Category Archives: Chicago

Baby Huey and the Baby Sitters

Baby Huey and the Vets in Chicago, 1963. From left: Pete Foster, Dale Harper, James Ramey (Baby Huey), Melvyn Jones and Butch Whited.

In 2005 I wrote a discussion of the early singles by Baby Huey and the Baby Sitters before Huey signed to Curtom and recorded the songs issued on his great posthumous LP. In subsequent years I added some photos, news clips and gig notices, then in 2026 completely reworked the article, below.

Baby Huey and the Baby Sitters are a famous Chicago band, but their roots are in Richmond, Indiana, where they formed in high school as Baby Huey and the Vets in 1962. The members attended Richmond High School, most of them graduating in 1964.

Earliest gig notice I can find for Baby Huey and the Vets in Richmond, Indiana, November 23, 1962
1962

November 23 – National Guard Armory, Richmond
December 8 – Richmond High School “Mistletoe Mash” at Civic Hall
December 29 – teen holiday dance at the Conservation Park lodge
December 31 – American Legion hall, 400 North Eighth St.

1963

May 17 – Hagerstown, IN prom, followed by “appearances on the Northwestern university campus at Chicago, Ill., immediately after playing for the prom at Hagerstown.”
June 13 – Senior’s all-night party at the YWCA: “Beginning at 4 a.m. Baby Huey and the Vets, a high school instrumental combo, provided music for dancing in the TAC club.”
August 4 – Clear Creek Park
September 1 – Clear Creek park Musician Local 388 union concert
December 27 – Leland Hotel, Richmond. Noon concert for Kiwanis
December 27 – Forest Hills Country Club

First mention of playing in Chicago, Richmond Palladium-Item, May 16, 1963

A notice in the Richmond Palladium-Item & Sun-Telegram for a concert August 4, 1963 lists the first lineup of the group I can find:

Members of the group are Melvyn Jones, electric piano; Dale Harper, drums; Pete Poster [sic – should be Pete Foster], alto saxophone, Butch Whited, guitar, and J.T. Ramey, bongos and vocal.

Melvyn Jones is brother of jazz drummer Harold Jones.

1964

March 12 – YWCA for Women’s Federated club
March 24 – Melody Skateland

Dale Harper, Curtis (Pete) Foster, and Harry Whited left the band to join the military. Curtis Foster left the group for the Marines in February 1964. He died on June 6, 1965, when two helicopters collided off the ship, the Iwo Jima.

Madisons Limelight 45 Bad Baboon
The first record of James Ramey and Melvyn Jones

Richmond Palladium-Item, April 1, 1964
The Palladium-Item ran a very interesting notice on April 1, 1964:

“Bad Baboon,” a record featuring a group of local musicians, is being pressed by Richmond Record Pressings under a label which is an affiliate of Mercury Record corporation in Chicago. In the group are Danny Jarvis, drums; Dick Agee, bass guitar; Butch Whited, lead guitar; Melvin Jones, piano, who also wrote the lyrics, and Jimmy Ramey, vocal. They taped the number in Chicago. Formerly known as the “Sting Rays,” the local group has been renamed the “Madisons.” They have played at local dances and entertainments.

A short notice the next day adds “The “Madisons” … includes members of two earlier combos known as “Baby Huey and the Vets” and the “Sting Rays.”

Released on Limelight Y-3018, “Bad Baboon” / “Because I Got You” apparently is the first recording featuring Baby Huey and Melvyn Jones. Melvin Jones wrote “Bad Baboon”. A takeoff on “The Gorilla” by the Ideals with a new set of lyrics, it would also become the inspiration for Baby Huey and the Babysitters 1965 single “Monkey Man” though again with new lyrics and a more aggressive feel. Cash Box reviewed the single favorably on June 18, and copyright was registered on April 27. It was likely recorded at the Indianapolis studio of producer Jan Hutchins. Jan Hutchens (correct spelling) had co-produced Chicago vocalist Ral Donner’s “You Don’t Know What You’ve Got (Until You Lose It)” for Gone Records in 1961.

Did B.J. stand for Baby Jimmy, or Baby James? There is a notice for B.J. and the Sting Rays at the Springwood Pavilion in Conservation Park on June 15, 1963, but Baby Huey and the Vets were also active at that time. The news described them in February, 1964:

The Catholic Youth center will sponsor a dance at the Knights of Columbus hall Sunday, Feb. 9. Members of B.J. and the Sting Rays combo will provide the music. They are Dick Agee, Melvin Jones, Danny Jarvis, Butch White [sic: Butch Whited] and Jim Ramey.

However, Baby Huey and the Vets did shows through March, 1964. The Madisons name took over for that recording, but I can find no gig listings under that name, nor any listings for Baby Huey between April 1964 and early March 1965.

Certainly by February 1965 if not earlier, Jim Ramey and Melvyn Jones had relocated to Chicago where they added new members, found management in university student James Kargman, and started recording as Baby Huey and the Baby Sitters.

Baby Huey and the Baby Sitters as a five-piece, an early promo photo that ran in the Rockford Register Star, June 19, 1965 for the show that evening

1965

At some point in 1964 or 1965, Johnny Ross, also from Richmond, IN, joined on guitar. They were joined by Chicago musicians Dennis Moore on drums and Larry Sales on bass.

The history of Baby Huey’s 1965 recordings is confusing because they contain four songs released across five singles.

I believe the first two cut were “Just Being Careful” and “Messin’ with the Kid” as John Ross had copyright registered on “Just Being Careful” on February 12, 1965. Both sides feature horns, and a female chorus on “Just Being Careful”. “Messin’ with the Kid” is a great version of the Mel London song done originally by Junior Wells.

Shann 73924 – “Just Being Careful” / “Messin’ With the Kid” (February 1965)
USA 801 – “Just Being Careful” / “Messin’ With the Kid” (April ’65)

The next two recordings are the influential “Monkey Man”, credited to John R. Ross, though it must have evolved from the Madisons “Bad Baboon”. James Kargman took arranging credit on “Monkey Man”. Copyright was registered on April 23, 1965.

Their version of “Beg Me”, originally recorded by Chuck Jackson, may be the weakest number on these early 45s but is a prized soul record today. Starting slow, it picks up steam. John Ross’s guitar work is outstanding on all of these. For some reason the label St. Lawrence substituted the earlier “Messin’ with the Kid” for “Beg Me” on some copies, and again when it was reissued on Satellite in ’66 or ’67.

St. Lawrence 1002 – Monkey Man / Beg Me (1965, issued on both blue and white labels)
St. Lawrence 1002 – Monkey Man / Messin’ With the Kid (1965, white label only)
Satellite 2013 – Monkey Man / Messin’ With the Kid (1967)

Jim Kargman produced all of their singles in 1965, along with those of Dalek/Ingam and the Blackstones. Thumbs Up in Chicago was the group’s base and some of their early bookings such as Rockford College were made through the club. An item in the Chicago Suburbanite Economist on February 23, 1966 noted “Tony Caithamer, one of the owners of the Thumbs Up club at 2848 N. Broadway, is donating the services of [Baby Huey & the Baby Sitters].”

First ad for a Chicago gig. It ran in the Tribune on March 3 and 5, 1965, with the Billy Williams Revue at the Celebrity Lounge, 900 North Rush.

Baby Huey at the College Fieldhouse in Rockford, June 19, 1965. The Morning Star devoted an article on the show to the Beau Brummels, but ran this photo of Baby Huey

South Bend Tribune, June 27 1965

March 3-6: at the Celebrity Lounge, 900 North Rush with the Billy Williams Revue
June 19 – Thumbs Up presents the Beau Brummels, Baby Huey and the Babysitters and the Blackstones at Rockford College Fieldhouse
June 28 – Stepan Center, Notre Dame, South Bend – WJVA show with Dalek-Engam and the Blackstones, the Teen Tones, the Tradewinds and the Phantoms
November – Spain, Italy, Greece, Africa ?!

On December 1, the Toronto Globe and Mail reported Baby Huey and the Baby Sitters played in Paris for the debut party of Nelly de Rothschiild, along with UK group Band of Angels.

late December – WVON Chicago Christmas Benefit with Little Stevie Wonder, Dee Clark, Jackie Ross, the Madlads, the Impressions, G.L. Crockett and Red Saunders

Baby Huey and the Vets featured in the Richmond Palladium Item, November 10, 1965

An article from the Richmond Palladium on November 10, 1965 listed the lineup that was flying to play in Europe and Africa, but refers to them by their old name, Baby Huey and the Vets:

Melvin Jones – trumpet and organ
Johnny Ross – guitar
Dennis Moore – drums
Jim Ramey (Baby Huey) – vocals
Larry Sales – bass
Charles Lance – sax?

1966

This photo ran in the Rockford Register Star on February 18, 1966

January 29 – Rockford College with the Castaways and the Fabulous Intruders from Rockford, IL
February 25 – Orr High School benefit
February 25 – Harmony Hall, Chicago
March 18 – U. of Illinois Urbana, George Huff Gymnasium
March 19 – Rockford, with the New Colony Six, the Shadows of Knight, the Grim Reapers and the Komons, at Boylan High School gym. Also the Flock, according to some news listings.
May 21 – Rock Island at the Monmouth College Scot Olympics

The Daily News ran this photo of Baby Huey for their September 1966 shows at Trude Hellers
May 29 – Richmond National Guard Armory
July 24 at Palms Shore Club, Emmons Ave, Brooklyn with Satan Four
late July – early August – at Trude Hellers, NYC
September 5 – September 17 (?) – at Trude Hellers
September 10 and 11 – Palisades Amusement Park’s “Heller-Baloo” with Benny Gordon, Bertha Colbert and Abercrombie & the Fitches
October – at Trude Hellers, also an announcement that Capitol Booking has signed the group
October 7 & 8 – Romano’s Steak House, Hartford, CT
October 21 – Richmond High School Homecoming Dance
November 1, 1966 – November 15 – Trude Heller’s (NY Daily News)
November 19 – Bayone, NJ at Venice Tavern

Billboard, October 29, 1966
Billboard, October 29, 1966
In October 1966, the Babysitters went back to Richmond to play their high school’s Homecoming Dance.

Dennis Moore got drafted around 1966. Reno Smith became the drummer at some point.

I’m not sure when Melvyn Jones left the group. As Deacon Jones he wrote a memoir the includes his years with Baby Huey, 40 Years With the Blues Legends: the Life and Times of Melvyn Deacon Jones that I haven’t read yet.

Johnny Ross probably left in 1967, when he recorded two singles as Johnny Ross and the Soul Explosions, “I Can’t Help Myself” / “Sore Loser” on Chirrup 1523, and “Love-I-Tis” / “Chi’-Ca’-Go'” on La-Cindy 509.

The chronology of when later members joined is uncertain. Because James Ramey drew so much attention in the press as the group’s frontman, later articles never mention other members of the band.

Jet, January 19, 1967
Jet, January 19, 1967

1967

January – at Ungano’s club in New York
February 15-28 – the Cheetah, with the Exceptions Feb. 15-18
March 22 – April 12 – the Cheetah with the Chambers Brothers and the Rovin’ Kind through March 26
April 26 – Tempo Dance City 8813 Foster Ave, Canarsie, Brooklyn

The Cheetah was open Wednesdays through Sundays.

Robert Baker wrote about the Cheetah club in the Chicago Tribune on April 16, 1967:

The sound is continuous, provided by two bands that alternate each hour. Current attractions are the Griffith-Harter Union and Baby Huey and the Babysitters … Baby Huey, a kind of Motown Mama Cass, has been the biggest regular draw of the Cheetah since it opened last fall. He takes center stage with him where he moves in his bright red double-breasted suit, usually abandoning his tie after a couple numbers. The group features upbeat rock numbers as well as some slower soul pieces, often blue in both connotations of the word.

Rotund Band Leader Faces Dope Charge

CHICAGO (UPI) – “Baby Huey,” a rotund rock ’n’ roller has been booked for a May 8 date in court.

A tinfoil package of what police believe is marijuana, a warm pipe, overheard talk of “smoking pot” – plus police insistence – helped the bushy-haired, 370-pound band leader get the unwanted engagement.

Possession of narcotics is the charge, police said.

Baby Huey, billed as “the biggest name in the business,” was arrested in his motel room Thursday with two friends. Police said they were tipped, possibly by a disgruntled fan, that there was a party going on.

Baby Huey, who said his real name was James T. Ramey, and Baby Karp and Ronald Wagner, both 21, Chicago, were freed on bond. Karp and Wagner are not members of “Baby Huey and the Baby Sitters.”

Police later ticketed Baby Huey’s brightly painted bus and towed it from the spot reserved for Mayor Richard. J. Daley’s limousine to the auto pound.

On July 6, 1967, the charges were dismissed:

Judge Kenneth R. Wendt ruled arresting officers did not have a warrant to make the raid on Ramey’s hotel room after receiving a tip.

Detectives said they arrested Baby Huey Apr. 13 after they found him lying on a bed with a package of a “crushed green plant” nearby.

Baby Huey & the Baby Sitters, Traverse_City Record Eagle Aug. 8, 1967
This news item was picked up nationally in August, 1967. I can’t find further details.

June 7-11 – Ron’s Back Room, 1311 N. Wells in Old Town
September 1 – the Cheetah with the Exception and the Rovin’ Kind.
September 22-24 (dates uncertain) – the Cheetah: Billboard noted on September 30 that “Manager Buddy Fox reports that 15,000 turned out over the weekend to hear Baby Huey and Tommy James & the Shondells”
October 20-21 – at the Cheetah with H.P. Lovecraft and the Litter
October 22 – Benefit with the Litter at the Cheetah for the new Museum of Contemporary Art
November 10-21 – at the Cheetah in Chicago
December 30 – Bachelors Ball at the Frederick C. Crawford Auto-Aviation Museum, Cleveland. The Plain Dealer ran a large photo of Baby Huey on stage at the event, but the microfilm is too dark.
December 31 – at the Cheetah in Chicago with the Exception

By late ’67 or 1968, Baby Huey and the Babysitters were managed by Marv Stuart’s State and Madison Management (listed as Marv Heiman on wikipedia).

Ad for Baby Huey at Grandmother’s in Lansing August 3, 1968

1968

Baby Huey & the Babysitters at the Jaguar with the Shadows of Knight! March 16, 1968
at the Jaguar with the Shadows of Knight! March 16, 1968

February 1 – Michigan Tech Sno Ball in Houghton
February 25 – American Internatonal College Winter Carnival, Springfield, MA
March 1 – Electricians Hall, 5247 W. Madison with the Disciples of Mayhem
March 16 – at the Jaguar with the Shadows of Knight
March 23 – Marine Room at St. Clair hotel
April 5 – The Deep End, Park Ridge, Illinois

Tantalizing ‘what-if’ from Robb Baker’s May 1, 1968 column. Unfortunately nothing ever materialized.
Robb Baker gave a bizarre report in the May 1 Tribune:

Baby Huey and The Baby Sitters have been signed by George Badonsky of Dunwich Productions … Huey, who’s Mama Cass’ soul brother in several senses, is managed by “Tough” Teddy Allen. His former producer was Earl “Big Daddy” Glicken of Chicago, but he hasn’t recorded for over five years, Badonsky said. Several record companies are being contracted about contracts by the new producer.

They had recorded about three years earlier, not five. And unfortunately nothing ever came of an association with Dunwich, which is a shame. Badonsky and Bill Traut of Dunwich would have been a great choice to produce the band. Unfortunately, there seem to be no recordings of Baby Huey and the Baby Sitters from the time of the four songs recorded in early 1965 until the release of”Mighty Mighty” in April, 1969.

Earl Glicken only has a couple record credits, as supervisor on the Ideals 1966 remake of their own song, “Go-Go-Gorilla” on Satellite 2011, and producer of their classic “Go Get a Wig” on St. Lawrence 1001 in 1965. He may have had something to do with the re-release of Baby Huey’s “Monkey Man” on Satellite 2013.

Baby Huey & the Babysitters at Mother Duck with the Box Tops November 23, 1968
at Mother Duck with the Box Tops November 23, 1968
May 31 – The Deep End
June 14 – Cleveland, reported by the Plain Dealer: “The 400-pund favorite of the younger set and his rock ‘n’ rollers came in from New York from a deb party which lasted until 5 a.m. yesterday morning to play for a dance given last night by four Hathaway Brown graduates for their friends at the Chagrin Valley Hunt Club. Hostesses were Robin Coakley, Paula Frohring, Suzy Sayle and Jane Wierdsma.”
June 28 – The Deep End
June 24-29 – Hollyoke Club, 3901 E. Wash. St., Indianapolis
July 9 – Hullabaloo Club, Genoa Road, Belvidere, Illinois
July 10 – The Deep End
July 12 – The New Place with Christopher Robin & Friends
July 19 – The Green Gorilla
July 20 – The Cellar, with the Byzantine Empire
July 26 – The Deep End
August 2 – The Aragon on 1106 W. Lawrence
August 3 – Grandmothers in Lansing
August 7 – The New Place with Fire and Ice
August 9 – The Cellar with the One Eyed Jacks
August 9 & 10 – The Aragon with the Fenders and the Weaker Sex
August 17 – The Deep End
August 27 – at the Jaguar with Boston Tea Party
October 25 – Wild Goose in Waukegan at 8:30, The New Place at 10:30
November 23 – at Mother Duck with the Box Tops
November 27 – The Deep End with the Lights of Darkness
November 29 – The Green Gorilla, Des Plaines American Legion Hall with the Commonwealth
December 30 – Bachelor’s Ball at the Auto-Aviation Museum, Cleveland (follow-up item noted the band canceled due to auto accident so the Imperial Wonders subbed)

Later members of the Babysitters included:

Plato Jones – percussion
Rick Marcotte – trumpet
Byron Watkins – tenor sax
Danny O’Neil – guitar
Charley Clark – tenor sax
Bobby Baker – alto sax and flute
Turk Littles [Alton Little] – trumpet
Othello Anderson – ?

These are the ones I’ve found in a smattering of news clips and in the comments below. The album credits five others: David Cook, Dan Alfano, dJack Renee, Phillip Henry, and Moose that I have not seen listed in the comments or news clips. Some of them could have been brought in to overdub the unfinished tracks for the album.

1969

Baby Huey & the Babysitters on Soul!, Bridgeport Post March 6, 1969
Baby Huey & the Babysitters appear on the Soul! TV show, with Dee Dee Warwick, Lord Superior, Shirley Chisholm and Jacob Lawrence – anyone have a clip of this?

Jet, March 6, 1969
Jet, March 6, 1969

January 10 – The Aragon with the Illusions and the North Syde
January 17 – The Aragon with Operation Soul (formerly the Fenders)
January 18 – The Aragon with the Buckinghams and Operation Soul
February 7 – The Aragon with the Motown Sound, the West Side Story and the Rush Hour
February 14 – Valentines party at the Cheetah
March 1 – The Wild Goose, Rt 120 & Lewis Ave, Waukegan with the Illusions
March 15 – The Aragon with Sam the Sham and United Nations
March 16 – Gordon Technical High School, 3633 N. California Ave with the Mauds and the Soul Machine, 6-9 PM
March 21 – The Chances ‘R’, Champaign, IL
March 22 – The Wild Goose in Waukegan with Ben Franklin’s Almanac
April 1 – University of Illinois, Chicago Circle Campus, 750 S. Halsted, benefit for Biafran Relief, 1-4 PM
April 1 – first mention of their Buddah signing in Billboard
April 3 – The Basement, 310 Pearl, Grand Rapids
Baby Huey and the Babysitters and the Impressions at the Aragon, Chicago Tribune, 1969 May 30April 4 & 5 – The Aragon with Doug Clark & the Hot Nuts and the Green Men
April 12 – “Fernando’s Musical Enterprises recently hosted a party for Baby Huey and the Babysitters at Barnaby’s Balcony. The group’s latest single on the Curtdom label is ‘Mighty Mighty Children'” – Billboard
April 21 – new run starts at the Cheetah

On April 24, 1969, the Herald Tribune reported:

A part time Evanston Township High school English teacher and a former rock ’n’ roll musician were arrested yesterday on charges of possession of $2,000 worth of heroin and marijuana … Jeffrey Sowers, 22 … who played with Baby Huey and the Babysitters, a Chicago rock band, also was arrested in the raid on [Noreen Tasley’s] apartment.

I haven’t seen Jeff Sowers cited as a part of the Babysitters beyond this news item.

Lake Geneva, Wisconsin
April 26 – “Baby Huey and the Baby Sitters are scheduled to be in New York next month to cut their first album for Curtom.” – Billboard
April 30 and May 1 – at the Scotch Mist in Chicago
May 1 – Billboard reports the group scheduled to record their first LP for Curtom in New York.
May 2 – Chicago Tribune mentions Inner-National Booking “best known for its management of Baby Huey and the Babysitters.
May 6 – Soul! TV show, with Dee Dee Warwick, Lord Superior, Shirley Chisholm and Jacob Lawrence – anyone have a clip of this?
May 21 – Merv Griffin Show in New York (announced in Billboard May 17)
May 22 – The Chances ‘R’, Champaign, Illinois
May 29 – The Pier (formerly the Riviera Ballroom) in Lake Geneva
May 30 – The Aragon with the Impressions
Baby Huey & the Babysitters on Merv Griffin, Independent Press-Telegram, June 8, 1969
Broadcast of the Merv Griffin Show on June 11, 1969
June (2nd week) – Merv Griffin Show broadcast on various dates depending on city
June 14 – The New Place with Mead
June 21 – The Aragon with the Buckinghams and Von Ryan Express
June 27 – The Aragon with Five Stairsteps & Cubie, and Spot & the Blotters
July 26 – benefit for Reese hospital
Everly Brothers, Sons Of Champlin, Baby Huey and the Babysitters Filmore West, August 1969
The Chronicle reported that Baby Huey cancelled
August 1-3 – The Fillmore West with the Everly Brothers and Sons of Champlin Cancelled, Frumious Bandersnatch took their place
August 4-5 – Basin Street West Most likely cancelled

In August, a syndicated column The Living Arts by Charles Hobson & Shelia Smith mentioned the group as being one of many to appear on the Chicago TV show Our People.

August 14 – Jet announces that Baby Huey was “ailing a bit” in Chicago.
September 5 – The Rectry, 4850 Menaul NE, Albequerque, NM
September 15-21 – the Whisky a-Go-Go with Eric Burdon of War
October 24 & 25 – Lally’s at State & Chestnut with Aorta

On November 2, the Chicago Tribune ran a profile by Clarence Page of a new group tentatively called Funky Skull including Jim Armstrong and Ken McDowell from Them, Curtis Bachman from the Buckinghams, and Reno Smith from the Babysitters. Reno is quoted: “I have played with a small instrumentation before. You are much more free this way, liberated from the limits of a single role in a large group.”

December 5 – The Aragon with Wayne Cochran & the C.C. Riders

The Tribune reported on December 11 “Wayne Cochran brought his blond bouffant hair-do to the Rush Over, where he did an impromptu bit with Baby Huey & the Baby Sitters.”

At Lou's Quarry, Appleton, Wisconsin, August 1, 1970
At Lou’s Quarry, Appleton, Wisconsin, August 1, 1970

1970

Baby Huey & the Babysitters at Lou's Quarry, Appleton Post-Crescent July 31 1970
Lou’s Quarry, Appleton, Wisconsin, August 1, 1970
April 24 – Sound Storm Festival, Poynette, Wisconsin (There are a number of excellent photos at (Wisconsin Historical Society – search for Baby Huey or Sound Storm under photos and images.)
February 4-8 – Whisky a-Go-Go, Los Angeles
April 29 – Marian Central Catholic High School (winners of the Pine Brothers Cough Drops contest), Woodstock, IL with Tommy James & the Shondells, the Litter and the Saints & Sinners
May 1-4 – The Dells at Lake Lansing
May 22 – Streator, Ottawa, IL, with the Second Coming (formerly Buddy & the Citations)
May 28 – The Tribune reports: “Baby Huey … reportedly has split up with the Baby Sitters and is rumored to be joining a Madison group, the Brotherhood.”
June 17-21 – The Dells at Lake Lansing
August 1 – Lou’s Quarry, Appleton, WI
October 25 – Val-Air Ballroom, Des Moines, IA
October 31 – Drake University Homecoming Dance, Val-Air Ballroom (scheduled but cancelled due to Jim Ramey’s passing on the 28th, replaced by Just Us and the Batch)

Baby Huey died in the Roberts Motel, 6635 S. King Drive, Chicago on October 28, 1970, after a show in Madison, Wisconsin.

Baby Huey death notice
Jet, November 12, 1970
Billboard, December 5, 1970
Billboard, December 5, 1970
Jet, October 7, 1971
Jet, October 7, 1971

The Babysitters continued on for some time after James Ramey’s death, apparently with members such as Chaka Khan and her husband Hassan Khan, Charlie Clark (“Chup”), Jon French, Gail, Tommy Thompson, Kenny [surname?] … (see comments below).

Billboard mentioned that after Huey’s death, the Babysitters changed their name to Boink for at least one live show. However Robert Baker, in a comment below states “The Babysitters never changed their name to Boink. This was another concurrent group that had at least two ex-Babysitters in the group.” A listing for a December 4-6, 1970 appearance at the Factree in Calumet City specifies “formerly the Baby Huey Baby Sitters”.

Thanks to Dean Milano for Capitol Booking Corp photo of Baby Huey and the Baby Sitters. Check out Dean’s book The Chicago Music Scene: 1960s and 1970s.

Live dates from publications including The Daily Herald, the Tribune, the Des Moines Register, the Belvidere Daily Republican and others. Certainly this is a far from complete list of their gigs, and also a number of those listed were probably cancelled or postponed.

In 2005 an acetate came up on auction that was supposed to be an unreleased instrumental by Baby Huey and the Baby Sitters. I had a sound clip up here for over a year before Mark Namath identified it as “Zoobie” by the Noisemakers. The acetate was probably a DJ or collector’s cut misidentified as Baby Huey – there’s no connection between the groups.

Baby Huey & the Babysitters, Daily Journal March 20, 1969
Baby Huey profiled in the The Daily Journal (Fergus Falls, Minnesota), March 20, 1969

Gary Steffins & the Fugitives 5 “I’m a Lover” / “Back Track” on RMP

Gary Steffins & the Fugitives 5 RMP 45 I'm a LoverA

Fugitives 5 RMP 45 Back TrackGary Steffins & the Fugitives 5 “I’m a Lover” / “Back Track” on RMP is an obscure 45 from one of the suburbs of Chicago, from March, 1966.

The lead guitar is strong on both sides, especially the neat instrumental “Back Track”.

A couple of photos have turned up on youtube videos, but I haven’t seen a list of band members.

On August 16, 1975, about nine years after the record, the Atlanta Constitution ran a profile of Daphne’s Lounge at the Sheraton near Hartsfield airport, with an interesting paragraph:

The band of the moment is Crystal Ball, a group formed five years ago in Chicago and now relocating to Atlanta. Gary Steffins handles most of the vocals and plays the congas. Other personnel are Steve Farrell, lead guitar, his brother Bill [Farrell] on drums, Joe Grimm on keyboards, and Greg Curbow on bass.

Surely the lineup changed in the intervening years, but I would like to know the names of the original group on the single.

Tamara’s New Generation “Just Flowers” / “Traffic” on IRC

Tamara's New Generation IRC 45 Just Flowers

This post is dedicated to the memory of Max Waller, my fellow music researcher who helped me with many articles over the years, for which I am grateful.

Tamara’s New Generation is an obscure Chicago-area group with just one single to their name, released on IRC 6943. The A-side “Just Flowers” is a Gabor Szabo style number with flute, a two-note keyboard line, and some fine raga guitar work.

I prefer the flip, “Traffic” with it’s pulsating bass line, beatnik vibe, and crashing end. Interestingly, the dead wax codes reverse the A & B sides, which makes more sense to me.

Members included:

Tamara – lead vocals
Pete Ianni – ?
Tom Miller – bass
Ollie – ?
Denny – ?
Brian – ?
Paul – ?

Although this may be the only International Recording Company credit for Perry Johnson, he did writing and arrangement for related labels like Royal Blue (the Paniks “Look Twice”, the Wild “Monkees”, Lou Capri “Love and Kisses”) and Redd Robb (Edges of Wisdom “Past”, Holocaust “Savage Affection”).

This is the first time I’ve covered a band from the IRC (International Recording Co.) label, which released a number of great 45s by the Little Boy Blues, Danny’s Reasons and others; and was the studio for the Crees 4 acetate “Misunderstanding” / “Looking at Your Picture”, released in 2021 by Mojo-Bone.

Tamara's New Generation IRC 45 Traffic

Sons of Adam and Ron Steele “Sleep in Public Places”

Sons of Adam and Ron Steele Flop 45 Sleep in Public Places

This is a Chicago 45 featuring Sons of Adam with Ron Steele on “Sleep in Public Places” backed with an instrumental, “I’m All Through with Her”.

It was released on Flop Records, a subsidiary of Jim-Ko Inc. In fact, “Sleep in Public Places” was also the A-side of Cole Steele and the Steele Drivers on Jim-Ko Inc. JK-41095.

I’m not sure if it’s the identical recording to the Sons of Adam version, but given both are Jim-Ko productions and include an artist named Steele, I would think it’s likely.

The flip is a fine instrumental in a different style, “I’m All Through with Her”, which doesn’t include horns, backing vocals or sound effects like “Sleep in Public Places”. Ron Steele is not credited on this side.

Jim Kolb produced the Sons of Adam 45, and Jim-Ko Pub published the songs. The dead wax includes “For Jeanette” on the A-side and “J. Kolb” on the flip, plus 41095 which was the Jim-Ko release number of the Cole Steele 45.

The Sons of Adam were a real group, including Bill Zimmerman and Joe Estok on drums, who was replaced by Marcus David in 1967. There was a well-known session guitarist in Chicago named Ron Steele, but I don’t know if this is the same person.

Sons of Adam Flop 45 I'm All Through With Her I couldn’t find publishing info on “Sleep in Public Places”, which was written by Zimmerman and Failla.

The July 12, 1966 registration for “I’m All Through with Her” lists Bill Stewart, pseudonym of William A. Zimmerman.

There’s another Stewart/Zimmerman registration on that date, for a song called “I Can’t Stand It”, words by Jim Dee, pseudonym of James N. Skarzynski, and words and music by Bill Stewart aka William Zimmerman. I’m not sure if this song exists on record.

Additional info on the Sons of Adam or Jim Kolb would be appreciated.

Humpback Whale – V. Karlsson – “Passing Tone”

Humpback Whale 45 Passing Tone
Humpback Whale – Passing Tone

Getting out of my usual range to post about an unknown record from 1973. The label reads “Mumbled on the album Riddles from Home by Humpback Whale” but I haven’t found a trace of that album yet, if it exists.

One side contains a kazoo arrangement of “Also Sprach Zarathustra” with whistling. It predates the version by the Temple City Kazoo Orchestra by a good five years.

“The Whale Sighed” (i.e. the side with the whales on the label) has a great original song called “Passing Tone” by V. Karlsson.

The only other credits are “1973 Angel Guardian Road Service” and “Your Basic Fish Recordings, Chicago, Illinois” and BMI, though I can’t find the songs in BMI’s database.

Humpback Whale 45 Also Sprach Zarathustra
Humpback Whale – Also Sprach Zarathustra

Randy Chance was lead guitarist for a group called the Other Half, and before that the Just Four. Note this was not the Other Half from Chicago who cut “Girl with the Long Black Hair” / “Third of January” on the Orlyn 503 in June of 1967.

There is an April 1975 copyright registration for “Search for Magicians”, words by Wade Martinow (Martinov), words and music Van Karlsson, pseudonym of Van Carson, Angel Guardian Road Service Publishing Company.

Randy Chance has a website with a timeline, dating Riddles from Home to 1972 and noting that from 1971 – 1973, he built Humpback Whale Studios in Chicago, plus “Your Basic Fish” record company and “Angel Guardian Road Service” publishing.

He also wrote and performed a musical, Turds in Hell by the Godzilla Rainbow Troupe, and a rock opera Breathe Deeply Today is Fill in Blank for the Free Theater and the Center for New Music.

Randy’s online resume includes an extensive list of composition and recording through 2016.

The Shadows of Knight’s original pressings of “Gloria” without Atco

Shadows of Knight Dunwich 45 Gloria gold label, no Atco
Gold label, no Atco distribution, D-116 A
One of the most famous ‘garage’ singles has to be the Shadows of Knight’s version of “Gloria”. As a national hit distributed by Atlantic Records (Atco), the 45 rpm single exists in over 15 U.S. variations pressed at plants around the country.

My post today concerns two of those, the original pressings on Dunwich from January and February 1966, without any Atco credit on the labels.

General agreement is that the first release has a gold label with the outlined lettering, a box around “A Dunwich Production” and “D-116”.

Teen Beat Mayhem notes that total quantity pressed is only several hundred. This pressing quantity has been repeated in online sources, but I feel it is incorrect. A pressing of a few hundred would have quickly sold out, and been worn out, but I’ve found two VG+ copies without much effort or expense.

The liner notes to If You’re Ready! The Best Of Dunwich Records…Volume 2 state that Bill Traut put together that first gold label design and ordered 4000 copies. He also used the cheapest local pressing plant he could find. Thank you to Jeff Jarema for looking that up for me. I suspect that the initial order may have been for less, and that 4,000 was the total pressed at that small plant over the first couple weeks of release. The Dunwich lettering is similar to other Chicago releases.

Shadows of Knight Dunwich 45 Gloria yellow label, no Atco
Yellow label, no Atco credit, DX-116 A
The first yellow label without Atco has the same credits as the gold, but a different label design, and has the release code DX-116, a number which would be used on most of the subsequent national releases. Since the small unknown Chicago plant couldn’t do the quantity needed, Traut ordered from Plastic Products in Nashville.

I asked people on the Chicago Rock Bands 1960s and 1970s Facebook group which label they had first, and by far most remembered the yellow label version. Later gold and yellow label versions exist that include Atco distribution credit, so this survey is not definitive.

I constructed this early 1966 timeline for “Gloria”:

February 18: 1st appearance on the WLS “Silver Dollar Survey. Chicago’s Official Radio Record Survey” at #18, having been played for three weeks on the station, which would put its first WLS airplay in very late January or early February.

February 25: reaches #7 on WLS

March 4: reaches #6 on WLS

March 5: Billboard reviews it and lists it as a breakout single. Enters Billboard’s Chicago singles chart at #15

March 12: rises to #8 in Billboard’s Chicago singles chart. Billboard notes 40,000 sold in Chicago and additional sales in other cities. “Kent Beauchamp acted as a kind of co-ordinator in getting the first record out and has been handling local distribution.” [
Kent Beauchamp owned Big Town Distributors and, along with Ed Yalowitz, Royal Disc Distributing.] Cash Box reports that it is “a recent master purchase” by Atlantic”. Dunwich co-owner George Badonsky had been working for Atlantic and Atco as a Midwest sales and promotion rep since February, 1965, which may explain the connection with Atlantic.

March 19: rises to #4 in Billboard’s Chicago singles chart and enters Billboard’s Hot 100 national chart at #78. In a detailed article, Billboard reported:

… the single has sold 60,000 legitimately in Chicago to date …

Local distribution by Royal Disc Distributing …

The group is managed by suburban record store and teen nightclub owner Paul Sampson, who found the quintet singing in a Veterans of Foreign Wars Club. He installed the group in his own spot, The Cellar, where they were heard by Royal Disc’s Kent Beauchamp, who recommended them to Dunwich Records.

The group is comprised of Joe Kelley, lead guitar; Gerald McGeorge, rhythm guitar; Warren Rogers, bass guitar; Tom Schiffour, drums, and lead singer Jim Sohns.

“Gloria” is getting played and starting to sell in Milwaukee, Detroit, Cleveland, St. Louis, Cincinnati and Atlanta …

“They are a super-tight group,” said Sampson. “They have everything live they have on record and they are competent musicians.”

March 26: rises to #2 in Billboard’s Chicago singles chart and #10 in Detroit. Full page ad (shared with George Edwards) in Billboard on page 7.

April 1: reaches #1 on WLS


May 7: “Gloria” reaches its peak Billboard national chart position at #10. It would remain at 10 the following week before dropping off.

High-quality scans of WLS surveys can be found 
here.

Shadows of Knight Gloria Billboard March 26, 1966
Full page ad in Billboard March 26, 1966

The Centuries “I Love You No More” on Spectra-Sound

Centuries Summitt Promo CardCenturies Spectra-Sound 45 I Love You No MoreBefore the Buckinghams, there were the Centuries, who released one fine single on the Spectra-Sound label in 1965, “I Love You No More” b/w “Yeh: It’s Alright”.

The Centuries’ members were:

Carl Giammarese – lead guitar
Nick Fortuna – rhythm guitar
Curt Bachman – bass guitar and lead vocals on “I Love You No More”
Gerald Elarde – drums and lead vocals on “Yeh; It’s Alright”

Listen to “I Love You No More” below. “Yeh; It’s Alright” is also good, especially Carl’s frantic guitar solo.

Carl Giammarese wrote on the Forgotten Hits site:

It’s Alright and I Love You No More were recorded by The Centuries in, I think, late 1964, at Lawrence and Western and I think it was the old St. Louis Insurance Building. My cousin Jerry Elarde was our drummer and lead singer (fab voice) … he sang It’s Alright. Our bass player, Curt Bachman, sang I Love You No More. I was the Lead Guitar player and Nick Fortuna was the rhythm guitar player. Both songs were written by Jeff Boyen (from Saturday’s Children). Jeff was part of a duo called Ron and Jeff, kind of folky, but they did early Beatles fabulously. These songs had nothing to do with The Buckinghams other than Nick and I became The Pulsations and then The Buckinghams.

Centuries Spectra-Sound 45 Yeh; It's AlrightJeff Boyan was part of the Blackstones which included Curt Bachman for a time. The Blackstones would release four singles on the Invictus label, including a slightly different arrangement of “I Love You No More” (as Dalek/Engam: the Blackstones) in July, 1965. Boyan would go on to join Saturday’s Children with singles on Dunwich. Deb Music BMI published both songs, which were credited to “Geoff – Boyan”.

Carl Giammarese, Nick Fortuna and Curt Bachman would continue with a name change to the Pulsations, adding Dennis Tufano, Jon Poulos, and Dennis Miccoli and eventually becoming the Buckinghams. The Buckinghams first single would also come out on Spectra-Sound Records, “Sweets for My Sweet” / “Beginner’s Love”, before they were signed to U.S.A. Records.

Dan Belloc owned Spectra-Sound Records. The Centuries single has master numbers 4759-1 and 4760-1 while the Buckinghams has S-4617, which may indicate the Buckinghams was released first, but I am not sure of that.

For more info on Jeff Boyan and context on these bands, I definitely recommend Jeff Jarema’s interview with Jerry McGeorge of the Blackstones, the Shadows of Knight, and H.P. Lovecraft in Here ‘Tis #6, which can be found on the Internet Archive.

The Nightshades on Gear

Flyer for the Nightshades with WLS DJ Ron Riley at A Better Mouse Trap Club in Vernon Hills

Nightshades Gear 45 American Boy

The Nightshades formed as the Deadly Nightshades at Glenbrook South High School in Glenview, IL, a suburb of Chicago. The group’s lineup changed, sometimes to a quartet or trio format, but included at various times:

Gary Schaeffer – vocals
Bob Zemke – lead guitar
Larry LaCoste – rhythm guitar
Phil Jernigan, replaced by Tom Lavin – bass
Don Locke, replaced by Kenny LaCoste – drums

I only have one of their singles, the second of three the band released on Gear Records in 1967 and 1968.

The first was “Summertime” / “Wonder Where My Baby Is Tonight” on Gear 747/8.

“Summertime” and the Kinks cover are cool enough, but I like the original songs on their second single on Gear C 749/750, “Flying High” and especially the heavier “American Boy” with its sustained guitar sound and lyrics that would tell an interesting story if I could decipher more of them. The labels list Zemke, La Cost, Jernigan as writers for both songs, published by Gear Music BMI, with arrangement by Bob Zemke, plus Gear Enterprises, c/o Ed Zemke.

Their last single was “Sweet Cecelia” / “My Mother Done Told Me (That You Were a Lover)” on Gear 751/2.

Flyer for the Nightshades at The Exit on 1810 Walters Ave

Deborah Fortune wrote to me with the flyers for the Nightshades at The Exit and the Mouse Trap. She wrote to me:

Nick Rush was their first drummer. Sometime in 1965 or so. He lives in California now. I went to high school with Larry and Kenny, Bob, Nick and Gary. Gary Schaefer is alive, Nick is too. Bob Zemke died when we were all kids in high school. Bob’s dad was the band’s manager.

I grew up on the Northshore; Glenview, and went to all the different teen clubs. I found it interesting, looking back, that the Glenview Park District forked over its golf course clubhouse to be used as a teen club every Friday and Saturday night. That was The Pit. They also supplied an off duty policeman. Why, I was never sure as we certainly were not a rowdy bunch back then.

Nightshades Gear 45 Flying High

Bobby Simms & the Simmers

Bobby Simms was born Robert Siemiaskzo. While still in high school in 1961 he joined the Mus-Twangs as lead vocalist. The Mus-Twangs were based out of Harvey, Illinois, about 20 miles south of central Chicago and just west of Hammond, Indiana. The Mus-Twangs had two instrumental singles on Smash, including the very first single ever released by that label, “Marie” / “Roch Lomond”.

Simms left the Mustangs in 1962 and started the Bobby Simms Trio with Mus-Twangs bassist Keith Anderson, recording a good Mersey-influenced single in 1964 on New Breed “And Your Mine” / “Do Things Right” featuring the drumming and harmonica of Verne Johnson (later of Illinois Speed Press).

Bobby Simms Billboard 1965 April 10In 1965 Simms had his own single on Smash, “The World Is Funny” / “You’re My Everything” which I haven’t heard yet.

The following year he released a 45 as Bobby Simms and the Simmers, featuring two of his original songs, the raucous “Big Mama” backed with a much gentler harmony sound in “Please Please Believe”.

Bobby Simms & the Simmers WMRC 45 Big MamaThis seems to be the only release on WM & RC Records, though there were two different labels, one featuring a key and distribution by Summit. WM standing for Walter Melnyk, the manager of Simms and owner of the M.B. Club in the Burnside neighborhood of Chicago. The “C” in RC stands for Cox, co-producer of the sinle with Melnyk. Publishing was by M.B. Key BMI.

Musicians on the Simmers single included Keith Anderson and Verne Johnson from the Trio, plus guitarist Paul Cotton from the Mus-Twangs.

In 1967 Simms became one of the founding members of the Rotary Connection. Keith Anderson and Paul Cotton formed the Rovin’ Kind, which evolved into Illinois Speed Press.

I’m sorry to report that while researching this post I saw a comment from Keith Anderson that Bobby Simms passed away on May 29, 2015.

Information for this post came from Paul Cotton’s excellent site, especially this page on Bobby Simms.

Bobby Simms & the Simmers WMRC 45 Please Please BelieveBobby Simms & the Simmers WM & RC 45 Big Mama Key Production

The Nervous System

The Nervous System Jambee 45 BonesThe Nervous System had two 45s on the Jambee label circa 1967, though one side, “Make Love, Not War” was used for both releases. The band seems to have been from the Chicago area, though I don’t have confirmation of that.

Their first 45, on Jambee 1001/1002 included the song “Bones”, with a first line that really hooked me: “I like the way she’s wrapped around her bones, the way she talks and how she smiles at me…”

The tense performance, the atmospheric production and the melancholy nature of the song makes “Bones” stand out for me, compared to the intricate but low-key “Make Love, Not War”. Both songs were written by J. Miller for Yuggoth BMI, and produced by J. & M. Miller. A 10″ acetate from Universal Recording Corp. on E. Walton includes “Make Love, Not War” plus a decent try at “Foxy Lady”.

The Nervous System Jambee 45 Make Love, Not WarThe Nervous System’s second release included “Oh!” written by J. & M. Miller and produced by J. Miller and P. Serrano. It shows up on another Universal Recording acetate backed with a pop song, “Hello Sun” and a bluesy public service announcement, “Keep Chicago Beautiful”.

The only other release on the Jambee label that I know of is Circus, “I’ll Always Love You” by W. Stevenson and I. Turner, b/w “Away From This World” by Kevin Murphy, which is Jambee 1007/1008, so I suppose there’s a Jambee 1005/1006 out there somewhere but haven’t seen it yet if it exists. The producers for the Circus record were Jordan Miller, Morrie Parker, at least giving us a clue who J. Miller was.

Presumably the same Jordan Miller wrote “The Great Train Robbery” for the Little Boy Blues on Ronko.

Much more is known about Circus, who seem to have included Rick Panzer on piano, Kevin Murphy on Hammond organ, Jimmy Stella on vocals, Larry McCabe on trombone/trumpet, Bill Mickelburg, Vern Pilder and Phil Michilson on guitar, and Ross Salomone on drums. They had a much more brash sound, something like Sly & the Family Stone, featuring heavy funk and a full horn section. After the Jambee 45 they had a release on Columbia, also produced by Morrie Parker, “Where Are You At” / “Read All About It” in 1969. Eventually those three members joined with guys from the American Breed to form Rufus.

Nervous System Universal Recording Demo Foxy Lady
Universal Recording demo of “Foxy Lady”, flip side is “Make Love Not War”
Nervous System Universal Recording Demo Hello Sun and Keep Chicago Beautiful
Universal Recording demo with two songs “Hello Sun” and “Keep Chicago Beautiful”, flip had the version of “Oh” released on their second single