The Ealing Club, west London

Site of the Ealing Jazz Club, photo taken December, 2010
Site of the Ealing Jazz Club, photo taken December 2010

The Ealing Jazz Club (or the Ealing Club as it was more commonly known) was one of London’s most historically important music venues during the 1960s. Situated below the ABC bakery, opposite Ealing Broadway station, in the leafy West London suburb of Ealing, the club became renowned as London’s first significant R&B venue when blues enthusiasts Alexis Korner and Cyril Davies’s band Blues Incorporated debuted in March 1962.

Nicknamed the “Moist Hoist” because of the condensation that used to drip down the walls, the club hosted many of London’s most distinguished R&B acts, and in April of that year provided the setting for the first meeting between Messrs.’ Jagger and Richard and Brian Jones, who formed the nucleus of The Rolling Stones, a club regular during 1962 and 1963.

A virtual who’s who of famous British R&B enthusiasts appeared on the club’s tiny stage over the next three years, most notably Blues Incorporated members Jack Bruce and Ginger Baker (who went on to Cream among others); Eric Clapton; Graham Bond; John Mayall; Long John Baldry; Eric Burdon; and Paul Jones, Manfred Mann’s lead singer, to mention just a few names.

Another of London’s top R&B acts The Who performed their first advertised show at the club in November 1964 and played regularly there during the early part of 1965. Jeff Beck’s band The Tridents also graced the club’s stage and, according to Melody Maker, appeared regularly on the Wednesday and Friday night slots during the summer of 1964.

And let’s not forget Dick Taylor, who left an early incarnation of The Rolling Stones to form his own pioneering R&B band, The Pretty Things. Incidentally, future Rolling Stone, Ron Wood was another famous musician who frequented the club with his band, the unforgettable Birds. His brother, the late Art Wood also appeared there, playing with Blues Incorporated and fronting his own band, The Artwoods.

As an R&B hotbed, the club became a magnet for London’s music crowd, drawing in the likes of Rod Stewart; future Jimi Hendrix drummer Mitch Mitchell; Don Craine and the rest of The Downliners Sect; future Faces keys man Ian McLagan, who was working with Twickenham band, The Muleskinners; and future Deep Purple founder Nick Simper, whose early Sixties outfit, The Delta Five were one of the many acts to appear.

Many of the British musicians that either played at the club or witnessed the burgeoning R&B scene emerging from it, took what they had learnt and/or seen to overseas markets as part of the British invasion.

Locals, the late Frank Kennington, who later managed Motorhead, and lead guitarist Mick Liber, whose band Frankie Reid and The Casuals (with future Episode Six drummer John Kerrison among others) had played at the Ealing Club, headed Down Under and formed one of Australia’s finest R&B groups, the original Python Lee Jackson.

Singer Andy Keiller caught many of the acts, including an embryonic Rolling Stones with Carlo Little on drums and Ricky Brown on bass and was so inspired that he headed off to South Africa and subsequently formed The Upsetters in late 1965.

Keiller’s soon-to-be collaborator, Irish guitarist Louis McKelvey and his friend, drummer Malcolm Tomlinson, meanwhile, had played with Jeff Curtis & The Flames, who frequently played at the Ealing Club during its formative years.

After their brief stint together in South Africa, Andy Keiller and Louis McKelvey amazingly reunited in Canada in the late 1960s, founding the experimental band, Influence.

McKelvey subsequently returned to the UK to pick up Malcolm Tomlinson, who’d been working with a pre-Jethro Tull Martin Barre and then headed back to Toronto to form Milkwood, authors of a soon-to-be released LP, recorded with the legendary Jerry Ragovoy at the NYC’s Hit Factory in summer of 1969.

Likewise, many other not so famous musicians who played the Ealing Club went on to produce fascinating music in the burgeoning psychedelic scene. Locals Chris Jackson and Tom Newman fronted R&B band The Tomcats (who also worked as The Thoughts) and later formed one of Britain’s more interesting psych ventures, July, after a stint in Spain.

Jon Field and Tony Duhig were also members of July and had earlier worked with another Ealing Club regular – The Second Thoughts, alongside future Thunderclap Newman, drummer/vocalist Speedy Keen and Patrick Campbell Lyons, who later formed the core of another top psych act, Nirvana.

Jimmy Royal, yet another local talent, was a club regular and fronted one of the area’s most respected bands, The Hawks, which featured former Cliff Bennett & The Rebel Rousers (the recently deceased) guitarist Mick King (real name Mick Borer) and drummer Terry Mabey among others.

And let’s not forget the many obscure bands that got to play at this prestigious club – groups like The Fairlanes, The Four Sounds, Johnnie Harris and The Shades and The Fantastic Soul Messengers.

With many of these great musicians already gone, Garagehangover would like to use this space to encourage musicians, club regulars, promoters and any others with any memories, memorabilia, photos and details of live dates to share this on the site in the comment box below.

Unless otherwise stated, the following (incomplete) gigs listing is from the Middlesex County Times & West Middlesex Gazette, which advertised who played at the Ealing Club in its “Coming Events” section towards the back.

The main exception is 1963 where Melody Maker was the main source for gigs unless otherwise noted.

Thanks to Paul Lucas for The Tridents’ gigs, taken from his diary.

January 1963 (only part of this month has listings)

Friday 11 – The London City Stompers (Harrow Observer & Gazette)

Friday 18 – The Ken Stuart Seven

Tuesday 22 – The Colne Valley Six

Saturday 26 – The Rolling Stones

February 1963 (only part of this month has listings)

Keith Gardiner, rhythm guitar player with Jeff Curtis & The Flames, says his band played the Ealing Club a few times during the early months of 1963

Tuesday 5 – The Rolling Stones

Friday 8 – Blue Cedar Jazzmen (Harrow Observer & Gazette)

Saturday 9 – The Rolling Stones

Friday 15 – Johnny Toogood’s Jazzband (Harrow Observer & Gazette)

Saturday 16 – The Rolling Stones

Friday 22 – Colne Valley Six (Harrow Observer & Gazette)

Saturday 23 – The Rolling Stones

March 1963 (only part of this month has listings)

Friday 1 – Eric Johnson’s Junction Jazz Band

Saturday 2 – The Rolling Stones

According to John Kerrison’s autobiography It Ain’t Rock ‘N’ Roll, The Rolling Stones had a regular Thursday night residency, which Kerrison’s band, Frankie Reid & The Casuals took over. Judging by the dates, it looks more likely that it was a Saturday rather than Thursday night residency.

Friday 8 – Kid Martyn’s Ragtime Band

Monday 11 – The Rockets (Harrow Observer & Gazette)

Saturday 16 – The Rolling Stones (Harrow Observer & Gazette)

Monday 18 – The Rocket Men (Harrow Observer & Gazette)

Friday 22 – Thames City Jazzmen

Saturday 23 – Blues By Six (Harrow Observer & Gazette)

Sunday 24 – Sonny Morris Veterans Jazz Band

Monday 25 – The Rocket Men (Harrow Observer & Gazette)

Friday 29 – Bob Woolley’s Jazz Band

Saturday 30 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 31 – Micky Ashman’s Ragtime Jazz Band

April 1963 (only part of this month has listings)

Monday 1 – The Rocket Men (Harrow Observer & Gazette)

Friday 5 – The Cardinal Jazzmen

Friday 12 – Keith Smith’s Climax Jazzband (Harrow Observer & Gazette)

Saturday 13 – The Rolling Stones (Harrow Observer & Gazette)

Monday 15 – The Rocket Men (Harrow Observer & Gazette)

Thursday 18 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Saturday 20 – The Rolling Stones (Harrow Observer & Gazette)

Monday 22 – The Rocket Men (Harrow Observer & Gazette)

Thursday 25 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 26 – Bob Woolley’s Jazzmen

Saturday 27 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 28 – Mann-Hugg Blues Band (This was the first Ealing Club show by the band that became Manfred Mann)

Monday 29 – The Rocket Men (Harrow Observer & Gazette)

May 1963 (only part of this month has listings)

Friday 3 – The Sidewalk Six and The Phoenix Thumpers

Sunday 5 – The Mann-Hugg Blues Band

Thursday 9 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 10 – The Cardinal Jazzmen

Saturday 11 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 12 – The Mann-Hugg Blues Band

Monday 13 – Rock ‘N’ Roll (Harrow Observer & Gazette)

Friday 17 – The Dauphine Street Six

Sunday 19 – The Mann-Hugg Blues Band

Thursday 23 – Frankie Reid & The Casuals (Harrow Observer & Gazette) (Members at this time went on to Python Lee Jackson and Episode Six)

Friday 24 – Douggie Richford’s Jazzmen

Saturday 25 – The Rolling Stones (Harrow Observer & Gazette)

Sunday 26 – The Mann-Hugg Blues Band

Monday 27 – The Running Gate (Harrow Observer & Gazette)

Friday 31 – The Dolphin Jazz Band

June 1963 (only part of this month has listings)

Sunday 2 – The Mann-Hugg Blues Band

Sunday 9 – The Mann-Hugg Blues Band

Tuesday 11 – The Boys and The Henchman (Harrow Observer) (The Boys became The Action; The Henchmen evolved into The Rockin’ Eccentrics – see below)

Thursday 13 – Frankie Reid & The Casuals and Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Friday 14 – The Cardinal Jazzmen

Saturday 15 – Graham Bond (Harrow Observer & Gazette)

Sunday 16 – The Mann-Hugg Blues Band (Harrow Observer & Gazette has them billed as The Blues Brothers but also lists The Chinese Blues and Manhogs)

Monday 17 – The Boys and The Henchmen (Harrow Observer & Gazette)

Thursday 20 – Frankie Reid & The Casuals and Jimmy Royal & The Hawks (Harrow Observer)

Friday 21 – Charlie Gall’s Jazz Band

Saturday 22 – The Graham Bond Quartet

Sunday 23 – The Mann-Hugg Blues Band (Harrow Observer & Gazette bill them as fabulous Rolling Blues Brothers)

Monday 24 – The Henchmen (Harrow Observer & Gazette)

Friday 28 – Bob Wooley’s Jazz Band

Sunday 30 – The Mann-Hugg Blues Band

July 1963 (only part of this month has listings)

Friday 5 – The Renegades (Harrow Observer & Gazette has The Limelights)

Sunday 7 – The Mann-Hugg Blues Band (This was the final gig under this name before switching to Manfred Mann)

Wednesday 10 – The Soundsmen (Harrow Observer & Gazette)

Friday 12 – The Limelights (this band became The Legends)

Wednesday 17 – Mike Forde & The Fortunes (Drummer Lindsay Bex joined The Tridents in January 1964 but left soon after Jeff Beck joined)

Friday 19 – The Limelights

Wednesday 24 – The International Monarchs

August 1963 (only part of this month has listings)

Friday 2 – The Limelights

Wednesday 7 – Alexis Korner’s Blues Incorporated

Wednesday 28 – Blues by Six

September 1963 (only part of this month has listings)

Wednesday 4 – The Graham Bond Quartet

October 1963 (only part of this month has listings)

Saturday 5 – Manfred Mann (First Ealing gig under their new name)

Wednesday 16 – The Bluenotes

November 1963 (only part of this month has listings)

Saturday 9 – Manfred Mann

Saturday 30 – Manfred Mann

December 1963 (only part of this month has listings)

Sunday 1 – The Fantastic Soul Messengers (billed as every Sunday) (Mitch Mitchell played drums at the start alongside sax player Terry Marshall, who was Jim Marshall’s son)

Sunday 8 – The Fantastic Soul Messengers

Saturday 14 – Manfred Mann

Sunday 15 – The Fantastic Soul Messengers

Saturday 21 – Manfred Mann

Sunday 22 – The Fantastic Soul Messengers

Sunday 29 – The Fantastic Soul Messengers

January 1964 (only part of this month has listings)

Saturday 4 – John Mayall’s Bluesbreakers (billed as playing every Saturday)

Friday 10 – The Tridents (Guitarist Leslie Jones joined Four Plus One in August 1964 with former Tridents drummer Ken Lawrence; they became The In Crowd who subsequently morphed into Tomorrow)

Saturday 11 – Possibly John Mayall’s Bluesbreakers (needs confirmation)

Monday 13 – The Tridents

Saturday 18 – John Mayall’s Bluesbreakers

Monday 20 – Mitz Mitton New Orleans Jazz Band (billed as every Monday)

Wednesday 22 – The Tridents

Thursday 23 – Jimmy Royal & The Hawks (Harrow Observer & Gazette)

Saturday 25 – John Mayall’s Bluesbreakers

Sunday 26 – The Soul Messengers (Harrow Observer & Gazette)

Monday 27 – Mitz Mitton New Orleans Jazz Band

Wednesday 29 – The Tridents

Thursday 30 – The Chessmen (Harrow Observer & Gazette) (aka Tony Knight’s Chessmen)

February 1964 (only part of this month has listings)

Saturday 1 – The Soul Messengers (Harrow Observer & Gazette)

Sunday 2 – Frankie Reid & The Casuals (Harrow Observer & Gazette)

Monday 3 – Mitz Mitton New Orleans Jazz Band

Thursday 6 – The Chessmen

Friday 7 – The Tridents

Saturday 8 – The Soul Messengers (Melody Maker however lists John Mayall’s Bluesbreakers)

Sunday 9 – Frankie Reid & The Casuals

Monday 10 – Mitz Mitton New Orleans Jazz Band

Wednesday 12 – The Tridents

Wednesday 19 – The Tridents

Wednesday 26 – The Tridents

March 1964 (only part of this month has listings)

Wednesday 4 – The Tridents

Friday 6 – R&B group

Photo: Harrow Observer & Gazette

Wednesday 11 – The Tridents

Friday 13 – R&B group

Wednesday 18 – The Tridents

Thursday 19 – Top West London groups (Harrow Observer & Gazette)

Saturday 21 – Jimmy Williamson Trio (Harrow Observer & Gazette)

Sunday 22 – The Soul Messengers (Harrow Observer & Gazette)

Monday 23 – Mitz Mitton New Orleans Jazz Band (Harrow Observer & Gazette)

Wednesday 25 – The Tridents

Thursday 26 – Jeff Curtis & The Flames (Ruislip & Northwood Gazette) (Members at this point went on to The Manchester Playboys, Influence and The Penny Peeps among others)

Friday 27 – The Tridents

Saturday 28 – John Mayall’s Bluesbreakers (Ruislip & Northwood Gazette)

Sunday 29 – The Soul Messengers (Ruislip & Northwood Gazette)

Monday 30 – Mitz Mitton New Orleans Jazz Band

April 1964

Wednesday 1 – The Tridents

Thursday 2 – Jeff Curtis & The Flames

Friday 3

Saturday 4 – John Mayall’s Bluesbreakers

Sunday 5 – The Soul Messengers

Monday 6

Tuesday 7

Wednesday 8 – The Tridents

Thursday 9 – Geoff Cortez & The Flame (This is Jeff Curtis & The Flames) (Harrow Observer & Gazette)

Friday 10 – R&B group

Saturday 11 – The Soul Messengers (Harrow Observer & Gazette)

Sunday 12 – The Second Thoughts (Harrow Observer & Gazette) (Members went on to Nirvana, Thunderclap Newman, July and Jade Warrior)

Monday 13 – Mitz Mitton New Orleans Jazz Band

Tuesday 14

Wednesday 15

Thursday 16 – Geoff Cortez & The Flame (sic) (this is Jeff Curtis & The Flames)

Friday 17

Saturday 18 – The Mark Leeman Five (Harrow Observer & Gazette) (Members went on to The Nice, Gass and Herbie Goins & The Night-Timers among others)

Sunday 19 – The Second Thoughts

Monday 20 – The Casuals (Most likely Frankie Reid & The Casuals) (Melody Maker lists Mitz Mitton New Orleans Jazz Band on Monday, 20 April)

Tuesday 21

Wednesday 22

Photo: Harrow Observer & Gazette

Thursday 23 – Jeff Curtis & The Flames (Harrow Observer & Gazette)

Friday 24

Saturday 25 – John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Sunday 26 – The Second Thoughts

Monday 27 – The Casuals (Most likely Frankie Reid & The Casuals)

Tuesday 28

Wednesday 29 – The Tridents

Thursday 30 – Jeff Curtis & The Flames

May 1964

Friday 1

Saturday 2 – John Mayall’s Bluesbreakers

Sunday 3 – The Fabulous Second Thoughts (This is The Second Thoughts)

Monday 4

Tuesday 5

Wednesday 6 – The Tridents

Thursday 7 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 8 – R&B group

Saturday 9 – The Mark Leemen Five

Sunday 10 – The Second Thoughts

Monday 11 – The Soul Messengers (Mitch Mitchell left before the band became The Next 5 in the summer. After playing a gig with The Rockin’ Eccentrics in Portsmouth, he formed The Riot Squad)

Tuesday 12

Wednesday 13 – The Tridents

Thursday 14 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 15

Saturday 16 – The Mark Leemen’s Five (aka Mark Leemen Five)

Sunday 17 – Fabulous Second Thoughts (This is The Second Thoughts)

Monday 18 – The Hobos

Tuesday 19

Wednesday 20

Thursday 21 – Jimmy Royal & The Hawks (aka James Royal & The Hawks)

Friday 22

Saturday 23 – The Mark Leemen Five

Sunday 24 – The Second Thoughts

Monday 25 – The Hobos

Tuesday 26

Wednesday 27

Thursday 28 – Jimmy Royal & The Hawks (aka James Royal & The Hawks

Friday 29 – The Tridents

Saturday 30 – The Mark Leemen Five

Sunday 31 – The Second Thoughts

June 1964

Monday 1 – The Hobos

Tuesday 2

Wednesday 3 – The Tridents

Thursday 4 – Manfred Mann

Friday 5 – The Tridents

Photo: Harrow Observer & Gazette

Saturday 6 – The Mark Leemen Five

Sunday 7 – The Second Thoughts

Monday 8 – The Hobos

Tuesday 9

Wednesday 10 – The Tridents

Thursday 11 – Manfred Mann (Harrow Observer & Gazette has Frankie Reid & The Casuals)

Friday 12 – The Preachers (Terry Clark and Andy Bown went on to original line up of The Herd)

Saturday 13 – The Mark Leemen Five (This might have been The Tridents; Harrow Observer & Gazette lists the latter)

Sunday 14 – The Second Thoughts

Monday 15 – The Hobos

Tuesday 16

Wednesday 17 – The Tridents

Thursday 18 – Frankie Reid & The Casuals (Members at this point went on to Python Lee Jackson and Episode Six among others)

Friday 19 – The Fairlanes

Saturday 20 – The Tridents (Harrow Observer & Gazette lists The Mark Leeman Five)

Sunday 21 – The Second Thoughts

Monday 22 – The Hobos

Tuesday 23

Wednesday 24 – The Tridents

Thursday 25 – Frankie Reid & The Casuals

Friday 26 – Gene & The Cossacks

Saturday 27– The Mark Leemen Five

Sunday 28 – The Second Thoughts

Monday 29 – The Hobos

Tuesday 30

July 1964

Wednesday 1 – The Tridents

Thursday 2 – Frankie Reid & The Casuals

Friday 3 – R&B group

Saturday 4 – The Mark Leemen Five

Sunday 5 – The Second Thoughts

Monday 6 – The Hobos

Tuesday 7

Wednesday 8

Thursday 9 – Frankie Reid & The Casuals

Friday 10 – The Tridents

Saturday 11 – Mark Lemon (sic) – (This is The Mark Leeman Five)

Sunday 12 – The Second Thoughts

Monday 13 – The Hobos

Tuesday 14

Wednesday 15 – The Tridents

Thursday 16 – Frankie Reid & The Casuals

Friday 17 – R&B

Saturday 18 – Mark Lemon (sic) – (This is The Mark Leemen Five) (Harrow Observer & Gazette has The Second Thoughts)

Sunday 19 – The Second Thoughts

Monday 20 – Gerry Hart & The Heartbeats (This group became The Eyes)

Tuesday 21

Wednesday 22

Thursday 23 – Frankie Reid & The Casuals

Friday 24

Saturday 25 – The Second Thoughts (Harrow Observer & Gazette has The Mark Leeman Five)

Photo: Harrow Observer & Gazette

Sunday 26 – The Second Thoughts (Harrow Observer & Gazette has The Macabre)

Monday 27 – The Hobos

Tuesday 28

Wednesday 29 – The Tridents

Thursday 30 – Frankie Reid & The Casuals

Friday 31 – R&B

August 1964

Saturday 1 – The Mark Leemen Five

Sunday 2 – The Macabre (Guitarist Peter Vernon-Kell had been a very early member of The Who when they were called The Detours. He would go to become an original member of The Hamilton Movement)

Monday 3 – R&B (possibly The Hobos)

Tuesday 4

Wednesday 5 – The Tridents

Thursday 6 – R&B

Friday 7 – Group Four

Saturday 8 – R&B (possibly The Mark Leemen Five)

Sunday 9 – R&B (possibly The Macabre)

Monday 10 – R&B (possibly The Hobos)

Tuesday 11

Wednesday 12 – The Tridents

Thursday 13 – R&B

Friday 14 – The Koalas

Saturday 15 – R&B (possibly The Mark Leemen Five)

Sunday 16 – R&B (possibly The Macabre)

Monday 17 – R&B (possibly The Hobos)

Tuesday 18

Wednesday 19 – The Tridents (Shortly after this gig, the band’s guitarist Leslie Jones left to join Four Plus One/The In Crowd and Mike Jopp covered until Jeff Beck joined in early September)

Thursday 20 – R&B

Friday 21 – The Preachers

Saturday 22 – R&B (possibly The Mark Leemen Five)

Sunday 23 – R&B (possibly The Macabre)

Monday 24 – R&B (possibly The Hobos)

Tuesday 25

Wednesday 26 – R&B

Thursday 27 – R&B

Friday 28 – R&B

Saturday 29 – R&B (possibly The Mark Leemen Five)

Sunday 30 – R&B (possibly The Macabre)

Monday 31 – R&B (possibly The Hobos)

September 1964

Tuesday 1

Wednesday 2 – R&B

Thursday 3 – R&B

Friday 4 – R&B

Saturday 5 – R&B (possibly The Mark Leemen Five)

Sunday 6 – R&B (possibly The Macabre)

Monday 7 – R&B (possibly The Hobos)

Tuesday 8

Wednesday 9 – R&B

Thursday 10 – Frankie Reid & The Casuals (guest star Jimmy Royal) (Harrow Observer & Gazette)

Friday 11 – R&B

Saturday 12 – The Mark Leemen Five (Saturdays)

Sunday 13 – The Macabre (Sundays)

Monday 14 – The Hobos (Mondays)

Tuesday 15

Wednesday 16 – Buddy Britten & The Regents (every Wednesday)

Thursday 17 – Frankie Reid & The Casuals (guest star Jimmy Royal)

Friday 18 – The Preachers

Photo: Ruislip & Northwood Gazette

Saturday 19 – The Mark Leemen Five

Sunday 20 – The Macabre

Monday 21 – The Hobos

Tuesday 22

Wednesday 23 – Buddy Britten & The Regents

Thursday 24 – Jimmy Royal & The Hawks and Frankie Reid & The Casuals

Friday 25 – The Vincents

Photo: Harrow Observer & Gazette

Saturday 26 – The Mark Leemen Five (Harrow Observer & Gazette)

Sunday 27 – John Mayall’s Bluesbreakers and The Mokes (Harrow Observer & Gazette)

Monday 28 – The Macabre (Harrow Observer & Gazette)

Tuesday 29

Wednesday 30 – Buddy Britten & The Regents (Harrow Observer & Gazette)

October 1964

Thursday 1 – The Next 5 (needs confirmation)

Friday 2 – The Cobwebs and The RBQ

Saturday 3 – The Mark Leemen Five

Sunday 4 – The Hobos

Monday 5 – The Macabre

Tuesday 6

Wednesday 7 – R&B

Thursday 8 – The Next 5 (Formerly The Soul Messengers but with personnel changes)

Friday 9 – R&B

Saturday 10 – The Birds (Ronnie Wood on lead guitar)

Sunday 11 – The Hobos

Monday 12 – The Macabre

Tuesday 13

Wednesday 14 – R&B

Thursday 15 – The Next 5

Friday 16 – The Fairlanes

Saturday 17 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

Sunday 18 – John Mayall’s Bluesbreakers

Monday 19 – The Dee Lobs

Tuesday 20

Wednesday 21 – R&B

Thursday 22 – The Next 5

Friday 23 – R&B

Saturday 24 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

Sunday 25 – John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Monday 26 – The Dee Lobs

Tuesday 27

Wednesday 28 – R&B

Thursday 29 – The Next 5

Friday 30 – The Miston Tuac

Saturday 31 – The Mark Leehan Five (sic) (This is The Mark Leemen Five)

November 1964

Sunday 1 – The Hobos and John Mayall’s Bluesbreakers (Harrow Observer & Gazette)

Monday 2 – The Dee Lobs

Tuesday 3

Wednesday 4 – The Inclined

Thursday 5 – The Next 5

Friday 6

Saturday 7 – The Mark Leemen Five

Sunday 8 – The Hobos

Monday 9 – The Dee Lobs

Tuesday 10

Wednesday 11

Thursday 12 – Jimmy Royal & The Hawks

Friday 13

Saturday 14 – The Mark Leemen Five

Sunday 15 – The Dee Lobs

Monday 16 – The De’ils (possibly The Devils)

Tuesday 17

Wednesday 18

Thursday 19 – Jimmy Royal & The Hawks

Friday 20 – The Deacons

Photo: Ruislip & Northwood Gazette

Saturday 21 – The High Numbers (The Who) (Documented as club debut but may not be)

Sunday 22 – The Dee Lobs

Monday 23 – The De’els (possibly The Devils)

Tuesday 24

Wednesday 25

Thursday 26 – Jimmy Royal & The Hawks

Friday 27

Saturday 28 – The Mark Leemen Five

Sunday 29 – The South West Five (This was probably before Arthur Brown joined on vocals)

Monday 30 – The Rockin’ Eccentrics

December 1964

Tuesday 1

Wednesday 2 – The Inclined

Thursday 3 – The Rockin’ Eccentrics (Harrow Observer & Gazette)

Friday 4 – The Heart & Souls

Saturday 5 – The Mark Leemen Five

Sunday 6 – The South West Five

Monday 7 – The Dee Lobs

Tuesday 8

Wednesday 9

Thursday 10 – The Rockin’ Eccentrics

Friday 11

Saturday 12 – The Limelights

Sunday 13 – The Mark Leemen Five

Monday 14 – The Dee Lobs

Tuesday 15

Wednesday 16 – Alexis Korner

Thursday 17 – The Rockin’ Eccentrics

Friday 18

Saturday 19 – Jeff Curtis & The Flames and The Hobos (Harrow Observer & Gazette has The Limelights)

Sunday 20 – The Mark Leemen Five

Monday 21 – The Dee Lobs

Tuesday 22

Wednesday 23 – possibly Alexis Korner (needs confirmation)

Photo: Ruislip & Northwood Gazette

Thursday 24 – The Rockin’ Eccentrics and The South West Five

Friday 25

Saturday 26 – The Mark Leemen Five and The Hobos

Sunday 27 – The Who

Monday 28 – The Dee Lobs

Tuesday 29

Wednesday 30 – Alexis Korner (Harrow Observer & Gazette)

Thursday 31 – The Rockin’ Eccentrics and The South West Five

January 1965

Friday 1

Saturday 2 – The Who

Sunday 3 – The Hobos

Monday 4 – The Dee Lobs

Tuesday 5

Wednesday 6 – Alexis Korner

Thursday 7 – The Rockin’ Eccentrics (Ruislip & Northwood Gazette)

Friday 8 – The Heart & Souls (According to Ken Samuels, this was possibly with Flight One)

Saturday 9 – The Who

Sunday 10 – The Mark Leemen Five

Monday 11 – The Dee Lobs

Tuesday 12

Wednesday 13 – Alexis Korner

Thursday 14 – The Rockin’ Eccentrics

Friday 15 – Beau & The Odd Lot

Saturday 16 – The Ray Martin Group (Terry Marshall, Jim’s Marshall’s son was a member)

Sunday 17 – The Mark Leemen Five

Monday 18 – The Dee Lobs

Tuesday 19

Wednesday 20 – Alexis Korner

Thursday 21 – The Rockin’ Eccentrics

Friday 22 – Just Memphis

Saturday 23 – The Ray Martin Group

Sunday 24 – The Mark Leemen Five

Monday 25 – The Dee Lobs

Tuesday 26

Wednesday 27 – Alexis Korner

Thursday 28 – The Rockin’ Eccentrics

Friday 29 – The Nature Boys

Saturday 30 – The Who

Sunday 31 – The Ray Martin Group

February 1965

Monday 1 – The Dee Lobs

Tuesday 2

Wednesday 3

Thursday 4 – The Rockin’ Eccentrics (and Jimmy Royal & The Hawks?)

Friday 5 – Wainwright’s Gentlemen (Ian Gillan on lead vocals) and The Unit 5

Saturday 6 – The Ray Martin Group

Sunday 7 – Group Competition – 5 Top Groups!

Monday 8 – The Dee Lobs

Tuesday 9

Wednesday 10 – Unit 5 (Harrow Observer & Gazette)

Photo: Melody Maker

Thursday 11 – The Who (Billed as “The Who London 1965” for next four Thursdays)

Friday 12 – The Miston Tuac

Saturday 13

Sunday 14 – The Mark Leemen Five

Monday 15 – The Rockin’ Eccentrics

Tuesday 16

Wednesday 17 – The Blue Ravens

Photo: Melody Maker

Thursday 18 – The Who

Friday 19 – The Beaux Oddlot (aka Beau & The Odd Lot)

Saturday 20 – The Ray Martin Group

Sunday 21 – The Mark Leemen Five

Monday 22 – The Rockin’ Eccentrics

Tuesday 23

Wednesday 24 – The Blue Ravens

Photo: Harrow Observer & Gazette

Thursday 25 – The Who

Friday 26 – Just Memphis

Saturday 27 – The Ray Martin Group

Sunday 28 – The Mark Leemen Five

March 1965

Monday 1 – The Birds

Tuesday 2

Wednesday 3 – The Blue Ravens

Thursday 4 – The Who

Friday 5 – The Nature Boys

Saturday 6 – The Mark Leemen Five

Sunday 7 – The Ray Martin Group

Monday 8 – The Birds

Tuesday 9

Wednesday 10 – The Blue Ravens

Photo: Harrow Observer & Gazette

Thursday 11 – The Birds

Friday 12 – The Blue Ravens

Saturday 13 – The Ray Martin Group

Sunday 14 – The Fetish Crowd

Monday 15 – The Birds

Tuesday 16

Wednesday 17 – The Who

Thursday 18 – The Birds (Harrow Observer & Gazette) (Confirmed by Ron Woods’ book)

Friday 19 – The Clique

Saturday 20 – The Five Dimension (The Stormsville Shakers are also listed for this date)

Sunday 21 – The Mark Leemen Five

Monday 22 – The Just Four

Tuesday 23

Wednesday 24 – The Who

Thursday 25 – The Birds

Photo: Harrow Observer & Gazette

Friday 26 – The Who and The Fetish Crowd

Saturday 27 – The Ray Martin Group

Sunday 28 – The Mark Leemen Five

Monday 29 – The Just Four

Tuesday 30

Wednesday 31 – The Maroons (This band may have backed Wilson Pickett on a British tour)

April 1965

Thursday 1 – The Maroons (Harrow Observer & Gazette)

Friday 2 – The Clique

Saturday 3 – The Mark Leemen Five

Sunday 4 – The Ray Martin Group

Monday 5 – The Just Four

Tuesday 6

Wednesday 7 – The Fetish Crowd

Thursday 8 – The Maroons

Friday 9 – The Clique

Saturday 10 – The Mark Leemen Five

Sunday 11 – The Shondells

Monday 12 – The Dee Lobs and Mike Dee & The Prophets

Tuesday 13

Wednesday 14 – The Fetish Crowd

Thursday 15 – The Maroons

Friday 16 – The Clique

Saturday 17 – The Footprints

Sunday 18 – The Ray Martin Group

Monday 19 – The Rakes

Tuesday 20

Wednesday 21 – The Fetish Crowd

Thursday 22 – The Birds

Photo: Harrow Observer & Gazette

Friday 23 – The Clique

Saturday 24 – Mark Leemen Five

Sunday 25 – The Ray Martin Group

Monday 26 – The Tramps

Tuesday 27

Wednesday 28 – The Fetish Crowd

Photo: Harrow Observer & Gazette

Thursday 29 – The Birds

Friday 30 – The Eccentrics

May 1965

Saturday 1 – The Mark Leemen Five

Sunday 2 – The Tribe (Guitarist Frank Torpey became the original guitarist in The Sweet; bass player Dennis Cowan joined The Bonzo Dog Doo Dah Band)

Monday 3 – The Tramps

Tuesday 4

Wednesday 5 – The Fetish Crowd

Thursday 6

Friday 7 – The Maroons

Saturday 8 – The Ray Martin Group

Sunday 9 – The Rakes

Monday 10 – The Tramps

Tuesday 11

Wednesday 12 – The Fetish Crowd

Thursday 13 – The Tribe (Harrow Observer & Gazette has The Fetish Crowd)

Friday 14 – The Birds

Saturday 15 – The Ray Martin Group

Sunday 16 – The Rakes

Monday 17 – The Tramps

Tuesday 18

Wednesday 19 – The C C Riders

Thursday 20 – The Fetish Crowd

Friday 21 – The Eccentrics

Saturday 22 – The Ray Martin Group

Sunday 23 – The Tribe

Monday 24 – The Rakes

Tuesday 25

Wednesday 26 – The C C Riders

Thursday 27 – The Fetish Crowd

Friday 28 – The Birds

Photo: Harrow Observer & Gazette

Saturday 29 – The Ray Martin Group

Sunday 30 – The Initial Four

Monday 31 – The Tribe

June 1965 (only part of this month has listings)

Tuesday 1

Wednesday 2 – The C C Riders

Thursday 3 – The Fetish Crowd

Friday 4 – The Senate IV

Saturday 5 – The Ray Martin Group

Sunday 6 – The Initial Four

Monday 7 – The Blues Dynasty

Tuesday 8

Wednesday 9 – The C C Riders

Thursday 10 – The Fetish Crowd

Friday 11 – The Senate IV

Saturday 12 – The Ray Martin Group

Sunday 13 – The Initial Four

Monday 14 – The Blues Dynasty

Tuesday 15

Wednesday 16 – The C C Riders

Thursday 17 – The Fetish Crowd

Friday 18 – The Tramps

July 1965 (only part of this month has listings)

Thursday 1 – Jeff Curtis & The Flames

Sunday 4 – Initial 4

Saturday 10 – Initial 4

Friday 16 – Rock’ n Breckers (This is The Rick ‘n’ Beckers)

Saturday 17 – Initial 4

Saturday 24 – The Mark Leemen Five

Saturday 31 – The Ray Martin Group

August 1965 (only part of this month has listings)

Friday 6 – The Mark Leemen Five

Saturday 7 – The Ray Martin Group

Friday 13 – James Royal & The Hawks

Saturday 14 – The Ray Martin Group

Sunday 15 – The Rick ‘n’ Beckers (Sundays)

Friday 20 – James Royal & The Hawks

Saturday 21 – The Ray Martin Group

Sunday 22 – The Rick ‘n’ Beckers

Friday 27 – Ricken Beckers (This is The Rick ‘n’ Beckers)

Saturday 28 – The Fab 5

September 1965 (only part of this month has listings)

Friday 3 – The Rick ‘n’ Beckers

Friday 10 – The Rick ‘n’ Beckers

Saturday 11 – The Ray Martin Group

Harrow Observer & Gazette (16 September) says live music every night except Tuesdays

Friday 17 – The Rick ‘n’ Beckers

Saturday 18 – The Ray Martin Group

Harrow Observer & Gazette (23 September) says live music every night except Tuesdays

October 1965 (only part of this month has listings)

Photo: Melody Maker

Wednesday 27 – Brian Green & His Band

Thursday 28 – R&B

Friday 29 – Cabaret Showband

Saturday 30 – The Ray Martin Group

November 1965 (only part of this month has listings)

Wednesday 3 – Brian Green & His Band

Friday 19 – Cabaret Showband

Saturday 20 – The Ray Martin Group

Sunday 21 – Jazz Blues Big Band

Wednesday 24 – Brian Green & His Jazz Band

Thursday 25 – R&B Group

December 1965 (only part of this month has listings)

Photo: Melody Maker

Thursday 9 – The Tribe

Ruislip and Northwood Gazette (10 December) says live music six nights a week

Friday 10 – The Ray Martin Group

Saturday 11 – The Rick ‘n’ Beckers

Sunday 12 – 2/3 Left Jazz Blues

Monday 13 – The Mixed Feelings

Wednesday 15 – The Midnight Blues (or possibly John Hart Quartet)

Thursday 16 – Jeff Curtis & The Flames

Friday 17 – The Ray Martin Group

Photo: Melody Maker

Saturday 18 – The Rick ‘n’ Beckers

Sunday 19 – 2/3 Left Jazz Blues

Friday 24 – The Ray Martin Group

Saturday 25 – The Rick ‘n’ Beckers

Sunday 26 – 2/3 Left Jazz Blues

Friday 31 – The Ray Martin Group

Thank you to Andy Neill for some of the background information on the Ealing Club.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

The Deuce Is Wilde (the Deuces Wild)

The Deuce Is Wilde in front of the Catacombs photo
The Deuce Is Wilde in front of the Catacombs. Photo from Not Fade Away #4
The Deuce Is Wilde on film
The Deuce Is Wilde on film

Updated December 2010

The Deuces Wild (who became the Deuce Is Wilde) performed “You’re All Around Me” with footage from the Catacombs and Love Street in a short 1968 film directed by Charles Burwell, titled Deuce Is Wild.

From people’s comments it seems the band included these members:

Charles Webb – lead guitar
Paul Viviano – rhythm guitar
Harold Bailey – keyboards
Gordon Barnette – bass guitar
Rick Slaydon – drums

One early member of the Deuces Wild was Clark Clem, who also played guitar in the Chancellors Ltd. Charles Burwell contacted me to say that Clark Clem recently told him he’d left the band a year before the film was made.

In December, 2010 James Donnelly, who was in Jim Henley & the Thymes, wrote to me about the band:

I always knew them as the Deuces Wild. I went to high school and played in the HS band with two of the members, drummer Ricky Slayden and bassist Gordon ‘Boo Boo’ Barnett. They also had an guitarist named Charlie Webb. Also Harold Baily (keyboards), I think he left the group in ’68 or ’69 and moved to Las Vegas to become a blackjack dealer! Lost track of them years and years ago, although I know the Gordon passed away in the 70’s.

The Deuces were one of the best cover bands around, and covered everybody from James Brown to Paul Revere and the Raiders to the Music Machine. They played the Catacombs on a regular basis. Boo Boo was the comedian of the group, and the bass he played was almost as big as he was, Ricky was one of the best drummers I ever played with.

Margaret Jackson Graeff commented below with information I’ll repeat here:

The Deuces Wild changed their name to the Deuce Is Wilde around 1967. The rhythm guitar player in the picture, who is also doing vocals, is Paul Viviano. The bass player in the photo is Gordon Barnette. Contrary to what was said previously, Gordon did not die in the 1970s. He died in April, 1992. In the early 1970s, their roadie, Howard Lehman died. He lived down the street from Gordon when they were in their teens. I think that is where the confusion is. I knew the Deuces very well.

Charles Webb was their lead guitar player, but left the band when he was a freshman at Rice University. He now has a PhD and is a professor at California State University at Long Beach. He also goes by the name Charles Harper Webb and is a published author. Charles also played in the Houston based band, Saturnalia. Rick Slaydon played drums. Rick also played drums for the Houston-based band, The Starvation Army Band. James Lucas was the lead singer. Harold Bailey was the keyboard player. Paul Viviano, in 1969, formed the band ICE, with Stacy Sutherland, of the 13th Floor Elevators.

Thanks to Charles Burwell for info on Deuce Is Wild and the frame image from the film, and to James Donnelly for the info about the group.

The Surprize

The Surprize, from left: Roger Fuentes, James Marvell and Buddy Good. (Paul Paris not shown)
The Surprize, from left: Roger Fuentes, James Marvell and Buddy Good. (Paul Paris not shown)

The Surprize Cent 45 I Will Make HistoryYou can hardly find a better intro than the one to the Surprize’s “I Will Make History”, with an immortal fuzz riff that hooks the listener immediately. I find the lyrics don’t match the intensity of the music, and that hokey interlude just doesn’t make sense to me, cutting the momentum in the middle of the song.

The flip “Too Bad” is more consistent, if more conventional, and is the side I play the most these days. I’ve seen this listed as from the summer of ’67 but I would speculate it was cut a little later.

The Surprize Cent 45 Too BadMembers of the band included:

James Marvell (Carlos Zayas) – lead vocals
Paul Paris – lead guitar
Buddy Good – bass and vocals
Roger Fuentes – drums

Roger Fuentes came from the Early Americans who have a great single on Paris Tower, “Night After Night” / “It’s So Cold Outside” where his drumming stands out. Carlos Zayas wrote “Too Bad” and co-wrote “I Will Make History” with Centinaro.

John Centinaro managed and produced the band on his own Cent Record label out of Tampa, Florida. Centinaro he also managed the Robbs and the Mysterians for a time.

Prior to the Surprize, Good and Marvell collaborated with Centinaro as the Skopes with “She’s Got Bad Breath” / “Tears In Your Eyes” on the USA label in the summer of ’67.

Together Cent 45 I Love YouIn 1968 Good and Marvell released one single with lead guitarist Eddie Wasenberg as ‘Together’, with “I Loved You” (credited to Centinaro, Wonderbuna and Zayas) / “Don’t Laugh at Me” on Cent Records, recorded at Charles Fuller Studios in Tampa. Both sides are poppy productions, and “Don’t Laugh at Me” seems to feature some zippy speeded-up guitar runs.

Marvell, Fuentes and Good went on to join Mercy (“Love Can Make You Happy” on Warner Bros), another band managed by Centinaro. After Mercy, Marvell and Good formed the gospel country music duo the Country Cavaleers, again with Centinaro managing, then went solo in 1976.

James Marvell wrote to me:

The Surprize was originally a 1966 three piece Tampa, Florida band.

Before their days as The Surprize, James Marvell and Buddy Good were singing and writing songs together. It was during those teen years that James and Buddy formed The Scopes. They released a song co-written by their manager John Centinaro titled “She’s Got Bad Breath.” Scope mouthwash banned the song and the duo changed their group name to The Surprize.

Around 1968 Surprize members James Marvell, Buddy Good with their drummer Roger Fuentes joined Mercy and recorded the million seller “Love Can Make You Happy” written by Mercy founder Jack Sigler Jr.

James & Buddy wrote many songs during their teenage years in Florida and even had songs published by The Isley Brothers’ publishing company in New York. James hopes to dig up those recordings from the middle to late 60s.

After Mercy, Marvell & Good went on to form The Country Cavaleers. Today, James Marvell is still traveling and reliving the the music of the 60s. Joining Marvell is his wife Faye.

Sources include: Jeff Lemlich’s rundown on Mercy at Spectropop, the Limestone Lounge, James Marvell’s site and BoggessMusicandSound.com.

 Mercy with Buddy Good and James Marvell
Mercy with Buddy Good and James Marvell

Berkant with the Vasfi Uçaroğlu Orkestrasi

Berkant with the Vasfi Uçaroğlu Orkestrasi PS

Berkant with the Vasfi Uçaroğlu Orkestrasi 45

Berkant with the Vasfi Uçaroğlu Orkestrasi 45
While vacationing in the Florida Keys last week I hit a couple of the local thrift shops. One had some good LPs including an unplayed promo copy of Elmer Gantry’s Velvet Opera (mono US issue on Epic) – not a bad thrift find in this day and age. A second shop seemed like a bust and I was about to leave when, on top of a box of VHS tapes, I found a stack of a dozen Turkish 45s circa 1967. Some of the records looked as if they’d never been played, and one was even in the original small paper shop bag it had been put into when it was purchased over 40 years ago.

From this batch, here’s Berkant with the Vasfi Uçaroğlu Orkestrasi: Turgut Dalar (piano), Nevzat Yalaz (saxophone), Erol Sidal (trumpet), Jean Sirap (guitar) and Erdoğan Serdar (bass). Vasfi Uçaroğlu is the drummer; his frisky fills and fast tapping are the highlights of these songs.

Berkant sang with this group from about 1965 until 1968, when they added a female vocalist, Kamuran Akkor. In fact, Vasfi Uçaroğlu’s Orchestra is the group backing her on “Sevgi Nedir Hiç Bilmedim”, which I featured a few years back. For much of 1968 both singers performed with the group, as shown in many listings and ads in newspapers from the time.

“Şu Aydinin Uşaği” reminds me of “Jaan Pechechaan Ho”. “Dere Geliyor Dere” draws from some of the atmospheric effects of Italian soundtrack music from the time, plus it has some fine stop and start passages. This was released on Sahibinin Sesi, which I believe translates to “His Master’s Voice”, thus the logo on the right of the label. Turgut Dalar arranged both sides.

I can’t find any detailed information on Berkant, but some info on Vasfi Uçaroğlu is here, though in Turkish, and I haven’t found a good automatic online translator for Turkish to English yet.

Berkant with the Vasfi Uçaroğlu Orkestrasi PS back cover

Muzik Ve Genclik (Music and Youth), November 2, 1968. Inset is Kamuran Akkor, another vocalist with Vasfi Uçaroğlu's group.
Muzik Ve Genclik (Music and Youth), November 2, 1968. Inset is Kamuran Akkor, another vocalist with Vasfi Uçaroğlu’s group.
Milliyet, May 24, 1969
Milliyet, May 24, 1969
Milliyet, June 7, 1969
Milliyet, June 7, 1969
I'm not sure what this clipping is about! Kadin (Women), October 10, 1968
I’m not sure what this clipping is about! Kadin (Women), October 10, 1968

The Iguana

Iguana Festival 45 Imagine ThisThe Iguana were a Melbourne group that formed from the Sands of Time and the Contours in 1967. Members were Gary Sweetman on vocals, Mike McGuire guitar and vocals, Cleve Littlewood guitar, Garry Littlewood guitar, Graham Jones bass and Peter Saunders on drums, later replaced by Russell McGregor.

They had four singles, plus an EP that combined two of their 45s.

I’ve always loved their first single, “Imagine This”. Produced by Pat Aulton on Festival’s four track, it still sounds fantastic! The combination of vocal harmonies with a strong rhythmic backing reminds me of later work by the English group the Action, especially their single “Never Ever” / “Twenty-Fourth Hour”.

Very few have heard the b-side “Dreaming Away to Myself” which is also very good, if not as arresting as “Imagine This”. Garry and Cleve Littlewood wrote both songs, causing some radio station to mark my copy “Aust comp” – I wonder if that helped get them some airplay.

Given the high quality of their first single I think Festival should have encouraged more original songs by the Littlewood brothers. Despite the later reliance on cover songs, I dig their second single, a great version of “California My Way” which I prefer to the original recording by the Committee. I am less enthusiastic with their heavy take on “Ticket to Ride”, the A-side of their third 45.

I still haven’t heard the B-sides to these, “Mary Go Round” and “Sunshine People”, respectively, or their fourth single, “Good News” / “Requiem: 820 Latham”.

The band seems to have broken up around 1969.

Iguana Festival 45 Dreaming Away to Myself

The Tradewinds

This unknown group recorded one of the strangest versions of Jessie Hill’s “Ooh Poh Pah Doo” I’ve ever heard, titled “Oop-Oop-a-Doo”. Unfortunately there is no name listed under the song writing credits for “Floatin'”, a cool instrumental with sax, piano and some sharp guitar.

Jim Gordon of USA Records started the Destination label to cover bands from the area around his Chicago base, though this group may be from Indiana.

The was a group called the Trade Winds that eventually morphed into Styx, but I think it’s likely a different group. Nor were they the Tradewinds from New York who recorded for Kama Sutra. Anyone know for sure?

Thanks to Geoff Brittingham for the scans and transfers of this 45.

Zendik “Is There No Peace” on Pslhrtz

Zendik Pslhrtz 45 Is There No PeaceDave Kossy – guitar / vocals
Kirk Brower – guitar / vocals
Pete Kaplan – bass
Stu Leviton – drums

This single by Zendik shows a promising direction for hard rock in 1970, like the MC5, It’s All Meat or even some early Alice Cooper. Zendik’s “Is There No Peace” and “Aesop” share these bands’ punk, anti-establishment attitude, without succumbing to the dull trends of boogie, soul or progressive pretensions of the time. Music with that kind of edge nearly disappeared from radio in the early 1970s, but is getting the attention it deserves now.

The band is really together on both songs, with lead guitar like a siren on “Is There No Peace” and cutting on “Aesop”, backed with rolling drums and aggressive bass runs. The singing is confident, and the lyrics pointed:

Is there no peace in this world?
Well you hide your fine hate and bigotry.
What does it all mean to me,
I just cannot see what’s the purpose of it all.

Old dress, depress, fornicators, people … [?]
In that desert only sick and [?] to pretend to be high.
But they just can’t win,
Never overcoming this situation that they’re in.

Is there no peace in this world?
Each day birds fly, men die, women cry, it ain’t right.
Why must people fight and die, never knowing why,
Guess we’ll never know the answer.

Do you think you would like to find a way out of here?
Do you think you’d like to look at your mind through a kaleidoscope mirror?
Well it just might be the answer even though you’ll die faster here,
‘Cause God was dead a long long time ago.

God is dead, God is dead, GOD IS DEAD

Zendik Pslhrtz 45 AesopDave Kossy wrote “Is There No Peace” and Kirk Brower wrote “Aesop”.

They were from the suburbs of Chicago and not a part of Wulf Zendik’s Farm in Austin, Texas.

The mastering number “TM 4274” indicates Ter-Mar Studios manufacturing plant in Chicago, owned by Chess Records.

As the label states, these songs were “Recorded in America” and released on Pslhrtz (I can’t figure out the pun there) in 1970. Bob Ambos and Mike Lima produced it, with publishing originally with Into Now Unlimited, BMI, though both songs are now registered with Tim Brophy and Kilkenny Music of Sussex, Wisconsin, outside of Milwaukee. I tried to reach Tim by phone but the number was out of date.

There was very little info about the band out there until I posted this article and heard from Dave Kossy.

There were at least two other songs recorded during the same session as the single. “Mom’s Apple Pie Boy” is so good it definitely could have been the A-side, and “Pink Grapefruit” is fine too. In my opinion these deserve to be released, and I would try to finance a 45 release if the band would agree to it (and the masters or transfers were good quality).

Anyone have a photo of the group?

Jeff Curtis and The Flames

Jeff Curtis & the Flames, circa spring 1963. From left to right: Malcolm Randall, Louis McKelvey, Dave Wigginton, Keith Gardiner, Malcolm Tomlinson and Jeff Curtis

Revised February 2018

Jeff Curtis & The Flames #1 (circa May 1961-May 1962)

Jeff Curtis – lead vocals

Mick Cartwright – lead guitar

Robin “Jesse” James – rhythm guitar

Gary Wheeler – bass

Derek “Dell” Saville – drums

Twickenham born insurance salesman Jeff Curtis (born David Myers; 20 June 1940) had ambitions to be a singer/performer and reportedly put together the original Flames around mid-1961 after singing in a choir.

Little is known about the early Flames. However, according to drummer Dell Saville, Curtis approached him to join a version with three Whitton musicians in mid-1961. These comprised lead guitarist Mick Cartwright, rhythm guitarist Robin “Jesse” James and bass player Gary Wheeler. Curtis ran a short-lived club, the JC Rock Club in the New British Legion Hall on Long Lane, Hillingdon Circus and the musicians played there often, debuting on 26 July 1961. Around May 1962, however, the musicians went their separate ways and Saville joined Ray Dell & The Rocking Deacons. James joined The Downliners briefly.

Advert in Uxbridge Post, 8 November 1961

Curtis started to piece together a new version of The Flames in late 1962/early 1963, starting with Hounslow-based bass player Dave Wigginton (b. 25 February 1943, Isleworth, Middlesex), who held a senior position at an import/export warehouse at London (later Heathrow) Airport during the day, and was working with Twickenham outfit, Johnny & The Pursuers, who played at the JC Rock Club. Thanks to Wigginton’s connections, the new Flames would use the warehouse to rehearse in the evenings. The bass player quickly recommended fellow Pursuers’ guitarist Louis McKelvey (b. 31 October 1943, Killorglin, County Kerry, Eire).

Born above a pub Louis McKelvey came from an artistic background; his mother and father worked in theatre. After boarding at Silverlands House in Chertsey, he attended school in Twickenham, Middlesex, where he was classmates with Don Craine, later of The Downliners Sect fame. McKelvey’s first band was local outfit Johnny & The Pursuers.

Soon after, Curtis recruited rhythm guitarist Keith Gardiner (b. September 1942). In late 1957, when he was 15 years old, Gardiner had befriended 10-year-old drummer John “Mitch” Mitchell at Tudor Rose Youth Club in Southall, Middlesex and had formed a rudimentary band together with guitarist Pete Ross, who subsequently went on to Ealing band, The Flexmen. At the time, Mitchell was attending Jim Marshall’s shop in Hanwell, Middlesex where he was taking drum lessons while Gardiner was taking guitar lessons from top session player, the late Big Jim Sullivan among others.

Wiggington recommended Malcolm Tomlinson (b. 16 June 1946, Isleworth, Middlesex) on drums around December 1962 after seeing him at a local youth club playing with The Panthers. Tomlinson was brought up in Cranford, near London Airport, where his parents worked for British Airways.

A talented musician, who later became a multi-instrumentalist, Tomlinson had attended Spring Grove Grammar School in Isleworth where he was classmates with fellow drummer Mick Underwood, who went on to work with The Outlaws with Ritchie Blackmore among others, and guitarist Tony Bramwell (see later entry). Initially a guitarist, Tomlinson started playing drums in late 1962 and soon proved his natural ability on the kit.

The new formation debuted at Curtis’s Hillingdon club but it soon closed down.

Keith Gardiner says the band opened for The Rolling Stones a couple of times at the Station Hotel in Richmond during February-March 1963 before the club was renamed the Crawdaddy. They also played at the Ealing Club during this period a few times.

Louis McKelvey, Dave Wigginton, Malcolm Tomlinson (partially obscured), Keith Gardiner and Jeff Curtis. Photo: Dave Wigginton

Around March 1963, the musicians completed the new formation with jazz enthusiast, Harrow-on-The-Hill-based sax player Malcolm Randall (b. October 1942, Hendon, Middlesex), who later earned the nickname C B (current bun). Randall’s debut was a gig in Brighton.

Competing with The Rolling Stones, another Ealing Club regular, for local area gigs, Curtis’s band started to travel further afield, including the Whisky A Go Go in Manchester.

During 1963, they backed singer Roly Daniels for a show in Catford in Southeast London.

Wigginton remembers playing a club on Jermyn Street in central London in the early days. He also says the band performed at Chiswick Polytechnic, Wandsworth Polytechnic and Chiswick Town Hall during this period.

After working with a manager who also looked after local group Pete Nelson & The Travellers, Jeff Curtis & The Flames signed to Bob Potter’s agency and started working around the Surrey/Hampshire area, including the Agincourt Ballroom in Camberley.

During this time, they opened for Freddie & The Dreamers at Botwell House in Hayes, Middlesex and Cliff Bennett & The Rebel Rousers at Kew Boathouse among others.

Jeff Curtis & The Flames #2 (Circa December 1962-December 1963)

Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Keith Gardiner – rhythm guitar, backing vocals

Malcolm Randall – saxophone (joined around March 1963)

Dave Wigginton – bass

Malcolm Tomlinson – drums/backing vocals

Jeff Curtis & The Flames, Walthamstow, north London, January 1963. Interestingly Jeff Curtis is playing the piano. This was before Malcolm Randall joined.

On 1 June 1963, Jeff Curtis & The Flames played their most high-profile gig to date, appearing with a number of local West London bands on the “Rock Twist Jive Channel Crossing”, a rock extravaganza that took place on-board the Channel ferry, the M V Royal Daffodil, which sailed from Southend, Essex to Boulogne. The billing included Tomlinson’s future band leader, Fulham-based singer Jimmy Marsh and his former Spring Grove class mate, Mick Underwood who was playing with The Outlaws and backing the show’s headline act, Jerry Lee Lewis.

Jeff Curtis & the Flames, 1963. Photo courtesy of Keith Gardiner. Left to right: Louis McKelvey, Keith Gardiner, Jeff Curtis, Malcolm Tomlinson, Dave Wigginton and Malcolm Randall
Jeff Curtis & the Flames, 1963. From left: Keith Gardiner, Louis McKelvey, Malcolm Tomlinson, Malcolm Randall, Dave Wigginton and Jeff Curtis (front)
Poster for the Channel Crossing, 1 June 1963. Image courtesy of Keith Gardiner

On 4 October 1963, Jeff Curtis & The Flames were given the opportunity to record some demos. The band (minus Malcolm Randall) cut a four-track acetate at Lansdowne Recording Studios on Lansdowne Road in Holland Park, which comprised covers of Chuck Berry’s “Bye Bye Johnny” and “It Don’t Take But A Few Minutes” (with Lenny Hastings on drums); Robert Allen and Richard Adler’s “Everybody Loves a Lover”; and Bobby Troup’s “Route 66”.

Two tracks were allegedly readied for release as a single for HMV but when this did not happen, Gardiner departed and dropped out of the music scene, although he did briefly sub for Ken Lundgren in The Outlaws at a few gigs.

Years later he formed his own band The Keith Gardiner Band (KGB), which performed around the Shepperton, Middlesex area.

Acid Jazz Records subsequently used one of the recordings for its Rare Mod CD series.

Notable gigs:

Photo: Walthamstow Guardian
Photo: Dave Wigginton. The Flames at Walthamstow Assembly Hall, January 1963

19 January 1963 – Walthamstow Assembly Hall, Walthamstow with The Gallions and Paul & The Alpines (billed as The Flames)

 

9 March 1963 – Hillingdon Club, Sevenoaks, Kent

Photo: Harrow Observer

20 March 1963 – British Legion Hall, South Harrow, Middlesex

Photo: Surrey Comet

3 May 1963 – St Peter’s Hall, Kingston Upon Thames, Surrey with The Sinners (billed as The Flames) First time in Kingston

Photo: Woking Herald

10 May 1963 – Weybridge Hall, Weybridge, Surrey

 

1 June 1963 – Rock Twist Jive Channel Crossing with Jerry Lee Lewis & The Outlaws, The Four Whirlwinds, The Del-Lormes, Johnny Angel, Nero & The Gladiators, Dane Robert, Vicki Rowe, Ricky Valance, The Fabulous Fleerekkers, Colin Chapman and Jimmy Marsh

Photo: Surrey Comet

14 June 1963 – St Peter’s Hall, Kingston Upon Thames, Surrey with Tony Clayton & The Impalas (billed as The Fabulous Flames with saxophone backing)

20 July 1963 – Walton Hop, Walton-on-Thames, Surrey

At Silver Blades Ice Rink, The Streatham News, August 2, 1963
At Silver Blades Ice Rink, The Streatham News, August 2, 1963

2-3 August 1963 – Silver Blades, Streatham, London

28 September 1963 – Agincourt Ballroom, Camberley, Surrey with Allen & The Blue Diamonds (billed as The Flames) According to Keith Gardiner who is in touch with the guitarist from Tommy Bruce’s band, The Flames actually played on 29 September as the opening act

Photo: Walthamstow Guardian

12 October 1963 – Walthamstow Assembly Hall, Walthamstow with Mel James & The Meltones and Jimmy Ritchie Combo (billed erroneously as Jess Curtis & The Flames)

30 November 1963 – Walton Hop, Walton-on-Thames, Surrey

Jeff Curtis & The Flames #3 (December 1963-July 1964)

Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Ray Soper – organ

Malcolm Randall – saxophone

Dave Wigginton – bass

Malcolm Tomlinson – drums/backing vocals

Jeff Curtis replaced Keith Gardiner with Putney, Surrey-based organist Ray Soper (b. 9 May 1941, Battersea, London), who would play with The Flames on several occasions over the next two years, venturing off to perform with various other local groups. Soper had gone to Sir Walter St John Grammar School in Battersea, south London and started playing classical piano at six years of age. In 1959, when he was 18 years old, Soper began working with local rock groups in the Chelsea area.

Around February 1964, the band did a demo session with Decca Records in West Hampstead but nothing came from it.

After leaving Bob Potter’s agency, Jeff Curtis & The Flames got work with the Roy Tempest agency. The new line up continued to gig widely but Tomlinson started to get bored.

In mid-summer the drummer took up an offer from former Fairlanes lead singer Jimmy Marsh, who he’d met on the cross Channel gig the previous summer, to join his new band, The Del Mar Trio. Tomlinson subsequently went on to play with The Noblemen, The Motivation, The Penny Peeps and Gethsemane before immigrating to Canada in January 1969 and continuing his musical career there. He subsequently worked with the likes of Bill King and Rick James among others and cut two solo albums in the late Seventies.

Notable gigs:

1 February 1964 – Hermitage Ballroom, Hitchin, Herts with The League of Gentlemen and The Dyaks

Photo: Walthamstow Guardian

29 February 1964 – Walthamstow Assembly Hall, Walthamstow with Pat McQueen Combo and The Preachers

Opening for the Rattles, March 14, 1964
Opening for the Rattles, March 14, 1964

14 March 1964 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Rattles (billed as Geoff Curtis & The Flames)

26 March 1964 – Ealing Club, Ealing, Middlesex

 

2 April 1964 – Ealing Club, Ealing, Middlesex

4 April 1964 – King’s Hall, Aberystwyth, Wales

5 April 1964 – Southall Community Centre, Southall, Middlesex with The Rattles

9 April 1964 – Ealing Club, Ealing, Middlesex

16 April 1964 – Ealing Club, Ealing, Middlesex

23 April 1964 – Ealing Club, Ealing, Middlesex

30 April 1964 – Ealing Club, Ealing, Middlesex

 

2 May 1964 – Silver Blades, Streatham, London

14 May 1964 – Rocky Rivers Top 20 Club, Conservative Club, Bedford

18 June 1964  – Majestic Ballroom, Luton, Beds with Peter’s Faces

Jeff Curtis & The Flames #4 (July 1964-January 1965)

 Jeff Curtis – lead vocals

Louis McKelvey – lead guitar

Malcolm Randall – saxophone

Ray Soper – keyboards (left around September 1964)

Dave Wigginton – bass

Pete Burt – drums

+

Jeff Lake – saxophone (joined around September 1964)

The band’s new drummer was Pete Burt (b. 20 August 1946, Redhill, Surrey), younger brother of Mick Burt, sticks man with Cliff Bennett & The Rebel Rousers, who answered an advert in the music press. Brought up in South Harrow, Middlesex where he attended Roxeth Manor School, Burt had previously played with a non-professional band that started life at Botwell House, Hayes backing singer Robert (Bob) Chambers.

In an amazing twist of fate, the lead guitarist in the band was Tony Bramwell, Pete Burt’s predecessor Malcolm Tomlinson’s former class mate from Spring Grove Grammar School in Isleworth. The band played a couple of gigs before splitting up around mid-1964. Bramwell then went on to play with local bands, The Fantoms, The Fantom Creed, The Sheratons and The Hum Drum Band.

Sometime in August, the band auditioned for Joe Meek for the first time.

Clockwise from bottom left: Dave Wigginton (bass), Malcolm Randall (sax), Pete Burt (drums), Jeff Curtis (vocals), Jeff Lake (sax) and Louis McKelvey (guitar). Photo: Dave Wigginton

Around late September 1964, Ray Soper was sacked and Malcolm Randall introduced his friend, sax player Jeff Lake. Soper immediately found work with Buddy Britten & The Regents alongside future Deep Purple bass player Nick Simper. He would then work with Cyrano & The Bergeracs, where he reunited with Simper in 1965 but would remain on the fringes of The Flames.

Shortly after Jeff Lake’s arrival, the band returned to Lansdowne Recording Studios in October 1964 to record a two-track demo that included a cover of Solomon Burke and Bert Berns’ “Down In The Valley”.

McKelvey, however, was also growing restless and departed in early January 1965. On the afternoon of his wedding day (most likely in June 1965), he headed to Germany to reunite with former Jeff Curtis & The Flames drummer Malcolm Tomlinson, who was working with James Deane & The London Cats. The guitarist gigged with The London Cats for about a month before returning to London.

Then, around September 1965, McKelvey travelled to South Africa and ended up recording with The Upsetters and The A-Cads. In April 1966, The A-Cads moved to the UK to work with producer Mickie Most but when nothing happened, the guitarist moved to Montreal in September. Based in Canada, McKelvey recorded with Our Generation and Influence before returning to the UK in July 1968 briefly.

Back home he reunited with former Jeff Curtis & The Flames drummer Malcolm Tomlinson. The pair relocated to Toronto in January 1969 where they formed Milkwood and recorded an unreleased album with legendary producer, the late Jerry Ragavoy for Polydor Records. McKelvey would subsequently work with Toronto bands, Damage (alongside Tomlinson) and Powerhouse and record with Marble Hall. He currently lives in Toronto.

Notable gigs:

2 July 1964 – Majestic Ballroom, Luton, Beds with The All Stars

10 July 1964 – Berkhamsted Town Hall, Berkhamsted, Herts

11 July 1964 – Hermitage Ballroom, Hitchin, Herts with Clouds

18 July 1964 – Marcam Hall, March, Cambridgeshire

 

1 August 1964 – The Gaiety, Ramsey, Cambridgeshire with The Swinging Sounds

6 August 1964 – Rocky Rivers Top 20 Club, Conservative Club, Bedford, Bedfordshire

29 August 1964 – Hermitage Ballroom, Hitchin, Herts with Kit & The Saracens

8 October 1964  – Majestic Ballroom, Luton, Beds with The Roulettes

5 December 1964 – Hermitage Ballroom, Hitchin, Herts with The Midniters

8 December 1964 – Floral Hall, Gorleston-on-Sea, Norfolk

19 December 1964 – Ealing Club, Ealing, Middlesex with The Hobos

 

2 January 1965 – St George’s Hall, Exeter, Devon with Roger & The Sabres (billed as The Flames)

3 January 1965 – Majestic Ballroom, Luton, Beds with The Mojos

Jeff Curtis & the Flames, late ’64. From left: Louis McKelvey, Jeff Curtis, Dave Wigginton, Pete Burt (front on drums), Jeff Lake and Malcolm Randall.

Jeff Curtis & The Flames #5 (January-February 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar

Jeff Lake – saxophone

Malcolm Randall – saxophone

Dave Wigginton – bass

Pete Burt – drums

Dave Marcus Theos Michael Caralambous aka Dave Carol (b. Dave Charalambous, 14 January 1949, Isleworth, Middlesex) was brought up in nearby Twickenham. His first band was The Drovers, which he joined around 1962 and also included rhythm guitarist Richard Allen and drummer Geoff Coxon, who would feature in The Flames’ history in later years when they changed name to The Kool.

In late 1963, The Drovers changed name to The Smokestacks after lead singer Mike Smith joined and Brian Hosking from Twickenham band, The Legend, joined on bass. The Smokestacks became resident band at the 51 Club in central London. In the summer of 1964, Carol joined Hounslow band, The Valkeries and remained with them until January 1965 when he joined The Flames. He was also in the same class at school as McKelvey’s younger sister. Carol says he made his debut at the Locarno Ballroom in Swindon.

The changes, however, didn’t end there. Sax player Malcolm Randall left in early February and subsequently joined Bognor Regis band Beau Brummell & The Noblemen for about six months. In July 1965, he jumped ship to join Manchester’s Playboys.

While with that band, Randall appeared on an excellent soul single for Fontana – “I Feel So Good” c/w “I Close My Eyes”. In an incredible twist of fate, during late 1966, Malcolm Randall was playing with Manchester’s Playboys at Liverpool’s Cavern Club when he saw the latest version of The Noblemen on stage and was amazed to see his former Jeff Curtis & The Flames compatriot Malcolm Tomlinson playing drums!

After leaving Manchester’s Playboys in mid-1968, Malcolm Randall moved to Cambridgeshire and ended up working with Red Express during the 1970s, which later morphed (after Randall had left) into Shakatak. He then worked with Sindy & The Action Men among others.

In need of a replacement, Jeff Lake introduced his friend from Harrow – George Russell.

Notable gigs:

11 January 1965 – Locarno Ballroom, Swindon, Wiltshire with Sonny Childe & The Elders Consolidated

22 January 1965 – Majestic Ballroom, Newcastle upon Tyne, Tyne & Wear

23 January 1965 – Marcam Hall, March, Cambridgeshire with The Fourmost

28 January 1965 – Majestic Ballroom, Luton, Bedfordshire with Johnny Thunder & The Thunderbirds

 

13 February 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Searchers and Rodgers Lodgers (possibly one of George Russell’s first gigs)

Jeff Curtis & the Flames listed as one of the Roy Tempest Organisation’s Top 20 for 1965

Jeff Curtis & The Flames #6 (February-April 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Jeff Lake – saxophone

George Russell – saxophone

Dave Wigginton – bass

Pete Burt – drums

With two of the early band members gone, including his former band mate from Johnny & The Pursuers, Louis McKelvey, Dave Wigginton handed in his notice and agreed to work until mid-April. His replacement was Ray Brown (b. 1944, Hayes, Middlesex), who ended up buying Wigginton’s pink Fender Precision bass. Having rehearsed with Jeff Curtis’s band since January, Brown made his debut with Jeff Curtis & The Flames at Walthamstow Assembly Hall on 24 April.

Photo: Walthamstow Guardian

Brown started with the Sky Blue Skiffle Group in 1956 and two years later appeared on BBC TV’s Carol Levis Junior Discoveries. In 1961-1962, he worked with Hayes band The Preachers and also spent a brief period in a short-lived group with Nick Simper. Soon after joining The Flames, Brown and his school friend Steve Reading from the Sky Blue Skiffle Group wrote and sang backing vocals on “Heart Full of Sorrow” by Heinz, which was released on Columbia in November 1965.

Notable gigs:

28 February 1965 – Olympia, Cromer, Norfolk with Circuit Five

5-6 March 1965 – Boulevard, Tadcaster, North Yorkshire with The McCoys

At the Starlight Room, Boston, April 3, 1965 with the Barron Knights
At the Starlight Room, Boston, April 3, 1965 with the Barron Knights

3 April 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Barron Knights

9 April 1965 – California Ballroom, Dunstable, Bedfordshire with The Escorts and Beaux Maverix (billed as Geoff Curtis & The Flames)

10 April 1965 – Floral Hall, Gorleston-on-Sea, Norfolk with Confessors

17 April 1965 – The Gaiety, Ramsey, Cambridgeshire with The Sons of Adam

Jeff Curtis & The Flames #7 (April-July 1965)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Jeff Lake – saxophone

George Russell – saxophone

Ray Brown – bass

Pete Burt – drums

The new line up gigged around the country and on 9 May appeared on the same bill as Beau Brummell & The Noblemen (featuring former member Malcolm Randall) at the Majestic Ballroom in Luton.

A few days after a gig at Clacton Town Hall with Cops ‘N’ Robbers in late June, Jeff Lake and George Russell took a holiday (a trip to Frankfurt to visit former member Malcolm Randall who was playing with Beau Brummell & The Noblemen), which didn’t go down well with singer Jeff Curtis.

Curtis had a band rule that the musicians all had to take a two-week summer holiday at the same time, usually in August. On their return in July, the two sax players were told their services were no longer needed.

Lake subsequently played with a number of local bands before reuniting with former Jeff Curtis & The Flames member Malcolm Randall as road manager for Manchester’s Playboys, which included their Swedish trip in September 1967. On his return, he joined Tommy Bishop & The Rock ‘N’ Roll Revival Show and appeared on the 1968 Decca single “Midnight Train” c/w “Oh Boy”.

Russell joined Hayes, Middlesex band, The Satellites in mid-1966, who changed name to The Army later that year. The band also included future Sweet bass player Steve Priest and cut two recordings in 1967 – covers of the Joe Tex hit “Sugar” and Sam & Dave’s “You Don’t Know Like I Know”. Russell remained with The Army until late 1968/early 1969. He subsequently gigged with Orange Rainbow before moving to Australia. He later returned to live in Hertfordshire.

Notable gigs:

Ray Brown's first gig with the band, April 24, 1965
Ray Brown’s first gig with the band, April 24, 1965

24 April 1965 – Walthamstow Assembly Hall, Walthamstow, London

29 April 1965 – Rocky Rivers Top 20 Club, Conservative Club, Bedford (back by demand)

1 May 1965 – Carfax Ballroom, Oxford with The Gangbusters

3 May 1965 – Radlett (most likely Radlett Centre), Hertfordshire

7-8 May 1965 – Silver Blades, Streatham, London

9 May 1965 – Majestic Ballroom, Luton with Beau Brummell & The Noblemen (former member Malcolm Randall on sax with The Noblemen)

15 May 1965 – Malvern Winter Gardens, Malvern, Worcestershire with Eric Benson & Orchestra

22 May 1965 – Manor Lounge, Stockport, Greater Manchester with The Thingumajigs (Stockport County Express) Gig cancelled

29 May 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Hollies and The Red Squares

 

11 June 1965 – California Ballroom, Dunstable (replaced one of the billed acts)

12 June 1965 – Rivoli Ballroom, Brockley, London

18 June 1965 – USAF base, South Ruislip, London

25 June 1965 – USAF base, High Wycombe, Buckinghamshire

26 June 1965 – Clacton Town Hall, Clacton-on-Sea, Essex with Cops ‘N’ Robbers (last gig with Jeff Lake and George Russell)

 

1 July 1965 – Ealing Club, Ealing, London (reduced to four piece)

3 July 1965 – Hermitage Ballroom, Hitchin, Hertfordshire with Peter Fenton & The 3,000

4 July 1965 – Woodhall Community Centre, Welwyn Garden City, Hertfordshire

August 1965, from left: Jeff Curtis, Ray Soper, Dave Carol, Pete Burt and Ray Brown. Photo courtesy Ray Soper
When they were just being billed as The Flames. Photo courtesy Ray Soper. From left: Ray Soper, Dave Carol, Pete Burt, Ray Brown and Jeff Curtis

Jeff Curtis & The Flames #8 (July 1965-May 1966)

Jeff Curtis – lead vocals

Dave Caralambous (aka Dave Carol) – lead guitar, vocals

Ray Soper – keyboards

Ray Brown – bass

Pete Burt – drums

On 5 July, Jeff Curtis auditioned two sax players to replace Jeff Lake and George Russell but decided against keeping the horns and instead invited former member Ray Soper to re-join the band on keyboards. Soper had been playing with future Deep Purple bass player Nick Simper in Cyrano & The Bergeracs for several months and then a group formed by the lead singer of The Gobbledegooks but had helped out at the auditions in January 1965, which had brought in Carol and Brown.

Ray Brown had a prearranged week’s holiday from 10-17 July and his predecessor Dave Wigginton returned to honour engagements in his absence, which included a gig at the Ticky Rick Club in Basingstoke, Hants on 17 July. With Brown back from his holiday, the five-piece rehearsed on 21 July before playing their first gig together at Luton’s Majestic Ballroom where there was a bomb scare.

Often billed as simply “The Flames”, the new line up lasted nearly a year (although Soper left in November briefly to work with a Casino band on the Isle of Man, which lasted a week before he returned).

Pete Burt, who worked as a window cleaner when The Flames weren’t gigging, got a window cleaning job with British rock ‘n’ roll legend, Johnny Kidd, who had split from his longstanding backing band, The Pirates on 19 April 1966. Kidd offered The Flames some work to fulfil his outstanding dates.

During late April/early May 1966, The Flames spent about a week  backing the singer, including playing a gig at Chatham Dockyard Naval base, but the arrangement did not suit either party.

Around this time, The Flames returned to Lansdowne Studios to cut two original recordings – the David Myers/Ray Brown collaborations, “Room at the Top” and “I Ain’t The Fool”. The former was later cut by the band’s new identity, The Kool, in the summer of 1967. They also did a second audition with Joe Meek.

After Ray Soper was ousted from The Flames in May, he decided to stick with Kidd and formed a new version of The Pirates. The New Pirates (as they were called) supported Johnny Kidd throughout the summer but Soper stopped playing with the band in August. Two months later, he joined Bristol band, The Denims who were playing US bases in France. After working in Strasbourg for two months as The Headline News, he returned to the UK in April 1967.

Three months later, Soper found work playing in a band on the Cunard Cruise liner Carmania, which travelled between Southampton and Montreal on a six-week passage. Marrying a Canadian, he subsequently immigrated to Canada in 1970 and until recently played with The Dusty Roads Band from his home in Ontario. He also works as a film extra.

Notable gigs:

17 July 1965 – Ricky Tick Club, Carnival Hall, Basingstoke, Hants (Dave Wigginton fills in for Ray Brown)

22 July 1965 – Majestic Ballroom, Luton, Bedfordshire (RayBrown returns and Ray Soper’s first gig back with the band)

24 July 1965 – Locarno Ballroom, Swindon, Wiltshire with The Rising Sons

Photo: Leicester Mercury

25 September 1965 – Il Rondo, Leicester

Photo: Windsor, Slough & Eton Express

2 October 1965 – Adelphi Ballroom, Slough, Berkshire

30 October 1965 – Woodhall Community Centre, Welwyn Garden City, Hertfordshire

Photo: Surrey Comet

11 November 1965 – Byron Hotel, Greenford, London with The Keystones (billed as The Flames)

Jeff Curtis & The Flames were featured in the Surrey Comet‘s 13 November 1965 issue but it was full of factual errors (above)

9 December 1965 – Byron Hotel, Greenford, London with the Harmonies

16 December 1965 – Ealing Club, Ealing, London

18 December 1965 – Adelphi Ballroom, Slough, Berkshire

24 December 1965 – Woodstock Roadhouse, North Cheam, London

 

1 January 1966 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Nashville Teens and The Game

13 January 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

22 January 1966 – Locarno Ballroom, Swindon, Wiltshire with Plain and Fancy

12 February 1966 – California Ballroom, Dunstable, Bedfordshire with Goldie & Dave Antony’s Moods and The Game

17 February 1966 – Byron Roadhouse, Greenford, London with The Mode (billed as The Flames)

 

31 March 1966 – Byron Roadhouse, Greenford, London with The Legends (billed as The Flames)

Photo: Windsor, Slough & Eton Express

23 April 1966 – Adelphi Ballroom, Slough, Berkshire

 

7 May 1966 – Locarno Ballroom, Swindon, Wiltshire with The Ying Yongs and The Cotswold Stones (one of Ray Soper’s final gigs)

Publishing contract for “Room at the Top” and “I Aint the Fool”, May 1966 courtesy of Ray Brown
Headline News, circa late 1966. Ray Soper is second from left

Jeff Curtis & The Flames #9 (May 1966-August 1967)

 Jeff Curtis – lead vocals

Dave Carol – lead guitar, vocals

Jet Hodges (aka Richard Hodgins) – keyboards, vocals

Ray Brown – bass

Pete Burt – drums

The remaining members brought in Richard Hodgins, a keyboard player from Shepperton, Surrey, who used the stage name, Jet Hodges. Originally a bass player, Hodges had taken up music full time after training to be an architect.

Increasingly, the band moved away from using the name, Jeff Curtis & The Flames for live shows and often went by the name, The Jeff Curtis Set or just The Flames. One of the highlights from this period was opening for Ike & Tina Turner when they played at the California Ballroom in Dunstable.

In late 1966, rock promoter and entrepreneur Mervyn Conn, started to represent the band. In December 1966, he added Jeff Curtis & The Flames to a Who concert in Sunderland and renamed the band The Kool for this one-off gig, although the group didn’t appear at the venue.

After signing to CBS Records, Conn decided that The Kool was more representative of the band’s evolving sound and renamed them as the band’s debut single hit the shops.

Notable gigs:

11 June 1966 – Corby Civic Centre, Corby, Northamptonshire with Two of Each (billed as The Flames)

 

20 August 1966 – Locarno Ballroom, Swindon, Wiltshire with The Showmen

Photo: Paul Quinton

2 September 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

3 September 1966 – Maple Ballroom, Northampton with Sexion A (billed as The Flames)

18 September 1966 – White Lion, Edgware, London (billed as The Flames)

24 September 1966 – Drill Hall, North Cheam, London with The Fourtunes

Photo: Paul Quinton

2 October 1966 – Prince of Wales, Kinsbury, London

22 October 1966 – California Ballroom, Dunstable with Ike & Tina Turner Revue & The Ikettes (with others)

24 October 1966 – Tiles, Oxford Street, London with Edwin Starr

Photo: Paul Quinton

30 October 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

5 November 1966 – Locarno Ballroom, Swindon, Wiltshire with The Undertakers and Some Other Guys. Billed as The London Flames (Jeff Curtis)

10 November 1966 – Byron Roadhouse, Greenford, London with The Boots (billed as The Flames)

Photo: Paul Quinton

12 November 1966 – Drill Hall, North Cheam, London with 5 Steps Beyond (billed as The Flames)

Photo: Windsor, Slough & Eton Express

13 November 1966 – Adelphi Ballroom, Slough, Berkshire

18 November 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

10 December 1966 – Empire Theatre, Sunderland, County Durham with The Who, Dave Berry, She Trinity, The Slade Brothers and The Peddlers (billed as The Kool but band did not appear)

18 December 1966 – Woodstock Roadhouse, North Cheam, London (billed as The Flames)

 

15 January 1967 – White Lion, Edgware, London (billed as The Flames)

28 January 1967 – Queens Hall, Watton, Norfolk with The Eyes of Blond and The Bohemians

 

19 February 1967 – Kingsway Theatre, Hadleigh, Essex (billed as Flames)

 

9 March 1967 – Upper Cut, Forest Gate, Essex with The Style (billed as Jeff Curtis Set)

27 March 1967 – Woodstock, North Cheam, London with The Starfires (billed as The Flames)

 

9 June 1967 – California Ballroom, Dunstable, Bedfordshire with Allen Bown Set (billed as Geoff Curtis Set)

The Keith Gardiner Band, July 2011

Many thanks to Dave Wigginton, Keith Gardiner, Louis McKelvey, Malcolm Tomlinson, Pete Burt, Dave Carol, Malcolm Randall, Ray Soper, Jeff Lake, Ray Brown, George Russell, Jimmy Marsh, Ian Hannah, Brian Hosking, Richard Bennett and Tony Bramwell.

Concert adverts taken from a number of newspapers including the Ampthill News & Weekly Record, Lincolnshire Standard, the Luton News, the Streatham News, the Surrey Comet, Walthamstow Guardian, Exeter Express & Echo, Cambridgeshire Times, Yarmouth Mercury, Middlesex County Times and West Middlesex Gazette, Hertfordshire Express, Hants & Berkshire Gazette, Hounslow Post, NME, Sevenoaks Chronicle, Westerham Courier and Kentish Advertiser and Melody Maker.

Huge thanks to Dave Wigginton, Keith Gardiner, Louis McKelvey, Malcolm Randall, Jeff Lake, Ray Brown and Ray Soper for photos.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections.

Email: Warchive@aol.com

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Danny and the Counts

Danny and the Counts photo and article
Danny & the Counts featured in the KELP Paper shortly after their second single. From left: Eric Huereque, Joe “Bozo” Martinez, Joe Huereque, Danny Parra and Javier “Jaguar” Valenzuela

Danny and the Counts Frogdeath 45 For Your LoveDanny Parra – guitar and lead vocals
Javier Valenzuela – lead guitar and vocals
Eric Huereque – bass and vocals
Joe Huereque – drums
Joe Martinez – tambourine and vocals

Danny and the Counts “You Need Love” is a signature tune of the mid-60s, with its unforgetable buzzing guitar riff and opening “Oh, yeah!”. Not to mention the cool bending lick after the chorus, or the lyrics about seducing a rich girl. The b-side “Ode to the Wind” is slower and moody, again with good fuzz guitar.This was their second single, from 1966, on the Coronado label. Danny Parra wrote both songs. Chiyo Music BMI published many of Coronado’s releases at this time.

Danny and the Counts Frogdeath 45 It's All OverTheir first 45 was more sedate. “For Your Love” is the Ed Townsend ballad, not the Yardbirds song, and on the flip is another mellow one, “It’s All All Over”. KELP DJ Steve Crosno’s Frogdeath label released this single.

The band consisted of Danny Parra, the song writer and lead vocalist, plus the Huereque brothers and (I believe) their cousin, Javier Valenzuela, along with Joe Martinez on tambourine and backing vocals. They were from the Clardy neighborhood in the east side of El Paso, along Delta Drive. The article by Susie Dominguez in the the KELPaper states that the band formed two years before “You Need Love”, though I’ve also read that the band formed as early as 1960, originally performing soul and Tejano music. The article also says that both Javier Valenzuela and Danny Parra played lead guitar.

After these records, Danny Parra went into the Navy and Ken Prichard joined on lead guitar. I’ve also seen two other members listed, but don’t know the accuracy of these: Javier Venisula – organ (same person as Javier Valenzuela?) and Irene Porras – vocals.

Ken Prichard later joined Brand X. Danny Parra moved to California. Eric Huereque passed away in 2003 at the age of 56.

Danny and the Counts Coronado 45 You Need LoveSince first posting this I’ve heard from “Danny”, front man Danny Parra:

Although I was indeed interested in R&B type music back in the day, it was an absolute nightmare to put together and organize a large (8-12) R&B band in El Paso that could ever hope to compete with the likes of The Night Dreamers, The Valiants, The Premiers, etc. which were all fantastic bands in that genre of music in El Paso. One summer after a dismal year of trying to pull together R&B bandmates for rehearsals and even actual gigs to perform I’d pretty much gave up the quest for a large band with a powerhouse brass section.

My interests and my best friend Eric Huereque started to notice the music trends going on in England via the Beatles and Stones, etc. Not only was their music cool and different but their groups were usually only four or five guys! Much more attainable we thought ….. so we one summer Eric and I were jamming on guitars and we noticed Eric’s little brother Joe drumming in the corner of the room with a couple of yellow lead pencils …. and keeping pretty good time at that. We eventually enlisted (after much persuasion) him to try learning some basic beats for our jam sessions. Took a while but we encouraged him.

Spurred on by by his potential and the knowledge that at least we could count on him showing up for practice we realized Eric’s cousin Javier Valenzuela was also an aspiring guitar player and that we might be able to recruit him if an audition proved him viable. Note that at this time the big draw of the eventual band’s members was that most keys guys were Eric’s family and therefore more dependable in contrast to the people we had been trying to recruit and pull together as a viable band from all walks of life and all parts of sprawling El Paso!

Danny and the Counts Coronado 45 Ode to the WindSomehow, after countless hours of practice (weeks, months, lifetimes it seemed sometimes) and many horrible and worse experimental gigs we started to focus more on the “English sound” and less on R&B. To make a name for ourselves with this new image and music direction was a herculean task in El Paso because we were all latinos. If you were a band with latinos it was expected that you played only R&B style music back in those days.

Up to this time we had a first record under our belt which was recorded on Steve Crosno’s Frog Death label. We recorded “For Your Love” / “It’s All Over” in a single live take in Steve’s home without a drummer! Unbelievable! The recordings were meant to be a dry run but Crosno decided to put them on vinyl since he could promote them on KELP airwaves where he pretty much reigned as the biggest disc jockey around in those days.

Interestingly, our “For Your Love” was released at the same time the Righteous Brothers released the same song nationwide and the two records were being played back-to-back on KELP. In short order, both records made it up to number ten on KELP’s top 20. KELP published a brochure listing of popular records and music events found all over town that I wish I’d kept a copy of!

Although we got some modest notoriety because of his help on KELP and numerous appearance on his TV “Crosno’s Hop” show, we ultimately made it clear to him [Crosno] that we wanted to pursue the English music trends as a group and abandon R&B. He wasn’t happy about this because his whole market niche was R&B …. so we had an eventual parting of the ways. We produced and recorded our next record “You Need Love” / “Ode to the Wind” using the Coronado label and our own funds.

I’ve seen many comments & references of people who liked our music but were not impressed by the “production” and/or “sound quality” of the tunes. Guess what? These have been very accurate statements since the songs were recorded as live single takes in a dumpy downtown El Paso recording studio for the princely sum of $75.00 (included master tape). The fee was for an hour of recording studio time with a very bored, spectacled, bald geezer that was truly bored out of his gourd during our session. Did he kick up our audio or segregate the instruments and vocals for a sweeter mix? Hell no! What you hear on those tracks was raw, one take, wham-bam-thank-you-maam sounds. We didn’t know any better and the audio engineer simply didn’t care squat or know any more than we did! He might’ve even been the janitor for all we knew.

Q. Is that you playing the lead guitar line on “You Need Love” or Javier?

It was Javier. Many have assumed over the years that the sound was a sitar but I can assure you that we didn’t even know what a sitar was in those days. I recollect that he used either a small glass bottle or lipstick cover on his finger as a “slide” to get that sitar-sound you hear. The fuzztone sound was one of the few guitar effects available back then … made trendy by the Rolling Stones on “Satisfaction”.

Our tape was sent through Steve Crosno’s contacts. He was a bit reluctant to help at first because we weren’t following his R&B recommendation on his FrogDeath label, but he was still cool enough to get it pressed for us with Coronado.

Ironically, I am astounded and flattered that our music seems to somehow endured through other band’s interpretations on their albums and through some compilation albums that you can still buy today that showcased much of the music happening in those days in Texas. There have even been some interesting video efforts (YouTube) made to fit our music. Hmmm, wonder where that audio engineer dude ended up after all these years?

I was drafted in late 1966 (Vietnam) and ended up serving eight years serving my country (Navy) all over the world …. including London, England. Moved with family to California, worked for years as an electronics engineer. Due to a layoff (1985) re-invented and established myself as a much published fashion and beauty photographer in L.A. and authored a book “Model Mystique Unraveled” in 1995-96.

I regret that I lost touch with the band after going in the service after 1966. But I heard that Eric (bass/manager) perpetuated the band for years in spite that I was obviously missing as the frontman!

Article scan from Rick Kern’s El Paso Musicians site, used with permission. Photos of the Frogdeath single courtesy of Danny Parra. A special thank you to Oktay for the scans and help with this article, and to Sam Stephenson for letting me hear “For Your Love” and “It’s All All Over”.

Coronado discography

Beach Nuts Coronado PS The Last Ride / Surf Beat '65

Coronado discography of El Paso, Texas
(possibly incomplete, any help would be appreciated):

The first release on the maroon Coronado label seems to be the Pawns / David Hayes 45 which was given the same release number, 127, as the original issue on Exeter 127. See my article for more on David Hayes and the Pawns.

David Hayes & the Pawns Coronado 45 What do the Voices SayStarving Cats Combo Coronado 45 I'm Hungry

Maroon label:

127 – The Pawns – “Lonely” (J. Watkins) / David Hayes – “Meet Me Here (in New Orleans)”
128
129
130
131 – The Beach Nuts – “The Last Ride” / “Surf Beat ’65” (with picture sleeve)
132 – David Hayes and the Pawns – “Lonely Weekends” / “What Do the Voices Say” (1965, produced by Calvin Bowls)
133 – Celtics – “Man That’s Gone Mad” (Chesshire, Gordon, Daniel) / “Wondering Why”
134
135 – The Starving Cats Combo – “I’m Hungry” (Jess Diamond) / “Mi Amor Se Fue”
136 – Danny & The Counts – “You Need Love” / “Ode To The Wind” (1966)
137
138
139 – Gene Willis & the Aggregation – “We Got It” / “Shing-A-Ling’s The Thing” (produced by E. Benevidas and Barney Krupp)
140 – El Paso Drifters – “Could This Be Love” / “For Your Love”
Donald Ray Coronado 45 ShakeDoug Adams Coronado 45 I Can't Wait to See You

Yellow label with conquistador heads:

141 – The Motivaters – “Ode to Loneliness” (Doyle Young) / “Heart of Blue” (1968, produced by Charlie Russell)
142 – Doug Adams with Early Morning Traffic – “I Can’t Wait to See You” / “Hontusharaya”
143 – The El Paso Drifters – “All In My Mind” / “In The Midnight Hour”
144
145 – Mitch ‘n Gary – “Do I Ever Cross Your Mind” (Mitch Mosley) / “My Juarez Rita” (R. Sims) 1969, prod. asst. Kurt Roehm, guitar arr. Aquiles Valdéz
146 – Donald Ray & the El Paso Chessmen – “Shake” / “I Love You” (both arranged by Donald Ray and Danny Padilla, engineer Kennety Smith)
147 – Donald Ray & the El Paso Chessmen – “Can’t You See That I Love You” / “Cry Like A Baby” (arranged by Donald Ray & Larry Serrano, 1968)
148 – Charlie Russell & the Jones Hatband – “Love Gone Bad” / “Sometimes I Wonder” (both by A.L. Baker, Chiyo Music BMI, producer Johnny Dollar)
149
150 – Larry & The Knightsmen – “Selva” / “A New Acquaintance”

Charlie Russell & the Jones Hatband labels list Ron Martin bass, Conrad Morales drums, Allan Harvey steel guitar.

Beach Nuts and leader Tommy Elliot mentioned in the Herald Post in May, 1966
Beach Nuts and leader Tommy Elliot mentioned in the Herald Post in May, 1966
Leon Jones of the El Paso Drifters, August 1969
Leon Jones of the El Paso Drifters, August 1969

El Paso Drifters, Nite Dreamers, Preludes, El Paso Coliseum, August 31, 1963
El Paso Drifters, Nite Dreamers, Preludes, El Paso Coliseum, August 31, 1963
El Paso Drifters opening for Sunny Ozuna & the Sunliners December 25, 1970
El Paso Drifters opening for Sunny Ozuna & the Sunliners December 25, 1970

The El Paso Drifters are listed as appearing at a show with the Nite Dreamers and the Preludes at the El Paso Coliseum in 1963. They also appear on the Steve Crosno Day LP recorded on July 9, 1967 doing an upbeat version of the Five Keys’ “Close Your Eyes”. From 1969 until the late ’70s, the El Paso Herald Post lists them many times for live appearances, but only one article mentions a member of the band, Leon Jones. Other members were Carlos Flores, Martha Sifuentes (vocalist on “All In My Mind” and Danny Padilla, who also arranged the first Donald Ray & the El Paso Chessmen single on Coronado.

The Motivators 45 is interesting psychedelia. The group had an earlier 45 on Lin Jo Records, “Hold It” / “Soft Wind” as D-Y and the Motivators. D.Y. stood for Doyle Young, who wrote both instrumentals on the Lin Jo single and “Ode to Loneliness” for the Motivators on Coronado. Another member of the Motivators was drummer Gene Bailey. Doyle Young would have a third single as Doyle Young and Friends on Suemi Records, “The Middle of Love” / “Sunshine Love”

There was another, unrelated Coronado label from Odessa, Texas with a couple releases on a blue Coronado label, and connected to the Coronodo label:

111 – Jan Lessard – “I Just Met You” (J. Lessard, J. Wilson) / “Faithful Fool” (McNew Prod, 1964)
112 – Eddie Williams & the Sheiks – “You Left Your Happiness (Here in My Room)” (Eddie Williams) / “I Just Can’t Help Myself” (C. Gibson, Monte Mead) (McNew Prod, 1964)

Coronodo 001 – Johnny Wilson – “Twi-light Zone” / “Little Miss Fortune” (Expoloring in Sound, Coronado Recording Studios … Heart of the Hills Publishing).

Thank you to Westex, Laurent Bigot, Ken Prichard, Sam Stephenson and Michael Robinson for help on this discography.

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