Ralph Denyer (lead vocals, guitar)
Graham Wilson (lead guitar)
Art Regis (keyboards)
Tony Priestland (alto sax)
Roy Stacey (bass)
Jim Toomey (drums)
The Uptown Band linked up with Ralph Denyer after he’d ditched The Rockhouse Band in mid-July 1966.
Stacey recalls that the band was booked by Georgie Fame and Zoot Money’s managers Rik and John Gunnell, who ran the Flamingo Club in Soho’s Wardour Street as well as the Bag O’Nails in nearby Kingley Street and Brixton’s Ram Jam. The Uptown Band played all three venues regularly during the latter half of 1966.
He also remembers that the band played at the Roaring Twenties in Carnaby Street which was run by Jamaican Count Suckle, owner of the Cue Club in Paddington.
Another notable gig took place at the Cromwellian in November 1966 when Mike Love from The Beach Boys sat in on Hammond organ, together with Georgie Fame’s percussionist “Speedy” Acquaye.
Around Christmas the band folded and Jim Toomey formed Jon with former Rockhouse Band and Gass member Stuart Cowell (guitar/vocals) plus Tom Tierney (bass) from Lulu’s backing band; Ron Reynolds (keys); and singer Chris Simmons (who left during 1967).
Jon became Still Life in February 1968 when Con Byrne took over bass and Tom Tierney moved to rhythm guitar. In March, however, Still Life joined forces with Warren Davis (and his two sax players) and worked as a new version The Warren Davis Monday Band from March-September 1968.
In February 1969, Cowell and Toomey joined forces with Bernie Holland (guitar) and Jerome Arnold (bass) to form The Jerome Arnold Band who played together until late May 1969.
Next, Toomey reunited with former Uptown Band sax player Tony Priestland in Titus Groan. Toomey later found fame with The Tourists, featuring Annie Lennox and Dave Stewart.
Ralph Denyer initially worked as a solo singer/songwriter before joining Welsh rock band, Blonde on Blonde. Later he joined Aquila and co-wrote The Guitar Handbook with American guitarist singer/songwriter Isaac Guillory. He died in 2011.
Art Regis meanwhile joined Freddie Mack & The Mack Sound in January/February 1967. He didn’t stay long, however, and in June that year briefly worked with Billie Davis & The Quality followed by a month with singer Engelbert Humperdinck.
In late July, Regis joined Jimmy James & The Vagabonds where he reunited with Nat Fredericks from his early 1960s band, Rupert & The Red Devils. He stayed until September 1968 and then worked with Art Regis & The Brass Cannon.
Tony Priestland briefly joined Jimmy James in July 1968 but it’s not clear how long he stayed before he reunited with Toomey in Titus Groan.
Roy Stacey, who’d filled in for John Treais in The Five Proud Walkers during late 1966, including a show at the Ram Jam in Brixton, also covered for his successor John Ford in January-February 1967 when he was ill. Later that year, Stacey worked with that band’s drummer Richard ‘Hud’ Hudson and backed American guitarist Champion Jack Dupree for several gigs at Eel Pie Island (most likely in August).
After auditioning for the bass player’s spot in The Crazy World of Arthur Brown at the Middle Earth in Covent Garden in September 1967 (he lost out to Nick Greenwood), Stacey briefly reunited with Art Regis in Jimmy James & The Vagabonds in March 1968, playing a handful of dates.
Stacey next worked with an unnamed gypsy rock eight-piece group who recorded two songs at Radio Luxembourg that year.
“It was quirky and ahead of the time,” he says. “We had a girl singer; two cellists, who doubled on bassoon and other wind instruments; singer/songwriter and guitarist Andy Rae; second guitarist Terry O’Leary; Alistair Fielder on various range flutes; me on electric bass; and drummer Iain Clark.
“Albert Hammond produced the acetate. We took the band to Tony Viscounti, who said the line-up wouldn’t work.”
In August 1968 Iain Clark auditioned for Danny Kirwan’s band but when the young guitarist joined Fleetwood Mac, the drummer joined Cressida (and later Uriah Heep) in October. The gypsy rock group carried on but folded around 1971.
However, during late 1968 (or possibly 1969), Stacey reunited with Art Regis again in an early jazz rock group that recorded material with the intention of playing some gigs in Sweden. Featuring jazz singer Bobby Breen and tenor sax legend Dick Morrissey (whose wife was Swedish), the project proved short-lived.
In the early 1970s, Stacey reunited with Paul Brett and worked with him alongside Johnny Joyce from Paul Brett’s Sage, recording some BBC Radio sessions.
Regis who lives in Germany and Stacey continue to pursue music projects. Toomey lives in Australia and also continues to play as well as act.
Notable gigs:
15 July 1966 – Beachcomber Club, Nottingham with Solomon Burke (backed by Bluesology) (Nottingham Evening Post) Billed as Ralph Denyer’s Uptown Band
16 July 1966 – Britannia Rowing Club, Nottingham (Nottingham Evening Post) Billed as Ralph Denyer’s Uptown Band
23 July 1966 – New Spot, Gosport, Hampshire (Portsmouth News)
5 August 1966 – Britannia Rowing Club (Nottingham Evening Post)
6 August 1966 – Beachcomber Club, Nottingham (Nottingham Evening Post) Says from Rufus Thomas tour
14 August 1966 – Nottingham Boat Club, Nottingham (Nottingham Evening Post)
Many thanks to Roy Stacey, Art Regis, Iain Clark and John Treais for helping with the story.
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