The Vaqueros, from left: Steve Corona, Tom Corona, Larry Weld and David Heath
The Vaqueros had the first release on the Audition Recording label out of Rochester, New York, “Echo” / “Desert Wind”. It hit local charts in early June, 1964 and received a review in Cash Box on June 13, 1964.
Audition Label Bows with “Echo” by the Vaqueros, Cash Box, June 27, 1964
The group registered copyright for “Echo” on June 15, 1964, music by Larry Weld (Laurence R. Weld), David Heath & Tom Corona (Thomas J. Corona). I haven’t yet found a copyright registration for “Desert Wind”.
Band members were:
Larry Weld – lead guitar Tom Corona – rhythm guitar Steve Corona – bass David Heath – drums
The Vaqueros, from left: Larry Weld, Tom Corona, David Heath kneeling with drum sticks and Steve Corona with bassVaqueros in the Democrat And Chronicle, June 8, 1964
David Heath wrote a history of the band and provided the photos seen here.
In 1963 two 16 year old boys found an old guitar in the house attic in Rochester NY. Larry Weld, the older of the two, decided he would put strings on it and learn how to play. The other boy David Heath said he had a small pair of bongos, round metal tray mounted on a wood stand and a pair of drum sticks. Together they spent many hours trying to play songs they had heard on the radio.
One month later Larry had purchased his first electric guitar and Dave had purchased his first drum set and by this time both had learned several songs and were starting to make new songs of their own. Knowing they needed a rhythm background Dave and Larry asked another Charlotte High school student Tom Corona to join the group and decided on the name “The Vaqueros” for the band. About a month later we composed the song “Echo”. At this point we were starting to play at many parties and events.
Record review in Cash Box, June 13, 1964Vaqueros with Al Cecere at WBBF Studio, June 25, 1964
Around 10 months after we first started playing we were asked to play for a Rochester business event and that was the first time we met Al Cecere who was just starting Audition Records. Al said he liked our band sound and said he would like us to make a record with his new company. We said we would and set up a date to record but we had two major problems to overcome.
1: We had no bass player in the band
2: We had no second side for the record
The first problem was resolved by asking Tom’s older brother Steve Corona to play bass. He agreed and he purchased a bass guitar. Then Tom and Larry showed him what notes to play so we could make the record. The second problem was resolved by rapidly (in one day) composing the song “Desert Wind”.
The Vaqueros (and Al Cecere in back) with the Letterman, NiagaraThe Vaqueros opened for the Lettermen at Niagara Falls Memorial Arena, July 11, 1964
The Vaqueros in Cash Box, July 18, 1964After the song was released and hit #1 on the Rochester and surrounding radio stations we had steady play dates in many venues. We had interviews on radio stations, band picture signing dates, photos and release info in Cashbox, and we were the opening act for The Lettermen in Niagara Falls Canada.Within the next month we wrote and (on acetate demo record) recorded our next two songs to be released “Whiplash” and “Our Lost Love”. Al Cecere was setting up for us to open for The Beach Boys.
Just as things were going very well for the Vaqueros the dark side of this business began to show its face. Al Cecere never informed the band of any record sales and stopped supporting us. He had moved on.
With communication with Al Cecere heading downhill, everything slowed and we were all around 18 years old at this point. Life took over and the band started to split. Larry, Dave and Steve went on to other Rochester bands and Tommy married and started a family. We never played together again but do remain friends. Tommy passed away in 2025.
The Vaqueros and the Tweeds at Teen Town, Kenmore, NY, October 1965
The Vaqueros recorded other songs that went unreleased at the time that now exist on lacquer “acetate” or second-generation tape; a few very effective instrumentals that were ready for release and others that were in progress.
“Whiplash” has an excellent ‘wet’ surf sound I did not find a copyright registration for this one.
“Daybreak” is a spirited vamp with excellent lead guitar from Larry Weld and agile drum fills from David Heath. The group registered it as “Daybreaks” on February 25, 1965, with copyright to the full band including Steve Corona.
“Our Lost Love” is a slower ballad, registered on July 1, 1965 to the four members of the group.
Thank you to Dave Heath for his help with this article and for letting me hear the unreleased songs.
Al Cecere taping the Vaqueros performing at a Charlotte High School dance. Photo courtesy of David Heath.Al Cecere owned the record labels Audition Recording and Nu Sound Ltd., of Rochester, New York. Cecere changed the label’s name to Nu Sound Ltd. with release #6111 by the Wee Four.
Al sent tapes of the bands he recorded to the Circa company in Los Angeles which pressed the records at the Allied plant and shipped them to Rochester.
Any help completing this discography, or info on Al Cecere’s productions or Riposo Studios would be appreciated.
Discography:
Audition
6102 – The Vaqueros – Desert Wind / Echo (both by Weld-Heath-Corona) 6103 – Dick Jans Duo – I Am (Edwards, Shuman) / Venus (the Frankie Avalon hit) – June 64 6104 – The Vitrones – Linda (Cheshire, Couto, Downing) / London Fog (licensed to Barry, #3326X in Canada) 1605 (typo for 6105) – America’s Children – Do-Maka / No Need For Blame 6106 – America’s Children – Star / Swinging Christmas (1965) 6107 – The Heard – Laugh with the Wind (Jeff Wheat and Brad Wheat) / Stop It Baby (Karim Copli) (mentioned in Billboard, May 7, 1966) 6108 – Bobby Mac Trio – Sherleen / Maria 6109 – The Humans – Take a Taxi / Warning (both by Bill Kuhns, Jr.) 6110 – The Rogues – Train Kept a-Rollin’ / You Better Look Now (Jim Perotti*, Bob Radell*, Mike Spriggs)
Nu Sound Ltd.
6111 – The Wee Four – Weird (James Obi, T. Pilittere) / Give Me a Try 6112 – Terry Pilittere – It’s Not That Way / You Wouldn’t Believe Me 6113 – Pete Morticelli – Lost / If You See Me
* correct spellings of these two Rogues names are Jim Pierotti and Bob Radel.
Most originals on Audition and “Weird” by the Wee Four 45 published by Cecere Music, BMI.
The Heard have an unreleased song, “Leave Well Alone” on a Capitol Custom acetate.
The Montereys “Bye Bye” / “Sheryl-ane” also recorded at Riposo Studios.
Thank you to Davie Gordon for his help with this discography.
From Rochester, Little Peppy is Marlene Torre, writer and singer on both these sides. She and the band turn in a spirited performance on “It Can Happen!!” The designated a-side, “Since You’ve Gone Away” is a slow ballad about missing her lover drafted overseas.
This was a custom press recorded at Fine Studios in September, 1966, and released with their house label. The master tape that turned up with the remains of the studio has alternate takes of each song.
One mystery is who was the band backing her as the Bare Existence.
If anyone has a photo of Little Peppy aka Marlene Torre, or the Bare Existence please contact me.
The Wee Four, from left: Bob Salerno, Jack Allocco, Terry Piliterre, and Dennis Drew
Terry Pilittere was the founder of the Rochester, NY group the Dimensions, in 1962. Members were Denny Drew lead guitar, Rob Salerno rhythm guitar, Ken Polizzi bass and vocals, and Terry on drums and vocals. In 1965 Jack Allocco joined and the band changed their name to the Wee Four, because none of the members was over 5′ 8″ tall.
The Wee Four recorded an excellent garage punker, “Weird” in 1966, written by Terry with his friend Jim Obi, b/w Terry’s song “Give Me a Try”. The Wee Four recorded other songs, including “I Could Never”, but these weren’t released.
Members of the band had conflicts with manager Al Cecere, but Terry decided to leave the group and go with Al as his manager for a solo record of two beautiful original songs, “It’s Not That Way” and “You Wouldn’t Believe Me”.
Terry passed away in December, 2000.
Photo caption updated 2022.
Sources: Mike Dugo’s interview with Ken Polizzi of the Wee Four. Photos from Fuzz Acid and Flowers.
One of the leading bands in the Rochester, NY area, the Young Tyrants were Carl Lundquist lead guitar and vocals, Lou Grillo lead vocals, Julio Lora rhythm guitar, Mike Zazzaro bass and Mike Montoya drums. They were heavily influenced by the Young Rascals, even adding “Young” to their band name in imitation, but came up with a sound all their own by the time they recorded their only 45.
Fine Records Studio owner Vince Jans signed the band after hearing their live show over the phone. In September 1967, they recorded an album’s worth of songs at one session, mostly typical cover versions off the day along with two original songs and a couple instrumentals.
Jans let them release the two originals for their only 45. “I Try” starts off with Carl’s trilling guitar riff taken from the intro to the Buster’s surf classic, “Bust Out”, then turns into a fantastic rocker as the band kicks in. “She Don’t Got The Right” simmers with resentment: “She’s got the right to say/ she don’t want my kind/but she don’t got the right/ to take away my pride.”
Lou Grillo wrote “I Try”, although there are no credits on the label, while Carl Lundquist wrote “She Don’t Got the Right”. 500 copies were pressed on the In label and sold at their shows, at venues like the New Patriot Club in Hornell. The only radio play it received was on local Rochester station WSAY.
The band broke up in 1968, as Carl and Lou were heading to college. The masters from the Young Tyrant’s recording sessions have been saved, and supposedly include other takes of both sides of the 45 as well as a cover of “I Can Only Give You Everything”. Hopefully someday we’ll hear the whole session.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials