All posts by Nick Warburton

The Ealing Club, west London

Site of the Ealing Jazz Club, photo taken December, 2010
Site of the Ealing Jazz Club, photo taken December 2010

The Ealing Jazz Club (or the Ealing Club as it was more commonly known) was one of London’s most historically important music venues during the 1960s. Situated below the ABC bakery, opposite Ealing Broadway station, in the leafy West London suburb of Ealing, the club became renowned as London’s first significant R&B venue when blues enthusiasts Alexis Korner and Cyril Davies’s band Blues Incorporated debuted in March 1962.

Nicknamed the “Moist Hoist” because of the condensation that used to drip down the walls, the club hosted many of London’s most distinguished R&B acts, and in April of that year provided the setting for the first meeting between Messrs.’ Jagger and Richard and Brian Jones, who formed the nucleus of The Rolling Stones, a club regular during 1962 and 1963.

A virtual who’s who of famous British R&B enthusiasts appeared on the club’s tiny stage over the next three years, most notably Blues Incorporated members Jack Bruce and Ginger Baker (who went on to Cream among others); Eric Clapton; Graham Bond; John Mayall; Long John Baldry; Eric Burdon; and Paul Jones, Manfred Mann’s lead singer, to mention just a few names.

Another of London’s top R&B acts The Who performed their first advertised show at the club in November 1964 and played regularly there during the early part of 1965. Jeff Beck’s band The Tridents also graced the club’s stage and, according to Melody Maker, appeared regularly on the Wednesday and Friday night slots during the summer of 1964.

And let’s not forget Dick Taylor, who left an early incarnation of The Rolling Stones to form his own pioneering R&B band, The Pretty Things. Incidentally, future Rolling Stone, Ron Wood was another famous musician who frequented the club with his band, the unforgettable Birds. His brother, the late Art Wood also appeared there, playing with Blues Incorporated and fronting his own band, The Artwoods.

As an R&B hotbed, the club became a magnet for London’s music crowd, drawing in the likes of Rod Stewart; future Jimi Hendrix drummer Mitch Mitchell; Don Craine and the rest of The Downliners Sect; future Faces keys man Ian McLagan, who was working with Twickenham band, The Muleskinners; and future Deep Purple founder Nick Simper, whose early Sixties outfit, The Delta Five were one of the many acts to appear.

Many of the British musicians that either played at the club or witnessed the burgeoning R&B scene emerging from it, took what they had learnt and/or seen to overseas markets as part of the British invasion.

Locals, the late Frank Kennington, who later managed Motorhead, and lead guitarist Mick Liber, whose band Frankie Reid and The Casuals (with future Episode Six drummer John Kerrison among others) had played at the Ealing Club, headed Down Under and formed one of Australia’s finest R&B groups, the original Python Lee Jackson.

Singer Andy Keiller caught many of the acts, including an embryonic Rolling Stones with Carlo Little on drums and Ricky Brown on bass and was so inspired that he headed off to South Africa and subsequently formed The Upsetters in late 1965.

Keiller’s soon-to-be collaborator, Irish guitarist Louis McKelvey and his friend, drummer Malcolm Tomlinson, meanwhile, had played with Jeff Curtis & The Flames, who frequently played at the Ealing Club during its formative years.

After their brief stint together in South Africa, Andy Keiller and Louis McKelvey amazingly reunited in Canada in the late 1960s, founding the experimental band, Influence.

McKelvey subsequently returned to the UK to pick up Malcolm Tomlinson, who’d been working with a pre-Jethro Tull Martin Barre and then headed back to Toronto to form Milkwood, authors of a soon-to-be released LP, recorded with the legendary Jerry Ragovoy at the NYC’s Hit Factory in summer of 1969.

Likewise, many other not so famous musicians who played the Ealing Club went on to produce fascinating music in the burgeoning psychedelic scene. Locals Chris Jackson and Tom Newman fronted R&B band The Tomcats (who also worked as The Thoughts) and later formed one of Britain’s more interesting psych ventures, July, after a stint in Spain.

Jon Field and Tony Duhig were also members of July and had earlier worked with another Ealing Club regular – The Second Thoughts, alongside future Thunderclap Newman, drummer/vocalist Speedy Keen and Patrick Campbell Lyons, who later formed the core of another top psych act, Nirvana.

Jimmy Royal, yet another local talent, was a club regular and fronted one of the area’s most respected bands, The Hawks, which featured former Cliff Bennett & The Rebel Rousers (the recently deceased) guitarist Mick King (real name Mick Borer) and drummer Terry Mabey among others.

And let’s not forget the many obscure bands that got to play at this prestigious club – groups like The Fairlanes, The Four Sounds, Johnnie Harris and The Shades and The Fantastic Soul Messengers.

With many of these great musicians already gone, Garagehangover would like to use this space to encourage musicians, club regulars, promoters and any others with any memories, memorabilia, photos and details of live dates to share this on the site in the comment box below.

Unless otherwise stated, the following (incomplete) gigs listing is from the Middlesex County Times & West Middlesex Gazette, which advertised who played at the Ealing Club in its “Coming Events” section towards the back.

The main exception is 1963 where Melody Maker was the main source for gigs unless otherwise noted.

Thanks to Paul Lucas for The Tridents’ gigs, taken from his diary.

January 1963 (only part of this month has listings)

Friday 11 – The London City Stompers (Harrow Observer & Gazette)

Friday 18 – The Ken Stuart Seven

Tuesday 22 – The Colne Valley Six

Saturday 26 – The Rolling Stones

February 1963 (only part of this month has listings)

Keith Gardiner, rhythm guitar player with Jeff Curtis & The Flames, says his band played the Ealing Club a few times during the early months of 1963

Tuesday 5 – The Rolling Stones

Friday 8 – Blue Cedar Jazzmen (Harrow Observer & Gazette)

Saturday 9 – The Rolling Stones

Friday 15 – Johnny Toogood’s Jazzband (Harrow Observer & Gazette)

Saturday 16 – The Rolling Stones

Friday 22 – Colne Valley Six (Harrow Observer & Gazette)

Saturday 23 – The Rolling Stones

March 1963 (only part of this month has listings)

Friday 1 – Eric Johnson’s Junction Jazz Band

Saturday 2 – The Rolling Stones

According to John Kerrison’s autobiography It Ain’t Rock ‘N’ Roll, The Rolling Stones had a regular Thursday night residency, which Kerrison’s band, Frankie Reid & The Casuals took over. Judging by the dates, it looks more likely that it was a Saturday rather than Thursday night residency.

Friday 8 – Kid Martyn’s Ragtime Band

Monday 11 – The Rockets (Harrow Observer & Gazette)

Saturday 16 – The Rolling Stones (Harrow Observer & Gazette)

Monday 18 – The Rocket Men (Harrow Observer & Gazette)

Friday 22 – Thames City Jazzmen

Saturday 23 – Blues By Six (Harrow Observer & Gazette)

Sunday 24 – Sonny Morris Veterans Jazz Band

Monday 25 – The Rocket Men (Harrow Observer & Gazette)

Friday 29 – Bob Woolley’s Jazz Band

Saturday 30 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 31 – Micky Ashman’s Ragtime Jazz Band

April 1963 (only part of this month has listings)

Monday 1 – The Rocket Men (Harrow Observer & Gazette)

Friday 5 – The Cardinal Jazzmen

Friday 12 – Keith Smith’s Climax Jazzband (Harrow Observer & Gazette)

Saturday 13 – The Rolling Stones (Harrow Observer & Gazette)

Monday 15 – The Rocket Men (Harrow Observer & Gazette)

Thursday 18 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Saturday 20 – The Rolling Stones (Harrow Observer & Gazette)

Monday 22 – The Rocket Men (Harrow Observer & Gazette)

Thursday 25 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 26 – Bob Woolley’s Jazzmen

Saturday 27 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 28 – Mann-Hugg Blues Band (This was the first Ealing Club show by the band that became Manfred Mann)

Monday 29 – The Rocket Men (Harrow Observer & Gazette)

May 1963 (only part of this month has listings)

Friday 3 – The Sidewalk Six and The Phoenix Thumpers

Sunday 5 – The Mann-Hugg Blues Band

Thursday 9 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 10 – The Cardinal Jazzmen

Saturday 11 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 12 – The Mann-Hugg Blues Band

Monday 13 – Rock ‘N’ Roll (Harrow Observer & Gazette)

Friday 17 – The Dauphine Street Six

Sunday 19 – The Mann-Hugg Blues Band

Thursday 23 – Frankie Reid & The Casuals (Harrow Observer & Gazette) (Members at this time went on to Python Lee Jackson and Episode Six)

Friday 24 – Douggie Richford’s Jazzmen

Saturday 25 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 26 – The Mann-Hugg Blues Band

Monday 27 – The Running Gate (Harrow Observer & Gazette)

Friday 31 – The Dolphin Jazz Band

June 1963 (only part of this month has listings)

Sunday 2 – The Mann-Hugg Blues Band

Sunday 9 – The Mann-Hugg Blues Band

Tuesday 11 – The Boys and The Henchman (Harrow Observer) (The Boys became The Action; The Henchmen evolved into The Rockin’ Eccentrics – see below)

Thursday 13 – Frankie Reid & The Casuals and Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 14 – The Cardinal Jazzmen

Saturday 15 – Graham Bond (Harrow Observer & Gazette)

Sunday 16 – The Mann-Hugg Blues Band (Harrow Observer & Gazette has them billed as The Blues Brothers but also lists The Chinese Blues and Manhogs)

Monday 17 – The Boys and The Henchmen (Harrow Observer & Gazette)

Thursday 20 – Frankie Reid & The Casuals and Jimmy Royal & The Hawks (Harrow Observer)

Friday 21 – Charlie Gall’s Jazz Band

Saturday 22 – The Graham Bond Quartet

Sunday 23 – The Mann-Hugg Blues Band (Harrow Observer & Gazette bill them as fabulous Rolling Blues Brothers)

Monday 24 – The Henchmen (Harrow Observer & Gazette)

Friday 28 – Bob Wooley’s Jazz Band

Sunday 30 – The Mann-Hugg Blues Band

July 1963 (only part of this month has listings)

Friday 5 – The Renegades (Harrow Observer & Gazette has The Limelights)

Sunday 7 – The Mann-Hugg Blues Band (This was the final gig under this name before switching to Manfred Mann)

Wednesday 10 – The Soundsmen (Harrow Observer & Gazette)

Friday 12 – The Limelights (this band became The Legends)

Wednesday 17 – Mike Forde & The Fortunes (Drummer Lindsay Bex joined The Tridents in January 1964 but left soon after Jeff Beck joined)

Friday 19 – The Limelights

Wednesday 24 – The International Monarchs

August 1963 (only part of this month has listings)

Friday 2 – The Limelights

Wednesday 7 – Alexis Korner’s Blues Incorporated

Wednesday 28 – Blues by Six

September 1963 (only part of this month has listings)

Wednesday 4 – The Graham Bond Quartet

October 1963 (only part of this month has listings)

Saturday 5 – Manfred Mann (First Ealing gig under their new name)

Wednesday 16 – The Bluenotes

November 1963 (only part of this month has listings)

Saturday 9 – Manfred Mann

Saturday 30 – Manfred Mann

December 1963 (only part of this month has listings)

Sunday 1 – The Fantastic Soul Messengers (billed as every Sunday) (Mitch Mitchell played drums at the start alongside sax player Terry Marshall, who was Jim Marshall’s son)

Sunday 8 – The Fantastic Soul Messengers

Saturday 14 – Manfred Mann

Sunday 15 – The Fantastic Soul Messengers

Saturday 21 – Manfred Mann

Sunday 22 – The Fantastic Soul Messengers

Sunday 29 – The Fantastic Soul Messengers

January 1964 (only part of this month has listings)

Saturday 4 – John Mayall’s Bluesbreakers (billed as playing every Saturday)

Friday 10 – The Tridents (Guitarist Leslie Jones joined Four Plus One in August 1964 with former Tridents drummer Ken Lawrence; they became The In Crowd who subsequently morphed into Tomorrow)

Saturday 11 – Possibly John Mayall’s Bluesbreakers (needs confirmation)

Monday 13 – The Tridents

Saturday 18 – John Mayall’s Bluesbreakers

Monday 20 – Mitz Mitton New Orleans Jazz Band (billed as every Monday)

Wednesday 22 – The Tridents

Thursday 23 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Saturday 25 – John Mayall’s Bluesbreakers

Sunday 26 – The Soul Messengers (Harrow Observer & Gazette)

Monday 27 – Mitz Mitton New Orleans Jazz Band

Wednesday 29 – The Tridents

Thursday 30 – The Chessmen (Harrow Observer & Gazette) (aka Tony Knight’s Chessmen)

February 1964 (only part of this month has listings)

Saturday 1 – The Soul Messengers (Harrow Observer & Gazette)

Sunday 2 – Frankie Reid & The Casuals (Harrow Observer & Gazette)

Monday 3 – Mitz Mitton New Orleans Jazz Band

Thursday 6 – The Chessmen

Friday 7 – The Tridents

Saturday 8 – The Soul Messengers (Melody Maker however lists John Mayall’s Bluesbreakers)

Sunday 9 – Frankie Reid & The Casuals

Monday 10 – Mitz Mitton New Orleans Jazz Band

Wednesday 12 – The Tridents

Wednesday 19 – The Tridents

Wednesday 26 – The Tridents

March 1964 (only part of this month has listings)

Wednesday 4 – The Tridents

Friday 6 – R&B group

Photo: Harrow Observer & Gazette

Wednesday 11 – The Tridents

Friday 13 – R&B group

Wednesday 18 – The Tridents

Thursday 19 – Top West London groups (Harrow Observer & Gazette)

Saturday 21 – Jimmy Williamson Trio (Harrow Observer & Gazette)

Sunday 22 – The Soul Messengers (Harrow Observer & Gazette)

Monday 23 – Mitz Mitton New Orleans Jazz Band (Harrow Observer & Gazette)

Wednesday 25 – The Tridents

Thursday 26 – Jeff Curtis & The Flames (Ruislip & Northwood Gazette) (Members at this point went on to The Manchester Playboys, Influence and The Penny Peeps among others)

Friday 27 – The Tridents

Saturday 28 – John Mayall’s Bluesbreakers (Ruislip & Northwood Gazette)

Sunday 29 – The Soul Messengers (Ruislip & Northwood Gazette)

Monday 30 – Mitz Mitton New Orleans Jazz Band

April 1964

Wednesday 1 – The Tridents

Thursday 2 – Jeff Curtis & The Flames

Friday 3

Saturday 4 – John Mayall’s Bluesbreakers

Sunday 5 – The Soul Messengers

Monday 6

Tuesday 7

Wednesday 8 – The Tridents

Thursday 9 – Geoff Cortez & The Flame (This is Jeff Curtis & The Flames) (Harrow Observer & Gazette)

Friday 10 – R&B group

Saturday 11 – The Soul Messengers (Harrow Observer & Gazette)

Sunday 12 – The Second Thoughts (Harrow Observer & Gazette) (Members went on to Nirvana, Thunderclap Newman, July and Jade Warrior)

Monday 13 – Mitz Mitton New Orleans Jazz Band

Tuesday 14

Wednesday 15

Thursday 16 – Geoff Cortez & The Flame (sic) (this is Jeff Curtis & The Flames)

Friday 17

Saturday 18 – The Mark Leeman Five (Harrow Observer & Gazette) (Members went on to The Nice, Gass and Herbie Goins & The Night-Timers among others)

Sunday 19 – The Second Thoughts

Monday 20 – The Casuals (Most likely Frankie Reid & The Casuals) (Melody Maker lists Mitz Mitton New Orleans Jazz Band on Monday, 20 April)

Tuesday 21

Wednesday 22

Photo: Harrow Observer & Gazette

Thursday 23 – Jeff Curtis & The Flames (Harrow Observer & Gazette)

Friday 24

Saturday 25 – John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Sunday 26 – The Second Thoughts

Monday 27 – The Casuals (Most likely Frankie Reid & The Casuals)

Tuesday 28

Wednesday 29 – The Tridents

Thursday 30 – Jeff Curtis & The Flames

May 1964

Friday 1

Saturday 2 – John Mayall’s Bluesbreakers

Sunday 3 – The Fabulous Second Thoughts (This is The Second Thoughts)

Monday 4

Tuesday 5

Wednesday 6 – The Tridents

Thursday 7 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 8 – R&B group

Saturday 9 – The Mark Leemen Five

Sunday 10 – The Second Thoughts

Monday 11 – The Soul Messengers (Mitch Mitchell left before the band became The Next 5 in the summer. After playing a gig with The Rockin’ Eccentrics in Portsmouth, he formed The Riot Squad)

Tuesday 12

Wednesday 13 – The Tridents

Thursday 14 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 15

Saturday 16 – The Mark Leemen’s Five (aka Mark Leemen Five)

Sunday 17 – Fabulous Second Thoughts (This is The Second Thoughts)

Monday 18 – The Hobos

Tuesday 19

Wednesday 20

Thursday 21 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 22

Saturday 23 – The Mark Leemen Five

Sunday 24 – The Second Thoughts

Monday 25 – The Hobos

Tuesday 26

Wednesday 27

Thursday 28 – Jimmy Royal & The Hawks (aka James Royal & The Hawks

Friday 29 – The Tridents

Saturday 30 – The Mark Leemen Five

Sunday 31 – The Second Thoughts

June 1964

Monday 1 – The Hobos

Tuesday 2

Wednesday 3 – The Tridents

Thursday 4 – Manfred Mann

Friday 5 – The Tridents

Photo: Harrow Observer & Gazette

Saturday 6 – The Mark Leemen Five

Sunday 7 – The Second Thoughts

Monday 8 – The Hobos

Tuesday 9

Wednesday 10 – The Tridents

Thursday 11 – Manfred Mann (Harrow Observer & Gazette has Frankie Reid & The Casuals)

Friday 12 – The Preachers (Terry Clark and Andy Bown went on to original line up of The Herd)

Saturday 13 – The Mark Leemen Five (This might have been The Tridents; Harrow Observer & Gazette lists the latter)

Sunday 14 – The Second Thoughts

Monday 15 – The Hobos

Tuesday 16

Wednesday 17 – The Tridents

Thursday 18 – Frankie Reid & The Casuals (Members at this point went on to Python Lee Jackson and Episode Six among others)

Friday 19 – The Fairlanes

Saturday 20 – The Tridents (Harrow Observer & Gazette lists The Mark Leeman Five)

Sunday 21 – The Second Thoughts

Monday 22 – The Hobos

Tuesday 23

Wednesday 24 – The Tridents

Thursday 25 – Frankie Reid & The Casuals

Friday 26 – Gene & The Cossacks

Saturday 27– The Mark Leemen Five

Sunday 28 – The Second Thoughts

Monday 29 – The Hobos

Tuesday 30

July 1964

Wednesday 1 – The Tridents

Thursday 2 – Frankie Reid & The Casuals

Friday 3 – R&B group

Saturday 4 – The Mark Leemen Five

Sunday 5 – The Second Thoughts

Monday 6 – The Hobos

Tuesday 7

Wednesday 8

Thursday 9 – Frankie Reid & The Casuals

Friday 10 – The Tridents

Saturday 11 – Mark Lemon (sic) – (This is The Mark Leeman Five)

Sunday 12 – The Second Thoughts

Monday 13 – The Hobos

Tuesday 14

Wednesday 15 – The Tridents

Thursday 16 – Frankie Reid & The Casuals

Friday 17 – R&B

Saturday 18 – Mark Lemon (sic) – (This is The Mark Leemen Five) (Harrow Observer & Gazette has The Second Thoughts)

Sunday 19 – The Second Thoughts

Monday 20 – Gerry Hart & The Heartbeats (This group became The Eyes)

Tuesday 21

Wednesday 22

Thursday 23 – Frankie Reid & The Casuals

Friday 24

Saturday 25 – The Second Thoughts (Harrow Observer & Gazette has The Mark Leeman Five)

Photo: Harrow Observer & Gazette

Sunday 26 – The Second Thoughts (Harrow Observer & Gazette has The Macabre)

Monday 27 – The Hobos

Tuesday 28

Wednesday 29 – The Tridents

Thursday 30 – Frankie Reid & The Casuals

Friday 31 – R&B

August 1964

Saturday 1 – The Mark Leemen Five

Sunday 2 – The Macabre (Guitarist Peter Vernon-Kell had been a very early member of The Who when they were called The Detours. He would go to become an original member of The Hamilton Movement)

Monday 3 – R&B (possibly The Hobos)

Tuesday 4

Wednesday 5 – The Tridents

Thursday 6 – R&B

Friday 7 – Group Four

Saturday 8 – R&B (possibly The Mark Leemen Five)

Sunday 9 – R&B (possibly The Macabre)

Monday 10 – R&B (possibly The Hobos)

Tuesday 11

Wednesday 12 – The Tridents

Thursday 13 – R&B

Friday 14 – The Koalas

Saturday 15 – R&B (possibly The Mark Leemen Five)

Sunday 16 – R&B (possibly The Macabre)

Monday 17 – R&B (possibly The Hobos)

Tuesday 18

Wednesday 19 – The Tridents (Shortly after this gig, the band’s guitarist Leslie Jones left to join Four Plus One/The In Crowd and Mike Jopp covered until Jeff Beck joined in early September)

Thursday 20 – R&B

Friday 21 – The Preachers

Saturday 22 – R&B (possibly The Mark Leemen Five)

Sunday 23 – R&B (possibly The Macabre)

Monday 24 – R&B (possibly The Hobos)

Tuesday 25

Wednesday 26 – R&B

Thursday 27 – R&B

Friday 28 – R&B

Saturday 29 – R&B (possibly The Mark Leemen Five)

Sunday 30 – R&B (possibly The Macabre)

Monday 31 – R&B (possibly The Hobos)

September 1964

Tuesday 1

Wednesday 2 – R&B

Thursday 3 – R&B

Friday 4 – R&B

Saturday 5 – R&B (possibly The Mark Leemen Five)

Sunday 6 – R&B (possibly The Macabre)

Monday 7 – R&B (possibly The Hobos)

Tuesday 8

Wednesday 9 – R&B

Thursday 10 – Frankie Reid & The Casuals (guest star Jimmy Royal) (Harrow Observer & Gazette)

Friday 11 – R&B

Saturday 12 – The Mark Leemen Five (Saturdays)

Sunday 13 – The Macabre (Sundays)

Monday 14 – The Hobos (Mondays)

Tuesday 15

Wednesday 16 – Buddy Britten & The Regents (every Wednesday)

Thursday 17 – Frankie Reid & The Casuals (guest star Jimmy Royal)

Friday 18 – The Preachers

Photo: Ruislip & Northwood Gazette

Saturday 19 – The Mark Leemen Five

Sunday 20 – The Macabre

Monday 21 – The Hobos

Tuesday 22

Wednesday 23 – Buddy Britten & The Regents

Thursday 24 – Jimmy Royal & The Hawks and Frankie Reid & The Casuals

Friday 25 – The Vincents

Photo: Harrow Observer & Gazette

Saturday 26 – The Mark Leemen Five (Harrow Observer & Gazette)

Sunday 27 – John Mayall’s Bluesbreakers and The Mokes (Harrow Observer & Gazette)

Monday 28 – The Macabre (Harrow Observer & Gazette)

Tuesday 29

Wednesday 30 – Buddy Britten & The Regents (Harrow Observer & Gazette)

October 1964

Thursday 1 – The Next 5 (needs confirmation)

Friday 2 – The Cobwebs and The RBQ

Saturday 3 – The Mark Leemen Five

Sunday 4 – The Hobos

Monday 5 – The Macabre

Tuesday 6

Wednesday 7 – R&B

Thursday 8 – The Next 5 (Formerly The Soul Messengers but with personnel changes)

Friday 9 – R&B

Saturday 10 – The Birds (Ronnie Wood on lead guitar)

Sunday 11 – The Hobos

Monday 12 – The Macabre

Tuesday 13

Wednesday 14 – R&B

Thursday 15 – The Next 5

Friday 16 – The Fairlanes

Saturday 17 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

Sunday 18 – John Mayall’s Bluesbreakers

Monday 19 – The Dee Lobs

Tuesday 20

Wednesday 21 – R&B

Thursday 22 – The Next 5

Friday 23 – R&B

Saturday 24 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

Sunday 25 – John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Monday 26 – The Dee Lobs

Tuesday 27

Wednesday 28 – R&B

Thursday 29 – The Next 5

Friday 30 – The Miston Tuac

Saturday 31 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

November 1964

Sunday 1 – The Hobos and John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Monday 2 – The Dee Lobs

Tuesday 3

Wednesday 4 – The Inclined

Thursday 5 – The Next 5

Friday 6

Saturday 7 – The Mark Leemen Five

Sunday 8 – The Hobos

Monday 9 – The Dee Lobs

Tuesday 10

Wednesday 11

Thursday 12 – Jimmy Royal & The Hawks

Friday 13

Saturday 14 – The Mark Leemen Five

Sunday 15 – The Dee Lobs

Monday 16 – The De’ils (possibly The Devils)

Tuesday 17

Wednesday 18

Thursday 19 – Jimmy Royal & The Hawks

Friday 20 – The Deacons

Photo: Ruislip & Northwood Gazette

Saturday 21 – The High Numbers (The Who) (Documented as club debut but may not be)

Sunday 22 – The Dee Lobs

Monday 23 – The De’els (possibly The Devils)

Tuesday 24

Wednesday 25

Thursday 26 – Jimmy Royal & The Hawks

Friday 27

Saturday 28 – The Mark Leemen Five

Sunday 29 – The South West Five (This was probably before Arthur Brown joined on vocals)

Monday 30 – The Rockin’ Eccentrics

December 1964

Tuesday 1

Wednesday 2 – The Inclined

Thursday 3 – The Rockin’ Eccentrics (Harrow Observer & Gazette)

Friday 4 – The Heart & Souls

Saturday 5 – The Mark Leemen Five

Sunday 6 – The South West Five

Monday 7 – The Dee Lobs

Tuesday 8

Wednesday 9

Thursday 10 – The Rockin’ Eccentrics

Friday 11

Saturday 12 – The Limelights

Sunday 13 – The Mark Leemen Five

Monday 14 – The Dee Lobs

Tuesday 15

Wednesday 16 – Alexis Korner

Thursday 17 – The Rockin’ Eccentrics

Friday 18

Saturday 19 – Jeff Curtis & The Flames and The Hobos (Harrow Observer & Gazette has The Limelights)

Sunday 20 – The Mark Leemen Five

Monday 21 – The Dee Lobs

Tuesday 22

Wednesday 23 – possibly Alexis Korner (needs confirmation)

Photo: Ruislip & Northwood Gazette

Thursday 24 – The Rockin’ Eccentrics and The South West Five

Friday 25

Saturday 26 – The Mark Leemen Five and The Hobos

Sunday 27 – The Who

Monday 28 – The Dee Lobs

Tuesday 29

Wednesday 30 – Alexis Korner (Harrow Observer & Gazette)

Thursday 31 – The Rockin’ Eccentrics and The South West Five

January 1965

Friday 1

Saturday 2 – The Who

Sunday 3 – The Hobos

Monday 4 – The Dee Lobs

Tuesday 5

Wednesday 6 – Alexis Korner

Thursday 7 – The Rockin’ Eccentrics (Ruislip & Northwood Gazette)

Friday 8 – The Heart & Souls (According to Ken Samuels, this was possibly with Flight One)

Saturday 9 – The Who

Sunday 10 – The Mark Leemen Five

Monday 11 – The Dee Lobs

Tuesday 12

Wednesday 13 – Alexis Korner

Thursday 14 – The Rockin’ Eccentrics

Friday 15 – Beau & The Odd Lot

Saturday 16 – The Ray Martin Group (Terry Marshall, Jim’s Marshall’s son was a member)

Sunday 17 – The Mark Leemen Five

Monday 18 – The Dee Lobs

Tuesday 19

Wednesday 20 – Alexis Korner

Thursday 21 – The Rockin’ Eccentrics

Friday 22 – Just Memphis

Saturday 23 – The Ray Martin Group

Sunday 24 – The Mark Leemen Five

Monday 25 – The Dee Lobs

Tuesday 26

Wednesday 27 – Alexis Korner

Thursday 28 – The Rockin’ Eccentrics

Friday 29 – The Nature Boys

Saturday 30 – The Who

Sunday 31 – The Ray Martin Group

February 1965

Monday 1 – The Dee Lobs

Tuesday 2

Wednesday 3

Thursday 4 – The Rockin’ Eccentrics (and Jimmy Royal & The Hawks?)

Friday 5 – Wainwright’s Gentlemen (Ian Gillan on lead vocals) and The Unit 5

Saturday 6 – The Ray Martin Group

Sunday 7 – Group Competition – 5 Top Groups!

Monday 8 – The Dee Lobs

Tuesday 9

Wednesday 10 – Unit 5 (Harrow Observer & Gazette)

Photo: Melody Maker

Thursday 11 – The Who (Billed as “The Who London 1965” for next four Thursdays)

Friday 12 – The Miston Tuac

Saturday 13

Sunday 14 – The Mark Leemen Five

Monday 15 – The Rockin’ Eccentrics

Tuesday 16

Wednesday 17 – The Blue Ravens

Photo: Melody Maker

Thursday 18 – The Who

Friday 19 – The Beaux Oddlot (aka Beau & The Odd Lot)

Saturday 20 – The Ray Martin Group

Sunday 21 – The Mark Leemen Five

Monday 22 – The Rockin’ Eccentrics

Tuesday 23

Wednesday 24 – The Blue Ravens

Photo: Harrow Observer & Gazette

Thursday 25 – The Who

Friday 26 – Just Memphis

Saturday 27 – The Ray Martin Group

Sunday 28 – The Mark Leemen Five

March 1965

Monday 1 – The Birds

Tuesday 2

Wednesday 3 – The Blue Ravens

Thursday 4 – The Who

Friday 5 – The Nature Boys

Saturday 6 – The Mark Leemen Five

Sunday 7 – The Ray Martin Group

Monday 8 – The Birds

Tuesday 9

Wednesday 10 – The Blue Ravens

Photo: Harrow Observer & Gazette

Thursday 11 – The Birds

Friday 12 – The Blue Ravens

Saturday 13 – The Ray Martin Group

Sunday 14 – The Fetish Crowd

Monday 15 – The Birds

Tuesday 16

Wednesday 17 – The Who

Thursday 18 – The Birds (Harrow Observer & Gazette) (Confirmed by Ron Woods’ book)

Friday 19 – The Clique

Saturday 20 – The Five Dimension (The Stormsville Shakers are also listed for this date)

Sunday 21 – The Mark Leemen Five

Monday 22 – The Just Four

Tuesday 23

Wednesday 24 – The Who

Thursday 25 – The Birds

Photo: Harrow Observer & Gazette

Friday 26 – The Who and The Fetish Crowd

Saturday 27 – The Ray Martin Group

Sunday 28 – The Mark Leemen Five

Monday 29 – The Just Four

Tuesday 30

Wednesday 31 – The Maroons (This band may have backed Wilson Pickett on a British tour)

April 1965

Thursday 1 – The Maroons (Harrow Observer & Gazette)

Friday 2 – The Clique

Saturday 3 – The Mark Leemen Five

Sunday 4 – The Ray Martin Group

Monday 5 – The Just Four

Tuesday 6

Wednesday 7 – The Fetish Crowd

Thursday 8 – The Maroons

Friday 9 – The Clique

Saturday 10 – The Mark Leemen Five

Sunday 11 – The Shondells

Monday 12 – The Dee Lobs and Mike Dee & The Prophets

Tuesday 13

Wednesday 14 – The Fetish Crowd

Thursday 15 – The Maroons

Friday 16 – The Clique

Saturday 17 – The Footprints

Sunday 18 – The Ray Martin Group

Monday 19 – The Rakes

Tuesday 20

Wednesday 21 – The Fetish Crowd

Thursday 22 – The Birds

Photo: Harrow Observer & Gazette

Friday 23 – The Clique

Saturday 24 – Mark Leemen Five

Sunday 25 – The Ray Martin Group

Monday 26 – The Tramps

Tuesday 27

Wednesday 28 – The Fetish Crowd

Photo: Harrow Observer & Gazette

Thursday 29 – The Birds

Friday 30 – The Eccentrics

May 1965

Saturday 1 – The Mark Leemen Five

Sunday 2 – The Tribe (Guitarist Frank Torpey became the original guitarist in The Sweet; bass player Dennis Cowan joined The Bonzo Dog Doo Dah Band)

Monday 3 – The Tramps

Tuesday 4

Wednesday 5 – The Fetish Crowd

Thursday 6

Friday 7 – The Maroons

Saturday 8 – The Ray Martin Group

Sunday 9 – The Rakes

Monday 10 – The Tramps

Tuesday 11

Wednesday 12 – The Fetish Crowd

Thursday 13 – The Tribe (Harrow Observer & Gazette has The Fetish Crowd)

Friday 14 – The Birds

Saturday 15 – The Ray Martin Group

Sunday 16 – The Rakes

Monday 17 – The Tramps

Tuesday 18

Wednesday 19 – The C C Riders

Thursday 20 – The Fetish Crowd

Friday 21 – The Eccentrics

Saturday 22 – The Ray Martin Group

Sunday 23 – The Tribe

Monday 24 – The Rakes

Tuesday 25

Wednesday 26 – The C C Riders

Thursday 27 – The Fetish Crowd

Friday 28 – The Birds

Photo: Harrow Observer & Gazette

Saturday 29 – The Ray Martin Group

Sunday 30 – The Initial Four

Monday 31 – The Tribe

June 1965 (only part of this month has listings)

Tuesday 1

Wednesday 2 – The C C Riders

Thursday 3 – The Fetish Crowd

Friday 4 – The Senate IV

Saturday 5 – The Ray Martin Group

Sunday 6 – The Initial Four

Monday 7 – The Blues Dynasty

Tuesday 8

Wednesday 9 – The C C Riders

Thursday 10 – The Fetish Crowd

Friday 11 – The Senate IV

Saturday 12 – The Ray Martin Group

Sunday 13 – The Initial Four

Monday 14 – The Blues Dynasty

Tuesday 15

Wednesday 16 – The C C Riders

Thursday 17 – The Fetish Crowd

Friday 18 – The Tramps

July 1965 (only part of this month has listings)

Thursday 1 – Jeff Curtis & The Flames

Sunday 4 – Initial 4

Saturday 10 – Initial 4

Friday 16 – Rock’ n Breckers (This is The Rick ‘n’ Beckers)

Saturday 17 – Initial 4

Saturday 24 – The Mark Leemen Five

Saturday 31 – The Ray Martin Group

August 1965 (only part of this month has listings)

Friday 6 – The Mark Leemen Five

Saturday 7 – The Ray Martin Group

Friday 13 – James Royal & The Hawks

Saturday 14 – The Ray Martin Group

Sunday 15 – The Rick ‘n’ Beckers (Sundays)

Friday 20 – James Royal & The Hawks

Saturday 21 – The Ray Martin Group

Sunday 22 – The Rick ‘n’ Beckers

Friday 27 – Ricken Beckers (This is The Rick ‘n’ Beckers)

Saturday 28 – The Fab 5

September 1965 (only part of this month has listings)

Friday 3 – The Rick ‘n’ Beckers

Friday 10 – The Rick ‘n’ Beckers

Saturday 11 – The Ray Martin Group

Harrow Observer & Gazette (16 September) says live music every night except Tuesdays

Friday 17 – The Rick ‘n’ Beckers

Saturday 18 – The Ray Martin Group

Harrow Observer & Gazette (23 September) says live music every night except Tuesdays

October 1965 (only part of this month has listings)

Photo: Melody Maker

Wednesday 27 – Brian Green & His Band

Thursday 28 – R&B

Friday 29 – Cabaret Showband

Saturday 30 – The Ray Martin Group

November 1965 (only part of this month has listings)

Wednesday 3 – Brian Green & His Band

Friday 19 – Cabaret Showband

Saturday 20 – The Ray Martin Group

Sunday 21 – Jazz Blues Big Band

Wednesday 24 – Brian Green & His Jazz Band

Thursday 25 – R&B Group

December 1965 (only part of this month has listings)

Photo: Melody Maker

Thursday 9 – The Tribe

Ruislip and Northwood Gazette (10 December) says live music six nights a week

Friday 10 – The Ray Martin Group

Saturday 11 – The Rick ‘n’ Beckers

Sunday 12 – 2/3 Left Jazz Blues

Monday 13 – The Mixed Feelings

Wednesday 15 – The Midnight Blues (or possibly John Hart Quartet)

Thursday 16 – Jeff Curtis & The Flames

Friday 17 – The Ray Martin Group

Photo: Melody Maker

Saturday 18 – The Rick ‘n’ Beckers

Sunday 19 – 2/3 Left Jazz Blues

Friday 24 – The Ray Martin Group

Saturday 25 – The Rick ‘n’ Beckers

Sunday 26 – 2/3 Left Jazz Blues

Friday 31 – The Ray Martin Group

Thank you to Andy Neill for some of the background information on the Ealing Club.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Jeff Curtis and The Flames

Jeff Curtis & the Flames, circa spring 1963. From left to right: Malcolm Randall, Louis McKelvey, Dave Wigginton, Keith Gardiner, Malcolm Tomlinson and Jeff Curtis

Revised February 2018

Jeff Curtis & The Flames #1 (circa May 1961-May 1962)

Jeff Curtis – lead vocals

Mick Cartwright – lead guitar

Robin “Jesse” James – rhythm guitar

Gary Wheeler – bass

Derek “Dell” Saville – drums

Twickenham born insurance salesman Jeff Curtis (born David Myers; 20 June 1940) had ambitions to be a singer/performer and reportedly put together the original Flames around mid-1961 after singing in a choir.

Little is known about the early Flames. However, according to drummer Dell Saville, Curtis approached him to join a version with three Whitton musicians in mid-1961. These comprised lead guitarist Mick Cartwright, rhythm guitarist Robin “Jesse” James and bass player Gary Wheeler. Curtis ran a short-lived club, the JC Rock Club in the New British Legion Hall on Long Lane, Hillingdon Circus and the musicians played there often, debuting on 26 July 1961. Around May 1962, however, the musicians went their separate ways and Saville joined Ray Dell & The Rocking Deacons. James joined The Downliners briefly.

Advert in Uxbridge Post, 8 November 1961

Curtis started to piece together a new version of The Flames in late 1962/early 1963, starting with Hounslow-based bass player Dave Wigginton (b. 25 February 1943, Isleworth, Middlesex), who held a senior position at an import/export warehouse at London (later Heathrow) Airport during the day, and was working with Twickenham outfit, Johnny & The Pursuers, who played at the JC Rock Club. Thanks to Wigginton’s connections, the new Flames would use the warehouse to rehearse in the evenings. The bass player quickly recommended fellow Pursuers’ guitarist Louis McKelvey (b. 31 October 1943, Killorglin, County Kerry, Eire).

Born above a pub Louis McKelvey came from an artistic background; his mother and father worked in theatre. After boarding at Silverlands House in Chertsey, he attended school in Twickenham, Middlesex, where he was classmates with Don Craine, later of The Downliners Sect fame. McKelvey’s first band was local outfit Johnny & The Pursuers.

Soon after, Curtis recruited rhythm guitarist Keith Gardiner (b. September 1942). In late 1957, when he was 15 years old, Gardiner had befriended 10-year-old drummer John “Mitch” Mitchell at Tudor Rose Youth Club in Southall, Middlesex and had formed a rudimentary band together with guitarist Pete Ross, who subsequently went on to Ealing band, The Flexmen. At the time, Mitchell was attending Jim Marshall’s shop in Hanwell, Middlesex where he was taking drum lessons while Gardiner was taking guitar lessons from top session player, the late Big Jim Sullivan among others.

Wiggington recommended Malcolm Tomlinson (b. 16 June 1946, Isleworth, Middlesex) on drums around December 1962 after seeing him at a local youth club playing with The Panthers. Tomlinson was brought up in Cranford, near London Airport, where his parents worked for British Airways.

A talented musician, who later became a multi-instrumentalist, Tomlinson had attended Spring Grove Grammar School in Isleworth where he was classmates with fellow drummer Mick Underwood, who went on to work with The Outlaws with Ritchie Blackmore among others, and guitarist Tony Bramwell (see later entry). Initially a guitarist, Tomlinson started playing drums in late 1962 and soon proved his natural ability on the kit.

The new formation debuted at Curtis’s Hillingdon club but it soon closed down.

Keith Gardiner says the band opened for The Rolling Stones a couple of times at the Station Hotel in Richmond during February-March 1963 before the club was renamed the Crawdaddy. They also played at the Ealing Club during this period a few times.

Louis McKelvey, Dave Wigginton, Malcolm Tomlinson (partially obscured), Keith Gardiner and Jeff Curtis. Photo: Dave Wigginton

Around March 1963, the musicians completed the new formation with jazz enthusiast, Harrow-on-The-Hill-based sax player Malcolm Randall (b. October 1942, Hendon, Middlesex), who later earned the nickname C B (current bun). Randall’s debut was a gig in Brighton.

Competing with The Rolling Stones, another Ealing Club regular, for local area gigs, Curtis’s band started to travel further afield, including the Whisky A Go Go in Manchester.

During 1963, they backed singer Roly Daniels for a show in Catford in Southeast London.

Wigginton remembers playing a club on Jermyn Street in central London in the early days. He also says the band performed at Chiswick Polytechnic, Wandsworth Polytechnic and Chiswick Town Hall during this period.

After working with a manager who also looked after local group Pete Nelson & The Travellers, Jeff Curtis & The Flames signed to Bob Potter’s agency and started working around the Surrey/Hampshire area, including the Agincourt Ballroom in Camberley.

During this time, they opened for Freddie & The Dreamers at Botwell House in Hayes, Middlesex and Cliff Bennett & The Rebel Rousers at Kew Boathouse among others.

Jeff Curtis & The Flames #2 (Circa December 1962-December 1963)

Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Keith Gardiner – rhythm guitar, backing vocals

Malcolm Randall – saxophone (joined around March 1963)

Dave Wigginton – bass

Malcolm Tomlinson – drums/backing vocals

Jeff Curtis & The Flames, Walthamstow, north London, January 1963. Interestingly Jeff Curtis is playing the piano. This was before Malcolm Randall joined.

On 1 June 1963, Jeff Curtis & The Flames played their most high-profile gig to date, appearing with a number of local West London bands on the “Rock Twist Jive Channel Crossing”, a rock extravaganza that took place on-board the Channel ferry, the M V Royal Daffodil, which sailed from Southend, Essex to Boulogne. The billing included Tomlinson’s future band leader, Fulham-based singer Jimmy Marsh and his former Spring Grove class mate, Mick Underwood who was playing with The Outlaws and backing the show’s headline act, Jerry Lee Lewis.

Jeff Curtis & the Flames, 1963. Photo courtesy of Keith Gardiner. Left to right: Louis McKelvey, Keith Gardiner, Jeff Curtis, Malcolm Tomlinson, Dave Wigginton and Malcolm Randall
Jeff Curtis & the Flames, 1963. From left: Keith Gardiner, Louis McKelvey, Malcolm Tomlinson, Malcolm Randall, Dave Wigginton and Jeff Curtis (front)
Poster for the Channel Crossing, 1 June 1963. Image courtesy of Keith Gardiner

On 4 October 1963, Jeff Curtis & The Flames were given the opportunity to record some demos. The band (minus Malcolm Randall) cut a four-track acetate at Lansdowne Recording Studios on Lansdowne Road in Holland Park, which comprised covers of Chuck Berry’s “Bye Bye Johnny” and “It Don’t Take But A Few Minutes” (with Lenny Hastings on drums); Robert Allen and Richard Adler’s “Everybody Loves a Lover”; and Bobby Troup’s “Route 66”.

Two tracks were allegedly readied for release as a single for HMV but when this did not happen, Gardiner departed and dropped out of the music scene, although he did briefly sub for Ken Lundgren in The Outlaws at a few gigs.

Years later he formed his own band The Keith Gardiner Band (KGB), which performed around the Shepperton, Middlesex area.

Acid Jazz Records subsequently used one of the recordings for its Rare Mod CD series.

Notable gigs:

Photo: Walthamstow Guardian
Photo: Dave Wigginton. The Flames at Walthamstow Assembly Hall, January 1963

19 January 1963 – Walthamstow Assembly Hall, Walthamstow with The Gallions and Paul & The Alpines (billed as The Flames)

 

9 March 1963 – Hillingdon Club, Sevenoaks, Kent

Photo: Harrow Observer

20 March 1963 – British Legion Hall, South Harrow, Middlesex

Photo: Surrey Comet

3 May 1963 – St Peter’s Hall, Kingston Upon Thames, Surrey with The Sinners (billed as The Flames) First time in Kingston

Photo: Woking Herald

10 May 1963 – Weybridge Hall, Weybridge, Surrey

 

1 June 1963 – Rock Twist Jive Channel Crossing with Jerry Lee Lewis & The Outlaws, The Four Whirlwinds, The Del-Lormes, Johnny Angel, Nero & The Gladiators, Dane Robert, Vicki Rowe, Ricky Valance, The Fabulous Fleerekkers, Colin Chapman and Jimmy Marsh

Photo: Surrey Comet

14 June 1963 – St Peter’s Hall, Kingston Upon Thames, Surrey with Tony Clayton & The Impalas (billed as The Fabulous Flames with saxophone backing)

20 July 1963 – Walton Hop, Walton-on-Thames, Surrey

At Silver Blades Ice Rink, The Streatham News, August 2, 1963
At Silver Blades Ice Rink, The Streatham News, August 2, 1963

2-3 August 1963 – Silver Blades, Streatham, London

28 September 1963 – Agincourt Ballroom, Camberley, Surrey with Allen & The Blue Diamonds (billed as The Flames) According to Keith Gardiner who is in touch with the guitarist from Tommy Bruce’s band, The Flames actually played on 29 September as the opening act

Photo: Walthamstow Guardian

12 October 1963 – Walthamstow Assembly Hall, Walthamstow with Mel James & The Meltones and Jimmy Ritchie Combo (billed erroneously as Jess Curtis & The Flames)

30 November 1963 – Walton Hop, Walton-on-Thames, Surrey

Jeff Curtis & The Flames #3 (December 1963-July 1964)

Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Ray Soper – organ

Malcolm Randall – saxophone

Dave Wigginton – bass

Malcolm Tomlinson – drums/backing vocals

Jeff Curtis replaced Keith Gardiner with Putney, Surrey-based organist Ray Soper (b. 9 May 1941, Battersea, London), who would play with The Flames on several occasions over the next two years, venturing off to perform with various other local groups. Soper had gone to Sir Walter St John Grammar School in Battersea, south London and started playing classical piano at six years of age. In 1959, when he was 18 years old, Soper began working with local rock groups in the Chelsea area.

Around February 1964, the band did a demo session with Decca Records in West Hampstead but nothing came from it.

After leaving Bob Potter’s agency, Jeff Curtis & The Flames got work with the Roy Tempest agency. The new line up continued to gig widely but Tomlinson started to get bored.

In mid-summer the drummer took up an offer from former Fairlanes lead singer Jimmy Marsh, who he’d met on the cross Channel gig the previous summer, to join his new band, The Del Mar Trio. Tomlinson subsequently went on to play with The Noblemen, The Motivation, The Penny Peeps and Gethsemane before immigrating to Canada in January 1969 and continuing his musical career there. He subsequently worked with the likes of Bill King and Rick James among others and cut two solo albums in the late Seventies.

Notable gigs:

1 February 1964 – Hermitage Ballroom, Hitchin, Herts with The League of Gentlemen and The Dyaks

Photo: Walthamstow Guardian

29 February 1964 – Walthamstow Assembly Hall, Walthamstow with Pat McQueen Combo and The Preachers

Opening for the Rattles, March 14, 1964
Opening for the Rattles, March 14, 1964

14 March 1964 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Rattles (billed as Geoff Curtis & The Flames)

26 March 1964 – Ealing Club, Ealing, Middlesex

 

2 April 1964 – Ealing Club, Ealing, Middlesex

4 April 1964 – King’s Hall, Aberystwyth, Wales

5 April 1964 – Southall Community Centre, Southall, Middlesex with The Rattles

9 April 1964 – Ealing Club, Ealing, Middlesex

16 April 1964 – Ealing Club, Ealing, Middlesex

23 April 1964 – Ealing Club, Ealing, Middlesex

30 April 1964 – Ealing Club, Ealing, Middlesex

14 May 1964 – Rocky Rivers Top 20 Club, Conservative Club, Bedford

23 May 1964 – Palace Ballroom, Wolverton, Bucks with The Milestones

31 May 1964 – Silver Blades, Streatham, London

18 June 1964  – Majestic Ballroom, Luton, Beds with Peter’s Faces

Jeff Curtis & The Flames #4 (July 1964-January 1965)

Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Malcolm Randall – saxophone

Ray Soper – keyboards (left around September 1964)

Dave Wigginton – bass

Pete Burt – drums

+

Jeff Lake – saxophone (joined around September 1964)

The band’s new drummer was Pete Burt (b. 20 August 1946, Redhill, Surrey), younger brother of Mick Burt, sticks man with Cliff Bennett & The Rebel Rousers, who answered an advert in the music press. Brought up in South Harrow, Middlesex where he attended Roxeth Manor School, Burt had previously played with a non-professional band that started life at Botwell House, Hayes backing singer Robert (Bob) Chambers.

In an amazing twist of fate, the lead guitarist in the band was Tony Bramwell, Pete Burt’s predecessor Malcolm Tomlinson’s former class mate from Spring Grove Grammar School in Isleworth. The band played a couple of gigs before splitting up around mid-1964. Bramwell then went on to play with local bands, The Fantoms, The Fantom Creed, The Sheratons and The Hum Drum Band.

Sometime in August, the band auditioned for Joe Meek for the first time.

Clockwise from bottom left: Dave Wigginton (bass), Malcolm Randall (sax), Pete Burt (drums), Jeff Curtis (vocals), Jeff Lake (sax) and Louis McKelvey (guitar). Photo: Dave Wigginton

Around late September 1964, Ray Soper was sacked and Malcolm Randall introduced his friend, sax player Jeff Lake. Soper immediately found work with Buddy Britten & The Regents alongside future Deep Purple bass player Nick Simper. He would then work with Cyrano & The Bergeracs, where he reunited with Simper in 1965 but would remain on the fringes of The Flames.

Shortly after Jeff Lake’s arrival, the band returned to Lansdowne Recording Studios in October 1964 to record a two-track demo that included a cover of Solomon Burke and Bert Berns’ “Down In The Valley”.

McKelvey, however, was also growing restless and departed in early January 1965. On the afternoon of his wedding day (most likely in June 1965), he headed to Germany to reunite with former Jeff Curtis & The Flames drummer Malcolm Tomlinson, who was working with James Deane & The London Cats. The guitarist gigged with The London Cats for about a month before returning to London.

Then, around September 1965, McKelvey travelled to South Africa and ended up recording with The Upsetters and The A-Cads. In April 1966, The A-Cads moved to the UK to work with producer Mickie Most but when nothing happened, the guitarist moved to Montreal in September. Based in Canada, McKelvey recorded with Our Generation and Influence before returning to the UK in July 1968 briefly.

Back home he reunited with former Jeff Curtis & The Flames drummer Malcolm Tomlinson. The pair relocated to Toronto in January 1969 where they formed Milkwood and recorded an unreleased album with legendary producer, the late Jerry Ragavoy for Polydor Records. McKelvey would subsequently work with Toronto bands, Damage (alongside Tomlinson) and Powerhouse and record with Marble Hall. He currently lives in Toronto.

Notable gigs:

2 July 1964 – Majestic Ballroom, Luton, Beds with The All Stars

2 July 1964 – Winter Gardens Ballroom, Great Yarmouth, Norfolk with Malcolm & The Jetblacks

10 July 1964 – Berkhamsted Town Hall, Berkhamsted, Herts

11 July 1964 – Hermitage Ballroom, Hitchin, Herts with Clouds

18 July 1964 – Marcam Hall, March, Cambridgeshire

25 July 1964 – Majestic Ballroom, Wellington, Shropshire with The Bruisers featuring Lee Stirling

1 August 1964 – The Gaiety, Ramsey, Cambridgeshire with The Swinging Sounds

6 August 1964 – Rocky Rivers Top 20 Club, Conservative Club, Bedford, Bedfordshire

20 August 1964 – Winter Gardens Ballroom, Great Yarmouth, Norfolk with The E-Types

29 August 1964 – Hermitage Ballroom, Hitchin, Herts with Kit & The Saracens

8 October 1964  – Majestic Ballroom, Luton, Beds with The Roulettes

5 December 1964 – Hermitage Ballroom, Hitchin, Herts with The Midniters

8 December 1964 – Floral Hall, Gorleston-on-Sea, Norfolk

19 December 1964 – Ealing Club, Ealing, Middlesex with The Hobos

 

2 January 1965 – St George’s Hall, Exeter, Devon with Roger & The Sabres (billed as The Flames)

3 January 1965 – Majestic Ballroom, Luton, Beds with The Mojos

Jeff Curtis & the Flames, late ’64. From left: Louis McKelvey, Jeff Curtis, Dave Wigginton, Pete Burt (front on drums), Jeff Lake and Malcolm Randall.

Jeff Curtis & The Flames #5 (January-February 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar

Jeff Lake – saxophone

Malcolm Randall – saxophone

Dave Wigginton – bass

Pete Burt – drums

Dave Marcus Theos Michael Caralambous aka Dave Carol (b. Dave Charalambous, 14 January 1949, Isleworth, Middlesex) was brought up in nearby Twickenham. His first band was The Drovers, which he joined around 1962 and also included rhythm guitarist Richard Allen and drummer Geoff Coxon, who would feature in The Flames’ history in later years when they changed name to The Kool.

In late 1963, The Drovers changed name to The Smokestacks after lead singer Mike Smith joined and Brian Hosking from Twickenham band, The Legend, joined on bass. The Smokestacks became resident band at the 51 Club in central London. In the summer of 1964, Carol joined Hounslow band, The Valkeries and remained with them until January 1965 when he joined The Flames. He was also in the same class at school as McKelvey’s younger sister. Carol says he made his debut at the Locarno Ballroom in Swindon.

The changes, however, didn’t end there. Sax player Malcolm Randall left in early February and subsequently joined Bognor Regis band Beau Brummell & The Noblemen for about six months. In July 1965, he jumped ship to join Manchester’s Playboys.

While with that band, Randall appeared on an excellent soul single for Fontana – “I Feel So Good” c/w “I Close My Eyes”. In an incredible twist of fate, during late 1966, Malcolm Randall was playing with Manchester’s Playboys at Liverpool’s Cavern Club when he saw the latest version of The Noblemen on stage and was amazed to see his former Jeff Curtis & The Flames compatriot Malcolm Tomlinson playing drums!

After leaving Manchester’s Playboys in mid-1968, Malcolm Randall moved to Cambridgeshire and ended up working with Red Express during the 1970s, which later morphed (after Randall had left) into Shakatak. He then worked with Sindy & The Action Men among others.

In need of a replacement, Jeff Lake introduced his friend from Harrow – George Russell.

Notable gigs:

11 January 1965 – Locarno Ballroom, Swindon, Wiltshire with Sonny Childe & The Elders Consolidated

22 January 1965 – Majestic Ballroom, Newcastle upon Tyne, Tyne & Wear

23 January 1965 – Marcam Hall, March, Cambridgeshire with The Fourmost

28 January 1965 – Majestic Ballroom, Luton, Bedfordshire with Johnny Thunder & The Thunderbirds

30 January 1965 – St George’s Ballroom, Hinckley, Leicestershire with The Martyns

 

13 February 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Searchers and Rodgers Lodgers (possibly one of George Russell’s first gigs)

Jeff Curtis & the Flames listed as one of the Roy Tempest Organisation’s Top 20 for 1965

Jeff Curtis & The Flames #6 (February-April 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Jeff Lake – saxophone

George Russell – saxophone

Dave Wigginton – bass

Pete Burt – drums

With two of the early band members gone, including his former band mate from Johnny & The Pursuers, Louis McKelvey, Dave Wigginton handed in his notice and agreed to work until mid-April. His replacement was Ray Brown (b. 1944, Hayes, Middlesex), who ended up buying Wigginton’s pink Fender Precision bass. Having rehearsed with Jeff Curtis’s band since January, Brown made his debut with Jeff Curtis & The Flames at Walthamstow Assembly Hall on 24 April.

Photo: Walthamstow Guardian

Brown started with the Sky Blue Skiffle Group in 1956 and two years later appeared on BBC TV’s Carol Levis Junior Discoveries. In 1961-1962, he worked with Hayes band The Preachers and also spent a brief period in a short-lived group with Nick Simper. Soon after joining The Flames, Brown and his school friend Steve Reading from the Sky Blue Skiffle Group wrote and sang backing vocals on “Heart Full of Sorrow” by Heinz, which was released on Columbia in November 1965.

Notable gigs:

28 February 1965 – Olympia, Cromer, Norfolk with Circuit Five

5-6 March 1965 – Boulevard, Tadcaster, North Yorkshire with The McCoys

27 March 1965 – Locarno Ballroom, Swindon, Wiltshire with Shane & The Shane Gang
At the Starlight Room, Boston, April 3, 1965 with the Barron Knights
At the Starlight Room, Boston, April 3, 1965 with the Barron Knights

3 April 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Barron Knights

9 April 1965 – California Ballroom, Dunstable, Bedfordshire with The Escorts and Beaux Maverix (billed as Geoff Curtis & The Flames)

10 April 1965 – Floral Hall, Gorleston-on-Sea, Norfolk with Confessors

17 April 1965 – The Gaiety, Ramsey, Cambridgeshire with The Sons of Adam

 

Jeff Curtis & The Flames #7 (April-July 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Jeff Lake – saxophone

George Russell – saxophone

Ray Brown – bass

Pete Burt – drums

The new line up gigged around the country and on 9 May appeared on the same bill as Beau Brummell & The Noblemen (featuring former member Malcolm Randall) at the Majestic Ballroom in Luton.

A few days after a gig at Clacton Town Hall with Cops ‘N’ Robbers in late June, Jeff Lake and George Russell took a holiday (a trip to Frankfurt to visit former member Malcolm Randall who was playing with Beau Brummell & The Noblemen), which didn’t go down well with singer Jeff Curtis.

Curtis had a band rule that the musicians all had to take a two-week summer holiday at the same time, usually in August. On their return in July, the two sax players were told their services were no longer needed.

Lake subsequently played with a number of local bands before reuniting with former Jeff Curtis & The Flames member Malcolm Randall as road manager for Manchester’s Playboys, which included their Swedish trip in September 1967. On his return, he joined Tommy Bishop & The Rock ‘N’ Roll Revival Show and appeared on the 1968 Decca single “Midnight Train” c/w “Oh Boy”.

Russell joined Hayes, Middlesex band, The Satellites in mid-1966, who changed name to The Army later that year. The band also included future Sweet bass player Steve Priest and cut two recordings in 1967 – covers of the Joe Tex hit “Sugar” and Sam & Dave’s “You Don’t Know Like I Know”. Russell remained with The Army until late 1968/early 1969. He subsequently gigged with Orange Rainbow before moving to Australia. He later returned to live in Hertfordshire.

Notable gigs:

Ray Brown's first gig with the band, April 24, 1965
Ray Brown’s first gig with the band, April 24, 1965

24 April 1965 – Walthamstow Assembly Hall, Walthamstow, London

29 April 1965 – Rocky Rivers Top 20 Club, Conservative Club, Bedford (back by demand)

1 May 1965 – Carfax Ballroom, Oxford with The Gangbusters

3 May 1965 – Radlett (most likely Radlett Centre), Hertfordshire

7-8 May 1965 – Silver Blades, Streatham, London

9 May 1965 – Majestic Ballroom, Luton with Beau Brummell & The Noblemen (former member Malcolm Randall on sax with The Noblemen)

15 May 1965 – Malvern Winter Gardens, Malvern, Worcestershire with Eric Benson & Orchestra

22 May 1965 – Manor Lounge, Stockport, Greater Manchester with The Thingumajigs (Stockport County Express) Gig cancelled

29 May 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Hollies and The Red Squares

 

11 June 1965 – California Ballroom, Dunstable (replaced one of the billed acts)

12 June 1965 – Rivoli Ballroom, Brockley, London

18 June 1965 – USAF base, South Ruislip, London

25 June 1965 – USAF base, High Wycombe, Buckinghamshire

26 June 1965 – Clacton Town Hall, Clacton-on-Sea, Essex with Cops ‘N’ Robbers (last gig with Jeff Lake and George Russell)

 

1 July 1965 – Ealing Club, Ealing, London (reduced to four piece)

3 July 1965 – Hermitage Ballroom, Hitchin, Hertfordshire with Peter Fenton & The 3,000

4 July 1965 – Woodhall Community Centre, Welwyn Garden City, Hertfordshire

August 1965, from left: Jeff Curtis, Ray Soper, Dave Carol, Pete Burt and Ray Brown. Photo courtesy Ray Soper
When they were just being billed as The Flames. Photo courtesy Ray Soper. From left: Ray Soper, Dave Carol, Pete Burt, Ray Brown and Jeff Curtis

Jeff Curtis & The Flames #8 (July 1965-May 1966)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Ray Soper – keyboards

Ray Brown – bass

Pete Burt – drums

On 5 July, Jeff Curtis auditioned two sax players to replace Jeff Lake and George Russell but decided against keeping the horns and instead invited former member Ray Soper to re-join the band on keyboards. Soper had been playing with future Deep Purple bass player Nick Simper in Cyrano & The Bergeracs for several months and then a group formed by the lead singer of The Gobbledegooks but had helped out at the auditions in January 1965, which had brought in Carol and Brown.

Ray Brown had a prearranged week’s holiday from 10-17 July and his predecessor Dave Wigginton returned to honour engagements in his absence, which included a gig at the Ticky Rick Club in Basingstoke, Hants on 17 July. With Brown back from his holiday, the five-piece rehearsed on 21 July before playing their first gig together at Luton’s Majestic Ballroom where there was a bomb scare.

Often billed as simply “The Flames”, the new line up lasted nearly a year (although Soper left in November briefly to work with a Casino band on the Isle of Man, which lasted a week before he returned).

Pete Burt, who worked as a window cleaner when The Flames weren’t gigging, got a window cleaning job with British rock ‘n’ roll legend, Johnny Kidd, who had split from his longstanding backing band, The Pirates on 19 April 1966. Kidd offered The Flames some work to fulfil his outstanding dates.

During late April/early May 1966, The Flames spent about a week  backing the singer, including playing a gig at Chatham Dockyard Naval base (quite possibly the Pembroke Club on HMS Pembroke where Kidd had played the previous year with the original Pirates), but the arrangement did not suit either party.

Around this time, The Flames returned to Lansdowne Studios to cut two original recordings – the David Myers/Ray Brown collaborations, “Room at the Top” and “I Ain’t The Fool”. The former was later cut by the band’s new identity, The Kool, in the summer of 1967. They also did a second audition with Joe Meek.

After Ray Soper was ousted from The Flames in May, he decided to stick with Kidd and formed a new version of The Pirates. The New Pirates (as they were called) supported Johnny Kidd throughout the summer but Soper stopped playing with the band in August. Two months later, he joined Bristol band, The Denims who were playing US bases in France. After working in Strasbourg for two months as The Headline News, he returned to the UK in April 1967.

Three months later, Soper found work playing in a band on the Cunard Cruise liner Carmania, which travelled between Southampton and Montreal on a six-week passage. Marrying a Canadian, he subsequently immigrated to Canada in 1970 and until recently played with The Dusty Roads Band from his home in Ontario. He also works as a film extra.

Notable gigs:

17 July 1965 – Ricky Tick Club, Carnival Hall, Basingstoke, Hants (Dave Wigginton fills in for Ray Brown)

22 July 1965 – Majestic Ballroom, Luton, Bedfordshire (RayBrown returns and Ray Soper’s first gig back with the band)

24 July 1965 – Locarno Ballroom, Swindon, Wiltshire with The Rising Sons

Photo: Leicester Mercury

25 September 1965 – Il Rondo, Leicester

Photo: Windsor, Slough & Eton Express

2 October 1965 – Adelphi Ballroom, Slough, Berkshire

30 October 1965 – Woodhall Community Centre, Welwyn Garden City, Hertfordshire

Photo: Surrey Comet

11 November 1965 – Byron Hotel, Greenford, London with The Keystones (billed as The Flames)

Jeff Curtis & The Flames were featured in the Surrey Comet‘s 13 November 1965 issue but it was full of factual errors (above)

9 December 1965 – Byron Hotel, Greenford, London with the Harmonies

16 December 1965 – Ealing Club, Ealing, London

18 December 1965 – Adelphi Ballroom, Slough, Berkshire

24 December 1965 – Woodstock Roadhouse, North Cheam, London

 

1 January 1966 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Nashville Teens and The Game

13 January 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

22 January 1966 – Locarno Ballroom, Swindon, Wiltshire with Plain and Fancy

12 February 1966 – California Ballroom, Dunstable, Bedfordshire with Goldie & Dave Antony’s Moods and The Game

17 February 1966 – Byron Roadhouse, Greenford, London with The Mode (billed as The Flames)

 

31 March 1966 – Byron Roadhouse, Greenford, London with The Legends (billed as The Flames)

Photo: Windsor, Slough & Eton Express

23 April 1966 – Adelphi Ballroom, Slough, Berkshire

 

7 May 1966 – Locarno Ballroom, Swindon, Wiltshire with The Ying Yongs and The Cotswold Stones (one of Ray Soper’s final gigs)

Publishing contract for “Room at the Top” and “I Aint the Fool”, May 1966 courtesy of Ray Brown
Headline News, circa late 1966. Ray Soper is second from left

Jeff Curtis & The Flames #9 (May 1966-August 1967)

 Jeff Curtis – lead vocals

Dave Carol – lead guitar, vocals

Jet Hodges (aka Richard Hodgins) – keyboards, vocals

Ray Brown – bass

Pete Burt – drums

The remaining members brought in Richard Hodgins, a keyboard player from Shepperton, Surrey, who used the stage name, Jet Hodges. Originally a bass player, Hodges had taken up music full time after training to be an architect.

Increasingly, the band moved away from using the name, Jeff Curtis & The Flames for live shows and often went by the name, The Jeff Curtis Set or just The Flames. One of the highlights from this period was opening for Ike & Tina Turner when they played at the California Ballroom in Dunstable.

In late 1966, rock promoter and entrepreneur Mervyn Conn, started to represent the band. In December 1966, he added Jeff Curtis & The Flames to a Who concert in Sunderland and renamed the band The Kool for this one-off gig, although the group didn’t appear at the venue.

After signing to CBS Records, Conn decided that The Kool was more representative of the band’s evolving sound and renamed them as the band’s debut single hit the shops.

Notable gigs:

11 June 1966 – Corby Civic Centre, Corby, Northamptonshire with Two of Each (billed as The Flames)

 

20 August 1966 – Locarno Ballroom, Swindon, Wiltshire with The Showmen

Photo: Paul Quinton

2 September 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

3 September 1966 – Maple Ballroom, Northampton with Sexion A (billed as The Flames)

18 September 1966 – White Lion, Edgware, London (billed as The Flames)

24 September 1966 – Drill Hall, North Cheam, London with The Fourtunes

Photo: Paul Quinton

2 October 1966 – Prince of Wales, Kinsbury, London

22 October 1966 – California Ballroom, Dunstable with Ike & Tina Turner Revue & The Ikettes (with others)

24 October 1966 – Tiles, Oxford Street, London with Edwin Starr

Photo: Paul Quinton

30 October 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

5 November 1966 – Locarno Ballroom, Swindon, Wiltshire with The Undertakers and Some Other Guys. Billed as The London Flames (Jeff Curtis)

10 November 1966 – Byron Roadhouse, Greenford, London with The Boots (billed as The Flames)

Photo: Paul Quinton

12 November 1966 – Drill Hall, North Cheam, London with 5 Steps Beyond (billed as The Flames)

Photo: Windsor, Slough & Eton Express

13 November 1966 – Adelphi Ballroom, Slough, Berkshire

18 November 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

10 December 1966 – Empire Theatre, Sunderland, County Durham with The Who, Dave Berry, She Trinity, The Slade Brothers and The Peddlers (billed as The Kool but band did not appear)

18 December 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

15 January 1967 – White Lion, Edgware, London (billed as The Flames)

28 January 1967 – Queens Hall, Watton, Norfolk with The Eyes of Blond and The Bohemians

 

19 February 1967 – Kingsway Theatre, Hadleigh, Essex (billed as Flames)

 

9 March 1967 – Upper Cut, Forest Gate, Essex with The Style (billed as Jeff Curtis Set)

27 March 1967 – Woodstock, North Cheam, London with The Starfires (billed as The Flames)

 

9 June 1967 – California Ballroom, Dunstable, Bedfordshire with Allen Bown Set (billed as Geoff Curtis Set)

The Keith Gardiner Band, July 2011

Many thanks to Dave Wigginton, Keith Gardiner, Louis McKelvey, Malcolm Tomlinson, Pete Burt, Dave Carol, Malcolm Randall, Ray Soper, Jeff Lake, Ray Brown, George Russell, Jimmy Marsh, Ian Hannah, Brian Hosking, Richard Bennett and Tony Bramwell.

Concert adverts taken from a number of newspapers including the Ampthill News & Weekly Record, Bedfordshire Times & Independent, Lincolnshire Standard, the Luton News, the Streatham News, the Surrey Comet, Walthamstow Guardian, Exeter Express & Echo, Cambridgeshire Times, Yarmouth Mercury, Middlesex County Times and West Middlesex Gazette, Hertfordshire Express, Hants & Berkshire Gazette, Hounslow Post, NME, Sevenoaks Chronicle, Westerham Courier and Kentish Advertiser, Swindon Advertiser, Wolverton Express, Wellington Journal, Wolverhampton Express & Star and Melody Maker.

Huge thanks to Dave Wigginton, Keith Gardiner, Louis McKelvey, Malcolm Randall, Jeff Lake, Ray Brown and Ray Soper for photos.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections.

Email: Warchive@aol.com

Page 3 of the Jerry Lee Lewis Channel Crossing Programme
Page 3 of the Jerry Lee Lewis Channel Crossing Programme
Page 6 of the Jerry Lee Lewis Channel Crossing Programme
Page 6 of the Jerry Lee Lewis Channel Crossing Programme
Page 7 of the Jerry Lee Lewis Channel Crossing Programme
Page 7 of the Jerry Lee Lewis Channel Crossing Programme

Dave Johnson and Doug Hastings with Dr. John

 Dr. John's band at the Fillmore East, October 1969
Dr. John’s band at the Fillmore East, October 1969

A few years ago, I was fortunate enough to interview bass player Dave Johnson and guitarist Doug Hastings, both of whom played with Dr John in 1969 and spoke highly of their time working with him.

Johnson was an integral member of Dr John’s touring band throughout most of that year alongside drummer Richard Crooks. Together with conga player Didymus (aka Richard) Washington, guitarist Gary Carino and singers Eleanor Barooshian, Jeanette Jacobs and Sherry Graddie, they played all the high profile gigs that year, most notably the Atlantic, Detroit and Toronto Pop Festivals.

Later that autumn guitarist Doug Hastings (who had recently left Rhinoceros) joined Johnson and Crooks in a revised line up. Hastings told me that the band had been assembled in L.A specifically to record the album Remedies, which was later cut at Columbia Studios in New York on 19 and 21-23 October.

The new group debuted at the Whisky in A Go Go in West Hollywood on 23 September (playing six nights) in what Hastings said ‘amounted to a shake-down gig for the band’. Johnson told me that the cover for Remedies was taken at the club by his cousin Steve LaVere.

At the last minute, just before they set off on tour, Hastings’s former cohort from The Daily Flash Don MacAllister was added on electric mandolin for ‘breadth of sound and camaraderie’.

Dr. John at the Fillmore East, October 1969
Dr. John at the Fillmore East, October 1969
Hastings reckons, however, that Don’s real interest was the attraction to heroin that he had in common with Dr John. Sadly, MacAllister was ejected from the tour a few weeks before it ended. Hastings remembers walking in Manhattan with MacAllister the night he was fired and passing Unganos where Tony Williams’s Lifetime was playing. Miles Davis’s Ferrari GTO with bullet holes was parked outside!

When the guitarist got back to the West Coast, he discovered that MacAllister had overdosed. He was only 27 years old!

The photos are from the Fillmore East in mid-October. Johnson told me he doesn’t remember the name of the photographer but she was a girl he met in New York who sent him the 35 mm slides.

The group appeared at the Fillmore East on 10-11 October with Vanilla Fudge and AUM before playing four nights at Unganos from 12-15 October. The tour was wrapped up with two nights at the Fantasy East, running from 17-18 October. The sessions for Remedies took place after the tour but from what I gather only Hastings participated from the band.

Dr John put together a new road band in November but that wasn’t the end of his dealings with Johnson. Shortly after Dave Johnson replaced Randy Fuller in Blue Mountain Eagle (who had morphed out of Dewey Martin’s ill-fated New Buffalo Springfield) in April 1970, the group’s engineer Bill Halverson presented the musicians with a demo of Stephen Stills’s ‘Marianne’ and told them to cut a version.

The band’s lone album had sold poorly and despite having a stash of new songs, Atlantic would only allow them to cut a cover tune as a single before committing to a second album. The band didn’t feel Stills’s song fitted with the sound they wanted to project but begrudgingly cut a version at the Record Plant.

Johnson told me that he managed to get Dr John to come in and play some really funky piano on the song which really gave it a unique sound and feel. Halverson, however, was having none of it and forced the band to re-cut an identical version to the demo, which failed to chart on its release. It would be great to hear that version if it still exists.

Copyright © Nick Warburton, 2010, All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

To contact the author, email: Warchive@aol.com

Hedgehoppers (Anonymous)

Hedgehoppers in 1971, left to right: Alan Avon, Bill Honeyman, Colin Turner (and front) Mick Matthews
Hedgehoppers in 1971, left to right: Alan Avon, Bill Honeyman, Colin Turner (and front) Mick Matthews

Tony Kaye (guitar, vocals)
John Askey (bass)
Dave Birkenhead (organ)
Bill Honeyman (drums)

1967

October Original Hedgehoppers Anonymous lead singer Mick Tinsley and drummer Glenn Martin (who has joined after the top five success of “It’s Good News Week”) have participated in a swansong tour of Sweden and Lapland with bass player Howard Livett and guitarist Ian Atkinson.

(6) During their Scandinavian trip, the quartet play at the Cue Club in Gothenburg on a bill that also features Stoke-on-Trent band, The Colour Supplement. Singer Phil Tunstall will join a new version of Hedgehoppers Anonymous in December 1968. Comprised of guitarist Mick Nixon, bass player Paul Stevenson, drummer Ricky Ballan and future Climax Blues Band keyboard player George Glover, The Colour Supplement play another Swedish date with Hedgehoppers Anonymous, and further shows with The Troggs, before returning to the UK later in the month.

November On their return to England, Tinsley and Martin disband Hedgehoppers Anonymous. Tinsley establishes a solo career while Martin replaces Bill Honeyman in Sandie Shaw’s backing band, The Streamliners, which also comprises lead guitarist/singer Tony Kaye, organist Dave Birkenhead and bass player John Askey. Kaye, who began as a frontman with early 1960s Stoke-on-Trent band, The Huckleberries forms The Shandykins Four in October 1965. The following month, The Shandykins Four were chosen as Sandie Shaw’s permanent backing band and become The Streamliners. Askey and Birkenhead, who has previously played with Chris Ryan & The Crescents, The Scorpions and The Times, join The Streamliners in 1966. The group, however, will also use The Hedgehoppers Anonymous name for gigs.

NME, November 26, 1965
NME, November 26, 1965

December Phil Tunstall’s band, The Colour Supplement had travelled to Germany during November and spent about a month playing at the Star Club in Hamburg where they meet Ritchie Blackmore (soon to return to the UK and form Roundabout, which morphs into Deep Purple). The band then plays the Storyville Clubs in Cologne and Frankfurt for about a month before returning to Britain.

(30)  Hedgehoppers Anonymous perform at the Public Hall, Preston, Lancashire with The Atlantics, The Four Crestas and The Blue Notes.

The Colour Supplement, Phil Tunstall at top
The Colour Supplement, Phil Tunstall at top
The Colour Supplement, Phil Tunstall in front
The Colour Supplement, Phil Tunstall in front

1968

January Sandie Shaw & The Streamliners appear at the MIDEM Festival in Cannes, France.

February After Martin leaves Sandie Shaw’s band, The Streamliners, Tony Kaye brings in Roger Keay briefly before former member, Scots-born drummer Bill Honeyman rejoins. Honeyman is a veteran of popular Stoke-on-Trent R&B band, The Marauders having started out in Alan Avon & The Presidents with future Hedgehoppers’ singer Alan Avon, guitarist Peter Birch, bass player Brian Birch and sax player Tony Bennett.

March With the original Hedgehoppers Anonymous defunct, Kaye decides to take over the name and put together an entirely new version of the band. According to the Burton Daily Mail, the new version appears at the 76 Club, Burton upon Trent, Staffordshire on 10 March.

(3) Phil Tunstall’s band, The Colour Supplement appear at the Blue Ball, Risley, Staffordshire.

April (10) The Hedgehoppers Anonymous appears at the Bull’s Head, Hanford, Staffordshire.

(11) Hedgehoppers Anonymous play at the Crystal Ballroom in Stoke-on-Trent.

(12) The Colour Supplement begin a second Swedish tour.

Sandie Shaw & The Streamliners, 5 May 1968

May (12) After a disastrous tour, The Colour Supplement return to the UK and play their first show back on home soil at the Bull’s Head, Hanford.

(16) The Tony Kaye-led Hedgehoppers Anonymous appear at the Crystal Ballroom in Stoke-on-Trent.

(17) Hedgehoppers Anonymous play at the Freshwater East Club & Golden Sands Restaurant in  Freshwater East, Pembrokeshire, west Wales.

(22) The Colour Supplement play at the Bull’s Head, Hanford.

(30) Hedgehoppers Anonymous perform at Longlands College, James Finegan Hall, Eston, Middlesbrough with The Lemon Tree and The Georgian Quintet.

June (1) After playing the Northern club scene for a few months, Hedgehoppers Anonymous are billed to appear at the Union Rowing Club in Nottingham but are replaced at the last minute by Legacy after it’s announced the band has split up. In reality, John Askey has left to join future Hedgehoppers’ singer Alan Avon’s new band, The Toyshop with Roger Jones and Tony Todd. Colin Turner from The King Pins (who have been working as The Ivy League’s backing band) takes over on bass. Turner joined the Manchester band in late 1966 prior to its relocation to the Stoke-on-Trent area and its signing with the Keith Fisher agency. He also appeared on the band’s final single for Columbia in 1967, “Summer’s Come and Gone” c/w “Another Tear Falls”.

The King Pins with Colin Turner, Star Club promo, Germany, late 1966.
The King Pins with Colin Turner, Star Club promo, Germany, late 1966.

(3) The Colour Supplement appear at the Basford Coronation Club in Basford, Staffordshire.

(12) Tunstall’s group return to the Bull’s Head, Hanford, Staffordshire.

(17) The Colour Supplement play at the Filleybrooke Hotel in Stone, Staffordshire.

(19) Phil Tunstall’s band The Colour Supplement appear at the Bull’s Head, Hanford, Staffordshire.

(21) The new Hedgehoppers Anonymous line up with Colin Turner appears at Bradford University with Fleetwood Mac, Blossom Toes and The Amboy Jukes.

(23) The Colour Supplement appear at the Clayton Lodge in Newcastle Under Lyme, Staffordshire.

July (24) Phil Tunstall’s band The Colour Supplement play at the Bull’s Head, Hanford.

August (7) Alan Avon (who will replace Tunstall in Hedgehoppers in 1970) makes an appearance at Bucknall Workingmen’s club in Bucknall, Staffordshire with his band Toyshop.

(14) The Toyshop play at the Bull’s Head, Hanford, Staffordshire.

This suggests the band spent some time in Portugal and Spain playing

(16) Hedgehoppers Anonymous appear at Victoria Hall, Selkirk, Scotland with Way in Soul Show.

(21) The Colour Supplement perform at the Bull’s Head, Hanford.

(29) Alan Avon’s band, The Toyshop appear at the Bull’s Head in Hanford.

September (6) Hedgehoppers Anonymous play at the Bull’s Head, Hanford, Staffordshire.

(18) Alan Avon’s band The Toyshop appear at the Bull’s Head, Hanford.

(26) The Toyshop perform at the Steelman’s club in Stoke-on-Trent.

(29) Hedgehoppers Anonymous play at Mr Smith’s in Hanley, Staffordshire.

October (4) Hedgehoppers Anonymous play at the Forest Folk Hotel in Blidworth, Nottinghamshire. Immediately afterwards, lead guitarist/singer Mick Matthews (b. 18 December 1946, Knutton, Staffordshire) joins the line up after impressing the band with his song “My Friend John Carter The Kind Magician”. Matthews, who started out in The Telstars, has been playing with Harvey’s Team with singer Ian Riley and bass player Graeme Bates. The new Hedgehoppers Anonymous line up embarks on a four-week Scottish tour with Dave Berry & The Cruisers.

(9) Phil Tunstall’s band The Colour Supplement travel to the Birmingham area and play at the Mackadown, Kitts Green, West Midlands with The Passion Forest.

(11) Future Hedgehoppers’ singer Alan Avon’s band, The Toyshop appear at the Harold Clowes Hall in Bucknall, Staffordshire.

(23) The Colour Supplement perform at the Chesterfield Club in Castle Bromwich, West Midlands.

Hedgehoppers Anonymous Decca South Africa PS
South African sleeve from early 1969 showing a short-lived lineup, photo taken November 1968 Left to right: Bill Honeyman, Mick Matthews, Colin Turner and Dave Birkenhead

November Kaye, who wants to concentrate on a management role for the band, drops out and Matthews take over lead vocal duties briefly until Phil Tunstall joins from The Colour Supplement in December. Kaye’s sons will later write for Robbie Williams.

December Future Hedgehoppers’ singer Alan Avon’s band, The Toyshop record a lone single for Polydor Records – the Carter/Lewis penned “Say Goodbye To Yesterday” c/w guitarist Tony Todd’s “Send My Love To Lucy”. John Askey leaves after this recording and Maurice Cope takes over on bass.

(20)  Hedgehoppers Anonymous with Phil Tunstall appear at Walker Tech College, Wellington, Shropshire with St Louis Union and Justin Martyr.

After arriving in South Africa, March, 1969 Article from the Natal Mercury
After arriving in South Africa, March, 1969 Article from the Natal Mercury

1969

January Hedgehoppers Anonymous are invited to play a three-month residency at Tiles nightclub in Durban, South Africa but Dave Birkenhead is unable to participate in the South African tour and stays behind to join The Look Twice Band.

February Decca re-releases Hedgehoppers Anonymous’ second single “Don’t Push Me” in South Africa with a picture sleeve featuring the short-lived line up from November 1968 depicting Honeyman, Matthews, Turner and Birkenhead.

(26) Remaining members – Phil Tunstall, Mick Matthews, Bill Honeyman and Colin Turner arrive in Durban to be feted as rock royalty.

March Hedgehoppers Anonymous start a three-month residency at Tiles nightclub. After playing a huge concert at the Kingsmead Cricket Stadium, they are invited to extend the Tiles residency until August.

August Following their resounding success at Tiles, Hedgehoppers Anonymous move on to Johannesburg where they hold down a residency at the 19th Level nightclub. Hedgehoppers Anonymous play at the club for three months before embarking on a short tour of Rhodesia where they appear at the Stork Club in Bulawayo and the city’s town hall.

December Hedgehoppers Anonymous return to Johannesburg to play another residency at the 19th Level nightclub before working at the Underground club below the Hotel Continental.

Left to right: Bill, Mick, Phil and Colin in 1970, shortly before Phil Tunstall's tragic death. Photo by Barry Oliver
Left to right: Bill, Mick, Phil and Colin in 1970, shortly before Phil Tunstall’s tragic death. Photo by Barry Oliver

 

Hedgehoppers Anonymous Tomo 45 Man Downstairs

1970

January Hedgehoppers Anonymous sign a deal with the Highveld label to record three tracks.

March Linked with producer Tony Gibson, the group records Matthews’s “Mary Mary” backed by a beat version of Eric Morris’s “Humpty Dumpty”, which has been blended with an indigenous kwela sound, for their debut single. They also record the Matthews-Tunstall-Turner collaboration, “The Man Upstairs”.

April (10) Future Hedgehoppers’ singer Alan Avon’s band, The Toyshop play at the Cavern Club in Liverpool.

May (30) Hedgehoppers Anonymous are billed to appear at a huge rock festival to be held at Ellis Park Stadium in Johannesburg to mark Republic Day on Monday, 31 May alongside The Bats, Omega Limited, Sounds of Brass, The Rising Sons, The Peanut Butter Conspiracy, The First Acquaintance, Hawk and The Staccatos but Tunstall is killed in a road accident on the eve of the show.

June Devastated by their loss, Matthews, Honeyman and Turner return to the UK and go their separate ways. Over the next six months, Matthews works with a band in Germany before Honeyman contacts him about returning to South Africa where there is a demand for the band.

July In their absence, Highveld releases “Mary Mary” c/w “Humpty Dumpty” as a single, which peaks at #15 on the South African LM radio chart. Producer Tony Gibson has set up his own label Tojo with his wife Jo and in August issues “The Man Upstairs” backed by an instrumental version of the song entitled “The Man Downstairs” but it does not chart.

December The remaining members add singer Alan Dutton (aka Alan Avon), who has played with Honeyman during the early 1960s in Alan Avon & The Presidents and until recently was lead singer with Alan Avon & The Toyshop. Avon’s band has toured extensively throughout the UK and recorded the collectable single “These Are The Reasons” c/w “Night To Remember” for the Concord label.

Hedgehoppers CBS LP Hey!
1971, left to right: Mick, Colin, Alan and Bill
Hedgehoppers Tojo PS A Song for Pete
1971, left to right: Mick Matthews, Colin Turner, Alan Avon and Bill Honeyman

1971

January To avoid any potential legal problems with Jonathan King who still owns the name, they drop the Anonymous tag and become Hedgehoppers.

February (27) Billboard magazine announces that Hedgehoppers have returned to South Africa after a spell in London. The revised line up resumes gigging at the Underground nightclub where they are booked for three months. Producer Tony Gibson’s Tojo label records a lone single combining two strong Matthews numbers – “A Song For Pete”, inspired by English guitarist Pete Clifford from The Bats (and one-time guitarist with Dusty Springfield’s band, The Echoes), and “Here’s To The Morning Sun”.

April The band opens Samantha’s, a new nightclub in Johannesburg. While there, Gibson negotiates a deal with CBS which allows the band to record an album mixing Matthews’ originals with covers of Buffalo Springfield’s “Rock ‘N’ Roll Woman” and George Gershwin’s “Summertime”.
(4) “A Song For Pete” on Tojo peaks at #5 on the LM Radio hit parade.

June Having given the others notice that he’ll be returning to the UK after their six-month contract is up, Avon completes a nationwide tour taking in Durban, East London, Port Elizabeth, Kimberley, Cape Town, Upington and Windhoek.

July After Avon returns to the UK in late July, Hedgehoppers bring in new singer, the late Andy Ionnides from Suck, who joins the band for a three-month residency at the Coq D’Or in Salisbury, Rhodesia.

August (29) “Hey!” recorded with Avon on lead vocals, backed by the non-album “My Friend John Carter The King Magician”, featuring Matthews on lead vocals, hits #2 on the LM Radio hit parade and tops the Rhodesian charts.

September (17) “Hey” peaks at #9 on the Springbok Radio hit parade.

October (2) Billboard magazine reports that Hedgehoppers are touring Rhodesia. After the tour finishes this month, keyboard player and singer Rupert Mellor from The First Aquaintence takes over from Ionnides. Hedgehoppers return to Samantha’s and hold down a residency until the end of the year. While there, the band records three new Mick Matthews’s songs for Parlophone Records – “I’m On My Way Ma”, “Blue, Blue, Blue” and “Young Man On The Road”, all featuring Matthews on lead vocals.

November “Blue, Blue, Blue” backed by “I’m On My Way Ma” is released.

1972

March (4) Shortly after watching their beloved Stoke City beat Chelsea in the League Cup final at Wembley, Matthews leaves the band and returns to the UK. He later returns to South Africa and forms Ballyhoo, who will have significant success in the 1970s. Hedgehoppers carries on as a trio and back Wellington Count Judge on the Mojo single “Noma Kunjalo” c/w “Salani” as The Cool Cats. A few months later, Honeyman is killed in a road accident and the band splits with Turner returning to the UK.

Mick Matthews autobiography I Started Out to Write a Song
From left: Alan Avon, Bill Honeyman (in back with glasses), Mick Matthews and Colin Turner. Photo by Gavin Furlonger

Sources:

I Started Out To Write A Song, by Mick Matthews and Adrian English (awaiting publication).
Strange Brew – Eric Clapton & The British Blues Boom 1965-1970, by Christopher Hjort, Jawbone Press, 2007
Tapestry of Delights Revisited by Vernon Joynson, Borderline Productions, 2006.

Information on the King Pins from the Starclub Hamburg site. The photo montage is their copyright.

Live dates sourced from Melody Maker, Birmingham Evening Mail, The Evening Sentinel, Nottingham Evening Post, Middlesbrough Evening Gazette.

Many thanks to Mick Matthews, Alan Avon, George Glover, Tertius Louw, Marq Vas, Benjy Mudie and Gavin Furlonger. Thank you to George Glover, Mike Nixon and Paul Stevenson for passing on details about The Colour Supplement, to Joe Toriati for the photos of this band and to Marq Vas for 45 label scans.

Thank you to Mick Matthews and Benjy Mudie at Fresh for permission to use the Hedgehoppers’ tracks. Keep an eye on Fresh Music’s website for the forthcoming Hedgehoppers CD: www.freshmusic.co.za

Mick Matthews and Adrian English’s I Started Out To Write A Song is awaiting publication.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com

Visit: www.nickwarburton.com

Hedgehoppers Anonymous

1965, from left: Mick Tinsley, Alan Laud, John Stewart, Ray Honeyball and Leslie Dash
1965, from left: Mick Tinsley, Alan Laud, John Stewart, Ray Honeyball and Leslie Dash

Hedgehoppers Anonymous Regent Sound Ltd demo 45 Good News Week

Mike Tinsley (vocals)
John Stewart (lead guitar, vocals)
Tony Cockayne (rhythm guitar)
Ray Honeyball (bass)
Leslie Dash (drums)

1963

November Former Electrons lead singer Mike Tinsley (b. 16 December 1940, Portsmouth, Hants), guitarists John Stewart (b. 18 March 1941, Torphins, Kincardineshire, Scotland) and Tony Cockayne; bass player Ray Honeyball (b. 6 June 1941, Whickham, County Durham) and drummer Leslie Dash (b. 3 April 1943, Hillingdon, Middlesex) are all Royal Air Force ground crew based at RAF Wittering in Cambridgeshire, England. Captivated by the beat scene exploding in the UK, they decide to form a band, The Trendsetters. The quintet performs initially in the officers’ mess at RAF Wittering but then ventures out, debuting at the White Lion pub in Whittlesey, Cambridgeshire. After receiving a positive reception, they play at the Dorothy Ballroom and the Corn Exchange in Cambridge.

1964

The band changes its name to The Hedgehoppers; a nickname for the “V” bombers, which can fly a few hundred feet above the ground, under enemy radar to avoid detection and ground-to-air missiles. A local agent spots The Hedgehoppers playing the local pub scene and arranges live gigs to showcase the band at weekends. By June, The Hedgehoppers have opened for Unit Four Plus Two, The Hollies and The Kinks among others.

November (22) The Hedgehoppers make their first appearance in Cambridge, playing at the Alley.

December (26) The band performs at the Corn Exchange, Cambridge with The Cascades.

1965

February (7) The Hedgehoppers play at the Alley Club in Cambridge.

March (6) The Hedgehoppers appear at the Victoria Ballroom in Cambridge.

(14) The band returns to the Alley Club for another show.

April (1) The group performs at the Victoria Ballroom in Cambridge.

(17) The Hedgehoppers open for The Primitives at the Corn Exchange, Cambridge.

May  (8) The group plays at the Victoria Ballroom, Cambridge.

(22) The Hedgehoppers open for Brian Poole & The Tremeloes at the Corn Exchange, Cambridge.

July (3) The band returns for another show at the Victoria Ballroom in Cambridge.

(17) The Hedgehoppers appear at the Dorothy Ballroom in Cambridge with Bob Ludman and His Orchestra, The Seminoles and Ben Elliot and The Klan. Alan Laud (b. 13 March 1946, Whittlesey, Cambridgeshire), who is a civilian living near the RAF base takes over from Cockayne on rhythm guitar after meeting the musicians in a local pub.

August The Hedgehoppers are playing at the Corn Exchange in Cambridge when they are spotted by Trinity College student Kenneth King (aka Jonathan King), who is working as a producer for Decca Records through his own company “Jonathan King Enterprises”. The aspiring producer is about to release the single “Everyone’s Gone To The Moon” under his recording name Jonathan King and approaches The Hedgehoppers to see if they will record another of his songs – “It’s Good News Week”. King, who is keener on becoming a producer than a singer, suggests that they add the Anonymous tag so that they can keep their fan base but protect their anonymity from the RAF, which is unaware of the recording. The band records “It’s Good News Week” under the musical direction of Arthur Greenslade, who adds session players, including guitarist “Big” Jim Sullivan, to back Tinsley on the track.

(6) The band appears at the Corby Civic Centre, Corby, Northamptonshire with The Rising Sons.

(14) Still billed as The Hedgehoppers, they play at the Victoria Ballroom in Cambridge.

September King’s tongue-in-cheek protest song, “It’s Good News Week” backed by “Afraid of Love” is released. The single’s success generates a huge amount of publicity but also creates problems with the RAF, which has not given the musicians the proper authority to find employment outside the Armed Forces. Hedgehoppers Anonymous make their debut TV appearance on ITV’s Ready Steady Go! They also appear on BBC TV’s Top of The Pops to plug the single.

(11) Billed as The Hedgehoppers, they play at the Victoria Ballroom in Cambridge.

West End Promotion Ad, New Musical Express, October 1965
West End Promotion Ad, New Musical Express, October 1965

October Tinsley successfully submits an application to the RAF for a discharge.

(1) Still billed as The Hedgehoppers, they appear at Bassingbourn Village College, Bassingbourn, Cambridgeshire with The Hornets.

(15) NME reports that Dash, Honeyball and Stewart have applied to the RAF for a discharge but it is not known whether these will be accepted. Behind the scenes, London session musician Glenn Martin (b. 22 January 1946, Wembley Park, Middlesex), who is the resident drummer at the Ad-Lib club and has been playing with Ayshea Brough, takes over from Leslie Dash for live gigs while the drummer tries to gain a discharge.

Tour dates announced, New Musical Express, October 15, 1965
Tour dates announced, New Musical Express, October 15, 1965

(29) With Martin onboard, the new line up plays at the YOR Club, Parr Hall, Warrington, Cheshire with The Boys in support . On the same day, NME reports that the future of Hedgehoppers Anonymous is still in the balance as it is uncertain whether Dash, Honeyball and Stewart’s applications will be accepted. Soon after, Stewart successfully gains a release from the RAF. Meanwhile, the group is forced to turn down an offer to join the Gene Pitney tour because of the travelling involved.

Opportunity to open for Gene Pitney lost New Musical Express, October 29, 1965
Opportunity to open for Gene Pitney lost New Musical Express, October 29, 1965

(30) Hedgehoppers Anonymous perform at Altrincham Stamford Hall in Altrincham, Greater Manchester.

(31) The group makes an appearance at Peter Stringfellow’s Sheffield Mojo club, Yorkshire.

November (2) The band performs on Rediffusion’s Five O’Clock Funfair.

(3) Hedgehoppers Anonymous play at the Kingston Cellar in Kingston-upon-Thames, Surrey.

(4) They perform at the Swindon Locarno Ballroom in Swindon, Wiltshire.

(5) Hedgehoppers Anonymous play at Leighton Baths, Leighton Buzzard, Bedfordshire.

(6) “It’s Good News Week” peaks at UK #5 and also reaches #48 in the US Billboard chart. On the same day, the band are billed to appear at Rawtenstall Astoria, Rawtenstall, Lancashire.

(7) Hedgehoppers Anonymous perform at the Carlton in Slough, Berkshire.

(8) The following day, the band plays at the Atalanta Ballroom in Woking, Surrey.

(10) Following a show at High Wycombe Town Hall the previous day, the group performs at the Stevenage Locarno in Stevenage, Hertfordshire.

(11) They perform at Wisbech Rose and Crown, Wisbech, Cambridgeshire.

(13) The Grantham Journal lists the band appearing at Drill Hall, Grantham, Lincolnshire with Them Dogs and The Scene.

(16) Hedgehoppers Anonymous appear at an All-nighter session at the Cavern in Liverpool with The Baskerville Hounds, The Verbs, The Drifting Sands, The Richmond Group, The Dresdens, The Almost Blues, The Harpos, The Masterminds and The Fourmost.

(18) The band plays at the 100 Club in Oxford Street, London.

Leslie and Ray go "part-time"New Musical Express, November 26, 1965
Leslie and Ray go “part-time”New Musical Express, November 26, 1965

(26) NME reports that Dash and Honeyball are likely to be temporarily replaced because their applications to buy themselves out of the RAF have been turned down a second time. The magazine goes on to say that Dash and Honeyball will return to RAF Wittering today and their availability for appearances – as close as next week – is still uncertain. The band’s agent Chris Peers tells NME that the two musicians will work on as many dates as possible, but for some bookings replacements will have to be brought in. Behind the scenes, however, Dash decides not to continue with the band and will later move out to South Africa where he currently resides. Glenn Martin takes over but will not be officially announced as Dash’s replacement until December. On the same day, the band appears Hillside Ballroom, Hereford with The Alan Walker Group .

1965, from left: Ray Honeyball, Alan Laud, Mick Tinsley, and John Stewart
1965, from left: Ray Honeyball, Alan Laud, Mick Tinsley, and John Stewart

December Decca rush releases a second single to capitalise on the success of “It’s Good News Week” but the Kenneth King written “Don’t Push Me” c/w “Please Don’t Hurt Your Heart for Me” sells poorly. Like Dash, Ray Honeyball cannot get a release from the RAF. Former Von Dykes bass player Lee Jackson is brought in and put on a retainer. The idea is that he will fill in for Honeyball whenever the bass player cannot honour an engagement. While on a retainer, Jackson plays some shows with John Mayall’s Bluesbreakers.

Lineup after late '65, from left: Tom Fox, Glenn Martin, Mike Tinsley, Alan Laud and John Stewart
Lineup after late ’65, from left: Tom Fox, Glenn Martin, Mike Tinsley, Alan Laud and John Stewart

(1) The band plays at Stourbridge Town Hall, Stourbridge, West Midlands.

(2) Hedgehoppers Anonymous perform at the Blue Moon club in Cheltenham, Gloucestershire with The Alan Walker Group.

(3) They appear at Trowbridge Town Hall in Trowbridge, Wiltshire.

(4) The group plays Redhill Market Hall in Redhill, Surrey.

Photo: Boyfriend, 4 December 1965

(6) Hedgehoppers Anonymous appear at Bridgewater Town Hall, Bridgewater, Somerset.

(8) They play at Kidderminster Town Hall, Kidderminster, Worcestershire.

(11) Hedgehoppers Anonymous appear at Nelson Imperial in Nelson, Lancashire.

(12) The group plays a show at Manchester Oasis club.

(16) The band appears at the Pier Pavilion in Worthing, West Sussex.

Keith Jackson and Glen Martin replace Ray Honeyball and Leslie Dash New Musical Express, December 17, 1965
Keith Jackson and Glen Martin replace Ray Honeyball and Leslie Dash, New Musical Express, December 17, 1965

(17) NME announces that Keith Jackson and Glenn Martin have formally replaced Ray Honeyball and Leslie Dash who have been unable to obtain discharges from the RAF.

(22) Record Mirror announces the new line up, introducing Lee Jackson. However, Jackson only appears in a few publicity photos before finding work elsewhere. He subsequently joins Gary Farr & The T-Bones and then The Nice. Londoner Tom Fox takes over on bass from The Beat Boys and Barry Edwards and The Semi-Tones.

(27) The group plays at Bath Pavilion, according to Western Scene.

1966

January Having signed up to Chris Peers Promotions the previous year, the new line up starts to pick up steady work around the country.

(15) Boyfriend magazine lists the group appearing at the George Ballroom, Hinckley, Leicestershire.

(21-26) Boyfriend magazine reports that the band is touring Scotland.

(29) Boyfriend magazine has the group playing at the Town Hall in Bishop’s Stortford, Herts.

April Martin suggests that Hedgehoppers Anonymous cut a version of Chip Taylor’s “Wild Thing”, which is recorded and prepared for release. However, according to Martin, Kenneth King is not convinced about the song’s merit and persuades the musicians to record “Baby (You’re My Everything)” (a Little Jerry Williams ballad that Jonathan King had the rights to) instead. Shortly afterwards, The Troggs top the charts with their own version of “Wild Thing”, allegedly after hearing Hedgehoppers Anonymous’ unreleased version. However, Jonathan King relates “the demo of Wild Thing was first played to me by the publishers; I loved the song and allowed the guys to play on it but their version wasn’t even as good as the demo so I passed and the song was given to Larry Page who produced it with the Troggs.”

(3) The Rhyl & Prestayn Gazette advertises the group appearing at the Royal Lido in Prestayn with The Raynes.

(22) The Southend Standard lists the band playing at the Cricketers Inn, Westcliff, Southend, Essex with Bubbles & Co.

Photo: Mirabelle, 23 April 1966 issue

May Having appeared on ITV’s Ready Steady Go! Hedgehoppers Anonymous return with a third single, “Baby (You’re My Everything)” c/w “Remember”. The band’s poppy sound, however, increasingly sounds dated, and the single does not chart.

June (10) Hedgehoppers Anonymous play at the California Ballroom, Dunstable with The Felders.

(11) Melody Maker reports that Mick Tinsley has been ordered to rest for a week after being injured by fans at the Star Rink Ballroom, West Hartlepool last weekend. The band appears on BBC Radio’s Saturday Club this weekend.

July (23) They appear at St Mary’s Hall in Bognor Regis, West Sussex with Listen.

Hedgehoppers Anonymous Decca PS Denmark Daytime That's the Time

August (26) The band moves towards a more harder-edge rock sound, which culminates in the mod/freakbeat classic “Daytime” which is backed by “That’s The Time”. Unfortunately, the single is not a chart success. “Daytime” is an adaption of Les 5 Gentlemen’s “Dis-Nous Dylan” (originally co-written by Jean Fredenucci of Les 5 Gentlemen and T. Saunders) with English lyrics by John Stewart. Les 5 Gentlemen also record “Daytime” with Stewart’s lyrics for a release on the Major Minor label as Darwin’s Theory.

September (10) Hedgehoppers Anonymous record for BBC Radio’s Saturday Club with Dave Dee, Dozy, Beaky, Mick and Tich, The Fortunes and Glen Dale.

Photo: Mirabelle, 15 October 1966 issue

October The band plays at the Lyceum Ballroom in London on a bill that includes Tom Jones.

(12) Hedgehoppers Anonymous appear at Tiles nightclub on Oxford Street in central London with The Excels.

(15) The band plays at Leyton Baths Hall, Leyton, east London with The Plague.

(22)  Hedgehoppers Anonymous play at Bedford Corn Exchange, Bedford with The Day-Stroms and The Tone Benders.

November (26) The band appears at Leas Cliff Hall, Folkestone, Kent with The Kingpins.

December (9) Final single Alan Laud’s “Stop Press” c/w “Little Memories” is another chart failure.

(17) Hedgehoppers Anoymous perform at Wilton Hall, Bletchley, Bucks with The Addix.

(23) The band appears Lewes Town Hall, Lewes, East Sussex with The Zombies and The Teen Team.

1967

January (6) The band plays at the Winter Gardens, Droitwich, Worcestershire.

(7) Hedgehoppers Anonymous appear at the Marine Ballroom, Morecambe Pier, Lancashire.

New Musical Express, January 14, 1967
New Musical Express, January 14, 1967

(14) NME reports that the current Hedgehoppers Anonymous will split up on 11 February but that Martin and Fox are planning to form a new group, which will probably use the same name. On the same day, Mike Tinsley releases his debut solo single, “Let It Be Me”, produced by Kenneth King, on Decca. The publication also announces that Alan Laud and John Stewart will be forming a trio with ex-Overlanders’ member Terry Widlake but the collaboration never happens. Alan Laud later moves to Spain where he runs a bar in Torremolinos while John Stewart, who is intent on pursuing a career as a songwriter, subsequently relocates to the United States. He currently works in a recording studio in Tennessee. Rather than keep the Hedgehoppers Anonymous name going, Glenn Martin and Tom Fox get a job with blues singer Kenny Barnard, who is opening at the Bag O’Nails club after resident band The Peddlers have moved on.

(22) Martin (on his 21st birthday) and Fox back Kenny Barnard at the Bag O’Nails club. Soon after The Peddlers return to the Bag O’Nails and Barnard’s band finds itself without any work. The musicians go their separate ways. Tom Fox disappears from the music scene but allegedly commits suicide years later.

February (2) The band is advertised to play at the Embassy Suite, Thursday Club, Colchester, Essex with Hap and Unit 4.

(11) Hedgehoppers Anonymous officially disbands.

March Having moved to Halifax, West Yorkshire in February, Martin revives The Hedgehoppers Anonymous name and brings in lead guitarist Ian Atkinson from The Morton Fraser Harmonica Gang. Atkinson recommends his friend from Leeds, bass player Howard Livett. Keyboard player Vincent Crane joins for a few gigs but soon leaves to form The Crazy World of Arthur Brown. Atkinson contacts his friend organist/singer Chris Lazenby, who has previously worked with the guitarist in Bradford band, The Del Rio 4. They also recruit a second lead guitar player from Oldham. The new version mixes band originals – “It’s Good News Week”, “Don’t Push Me” and “Daytime” with covers material.

Hedgehoppers, summer 67 photo with Pete, Ian Atkinson, Glenn Martin, Chris Lazenby and Howard Livett
Hedgehoppers, summer 67 photo with Pete, Ian Atkinson, Glenn Martin, Chris Lazenby and Howard Livett

April The new line up embarks on a busy schedule of nation-wide gigs that takes in venues as far flung as Glasgow and Leicester.

May (29) The Rhyl & Prestayn Gazette lists the band playing at the Royal Lido in Prestayn with The Raynes.

June (23) The group performs at St Benedict’s Club, Sketty, Swansea, south Wales with The Outer Limits.

August Lazenby and the second lead guitarist depart when Martin convinces original singer Mick Tinsley to return to front the band. Lazenby joins the house band at Butlins in Minehead and reunites with Glenn Martin in 1970 when their band works the summer and winter seasons at the Butlins Hotels in Cliftonville near Margate, Kent.

(6) The band appears at New Las Vegas Discotheque in Dewsbury, West Yorkshire.

(18) With Tinsley back onboard, the group performs at the Carlton Club, Warrington, Cheshire with The Expressions.

(25) The  band plays at the Boogaloo, Castleford, West Yorkshire with The Move.

September (16) Hedgehoppers Anonymous appear the Top Spot Ballroom, Ross-on-Wye, Herefordshire with The Knack .

Hedgehoppers Anonymous photo Sweden 1967
Sweden, 1967, from left: Ian Atkinson, Mick Tinsley, Glenn Martin and Howard Livett

October Hedgehoppers Anonymous featuring Mick Tinsley, Glenn Martin, Howard Livett and Ian Atkinson embark on a short tour of Sweden and Lapland.

(6) While playing at the Cue Club in Gothenburg, Stoke-on-Trent band The Colour Supplement open the show. The band’s singer Phil Tunstall will join a new, completely unrelated, version of Hedgehoppers Anonymous in December 1968.

Swedish tour, 1967 photo
Swedish tour, 1967, from left: Mick Tinsley, Howard Livett, Glenn Martin and Ian Atkinson

(18) Liseberg Pop In Club in Gothenburg.
Hedgehoppers Anonymous Pop In Liseberg

November On their return to the UK, Tinsley resumes a solo career. He later becomes a co-writer for songs covered by Joe Dolan and Kelly Marie. In the late 1960s/early 1970s, Livett works on the Mecca scene with the band Huckleberry and spends over 10 years playing the Leeds City Varieties but passes away in August 2005. Martin joins Sandie Shaw’s backing group, The Streamliners, featuring Stoke-on-Trent musicians Tony Kaye (guitar), Dave Birkenhead (organ) and John Askey (bass). While with Sandie Shaw & The Streamliners, Martin will appear at the MIDEM Festival in Cannes in January 1968. When Martin leaves The Streamliners in February, Tony Kaye decides to use the Hedgehoppers Anonymous name for a new, completely unrelated, band, which with a modified line up will continue into the early 1970s, recording in South Africa as Hedgehoppers. Mick Tinsley sings “Wrap Me in Love” co-written with Peter Hawkins of Pickettywitch as a soloist for the UK at the Yamaha World Song Festival in Tokyo 1976. He co-writes songs with Peter Yellowstone for Joe Dolan and Kelly Marie.

2009

October Tinsley’s solo album My Surival is released on the British Academy Songwriters Composers Authors’ label. The album is produced by Tony Swain, who has previously worked with Spandau Ballet, Alison Moyet and Bananarma among others.

Mick Tinsley, May 2010
Mick Tinsley, May 2010

2010

June Prism Leisure Records re-release two CDs featuring Tinsley singing on the songs “Songs That Won The War” and “English Street Party” recorded in the 1990s. Glenn Martin, who has worked as a session drummer over the last 40 years is drum chair at the Surrey Jazz Orchestra.

December (4) Tinsley will be appearing at the Amersham Rock and Roll Club with Chris Farlowe, Vanity Fair, The Searchers and Honeybus.

Sources:

The Best of The Cellars – The Story of the Cavern Club by Phil Thompson, Tempus Publishing Limited, 2007.
New Musical Express, 1 October 1965 (page 9), 15 October 1965 (pages 9 and 13), 29 October 1965 (pages 6, 9 and 10), 26 November 1965 (page 9), 17 December 1965 (page 6), 14 January 1967 (page 8).

Many thanks to Mick Tinsley, Glenn Martin, Jonathan King, Chris Lazenby, Mick Cockayne, Lee Jackson, Jenni Livett, Christopher Hjort, Tertius Louw, Paul Green and Tony Walter for providing further details. Thank you to Paul Tinsley for the photo of Mick Tinsley in May 2010. Thanks also to Samuel Coomans for one of the sleeve scans and to Hans Olof Gottfridsson.

Mike Tinsley’s “My Survival” is available on the BASCA Academy Recording Digital label and can be purchased on Amazon.

Newspapers including Cambridge News, Dewsbury Reporter, the Warrington Guardian and the South Wales Evening Post.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com

 

 

The Standells

Standells photo early 1963
Early 1963, clockwise from left: Tony Valentino, Gary Lane, Larry Tamblyn and Gary Leeds

Larry Tamblyn (keyboards, vocals)
Tony Valentino (lead guitar)
Gary Lane (bass)
Gary Leeds (drums)

1962

The group is formed in Los Angeles by Larry Tamblyn (b. February 5, 1943, Inglewood, California, US), (brother of actor Russ Tamblyn), and guitarist Tony Valentino (b. Emilio Tony Belilissimo, May 24, 1941, Longi, Italy), who arrived in the US in 1958. Tamblyn has previously recorded three singles for local label, Faro.

Tamblyn and Valentino form the original Standells with Jody Rich (bass) and Benny King (drums) and work in Hawaii at the Oasis club in Honolulu for several months. The group takes its name from the long hours spent hanging around record company offices awaiting an audition.

1963

January The Standells work at the Club Esquire in Eureka, California. Soon afterwards, former New York Aerospace Technology school student, Gary Leeds (b. September 3, 1944, Glendale, California, US) and bass player Gary Lane (b. Gary McMillan, September 18, 1940, St Paul, Minnesota, US) take over from King and Rich. The group’s first recording is the single, “The Shake”, which receives airplay on KFWB radio station.
May The group plays at the Royal Room in West Los Angeles.
August The Standells appear at Tykes in Pasadena, California.
September The band performs at the Trophy Room in Sacramento, California and then becomes the house band at the Peppermint West in Hollywood.
December The Standells’ debut single, “You’ll Be Mine Some Day” is released as Larry Tamblyn and The Standells on Faro’s subsidiary label, Linda Records.

Standells, early 1964: Gary Lane, Larry Tamblyn, Gary Leeds and Tony Valentino
Standells, early 1964: Gary Lane, Larry Tamblyn, Gary Leeds and Tony Valentino

Standells Liberty 45 Peppermint Beatle1964

February (6) Tamblyn, Valentino, Lane and Leeds sign a record contract with Liberty Records.
March The group plays at the Thunderbird Lounge in Las Vegas billed as America’s answer to The Beatles.
May Gary Leeds leaves to join first Johnny Rivers and then P.J. Proby, before co-founding The Walker Brothers, and is replaced by Dick Dodd (b. October 27, 1943, Hermosa Beach, California, US) from surf band, Eddie & The Showmen. (Dodd has also been an original mouseketeer on the popular TV show, The Mickey Mouse Club).
June The Standells land a residency at Hollywood’s illustrious nightclub, PJ’s (where they record an album) and also play at the Haunted House on Hollywood Boulevard. Liberty releases the single, “Peppermint Beatle”, in an attempt to cash-in on The Beatles’ recent US success, but the single flops.
July A cover of James Brown’s “I’ll Go Crazy” is lifted from the forthcoming album and issued as a single but fails to chart. In The UK, b-side, “Help Yourself” is released as the single.

French EP taken from the Liberty album In Person at PJ's
French EP taken from the Liberty album In Person at PJ’s

Standells Liberty 45 So FineSeptember Liberty releases debut album, The Standells In Person At PJ’s, a blatant cash-in on The Kingsmen’s recent live album, Louie Louie: The Kingsmen In Person. The record is released in the UK the following year; the only Standells album to be issued there. The Standells travel to Nicaragua for 12 days.
October (17) A final Liberty single, a version of Johnny Otis’ “So Fine” is taken from the album but does not chart. The band signs a new deal with VJ Records.
December (5) The Standells perform at Sammy Lee’s Westlake in Chatworth, California.
(22) The band makes its third return to P J’s in Hollywood.

Get Yourself a College Girl lobby card with Standells
Larry Tamblyn, Tony Valentino, Dick Dodd and Gary Lane

Standells VJ 45 The Boy Next Door(26) Having signed a new recording deal with Vee-Jay Records, the band’s debut single for the label, “The Boy Next Door”, produced by Sonny Bono and featuring Cher on backing vocals, is released and eventually peaks at US #102. The single’s release comes on the heels of MGM film, “Get Yourself A College Girl”, where the band performs covers of “Bony Moronie” and “The Swim”.
(31) The Standells appear on That Regis Philbin Show and perform a cover of The Beatles’ “I Want To Hold Your Hand” and one other song.

Standells, late 1964: Tony Valentino, Gary Leeds, Larry Tamblyn and Gary Lane
Standells, late 1964: Tony Valentino, Gary Leeds, Larry Tamblyn and Gary Lane

Standells MGM 45 Someday You'll Cry

1965

January (7) The Standells open New Tiger A-Go-Go Room in the Hilton Hotel, San Francisco.
(18) “Zebra In The Kitchen” is released as a single by MGM but is not a success.

March (18) The Standells appear in episode “Far Out Munsters” for the popular TV programme, The Munsters. After the initial success of “Help Yourself” as a single in Los Angeles, Dodd become the group’s principal lead singer.
(20) The band appears on American Bandstand with Brenda Holloway.
(25) The group appears on Shindig with Dick and Dee Dee, Shirley Ellis, Bobby Goldsboro, The Trade Winds and Glen Campbell.

The Standells on the Munsters, from left: Larry, Tony, Dick and Gary
On the Munsters, from left: Larry, Tony, Dick and Gary
Later Japanese release of "Dirty Water"
Later Japanese release of “Dirty Water”

April The Standells return to the Tiger-A-Go-Go at San Francisco Hilton Hotel where they are advertised as the “return of the Wild Standells”.
May (28) The band plays at the Gardon Grove’s Alamitos Intermediate School assembly.
July (12) The Standells appear on Hollywood Discotechque TV show.
August Final Vee-Jay single, “Don’t Say Goodbye”, backed by “Big Boss Man” is released but fails to chart.
October The band is introduced to Ed Cobb, a former member of fifties vocal group, The Four Preps, who is currently working as a freelance producer and songwriter. Cobb is looking for a group to record one of his recent compositions, “Dirty Water”; a song written about a recent experience he had fighting off muggers, while walking with his girlfriend along the River Charles in Boston. He is suitably impressed with The Standells to use them on the track and offers his services to the group as a manager/producer. Shortly after, Cobb is approached by Tower Records (a subsidiary of Capitol), who are eager to obtain a record he has produced for Ketty Lester. Cobb proposes a deal, whereby Tower agree to sign The Standells in return for the Lester single.
November “Dirty Water” is released as a single but is slow to sell. Dodd, who apparently hates the song, leaves the group and is replaced by former Sir Raleigh & The Cupons, drummer/vocalist, Dewey Martin (b. Dewayne Midkiff, September 30, 1940, Chesterville, Ontario, Canada; d. 31 January 2009). The group records a version of “Why Did You Hurt Me” with Martin on lead vocal but it is re-recorded when Dodd rejoins the band a few months later.
December (5) The Standells perform at the Tiger-A-Go-Go in San Mateo, California.

Rare Tower promotional photo from 1966, featuring second bassist Dave Burke
Rare Tower promotional photo from 1966, featuring second bassist Dave Burke

Standells Tower LP Dirty Water

Standells Tower 45 Sometimes Good Guys Don't Wear White

Standells Tower LP Why Pick on Me

1966

February Dodd rejoins the band while they are working San Jose (and after Cobb arranges a summer tour supporting The Rolling Stones). Martin, meanwhile, leaves to join The Dillards, before gaining greater acclaim with The Buffalo Springfield.
May Bass player Gary Lane leaves the band during its first concert tour and is replaced in Florida by former member of the Tropics, Choir and Rush, Dave Burke.
(20) The Standells appear at Birmingham High School, Van Nuys with The Jefferson Airplane, The Doors, The Sunshine Company and The Nitty Gritty Dirt Band.
(20) The Standells perform “Dirty Water”, “There’s a Storm Comin'” and “Hey Joe” on the Mike Douglas Show.
June (11) After a long climb “Dirty Water” breaks into the US charts at #31, the group’s biggest hit to date. Liberty Records, exploiting the success of “Dirty Water”, reissues The Standells’ debut album as Live And Out Of Sight, adding the “Peppermint Beatles” single to the track listing. A single, “Ooh Poo Pah Doo” is also issued, to tie in with the album’s release. Second Tower single, Cobb’s “Sometimes Good Guys Don’t Wear White”, reaches US #43, while debut Tower album, Dirty Water hits #52.
(24) The Standells supports The Rolling Stones at the Manning Bowl, Lynn, Massachusetts on the opening date of The Stones’ US tour. Also on the bill is The McCoys and The Tradewinds. The crowd is subdued with tear gas, and the concert (even though it goes ahead) will be the last to be held at the venue until 1985.
July “Dirty Water” is The Standells’ second and final single to be released in the UK, but doesn’t chart.
(9) “Dirty Water” peaks at US #11, the band’s biggest hit.
(22) The Standells open with The McCoys and other acts for The Rolling Stones at the Memorial Auditorium, Sacramento, California.
(25) The group supports The Rolling Stones at The Hollywood Bowl alongside The Buffalo Springfield, The McCoys and The Trade Winds.
August “Ooh Poo Pah Doo” is lifted from the earlier live album and released on Sunset but is not a chart success.
September Second album, Why Pick On Me – Sometimes Good Guys Don’t Wear White is released but doesn’t chart.
November Third album in six months, Hot Ones which is entirely comprised of covers of recent hits like The Lovin’ Spoonful’s “Summer In The City” and The Beatles’ “Eleanor Rigby” is released but is not a success. Burke leaves, later to join San Francisco band Indian Puddin’ and Pipe [note: it may have been a different Dave Burke who joined Indian Puddin’ & Pipe and West Coast Natural Gas] and is replaced by John Fleck (b. Johnny Fleckenstein, US), who had been an original member of Love, co-writing “Can’t Explain” on that band’s debut album.

(26) Cobb’s “Why Pick On Me?” stalls at US #54.

The Standells in 1967, from left: Larry Tamblyn, Dick Dodd, Tony Valentino and John Fleck
The Standells in 1967, from left: Larry Tamblyn, Dick Dodd, Tony Valentino and John Fleck

Standells Tower PS Poor Shell of a Man, Try It

1967

February The first single to feature Fleck on bass is “Try It”, arguably The Standells’ finest record. However, despite becoming an immediate hit in L.A., the record is soon banned by radio stations at the direction of rightwing moral majority radio mogul Gordon McLendon who argues that “Try It” is a blatant request for teenage girls to lose their virginity.
(7-12) The band plays at the Ice House in Glendale, California.
March The group releases the novelty tune, “Don’t Tell Me What To Do” under the name The Sllednats (The Standells backwards), but the single flops.
(25) Valentino and Fleck’s “Riot On Sunset Strip” hits US #133.
April Cobb is commissioned by Tower to come up with a soundtrack for a teenage protest film revolving around the disturbances on Sunset Strip 1966/67. The band is featured in the film, alongside label mates, The Chocolate Watchband.

From left: Gordon McLendon, Art Linkletter, Larry Tamblyn, John Fleck, Dick Dodd and Tony Valentino
From left: Gordon McLendon, Art Linkletter, Larry Tamblyn, John Fleck, Dick Dodd and Tony Valentino

McLendon stations complaintMay (27) The Standellls appear on Art Linkletter’s TV show, Let’s Talk, debating radio mogul Gordon McLendon, who has been leading the campaign to ban music with “objectionable” lyrics. The Standells handily defeat him. However, after creative editing, it appears the debate was more evenly matched.
July (5) The Standells support The Doors and The Coasters at Lowell High School Auditorium, La Habra, California.
(23) The group appears on the Shebang TV show with Brenton Wood.
August (26) – September (4) The band performs at the ‘Fort Worth Teen Fair & Mardi Gras Festival’, the Will Rogers Exhibit Building, Fort Worth, Texas.
(5-12) The Standells play at the Ice House in Glendale.
October The Standells’ next release, the R&B/soul single, “Can’t Help But Love You” is a minor hit, peaking at US #78. Tower releases The Standells’ fourth and final album Try It, which doesn’t sell.
November (7) The group appears on the TV show Groovy with The Sunshine Company.
(9) The Standells make a TV appearance on Pat Boone in Hollywood.
December The group appears on the Joey Bishop Show.
(8-9) The Standells perform at the Cheetah, Venice, California with The Hour Glass.

Larry Tamblyn, American Recording Studios, 1967
Larry Tamblyn, American Recording Studios, 1967

Standells color photo

Live, 1967: Larry Tamblyn, Tony Valentino, Dick Dodd and John Fleck
Live, 1967: Larry Tamblyn, Tony Valentino, Dick Dodd and John Fleck
Late 1967, just before Dick Dodd left the band for a solo career
Late 1967, just before Dick Dodd left the band for a solo career

First Evolution of Dick Dodd Tower LP
1968

January (9-14) The Standells are billed to appear at the Ice House in Glendale, California but the shows are postponed until after playing at the Guitar Center in February.
February (10) The group plays at the Guitar Center in Hollywood, California.
April The band is eager to write and perform its own material and decides to split from Cobb, who continues to work with The Chocolate Watchband. Cobb is offered another film commission and decides to record Dodd as a solo artist without the rest of the group. Dodd records “Guilty” for the film, Square Root but problems arise over its distribution and the single flops.
(9-14) The Standells return to the Ice House in Glendale for further shows.
(19) The group plays at Bakersfield College, Bakersfield, California with The Illinois Speed Press.
May Dodd joins Green Grass Productions as a solo artist. His place is taken by drummer Bill Daffern.
June A final single, “Animal Girl” is released but is poorly received, despite being one of the group’s finest records. Featuring Tower producer Richie Podolor on sitar, and recorded before Dodd’s departure, the record is a radical departure in sound for the band and is lost in the media rush which follows.
July A Larry Tamblyn’s solo single, the instrumental “Summer Clothes (Parts 1 &2)”, is released on the small Sunburst label. The one-year old track was recorded around the same time as “Can’t Help But Love You”. Dodd’s first solo single “Little Sister’ is released but fails to chart.
August Fleck also drops out and moves into film work. He later becomes a top cinematographer with Jaws among his credits. The Standells recruit ex-Factory lead vocalist and guitarist Lowell George (b. April 13, 1945, Hollywood, California, US), but no recordings are made.
September (3-15) The new line-up begins a series of dates at the Ice House, Glendale, California with Pipe Dream but they are never completed due to differences between Tamblyn and George.
October Tower releases Dodd’s solo album, The First Evolution Of Dick Dodd but it doesn’t chart.
(27) The Standells appear at the Artists and Models Ball at the Century Plaza with Taj Mahal and others.
November George leaves to join Frank Zappa’s Mothers Of Invention (and later Little Feat).
December Dodd’s final single “Fanny” is another chart failure and he quits the music business for the next few years.
(7) A new version of The Standells supports Johnny Rivers at the College of Sante Fe with Blue Marble Faun in Sante Fe. Daffern and Tamblyn contribute material to The Electric Prunes’ final album, Just Good Old Rock and Roll.

Standells 1969, from left: Larry Tamblyn, Tony Valentino (in front), Bill Daffern (Willie Dee), Tim Smyser, Paul Downing
Standells 1969, from left: Larry Tamblyn, Tony Valentino (in front), Bill Daffern (Willie Dee), Tim Smyser, Paul Downing
Standells Thai EP
Rare EP from Thailand that seems to include a version of “La Bamba” not heard anywhere else – anyone ever heard this version?

Standells Rhino LP Rarities

Standells Tower PS Riot on the Sunset Strip

1969

Tamblyn and Daffern form Chakras with former Knack members Michael Kaplan and Larry Gould with Valentino acting as manager. Reprise releases the Charkras single, “City Buy” c/w “Agnes Vandalism”, both sides of which are written by Michael Kaplan. Daffern leaves and subsequently records with Hunger! and later records with Truk. Tamblyn and Valentino then reform The Standells with English guitarist Paul Downing.
November (14-16) Billed as The Standells, the group appears at Pier 7 in Van Nuys, California. A photo circa this time includes new members Bill Daffern (Willie Dee) and Tim Smyser.

1970

July (7-12) The Standells play at the Beach House, California.
September Dodd releases the single “Requim: 820 Latham”.

1975

Dodd emerges with Los Angeles group, Joshua, who release an album Willy And The Hand Jive (produced by Ed Cobb) for the independent AVI label.

1982

American indie label Rhino Records releases compilation album The Best Of The Standells. Around the same time Valentino cuts a number of solo demos (but is unable to attract a record deal), before joining Tamblyn and Dodd in a full-scale Standells reunion.

1983

August The Standells perform at the Club Lingerie in Hollywood, the Golden Bear in Huntington Beach, a weeklong engagement at Harrah’s in Reno, Nevada, supported by The Fleshtones.

1984

Rhino Records issues second album, Rarities, a collection of rare Standells tracks, including Dodd’s solo releases and the band’s pre-Tower Vee-Jay singles.

1986

Third Rhino release The Best Of The Standells is issued.
July (19-20) The Standells appear at the Summerfest/Return to the Sixties at Glen Helen Regional Park, San Bernandino, California. Tamblyn, Valentino and Dodd reunite in 1999 for the Cavestomp Festival in New York. The group records a live CD, Ban THIS, a slam at Gordon McLendon.

2000

Gary Lane rejoins The Standells as they perform at the Las Vegas Grind, Las Vegas, Nevada.

2004

The Tamblyn/Valentino/Dodd/Lane line up play before the Game Two of the World Series.

2005

April (11) The Standells appear at Fenway Park. The band will return the following year for a show on September 8.

Many thanks to Larry Tamblyn for his personal contributions.

Sources:

Bronson, Harold. Sleeve notes to Rhino album, The Best Of The Standells.
Burgess, Chuck and Nowlin, Bill. Love That Dirty Water! The Standells and The Improbable Red Sox Victory Anthem, Rounder Books, 2007.
Doggett, Peter. ‘The Standells’. Record Collector, May 1991, #141.
Grushkin, Paul D. Art Of Rock – Posters From Presley To Punk, Artabras, Cross River Press, Ltd, 1987.
Hogg, Brian. ‘Little Feat’. Strange Things Are Happening, Vol 1, #3, July/August 1988.
Joynson, Vernon. Fuzz, Acid And Flowers, Borderline Productions, 1993.
Maclean, Hugh and Joynson, Vernon. An American Rock History – California The Golden State, Borderline Productions, 1985.
Rees, Dafydd and Crampton, Luke. Book Of Rock Stars, 2nd Edition, Guinness Publications, 1994
Robertson, John. Neil Young – The Visual Documentary, Omnibus Press, 1994.
Shaw, Greg. The Doors On The Road, Omnibus Press, 1997, pages 46 and 57.
Whitburn, Joel. Billboard – USA Top 40 Hits, 3rd Edition, Guinness Publications, 1987.
Whitburn, Joel. Joel Whitburn’s Pop Annual 1955-1994, Billboard Record Research Inc, 1995.
Billboard, May 11, 1968, page 50.
Billboard, September 7, 1968, page 3.
Variety, September 2, 1970, page 60.

Another great resource is: www.newspaperarchive.com/

Some of the scans and photos seen here are on the Standells Facebook page. from the collections of Larry Tamblyn, Thomas Haaland and others.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Email: Warchive@aol.com

 

Them

First UK EP showing lineup after November, 1964. From left: Alan Henderson, Pat McAuley, Van Morrison, Billy Harrison and Jackie McAuley
First UK EP showing lineup January 1965. From left: Alan Henderson, Pat McAuley, Van Morrison, Billy Harrison and Jackie McAuley

Van Morrison (harmonica, saxophone, vocals)
Alan Henderson (bass)
Billy Harrison (lead guitar)
Eric Wrixon (keyboards)
Ronnie Millings (drums)

1963

The group is formed in Belfast, Northern Ireland by Henderson (b. 26 November 1944, Belfast, N. Ireland), Harrison (b. 14 October 1942, Belfast, N. Ireland) and Millings (or Mellings), who have previously played in a local three-piece outfit, The Gamblers. The trio adds keyboard player Eric Wrixon (b. 29 June 1947, Belfast, N. Ireland) and a short while later completes the original line up with singer Morrison (b. George Ivan, 31 August 1945, Belfast, N. Ireland) from local band The Monarchs. Wrixon names the band after a 1950s B horror film.

1964

April (10) According to an article in Belfast weekly, Cityweek, dated 22 September 1966, Them had played their first ever gig at the Maritime Hotel in College Square North as a trio of Harrison, Henderson and Millings as Van Morrison was playing at the Plaza and had to give two weeks’ notice. The trio played in the break for The College Boys.

(17) One of the first R&B/beat group’s in the province, the Morrison fronted Them quickly build a reputation as a strong live act holding down a residency at the Maritime Hotel. The group’s repertoire includes a blistering 15-minute version of Bobby Bland’s “Turn On Your Love Light”, and a 20-minute improvisation of Morrison’s celebration of teenage lust, “Gloria”. (Although Morrison is credited for the song’s lyrics, Harrison and Henderson have contributed significantly on the musical side.)

(24) Them return for a show at the Maritime Hotel in Belfast.

May The band attracts the attention of manager Phil Solomon (currently working with Irish pop trio The Bachelors), who is greatly impressed by the band’s live performances (and Morrison in particular). Solomon encourages Decca’s Dick Rowe to see the band perform at the Maritime, and Rowe in turn arranges a session in London. (According to Cityweek‘s 22 September 1966 issue, the group had already recorded a three-track demo for local producer Peter Lloyd comprising “Stormy Monday”, “I Got My Mojo Working” and “Don’t Start Crying Now”.)

(1) Them play at the Martime Hotel, Belfast.

(8) The group appears at the Maritime Hotel, Belfast.

(15) Another show takes place at the Maritime Hotel, Belfast.

(22) The group returns for a show at the Maritime Hotel, Belfast.

(29) Them appear at the Martime Hotel, Belfast.

June Them relocate to London and a hotel in Portobello Road, where they hang out with their label mates The Poets.

French EP showing original drummer Ronnie Millings (with shades)
French EP showing original drummer Ronnie Millings (with shades)

July (5) The group enters Decca’s West Hampstead, London studios to begin recording, but the three-hour session is a stressful affair and Rowe decides to employ session musicians Arthur Greenslade (organ) and Bobby Graham (drums) to “fill out” the sound. Them records Slim Harpo’s “Don’t Come Crying Now” and Van Morrison’s “Gloria”, “One Two Brown Eyes” and “Philosophy”, which are all released over the next year. The band also records covers of “Groovin’”, “Turn On your Love Light” and “You Can’t Judge A Book By Its Cover” which are shelved. After the recordings, Wrixon is forced to leave (in part because his father objects to a disproportionate royalty split between the management and the group and in part because he is still at school and has ‘A’ levels to complete). Pat McAuley (b. 17 March 1944, Coleraine, N.Ireland) takes over the keyboard position.

September (4) The group’s debut single, “Don’t Start Crying Now” backed by “One Two Brown Eyes” is released but fails to chart.

October The group returns to the studio to record an electrifying version of Big Joe Williams’s blues classic “Baby Please Don’t Go”. Session guitarist Jimmy Page adds rhythm guitar to the recording (and does not play lead as some sources suggest).

(15) Them are billed to perform at the Zeeta House, Putney, Surrey.  However, there is another west London band with this name who soon become Themselves to avoid confusion with Van Morrison’s band so this may be that group.

November (6) “Baby Please Don’t Go” backed by Morrison’s “Gloria” is released. Millings leaves and Pat McAuley moves onto drums.

December The short-lived (yet well photographed) new line-up appears on the popular TV show Ready Steady Go!

1965

January Pat’s brother Jackie (aka John) (b. 14 December 1946, Coleraine, N. Ireland) is added on keyboards as the group begins work on its next single, a recording of their new producer, Bert Berns’s “Here Comes The Night”. Some sources maintain that organ player Phil Coulter and drummer Alan White are brought in to play the McAuley brothers’ parts, but this is disputed by the band members. (Berns, an American producer working in the UK is impressed with Morrison as a vocalist and will continue to work with the group over the next few months.)

Photo: Cityweek

February Aided by TV appearances, “Baby Please Don’t Go” hits UK #10, while “Gloria” quickly becomes an anthem for the emerging US garage band generation. Decca releases an EP featuring both sides of Them’s debut single, the recent hit and Morrison’s “Philosophy” recorded during the July sessions.

(10) Western Scene lists the band playing at Bristol Corn Exchange.

(13) The Kilmarnock Standard lists the band playing at the Community Centre, Auchinleck, Scotland with The Blue Chekkers.

(15) Western Scene lists the band playing at Bath Pavilion.

(18) According to the Worthing Herald, the band appears at the Pier Pavilion in Worthing, West Sussex.

(20) Them appear at the Club Noreik, Tottenham, north London.

(22) The Warrington Guardian lists the group at the YOR Club, Parr Hall, Warrington, Cheshire with The Clayton Squares.

(25) The band performs at Swindon’s Locarno Ballroom with The Knives and Forks.

(26) Them plays at Woolwich Polytechnic in southeast London.

(27) The band appears at Manchester University.

March “Here Comes The Night” hits UK #2 and is the group’s most successful release. The band begins work on its debut album, but sessions are once again plagued with problems. Some sources suggest that the group’s three producers Bert Berns, Dick Rowe and Tommy Scott supplement the band with session players, although this is disputed by band members.

(1) The Dorset Evening Echo lists Them at the Pavilion Ballroom, Weymouth, Dorset with The Soundsmen and The Silhouttes.

(2) The band plays at Wallington Public Hall in Wallington, Surrey.

(3) Them perform at Stourbridge Town Hall in Worcestershire.

(4) The group appears at Kidderminster Town Hall in Worcestershire.

(9) The Yorkshire Evening Post lists the group performing at the Three Coins in Leeds, West Yorkshire.

(13) The Stockport County Express says Them appear at the Manor Lounge in Stockport with The Mersey Squares.

(14) The Birmingham Evening Mail reports that the band plays at the Brum Kavern Club, Small Heath, West Midlands with The King Bees.

(16) The Southern Echo lists the band playing at the Empire Hall, Totton with Gary Young & The Deacons.

(19) The Ruislip & Northwood Gazette lists the group playing at Botwell House, Hayes, Middlesex.

(20) The Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Delcounts.

(21) Them perform at the Pigalle in central London.

(22) The group plays at the Adelphi in West Bromwich, West Midlands with the Uglys.

(23) The Woking Herald lists the band at Walton Playhouse.

(24-28) Them takes part in a short tour of Scotland, according to Beat Instrumental.

(25) During the Scottish tour, the band appears at the Two Red Shoes in Elgin.

(29) Music Echo from Liverpool reports that Them appear at Silver Blades in Liverpool.

(30) Them play at the Floral Hall in Gorston-on-Sea, Norfolk with Ye Highwaymen.

April (1) The band returns to perform at the Manor Lounge, Stockport, Greater Manchester with The Mersey Squares.

(3) Them appear at Benn Memorial Hall in Rugby, Warwickshire with The Four Strangers, according to the Rugby Advertiser.

Photo: Melody Maker, 3 April 1965

(4) Them appear at the Ritz in Birmingham.

Photo: Cityweek

(9) The group plays at Leamington Town Hall in Warwickshire. On the same day, Billy Harrison responded to the band’s critics in an article entitled “‘Them’ Hit Back” in the Belfast publication Cityweek.

(10) Them performs at Dudley Town Hall in the West Midlands.

(11) Them perform at the New Musical Express Poll Winners Concert at the Empire Pool, Wembley, west London with many others. Beat Instrumental also has the band appearing at the Co-Op in Gravesend, Kent earlier during the day. It is not clear whether this happens as the Sussex Evening Express also lists the band appearing at the Whitehall in East Grinstead, West Sussex with The Hounds.

(13) The Southern Echo lists the band at Haymarket Theatre, Basingstoke, Hampshire with John Mayall’s Bluesbreakers, The Evil Eyes and The Trinity.

(14) The Birmingham Evening Mail reports that Them appear at the Mackadown, Kitts Green, West Midlands with The Tombstones.

Gloria reaches #1 on KRLA, April 14, 1965
Gloria reaches #1 on KRLA, April 14, 1965
early mention for band in KRLA's Beat, May 19, 1965
Early US mention for band in KRLA’s Beat, May 19, 1965

(17) Beat Instrumental reports the band performing at the Market Hall in Redhill, Surrey.

(18) Beat Instrumental lists Them at the Oasis, Manchester.

(22) The Western Gazette advertises the group appearing at the Liberal Hall, Yeovil, Somerset with The Bo-Peeps.

(23) Beat Instrumental reports that the band is performing another show in Gravesend, Kent but this is unlikely.

(24) Beat Instrumental lists Them playing in Kirkcaldy, Scotland but this is unlikely as the band headed back to Northern Ireland around this time. Unhappy with the band’s direction and his personal treatment, Jackie McAuley leaves after a show at St Columbana’s Parish Church in Ballyhome, Northern Ireland and is replaced by ex-Cheynes member Peter Bardens (b. 19 June 1944, Westminster, London, England; d. 22 January 2002).

Them's first UK LP, The Angry Young Them, Peter Bardens in pink shirt next to Van
Them’s first UK LP, The Angry Young Them, Peter Bardens in pink shirt next to Van
First U.S. issue, featuring "Here Comes the Night"
First U.S. issue, featuring “Here Comes the Night”
Second U.S. cover to capitalize on "Gloria"
Second U.S. cover to capitalize on “Gloria”

May “Gloria” charts for a week at US #93, selling mostly in California where it hits Top 10 in some major cities.

(1) The Walthamstow Guardian reports that Them play at Walthamstow Assembly Hall, Walthamstow, north London.

(7) Belfast publication, Cityweek reports that Them have been recording a lot in the past few days with new organist Peter Bardens.

(9) Them perform at the Winter Gardens in Margate, Kent with Wayne Fontana & The Mindbenders, The Nashville Teens and The Fourmost.

(11) The band appears at Bristol Chinese R&B Club, Corn Exchange, Bristol, according to the Western Scene.

Photo: Surrey Mirror, 14 May 1965

(14) The Streatham News reports that Them appear Wimbledon Palais, southwest London.

Photo: Boyfriend magazine, 15 May 1965

(17) The Enfield Gazette & Observer reports that Them perform at the Potter’s Bar Ritz in north London with The Zephyrs, Screaming Lord Sutch & The Savages and The Mark Four.

(20) The Worthing Herald lists the band playing at Worthing Assembly Hall.

(23) The Yorkshire Evening Gazette reports the band appearing at the Futurist Theatre, Scarborough, North Yorkshire with Wayne Fontana & The Mindbenders, The Rocking Berries, Dave Berry & The Cruisers, Sandra Barry and The Artwoods.

(25) Them appear at the Assembly Hall, Wallington, near Croydon, south London.

(26) The band performs at Stourbridge Town Hall in Worcestershire.

(28) Them play at Winchester Town Hall in Hampshire.

(29The band appears at the Rhodes Centre in Bishop’s Stortford in Hertfordshire.

(30) The band plays at Elm Park in Hornchurch, east London.

June (1) Them begin a UK tour at Tunbridge Wells Public Hall. (The tour will end on 21 June at the Beachcombers, Leigh and Bolton). During this period, Pat McAuley is briefly replaced by former drummer Ronnie Millings before rejoining the group.

(2) Western Scene lists the band playing at Bristol Corn Exchange.

(3)  The Cornish Post has the Morrison’s group playing at Holsworthy Memorial Hall in Holsworthy, Cornwall.

(5) The Cornish Guardian notes the band will play at the Par Stadium in St Austell before later appearing at the Riveria Lido in the evening.

(7) The Gloucester Citizen reports the band appearing at the Top Spot, Ross-on-Wye, Herefordshire with The Saxons.

(11) The Morrison-penned “One More Time” fails to chart. Them’s debut album (The Angry Young) Them is released in the UK to coincide with the single but is another chart failure.

Thanks to Andy Neill for the photo

(17) Them perform at the Ritz Club, Skewen, south Wales with The Jay Birds and The Eyes of Blue.

(18) Belfast publication Cityweek reports that Jackie McAuley is back home and is helping to reform The Yaks. McAuley, however, soon moves to Dublin and learns to play guitar. He will rejoin his brother in a rival Them in late December 1965.

(19) Them play at Dudley Town Hall in the West Midlands.

(21) The band appears at the Beachcomber in Leigh.

(24) Them perform at Leeds University.

(25) The group appears at the Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Rodgers Lodgers.

(26) “Here Comes The Night” hits US #24. On the same day, the Lincolnshire Standard reports that Them play at the Starlight Ballroom, Boston Gliderdrome, Lincolnshire with Mike Sheridan & The Nightriders and Rodgers Lodgers.

July Original Them member, Eric Wrixon completes his studies.

(2) The Middlesbrough Evening Gazette reports that Them play at the Queen’s Rink Ballroom, Hartlepool with Russ & The Nickels and The Evergreens.

(3)  The Lancashire Evening Post reports that Them appear at Public Hall, Preston, Lancashire with Bob Johnson & The Bobcats and The Wildcats.

Photo: Cityweek

(9)  Harrison responds to rumours that Them are breaking up in an article in Cityweek. In the article, entitled “We are not breaking up”, he insists the group has no intention of splitting.

(15) Them perform at Salisbury City Hall, Salisbury, Wiltshire. Around his time Billy Harrison is sacked and replaced by Scottish guitarist Joe Baldi (b. Joseph Baldi, 16 March 1943, La Spezia Italy), who has played with Bardens in Hamilton King’s Blues Messengers. Harrison will briefly return in mid-October.

Photo: Richard Gleave

(17)  Them appear at Clacton Town Hall, Clacton, Essex with The Vaqueros and The Blue-Berries.

(18)  The new line-up plays the Whitehall in East Grinstead, West Sussex backed by Johnny Fine & The Ramblers, according to the Sussex Evening Express.

(19)  The Belfast Telegraph reports that Pat McAuley was sacked today. He is subsequently replaced by Englishman Terry Noon, who has previously worked with Gene Vincent.

(21) The Littlehampton Gazette lists the band at the Top Hat in Littlehampton, West Sussex, possibly marking Noon’s debut.

Photo: Cityweek

(23)  Cityweek reports that Them now contains only Van Morrison and Alan Henderson in an article entitled “…And then there were two”. Peter Bardens, however, does remain with the band. The Belfast publication also notes that Pat McAuley resigned from the band rather than was sacked.

(26-27) Them’s new line up appears at the Queen’s Ballroom, Cleveleys, Lancashire with two supporting groups after playing in Scarborough on the 25th July.

(28) The Bolton Evening News says the band performs at the Beachcomber, Bolton, Greater Manchester.

(29) Beat Instrumental reports that Them are appearing at the Pavilion Ballroom on the Isle of Man.

August A second Berns song, “(It Won’t Hurt) Half As Much” is released but doesn’t chart. In the US the single’s b-side “I’m Gonna Dress In Black”, written by producer Tommy Scott under the pseudonym ‘Gillon’, is released instead but is not a success.

(3) Them play at the Mexican Hat, Worthing, West Sussex, according to the Worthing Gazette.

(4)  The Camberley News reports that Them play at the Agincourt Ballroom in Camberley, Surrey.

(15) The Western Gazette advertises the group appearing at the Gaumont, Bournemouth, Dorset with The Byrds, Unit 4 Plus 2, Charles Dickens & The Artwoods, Johnny B Great & The Quotations, Sue Holloway and Jerry Stevens .

(23) The Cambridge News reports that Them play at the Dorothy Ballroom in Cambridge.

(28) The Lancashire Evening Post lists the band appearing in the Marquee in the grounds of Clitheroe Castle, Burnley, Lancashire with The Fortune Tellers.

(30) The Cambridge News advertises the group appearing at Bigmore Hall in Cambridge.

(31) The Eastern Evening News reports that Them appear at the Gala Ballroom in Norwich with Pentad.

September (1) Former members Billy Harrison and Pat McAuley (now on keyboards) announce their own version of Them in London on this day, which contains singer Nick Wymer (ex-Pink Faires), drummer Skip Alan (ex-Donovan) and bass player Mark Scott (ex-Adam Faith). The group is initially dubbed “Some of Them”.

(4) The Bolton Evening News reports that Van Morrison’s Them play at Bury Palais De Danse, Bury, Greater Manchester. Soon afterwards, Baldi returns to Scotland. Bardens also departs and forms The Shotgun Express. He later moves into session work, records two solo albums for Transatlantic Records and then forms 1970s progressive/rock outfit, Camel. Terry Noon also leaves but will return briefly in mid-October.

Back in Belfast, Morrison and Henderson have formed a new version of Them with lead guitarist Jim Armstrong (b. 24 July 1944, Belfast, N. Ireland) from The Melotones and keyboard/sax, flute player and vibes player Ray Elliott (b. 23 January 1944, Belfast, N. Ireland; d. June 1993, Toronto) from The Broadways. Apparently, original keyboard player Eric Wrixon fills in briefly but soon leaves to rejoin Portadown band, The People before Elliott joins. The new version of Them is completed with new drummer John Wilson (b. 6 November 1947, Belfast, N. Ireland) from The Misfits. The band rehearses at the Martime for two weeks before making its live debut in Lisburn on 24 September (see below). Belfast’s publication Cityweek had reported in its 23 September issue that Morrison  rehearsed with Wilson’s band The Misfits as a potential new version of Them for three days before the new line up was agreed.

(24)  The Manchester Evening News & Chronicle reports that Them play at the New Birch Park Club in Rusholme in Greater Manchester with The Corvettes. This must be the rival version.

Photo: Cityweek

(24) Morrison’s new version of Them make their debut at the Top Hat club, Lisburn, Northern Ireland where they perform a 40-minute set. Shortly after a show at the Flamingo in Ballymena, Morrison’s band returns to London and resumes work on its second album. The group’s debut album is released in the US as Them and hits #54.

Photo: Cityweek

(30) Cityweek‘s 30 September issue features an article on the new formation entitled “The return of Them”.

October (4) The Middlesborough Evening Gazette reports that Them appear at the Astoria Ballroom in Middlesbrough.

(11) Morrison’s Them play at the Thorngate, Gosport, Hants.

Photo: Melody Maker

(15) Van Morrison’s Them play at Zeeta House, Putney, southwest London.

Rare French EP showing short-lived line up from November 1965, from left: Billy Harrison, Alan Henderson, Van Morrison, Ray Elliott and Terry Noon
Rare French EP showing short-lived line up from October 1965, from left: Billy Harrison, Alan Henderson, Van Morrison, Ray Elliott and Terry Noon

(16) Them are billed to play at Big Daddy’s in Halifax, West Yorkshire with The Blues Set. Around this time, Jim Armstrong is forced to pull out of the band at short notice. Billy Harrison is drafted in to play some UK dates before joining the group for French and (in December) Scandinavian dates (see later).

(17) The Manchester Evening News & Chronicle reports Them appear at the Cavern in Manchester with Ivan’s Meads.

Photo: Cityweek

(19) Them (with Billy Harrison) appear at the Olympia in Paris, France with Bo Diddley. The gig is reported in Cityweek‘s 21 October issue. John Wilson, who is considered to be too young to travel, is replaced by former member Terry Noon. The group then travels to Scandinavia for more live dates (although this may be later in the year). Back in England later this month, Noon makes way for a returning John Wilson and joins The Yum Yum Band before moving into rock management, working initially with Honeybus.

(21)  Belfast publication, Cityweek reports that John Wilson’s former band, reduced to a trio since he left, is moving to London.

(22) Streatham News reports that Them play at the Wimbledon Palais in southwest London. However, it is not clear whether this is the rival Them or Morrison’s group after returning from Paris.

(30) According to the Lincolnshire Echo, Them performs at the Raven Club, RAF Waddington, Lincolnshire with Pathfinder Five and Penny Farthings. Again, it’s not clear which version this is.

(31) The Eastern Evening News reports that Them appear at the Royal Hotel in Lowestoft, Suffolk with The Easi-beats.

November Early in the month, Skip Alan leaves the Harrison/McAuley Them to replace Viv Prince in The Pretty Things, who soon takes up Skip Alan’s place for a few weeks.  Harrison, who has briefly returned to the rival Them after Jim Armstrong resumes his place,  departs when Skip Alan lands the job with The Pretty Things.  Harrison does session work for producer Joe Meek.

(4) Pat McAuley’s rival Them registers the Them name. By now the group contains a new guitarist, known as Don, who has replaced Billy Harrison.

(25) The Western Gazette advertises the band (but not clear which version) appearing at Liberal Hall, Yeovil, Somerset with The Fortunes and Screaming Lord Sutch & The Savages.

December (2) When Viv Prince leaves Pat McAuley’s rival Them, his place is taken by Ken McLeod.

(4) “Mystic Eyes” fares better in the States where it reaches #33. On the same day, Boyfriend magazine notes that Them appear at Leeds College.

Photo: Cityweek

(9) Cityweek reports that Billy Harrison has joined The Pretty Things and is currently touring with that band in Holland. He also plays with The Pretty Things on a Scandinavian tour in early December. At the turn of the year, he also covers for Jim Armstrong in Them for their first Scandinavian shows. Harrison quits the music business in mid-1966 after playing with The Pretty Things in the Isle of Wight during March (this might have been in August 1965 instead) and joins the GPO. Original Them keyboard player Eric Wrixon meanwhile had joined The Kings showband in late November before re-joining The People, according to Cityweek.

(10) The Gloucester Citizen  reports that Them appear at Lydney Town Hall, Lydney, Gloucestershire, which might be a gig by the rival version of Them.

(17) The Southend Standard lists Them appearing at the Cricketers Inn, Westcliff, Southend, Essex with The Orioles.

Photo: Evening Sentinel. Wymer’s final gig with the rival Them

(19) Wymer leaves the rival Them after a gig in Stoke-on-Trent (this is Mr Smith’s in Hanley with The Beatroots). Soon afterwards, he is replaced by Pat’s brother Jackie McAuley on keyboards/vocals, who has been living in Dublin. Pat moves on to drums and Ken McLeod takes over guitar from Don who leaves in mid-January. On the same day, Van Morrison’s Them play at the nearby Majestic Ballroom in Shropshire. Around this time, the group plays in Liverpool and after the show Armstrong collapses with a suspected perforated appendix. He spends Christmas in the emergency ward at Liverpool’s Southern Hospital, according to Cityweek‘s 6 January 1966 issue.

Photo: Cityweek

(23)  Cityweek notes that John Wilson left Them last weekend but no replacement has been announced. The article entitled “Them rush-release second album for States” also profiles the forthcoming Them Again LP. Wilson rejoins The Misfits (until April 1967) and then works with Belfast groups, Derek & The Sounds and Cheese. In the late 1960s, he joins guitarist Rory Gallagher in Taste before forming Stud in the early 1970s.

Photo: Cityweek, 6 January 1966

(29) Cityweek‘s 6 January 1966 issue reports that Alan Henderson and Ray Elliott have flown to Stockholm to join the other Them members (Van Morrison and Billy Harrison) for two shows at the weekend of 31-December-2 January. The group is still without a permanent replacement for John Wilson. However, David Harvey (b. David Tufrey 29 July 1943, Bude, Cornwall, England) takes his place on the drums in January after the group use a succession of temporary fill ins.

(31) Boyfriend magazine reports that Them play at the Fender Club in Kenton, northwest London but it’s not clear which version this is. However, it is most likely the Pat McAuley version considering Morrison’s version play in Stockholm this weekend.

1966

January Them’s second album Them Again fails to chart in the UK. It contains two of Morrison’s best songs: “Hey Girl” and “My Lonely Sad Eyes”, as well as an edited version of Bobby Bland’s “Turn On Your Love Light”. Original Them member Eric Wrixon leaves The People, who have relocated to Blackpool, and joins another expatriate Belfast band, The Wheels in February, who record two singles for Columbia.

Photo: Cityweek, 6 January 1966

(1) Jackie McAuley makes his debut with the rival Them in Peckham, southeast London. On the same day, Cityweek reports that Them make their first trip to Scandinavia this weekend, even though Armstrong hasn’t fully recovered from his hernia operation in late December. Billy Harrison takes Armstrong’s place.

(3) Van Morrison’s Them appear at the Shoreline club in Bognor Regis, West Sussex with new drummer David Harvey.

(4) Morrison’s Them play at the Assembly Hall, Aylesbury, Bucks.

(6) Cityweek reports that Them will return to Paris’ Olympia next week and are also resident in the Club Locomotive for three days.

(10) Them appear at the Labour Hall, Bletchley, Bucks.

(11) Morrison’s latest line up play at the Hut, Westcott, Surrey.

(22) The Coulsdon & Purley Advertiser reports that Them play at the Club Nevada, West Croydon, south London.

(27) Them appear at the Whitehall, East Grinstead, West Sussex. On the same day, Cityweek reports on the legal row over who is Them. Van Morrison’s version are currently on tour in Wales.

(29) Durham University’s student paper Palatine advertises a gig for Them (with Van Morrison) at Aidan’s on the university campus. The show is reviewed in the student newspaper’s 10 February issue, page 8.

(30) The North Herts Herald reports that Them perform at Newbury Plaza Ballroom in Berkshire with The Just Men.

February (4) The McAuley brothers’ Them record three tracks at a demo session: a cover of Graham Bond’s “I Want You”, a cover of Bob Dylan’s “It’s All Over Now Baby Blue” and Jackie McAuley’s “Movin’ Free”.

(11) The Luton News reports that Them appear at Parkside Ampthill, Bedfordshire with The Sneakers but it is not clear which version this is.

(12) The Manchester Evening News & Chronicle reports  that Them play at the Faculty of Tech Union in Manchester with Five of a Kind. It’s not clear however if this is Morrison’s group or the rival version.

(15) The Coulsdon & Purley Advertiser reports that Van Morrison’s Them appear at Club Nevada, West Croydon, south London.

(16) Melody Maker lists the band playing at the Last Chance on Oxford Street, central London.

(18) The rival Them perform at the KB Hall, Copenhagen, Denmark with The Pretty Things.

(19) Van Morrison’s version appears at Floral Hall, Southport, Lancashire with The Cryin Shames.

Photo: Melody Maker

(21) According to Melody Maker, The Van Morrison version of Them play at the Club Continental in Eastbourne.

(22) Chris Groom’s book Rockin’ and around Croydon lists Van Morrison’s Them at the Gun Tavern in Croydon, south London.

March Morrison’s version of Them’s cover of producer Tommy Scott’s “Call My Name” fails to chart.

(5) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Lighting Blues but it is not clear which version this is.

Photo: Melody Maker

(7) The McAuley brothers’ Them appear at the Club Continental, Eastbourne.

Photo: Eastbourne Herald Chronicle

(9) The rival Them lose their court case and change name to “Some of Them”.

Photo: Melody Maker

(11) Van Morrison’s version play at Tiles on Oxford Street, central London with Steve Darbyshire and The Yum Yum Band.

(26) The Warrington Guardian lists Them playing at the Mersey View Ballroom in Frodsham, Cheshire with The SOS but it’s not clear which version of the band this is.

Photo: Melody Maker

(28) Van’s version returns to Tiles for another show with The Quiet Five in support.

April Morrison’s Them’s final session produces a cover of Paul Simon’s “Richard Cory” and Morrison’s “Mighty Like A Rose”. “Gloria” is re-issued and climbs to US #71.

(2) The Nelson Leader reports that Them (possibly with Dave Harvey on drums) appear at the Imperial, Nelson, Lancashire with Cliff Bennett & The Rebel Rousers and Sounds Incorporated.

(9) Van Morrison’s version of Them appear at Torquay Town Hall in Devon with The Hunters and The Javelins, according to the Herald Express.

(16) The Shadows Of Knight’s version of “Gloria” hits US #10. On the same day, the Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Beathovens and The Nemkons.

From KRLA's Beat, April 30, 1966. From left to right: Ray Elliott, John Wilson, Jim Armstrong, Van Morrison and Alan Henderson
From KRLA’s Beat, April 30, 1966. From left to right: Ray Elliott, John Wilson, Jim Armstrong, Van Morrison and Alan Henderson

Them Again US Parrot LP

Them Decca 45 Call My Name

KRLA's Beat, April 23, 1966
KRLA’s Beat, April 23, 1966

(30) Billed as Them, what looks like the rival version perform at Newcastle University’s Union Rave held in the Union Ballroom, on a bill with Jimmy James & The Vagabonds. The university’s student newspaper, The Courier, reviews the shows in its 4 May issue, page 3.

The Courier, Newcastle

May Paul Simon’s “Richard Cory” is the group’s last official single but is not a success. Morrison is particularly annoyed by its release, preferring his own song “Mighty Like A Rose” as a prospective single. In the US, Tommy Scott’s “I Can Only Give You Everything” is released as a final single and is quickly adopted by US garage bands like The MC5 as a punk anthem. Them Again reaches US #138.

(2) The Coulsdon & Purley Advertiser reports that Them perform at the Star Hotel in Croydon, south London.

(7) The Luton News reports that Them appear at Harpenden Public Hall, Harpenden, Herts with The Fuzz Bugs but it is not clear which version this is.

(14) Them perform at Decca Entertainment Centre, Ashton-under-Lyne, Greater Manchester.

(21) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Group 66 but it is not clear which version this is. In late May, PACE magazine reports that Van Morrison’s version play at Crayford Town Hall in southeast London. Soon afterwards, Morrison’s version flies out to New York to begin its debut US tour, with the first show in Arizona.

(27) Some of Them record two tracks with Kim Fowley – “Gloria’s Dream” and “Secret Police”. On the same day, Van Morrison’s Them appear at the Rollarena, San Leandro, California.

(30) Some of Them perform in Blackpool, Lancashire. On the same day, Van Morrison’s Them begins a residency at the Whisky-A-Go Go, West Hollywood, California.

May (31)June (17) Morrison’s Them performs at the Whisky-A-Go-Go, West Hollywood, California, where they are sometimes supported by The Doors.

June (3) The rival version of Them performs at the Cricketers Inn, Westcliff, Southend, Essex with the Orioles, according to the Southend Standard.

(13 & 15) Some of Them record further tracks in London.

(18) On the last night at the Whisky, The Doors’ vocalist Jim Morrison joins Van Morrison’s group on stage for a 20-minute improvisation of “Gloria”.

(19) The band discovers that the club has been willing to pay the group $10,000 per week. However, due to their management deal with Phil Solomon (whereby they have agreed to play for $2,000 a week minus a 35% management fee and a guarantee), Them have received considerably less than they think they should. This causes a lot of bitterness between the group and Solomon, and as a result Them inform promoter Bill Graham that they will only play at their forthcoming Fillmore concert if they are paid in advance.

Photo: Cherwell

(21) Some of Them (billed as Them) appear at Balliol College, Oxford University alongside The Kinks, The Fortunes, The Alan Price Set, Geno Washington & The Ram Jam Band, The Caribbean All-Steer Band and Bunny Thompson.

(23) Morrison’s Them appear at San Francisco’s Fillmore Auditorium with The New Tweedy Brothers. After their performance, Morrison meets his future wife Janet Planet who accompanies the band on the rest of the tour. (She will be the inspiration for Morrison’s Astral Weeks.)

KRLA's Beat, June 25, 1966
KRLA’s Beat, June 25, 1966

(26) Morrison’s group is supported by The Association at the Oakland Auditorium, Oakland, California.

(27-29) Some of Them move to Denmark where they perform as Them. The group performs three shows in Copenhagen and finish their final recordings. Over the next five months, the band gigs in Denmark, Sweden and Norway. In the last week of July, the band is briefly joined by former Them member Peter Bardens on keyboards, allowing Jackie McAuley to come up front as lead singer.

July (1-2) Morrison’s Them perform at the “Beat On The Beach”, Santa Monica, California with The New Generation.

(8-9) Them appear at the Waikiki Shell, Kapiolani Park, Honolulu, Hawaii.

(23) The band performs at the Strand Theater, Modesto, California.

(28) Morrison’s group is supported by The Doors and The Count Five at the Starlight Ballroom, Oxnard and (in the evening) the Earl Warren Showgrounds, Santa Barbara, California.

(29-30) Morrison’s Them is supported by The Sons Of Champlin at the Fillmore Auditorium, San Francisco.

August (9) The McAuley brothers’ Them play at the Complain-LA-Tour jazz festival in Belgium.

(19-21) Morrison’s group performs at the Losers North, San Jose, California.

(23-28) A further set of dates take place at the Losers North.

The Wheels with Eric Wrixon, September 1966

September (1) Belfast publication Cityweek reports that The Wheels are back in the city. The band will split soon after, however. In 1967, Eric Wrixon will move to West Germany with The Never Never Band and plays regularly at Hamburg’s Star club, supporting soul acts like Sam & Dave.

KRLA's Beat, September 24, 1966
KRLA’s Beat, September 24, 1966

(2-3) Them performs at the Longshoreman’s Hall, San Francisco.

(8) Cityweek reports that Van Morrison, Alan Henderson and Jim Armstrong arrived home from America last week so it’s not clear whether the September US dates took place despite being advertised.

Photo: Cityweek

(9) They are billed to appear in Fresno, California. However, Morrison and Henderson may have already returned to London to sort out business matters with Solomon.  Morrison continues to work on some new songs that will later comprise his masterpiece Astral Weeks.

The Belfast Gypsies, released as Them
The Belfast Gypsies, released as Them
Rare French EP with Belfast Gypsies listed
Rare French EP with Belfast Gypsies listed

(17) The McAuley brothers’ group, now dubbed The Belfast Gypsies score a minor US hit when “Gloria’s Dream” hits #124.

(22) Morrison and Henderson are profiled in Cityweek‘s 22 September issue in an article entitled ‘Van and Co. back to “square one”‘.

Photo: Cityweek

(29) Cityweek reports that Ray Elliott flew in to Belfast last week.

October (2) The Weston Mercury reports that Them appear at the Winter Gardens, Weston-Super-Mare, Somerset. This would have been the McAuley brothers’ version. In Belfast, Morrison soon returns to occasional live work in a new outfit dubbed, Van Morrison and “Them Again”, which features former Castaways and Unit guitarist Eric Bell alongside former Alleykatz members Joe Hanratty (drums) and Mike Brown (bass). Alan Henderson doubles up on second bass.

Photo: Cityweek. Eric Bell (top right)

(13) Cityweek reports that Jim Armstrong has left Them to play with The Federals. Ray Elliott will also briefly join this outfit, according to the paper, a short while later.

Photo: Cityweek

(28) The Belfast Telegraph reports that Van Morrison and Them  play (their debut show) at the Square One Discotheque in Belfast with The Blue Angels.

Photo: Cityweek

November (4) Cityweek‘s 3 November issue reports that Them appear at Carrickfergus Town Hall today with The Carpetbaggers and The Fugitives.

Photo: Cityweek

(5) The McAuley brothers’ Them play their final date in Stockholm.

(10) The Belfast Telegraph reports that Van Morrison & Them perform at Sammy Houston’s Jazz Club. When Eric Bell leaves immediately after the Queen’s University rag ball gig, the band implodes.  Van Morrison concentrates on a solo career. Bell meanwhile moves to Glasgow and plays with The Bluebeats for two years.

Cityweek profile October 1965

December Armstrong, Elliott, Harvey and Henderson decide to carry on with Them’s name, now that Morrison has abandoned the name and is pursuing a solo career. The group recruits a new vocalist Ken McDowell (b. 21 December 1944, Belfast, N. Ireland), previously a member of Belfast group The Mad Lads, who have recorded a number of singles for Decca Records, as well as a lone release “I Went Out With My Baby” as Moses K. & The Prophets. The new version of Them writes to Carol Deck, Californian editor of Flip magazine (who had given the band some encouraging reviews during its US tour) asking for help, and she in turn introduces them to Texan producer Ray Ruff, who has his own indie label, Ruff Records. The new version of Them moves out to Amarillo, Texas in June 1967.

1967

January Major Minor Records releases “Gloria”, backed by another Morrison song, the acoustic “Friday’s Child” as a UK single. The McAuley brothers’ Them implodes and Jackie McAuley returns to Dublin and forms Cult with singer/songwriter and guitarist Paul Brady.

March A second Major Minor single “The Story Of Them” is released. Morrison signs a solo contract with Bert Berns and travels to New York to record for his Bang label. This will result in an immediate US hit “Brown Eyed Girl”, which makes #10. After Berns’ death in December 1967, Morrison will sign with Warner Brothers and record the classic Astral Weeks, which proves to be the beginning of an illustrious career.

Photo: Cityweek

(4) The Belfast Telegraph reports that Van Morrison is one of the opening acts for The Stormsville Shakers at Queen’s University’s student union in Belfast together with The Interns.

June (30) The US-based Them appear at the Purple Onion Teen Club, Wichita Falls, Texas.

Them in Checkmate Studios, Amarillo, 1967, from left: Ray Elliott, Alan Henderson, Dave Harvey, Ken McDowell and Jim Armstrong. Photo from the collection of Tom McCarty
Them in Checkmate Studios, Amarillo, 1967, from left: Ray Elliott, Alan Henderson, Dave Harvey, Ken McDowell and Jim Armstrong. Photo from the collection of Tom McCarty

July (12) According to the Childress Index, Them appears at Fair Park Auditorium, Childress, Texas. The next day they also play a gig in Farmington, New Mexico. The newspaper says they will tour for five months and play 20 times in Texas.

KRLA's Beat, May 6, 1967
KRLA’s Beat, May 6, 1967
The McAuley brother's group
The McAuley brother’s group

August Nearly year after the band’s final performance, the McAuley brothers’ group The Belfast Gypsies have a belated album release on the Swedish label Sonet as Them Belfast Gypsies. Having relocated to Amarillo, Texas, Henderson’s Them release their debut single without Morrison, a cover of Tom Lane’s “Dirty Old Man (At The Age Of Sixteen)” / “Square Room” on Sully Records before a nation-wide distribution deal is struck with Tower Records.

(10) The Evening Sentinel reports that Eric Wrixon’s latest group, The Never Never Band appear at the Golden Torch in Tunstall, Staffordshire.

Them Sully 45 Dirty Old Man
Above and below, first record by the Amarillo, Texas based Them

Them Sully 45 Square Room

September Starting off in Amarillo, Henderson’s group kicks off a major tour. The gruelling 61-date tour takes the musicians across the US Midwest and then to Los Angeles, where Them begin work on its first album without Morrison. Santa Rosa, California-based newspaper, the Press Democrat notes in its 1 January 1968 issue that the LP is recorded in studios in Texas, Oklahoma and Hollywood, California.

November Henderson’s Them release a second 45, the band composition “Walking In The Queens Garden” b/w “I Happen to Love You” on Ruff Records.

December Tower issues two singles, one includes newly recorded versions of “Dirty Old Man (At The Age Of Sixteen)” and “Square Room” and the second reissues the Ruff 45.

(8-10) The band appears at the Whisky-A-Go-Go, West Hollywood, California with Love and Blue Cheer. Santa Rosa paper the Press Democrat, says they play at the Vets Building in Santa Rosa, California over the Christmas weekend.

Poster from Amarillo, 1967, from left: Jim Armstrong, Dave Harvey, Ken McDowell, Ray Elliott and Alan Henderson. Poster from the collection of Tom McCarty
Poster from Amarillo, 1967, from left: Jim Armstrong, Dave Harvey, Ken McDowell, Ray Elliott and Alan Henderson. Poster from the collection of Tom McCarty

Them Tower LP Now and Them1968

January A new album, Now And Them is released featuring Them’s reply to the Doors’ “The End”, the extended raga piece “Square Room”.

February Tower reissues the Ruff 45 of “Walking In The Queens Gardens” but its success is limited to the West Coast.

March (24) The Hamilton Spectator’s 22 March issue, page 30, notes Them are playing in Toronto and will appear at Carl’s in Hamilton, Ontario on this date with David Clayton-Thomas and Combine. The group’s incessant touring prompts Elliott to quit the band while Them are in New York. He returns to Belfast briefly before working with an Irish showband in Leeds alongside guitarist Eric Bell from “Them Again”. Bell soon returns to Belfast to replace guitarist Gary Moore in The Shades of Blue before working with the Dublin-based The Dream showband.

April “But It’s Alright”, an out-take from the album is released as a single but doesn’t sell.

(11) According to the Odessa American newspaper, Them plays at Ector County Coliseum, Odessa, Texas.

May (24-25) Henderson’s Them appear alongside The Incredible String Band at the Kaleidoscope, Hollywood, California.

July The title track from their forthcoming album Time Out For Time In is released but is not a success.

August (14-15) The band plays with Frank Zappa & The Mothers of Invention at the Electric Theatre, Chicago. Them also performs at the Baton Rouge Festival on a bill that features Freddie King.

November Them’s second album Time Out Time In For Them is released. It has been recorded at Los Angeles’ Gold Star studios in the wake of Elliott’s departure and features session drummer John Guerin on a number of tracks. A single “Waltz Of The Flies” is extracted but fails to chart.

1969

March Them’s final single, a cover of the traditional Corinna is released but fails to chart. Unhappy with Ruff’s management and production, Armstrong and McDowell leave and return to Belfast where they put together Sk’Boo with Ricky McCutcheon and Colm Connolly. Henderson, meanwhile, remains with Ruff in L.A. and continues with the Them name; using guitarist Jim Parker and drummer John Stark from Amarillo band, The Kitchen Cinq, he produces two further albums: Them (1969) and In Reality (1970) for the Chicago label Happy Tiger. David Harvey also stays behind in California but will leave the music business.

June After working briskly throughout Ireland and the British mainland, Armstrong and McDowell shelve Sk’Boo (after a farewell gig in Wolverhampton) and return to the US later that year. Based in Chicago, the duo recruit an American rhythm section comprising bassist Curt Bachman (ex-The Buckinghams) and drummer Reno Smith formerly of Baby Huey and The Babysitters in a new group called Truth, which becomes house band at Beavers. The Chicago Tribune‘s 2 November 1969 issue runs a spread on the newly formed group. The band tours extensively around the Chicago area for the next 18 months, and also contributes several songs to the soundtrack for Pat Mulcahy’s film Cum Laude Fraud (later released as College For Fun And Profit), before being offered a recording deal with Epic Records. Ex-Them member Ray Elliott rejoins the band during its lifespan but subsequently leaves after contributing to some recordings and returns to England.

July (26) Them and Truth* both appear at the Eugene Pop Festival, Hayward Field, University of Oregon, Eugene alongside Alice Cooper, The Doors and others.

* Neal Skok and I have been trying to find out for some time now what “Them” this was — there is a slim chance it was the Tower Records ensemble. But the “Truth” that is listed for this gig is most definitely not the Chicago-based Truth comprised of the ex-Them gents (whose CD Neal and I put out on his “Epilogue” label in ’94). This “Truth” was a NW teen rock band – and of course there were several Christian bands that used that name in the ’60s and later.
– John Berg

October Having returned from Germany and joined The Trixons showband, original Them member Eric Wrixon joins guitarist Eric Bell from the short-lived “Them Again” in the original Thin Lizzy. He leaves in early 1970 and returns to Germany to play with Junior Walker, Junior Wells and Buddy Guy among others.

1970

January (21) Truth play at the New Cellar, Chicago alongside The Mauds.

March Having moved to Beirut in Lebanon with The League of Gentlemen the previous year, former Them member Jackie McAuley returns to England and forms Trader Horne with Judy Dyble, who has previously worked with the original Fairport Convention. The duo release the album, Morning Way, which features contributions from former Them member Ray Elliott. When Trader Horne split later in the year, McAuley forms the short-lived One with Rosko Gee and Adam Marsh before starting on a solo album.

Japanese sleeve with Alan Henderson's Them
Japanese sleeve with Alan Henderson’s Them

Them Tower LP Time Out! Time In for ThemThem Happy Tiger LP

Them In Reality LP

1971

February Truth return to Belfast for a working holiday before sessions in London begin later that month. Unfortunately, Epic Records undergoes a change in management and following a communication problem, Truth’s band members fall apart before they have a chance to enter the studio. Elliott subsequently moves to Canada (where he dies in June 1993 in Toronto), while Bachman and Smith return to the US. Armstrong and McDowell move back to Belfast where Armstrong joins the Civil Service and McDowell becomes a member of The College Boys. (Truth’s private recordings and studio sessions from Chicago are later released by Epilogue Records as The Truth Of Them And Other Tales in 1995.)

March Jackie McAuley releases his eponymous debut solo album on the small Dawn label, before later working with bands Wand and Mackeral Sky. He also spends four years working with Lonnie Donegan. Jackie’s brother Pat (who turns down an offer to play with Marc Bolan), sadly dies in a drowning accident in Donegal on 11 August 1984.

1972

August Compilation album Them Featuring Van Morrison hits US #154.

1973

After working with cabaret singer Roly Stewart, Jim Armstrong has rejoined Ken McDowell in The College Boys in the early 1970s. The pair then join Reunion before working with another former Them member John Wilson in Bronco. The pair also form the band Spike, which works at the Pound club in Belfast. Wilson subsequently becomes Northern Ireland’s top session drummer.

Truth of Them and Other Tales

Deram double LP repackages their first two U.S. LPs minus two tracks each.
Deram double LP repackages their first two U.S. LPs minus two tracks each.

1974 Backtrackin’ released only in the U.S., featured obscure b-sides and songs not previously available in the U.S.: “Richard Cory”, “I Put a Spell on You”, “Just a Little Bit”, “I Gave My Love a Diamond”, “Half as Much”, “Baby Please Don’t Go”, “Hey Girl”, “Don’t Start Crying Now”, “All for Myself” and “Mighty Like a Rose”. All the tracks except the last, however, were in simulated stereo.

1978

Armstrong leaves Spike and forms his own band Light, who record an eponymous album on the small Mint label in Ireland only.

1979

Billy Harrison reforms Them with original keyboard player Eric Wrixon. Initially, Harrison intended to complete the group with John Wilson, who’d played drums on Them Again album, together with bass player Jackie Flavelle and singer Mel Austin but Wilson and Flavelle drop out prompting him to bring in drummer Billy Bell. He also brings back Henderson, who has spent several years working on his Connecticut farm. Them move to Germany where they hold down a residency in Hamburg. While there the group records the album Shut Your Mouth for Teldec/Decca before Jim Armstrong and Brian Scott from Light replace Harrison and Wrixon. However, after a brief tour of Germany the group splinters. Armstrong reunites with Ken McDowell in a new version of Sk’Boo, who release one single “It’s A Hard Road” for the small Cuecomber label.

From left: Joe Baldi, Terry Noon, Peter Bardens, Van Morrison and Alan Henderson from summer of 1965. London LP Backtrackin'
From left: Joe Baldi, Terry Noon, Peter Bardens, Van Morrison and Alan Henderson from summer of 1965

1980

Harrison emerges with the solo album Billy Who? on the German Vagabond label. He then abandons a music career and become a marine electrician. Jackie McAuley spends most of the 1980s and 1990s working with Poor Mouth, who release a number of albums, including Gael Force. In 1982, he co-writes “Dear John”, which is a hit for Status Quo.

1989

Original member Eric Wrixon forms The Belfast Blues Band with another former Them member, John Wilson.

1994

Jackie McAuley emerges with a new solo album, Headspin. Guitarist Jim Armstrong meanwhile has formed The Belfast Blues Band with original Them member Eric Wrixon. His former band mate, Ken McDowell has continued to work with Sk’Boo and then plays with Hens Teeth before forming The Kenny McDowell/Ronnie Greer Band in the early 2000s.

1998

Jackie McAuley releases another solo release, Shadowboxing.

2000

Jackie McAuley puts out another solo release, Bad Day At Black Rock. McAuley subsequently joins The Harbour Band, who release the album Live In The Spirit Tour in 2003.

2003

The Ken McDowell/Ronnie Greer Band release the album, Live At The Island. Jim Armstrong leaves The Belfast Blues Band and reforms The Jim Armstrong Band.

Sources:

Clayson, Alan. Call Up The Groups – The Golden Age Of British Beat,

Blandford Press, 1985, pages 168-170.

Doggett, Peter. “Them”, Record Collector # 149, January 1992, pages 112-116

Du Noyer, Paul. “Heart & Soul Of Van Morrison”, Mojo Magazine, November 1993, page 84.

Gray, Michael. Mother – The Frank Zappa Story, Plexus, 1993.

Grushkin, Paul D. Art Of Rock – Posters From Presley To Punk, Artabras, Cross River Press Ltd, 1987.

Harper, Colin. Sleeve notes to CD Belfast Beat, 1998.

Harper, Colin and Hodgett, Trevor. Irish Folk, Trad & Blues – A Secret History, Cherry Red Books, 2004.

Hodgett, Trevor. “Them After Van Morrison”, Record Collector #89, pages 52-57.

Hogg, Brian. “Van Morrison & Them”, Strange Things Are Happening, Vol 1, #4, Sep/Oct 1988, Bam-Caruso Books, pages 6-14 and 20.

Housden, David Peter. The Castle, Love #9, December 1995, page 28 and 57.

Housden, David Peter. The Castle, Love #10, 1996, pages 6-7.

Rees, Dafydd and Crampton, Luke. Guinness Book Of Rock Stars, 2nd Edition, Guinness Publishing, 1991, page 528.

Rogan, Johnny. CSN&Y – The Visual Documentary, Omnibus Press, 1996, page 10.

Shaw, Greg. The Doors On The Road, Omnibus Press, 1997, pages 14 and 172.

Turner, Steve. Van Morrison – Too Late To Stop Now, Bloomsbury, 1993, pages 49 and 60.

Unterberger, Richie. “Belfast Gypsies” article in Ugly Things issue 23.

Whitburn, Joel. Bubbling Under Hot 100 1959-1985, Billboard Researchers Inc, 1985.

Sleeve notes to the Deram Anthology The Story Of Them – Featuring Van Morrison, 1997.

Sleeve notes to Epilogue CD, The Truth Of Them And Other Tales, 1995.

Melody Maker, March 5, 1966, page 13.

News clippings from KRLA Beat.

Gigs from Beat Instrumental and Melody Maker.

Thank you to John Warburg, Simon Gee, Nigel Norman. Tom McCarty and Mike Markesich.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Email: Warchive@aol.com

Japanese sleeve with wrong photo showing the Scottish group, the Poets
Japanese sleeve with photo incorrectly showing the Scottish group, the Poets

Clear Light

clockwise from left: Doug Lubahn, Bob Seal, Dallas Taylor, Michael Ney, Cliff De Young and Robbie Robison
counter-clockwise from bottom left: Robbie Robison, Doug Lubahn, Bob Seal, Michael Ney and Dallas Taylor

Cliff De Young (vocals)
Bob Seal (lead guitar, vocals)
Doug Lubahn (bass)
Ralph Schuckett (keyboards)
Dallas Taylor (drums)
Michael Ney (drums)
Robbie Robison (guitar)
1966

Georgia-born guitarist Bob Seal teams up with Dallas Taylor (b. 1948, Denver, Colorado, US) during the summer when they meet in Phoenix, Arizona as Seal is heading to California. Taylor has already tasted the Sunset Strip scene while drumming with Lowell George’s Factory some months earlier.

They arrive in Los Angeles and set up camp in Manhattan Beach where they meet up with Robbie Robison (real name: Clyde Edgar Robison) and Michael Ney at a Peanut Butter Conspiracy gig. Robison is the husband of Barbara Robison (aka Sandi Peanut Butter), the Peanut Butter Conspiracy’s lead singer – and had recorded an album in 1964 as Robbie the Werwolf – Live at the Waleback Club.

Deciding to make a go of forming a group with two drummers they recruit Wanda Watkins as an additional vocalist and name themselves The Garnerfield Sanitarium.

In late 1966, Doug Lubahn (b. Colorado, US), who has spotted Seal and Taylor on Fairfax Avenue wearing signs reading “Seeking singing, writing bass player” joins on bass. Lubahn had moved to Los Angeles a few months earlier from Aspen, Colorado where he was working as a ski instructor and playing with several local groups. He is spotted by Mama Cass of The Mamas & The Papas and she encourages him to relocate to the West Coast.

They acquire Bud Mathis as manager and change name to the Brain Train – a name given to them by the Peanut Butter Conspiracy’s Alan Brackett. In the process they lose Watkins, who will turn up in another Bud Mathis outfit, The Joint Effort. Mathis finances a recording session at the Electro Vox Studios and takes the resulting demo recordings of Wolfang Dios’ “Black Roses” and Lubahn and Mathis’s “Me” to Elektra Records.

1967

Elektra snaps the band up but persuades them to ditch Mathis and be taken under the wing of producer Paul Rothchild. The Brain Train moves into a large house on Franklin Avenue in the Los Feliz area of Los Angeles, which has previously been the home of WC Fields and begin reheasing material for their proposed album.
March (26) Renamed Clear Light, the band plays at Los Angeles’ first “Love-In” at Griffith Park on the same bill as The Steve Miller Band, The Grateful Dead and The Other Half.
April The recording sessions for the band’s debut album begins. Two of the first tracks completed are a reworking of “Black Roses” and a Robbie Robison composition titled, “She’s Ready To Be Free”. Around the same time, the group lands a cameo role in the movie, The President’s Analyst starring James Coburn. Soon after filming, Clear Light adds lead singer Cliff De Young (b. 12 February 1945, Los Angeles, California, US).

Scene from The President’s Analyst 

Barry McGuire cast as their singer, for some reason. 

Clear Light Elektra LP cover

from left to right, back row: Ralph Schuckett, Dallas Taylor, Michael Ney and Doug Lubahn front row from left: Bob Seal and Cliff De Young

(30) The group performs at the “Freedom of Expression Concert” at the Hullabaloo, Hollywood, alongside The Doors, Canned Heat, The Poor and many others.
May Despite having put down most of the tracks for the album, Elektra decides that Robison’s acoustic approach is incompatible with the group’s new electric direction and he is dropped from the group, although he remains part of the entourage, operating his own light show, set up at the group’s live appearances. After auditioning many guitarists as possible replacements, including Doug Hastings (ex-Daily Flash and soon-to-be Buffalo Springfield) they eventually decide to go with keyboard wunderkind Ralph Schuckett. Schuckett overdubs keys to several of the tracks already in the can as well as collaborating with fellow newbie Cliff De Young.
June (11) The new line up performs at Cheetah, Venice, California with Kaleidoscope.
(30) The band performs at the Oracle Benefit at the Valley Music Theatre, Los Angeles with Kaleidoscope and The Fraternity of Man (the Byrds cancel – McGuinn was sick). After this Clear Light embark on a cross country tour driving non-stop to Philadelphia where the band goes on strike, forcing Elektra to fly them to New York. The group is met by Danny Fields, who checks the musicians into Albert’s Hotel. The band initially plays at Steve Paul’s Scene East in the Delmonico Hotel but on the first night Schuckett lambasts the crowd for not paying attention to the group’s performance and it is fired. The next day, Steve Paul places the group at his main club, The Scene.
July (6-23) Clear Light play at Steve Paul’s Scene, New York. While there, the group jams with various guests including Tiny Tim, Howlin’ Wolf and The Candy Men, formerly members of The McCoys. The band plays further dates in Boston before returning to Los Angeles.
August (31) – September (3) Clear Light performs at the Magic Mushroom, Los Angeles with Kaleidoscope. Soon afterwards, the band’s debut single, “Black Roses” c/w “She’s Ready To Be Free” is released.
(25) Lubahn participates in the sessions for The Doors’ Strange Days album.
(30) Clear Light appears at the Earl Warren Showgrounds, Santa Barbara with The Quicksilver Messenger Service, Van Morrison and Blue Cheer.
October (20-22) The band plays at the Cheetah, Venice, California with The Electric Flag.
(26-28) The group supports Lee Michaels and Pink Floyd at the Fillmore Auditorium, San Francisco.
November The group’s eponymous debut album is released climbing to US #126. The band’s second single, “They Who Have Nothing” c/w “Ballad of Freddie & Larry” is issued to support the album. The debut longplayer is subsequently released in the UK, and although it is not a hit, it is greeted with interest, particularly on the underground scene. (Clear Light’s records are regularly featured on John Peel’s Top Gear). Bud Mathis licences The Brain Train demos to Titan Records in order to cash in on the release of the Elektra album.
(8) Clear Light appears on Pat Boone’s weekly show Pat Boone in Hollywood.
(17-19) They play at the Cheetah in Venice, California with The Nazz.
(22) Clear Light performs at the Santa Monica Civic Auditorium, Santa Monica, California with The Peanut Butter Conspiracy, The Merry Go Round, The Hour Glass and others.
(25) They appear at the Earl Warren Showgrounds in Santa Barbara, California with The Youngbloods, Canned Heat and The Merry Go Round.
(30) – December (2) The band is joined by The Nitty Gritty Dirt Band for a series of shows at the Fillmore Auditorium.
(8-9) They play at the Boston Tea Party, Boston with The Street Choir.
(19-31) Clear Light perform at the Café Au Go Go in New York where they are joined by Tim Buckley on the 28th and 30th. After much behind the scenes manipulation and Svengali–ism by Rothchild, the band starts auditioning guitarists, including Kenny Pine and Jeff Jacobs, on the club’s stage to replace Bob Seal, who has come to blows with the producer. Danny Kortchmar, who has previously played with New York groups, The King Bees and The Flying Machine and recently returned from Los Angeles where he had tried out for Elektra’s project supergroup (later Rhinoceros) takes over lead guitar. Seal meanwhile relocates to the Bay area and, disillusioned with playing six string takes up the bass – gigging but not recording with Gale Garnett & The Gentle Reign. He later takes up the six string again, replacing the original guitarist in the Transatlantic Railroad. He subsequently teams up with former Salvation member Joe Tate in Redlegs, a popular Bay Area group.

1968

January (5-6) With Kortchmar on guitar, Clear Light play at the Grande Ballroom, Detroit with Gypsy and Children.
February A third single, “Night Sounds Loud”, is only released in the UK, but is not a hit.
(23-24) Clear Light support Jefferson Airplane at the Shrine Auditorium, Los Angeles with the Ceyleib People.
(26 & 28) Kortchmar, Schuckett, Lubahn and Ney appear on the recording of The Monkees’ “The Porpoise Song”, produced by Russ Titelman and Gerry Goffin. Also on the session are Leon Russell and British jazz pianist, Victor Feldman.
March (17) Clear Light plays at Pasadena Exhibition Hall, Pasadena, California with The Peanut Butter Conspiracy, Iron Butterfly, Steppenwolf, Procol Harum and many others.
(24) The group joins The Buffalo Springfield, Jefferson Airplane, H.P. Lovecraft, The Quicksilver Messenger Service and various others at a benefit for the Radio Strike Fund for disc jockeys at KPPC Pasadena and KMPX San Francisco.
(29-30) The band appears at the Kaleidoscope with Bo Diddley and The Peanut Butter Conspiracy.
April (13) Clear Light appears at the Salt Lake Coliseum, Salt Lake City, Utah with Blue Cheer and Jerry Abrams.
(18-23) Clear Light plays at the Cheetah, New York with Harvey and The 7 Sounds.
(26-28) The band appears at the Trauma in Philadelphia with The Mandrake Memorial.
May (3-4) The group performs at the Boston Tea Party with Butter and Tim Rose. The group then returns to New York and plays some shows at the Electric Circus with The Chambers Brothers and Circus Maximus where they are a huge hit.
(25) Clear Light plays at the “McCarthy Happening” in Santa Clara County Showgrounds, San Jose, California with H.P Lovecraft, The Nitty Gritty Dirt Band, The Flamin’ Groovies, The Strawberry Alarm Clock, Crystal Syphon, Womb and others.
(30) Kortchmar takes part in the recording of The Monkees’ “As We Go Along”.
June (14-16) The band appears at San Francisco’s Avalon Ballroom with Frumius Bandersnatch and Buddy Guy. Sessions for a second album begin but after a few recordings Cliff De Young quits to return to college. He later pursues an acting career. Two tracks from the sessions survive – “Darkness of Day” (a Schuckett/De Young collaboration) and Kortchmar’s “What A Difference Love Makes”.
August Kortchmar appears on The Fugs’ album, It Crawled Into My Hand Honest.
September Clear Light unofficially splinters. Lubahn briefly becomes The Doors’ studio bassist, appearing on albums Waiting For The Sun and The Soft Parade before forming jazz/rock band, Dreams with ex-Blood, Sweat & Tears member Randy Brecker, while Schuckett and Ney (in the guise of Mike Stevens) join The Peanut Butter Conspiracy for a summer and winter tour of the Pacific Northwest. Schuckett also does session work for people like James Cotton. Dallas Taylor, who initially works with ex-Lovin’ Spoonful singer/guitarist John Sebastian is subsequently introduced to Stephen Stills. Around this time, Taylor, Lubahn and Schuckett do a recording session with Stills at TTG studio in Hollywood. Taylor strikes up a rapport with Stills and is chosen as drummer for Crosby, Stills & Nash.
November Kortchmar and Ney join Carole King’s City, although the latter will soon be replaced by Jim Gordon.

1969

January Elektra’s news letter, Revelation announces that Clear Light have split up.
February The City’s sole album, Now That Everything Has Been Said is released on Lou Adler’s Ode label.
December Taylor appears on Essra Mohawk’s album, Primordial Lovers, released on Reprise Records.

1970

May (12) Taylor is sacked by Crosby, Stills, Nash & Young after a gig in Denver and rejoins John Sebastian’s backing band.
September Schuckett and Kortchmar reunite in Jo Mama, which signs to Atlantic Records.
November Lubahn’s group Dreams release their eponymous debut album.

1971

March Debut Jo Mama album, O Sole Mio is released. Schuckett also appears on Carole King’s Tapestry album and follows this with two US and one UK tour with James Taylor in support.
September Taylor appears on John Sebastian’s Four Of Us, before joining Stephen Stills’s Manassas.
November Second Jo Mama album J Is For Jump is released, but is not a success and the band splinters. Kortchmar works for David Crosby and Graham Nash, while Schuckett does sessions for Todd Rundgren amongst others.

1972

Lubahn appears on the Everly Brothers album Stories We Could Tell.
May Manassass’ eponymous debut double album is released.
October After doing a multitude of sessions for people like Crosby & Nash, Kortchmar forms The Section, who release their eponymous debut album on Warner Brothers.

1973

Cliff De Young stars in the TV film Sunshine and subsequently releases a soundtrack album featuring songs by John Denver on MCA.
September A second Section album, Forward Motion is released but is not a success. Kortchmar leaves to record a solo set Kootch.
May A second Manassas album Down The Road is issued, but the group splinters soon after and Taylor moves into session work, appearing on albums by people like Bill Wyman and Sammy Hagar, before rejoining Stephen Stills’s backing group.

1974

Cliff De Young releases an eponymously titled solo album on MCA. He continues to be in demand as a film and TV actor.
December After doing various sessions for people like David Blue, Carole King and Todd Rundgren, Schuckett becomes part of the latter’s Utopia. He will remain with the band for two years appearing on the albums Todd Rungren’s Utopia, Initiation and Another Live.

1975

September Kortchmar joins Crosby & Nash’s backing band, The Mighty Jitters, and subsequently appears on their albums Wind On The Water, Whistle Down The Wire and Crosby/Nash Live.

1976

June Schuckett appears on a recording by Free Beer, who release the album Highway Robbery on RCA.
July Kortchmar forms The Attitudes, releasing an eponymous debut on George Harrison’s Dark Horse label.

1977

March Schuckett appears on a second Free Beer album, Nouveau Chapeau. Lubahn forms new a group, Pierce Arrow, with ex-Dreams member Jeff Kent and ex-Compton & Batteau guitarist/vocalist Robin Batteau. Schuckett fills in for Jeff Kent when he recouperates from a serious injury in 1978.
October Pierce Arrow issue an eponymous debut for CBS. A second Attitudes’ album Good News is also released, but is not a success and Kortchmar returns to session work.

1978

July A second Pierce Arrow album Pity The Rich is released, but is not a success and Lubahn leaves to pursue other projects.

1980

Schuckett joins Ellen Shipley’s backing group and continues to do session work for such notable artists as Cher. Lubahn writes Treat Me Right for Pat Benatar, which appears on her album, Crimes of Passion.
August Kortchmar meanwhile, releases second solo album, Innuendo, on Asylum Records.

1981

Lubahn forms Riff Raff who release the album Vinyl Future for Atlantic. He subsequently joins the Billy Squier band.

1982

Lubahn appears on Billy Squiers’ Emotions in Motion.
October Kortchmar appears on ex-Eagle Don Henley’s debut solo album I Can’t Stand Still, which he also co-produces and co-writes several songs on. The pair will strike up a rapport and Kortchmar will become an integral part of Henley’s backing band for the next ten years.

1984

Schuckett produces an album for Clarence Clemons for Columbia Records. He also co-produces two tracks with Bruce Springsteen. Lubahn apears on Ted Nugent’s Penetrator and Billy Squiers’ Signs of Life. He also writes Talk To Me – recorded by Patty Smyth and Scandal on their album Warrior (which features Schuckett).

1987

September British indie label, Edsel issues Clear Light’s album with the bonus cut “She’s Ready To Be Free”. In 1991, Lubahn sings background vocals on Billy Squier’s album, Creatures of Habit.

Sources:

Einarson, John and Furay, Richie. For What It’s Worth – The Story Of Buffalo Springfield. Quarry Press Inc, 1997.
Grushkin, Paul D. Art Of Rock – Posters From Presley To Punk, Artabras, Cross River Press Ltd, 1987.
Hogg, Brian. Sleeve notes to Edsel’s reissue of Clear Light, 1987.
Hounsome, Terry. Rock Record #6, Record Researchers Publications, 1994.
David Peter Housden. The Castle – Love #9, page 63.
Joynson, Vernon. Fuzz, Acid & Flowers, 1993.
Long, Pete. Ghosts On The Road – Neil Young In Concert, Old Homestead Press, 1996.
Sandoval Andrew. Sleeve notes to Rhino’s reissue of The Monkees’ album Head, 1994.
Shaw, Greg. The Doors On The Road, Omnibus Press, 1997, pages 35 and 64.
Village Voice, July 6, 1967, page 26, December 14, 1967, page 52 and December 28, 1967, page 39.

Thanks to Gray Newell for his extensive help in piecing this story together. Many thanks too to Marc Skobac for research on some of the live dates. Huge thanks also to Ralph Schuckett for filling in many of the gaps and Doug Lubahn for his input. Thanks to Marc Skobac for his corrections.

Be sure to check out the official Clear Light website.

Email: Warchive@aol.com

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

The Moody Blues

Moody Blues Decca

Denny Laine (guitar, vocals)
Michael Pinder (keyboards, vocals)
Ray Thomas (harmonica, saxophone, flute, vocals)
Clint Warwick (bass, vocals)
Graeme Edge (drums)

1964

April The nucleus of the band is formed by Laine (b. Brian Frederick Hines, 29 October 1944, Tyseley, Birmingham, W. Midlands, UK), who has just disbanded his group Denny And The Diplomats, with Thomas (b. 29 December 1942, Stourport-on-Severn, Hereford & Worcs, UK.) and Pinder (b. 27 December 1941, Birmingham, W. Midlands, UK), who have both been playing in local outfits El Riot & The Rebels and The Krewcats, and have just returned from a year’s residence at Hamburg’s Top Ten club.

May (4) Rehearsals begin with the addition of drummer Edge (b. 30 March 1942, Rochester, Staffs, UK), who has previously been a member of Gerry Levene & The Avengers and bass player Clint Warwick (b. Albert Eccles, 25 June 1940, Birmingham, W. Midlands, UK), formerly a member of The Rainbows. The group quickly gains a residency at the Carlton Ballroom in Erdington, West Midlands, initially billed as The M&B Five, apparently in the hope of gaining sponsorship from local brewers Mitchell and Butler. Laine, who has pushed the band’s sound towards the blues and jazz of London based groups, decides soon afterwards to re-name the band after a Slim Harpo song titled “Moody Blue” and The M&B Five becomes The Moody Blues Five.

August The band attracts the attention of London manager Tony Secunda, who secures The Moody Blues (as they now call themselves), a residency at London’s Marquee club on Monday nights, where they replace Manfred Mann. Through their prestigious “live” work at the club, the band quickly attracts the attention of Decca Records which signs the group. Shortly afterwards The Moody Blues record their debut single, the Pinder-Laine composition “Lose Your Money” which the band performs on ITV’s Ready Steady Go!.

September (3) The group plays its first show at the Marquee in London.

(11) The Moody Blues appear at Birmingham’s Town Hall alongside The Spencer Davis Group and headliners Alexis Korner Incorporated.

Photo: Woking Herald

(14) The Moody Blues open the Moonlighter Club, held at Weybridge Hall in Weybridge, Surrey.

(28) The band returns for another show at the Moonlighter Club, Weybridge Hall in Weybridge, Surrey.

October (4) The band plays at the Marquee in London.

(30) The Moody Blues appear at the Crawdaddy club in Richmond, Surrey.

November After “Lose Your Money” fails to chart, the group records a cover of Bessie Banks’s US R&B hit, “Go Now”, which has been given to the band by New York disc-jockey B. Mitchell Reed during a visit to the UK.

(2) The Moody Blues perform again at the Moonlighter Club, held at Weybridge Hall in Weybridge, Surrey.

December (7) The group appears at the Marquee in London.

1965

January (8) The group begins a 24-date, twice-nightly tour with Chuck Berry at the Odeon Theatre, London, which will end 31 January at the Regal Theatre, Edmonton, London.

(28) “Go Now”, produced by Alex Murray, tops the UK chart.

February The band quickly releases “I Don’t Want To Go On Without You”, a revival of a Drifters’ b-side as a follow up single, but it only reaches UK #33. Part of the single’s failure can be attributed to the simultaneous release of identical covers by The Searchers and The Escorts. (The group is unhappy with the recording because Thomas’s flute solo has been inexplicably erased from the final pressing.)

March (8) The Moody Blues make their first live broadcast on BBC Radio’s Joe Loss Pop Show.

April “Go Now” holds down anchor position in a unique US Top 10 in which 9 of the singles are from the UK.

(11) The group takes part in the annual New Musical Express poll winners concert at the Empire Pool, London, with The Beatles, The Rolling Stones, The Kinks and The Animals among others.

May The band releases an EP, which features both sides of the group’s debut single plus the a-sides of the previous two releases.

(24) The Moody Blues take part in the British Song Festival at the Dome, Brighton, East Sussex.

June (5) The band guests on ITV’s Thank Your Lucky Stars, where it introduces its new single, the Pinder-Laine collaboration “From The Bottom Of My Heart”.

(15) The Moody Blues join The Rolling Stones for a 4-date tour of Scotland alongside The Hollies, The Cannon Brothers and The Checkmates. The tour begins at the Odean Theatre, Glasgow.

(16) The group performs at the Usher Hall, Edinburgh.

(17) The Moody Blues appear at the Caird Hall, Dundee.

(18) The final date takes place at the Capitol Theatre, Aberdeen. (While the Stones prepare for a short tour of Scandinavia, The Moody Blues return to London in order to fly to New York for their debut US appearance.)

(19) The group makes its US debut with The Kinks at the Academy of Music in New York.

July “From The Bottom Of My Heart” is released and climbs to UK #22 and US #93. The Moody Blues’ debut album Magnificent Moodies, which has been produced by Denny Cordell is released to coincide with the single but fails to chart. In the US the album is released as Go Now and features a different track listing.

(24) The band performs at the Birdcage in Portsmouth, Hants.

August (1) The Moody Blues perform at the London Palladium with The Rolling Stones, The Fourmost, Steampacket and others.

(6) The group plays on the opening day of the fifth annual National Jazz & Blues Festival at the Richmond Athletic Ground, Richmond, Surrey.

(29) The Moody Blues play at the Downs, Hassocks, West Sussex.

September (6) The band signs a management contract with NEMS.

(21) The Moody Blues participate in Pop From Britain concert at the Royal Albert Hall, London, with Cliff Bennett & The Rebel Rousers, Georgie Fame & The Blue Flames and The Fourmost.

(25) The group appears at the Birdcage in Portsmouth, Hants with St Louis Checks.

(30) The Moody Blues replace Unit 4 Plus 2 for 3 dates on The Rolling Stones UK tour. The first date takes place at the Gaumont Theatre, Hanley, Staffs. Also on the tour are The Spencer Davis Group, The End and The Habits.

October (1) The band appears at the ABC Theatre, Chester, Cheshire.

(2) The group’s final appearance takes place at the ABC Theatre, Wigan, Lancashire. Unit 4 Plus 2 return to the tour immediately afterwards.

November The Laine-Pinder composition “Everyday” only reaches UK #44, despite becoming a turntable hit on pirate radio.

December (3) The group supports The Beatles on their final UK tour, a 9-date twice-nightly package, which opens at Glasgow’s Odeon cinema and ends on December 12 at the Capitol Cinema, Cardiff, Wales.

(19) The Moody Blues appear on CBS TV’s Ed Sullivan Show.

1966

March (8) The group appears at the Montreux Golden Rose TV festival.

April Another Laine-Pinder track “Stop!” is lifted from the UK album and released as a US single, where it spends a week on the Hot 100 at #98. (The song incidentally, is later covered by singer Julie Grant but is not a success). Secunda leaves at this point to work with The Move and is replaced by The Beatles’ manager Brian Epstein. However, he fails to lift the group’s flagging career and as a result The Moody Blues are forced to “drastically reduce their engagement fees.”


(2) The Moody Blues appear at the Club Continental, Eastbourne, East Sussex.

May (1) The band performs at the Oasis in Manchester.

(28) The Moody Blues appear at Hertford Ball, Hertford College, Oxford University with Kenny Ball’s Jazzmen, Alexis Korner, Scott, Gould & Wood, Clem and John.

(30) The group plays at the Pavilion in Bath, Avon.

June (4) Melody Maker announces that the group has undertaken a short tour of Belgium, including a TV appearance from the Casino at Knokke. The magazine also reports that the band is due to appear at the Paris Olympia on 12 June.

(15) The Moody Blues perform at the Bromel club, the Bromley Court Hotel, Kent.

(24) The group plays at the Ram Jam club in Brixton in south London. Warwick, who is disillusioned by the band’s drop in fortunes, leaves the group and quits the music business.

(29) The Moody Blues appear at the Pavilion, Hemel Hempstead, Herts.

The Moody Blues with Rod Clark (far right)

July (9) Pinder and Laine’s “This Is My House (But Nobody Calls)” (the intended b-side of the band’s forthcoming UK single) is issued in the US hitting #119.

(14) After Klaus Voorman decides not to join, Rod Clark, a bass player from Great Yarmouth, who has played with Les Garcons takes Warwick’s place, although Pinder and Thomas’s former El Riot & The Rebels cohort John Lodge (b. 20 July 1943, Birmingham, W. Midlands, UK) is rumoured to have been offered the original slot. Clark debuts at the Villa Marina in Coventry.

(30) The group appears at the Riverside Dance Club in Douglas, the Isle of Man.

August (6) The Moody Blues begin a 9-day tour of Denmark.

(20) The group appears at Town Hall, Clacton, Essex with Dave & The Strollers.

September (3) The band appears at the Black Prince in Tenbury Wells.

(10) Melody Maker reports that The Moody Blues fly to Holland for a TV show and then the next day perform in Brussels.

(15) The band plays at the Jaarbeurs in Utrecht, Holland.

(16) The Moody Blues perform at Midnight City in Birmingham with Cliff Bennett & The Rebel Rousers.

(23) The group appears at Cardiff Capitol Theatre on a bill that includes Cliff Bennett & The Rebel Rousers, The Scaffold and The Fourmost.

(28) The Moody Blues appear at the Flamingo in London in what is probably Denny Laine’s final show.

October Rod Clark leaves to join The Rockin’ Berries and John Lodge joins. Lodge, who has remained in higher education since the band’s split in February 1963, has subsequently played in local bands The Carpetbaggers and The John Bull Breed. Laine, meanwhile, anticipating Brian Wilson’s role in The Beach Boys decides to concentrate on writing and studio work.

Justin Hayward, Swindon Advertiser, September 1966

(8) Record Mirror reports that Laine has officially left The Moody Blues. He will quickly emerge with an amplified backing group The Electric String Band – a predecessor and major influence on The Electric Light Orchestra.

(12) Decca releases the group’s first single in over a year, the French-flavoured “Boulevard De La Madelaine”, written by Pinder and Laine but it isn’t a hit. On the same day, Melody Maker reports that the band appears at the Flamingo in London. To fill Laine’s position in the band, the group turns to Justin Hayward (b. David Justin Hayward, 14 October 1946, Swindon, Wilts, UK), who has played in a number of Swindon bands – The Riversiders, The Rebels, The Whispers, The Shots and All Things Bright before joining Marty Wilde’s Wildcats for two days. He then joins Marty Wilde and his wife in The Marty Wilde Three, who record the singles “Since You’ve Gone” and “I Cried” for Decca Records and on 8 April 1966 plays alongside Wilde at a charity show at the London Palladium. Hayward leaves to sign a solo deal with Pye A&R chief Alan Freeman and manager Lonnie Donegan. This results in a one-off single “London Is Behind Me”, before Hayward signs to Parlophone, which releases a second single “I Can’t Face The World Without You”. When both singles fail, Hayward writes to Eric Burdon to inquire about a position in his New Animals. Burdon, with his band already signed-up, passes Hayward’s name onto Mike Pinder. The Moody Blues move to Belgium in November to perform some gigs and to avoid the UK taxman. The band continues to perform its old R&B repertoire despite Laine’s departure and the recent changes in the UK “music scene”.

Possibly Justin Hayward and John Lodge’s debut show, 21 October 1966

December The group performs in France, where it’s still very popular.

1967

January (14) Decca releases another Pinder-Laine collaboration “Life’s Not Life”, which is withdrawn shortly afterwards.

Moody Blues Decca 45 Life's Not Life

February (18) The group appears at the Plaza Ballroom in Handsworth, West Midlands with The Traction and The Attack.

March (7) The Moody Blues play at Birmingham’s Ringway Club.

(18) The group performs at the Ritz Club, Skewen, south Wales with The King Bees and The Outer Limits.

(20) The band appears at the Broadway Club, Dudley Zoo.

(22) The Moody Blues play at Middle Earth in London.

(27) The band plays two shows in the West Midlands. The first is at the Mackadown, Kitts Green with The Monopoly. The second is at the Belfry, Wishaw with The Gods and Exception.

(30) The group drops the old repertoire (and suits) in favour of a new musical style. The band records Hayward’s “Fly Me High” and Pinder’s “Really Haven’t Got The Time” with new producer Tony Clarke as a prospective single.

April The band signs up (along with The Supremes and Ray Charles) to promote Coca-Cola in the teen market. The company’s $10 million campaign requires each artist to record a radio jingle in their own style but featuring the slogan Things Go Better With Coke. The band embarks on a gruelling tour of the Northern club circuit, including a spot at Newcastle’s Cavendish club.

(1) The band appears at the Royal Lido, Prestatyn, Clwyd, Wales with The Raynes.

(2) The Moody Blues play at the Cosmo in Carlisle, Cumbria with The Fix.

(14) Denny Laine releases his debut single with The Electric String Band “Say You Don’t Mind” which fails to chart; although ex-Zombies singer Colin Blunstone will later score a top 20 hit with it in 1972.

May (5) The Moody Blues release their first single with the new line-up, “Fly Me High” which is not a success despite being a popular radio hit. The band embarks on a brief tour of Scandinavia.

(19) The band shares a double bill with former group leader Denny Laine at London club, Tiles.

(27) Plans are unveiled for the group to appear on a US colour TV special as “Fly Me High” is given an American release.

(31) According to the Somerset County Gazette, the band performs at the TA Hall in Minehead, Somerset with The Witness Four.

June (10) They play the Fete and Donkey Derby in Sutton Coldfield, West Midlands with The Ugly’s and The Bobcats.

(12) The Moody Blues appear at Christ College, Cambridge with The Who and The Herd.

(22) The band appears at Middle Earth with Pink Floyd.

(29) The group records Hayward’s “Leave This Man Alone”.

July (9) The band plays at the Roundhouse with Pink Floyd and The Outer Limits.

(17) The Moody Blues record Pinder’s ambitious “Love & Beauty”, which is the first track to feature the band’s characteristic symphonic sound, created with the use of the mellotron. Shortly afterwards the band introduces its new style at the Glastonbury Festival and is an immediate success.

(28) The Moody Blues appear at the Clay Pigeon in Eastcote, northwest London.

(29) The group performs at the London club, the Upper Cut with The Maze.

August The Moody Blues embark on a “summer” tour of France. The group appears at the Midem Music Festival in Cannes performing most of the songs that will subsequently appear on its forthcoming album.

September (7) The group opens for The Pink Floyd at the Roundhouse, Chalk Farm, London.

(13) The band appears at the Catacombe in Eastbourne, East Sussex.

Moody Blues Decca 45 Love and Beauty

(22) The Moody Blues release Pinder’s “Love & Beauty” as a single, but it isn’t a hit.

October (8) Signed to Decca’s new progressive label, Deram, the band begins work on its first album in over two years, recording Hayward’s epic “Nights In White Satin”. The group were originally invited to record a stereo version of Dvorak’s New World Symphony with classical backing from The London Festival Orchestra, conducted by Peter Knight, but is allowed to record its stage show, loosely based around a day in the life of a fictional character, instead.

Moody Blues Antar PS Tuesday Afternoon

1968

January Extracted from the album, Hayward’s “Nights In White Satin” climbs to UK #19 as parent album reaches #27.

(12) Laine meanwhile, disbands The Electric String Band after his second solo single “Too Much In Love” and moves to Spain to study flamenco guitar.

(19) The Moody Blues play at the Punch Bowl, Lapworth, West Midlands.

(20) The group travels to France to appear at the Midem Music Festival in Cannes, later that week.

February (3) The Moody Blues begin a UK tour at the Nelson Imperial, Lancashire. The tour will conclude at Reading University on March 15.

(10) In the US “Nights In White Satin” only reaches #103.

March (13) The group appears at Birmingham Town Hall with The Spencer Davis Group, Manfred Mann, Don Partridge and Piccadilly Line.

(22) The Moody Blues perform at Middle Earth, Covent Garden, London.

May (4) Days Of Future Past enters the US chart at #3 and earns the group its first gold disk, during a chart run of 102 weeks.

June Hayward’s “Voices In The Sky” is lifted from the band’s forthcoming album and reaches UK #27.

(29) The Moody Blues make a rare concert appearance at London’s Queen Elizabeth Hall.

The Moody Blues appear near Canterbury on 1 August 1968

August The group’s third album, In Search Of The Lost Chord, another concept album, climbs to UK #5. (The band is performing in the former Czechoslovakia at the time and when the Russian army moves in are quickly asked to leave the country by the British Consulate.)

September Hayward’s “Tuesday Afternoon” is taken from Days Of Future Past and belatedly released as a US single, where it hits #24. In Search Of A Lost Chord, rises to US #23 and earns a second gold disk.

October (4) The Moody Blues play at the Corn Exchange, Braintree, Essex.

(11) The group records non-album track “A Simple Game”, written by Mike Pinder.

(21-24) The band is supported by Chicago at the Fillmore West, San Francisco.

(25-26) The group flies to New York City to appear at the Fillmore East with John Mayall’s Bluesbreakers and Rhinoceros.

November (1) Having supported Cream during their final US tour, the group appears at Madison Square Gardens, New York, for Cream’s final US date. “Ride My See Saw”, written by Lodge, is extracted from the new album and makes US #61.

December “Ride My See Saw” hits UK #42. The single’s b-side “A Simple Game” is later a UK #3 for The Four Tops with Clarke producing. (The Four Tops will also cover another Mike Pinder song, “So Deep Within You” from The Moody Blues’ next album). The band performs its last US dates in Vancouver, Canada.

1969

March (11) The group appears at the Grand Gala Du Disque, Amsterdam, Holland on a bill including Gladys Knight & The Pips.

April Hayward’s “Never Comes The Day” is released as a single but fails to chart.

May On The Threshold Of A Dream tops the UK chart for 2 weeks and climbs to US #20 during a 136-week chart run, the Moody Blues’ third gold disk.

(2) The band appears at Bridge Place Country Club, at Bridge near Canterbury, Kent.

July “Never Comes The Day” reaches US #91. Denny Laine meanwhile returns from Spain and joins ex-Move member Trevor Burton in Balls.

August (1) The band appears at Bridge Place Country Club, at Bridge near Canterbury, Kent.

(30) The Moody Blues play on the opening day of the Isle Of Wight Festival.

October Hayward and Thomas’s “Watching And Waiting” is the first single to be released on the group’s own Threshold label.

December The Moody Blues’ new album To Our Children’s Children’s Children hits UK #2 as the band moves to Cobham, Surrey to open the first Threshold record store.

(12) The band performs at the Royal Albert Hall, London, during a UK tour. The concert is recorded (and released as part of Caught Live Plus 5 in June 1977).

1970

January The group’s new album is released in the US and makes #14 becoming the band’s fourth gold disk

March (20-21) The band is supported by Argent and Lee Michaels at New York’s Fillmore East.

April (2/11)The Moody Blues are supported by Richie Havens at the Berkeley Community Theatre, California.

May Hayward’s dramatic “Question” hits UK #2, held from the top by the England World Cup Squad’s “Back Home”. Laine, who has recently joined Ginger Baker’s Airforce sings lead vocal on their cover of Bob Dylan’s “Man Of Constant Sorrow” which hits US #85 on 30 May.

June “Question” reaches US #21.

August The Moody Blues’ new album A Question Of Balance, written and recorded in 5 weeks, hits UK #1 for 3 weeks.
(30) The group plays on the final day of the second Isle Of Wight Festival.

September A Question Of Balance makes US #3 and earns the band its fifth gold disk.

October (30) The band performs at London’s Royal Festival Hall.

December (3) The Moody Blues embark on a US tour making their Carnegie Hall, New York debut on 14 December.

1971

August Laine joins Paul McCartney’s Wings.

1974

February After two further albums, Every Good Boy Deserves Favour (1971) and Seventh Sojourn (1972), which both earn a gold disk, and a 9-month world tour, The Moody Blues decide to split for the time being to concentrate on solo projects. (Hayward’s solo career will be the most enduring and successful).

1978

June The band re-unites for a new album, Octave which hits UK #6 and US #13, and becomes the Moody Blues’ first platinum disk. However, during the recording of the album, producer Tony Clarke leaves followed soon afterwards by Mike Pinder; both have been closely identified with the development of the band’s symphonic sound. Pinder is replaced by ex-Refugee member Patrick Moraz, who remains with The Moody Blues into the 1980s, and helps them to become one of the top selling bands of the decade. Pinder meanwhile, remains in the US and emerges in 1995 with second solo effort Among The Stars.

Sources:

Portsmouth’s Birdcage dates by Dave Allen.

Time Machine, August 1965, by Johnny Black, Mojo Magazine, August 1995.

Call Up The Groups – The Golden Age Of British Beat (1962-1967), by Alan Clayson, Blandford Press, 1985.

Denny Laine, by Alan Clayson, Record Collector, #191, July 1995.

Time Machine, October 1966, by Fred Dellar, Mojo Magazine October 1996.

Collectable 45s of the Swinging ‘60s, by Pete Dickerson and Mike Gordon, The Vintage Record Centre, 1984.

Art Of Rock – Posters From Presley To Punk, by Paul D Grushkin, Artabras, Cross River Press Ltd, 1987.

The Castle – Love #2, by David Peter Housden, 1993.

The Castle – Love #9, by David Peter Housden, 1995.

The Moody Blues UK Singles & UK Albums, by Tim Joseph, Record Collector, #81 & 82, April & May 1986.

Karnbach, James and Bernson, Carol. The Complete Recording Guide To The Rolling Stones. Aurum Press, 1997, pages 111, 112 and 115.
Pink Floyd In The Flesh book, page 43.

The Moody Blues, by John Reed, Record Collector, November 1996, #207, pages 64-71.

Book Of Rock Stars, 2nd Edition, by Dafydd Rees and Luke Crampton, Guinness Publishing Ltd, 1991.

Sleeve notes to album This Is The Moody Blues, by John Tracy, 1989.

Joel Whitburn’s Bubbling Under Hot 100 1959-1985, by Joel Whitburn, Billboard Record Research Inc, 1985.

Joel Whitburn’s Pop Annual 1955-1994, by Joel Whitburn, Billboard Record Research Inc, 1995.

Birmingham Evening Mail 1967-1968.
Disc, May 27, 1967, page 4.
Melody Maker, March 5, 1966, pages 5; April 2, 1966, page 13; June 4, 1966, page 5; June 11, 1966, page 13; June 25, 1966, page 13; May 20, 1967, page 5; July 29, 1967, page 12; January 6, 1968, page 3 and March 23, 1968, page 14.
NME, week ending January 20, 1968.

Thanks to Tony Brown for corrections.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Email: Warchive@aol.com

 

Eclection

Eclection Elektra LP front cover

Kerrilee Male (vocals)
Michael Rosen (guitar, vocals, trumpet)
Georg Hultgreen (guitar, vocals)
Trevor Lucas (bass, vocals)
Gerry Conway (drums)

1967

August Canadian singer/songwriter and guitarist Mike Rosen is living in London and meets Norwegian singer/songwriter and guitarist Georg Hultgreen (b. Prince Georg Johan Tchegodaieff, Trondheim, Norway) in a restaurant in Bayswater called Bangers, where he is playing Gordon Lightfoot songs on his 12-string guitar. Hultgreen is the son of Russian prince Pavel Tchegodaieff and Finnish sculptress Johanna Kajanus. They suggest forming a group and round up players from the folk-rock scene. Australian singer/guitarist Trevor Lucas (b. 25 December 1943, Melbourne, Australia; d. 4 February 1989) is recruited after the pair see him perform at the Cambridge Folk Festival and he recommends fellow Australian Kerrilee Male (Newsome) as a singer. Lucas has recorded several albums in Australia before moving the UK in 1965 while Male has previously been a member of Dave’s Place Group with Dave Guard from The Kingston Trio. The final piece in the jigsaw is English drummer Gerry Conway (b. 11 September 1947, King’s Lynn, Norfolk), who was previously a member of Alexis Korner’s backing group. Rosen’s friend, Joni Mitchell names the band, Eclection because in her words, they were such an eclectic bunch.
October (16) Band members, Trevor Lucas and Kerrilee Male appear at the Royal Festival Hall for a folk festival, which features a number of artists, including future Eclection singer Dorris Henderson.
December (1) Eclection appear at Middle Earth in London, opening for visiting US act, The Electric Prunes.

1968

April (30) Eclection appear on BBC Radio 1’s Top Gear performing Mark Time, In Her Mind, In The Early Days, Morning of Yesterday and Confusion, which is broadcast on 12 May.
June Eclection hold a press reception at London’s Revolution club.
(21) The group’s debut single, Rosen’s Nevertheless backed by the non-album single, Hultgreen’s Mark Time is released but does not chart. Around this time, Eclection appear at the Paradiso club in Amsterdam and appear on Dutch TV.
(28) Eclection perform seven songs from their forthcoming album on BBC 2’s Colour Me Pop, including In The Early Days, Morning of Yesterday, Nevertheless, Mark Time and Another Time, Another Place.
July (23) Eclection record a second John Peel session for BBC radio, recording Another Time, Another Place, Nevertheless, St Georg & The Dragon and Will You Be The Same? The show is broadcast on 28 July.
August (24) The band joins Ten Years After, Family, Peter Sarstedt, Fleetwood Mac, Stefan Grossman, Roy Harper, Fairport Convention and The Deviants for a show in Hyde Park, London.
(30) Eclection’s eponymous debut album, produced by Australian Ossie Byrne, is released in the UK to critical acclaim.
September (1) The group appears on John Peel’s Top Gear with Tim Hardin, Fairport Convention and Fleetwood Mac.
(4) The band makes its debut at the Marquee in London, supporting by Keef Hartley.
(11) The Eclection return the following week to the Marquee with Gordon Smith the opening act.
(15) The band plays at the Bird Cage, Harlow.
(25) They appear at Eel Pie Island, Twickenham, Middlesex with Village in support.
(29) The band performs at Fairfield Hall, Croydon, Surrey with Jethro Tull, David Ackles, The Alan Price Set, Spooky Tooth, The Nice and Julie Driscoll & The Brian Auger Trinity.
October (5) Eclection travel to Birmingham and appear at Mothers with Ron Greesin.
(11) The group’s second single, a cover of US folk-rock band, Kaleidoscope’s Please, which is another non-album track, is released but fails to chart. The group plays a show at the Factory in Birmingham.
(12) They appear at Brunel University, Uxbridge, Middlesex with Proteus.
(16) The band is guest group on BBC 1’s Friday Play where they perform their latest single. American singer Dorris Henderson (b. 1933, Lakeland, Florida; d. 3 March 2005) replaces Kerrilee Male, who leaves after recording their second single. Male holidays in Rome, Italy while trying to decide on her future plans and eventually returns to Australia.
(23) Eclection play at the Marquee in London supported by Pegasus.
November Eclection’s latest single Please is re-released with Dorris Henderson’s lead vocal replacing Male’s.
(6) The band appears at the Marquee in London, supported by East of Eden.
(8) The group performs at the Student’s Union, Battersea, London.
(19) Eclection record a John Peel session with producer Bernie Andrews at the BBC’s Piccadilly Studio 1, which comprises Please and three new songs: If I Love Her, Days Left Behind and Time For Love. The session log lists Kerry Male as female singer rather than Dorris Henderson and the show is broadcast on 18 December.
December (1) The Beach Boys kick off a 10-day UK tour at the London Palladium with Eclection in support.
(8) As part of the tour, they appear at the Astoria, Finsbury Park, London.
(14) Eclection appear at Mothers in Birmingham with Ron Greesin.
(28) The band plays at Leyton Baths Hall, Leyton, Essex.

1969

January (23) Eclection play at the Speakeasy in London.
(25) The group performs at Lanchester Arts Festival in Coventry with Family.
(28) The band is supported by Milkwood at Klook’s Kleek, West Hampstead.
February (7) Eclection play at Mothers in Birmingham.
(28) The band appears at the Fishmonger’s Arms, Wood Green.
April (6) After Eclection shares the bill with Fairport Convention at Mothers in Birmingham, Mike Rosen leaves. The remaining members recruit top jazz guitarist Gary Boyle (b. 24 November 1941, Patna, Behar, India) from The Brian Auger Trinity and vibes player John “Poli” Palmer (b. 25 May 1943, Evesham, Worcestershire), formely a member of Blossom Toes.
(21) Eclection’s new line up records another BBC John Peel session with producer Bernie Andrews at the Playhouse Theatre. The session comprises a cover of Joni Mitchell’s Both Sides Now, three new numbers written by Hultgreen: Earth, Restitution and Put On Your Face and the uncredited Charity. The show is broadcast on 27 April.
(23) The revised line up appears at the Pavilion in Hemel Hempstead.
(25) The group returns to Birmingham to play a show at Mothers.
(26) Eclection perform at Portsmouth College of Education with Harmony Grass.
May (11) Eclection play at Mothers in Birmingham with Fairport Convention.
(14) The band appears at East Ham Town Hall with The Gods.
(20) The group plays at the Speakeasy in London.
(29) Sharing the bill with Yes, King Crimson, Bridget St John and Principal Edwards, Eclection appear at the Van Dyke Club in Plymouth, Devon. When Julie Driscoll leaves his band, Brian Auger contacts Gary Boyle and asks him to rejoin. The guitarist leaves just before a prestigious show at the Albert Hall the following week.
June (5) Stripped down to a quintet, Eclection appear at the Albert Hall supporting American singer/songwriter Richie Havens. A third single, Rosen’s Confusion, taken from the band’s album is set for release and then delayed.
July (6) Eclection play at Mothers in Birmingham with Fairport Convention.
(7) The band returns to the Marquee in London supported by Grail.
(21) The group plays another show at the Marquee, once again supported by Grail.
(25) Eclection join Roy Harper and The Liverpool Scene for a show at the Lyceum on the Strand in London.
(26) The band appears alongside Family at the Dunstable Civic Hall.
August (3) The group plays at the Country Club in Belsize Park, London.
(4) The band performs at the Marquee in London, supported by Cressida.
(17) They play at the Nottingham Boat Club.
(24) Eclection appear at the Roundhouse, Chalk Farm, London with Quintessence, Stray and Mariupilami.
(25) The group performs another show at the Marquee in London.
(29-31) Eclection appear at the Isle of Wight Festival, which features The Pretty Things, Mighty Baby, Bonzo Dog Doo Dah Band, The Nice, Gypsy, Blonde on Blonde, Blodwyn Pig, Edgar Broughton Band, Aynsley Dunbar, Marsha Hunt and White Trash, Family, Free, The Who, Fat Matress, Joe Cocker, The Moody Blues, The Liverpool Scene, Third Ear Band, Indo Jazz Fusions, Gary Farr, Tom Paxton, Pentangle, Julie Felix, Richie Havens, The Band and Bob Dylan. Soon after their appearance, Hultgreen leaves the band. He subsequently adopts his mother’s maiden name Kajanus and forms the group, Sailor, which scores with a UK #2 hit with A Glass of Champagne in 1975 and a UK #7 hit with Girls, Girls, Girls in 1977, both penned by Kajanus.
September After getting married and visiting his wife’s parents in New York, sailing on the QE2, former member Mike Rosen returns to the UK and joins James Litherland’s Brotherhood, which later changes name to Mogul Thrash.
(6) Eclection make an appearance at the Dunstable Music Festival in Queensbury Hall, Dunstable, Bedfordshire with Fleetwood Mac, Junior Eyes and Eire Apparent.
(12) The band plays at the Fishmongers Arms, Wood Green, London.
(17) Eclection appear at the Railway Hotel, Bishop Stortford.
(20) They play at Dudley Town Hall, Dudley.
(23) The group performs at the Speakeasy in London.
(26) Travelling to Birmingham, they appear at Mothers.
(27) Eclection play at Philippa Fawcett College, Streatham, London.
(28) The group performs at Redcar Coatham Hotel with The Third Ear Band.
(29) The band makes its final Marquee appearance supported by Gypsy.
October (3) The group joins Blodwyn Pig and Aynsley Dunbar for a show at University College, London.
(4) Eclection play at St Mary’s College, Strawberry Hill, Twickenham.
(16) They appear at Green’s Playhouse, Glasgow with Fleetwood Mac and The Sleaz Band.
(25) The band plays Barking College in Dagenham, Essex.
November (2) Eclection appear at the Country Club, Belsize Park, London.
(8) The group performs at Essex University in Colchester with East of Eden also on the bill.
(9) Eclection play at the Wake Arms in Loughton.
(21) The band appears at King’s College on the Strand with Shape of The Rain.
(23) They are due to appear at the Nottingham Boat Club but the show is cancelled and Clouds take their place.
(29) Eclection, The John Dummer Blues Group and Gracious appear at Chelsea College, London.
December (5) The group plays one of its final shows at Goldsmith’s College in New Cross, London with Tech-Neek and The Night People. Palmer leaves to join Family while Lucas and Conway form Fotheringay with Lucas’s girlfriend, Sandy Denny from Fairport Convention. Henderson returns to a solo career but later revives the band’s name with new players.

Sources:

Down at the Boat: The bands that played at the Nottingham Boat Club by Keith and Juliet Atkinson and Tony James.
London Live by Tony Bacon, Balafron Press, 1999.
Mothers 1968-1971 by Kevin Duffy, Birmingham City Council, 1997.
Peel Sessions by Ken Gardner, BBC Books, 2007.
Revelation, Elektra Records’ newsletter
Strange Brew – Eric Clapton & The British Blues Boom 1965-1970, by Christopher Hjort, Jawbone Press, 2007
Time Out magazine, 1968-1969
Richie Unterberger’s liner notes to Eclection CD re-issue on Collector’s Choice Music
Valentine, 2 November 1968

Thank you to Georg Kajanus and Gary Boyle for their input in this article.

I would particularly like to acknowledge Mike Capewell’s exhaustive site for material:
www.marmalade-skies.co.uk/

The Family Bandstand also provided useful dates:
www.familybandstand.com

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com