get some bookings and they’d come to our shows and tell us how to improve our band, really helped us alot.

1967 recordings at Robin Hood Brian’s studio in Tyler have never been released.

In the fall of 1967 Frank Kalenda left the band and John Schwertner joined the Lavender Hill Express as vocalist. Other members of the Reasons Why changed their name to the Feast of Stephen. Not Fade Away states that others joined the South Canadian Overflow, a band I’ve found notices for as early as November, 1967.

Schwertner, Donnie Dolan and John Inmon would later form Plymouth Rock.

In the 1970s, Inmon joined the Lost Gonzo Band.

At the Austin Aqua Festival ’67 Battle of the Bands, from left: Tom Langford, John Inmon, Donnie Dolon and John Schwertner; photo reproduced in Not Fade Away #3

Sound/Age Music published both songs on their Sound Track single. The only other single I know of with Dennis Jones’ credit is the Industrial Image “Living in the Middle Ages” by D.A. Jones on Epic 5-10096, published by Bigtop Records & Soundage Music. The Industrial Age were from the Glen Rose, Texas area, and had been known as the Heartbeats. One member may have been Larry Witt.

Thank you to Matthew B. for helping me access the news clipping, and to Enrico Benassi for scans of the Not Fade Away article.