Category Archives: Studio

Richie’s Renegades “Don’t Cry” / “Baby It’s Me” on Polaris

Richie's Renegades Daily Item 1966 May 13

Richie’s Renegades in the Daily Item, April 17, 1966

Richie’s Renegades came from Lynn, Massachusetts. After winning a state-wide battle of the bands in May, 1966, the group cut a fine single on the Polaris Records label, “Don’t Cry” / “Baby It’s Me” released in August.

Members included:

Richie Reynolds – lead vocals
William Dunn – guitar
Robert Leger – guitar
Robert Peck – organ
Brian Michaels – bass
Kevin Robichaud – drums

Erik Lindgren’s notes to The Polaris Story CD note that they cut the single at Fleetwood, while alternate versions of the single and a Pepsi commercial “Come Alive” featured on the CD were done at Ace.

The Lynn Daily Item ran photos of the group on April 26 and May 13, 1966:

Richie’s Renegades, a Lynn band, will be one of 18 competing for sate-wide honors tomorrow at Boston Gardens. They are on of a group of winners selected from more than 600 band taking part in local and regional contests, sponsored by the Jaycees.

The accompanying article noted that “Plans are now underway for a national competition next year, the Jaycees said.”

May 16, 1966 notice of their win

The May 16 Daily Item noted that the band won the final competition “which brings with it a $500 cash award, new musical instruments, recording contracts and other awards.

Inscribed to Edlita Adams (Miss Essex County and a Jaycee finals judge) by Billy Dunn, Bob Leger, Bob Reader (?) and Kevin Robichaud.

I found a copy of their record inscribed to Edlita, with four signatures: Bob Leger, Bob Reader [surname correct?], Ken Robichaud, and Billy Duran. Bob Reader isn’t in the lineups I’ve found online, and I read Robichaud’s as Kevin instead of Kenneth.

Kevin Robichaud is the correct spelling, as Lou Ames Music Store ran ads in September and October, 1968 with Kevin’s photo as a drum instructor, “featured with ‘The Playn Jane” and formerly with ‘Richie’s Renegades.'”

I found a notice in the Daily Item on August 25, 1966:

Richie and the Renegades of Lynn … will give two performances at the Pepsi booth as a highlight of the Family Day program at Topsfield Fair on Tuesday, Sept. 6.

The group will autograph their just released recordings “Baby, It’s Me” and “Don’t Cry” and, in addition, will offer autographed photographs.

One of the judges of [the Boston Garden battle] was Miss Edlita Adams, 19, of Lynn, reigning “Miss Essex County.”

That notice, and a couple others I found, list Robert Teck instead of Robert Peck.

The Boston Globe ran a brief item in April, 1967 about the group going to Worcester for the national competition with the same lineup listed as in 1966.

November 24, 1967 notice in Greenville, New Hampshire with William the Wild One, Tall Paul Floyd, and the Young Adults.

A December 20, 1966 notice in the Daily Item ran:

The Lynn Young Democrats held a Christmas party for needy children, highlighted by the appearance of a local band, Richie’s Renegades …

Members of the Renegades, donating their services for the occasion, were Brian Michaels, Bob Leger, Bill Dunn, Bob Peck, Kevin Robichaud, Dick Tarnborini, Bill Barry and Richie Reynolds.

The inclusion of Bill Barry is interesting, as he is also known as William the Wild One, who cut a great 45 on Festival in 1966, supposedly with Richie’s Renegades providing backing. A Fitchburg Sentinal notice mentions the Renegades playing a show with William the Wild One at Appleton Academy in December, 1966, noting that William “toured the country with the Dave Clark Five. He and Reynolds are cousins of Dave Barry, a student at the academy.”

By 1968, Richie’s Renegades became Playn Jane, mentioned in the February 29, 1968 Daily Item:

The third annual Battle of the Bands sponsored by the Lynn Jaycees will be held Saturday night at Classical High.

The competing teenage bands are Danny and the Dreamers, Passing Times, Playn Jane, Psychedelic Innovation, Satisfaction and the Sinders …

Dancing will be allowed during the competition.

Robert Leger passed away on January 7, 2020.

Kevin Robichaud of Richie's Renegades, Lou Ames Music, Daily Item 1968 Sept 10
September, 1968 ad for Kevin Robichaud of Lou Ames Music Studio

Froggy and the Gremlins (a.k.a. The Gremlins)

Froggy and the Gremlins from left: Mike Shields (organ), John McClusky (drums), Bill Thomason (lead vocals), Pat [surname?] (lead guitar), and Craig Gardner (bass)

Our band started one Friday night in late 1964 literally in a garage in Vestavia, Alabama when I (Froggy) was singing while two friends were playing the drums and the guitar. The three of us attended Berry High School. The drummer’s cousin, Craig Gardner stopped by to show off his new Oldsmobile 442 and he listened to us perform a tune or two. The next day Craig called me and said that he and a few guys from Shades Valley High School were starting a band and asked if I was interested in being the lead singer. Of course, I said yes.

My neighbor was Ray Edwards, the lead singer with The Knights and the first time I saw them perform I resolved to one day do the same. This was my chance! So, the following weekend, Froggy and the Gremlins band was born in Mike Shields living room and the first song we learned was a cover of the Beatles’ “I Saw Her Standing There”.

Members in the photo at top:

Mike Shields – electric organ
John McClusky – drums
Bill Thomason – lead singer
Pat ? – lead guitar
Craig Gardner – bass

Before long, Pat dropped out and was replaced by lead guitarist Jerry Meadows.

After learning a set list of about 25 songs we hit the road and were very popular locally in Birmingham and North Alabama. Venues consisted of many fraternity parties at the University of Alabama in Tuscaloosa and in Birmingham, and teenage dances and sock-hops at local National Guard Armories around northern Alabama. We were invited to a Battle of the Bands at the Huntsville coliseum and placed third. WBRC-TV in Birmingham televised a weekly Battle of the Bands and we were matched against the late, great Rooster Gallagher and the Townsmen who I believe eventually won the entire competition later that year.

Froggy and the Gremlins ad

Pizitz Department Store in downtown Birmingham would hold regular dances and Go-Go demonstrations in the teen clothing section which was a brilliant marketing idea since it drew hundreds of teens (and their mothers) to the store. We played these events several times and once opened for The Swingin’ Medallions there.

Gremlins (Birmingham AL) business cardOver time as all the other bands were adding horns and reeds, we added:

Bill Roberts – alto sax
Mark Stevens – trumpet

I was also a trumpet player so we had a full, solid sound and were consistent with what was popular at the time. Also, we dropped the “Froggy” and were just “The Gremlins” to project a more contemporary and professional image.

Jerry Meadows was a song writer so like practically every other band on this site, the time came for our rite of passage in Ed Boutwell’s studio at an old church on 2nd Avenue North in Avondale. We created an eight-song demo tape of six cover songs and two songs that Jerry had composed. One was titled “Summer Girl” and the other one I do not remember. We had no money to afford a record press so we hawked the reel-to-reel demo tape around to several radio stations with favorable results but of course there was no air time since there was no vinyl to play.

Finally, in the fall of 1966 most everyone was leaving for various colleges around the state. I, on the other hand having primarily been interested in dedicating most of my time to The Gremlins rather than to high school academics, was shipped off to military school at Lyman Ward Military Academy in south Alabama. Thus, The Gremlins band officially came to an end.

Over the years, I saw Mike Shields occasionally at church and later heard he moved to Carmel, California and became an artist. I also occasionally saw Bill Roberts at the University of Alabama-Tuscaloosa when we were both students there. Ironically, John McClusky was the drummer for String and the Beans when they played at my High School senior military ball. He eventually became a lawyer in the Birmingham area. I lost touch with Jerry Meadows, Craig Gardner and Mark Stevens after our last gig in the late summer of 1966.

Regrettably, as the years passed and my focus turned to college, kids and careers, my copy of the demo tape disappeared. Several years ago, I reached out to Mark Harrelson at Boutwell Studios right after they moved to their beautiful new facility on Central Avenue in Homewood. He told me that had I been a year earlier they probably would have had the master tape but that after all those years they had finally purged the old archives in the latest move.

What an exciting time it was to be a teenager and part of the incredible ‘60’s music scene. Music has remained a big part of my family and these days even one of my college-aged grandsons is carrying on the tradition with a country music solo act.

Bill Thomason, September 2025

Dave and the Squires “The Girl of My Dreams” on Radex

Dave and the Squires Radex 45 The Girl of My DreamsDave and the Squires cut this moody original song “The Girl of My Dreams” in late 1965, released on Radex R65121. The flip is a slow version of “Ferry Cross the Merscy” [sic].

I know nothing about the group except one member’s name, Dave Lamoreux who wrote the A-side and sang lead on both sides.

Radex Recording Studio was in business in Freeport, Illinois into the 1980s. Its most notable production may be the Nomadds who cut an album there, Nomads Originals Plus. Owner Dexter Witt passed away in January 2023.

The Modulation Corporation “What to Do” on Atom

Modulation Corporation Atom 45 What To Do

The Modulation Corporation made one 45 on Atom 1001 in November, 1967: the tough garage song “What to Do” b/w the bluesy “Worms”, both written by Francis W. Wilson II, and cut at Texas Sound Studios in San Antonio.

I don’t know the names of other members in the group. Francis Wilson seems to have been known as Billy Wilson. Covering the wedding of Jane Ellent Grant and William Eilers Jr. in Luling, TX, the Shiner Gazette on December 7, 1967 mentioned “An orchestra, Billy Wilson and the Modulation Corporation, provided music during the reception.”

The Modulation Corporation seem to have been together only during the fall of 1967. I’ve read the group was from San Marcos, about halfway between Austin and San Antonio, but most of the notices I’ve found are from two Austin venues, the Lake Austin Inn and the Pleasure Dome.

They had regular gigs at the Lake Austin Inn in September and October, 1967

On December 29-30, 1967 the Modulation Corporation played two nights with the South Canadian Overflow at the Pleasure Dome, and may have been included in the New Year’s Eve show with the Golden Dawn, Lightnin’ Hopkins, and the Afro-Caravan.

Anyone have a photo of the group?

The Pleasure Dome

Modulation Corporation Golden Dawn Pleasure Dome Austin American Statesman Friday, Dec. 29, 1967
The Pleasure Dome opened on December 15, 1967 with the Thingies and underground films like Scorpio Rising. It was located at 222 E. 6th Street in what had been the Yank Theater building. Bill Simonson managed the club, with lighting by an unnamed person who had done lighting at the Electric Circus and the Cheetah in New York City. In progress off the lobby was the Sacred Mushroom Bar.

From notices in the American-Statesmen, the Pleasure Dome seems to have lasted only one month.

The first week of January the Pleasure Dome had the Thingies and South Canadian Overflow on Friday, the Strawberry Shoemaker and the Golden Dawn on Saturday, and the Golden Dawn and the Thingies on Sunday.

The following week featured the Thingies, the Starvation Army Band and the Vines. I have found no further notices after that.

Modulation Corporation Golden Dawn Pleasure Dome Austin American Statesman Thurs, Dec. 28, 1967

The Socialites “Phooey Phooey on You” and “Looking Out My Window”

The Socialites at the Unicorn Lansing, MI
The Socialites were four women who made two 45s in 1968. I don’t know the names of the band members, or where they came from, except for a show listing in Lansing, Michigan.

I believe the Socialites first single was a version of “Bye Bye Love” b/w the neat bubblegum rocker “Phooey Phooey on You”, released on Scott Records FM-324. Artyfacts in Wax has a short write-up and good scans of the labels.

Scott Records had 45s by the Merrie Motor Company who were from Olivet, MI; and the Jay Walker Effort who seem to have come from Grand Rapids.

Socialites National Electric Signalling and Commercial Company 45 Looking Out My WindowThe Socialites recorded (and/or mastered) “Looking Out My Window” at Tera Shirma Sound Studio in Detroit, with a cover of “Boat that I Row” on the flip. Garry Holton, credited for writing “Looking Out My Window” seems to have lived in Jackson, Michigan.

Released as National Electric Signalling And Commercial Company 6483142, the label has finely drawn illustration, and the obscure sub-text “A Michigan Corporation Division of Audio Records”.

“Looking Out My Window” reached #31 on WILS 1320 AM Sound Survey 33 on December 18, 1968.

R.D. Francis sent me the flyer at top, one of a half-dozen ads for the short-lived Unicorn club made by Mike Delbusso of Splatt Gallery in Walled Lake.

The Unicorn opened at 4122 N. East, in Lansing on May 18, 1970, and featured the Socialites for its first two weekends.

If anyone knows the names of members of the Socialites please contact me!

Socialites Unicorn Lansing State Journal May 23, 1970

The Rogues “Anything You Say” on Action Records

The Rogues in the South Omaha Sun, September 9, 1965

Rogues Action 45 Anything You SayThe Rogues came from Omaha, Nebraska, and made one record in 1966, “Anything You Say” / “Summertime” on Action 100. The deadwax etching shows it was recorded and mastered at Sears Recording Studio in Omaha and pressed at Kaybank in Minneapolis.

James G. Churchill wrote “Anything You Say” published by Peter Jan.

Members on the single were:

Ed Hoke – lead guitar
Jim Churchill – drums
Joe DeRozza – lead vocals
Mike Hoke – bass
Mike Chapman – rhythm guitar

Early lineup of the Rogues in a Hospe’s ad, May 2, 1965

On May 2, 1965, Hospe’s music store on 1512 Douglas ran an ad in the Omaha World-Herald featuring an earlier lineup that included the Hoke brothers along with Bill Nassarallah and Greg Mutz. The photo shows the Rogues with some awesome equipment:

They’re Fender-equipped, and they’re great!

Bill Nassarallah, rhythm with a Fender Stratocaster Guitar and Fender Bandmaster Amplifier and Echophonic echo-chamger; Greg Mutz with a 4-piece Gretch [sic] Drum Set and Zildjian Cymbals. Eddie Hoke, leader of the group, has a Custom Guitar which he plays through his Fender Showman amp; and Mike Hoke with a Fender Jazz Bass and Fender Bassman Amp.

By September, 1965 the lineup had changed to the group that would record the 45, as the South Omaha Sun profiled the group with a photo, noting that the groups favorite bands were “‘The Kinks,’ ‘The Birds’ [sic] and ‘Them'”:

Chuck Hoke, night manager at Mickey’s No. 1, invited us to a rehearsal … of his sons’ rock ‘n roll band, “The Rogues” …

The combo held its rehearsal on a stage, complete with risers, which they built themselves in the Hoke’s recreation room. The array of mikes and amplifiers made us feel like we were in a major network studio. Vocalist Joe hugged the mike at the front of the stage and pounded out ryhthm [sic] on a tambourine while he bounced to and fro with his vocal routines. Jim, like Gary Lewis, had a mike hanging over his drum set and harmonized with Joe on many numbers. The whole group sang in unison occasionally. They bounced, rocked and shook in unison no so occasionally.

Finally came their rendition of “End of the World,” and many oldsters might view it as just that.

The group continued until 1967, with a “Combo Catch-All” article in the World-Hearld on March 3, 1967 titled “Rogues Aim for Originality, Prefer to Be Called ‘Group'”

By this time the group included a sixth member, Mike Riehle, and the article mentions that Joe Derroza was “from San Francisco”.

They play mostly in Minnesota, Iowa and Nebraska, and get to and from these states in a painted bakery truck …

They used to have a go-go dancer but let her go because more and more combos were adding go-go girls.

The “Combo Catch-All” article mentioned other groups: the Exiles combo with Red Toll, the Ashes with own song “I Don’t Need Your Love”, and the Bushmen with Bob Geeny, Kent Bellows, Doug Fackler, Bob Drickery and Larry Minthorn. An adjacent ad for Sandy’s Escape lists various groups that weekend: the 6 Fortunes and 6 Misfits on Friday, the Wonders and 7 Legends on Saturday, and the Coachmen and 6 Impacts on Sunday.

Heavyn of Dearborn, Michigan, “Two Man Blues” b/w “Children of the Woods,” 1971

Heavyn featured in the Detroit News, September 1, 1971
Heavyn opening for Frigid Pink at the Lincoln Park Theatre, September 29, 1971

Heavyn:

Bob Gilbert — lead guitar
Greg Joseph — bass guitar
Dave Ellefson — keyboards
Rick Moll — drums

Producer — Mike Finnin
Engineer — Jerry Cell

There’s not much in the way of ephemera on Detroit’s Heavyn, in fact, everything we’ve discovered regarding the band is included in this overview.

Heaven with SRC at the Lincoln Park Theatre, January 1972

According to The Detroit News in their September 1, 1971 issue, the band appeared at the Dearborn Youth Center’s “Battle of the Bands” in July. In the article, Heavyn’s manager, Mike Finnin, states the band was together for three months at that point — which places their formation around May 1971.

In addition to winning the Dearborn contest, the band opened shows for the earliest stage of Frijid Pink (formerly known as the Detroit Vibrations). Two of the band’s other known shows were opening a January 30, 1972, appearance by Capitol Records’ SRC, and a February 13, 1972, appearance by Tee Garden and Van Winkle, both at the Lincoln Park Theatre in Lincoln Park, Michigan.

W.J’s Club, Walker Lake Road, Mansfield, Ohio

During the month of April 1972, ads placed in Ohio’s Mansfield News Journal (available at Newspapers.com), indicate Heavyn booked dates at W.J’s Club in Mansfield.

Heavyn Long Knight 45 Children of the WoodsThe single mentioned by Mike Finnin in The Detroit News, “Two Man Blues” b/w “Children of the Wood” was, in fact, released on his vanity-press, Long Knight Records. It was recorded at PRSD/Pioneer Recording Studios in Detroit owned and operated by Gary Rubin and Alan Sussman. Through the studio, the duo ran their own imprints: Pioneer, Gold, and Tru-Soul. Pioneer recorded several sides with Ann Arbor-based jazz trumpeter Marcus Belgrave, the Detroit Vibrations — on their way to coming Frijid Pink — as well as the Rationals (released on their manager Jeep Holland’s own A-Square).

While Heavyn’s lone single carries Pioneer’s catalog number of PRSD-2188 and Long Knight’s LK-101, the runout codes “A4KS-3959” and “A4KS-3960” indicate it’s an RCA custom pressing (A = 1971, 4= band supplied tapes to RCA, who then cut the lacquers, K= 45 rpm, S= Stereo).

It is rumored Heavyn broke up sometime in 1972, as the bands’ Bob Gilbert, Greg Joseph, and Dave Ellefson were (temporarily) absorbed into the ranks of Frijid Pink. This roster rehearsed, as well as possibly toured, between the release of the Rick Stevers-led band’s second album, Defrosted (1970) — when lead guitarist Gary Ray Thompson and lead singer Tom Beaudry (aka Kelly Green) left the band — and their third album, Earth Omen (1972).

However, based on the March 1974 Heavyn flyer we’ve discovered, the band most likely absorbed into Frijid Pink in late 1974, after their fourth and final album released in March 1974, All Pink Inside, on Fantasy Records. (On Frijid Pink’s Wikipedia, page, only Bob “Bobby G” Gilbert is noted as a one-time member; it doesn’t state the time frame of his membership.)

Heavyn and Fantasy Hill at the Lincoln Park Theatre, March 28, 1974

If anyone knows anything about Heavyn’s fellow Dearborn-based bands Shelter, Stockton, Sanch Panza, Internal Combustion, Menagerie, and Iliad (mentioned in the press clipping) — or can offer more information on the career of Heavyn and their connections to Frijid Pink — let us know.

Pioneer Recording Studio Detroit

Our thanks to Mike Delbusso of the Splatt Gallery Rock Art Gallery of Walled Lake, Michigan, for the images. 45 rpm and Pioneer Recording Studio advertisement images courtesy of Discogs.

You can learn more about Frijid Pink with an exclusive interview as founder-drummer Rick Stevers sat down with R.D Francis at It’s Psychedelic Baby Magazine.

Article written by R.D Francis.

Kennett Sound Studio acetates – Unknown and unidentified artists

Claud Stuard [sic] – Claude Stewart, or Claude Steward?
Bands and musicians from Schenectady, Albany, Poughkeepsie, and other areas traveled to Kinderhook to record at Earl Kennett’s studio.

A number of lacquer demos (commonly called acetates) of various sizes remained when Kennett Sound Studio closed and the property sold. Many of these demos are of the Cleaners (later known as the East Coast Clique), the group Kennett worked with the most. Others duplicate the recordings that would be released on 45 rpm records.

Below is a list of demos by unknown artists, in approximate chronological order. Because Earl was blind, many were unlabeled, though Earl’s young daughters sometimes added names or titles. Many song titles below are my guesses based on the lyrics.

Please take a listen to the audio excerpts and contact me if you know any of these artists.

8″ acetate by James Morse, not the same song as the Claude Steward, above. Another 8″ acetate has his name as Jimmy Morse
8″ lacquer acetates

Claude Steward (Claude Stewart?)
“I’m Going Your Way, I’ll Walk You Home” (excerpt)
“Goodbye Girl” (excerpt)

Jimmy Morse / James Morse
(two 8″ acetates, circa 1967)
“Can’t You See I Want You (Time After Time)” (excerpt)
“Back Alley Blues” (excerpt)
“Hey Little Girl” (excerpt)

Horvath family song, 1967 – Excerpt

Chain Reactions Kennett Sound Studio Acetate 45 Black and Blue

7″ lacquer acetates:

Unknown rock group circa 1968
“Goodbye” (excerpt)
“Girl” (excerpt)
Group from The Office Kennett Sound Studio Acetate 45
Chain Reactions (circa 1967)
“Black and Blue” (excerpt)

Group from “The Office” (circa 1968)
“He Was a Friend of Mine” (excerpt)
“Who Do You Love” (excerpt)

Unknown soul group – male lead with female backup
“Baby” excerpt

Pink Sydel Kennett Sound Studio 12 inch acetate
The Pink Sydel ?!

12″ lacquer acetates:

The Pink Sydel, 4/20/1968
“Memories”
“The Pink Sydel” (excerpt)
“Happy Together”
“We Gotta Get Out of this Place”

Unknown rock band circa 1969
“Darling Please” (excerpt)
“Please Try” (excerpt)

Folk singer Greg (surname?), associated with Hudson River Clearwater Sloop, circa 1969. Five songs, may not have been recorded at Kennett as it sounds like a radio broadcast.
Hear “My Dirty Stream” with discussion of Sloop restoration

Unknown band with horns, circa 1970:
“Vanilla on My Mind” (originally done by the Yellow Payges)
“Lady in the Night” (excerpt)
“Forty Million Dreams” (excerpt)
“It Will Take Time” (excerpt)

The Coachmen – “Green Green Grass of Home”
Unknown (The Coachmen?) – “Green River” (excerpt)
Unknown (The Coachmen?) –“You’re Gonna Be My Girl” (excerpt)

Unknown female vocalist with acoustic guitar, flute & drums, early ’70s:
“Lonely Eyes” (excerpt)
“If There’s No You Baby” (excerpt)

Unknown lounge/pop singer with combo:
“Lonely” (excerpt)
“Around the World” (excerpt)

Those Two Plus – Alex Rotter and Dawn Mickle “I’ll Be There”

Schenectady Gazette, September 17, 1968

Those Two Plus Kennett 45 I'll Be There

Those Two Plus – “I’ll Be There” / “It’s Rainin’ (Where I’m Bound)” (both by Alex Rotter, arranged by “Those Two”) Kennett Sound 0017, 1969.

Alex Rotter and Dawn Mickle performed as simply “Those Two” in a couple news reports. The Oneonta Star noted on August 10, 1968 that the duo took second place in the Folk Music Contest at the Otsego County Fair.

The Schenectady Gazette ran a photo of the duo on September 17, 1968:

Those Two, folksingers Dawn Mickle of Warnerville and Alex Rotter of Schenectady, who won top honors at the Cobleskill Fair and first in the semi-finals of the State Fair, entertained patients at the Eden Park Nursing home …

I have a 12″ acetate from the Kennett Sound Studio that includes both songs from the single. Another 12″ acetate contains five songs performed by Alex and Dawn which were not released.

From listening, I believe four of these to be original songs: “If I Were Free”, “Take Me to the Land of Lovin'”, “I Can Tell”, and “I Know What You Mean to Say” (titles are based on the lyrics), along with a version of Fred Neil’s “The Other Side of this Life”:

The Kennett Studio labels are blank.

Thank you to Peter Aaron for loan of the Those Two Plus single, and for finding the Gazette article on the duo.

Update: I’m pleased to say I was able to send the 12″ acetate of five unreleased songs to Alex Rotter’s family. Thank you to Sherry Rotter for contacting me.

Detroit’s The Free “Decision for Lost Soul Blue” / “What Makes You,” 1968

Free Marquee 45 Decision for Lost Soul BlueAccording to guitarist Joe Memmer, this psych-driven single, which features Dave Gilbert on lead vocals, was recorded in 1968 at Ralph Terrana and Al Sherman’s Tera Shirma Studios. The band paid for the sessions, themselves. Carl Cisco, who managed the career of CKLW DJ Tom Shannon, earned his production credit on the single as result of his bringing in Motown’s horn section for the sessions. Shannon, in partnership with Carl Cisco and Nick Ameno—both of the Antiques, the Buena Vistas, and the LaSalles—operated the Detroit-based Marquee Records.

Free Marquee 45 What Makes YouCarl Cisco’s production assistance resulted in “Decision for Lost Soul Blue” being issued on the Marquee label around December of 1968, with the B-side, “What Makes You.” Making the regional sales charts via airplay on CKLW Toronto and WKNR Detroit, the single went on to have a three-week run as the “Pick of the Week” on CKLW. Impressed with the sales and airplay, Atco/Atlantic picked up the record for national distribution, issuing the single in March 1969. (The label variations of the Atco version are result of different pressing plants manufacturing the record. On those releases, the A-Side title was expanded to “(Day of) Decision for Lost Soul Blue.”)

The Free remained together for about a year, until Dave Gilbert left to become the lead vocalist for Ted Nugent in January 1971. While he doesn’t appear on the album, Gilbert toured Nugent and the Dukes’ fifth release, Survival of the Fittest (1971). According to Memmer, Dave’s hard partying lifestyle conflicted with Nugent’s anti-drug stance (which caused him to dissolve the Amboy Dukes in the first place); that, in addition to Dave’s desire to start a band proper with his brother Marc, resulted in Gilbert’s departure.

Clean Records Billboard October 9, 1971
Shadow signing announced in Billboard, October 9, 1971

Joe Memmer and Dave Gilbert starting writing songs again and, along with Gilbert’s brother, Marc, formed Shadow. The band recorded a pair of singles in 1972 for Clean Records, an Atlantic subsidiary operated by Robert Stigwood and Rolling Stone Records’ Earl McGrath; the label’s other signings were the commercially-successful soft-rockers America and Starbuck. According to Memmer, Gilbert’s drug use, compounded with his reluctance to work with Stigwood’s suggestions for the band (adding string orchestrations; remembering Stigwood managed-produced the Bee Gees at the time), soured the deal.

New Order with Dave Gilbert at the mic

By 1974, Gilbert moved to Los Angeles and joined the Stooges’ guitarist Ron Asheton and MC5’s drummer Dennis Thompson in New Order; the band also included KJ Knight from the Amboy Dukes. Marc Gilbert’s next band, the hard-rocking Adrenalin formed in 1977, recorded two albums issued through MCA Records in the early-to-mid ‘80s.

Joe Memmer became a non-recording member of Detroit’s Pendragon from 1977 to 1981; Pendragon eventually recorded two 7” singles with Rick “The Lion” Stahl, formerly with the Wilson Mower Pursuit and Sincerely Yours.

The late Dave Gilbert achieved national success as the frontman for the Rockets, which he joined in late 1975. Comprised of ex-members of Mitch Ryder and the Detroit Wheels, the Rockets’ biggest hit was their cover of the early Fleetwood Mac tune, “Oh, Well.”

Today, Joe Memmer serves as the lead guitarist for the nationally, critically-acclaimed Doors tribute band, the Detroit Doors.

There are more photos to be discovered of all of Dave Gilbert’s bands—including rare images of Shadow (but none from the Free)—on The Rockets Singer Dave Gilbert Facebook.

Article written by R.D Francis.