The Headline News

Photo: Ray Soper who is standing second left.

Little is known about this Bristol band, which was originally known as The Denims.

Keyboard player Ray Soper, who hailed from London, remembers that the singer was called Rick. He also recalls that Dudley, the lead guitarist, had previously auditioned for The Small Faces in late 1965.

Soper had worked with several bands before, notably Jeff Curtis & The Flames, but had left in May 1966 to form a new version of The Pirates.

The New Pirates (as they were called) supported Johnny Kidd throughout the summer but Soper stopped playing with the band in August.

Two months later, he joined The Denims who were playing US bases in France. After working in Strasbourg for two months as The Headline News, he returned to the UK in December 1966 and left the band, which carried on working (presumably with a replacement).

In July 1967, Soper found work playing in a band on the Cunard Cruise liner Carmania, which travelled between Southampton and Montreal on a six-week passage.

Marrying a Canadian, he subsequently immigrated to Canada in 1970 and later played with The Dusty Roads Band from his home in Ontario.

We would be interested to hear from anyone who can add more information about The Denims/Headline News in the comments below.

Headline News, 20 October 1966
Headline News, 1966

Benny, Cecil and the Snakes

Benny, Cecil and the Snakes photo
The Snakes, from left: unidentified woman, Cecil Cotten, unidentified man in white coat, Keith Ferguson (on floor), Steve Karnavas (seated in barber’s chair) and Benny Rowe

In 1969, four Texans formed a band in San Francisco known as Benny, Cecil and the Snakes. I believe the group’s name was a take on the popular cartoon, Beany and Cecil the Seasick Sea Serpent by Bob Clampett.

Members were:

Cecil Cotten of the Briks on vocals
Benny Rowe of the Wig and a later lineup of the Jackals on lead guitar
Steve Karnavas of the Chaparrals on drums
Keith Ferguson – previously with Johnny Winter, and later with the Fabulous Thunderbirds, on bass

Keystone Korner, July 1970, photo taken by Fred King, used with permission
They played parties for for the Rip Off Press and opened shows for Boz Scaggs, including at the Keystone Korner in July of 1970. Reese Wymans and George Raines of Boz’s band would sit in with the Snakes on occasion.

I found a few published notices for the band:

Benny, Cecil and the Snakes shared a bill on July 24, 1970 with Joy of Cooking at the New Orleans House on San Pablo in Berkeley.

They played for a Young Replublicans of Santa Clara event at the Ramada Inn on November 13, 1970!

July 1-4, 1971 they opened for Charlie Musselwhite at In Your Ear, 135 University Avenue in Palo Alto.

In a February 1971 feature in the San Francisco Examiner, Kathy Goss described the band playing a Bastille Day party at the Pacific Heights mansion she shared at 2300 Pacific before it was torn down. The photo at top was taken at this mansion, I believe; the unidentified man in the white coat was a tenant there. It’s worth quoting a small part of that article:

Maurice and Stanford, the owners of a shop that had recently moved from Union Street to upper Fillmore, had a gigantic French flag that they wanted us to hang outside the mansion for Bastille Day. And so we decided to have a Bastille Day party, and to invite not only our personal friends, but also people who we thought would enjoy having their minds blown by a beautiful, free, colorful party. The house was hung with banners of red felt and velvet, the tables were laden with food.

Benny, Cecil and the Snakes, a fine band and good friends of the house, began playing in the late afternoon. The rooms were filled with shifting images and colors of a light show, and we reveled in the blend of wildly costumed guests of all ages and pursuits who danced and talked and generally enjoyed themselves, sharing in the excitement and energy and splendor of the mansion.

I’ve heard four unreleased tapes of rehearsals and live shows that were kept by Keith Ferguson. One may have been recorded at the Pacific St. mansion as it’s labeled “Snakes PHR”. It contains ten songs, mostly hard rock and blues. There are two tapes labeled “Inverness” which would probably refer to the unincorporated community in northwest Marin County, CA, mostly blues, with lengthy guitar workouts, and even flute soloing, and another tape “Select Snakes” that includes some of the Inverness tape material.

Thank you to Wm. Lewis Wms for sending the photos that Cecil Cotten shared with him, and for much of the information in this post.

I’d appreciate more info on Benny, Cecil and the Snakes.

Benny, Cecil and the Snakes on stage
The Snakes, from left: Keith Ferguson, Steve Karnavas, Cecil Cotten and Benny Rowe

The Tickle

This band evolved out of The Bunch of Fives in late 1966 after drummer Viv Prince moved on to join Denny Laine’s Electric Sring Band.

The Tickle comprised Mick Wayne (guitar), Mike Docker (vocals), Dave Williams (keyboards), Richard Dowling (bass guitar), John Beckerman (drums).

The Hillingdon Mirror ran a photo and story on the band in its 9 January 1968, page 11 (see below).

Photo: Hillingdon Mirror

We’d be interested to hear from anyone who can add more information on this group, photographed in late 1967.

Leapers Creepers Sleepers

I have to give a great big thank you to David Else for supplying most of the information on this very obscure band, who featured some fascinating musicians during their short time together.

David Else believes that the original line-up may have come together towards the end of 1965 and may have been formed as a “pick-up” band to play odd gigs.

He has the following line-up and we’d welcome any further information from readers:

Pat Willoughby – vocals

Bobby Harrison – vocals

Keith DeGroot – vocals

Vince ? – vocals

Alan Spenner – guitar

Tex Makins – bass

Roy Edwards – trumpet

Rudy Jones – saxophone

Barry ? – organ

Red Reece – drums

Pat Willoughby, Bobby Harrison and Alan Spenner had previously played together in The Golden Apples of The Sun, recording a lone 45 issued in October 1965. Before that, they had worked together in The Jimmy Ritchie Combo.

Tex Makins and Red Reece meanwhile had been with Georgie Fame & The Blue Flames.

Keith DeGroot had previously worked as singer Gerry Temple.

I believe that Roy Edwards and Rudy Jones may have been from the Caribbean originally and were probably recruited from the London club scene. Edwards may have been with The Del Vikings.

Else notes that Makins left in December 1965 to join The Sidewinders while Harrison formed The Powerpack, who recorded for CBS and was then an original member of Procul Harum. He adds that Reece joined Graham Bond. I’ve read that he worked briefly with south London band, The Kingpins.

A revised line-up of the band comprised the following musicians who were responsible for the band’s lone 45, “Precious Words” c/w “Ba Boo”, released on Island Records in 1966.

Pat Willoughby – vocals

Keith DeGroot – vocals

Alan Spenner – guitar

Roy Edwards – trumpet

Rudy Jones – saxophone

Mike O’Neill – organ

Billy Law – drums (replaced by Bruce Rowland)

Of the new members, Mike O’Neill had previously been a member of Nero & The Gladiators while Billy Law had drummed for Long John Baldry.

David Else found the following gigs for the band, either credited as Creepers, Leapers, Sleepers Band or Leepers Weepers Sleepers Band:

11 September 1966 – Cue Club, Paddington, London (Melody Maker)

23 September 1966 – Cue Club, Paddington, London (Melody Maker)

 

16 October 1966 – Cue Club, Paddington, London (Melody Maker)

 

4 November 1966 – Ricky Tick, Hounslow, west London

It’s not clear when the band split, but during 1967 Alan Spenner and Bruce Rowland ended up with Wynder K Frog and later worked with The Grease Band backing Joe Cocker.

DeGroot meanwhile went solo and recorded for RCA Records.

Roy Edwards and Rudy Jones stuck together and somehow ended up in either France or Spain where they worked and recorded with US soul singer Eddie Lee Mattison during 1968. It’s possible that before that, they may have worked with Otis Redding during his 1967 UK tour.

After Eddie Lee Mattison they both spent a very short period playing with Berry Window & The Movements, a Swiss-based international band who were recording in Italy when Edwards and Jones briefly joined them.

Edwards subsequently returned to the UK where he recorded with J J Jackson and then played with Bandwagon and Sonority among others. Jones also returned to the UK and later played with The Trojans among others after working as a noted session player.

Delta Recording Center and studio, Fort Worth

Delta Recording Center, aka Delta Studio, Fort Worth, 1965
Opening announcement, Nov 23, 1965

Delta Recording Center opened in November 1965 at 910 Currie. It was one of a handful of Fort Worth recording studios in the mid-’60s, including Clifford Herring, Sound City, and Bluebonnet Recording Studios.

Garage rock was only a small part of their business, which would have included much gospel, country and other types of music.

I’m sure there were many other rock singles cut at Delta, but these seem to be definite:

Charay Records C-17 – The Elite – “One Potato” / “Two Potato”
Charay Records C-31 – The Elite – “My Confusion” / “I’ll Come to You”

Ector Records 101 – The Jades – “I’m Alright” / “Till I Die” (Prod. & Eng. by Jesse Smith)

Sound Track ST-2000 – The Reasons Why – “Don’t Be That Way” / “Melinda”

Delta Recording Center Fort Worth Star-Telegram Nov 11, 1966
November 1966 ad
John D. Maxson from Dallas was owner and engineer, Robert L. Farris, vice president, and John A. Patterson, production manager. It is often referred to as Delta Studio or Delta Recording Studio instead of Delta Recording Center.

Maxson was also part owner of Spot Productions, Inc, at 2831 Bledsoe, which produced TV and radio jingles, breaks, and programming.

Johnny Patterson, guitarist with Bob Wills’ Texas Playboys and other groups, bought the studio in 1969.

By 1973 it was running ads that boasted:

“Ampex and Scully mono, two, four and EIGHT TRACK recorders. When you record at Delta you receive a custom service … from mastering and processing, to labels, album covers, cassettes and cartridges.

In February, 1974 the Star-Telegram announced:

Lawton Williams is the new manager of Delta Recording Center, owned by Rick Snow and Jim Shadle. Johnny Patterson, formerly with the Bob Wills band is chief engineer and directs the house band.

Demos / acetates from Delta Recording:

The Tracks- “Rain in My Eyes” (?) / “Don’t Cut My Hair”

Louis Howard – “You Can Do as You Please” / “Comin’ Home to You”

Louis had a 45 on Impact Records I-4074 with the Red Hearts, “You’re Too Much” / “I’ve Got the Feeling”.

The Creep with Nick Kithas “Betty Lou’s Got a New Tattoo”

Uncredited band (probably the Creep) at Holiday A-Go-Go, April, 1965

Uncredited band (probably the Creep) at Holiday A-Go-Go, April, 1965
The Creep had one fine single, “Betty Lou’s Got a New Tattoo” / “I’m Wise” in 1964.

Both sides are credited to Hobson and Kithas, though the A-side is an adaption of Bobby Freeman’s “Betty Lou Got a New Pair of Shoes”. Still it’s a great performance by the group, and a record I’ve never found.

Members included:

Nick Kithas – sax and vocals
John Hobson – guitar
Joe Moore – drums

I don’t know the names of any other members yet. I believe Nick sings lead on “I’m Wise”.

The Star-Telegram ran a feature on the Holiday Skating Rink’s Holiday a-Go-Go, mentioning only one group, the Creeps, with Nick Kithas the only member named (and misspelled Kethas). The feature has two unlabeled photos of a band, I assume these are the Creeps, can anyone confirm that?

The notes to Fort Worth Teen Scene vol. 3 states they were also called Creep and the Deacons, and that Homer Sewell engineered and released the 45 on Oakridge Records OK-1. The labels credit Mike Dooley Productions.

Nick Kithas later ran a couple clubs in Fort Worth, Daddio’s and The Jazz Café, and was still playing live as of 2019.

The Rocks from Huntsville on Gold Master and Woodrich

Rocks Gold Master 45 Love CityThe Rocks came from Huntsville, in northern Alabama.

Randy Duck is quoted on a Lee High School alumni site (a couple spellings of names are corrected):

The original Rocks included Johnny Harbin, Butch Rolfe, Bulldog Hillis, Joe Skipworth, Skip Atkins, Donnie Cartelli and me. Later, Johnny and Butch went into the service and Bulldog dropped out. Jackie Tiller started playing lead guitar, Richard Hahn came on board with keyboards …

We had several different drummers after Donnie, but Doug Cheffer was the last one. Donnie and Doug are both passed away.

My copy of “Terri” is signed by Butch Rolfe.

I’ve seen a later photo of the band with this lineup:

Randy Duck – lead vocalist
Joe “Little Joe” Skipworth – sax
Jack Tiller – lead guitar
Skip Atkins – bass guitar
Doug Cheffer – drums

Rocks Gold Master 45 TerriRandy Dee Duck wrote both songs of their first single, “Love City” / “Terri”, released on Gold Master Records GM-1001 in November 1964. Both sides are great, crude rock ‘n roll.

Their second single came in 1965, “Love or Money” by Don Cortelli and Randy Duck with “Rock Pretty Baby”, on Gold Master GM-1003. I haven’t heard this one yet.

The Rocks get a slower, bluesy sound on the top side of their last single “Because We’re Young” written by Walter Sims, I’m not sure his connection to the band. The flip is a ballad, “My Only Love” by Johnny Harbin and Randy Duck, released in November 1965 on Woodrich Records WR-1249.

A single by the Rocks on White Cliffs 239, “Who Do You Love” (by Edgar Starns) / “Keep My Woman Home” may be a different group.

Sonny Limbo produced for L & C Productions. Sonny was a Huntsville DJ whose real name was Sonny Limbaugh – thus Limbaugh Music publishing, and also seems to have partly owned Gold Master Records.

Besides the two Rocks 45s, Sonny also produced the Hi-Boys Combo ‎”Why (Must I Love You)” / “Some Man (Other than Me)” both written by C. Bolden, released on Gold Master GM-1004.

Gold Master GM-1002 is Hollis Champion’s “Stand There” / “Sugarfoot Rag”, and doesn’t have Sonny’s name or publishing anywhere on the labels.

Sonny Limbo produced the In and the Bobbies, which I’ve covered before. He used Sonic Recording Service in Memphis for those records, I’m not sure where the Rocks recorded.

Sonny also produced at least two singles on the Exclusive Records label out of Chattanooga:

The Champells – “Don’t You Know” / “Won’t You Love Me” on Exclusive 2297, both written by Ralph Flynn (the second copyrighted as “Won’t You Love Me Too”? by Ralph Thomas Flynn in October 1965).

The Vondels ‎- “Stagger Lee” / “Turn on Your Love Light” on Exclusive 2295.

The Monic Depression “Wondering Why”

Monic Depression HRS 45 Wondering Why

The Monic Depression released one single, “Wondering Why” / “Midnight Hour”. I wish I could tell you more about the band but nothing is known at this point.

“Wondering Why” is an excellent original by K. Ellmer. The organ, guitar, bass and drums blend into a near-perfect garage sound, even if the record was made in 1969, as someone wrote on my copy.

Kevin Ellmer, Keith Ellmer, Ken Ellmer, Knox Ellmer?!

The flip is a good version of “Midnight Hour”

Teen Beat Mayhem lists the band’s location as possibly Virginia, while I’ve seen Pennsylvania on the internet, possibly Scranton.

Released on HRS 45-218, possibly HRS stands for a recording studio. Harrisburg?

I love the band name, was the spelling of Monic intentional or was it supposed to be Manic Depression?

Monic Depression HRS 45 Midnight Hour

The Boodly Hoo

Photo: Michael Rowlands
Doug Caldwell (lead vocals)
Michael Rowlands (harp)
Martin Obern  (lead guitar) 
Vic Shantora (rhythm guitar)
Rick Halas (bass) 
John Tanti  (drums) 
Photo: Michael Rowlands
Our single was recorded at the Shoreacers building on Don Mills Road, north of Lawrence Avenue in 1966. We had it played on CHUM AM. It never made the top 50 chart and and is the only recording the band made.
The A side is “Mornington Crescent” and the B side is “Then She Takes You Down”, both written by Martin Obern, the lead guitarist.
We all quit our jobs and took a mini tour to Ottawa for a week in February 1967. When we came back we all got our jobs back. All the members are still around. Now in our seventies we play with various people around Toronto.
Thanks to Richard Halas for providing all the information and photos, which I’ve credited to the relevant people where needed. The following band photos are from Michael Rowlands.
St Andrew’s Church
St Andrew’s Church
Holy Rosary Hall
Ottawa, February 1967
December 1966

The Telstars “Hold Tight” on Columbia

Tel Stars Washington DC photo and business card
The Tel Stars, from left: Jimmy Carter, Ronnie Wilson, unidentified – can anyone ID? and Terry Gorka

Telstars Columbia 45 Keep on RunningThe Telstars were a big draw in the Washington DC area, playing at the Bayou among other venues.

The band was based in Falls Church; members included:

Jimmy Maddox – guitar
Gary Johnson – guitar
Jimmy Carter – guitar
Terry Gorka – bass
Ronnie Wilson – drums

Bud Becker sent in the photo seen here, and remembers two vocalists with the band, Jerry Burke, who went into the Army, and a second named Mick. He also remembers Terry’s wife Cherrie Gorka was a seamstress who made costumes for December’s Children, and that Barry Siedel managed the band.

The Telstars put a lot of fuzz behind “Keep on Running”, a song written and originally performed by Jackie Edwards, and made famous through the Spencer Davis Group. It’s a good version, but I like their take on “Hold Tight” even more. Sylvia Fricker of Ian & Sylvia wrote “Hold Tight”, registering copyright in September, 1966.

“Hold Tight” appeared on Ian & Sylvia’s 1967 album So Much for Dreaming, which I don’t have a release date for, but I believe it shortly precedes the Telstars single on Columbia 4-44141 in May, 1967. I’d be curious if the Telstars heard “Hold Tight” on the album or from a songwriting demo.

The production credit is interesting. Bob Wyld and Art Polhemus of Longhair Productions created many great singles with the Blues Magoos, including “Tobacco Road” and “(We Ain’t Got) Nothin’ Yet”; the Magicians (“An Invitation to Cry”, “About My Love” and more), the Blue Beats and others, usually on Columbia Records.

Barry Seidel (with Tom Traynor) produced records by the Mad Hatters and the Fallen Angels. The Telstars record is the only time Seidel worked with both Wyld and Polhemus, but Bob Wyld would later produce albums for acts that Seidel managed, Steel Image and Exuma.

Bud Becker thought the Telstars recorded at either Rhondell Rodel Studios in Georgetown or Edgewood Recording Studios. Bud managed various groups, such as the Winds of Change and the Yorkshires.

Terry Gorka would go into the Reason with Tommy Dildy, Bill Manning, and Billy Windsor, releasing an album Age of Reason on Georgetowne Records.

Thank you to Linda Shekan for correcting some errors in this article with her comment below.

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