Category Archives: US

Categories: Pennsylvania, Philadelphia, Shane Records

The Blue Beats “Bad Girl” on Shane Records

January 11, 2020 Chris Bishop 4 Comments

The Blue Beats made one single with two fine sides on Shane Records 100 out of Philadelphia, Pennsylvania. The top side is “Bad Girl” with a snarling female vocal accompanied by a band and male chorus. The flip “Am I the One” is also good.

Paul Cappell wrote both songs, published by San-Dee Music ASCAP. The only other listing for San-De Music I can find is probably an unrelated company with a registration, “Lucky Baby” by Alan Lee & Mildred Phillips from 1964.

Shane Records had an address of 511 North Broad Street in Philadelphia. The release date may be as late as 1969. I’m not familiar with the TBB-1 / TBB-2 code on the labels.

“Bad Girl” seems to be a cover of a 1968 single by Connie Little with B.G. Ramblers “Bad Girl” / “Don’t Mess with Cupid” on Rambo IV Records of Secor Road in Toledo, Ohio. According to Buckeye Beat, the B.G. Ramblers members included Billy Price, Bob Koons, John Ahlfors, Jerry Ahlfors and Peter Mousoulias.

Although that release is firmly in a soul style, Connie Little (real name Connie Mierzwiak) had recorded earlier singles as Connie Little and the Cashmeres and Connie and the Cytations with a gruff child voice that could match this Blue Beats single.

Buckeye Beat has an entry for her, noting that she had a group called “Connie and the Blu-Beats who sprayed their hair blue and who may have had a member named Paul Cappelletty”.

Could this be Connie Little singing on the Blue Beats single? It’s definitely the same song, though the song writing credits have been changed from Mierzwiak-Mousoulias on the Connie Little single to Paul Cappell on the Blue Beats. Connie Little and several of the B.G. Ramblers have passed away, so we’ll probably never know.

Categories: Springfield, Springfield Records, Virginia

The Roaches “Someone With a Heart” on Springfield

January 5, 2020 Chris Bishop 3 Comments

Roaches Springfield PS — Picture sleeve for the Roaches 1964 single on Springfield. Scan courtesy of Beat Behind the Dykes.

The Roaches came from Springfield, Virginia in Fairfax County. The band’s members were:

Leon Norton, Jr. – vocals
Tony Taylor – vocals
Craig Mossman – lead guitar
Johnny Holiday – rhythm guitar
Tom Kelly – bass guitar
Perry Hoisington – drums

The Roaches made one single in 1964 with the fine vocal “Someone With a Heart” backed with an instrumental, “Night Life”.

Bassist Tom Kelly wrote “Night Life”.

Oru Braymer is on the label as writing “Someone With a Heart”, but he was not a band member. The picture sleeve for the single has the credit “Produced by Braymer Music”. The Library of Congress shows an April, 1964 copyright registration for “Someone With a Heart” by Orville S. Braymer. From what I could find, he lived in Alexandria and was a piano technician, born 1928 and died 1993.

Released on Springfield Records RI 1664, the RI indicates this was pressed by Recordings Incoporated in Baltimore. George Graves took the photo on the picture sleeve.

In 1965, photographer Charles Parry documented the Roaches and other groups at an American Legion hall in Springfield, VA. From the notations on the 3.5″ x 3.5″ color prints, there were 28 photos of the Roaches in his files, but I am missing six of them.

American Legion and Pi Alpha Gamma banners appear behind the group. Photos of the Londoners and Beau Havens also have the Pi Alpha Gamma banner, so those bands may have shared the billing that night.

One photo from possibly a different show has a Sigma Tau Delta honor society banner behind drummer Perry Hoisington Holiday, along with the American Legion banner.

The order of the photos suggests WPGC DJ “Tiger” Bob Raleigh (real name Paul Carmen) was at this show. Two other photos show WEAM DJ Terry Knight at the American Legion, possibly at this show. However, I don’t believe this is the Michigan DJ and singer Terry Knight. For one thing, it doesn’t look like him. For another, WROV DJ Jack Fisher wrote about how he was asked to call himself Terry Knight when he was at WEAM. Like WPGC, WEAM seems to have had house DJ names that could be impersonated by any jockey.

Several other DJs from WPGC and Arlington’s WEAM appear in photos with bands from other evenings.

I would like to post other group photos from this collection of Charles Parry but have not yet been able to locate him or his family.

Thank you to Craig Mossman for noting the location of the American Legion hall in his comment below.

Roaches Photo 01 Johnny Holiday and Craig Mossman — Johnny Holiday and Craig Mossman

Roaches Photo 02 Leon Norton and Tom Kelly — Vocalist Leon Norton with Tom Kelly on bass

Roaches Photo 03 Tom Kelly and Tony Taylor American Legion — Tom Kelly on bass with vocalist Tony Taylor

Roaches Photo 04 Perry Holiday at the American Legion — Perry Hoisington Holiday of the Roaches

Roaches Photo 05 American Legion — The Roaches: Johnny Holiday, Craig Mossman, Leon Norton, Tom Kelly and Tony Taylor

Roaches Photo 06 Leon Norton American Legion — Leon Norton at the American Legion

Roaches Photo 09 both vocalists American Legion — Leon Norton, Jr. and Tony Taylor

Roaches Photo 10 Perry Holiday at the American Legion — Perry Hoisington Holiday with Sigma Tau Delta banner

Roaches Photo 11 Leon Norton at the American Legion — Leon Norton with tambourine at the American Legion

Roaches Photo 12 Tony Taylor and Leon Norton — Tony Taylor (left) and Leon Norton (foreground)

Roaches Photo 19 Craig Mossman and Johnny Holiday — Craig Mossman (center) and Johnny Holiday

Roaches Photo 20 Johnny Holiday American Legion — Rhythm guitarist Johnny Holiday

Roaches Photo 21 Leon Norton and Tom Kelly — Leon Norton with tambourine and Tom Kelly on bass

Roaches Photo 22 Tom Kelly Bass — Tom Kelly of the Roaches

Roaches Photo 28 American Legion — Leon Norton and Tom Kelly of the Roaches

WEAM DJ Terry Knight at the American Legion

WPGC DJ Tiger Bob Raleigh aka Paul Carmen at the American Legion

Bob Parkinson WEAM Roaches Londoners American Legion — Bob Parkinson of WEAM at the American Legion

This link goes to a number of unidentified photos from the same photographer – if you know who these bands & people are, please let me know.

Categories: Fort Worth, Texas

The Skyliner Ballroom, Jacksboro Highway, Fort Worth

January 2, 2020 Chris Bishop Leave a comment

Skyliner Ballroom sign Shindig A Go Go Red Hearts Jerry Williams, 1966 — Skyliner Ballroom sign for Shindig a Go Go, 1966, with the Red Hearts and Jerry Williams & the Epics

The Skyliner Ballroom was located at 2238 Jacksboro Highway, on the northwest side of Fort Worth, part of the “Thunder Road” strip of restaurants, bars, liquor stores, and motels.

The huge nightclub opened in the late 1930s. By the mid-60s, the Skyliner was on its last legs.

A February 25, 1964 show advertised the “All New Skyliner” with Jimmy Washington, Becky Sharp, and Ida Sneed. Little Richard headlined some shows, as did Ray Sharpe.

A couple ads in July of ’64 call the club “Jack’s formerly Skyliner”, and advertise the Raiders “Stick Shift” with Walter crane, vocalist and the Seven Gables

The Motovators played there three times in May and June, 1965. On the first occasion, bassist Terry Hungerford had his family car stolen from the parking lot. The next day they recovered the car on the north side, undamaged.

Terry Hungerford would play there again as part of Jerry Williams and the Epics, with the Emeralds, on August 20, 1966. Another Jerry Williams show at the Skyliner on August 7, 1965 was billed as Shindig a Go Go, and the other band on the marquee is the Red Hearts.

An ad included in the Motovators scrap book kept by Terry Hungerford’s mother shows Bobby Crown & the Capers opening for Ray Sharpe. Bobby Crown’s band was something of a rival for the Motovators, and a couple of their members would leave to join Crown’s band. The Infinitives is another band I’m not familiar with, and Ray Roger filled out the artist list.

The Skyliner’s New Year’s Eve party on December 31, 1965 had “The Texas Arthur Shindig a Go-Go” with Freddie King, Bobby Crown & the Capers, James Brown Jr., plus exotic dancers Tammi True, Gale Raven and Miss Galore.

The Ballroom closed in 1966, and was demolished in 1969.

Check out the Texas State Historical Association site for more history on the Skyliner Ballroom.

Thank you to Wm. Lewis Wms. and Andellyn Purvis-Hungerford for sharing this material.

Categories: Texas, Victoria

Rozy Saenz Double R Enterprises of Victoria, TX

January 1, 2020 Chris Bishop Leave a comment

The Victoria Advocate had this interesting article about a promotional company, Double R Enterprises, Inc, announced by Rozy Saenz, a local musician.

It’s first show would be on April 8, 1967, featuring Larry and the Premiers from San Antonio, Ronnie and the Calientes, Ernest Zepeda and the Continentals, and the Rozy Saenz Combo.

He also planned to feature national and state-wide acts such as the Chessmen, the Zakary Thaks, and Leo and the Cymbals (Leo and the Prophets?).

If you have any photos or info on any local Texas bands of the ’60s, please comment below or contact me.

Categories: Texas, Victoria

Victoria TX Battle of the Bands: Winds of Change, Under 21, Glass Stairway and Love Street

January 1, 2020 Chris Bishop 1 Comment

The Victoria Advocate ran this notice of a battle of the bands at the armory on April 8, 1968. Bands included the Winds of Change, Under 21, Glass Stairway and Love Street, none of whom I’ve heard of before, and I don’t believe any of them recorded.

Interesting name for the act at the American Legion that same evening, “Nasty & the Premiums”!

Fred Shields wrote to me with some information on the Glass Stairway:

The simple story is The Glass Stairway was originally named The What (very original, huh?) and we formed up in Victoria, Texas sometime around Fall/Winter of 1967/1968. We were a classic “garage” band because that’s where we practiced, along with living rooms during the winter months. Since the venues where we played were dance halls, country clubs, YMCA’s, and church sponsored youth events, our music was current tunes with a dance beat. “96 Tears”, “Gloria”, “Brown Eyed Girl”, Animals, Stones etc. Later on we started playing Doors, Jimmi Hendrix, Yardbirds, Mitch Ryder, etc. Our signature song for a long time was “Light My Fire” with very extended keyboard and guitar solos.
Originally there were five of us, me on keyboard, James on bass, Rob singer/rhythm guitar, Bobbie lead guitar, and Frankie the drummer. Frankie and I had formed a band with no success when we were approached by James and Rob who were currently in a very successful Country & Western band called The Zebras. James and Rob wanted to play Rock & Roll, which was unheard of in the local scene at that time although it was coming alive after the Beatles success. We became very popular playing in little dance places all up and down the South Texas Coast. The dream ended in the summer of 1969 when I had to leave Victoria and go to boarding school.
James and Rob and I all share the same strong memories of that time. Everyone else had different performing paths later on in life. James continues to play professionally around the Austin, Texas scene.

If you have any photos or info on any local Texas bands of the ’60s, please comment below or contact me.

Categories: Bridge Society, Harrisburg, Pennsylvania

The Legends first single “Why” / “Baby Get Your Head Screwed On”

January 1, 2020 Chris Bishop 3 Comments

“Why” / “Baby Get Your Head Screwed On” was the first single by the Harrisburg, Pennsylvania group the Legends, who are best known for their devastating 1969 psych single “High Towers” / “Fever Games”.

This lineup of the Legends was:

Larry Swartzwelder – lead guitar
Dan Hartman – keyboards
Derek Parsons – bass
Ralph Schwartz – drums

Earlier members of the band included Dave Hartman guitar and vocals and Denny Woolridge bass; later members included Gene Brenner guitar, Joe Caloiero bass and vocals, Dave Cope on bass, and Larry Sadler on drums.

The Legends story is told elsewhere in some detail, but there is little about this release on the internet.

The A-side is an original by Dan Hartman, “Why”, featuring a soulful vocal over a backing dominated by the organ.

The Legends probably found “Baby Get Your Head Screwed On” from the version by the Double Feature, a British duo from Birmingham, Bill Hall and Brian Lake. Double Feature had two singles on Deram, both of which saw release in the US. It’s also possible the Legends heard the song on its composer Cat Stevens’ first album, Matthew and Son which also had a US release in 1967.

John Ulrich produced the single, and published “Why” through John Ulrich Music. Gene Eichelberger engineered the single, released on Up Records 2202-7-13. The single is styrene, with X-5291/2 etched in the deadwax.

Dan Hartman designed a picture sleeve with a crude b&w drawing very similar to the sleeve for the Blues Magoos “Pipe Dream”. It was not used for the single until many years later, when Billy S. reproduced the drawing with a discography on the back to sell a small amount of copies of the original single. Thank you to Thomas Grosh for sending in the scan.

Legends UP later PS Baby Get Your Head Screwed On — PS made years after the original release.

Up Records was part of Bridge Society Records which had some other fine releases including:

The Shan-Dells ‎”Chimes” / “Little Girl” and their soul classic ” I’ve Got To Love Her” / “Idle Excursion”
The Evil “I” – “Love Conquers All” / “Can’t Live Without You”
The Legends second single, “Keep On Running” / “Cheating”

Info on band lineups from the Arf! Arf! compilation High Towers [1965-1973].

Categories: Athens, Derby, Georgia

Dexter and the Derbies

December 31, 2019 Chris Bishop 4 Comments

Dexter and the Derbies came from Athens, Alabama, a small city about 95 miles north of Birmingham, and 99 miles south of Nashville, TN.

The Limestone Democrat newspaper featured this photo of Dexter and the Derbies on the front page of the January 23, 1968 issue. The band was part of the International Rodeo Association convention in Nashville. The members were:

Dexter Greenhaw – lead guitar
Dennis Brooks – drums
David (Danny) Ausley – rhythm guitar
Mark Gamble – bass guitar

Dexter and the Derbies cut only one single, released in August 1967 according to Teen Beat Mayhem. The band members would have been about 12 years old when recording the songs.

The top side is the intense “Time”, written by J. Greenhaw who seems to be Dexter’s brother Johnny Greenhaw. I can’t make out all the lyrics but one verse goes “Everybody wants to be loved and romanced, but nobody, I mean nobody will give a second chance”.

Rochelle Frazier and Buck Peddy wrote “They Wouldn’t Dare”, registering the song on December 9, 1965, almost two years before Dexter & the Derbies recorded it. The lyrics tred similar ground to the Barbarians’ “Are You a Boy or Are You a Girl” from earlier that year.

Dexter and the Derbies Derby 45 They Wouldn't Dare

The girls wear pants now and also shirts,
Pretty soon the boys will be wearing skirts.
Now don’t tell me that they wouldn’t dare,
If you don’t think they would take a look at their hair.
Now you don’t touch when you dance these days,
In fact your partner moves far away.
How can you hold anybody tight,
When they twist and turn right out of your sight.
You ask your neighbor if that’s his girl,
She looks so pretty with her long blonde curls.
That’s when you feel when like you ought to run,
When he says “that’s not my daughter, it’s my teenage son!”
Now don’t tell me that they wouldn’t dare,
If you don’t think they would take a look at their hair.

Buck Peddy wrote songs with Mel Tillis among others. He seems to have produced this single, and his Peddy Music published both songs. Released on Derby Records 1313 out of Nashville, Tennessee, the labels show Sound of Nashville master numbers SoN 48941/2.

Dexter Greenhaw graduated high school in 1973, then studied music at the University of North Alabama. He directed the band at Clements High School, and also had a band called Denim. Dexter passed away in March, 2007 of ALS at the young age of 52.

Source: info on Dexter Greenhaw from a News Courier article in March, 2007.

Categories: Brownfield, Texas

The Charvonnes of Brownfield, TX

December 24, 2019 Chris Bishop 1 Comment

The Brownfield News profiled a local combo the Charvonnes on May 18, 1967 for the upcoming Jaycees battle of the bands in the high school auditorium.

The Charvonnes were:

Shad Brooks – drums and vocals
Brad Moore – bass and vocals
Mike Ellis – rhythm guitar
Mike Richardson – lead guitar and vocals

Other bands in the competition included the Shyles of Levelland, Sonic Union from Denver City, the Klan from Tahoka and No Nombres from Lubbock.

As far as I know, none of these bands ever recorded.

If you have any photos or info on any local Texas bands of the ’60s, please comment below or contact me.

Categories: Brownfield, Texas

The Avantis of Brownfield, TX

December 21, 2019 Chris Bishop 1 Comment

The Brownfield News announced a local group the Avantis won a battle of the bands at the Brownfield High School auditorium in April, 1965.

The Avantis members were:

Lee Gillentine – lead guitar
Terry Davis – rhythm guitar
Doug Sewell – bass and vocals
Max Ball – saxophone
Maxie Murry – drums

Brownfield is a rural town southwest of Lubbock. Other groups included the Sessions, Nitebeats and Imperials.

As far as I know, none of these bands ever recorded.

If you have any photos or info on any local Texas bands of the ’60s, please comment below or contact me.

Categories: California, San Francisco, Unknown

Levi Strauss & Co. Salesman’s Record 1968

December 1, 2019 Chris Bishop Leave a comment

The 1967 Levi Strauss & Co. Salesman’s Record is well-known for its tracks by the Jefferson Airplane, Sopwith Camel and West Coast Natural Gas. That was a 10″ LP, and certain of the Airplane’s tracks were also released in 7″ and 12″ formats. Levi Strauss & Co. was based in San Francisco so it made sense to use local bands for their ads.

In 1968 Levi Strauss released a 7″ Salesman’s record with five short songs, this time without any artist credits that I know of. It was released with an art sleeve of a pattern of horses & cowboys arranged in rings. I don’t know what was on the back of the sleeve as I do not own it.

The 1968 record has some good music, but the songs and ad concept are more generic in style than the 1967 record. Two of the songs sound to me like they were recorded by an actual rock band, not studio musicians. Each music track seems to have been recorded separately from the vocals, as each commercial is followed by 20 seconds or so of music tracks without the vocals, unfortunately at a lower level. Here excerpts from each side below.

I have on good authority that the backing track for “Levi Slim Fits (White Levi’s)” was the Family Stone without Sly, with Freddie Stone leading the band.

Side 1 excerpts
Side 2 excerpts

I’d be interested to know who played on this record. There could be some local artist connections as on the 1967 record. If you have any information or even an educated guess please comment or contact me. Also please contact if you have a good scan of the sleeve.

Garage Hangover

Category Archives: US

The Blue Beats “Bad Girl” on Shane Records

The Roaches “Someone With a Heart” on Springfield

The Skyliner Ballroom, Jacksboro Highway, Fort Worth

Rozy Saenz Double R Enterprises of Victoria, TX

Victoria TX Battle of the Bands: Winds of Change, Under 21, Glass Stairway and Love Street

The Legends first single “Why” / “Baby Get Your Head Screwed On”

Dexter and the Derbies

The Charvonnes of Brownfield, TX

The Avantis of Brownfield, TX

Levi Strauss & Co. Salesman’s Record 1968

The site for '60s garage bands since 2004