Category Archives: Label

Categories: CEI, Havre de Grace, Maryland

The Runabouts from Havre de Grace, MD “Way of Life” & “All Is All”

May 4, 2021 Chris Bishop 1 Comment

The Runabouts, photo taken November 17, 1967

The Runabouts came from Havre de Grace, Maryland, about 40 miles northeast of Baltimore. The two sides of their single have very different sounds. “Way of Life” is fast-paced with horn arrangements. I’m partial to the slow, moody flip, “All Is All”.

The Runabouts formed in 1966 and expanded into an octet by the time they broke up in 1968.

Members included:

Jim Skrivanek – guitar
Joe Pascuzzi – guitar
Dennis Trimble – keyboards

Don Laye
Lew Rothlisberger
Mike Lynch
Ed Kelly
Tom Vincenti

The Baltimore Sun gave a short history of the group when the Runabouts had a reunion on May 19, 2012:

The Runabouts was originally formed by Havre de Grace area high school students as a five-piece guitar, bass and drum combo in 1966. The Runabouts played local teen dances at venues such as Teen Town at Aberdeen Proving Ground and Fiddler’s Green at the old Bainbridge Naval Training Center.
After a couple of lineup changes and the addition of horn, sax and keyboard players, the eight-piece version of the Runabouts was active in 1967 and 1968 playing local dances and events and even cutting one 45 rpm record: “Way of Life,” written by guitarist Jim Skrivanek, backed by “All in All,” written by guitarist Joe Pascuzzi and keyboardist Dennis Trimble, on the independent CEI label out of Ohio.
With graduation, military service and work commitments taking members to far flung locations, the band split up after two years but then got back together for a successful reunion concert in Havre de Grace in 2006.

Robert T. Brown came from Fremont, Ohio, where he had a recording studio, releasing records on his Courier label. From 1966 to 1968 he was in the Army, stationed in Aberdeen. He continued to record bands, changing the name of the label to CEI Records.

Released on CEI Records CE127, the code RI2521 indicates Recordings, Incorporated in Baltimore pressed the single, published through Bro-Nik. Nashville Matrix did the plating.

The Runabouts had a website that is long defunct, but parts of it are available on the Wayback Machine, where I found the photo at top.

Info on CEI Records from Buckeye Beat.

Categories: Jerden, Spokane, Washington

Harold Horn “Dew B. Dewey” on Jerden

April 21, 2021 Chris Bishop 2 Comments

Harold Horn was born March 6, 1933 on the Northern Cheyenne Reservation in Lame Deer, MT. He served in the Army from 1950 until 1953, including ten months in Korea. Returning to Spokane, he became a professional musician around Spokane and in Coeur d’Alene.

He played guitar with Bobby Wayne and the Warriors, appearing on their only single on the LJV label, “Sally Ann” / “War Paint”. He also sang a fine lead vocal with the group on “Long Lean Baby”, which was only released in 2005 on the Sundazed EP ’55 Spokane Rockabilly!

Bobby Wayne would produce Harold Horn’s only solo release, “Dew B. Dewey”, a pop song set to a thumping beat with horns and cooing female backup vocals. The flip was the Little Richard standard, “Miss Ann”, a simpler production of acoustic guitar backed by another pounding drum beat.

Bobby Wayne (Robert Wayne Snyder) and Don Weise wrote “Dew B. Dewey”, published byBurdette Music Co. and released on Jerden 750 in 1965.

Harold Horn would lead his own bands during this time. One notice in the Spokesman-Review from June 13, 1964 gives the name of the other musicians in his trio:

Patients at the Shrine Hospital for Crippled Children were entertained Friday with a two-hour concert of music donated by a Spokane band.
The three-piece musical group of Harold Horn played for the children in the hospital’s auditorium. Other members of the band were Jimmy Mitten on drums and LaCharlie Cook on guitar.

Harold Horn left music around 1966, not long after the Jerden single.

The Spokane Daily Chronicle profiled Harold on June 22, 1968, when he was social service coordinator with the American Indian Community Center. Headlined “Indian Aide Recalls Frustration and Depression: Now Helping His People” it is well worth a read.

Harold Horn died on November 24, 2016.

Categories: Chicago, Flop, Illinois, Jim-Ko

Sons of Adam and Ron Steele “Sleep in Public Places”

April 20, 2021 Chris Bishop 1 Comment

This is a Chicago 45 featuring Sons of Adam with Ron Steele on “Sleep in Public Places” backed with an instrumental, “I’m All Through with Her”.

It was released on Flop Records, a subsidiary of Jim-Ko Inc. In fact, “Sleep in Public Places” was also the A-side of Cole Steele and the Steele Drivers on Jim-Ko Inc. JK-41095.

I’m not sure if it’s the identical recording to the Sons of Adam version, but given both are Jim-Ko productions and include an artist named Steele, I would think it’s likely.

The flip is a fine instrumental in a different style, “I’m All Through with Her”, which doesn’t include horns, backing vocals or sound effects like “Sleep in Public Places”. Ron Steele is not credited on this side.

Jim Kolb produced the Sons of Adam 45, and Jim-Ko Pub published the songs. The dead wax includes “For Jeanette” on the A-side and “J. Kolb” on the flip, plus 41095 which was the Jim-Ko release number of the Cole Steele 45.

The Sons of Adam were a real group, including Bill Zimmerman and Joe Estok on drums, who was replaced by Marcus David in 1967. There was a well-known session guitarist in Chicago named Ron Steele, but I don’t know if this is the same person.

I couldn’t find publishing info on “Sleep in Public Places”, which was written by Zimmerman and Failla.

The July 12, 1966 registration for “I’m All Through with Her” lists Bill Stewart, pseudonym of William A. Zimmerman.

There’s another Stewart/Zimmerman registration on that date, for a song called “I Can’t Stand It”, words by Jim Dee, pseudonym of James N. Skarzynski, and words and music by Bill Stewart aka William Zimmerman. I’m not sure if this song exists on record.

Additional info on the Sons of Adam or Jim Kolb would be appreciated.

Categories: Alaska, Anchorage, Golden Gate, Golden State Recorders

The Pulsating Heartbeats and the Hartbeet Band

April 14, 2021 Chris Bishop 1 Comment

The Apostol brothers, Eddie, John, and Paul, formed the Pulsating Heartbeats in their home town of Anchorage Alaska.

The Pulsating Heartbeats were:

Eddie Apostol – guitar, vocals
John Apostol (Raphael Apostol) – guitar, vocals
Paul Apostol (Raul Apostol) – drums
Frank “Skip” Konte – keyboards, vocals

Originally known as simply the Heartbeats, the group rehearsed in Betty Poeschel’s garage, and recorded in Betty’s Record Den.

As the Pulsating Heartbeats they made one very rare record, “Anne” / “Talkin’ Bout You” on Pace Setters Internationale 007 1/2.

John Apostol wrote “Anne” and co-wrote “Talkin’ Bout You” with Eddie. A local DJ, Ron Moore produced. I believe Pacesetters was a booking agency run by Poeschel and Ron Moore. The address on the record was 425 East 5th Avenue in Anchorage.

The group toured throughout Alaska, and also performed at rallies for Mike Gravel’s failed run as Congressman in ’66.

Heartbeats join union to play Mike Gravel’s campaign rally in Fairbanks, July 1966

Skip Konte left the group. He would move all the way to Tampa, Florida, joining the Blues Image in 1967 and co-writing their hit “Ride Captain Ride”.

Emerson Crivillo took Skip’s place on the keyboards. Eddie Apostol was drafted, leaving the band as a trio.

The group played in Hawaii and probably California as well.

In 1967 they went to Leo Kulka’s Golden State Recorders in San Francisco to cut a single as the Hartbeet Band. John and Paul Apostol wrote “Wait ‘Till Then” while “Run Around Kind” is credited to Apostol – Crivell [sic].

The Hartbeet Band single saw release on Golden Gate Records GG-1263 in small quantities, and is very rare now. The labels list Golden Gate’s publishing wing Guard Music Co. but I cannot find copyright registration for either, or for “Anne” / “Talkin’ Bout You”.

Lisa Wheeler found a demo of “Wait ‘Till Then” and wrote about the group for her site Elk Bugles.

The demo lists Pacesetters Custom Recording Studio.

I believe the Heartbeats / Hartbeet Band ended their touring around this time and returned to Anchorage. Eddie Apostol returned from service and the band would continue to play locally.

Most of the above videos above were made by one of the Apostol’s sons, and feature cool photos and info.

Categories: Alabama, Gold Master, Huntsville, Woodrich

The Rocks from Huntsville on Gold Master and Woodrich

March 10, 2021 Chris Bishop 1 Comment

The Rocks came from Huntsville, in northern Alabama.

Randy Duck is quoted on a Lee High School alumni site (a couple spellings of names are corrected):

The original Rocks included Johnny Harbin, Butch Rolfe, Bulldog Hillis, Joe Skipworth, Skip Atkins, Donnie Cartelli and me. Later, Johnny and Butch went into the service and Bulldog dropped out. Jackie Tiller started playing lead guitar, Richard Hahn came on board with keyboards …
We had several different drummers after Donnie, but Doug Cheffer was the last one. Donnie and Doug are both passed away.

My copy of “Terri” is signed by Butch Rolfe.

I’ve seen a later photo of the band with this lineup:

Randy Duck – lead vocalist
Joe “Little Joe” Skipworth – sax
Jack Tiller – lead guitar
Skip Atkins – bass guitar
Doug Cheffer – drums

Randy Dee Duck wrote both songs of their first single, “Love City” / “Terri”, released on Gold Master Records GM-1001 in November 1964. Both sides are great, crude rock ‘n roll.

Their second single came in 1965, “Love or Money” by Don Cortelli and Randy Duck with “Rock Pretty Baby”, on Gold Master GM-1003. I haven’t heard this one yet.

The Rocks get a slower, bluesy sound on the top side of their last single “Because We’re Young” written by Walter Sims, I’m not sure his connection to the band. The flip is a ballad, “My Only Love” by Johnny Harbin and Randy Duck, released in November 1965 on Woodrich Records WR-1249.

A single by the Rocks on White Cliffs 239, “Who Do You Love” (by Edgar Starns) / “Keep My Woman Home” may be a different group.

Sonny Limbo produced for L & C Productions. Sonny was a Huntsville DJ whose real name was Sonny Limbaugh – thus Limbaugh Music publishing, and also seems to have partly owned Gold Master Records.

Besides the two Rocks 45s, Sonny also produced the Hi-Boys Combo ‎”Why (Must I Love You)” / “Some Man (Other than Me)” both written by C. Bolden, released on Gold Master GM-1004.

Gold Master GM-1002 is Hollis Champion’s “Stand There” / “Sugarfoot Rag”, and doesn’t have Sonny’s name or publishing anywhere on the labels.

Sonny Limbo produced the In and the Bobbies, which I’ve covered before. He used Sonic Recording Service in Memphis for those records, I’m not sure where the Rocks recorded.

Sonny also produced at least two singles on the Exclusive Records label out of Chattanooga:

The Champells – “Don’t You Know” / “Won’t You Love Me” on Exclusive 2297, both written by Ralph Flynn (the second copyrighted as “Won’t You Love Me Too”? by Ralph Thomas Flynn in October 1965).

The Vondels ‎- “Stagger Lee” / “Turn on Your Love Light” on Exclusive 2295.

Categories: Columbia, Falls Church, Virginia, Washington DC

The Telstars “Hold Tight” on Columbia

February 24, 2021 Chris Bishop 13 Comments

Tel Stars Washington DC photo and business card — The Tel Stars, from left: Jimmy Carter, Ronnie Wilson, unidentified – can anyone ID? and Terry Gorka

The Telstars were a big draw in the Washington DC area, playing at the Bayou among other venues.

The band was based in Falls Church; members included:

Jimmy Maddox – guitar
Gary Johnson – guitar
Jimmy Carter – guitar
Terry Gorka – bass
Ronnie Wilson – drums

Bud Becker sent in the photo seen here, and remembers two vocalists with the band, Jerry Burke, who went into the Army, and a second named Mick. He also remembers Terry’s wife Cherrie Gorka was a seamstress who made costumes for December’s Children, and that Barry Siedel managed the band.

The Telstars put a lot of fuzz behind “Keep on Running”, a song written and originally performed by Jackie Edwards, and made famous through the Spencer Davis Group. It’s a good version, but I like their take on “Hold Tight” even more. Sylvia Fricker of Ian & Sylvia wrote “Hold Tight”, registering copyright in September, 1966.

“Hold Tight” appeared on Ian & Sylvia’s 1967 album So Much for Dreaming, which I don’t have a release date for, but I believe it shortly precedes the Telstars single on Columbia 4-44141 in May, 1967. I’d be curious if the Telstars heard “Hold Tight” on the album or from a songwriting demo.

The production credit is interesting. Bob Wyld and Art Polhemus of Longhair Productions created many great singles with the Blues Magoos, including “Tobacco Road” and “(We Ain’t Got) Nothin’ Yet”; the Magicians (“An Invitation to Cry”, “About My Love” and more), the Blue Beats and others, usually on Columbia Records.

Barry Seidel (with Tom Traynor) produced records by the Mad Hatters and the Fallen Angels. The Telstars record is the only time Seidel worked with both Wyld and Polhemus, but Bob Wyld would later produce albums for acts that Seidel managed, Steel Image and Exuma.

Bud Becker thought the Telstars recorded at either ~~Rhondell~~ Rodel Studios in Georgetown or Edgewood Recording Studios. Bud managed various groups, such as the Winds of Change and the Yorkshires.

Terry Gorka would go into the Reason with Tommy Dildy, Bill Manning, and Billy Windsor, releasing an album Age of Reason on Georgetowne Records.

Thank you to Linda Shekan for correcting some errors in this article with her comment below.

Categories: Houston, Pacemaker, Rosenberg

The Triumphs “Better Come Get Her” on Pacemaker

February 17, 2021 Chris Bishop 2 Comments

The Triumphs “Better Come Get Her” is a stomping rocker, with lines like “she wants to cheat, and I’ll give her the chance”! The flip is the bizarre blues novelty “Morticia Baker”; the single was released on Pacemaker Records PM-238 in early 1966.

The Triumphs came from Rosenberg, TX, just southwest of Houston. Billed as the Triumphs of Rosenberg, I can find notices of their live shows as early as March, 1961, and they started recording in 1962, with singles on various labels such as Dante and Bragg.

For “Better Come Get Her”, the Triumphs consisted of:

Don Drachenberg – usually saxophone but lead vocals
Tim Griffith – guitar
Tom Griffith – bass
Fred Carney – organ
Teddy Mensik – drums
Denver “Denny” Zatyka – backing vocals
Gary Koeppen – backing vocals

Mark Charron was a prolific song writer who composed both sides of this single, as well as other songs for the Triumphs, like “Candy Baby” (the flip of their Pacemaker hit “I’m So Lonesome I Could Cry”), and “Keep It Up” on Joed Records, which is now sought after by soul DJs.

The Triumphs had been backing B.J. Thomas, but I’ve read the band wouldn’t tour after “I’m So Lonesome I Could Cry” hit, so Thomas dropped the group. His solo career was already underway, “Tomorrow Never Comes” / “Your Tears Leave Me Cold” on Pacemaker PM-239, credits B.J. Thomas alone.

Huey Meaux owned Pacemaker Records. A Crazy Cajun album Gotta Keep My Kool includes some unreleased music I haven’t heard yet.

Other members of the Triumphs included Doug Griffith on keyboards, John Perry on bass, and Ron Petersen.

The Triumphs would continue, but not releasing more music until 1969 and 1970, when they made two singles on Master Record Co., based out of Jones Sound Recording Studio at 1523 Blair in Houston. Wand picked up one of these, “Houston Won’t Call Me” for national release. I haven’t heard their first Master single, with the intriguing titles “Hang My Mind Out to Dry” / “The World Is Dying”.

Source: Alec Palao’s notes to Don’t Be Bad! (60s Punk Recorded in Texas) which digs deeply into Crazy Cajun’s tape vaults.

Categories: Edgewood Recording Studio (DC), Gama, Springfield, Virginia

The Beau Havens “Elizabeth” / “Feel So Good” on Gama

February 8, 2021 Chris Bishop 2 Comments

Back from the Grave stars the Beau Havens

The Beau Havens had one record, the fantastic “Elizabeth” / “Feel So Good” on Gama Records 45-705 from September, 1966. The photos seen here were taken about a year earlier, in 1965.

I’m trying to decipher the hand-writing on this card, so members’ names may not be spelled correctly. Any help would be appreciated:

John Colgan – drums, vocals on “Feel So Good”
Kerry Miller – lead guitar
Jim Whelan – lead vocal on “Elizabeth”
Allan Hurdle (or is it Allen Hurdle?) – guitar
Tom Whelan – piano

Kevin Miller – manager

The group were all young teenagers in ’65.

Belle Haven, VA has been listed as their town of origin, though that is nearly four hours drive from the Springfield, VA American Legion Hall where these photos were taken. Belle Haven may be confirmed from a neighborhood newsletter that featured the group, the Belle Haven Tribune, from May 7, 1965. The newsletter spells the brothers names as Tom Whealen and Jim Whealen.

A Pi Alpha Gamma banner appears behind the group, and it’s likely the Beau Havens shared the bill with the Londoners and the Roaches.

Beau Havens photo 1 American Legion, Johnny Colgan on drums — This should be Johnny Colgan on drums

Beau Havens photo 3 American Legion — Photo of the Beau Havens – the drummer lacks his cravat

Jim Whelan wrote and, I think, sang lead on “Elizabeth”.

Rick Fulton wrote “Feel So Good”. I’m not sure if Rick was a later member of the band or simply a friend. Johnny Colgan appears to have sang lead on this side.

Both songs likely were cut at Edgewood Recording Studio at 1627 K Street, N.W. in Washington D.C. A couple of Edgewood acetates of the single exist. On one the song has the title “She Makes Me Feel So Good”, corrected in pen to “She Makes Me Feel Right”.

Doesn’t sound like the Beau Havens had a keyboard player on the record. Claiborne Music published both songs.

Beau Havens photo 2 American Legion — I believe this is Kerry Miller of the Beau Havens

More info on the Beau Havens would be appreciated.

Update May, 2022:

Danny G purchased a guitar in the D.C. area and the name on the case helped him trace it to this post, where it is clearly the guitar in the last photo above. Below are some interesting photos of this custom-made guitar provided by Danny along with his description:

Likely a neck taken from an unbranded Kay guitar and put onto a solid chunk of mahogany (?). The white paint was to emulate the pickguard on a Höfner bass.
The guitar uses two Lafayette pickups, a 99-4536 in the neck which is a screw on pickup made for jazz arch top guitars and a PA-297 acoustic soundhole pickup in the bridge. The guitar has a really unique sound because of the odd choice of pickups, and that’s part of the reason I bought it.
The bridge pickup came with an RCA input and he simply repurposed it as the main input.

Beau Havens, Kerry Miller's guitar - back — Kerry’s guitar – one hook to keep the pickup selector in place, and an eye for the guitar strap

Beau Havens Kerry Miller Guitar 4 Gretsch Tone Twister — Gretsch Tone-Twister palm vibrato

Beau Havens Kerry Miller Guitar 3 Lafayette pickups — Lafayette pickups

Categories: California, Golden Sound, Knoxville, Lenoir City, San Francisco, Tennessee, Unknown

The Trophies on Golden Sound

January 27, 2021 Chris Bishop 1 Comment

The Trophies released one single in October, 1965, “With a Love” backed with the uptempo “C’mon Little Lady”.

If the members were also the song writers, then the band included:

George Jevicky
Andy Martin
Daniel Nasimento

Geo. Jevicky, Andy Martin wrote the moody “With a Love” published by Blue Coast Music, administered by SESAC. Daniel Mascimento wrote “C’mon Little Lady” published by Duval BMI.

This is the only release on the Golden Sound label that I know of, GS 1011.

Teen Beat Mayhem lists the band’s location as San Francisco, California, but the label credits read “produced by Suwanee Songs, Lenoir City, Tennessee”.

I’d like to know how a San Francisco band wound up on a label out of Lenoir City, a small metropolis southwest of Knoxville.

Categories: Cleburne, Manco, Morton, Texas

Little Richard Morton and His Musical Four “Sad, Sad Song”

January 26, 2021 Chris Bishop 1 Comment

Little Richard Morton cut this one single on his own Morton Records in June of 1964, backed by “His Musical Four”. Richard Morton wrote both songs, the rocker “Sad, Sad Song” and the slow “A Love I Once Enjoyed Is Now a Dream”.

The crude recording quality, prominent organ and r&b backing help push “Sad, Sad Song” into what could be called ‘garage’. His intonation is very country, so it’s no surprise the same month he made this single, he played a western dance at Womack Hall in Clifton, TX as Little Richard Morton and His Rainbow Valley Tophands.

The dead wax etchings “Manco-Morton #1 6-10-64” show this was recorded and released through Manco Recording, a Fort Worth company that released over forty singles, including “She’s A Doll” / “Kiwi Boogie” by Jim Jones & the Chaunteys.

The address of N. Pendell Ave, Cleburne was probably Morton’s home address at the time. Cleburne, TX is 30 miles south of Fort Worth.

According to copyright records, his full name was Richard Lowell Morton. Bluebonnet Pub Co. published both songs.

Richard Morton has other copyright registrations for religious songs.

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