Category Archives: Unknown

Bob Lackman

Bob Lackman Riviera EP Laughing Boy

Bob Lackman had only one release, an EP on the French label Riviera in 1966. “Laughing Boy” is the standout track but all four songs are worthwhile.

No one seems to know exactly where Bob came from or what happened to him. I’ve read he was an English singer who happened to get a release in France. But to my ears he sounds more American than English.

The singer shows familiarity with Los Angeles in the final song, “Sad Day for Doc Shades”:
Bob Lackman Riviera EP Laughing Boy side 2

The poor people of Clark Street,
Have trouble finding things to eat,
Back in Watts, they have one friend
Who never asked to be fed,
… (?) he’s afraid.

Doc Shades, bad days,
Sad days for Doc Shades.

The story is one, sad but good,
Practice on 5th Avenue and Hollywood,
Until that day that young girl passed away.
Because her folks, they were rich, there was trouble in store,
Doc Shades could work no more.

The agent grew thin,
Bad times had set in, for him.

Doc Shades, bad days,
Sad days for Doc Shades.

They no longer said his hands shook,
and his reflection in the bottle was a look,
Of paranoid indecision, conscience, better known as fear.

The time had come, sad days for Doc Shades had begun.
I said now baby let’s do it, I know it,
Poor Dark Shades though.

Doc Shades, bad days,
Sad days for Doc Shades.

Well I have no more license for any decrepit body,
The soul is good, he drinks wood alcohol.

Now he still treats the people on that street, Clark Street,
I lived there,
No Jaguars, no Japanese gardeners,
Lots of trash, it’s ain’t easy here babe,
No Frenchy food, or no Frency nothin’.

“Bad Day for Doc Shades” is the only song from the EP not audible on youtube, I’m sorry to say. “Town of Sorrow” seems to cover a similar emotional state but with abstract lyrics. “I Cry for You” has a tuneful pop sound.

“Laughing Boy” has more passion and vitriol, with the singer sucking in his breath between verses, turning from a gentle voice in one line to a harsh accusing tone in the next.
Bob Lackman Riviera EP Laughing Boy side 1

On the beaches far below,
I see the waves crashing on the rocky shore,
And I also see the sky with its clouds of pink and white,
and it makes me wonder why I shouldn’t fight.

See the laughing boy over there.
See the laughing boy.

I hear crowds of laughter, and of joy,
I see before me, a little boy,
He looks so happy, smiling boy,
But it is you that I dread.

See the laughing boy over there,
See the laughing boy.

This little boy, comes up to me,
He’s filled with joy, he’s so carefree,
But if he’d been through the same as me,
Then I don’t think he’d be ashamed,
To tell me what is wrong.

On the beaches far below,
I see the waves crashing, crashing on the rocky shore,
And I also see the sky with its clouds of pink and white,
Do you see them there?

See the laughing boy over there,
See the laughing boy.

Bob Lackman wrote “Laughing Boy” and collaborated with a writer named Pasternak on the other three songs. A commentator “Boursin” wrote below, “Pasternak is almost certainly the DJ Emperor Rosko (real name Mike Pasternak). In 1966 his French-language show, Minimax, was on Radio Luxembourg every weekday night, and was hugely popular in France.”

I contacted Emperor Rosko and he wrote back:

I found him singing in the [London] Underground. He came from a wealthy family. I produced those tracks. Everything disappeared, masters, label, and Bobby. Bobby disappeared back into New York. If you track him down give me a shout!

I asked Rosko about his co-writing credit as Pasternak and he replied, “I messed with it a bit.”

The cover lacks any credits except for song writing and photography by Drew Bond. I find the color/b&w art jarring because the sunburst on the guitar is blacked out on the right side and because his hand is turned into a lifeless gray color.

Bob Lackman Riviera EP Laughing Boy back cover

John Does “One Kind Favor” on INsite

John Doe Band-O-Rama

John Does Insite 45 One Kind FavorJohn Does is an appropriate name for this group because nothing was known about them until Ron Domilici sent in a scan of the promo sheet seen at top. The band does one of the very best versions of “See That My Grave Is Kept Clean”.

I don’t know where the John Does learned their version of the song, it was done by many artists in the early ’60s. The alternate title “One Kind Favor” was used by Peter, Paul and Mary on their live album in ’64, and this may have been their source.

On the flip is “I’ll Never Take You Back”, an original by Roy R. Fernandez. The instrumentation is the same, but it lacks the mood, production quality and intensity of “One Kind Favor”. Strangely this side has a much different RCA master number, T4KM 8798 comparted to T4KM 2383, though both seem to be from the second half of 1966.

The promo sheet lists the group name as The John Doe, and the members of the group as:

Roy Fernandez – guitar
Bill White – bass
John Farion – harmonica and organ
Ken Everts – drums

Ernie Statton – manager
Dave Fox – producer

It also lists the record label as Insight instead of INsite, and seems to suggest they recorded “Diddley Daddy”.

Publishing for both sides was through Davenbar Music BMI. Fernandez copyrighted this and one other original, “Leavin’ that Girl Behind” in July of 1966. Not a bad title for a song, but I can’t find a release with that title by any artist.

Released as Insite 45-1001, Insite Records a division of Metro Productions Inc. but I don’t know of any other releases on Insite. The label typography is cool, though the small “s” in Does may have caused more confusion than anything else.

This is an early credit for the engineer Milan Bogdan, who would soon engineer singles by the Rationals, the Scot Richard Case, SRC, the MC5, Funkadelic and many, many others. I’m not sure which studio the John Does.

Dave Fox produced the record. David Fox and Davenbar Music publishing coincide on one soul single from 1964, the Dynamics “And That’s a Natural Fact” / “I Wanna Know” on Big Top 516, both songs written by Joseph W. McArthur. and co-published with Noma Music.

Special thank you to Ron Domilici for sending in the promo flyer.

John Does Insite 45 I'll Never Take You Back

The Vandals’ “Your Love Will Die”

The Vandals D 45 Your Love Will DieThe Vandals are possibly from Georgia but I haven’t seen any definite info on the band.

“Your Love Will Die” is a speedy, chaotic and excellent punk song, with ringing guitar, busy drumming, and shouted vocals not quite in unison. One guitarist plays both rhythm and lead. “Mary” is a fine ballad, there’s a clip on youtube but it has a skip in it at the end of the guitar solo.

The only member’s name I have is Steve Randall, who wrote both sides for Boldlad Music, BMI but I can’t find a copyright notice for these songs.

The Vandals D 45 Mary

Phil Briscoe & the Sessions

Phil Briscoe and the Sessions
Phil Briscoe and the Sessions

Phil Briscoe And The Sessions Pic 1 45 You're No GoodPhil Briscoe and the Sessions cut two of Briscoe’s original songs “You’re No Good” / “Dream of Me” at Recording Service Studios in Pasadena, Texas. The single came out on Huey Meaux’s Pic 1 label in October, 1965, one of over 40 releases on that label. “You’re No Good” is a good rocker in something of a Doug Sahm style.

Philip Charles Briscoe copyrighted both sides with Crazy Cajun Music in January 1966, but that’s the last mention I can find of him in the music world. I don’t know who else was in the Sessions band or where they were based.

The photo above came from a Pic One discography by Doug Hanners for his 45 RPM column in Discoveries in July 2000.

Phil Briscoe And The Sessions Pic 1 45 Dream Of Me

Sonlight band photos 1970-1971

Sometimes I pick up photos of unknown bands through ebay or in antique shops. This set came from a seller in Yuba City, California, north of Sacramento, but I don’t know the locations in the photos yet. Most of the photos show what seems to be a Christian music group called Sonlight from about 1970 and 1971. One photo shows some teens in front of a Saint Anthony Seminary, possibly in Santa Barbara, but I’m not sure of that. The photo at the top left is from 1967 and shows what is definitely a teen garage band in front of a banner “Sound”, but I don’t have the name of the group unfortunately.

Jeffrey Harvey pointed out that The Ancient Star Song website posted the cover and tracklist of an album by Sonlight that may be the same group. The back cover lists members of Sonlight:

Vicki Higgins, Betty Davis, Patti Bryson, Doug Norby, Ron Quigley, Richard Johnson and Roger Walck.

The group has an address in Van Nuys, California. Dean Talley produced the LP, and Mike Wallen designed the cover. Recorded at Customcraft Recordings in North Hollywood.

Can anyone identify who these people are?

1967 band photo Sonlight
1967 band photo, one member may have been in Sonlight band later
Sonlight photo 9
on back: Jerry, Kathy, Me [Joe?], Sue before the jazz dance
St. Anthony Seminary - Santa Barbara?
St. Anthony Seminary – Santa Barbara?
Sonlight photo 6
Great dorm room!

Sonlight photo 9

Sonlight photo 8

Sonlight photo 1
“… Like It”
Sonlight photo 10
dig the Rheem Mark VII Combo organ

Sonlight photo 4

Sonlight photo 2

Sonlight photo 11

Sonlight photo 5

Sonlight photo 7

Sonlight photo 3

The Johnnys

Warner Bros Buys Valiant, Billboard April 22, 1967
Warner Bros Buys Valiant, April 22, 1967

The Johnnys Warner Bros 45 Nothing Sacred“Nothing Sacred” blends mournful sustained guitar with bright harmony vocals for a captivating song. Unfortunately it was relegated to the B-side of the only release by the Johnnys.

The Johnnys get a mention in an April 22, 1967 article in Billboard as one of the artist contracts transferred to Warner Bros when it purchased the Valiant Records label. Song writer Bodie Chandler is also named in the article. He and Edward McKendry wrote “Nothing Sacred”, and Chandler arranged the song. Chandler had been part of Barry & The Tamerlanes and has an extensive writing catalog.

The ostensible A-side is the more conventional “I Remember” written and arranged by Jack Walker. Both sides were published by Tamerlane Music, BMI

This single had release in July of 1967 on Warner Bros 7057. I can’t find any other mention of the Johnnys or who was in the group. I assume they were from California but that is only a guess. If anyone has more info please contact me.

The Johnnys Warner Bros 45 I Remember

The Phantoms – unknown band

The Phantoms, Concord Camera Club photo
The Phantoms, Concord Camera Club photo

Here’s a good photo of a band that would be anonymous but luckily the photo was mounted to a backing board which names the band as the Phantoms, and the photographer as Newell Wood of Ulfinian Way in Martinez, CA. It also tells that the photo placed second in the Concord California Club miniprints competition in June of 1966.

Martinez is about 8 miles from Concord, and the band could be from anywhere around the East Bay, Vallejo or Walnut Creek. I’m not aware of any group named the Phantoms from that area, or if they made any recordings.

The Phantoms photo detail
The Phantoms photo detail

The Phantoms, Concord Camera Club Photo Contest

Sean and the Sheas

Sean and the Sheas Yorkshire 45 Hi DiddleSean and the Sheas Yorkshire 45 Come to the Party

Sean and the Sheas Yorkshire 45 Spiders
Joe Rodie sent the excellent scans seen here of rare singles by an unknown Detroit area band, Sean and the Sheas, who released two 45s in 1966. Joe is looking for information on the group, but unfortunately I couldn’t provide any yet.

Sean and the Sheas first release is the upbeat soul-influenced “Come to the Party” backed with an adaption of the nursery rhyme, “Hi Diddle”.

This was Yorkshire Y-001-A/Y-001-X, with “Come to the Party” written by John Rankin and “Hi Diddle” credited to B. Cozad – J. Rankin. The writers must have been aware a new arrangement of a traditional song could be copyrighted. The label reads recorded in Detroit, Mich., but I don’t know which studio. The producer was John Rankin, and executive producer Henry Cozad.

Sean and the Sheas Yorkshire 45 Hi Diddle
second release of “Hi Diddle”
For the second single, “Hi Diddle” repeated this time as Yorkshire Y-004-X while “Spiders” which I haven’t heard is listed as Yorkshire Y-004-XX. Terry Mohr wrote “Spiders” and he also appears as arranger on this 45, produced by Bill Cozad and John Rankin and this time oddly “Recorded in America”.

All songs published by Bico Music BMI, 1966.

The 45s have Nashville Matrix stamps and “95” etched into them. The “95” means they were pressed by Norman Archer at Archer Record Pressing, at 7401 E. Davidson in Detroit, as that was his account number at Matrix of Nashville. Archer handled many smaller Detroit labels, so despite the resemblance to the font used for Wheel’s 4 Records, Yorkshire was probably an unrelated label. There were several Yorkshire Records labels around the country at the time, but I can’t find any other release by this Detroit company.

With all the names on these singles I would think there would be some information on the group out there, but I can’t find any yet.

Thank you to Joe Rodie for the scans and motivating me to write about this group.

The Specktrum

The Specktrum Somethin' Groovy 45 ConfettiI can’t find out much about the Specktrum. The band may have been from Cranston, Rhode Island but I’ve also seen them listed as from Abington, Massachusetts, which is south of Boston and an hour away from Cranston.

In February, 1967 they put out a single on Somethin’ Groovy Records SG-500 featuring two originals by the band, “Confetti” by R. Moore, K. Jeremiah and “I Was A Fool” by R. Schmeisser, K. Jeremiah. Publishing was through Exciting Music BMI but I can’t find anything in BMI’s database on these two songs or the writers.

The Specktrum Somethin' Groovy 45 I Was A Fool

The Nervous System

The Nervous System Jambee 45 BonesThe Nervous System had two 45s on the Jambee label circa 1967, though one side, “Make Love, Not War” was used for both releases. The band seems to have been from the Chicago area, though I don’t have confirmation of that.

Their first 45, on Jambee 1001/1002 included the song “Bones”, with a first line that really hooked me: “I like the way she’s wrapped around her bones, the way she talks and how she smiles at me…”

The tense performance, the atmospheric production and the melancholy nature of the song makes “Bones” stand out for me, compared to the intricate but low-key “Make Love, Not War”. Both songs were written by J. Miller for Yuggoth BMI, and produced by J. & M. Miller. A 10″ acetate from Universal Recording Corp. on E. Walton includes “Make Love, Not War” plus a decent try at “Foxy Lady”.

The Nervous System Jambee 45 Make Love, Not WarThe Nervous System’s second release included “Oh!” written by J. & M. Miller and produced by J. Miller and P. Serrano. It shows up on another Universal Recording acetate backed with a pop song, “Hello Sun” and a bluesy public service announcement, “Keep Chicago Beautiful”.

The only other release on the Jambee label that I know of is Circus, “I’ll Always Love You” by W. Stevenson and I. Turner, b/w “Away From This World” by Kevin Murphy, which is Jambee 1007/1008, so I suppose there’s a Jambee 1005/1006 out there somewhere but haven’t seen it yet if it exists. The producers for the Circus record were Jordan Miller, Morrie Parker, at least giving us a clue who J. Miller was.

Presumably the same Jordan Miller wrote “The Great Train Robbery” for the Little Boy Blues on Ronko.

Much more is known about Circus, who seem to have included Rick Panzer on piano, Kevin Murphy on Hammond organ, Jimmy Stella on vocals, Larry McCabe on trombone/trumpet, Bill Mickelburg, Vern Pilder and Phil Michilson on guitar, and Ross Salomone on drums. They had a much more brash sound, something like Sly & the Family Stone, featuring heavy funk and a full horn section. After the Jambee 45 they had a release on Columbia, also produced by Morrie Parker, “Where Are You At” / “Read All About It” in 1969. Eventually those three members joined with guys from the American Breed to form Rufus.

Nervous System Universal Recording Demo Foxy Lady
Universal Recording demo of “Foxy Lady”, flip side is “Make Love Not War”
Nervous System Universal Recording Demo Hello Sun and Keep Chicago Beautiful
Universal Recording demo with two songs “Hello Sun” and “Keep Chicago Beautiful”, flip had the version of “Oh” released on their second single