Category Archives: Omaha

The Rogues “Anything You Say” on Action Records

The Rogues in the South Omaha Sun, September 9, 1965

Rogues Action 45 Anything You SayThe Rogues came from Omaha, Nebraska, and made one record in 1966, “Anything You Say” / “Summertime” on Action 100. The deadwax etching shows it was recorded and mastered at Sears Recording Studio in Omaha and pressed at Kaybank in Minneapolis.

James G. Churchill wrote “Anything You Say” published by Peter Jan.

Members on the single were:

Ed Hoke – lead guitar
Jim Churchill – drums
Joe DeRozza – lead vocals
Mike Hoke – bass
Mike Chapman – rhythm guitar

Early lineup of the Rogues in a Hospe’s ad, May 2, 1965

On May 2, 1965, Hospe’s music store on 1512 Douglas ran an ad in the Omaha World-Herald featuring an earlier lineup that included the Hoke brothers along with Bill Nassarallah and Greg Mutz. The photo shows the Rogues with some awesome equipment:

They’re Fender-equipped, and they’re great!

Bill Nassarallah, rhythm with a Fender Stratocaster Guitar and Fender Bandmaster Amplifier and Echophonic echo-chamger; Greg Mutz with a 4-piece Gretch [sic] Drum Set and Zildjian Cymbals. Eddie Hoke, leader of the group, has a Custom Guitar which he plays through his Fender Showman amp; and Mike Hoke with a Fender Jazz Bass and Fender Bassman Amp.

By September, 1965 the lineup had changed to the group that would record the 45, as the South Omaha Sun profiled the group with a photo, noting that the groups favorite bands were “‘The Kinks,’ ‘The Birds’ [sic] and ‘Them'”:

Chuck Hoke, night manager at Mickey’s No. 1, invited us to a rehearsal … of his sons’ rock ‘n roll band, “The Rogues” …

The combo held its rehearsal on a stage, complete with risers, which they built themselves in the Hoke’s recreation room. The array of mikes and amplifiers made us feel like we were in a major network studio. Vocalist Joe hugged the mike at the front of the stage and pounded out ryhthm [sic] on a tambourine while he bounced to and fro with his vocal routines. Jim, like Gary Lewis, had a mike hanging over his drum set and harmonized with Joe on many numbers. The whole group sang in unison occasionally. They bounced, rocked and shook in unison no so occasionally.

Finally came their rendition of “End of the World,” and many oldsters might view it as just that.

The group continued until 1967, with a “Combo Catch-All” article in the World-Hearld on March 3, 1967 titled “Rogues Aim for Originality, Prefer to Be Called ‘Group'”

By this time the group included a sixth member, Mike Riehle, and the article mentions that Joe Derroza was “from San Francisco”.

They play mostly in Minnesota, Iowa and Nebraska, and get to and from these states in a painted bakery truck …

They used to have a go-go dancer but let her go because more and more combos were adding go-go girls.

The “Combo Catch-All” article mentioned other groups: the Exiles combo with Red Toll, the Ashes with own song “I Don’t Need Your Love”, and the Bushmen with Bob Geeny, Kent Bellows, Doug Fackler, Bob Drickery and Larry Minthorn. An adjacent ad for Sandy’s Escape lists various groups that weekend: the 6 Fortunes and 6 Misfits on Friday, the Wonders and 7 Legends on Saturday, and the Coachmen and 6 Impacts on Sunday.

Andy and the Manhattans “Double Mirror Wrap Around Shades” on Cardon

Andy and the Manhattans (or is that Andy and the New Playboys?), 1967, personnel unknown
Robert Anderson was a singer from Omaha, Nebraska who fronted most of his bands as Andy Anderson, beginning with Andy and the Live Wires with “You’ve Done It Again”, a light vocal over a Willie & the Hand Jive beat, b/w a Duane Eddy-type instrumental “Maggie” on the Applause label in 1960.

Next came Andy and the Playboys (no recordings as far as I know), and in 1964 Andy and the Manhattans, whose 45 on Cardon Records I’m featuring today.

“Double Mirror Wrap Around Shades” is a good bit of jivey r&b, an original by Anderson, like the flip. It charted at #40 on the August 28, 1964 chart of Chicago station WLS 890 AM.

“Tell Her Yourself” has vocals that sound very folk-influenced, though the backing is simple garage r&b.

Also that year they had two singles on Musicor, “Should’ve I” / Desperate” (I haven’t heard either song) and “Skinny Minnie” / “Let Your Conscience Be Your Guide”. After the Manhattans he recorded as the Buggs on Soma, featuring Bobby Jones (later of Aorta) on drums, then retired from professional music to go into medicine.


In a sad and gruesome end to the tale, on May 21, 2009 Anderson shot his wife Karla then himself. A news report on KMTV (no longer on the station’s website) didn’t elaborate on the circumstances.

Sources include Rockin’ Country Style, Rockabilly Bash (link defunct) and chart info from ARSA (link made private).

Thank you to Michelle Monnette for sending in the photo at top.

The Royal Flairs and the Unlimited on Marina Records

The Royal Flairs photo
Originally from Council Bluffs, Iowa, the Royal Flairs began as the backing band for singer Dick Hodge, cutting one single at Sears Sound Studio in Omaha, Nebraska, “Dream Angel” / “Let’s Go”, in October of 1962 as Nelson Royal, Bobby Williams and the Royal Flairs*.

The Flairs became house band at the Milrose Ballroom outside of Omaha, playing primarily surf instrumentals.

Royal Flairs Marina 45 SuicideThree members stayed with the band through all of their changes: Bob Everhart (Bob Williams’ actual name) on sax and vocals, Dave Krivolavek on guitar and Dave Brubeck on bass. Other early members included Jerry Fleetwood on trumpet, Daryl Hill on organ, Brian Sallozo on sax, Brad Starr and Mike Nelson on lead guitar, and Rick Brown on drums.

Everhart, Brubeck and Krivolavek relocated to Chicago in early 1965, adding Mike Donion on drums and Mel Matthews on lead guitar and organ. In 1966 they cut two 45s for the Marina label, one as the Royal Flairs, and another as the Unlimited.

The first, “Suicide” has a sharp garage sound and a great solo. In the lyrics the singer wants to join the girl who killed herself over him. It was written by Everhart and Dave Krivolavek, with Everhart playing the harmonica. The instrumental flip, “One Pine Box” (misprinted on the labels of one pressing as “One Pink Box”) has an earlier surf style. It’s a gruesome number featuring the sound of scraping and a hammer nailing a coffin lid shut.

The second Marina 45 as The Unlimited was another morbid number “Feelings.” The flip was one I haven’t heard yet, “Gone Away”.

Bobby Williams remained a pseudonym for Bob Everhart as that name appears as the promotional contact on their Marina 45. For the Flairs final 45, they released the folky “Hat On Tie” as by Bobby and Dave on one side, and the killer soul screamer “My Baby Cries” as by Bobby Williams on the other. These were produced by D. Marrone for the Tonorous label.

Bobby Williams Tonorous 45 My Baby CriesAccording to the notes from Back from the Grave, the band broke up after Bob Everhart was shot when he tried to protect a 350 pound go-go dancer named Miss Temptation from a crazed patron. Bob survived the wound but decided to get out of the nightclubs while he was still in one piece!

In the 1980’s an EP Surfin’ with the Royal Flairs featured five unreleased versions of surf songs recorded in 1962. Another LP, The Royal Flairs, Rare Recordings from 1965-66 contains their singles along with a side of unreleased songs that reflect their change to r&b and British Invasion sounds, recorded in Omaha.

Mike Donian passed away in 2010. His brother Dan sent in the photo below:

Royal Flairs Publicity Photo
Royal Flairs publicity photo, courtesy of Dan Donian

*The Routers cut a version of “Let’s Go” in 1962. Bob Everhart filed a complaint with BMI over the copyright of “Let’s Go”, which caused SAM owner Leona Leivas to release the copyright. However, a 1973 European Warner Brothers release of “Let’s Go” shows song writing credits to Lanny Duncan and Robert Duncan.

Sources: Royal Flairs photo from Back from the Grave 3, Marina 45 scan and transfer of Suicide taken from bosshoss’ Flac Attack vol. 1. Info from the liner notes to Rare Recordings. Thanks to Phil Dirt for the better quality rip of “One Pine Box”.