Rock ‘n’ Roll Revival Show featuring Tommy Bishop

Photo may be subject to copyright

Tommy Bishop (lead vocals)

Mick Pearson (guitar/vocals)

Jack ? (piano/tenor sax)

Jeff Lake (tenor sax)

Noel “Bo” Skelton (bass/vocals)

Terry “Tetley” Parkin (drums)

Singer Tommy Bishop, who hailed from Brentwood in Essex, had first come to prominence with Tommy Bishop’s Richochets.

It’s not clear what Bishop did after the group split up in 1966/1967 but it’s possible he put together a new group with guitarists Chris Howlett and Pete Hole, who were behind the recording of the Decca single “Midnight Train”, which was credited the Rock ‘n’ Roll Revival Show.

According to tenor sax player Jeff Lake, who had started his career with west London R&B group Jeff Curtis & The Flames in 1964-1965, another tenor sax player/pianist called Jack, who came from Tottenham, was part of the group and both most likely appeared on the single.

“I first met Tommy when I auditioned for him when he was forming a band to go to Germany,” remembers Lake, who’d recently worked as road manager for Manchester’s Playboys (his friend and another ex-Flames member Malcolm Randall was their sax player).

“That group never got off the ground. A couple of months later I received a telegram from him to join this new band which became The Rock and Roll Revival Show.”

Lake also remembers three musicians from northeast England who were part of the group. These were guitarist Mick Pearson, bass player Noel “Bo” Skelton and drummer Terry “Tetley” Parkin.

However, Parkin says that none of them appeared on the single, which was recorded and released before their arrival.

Parkin, who hailed from north Lincolnshire, joined his first band The Echoes in 1959. The group later worked as The Northern Echoes and sometimes The Sound of The Echoes, including a two-month residency at the Top Ten Club in Hamburg (Ed: The Beatles were playing around the corner at the Star Club at the time).

Later, Parkin played with The Chads, another north Lincolnshire group, which is where he met guitarist Mick Pearson.

In early 1966, Parkin joined Brian Poole’s post-Tremeloes group, The Unity, appearing on the single “The Other Side of the Sky”.

1967 gig. Image may be subject to copyright

When the group split in early 1968, he answered an advert in Melody Maker and joined Tommy Bishop’s new group who included another guitarist and bass player, both of whom quit after the first gig.

“That was when I suggested that Noel and Mick were available and they joined the band,” he says. “I can’t remember how long the band were together but the highlight was when we toured and supported Bill Haley and the Comets on their UK tour.”

Parkin remembers the group recorded a demo track, possibly for Decca, a Tommy Bishop composition called “Sugar Man”, which wasn’t released.

When the group split up, Parkin later played with The Gordon Jones Soul Band while Skelton returned to The Rumble Band, which later recorded as Rumble.

“Jack, the sax player from Tottenham, later went out as a guitar/vocals solo artist under the name Jack Bodine,” says Parkin. “Sometime after Bill Haley died, Jack sang with the original Comets on UK TV.”

We’d love to hear from anyone who can add any more information.

Huge thanks to Terry “Tetley” Parkin and Jeff Lake for providing further information about the group

 

Selected gigs:

15 March 1968 – Pink Flamingo, Wardour Street, Soho, London

30 March 1968 – Cottingham Civic Hall, Cottingham, East Riding of Yorkshire with The Big Change

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5 April 1968 – Benn Memorial Hall, Rugby, Warwickshire with Pete Kelly’s Solution and Tuxedo Junction Blues Band

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9 April 1968 – Klooks Kleek, West Hampstead, London

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12 April 1968 – Locarno, Stevenage, Herts

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13 April 1968 – Borough Assembly Hall, Aylesbury, Bucks with Candy Bus

14 April 1968 – Bournemouth Pavilion, Bournemouth, Dorset with The Balloons

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15 April 1968 – Impsella Club, Chateau Impney, Droitwich, Worcestershire

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16 April 1968 – Gala Ballroom, Norwich, Norfolk

18 April 1968 – The Place, Hanley, Staffordshire

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19 April 1968 – Ritz, Bournemouth, Dorset

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21 April 1968 – Riverside Club, Cricketers Hotel, Chertsey, Surrey

27 April 1968 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Fanny Flicker’s Show and The Cortinas

29 April 1968 – Sheridan Rooms, Nottingham with Bill Haley & The Comets

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4 May 1968 – Belfry, Wishaw, near Sutton Coldfield, West Midlands with The Skin Deep (Birmingham Evening Mail)

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11 May 1968 – Polytechnic, Little Titchfield Street, London with Karl ‘G’ Big Band

13 May 1968 – Quaintways, Chester, Cheshire with The Hitmakers

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18 May 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with Out of Sight

19 May 1968 – Excel Blue Angel, Middlesbrough

25 May 1968 – Campus, Welwyn Garden City with The Frugal Sound

27 May 1968 – Penny Farthing Club, Leicester

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1 June 1968 – Mistrale Club, Beckenham, London with Mr Mo’s Messengers

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2 June 1968 – Bournemouth Pavilion, Bournemouth, Dorset with The Palmer James

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4 June 1968 – Dudley Zoo, Dudley, West Midlands with Bill Haley & The Comets and Pete Kelly’s Solution

8 June 1968 – Civic Hall, Guildford, Surrey with Pattersons Generation

15 June 1968 – Alex’s Disco, Salisbury, Wiltshire

16 June 1968 – Crown & Cushion, Perry Barr, West Midlands with Jasper Stubbs, Fanny Flickers Rock & Roll Show and Al Copone & Steve Rio

23 June 1968 – Kinema Ballroom, Dunfermline, Scotland with The Falcons and The Shadettes

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28 June 1968 – Regal Ballroom, Bonnyrigg, Scotland with Slater’s Street Few and Spider’s Web

29 June 1968 – Cheltenham Spa Lounge and Ballroom, Cheltenham, Gloucestershire with Loopy & Cindy (This may be another band)

 

12 July 1968 – Swinging Slipper, West Bridgeford, Nottinghamshire

26 July 1968 – Top Spot, Ross-on-Wye, Herefordshire with Sound City (This may be another band)

29 July 1968 – Penny Farthing Club, Leicester

The Lost and Found “Don’t Move Girl” / “To Catch the Sun”

Lost and Found Pins 45 Don't Move GirlThe Lost and Found originated in San Clemente, California as the Nuts & Bolts. Relocating to Phoenix Arizona, they became the Lost and Found and cut this single on the one-off Pins label. They were about 16 or 17 years old at the time of the session.

The band members were:

Jim Jeffers – lead guitar
Mike Ingram – rhythm guitar and vocals
Al Manfredi – bass and vocals
Mike Ryer – drums and vocals

Mike Ingram wrote the fast-paced “Don’t Move Girl”, while Al Mandredi wrote the introspective “To Catch the Sun”, both songs published by Debra, BMI.

The Library of Congress shows the songs registered on November 14, 1966, listing their full names, with their mothers’ names as publishers: John Michael Ingram and Ruby P. Ingram; and Albert T. Manfredi and Wanda Manfredi.

The single is a Wakefield Pressing with the code SJW-8937. It was recorded at Loy Clingman’s Viv Studio.

The group had a tragic streak, as Mike Ingram died soon after the group returned to California in early 1967. After a year’s hiatus, Al Manfredi reformed the group with drummer Mike Ryer, only to have tragedy strike again, as Ryer died of cancer. Certainly this was a talented group that deserved a better fate.

Al Manfredi gave music lessons while continuing to write and record demos of songs. In 1973 he brought a band into a studio to cut some of his original songs, and had a small number of copies pressed by Band ‘n Vocal Mobile Recording Service. Al passed away in 1995, but Now-Again Records has issued his album and other recordings as Blue Gold.
Lost and Found Pins 45 To Catch The Sun

The Canadians

The Strangers shortly after arriving in the UK, late 1966. Photo credit: Barry Casson

Bobby Faulds (aka Bobby Hanna) – lead vocals

David Foster – keyboards/vocals

Mike Stymest – bass

Wes Chambers – saxophone

Rich England – saxophone

Billy Stewart – trumpet/valve

Barry Casson – drums

Having enjoyed success in their native Victoria, British Columbia as Bobby Faulds & The Strangers, the group makes plans to relocate to England in late 1966 after drummer Barry Casson, who has spent time in London, recommends moving there.

The band arrives in England in early October 1966, having travelled overland across Canada from Vancouver to Gander, Newfoundland where they pick up their flight.

On arrival, the group stay with Faulds’ relatives in Kettering, Northamptonshire. Renamed The Canadians, they start by playing some local gigs.

5 November 1966 – Corby Civic Centre, Corby, Northamptonshire (Northamptonshire Advertiser)

 

12 December 1966 – Dorothy Ballroom, Cambridge with Bob Kidman & His Band, the Prowlers, The Few Four and The Breed (Cambridge News) Billed as The Canadian Strangers

15 December 1966 – Tiles, Oxford Street, London with Him & The Others (Melody Maker)

17 December 1966 – Refectory, Golders Green, London (Melody Maker)

17 December 1966 – Cue Club, Praed Street, Paddington, London (Melody Maker)

18 December 1966 – The Cavern, Liverpool with The Prowlers, The Mead, The Defenders and Times Five (Phil Thompson’s Story of the Cavern book)

 

Just before Christmas, the horn section returns home to Canada. Around the same time, the band signs to the Roy Tempest Agency and gains work backing visiting US acts.

23 December 1966 – Clouds, Derby with John Evan Soul Band (Derby Evening Telegraph)

24 December 1966 – Flamenco, Folkestone, Kent (Folkestone, Hythe & District Herald)

25 December 1966 – Dungeon, Nottingham with The In Crowd (The Canadians were backing The Drifters) (Nottingham Evening Post)

31 December 1966 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with The Equals, The Triads, Ray Bones at the Organ and Frank and Keith (The Canadians were backing The Spellbinders) (Lincolnshire Standard) The Canadians may have been back at this venue on 7 January backing The Soul Sisters 

31 December 1966 – The Cavern, Liverpool (All-nighter) with The Prowlers, The Beechwoods, The Tatters, The States, The Klubs, The Kids, The Sign and The Times, The Hideways and The Shades (The Canadians were probably backing The Soul Sisters) (Phil Thompson’s Story of the Cavern book)

8 January 1967 – Kirklevington Country Club, Kirklevington, North Yorkshire (The Canadians were backing The Soul Sisters) (Middlesbrough Evening Gazette)

10 January 1967 – Whisky A Go Go, Wardour Street, Soho, London (Melody Maker) The Canadians probably also played on 11 January backing The Soul Sisters

14 January 1967 – Dungeon, Nottingham (The Canadians were backing The Spellbinders) (Nottingham Evening Post)

14 January 1967 – Rawmarsh Baths Hall, Rawmarsh, South Yorkshire with the Rumours (The Canadians were backing The Spellbinders) 

23 January 1967 – Golden Torch, Tunstall, Staffordshire with Traction (The Canadians were backing Inez & Charlie Foxx) (Evening Sentinel)

30 January 1967 – Golden Torch, Tunstall, Staffordshire with The Amboy Dukes (The Canadians were backing Inez & Charlie Foxx)(Evening Sentinel)

30 January 1967 – Clouds, Derby with Peppers Machine (The Canadians were backing Inez & Charlie Foxx)(Derby Evening Telegraph)

 

11 February 1967 – Dungeon, Nottingham (Nottingham Evening Post)

Tour with Chuck Berry (Record Mirror and Disc & Music Echo):

17 February 1967 – Princess Theatre, Chorlton, Greater Manchester and Domino Club, Openshaw, Greater Manchester

18 February 1967 – New Century Hall, Manchester

18 February 1967 – Manchester Tech College, Manchester

19 February 1967 – Saville Theatre, Shaftsbury Avenue, London with Hamilton & The Hamilton Movement and Del Shannon (riot at this show or the one on 26 February)

20 February 1967 – Queen’s Hall, Wolverhampton (unlikely given Cardiff which is confirmed below but not impossible)

20 February 1967 – Cardiff Top Rank, Cardiff, Wales

21 February 1967 – Olympia, Paris, France

22 February 1967 – Stevenage Locarno, Stevenage, Herts

22 February 1967 – Cedar Club, Birmingham (or is this the Rum Runner?)

23 February 1967 – Streatham Locarno, Streatham, London

23 February 1967 – Blaises, Queen’s Gate, London

24 February 1967 – Durham University, Durham

24 February 1967 – Newcastle University, Newcastle upon Tyne, Tyne & Wear

25 February 1967 – Sussex University, Brighton, West Sussex

25 February 1967 – Agincourt Ballroom, Camberley, Surrey

26 February 1967 – Saville Theatre, Shaftsbury Avenue, London with Hamilton & The Hamilton Movement and Herbie Goins & The Night-Timers (riot at this show or the one on 19 February)

27 February 1967 – The Cavern, Liverpool with The Multivation, The Klubs and The Tremas (Phil Thompson’s Story of the Cavern book)

18 March 1967 – Civic Hall, Nantwich, Cheshire with The Original Drifters, The Sound Society and The Solents (Evening Sentinel)

Tour with Bo Diddley:

 14 April 1967 – California Ballroom, Dunstable, Bedfordshire

15 April 1967 – Imperial Ballroom, Nelson, Lancashire

16 April 1967 – Saville Theatre, Shaftsbury Avenue, London

17 April 1967 – Top Rank Cardiff Suite, south Wales with The Creation (South Wales Evening Post) Backing Bo Diddley

18 April 1967 – Cromwellian, South Kensington, London

19 April 1967 – Blaises, Queens Gate, London

19 April 1967 – Sybilla’s, Swallow Street, London

During late April/early May, English guitarist Mick Patel from The Loose Ends joins The Canadians who travel to Cologne in May to play gigs.

27 April 1967 – Golden Torch Tunstall, Staffordshire with The Soul Sisters and The Toggery (Evening Sentinel) Possibly with Mick Patel on guitar by now

On their return to the UK, Bobby Faulds signs a solo deal and records as Bobby Hanna.

David Foster and Mick Patel will subsequently join The Warren Davis Monday Band. Casson meanwhile joins Ruskin T Emery Revue with Australian guitarist Ray Danaher

The following resource was also really helpful:

https://dungeonmods.wordpress.com/

Thanks to Barry Casson for his help

 

The Centuries “I Love You No More” on Spectra-Sound

Centuries Summitt Promo CardCenturies Spectra-Sound 45 I Love You No MoreBefore the Buckinghams, there were the Centuries, who released one fine single on the Spectra-Sound label in 1965, “I Love You No More” b/w “Yeh: It’s Alright”.

The Centuries’ members were:

Carl Giammarese – lead guitar
Nick Fortuna – rhythm guitar
Curt Bachman – bass guitar and lead vocals on “I Love You No More”
Gerald Elarde – drums and lead vocals on “Yeh; It’s Alright”

Listen to “I Love You No More” below. “Yeh; It’s Alright” is also good, especially Carl’s frantic guitar solo.

Carl Giammarese wrote on the Forgotten Hits site:

It’s Alright and I Love You No More were recorded by The Centuries in, I think, late 1964, at Lawrence and Western and I think it was the old St. Louis Insurance Building. My cousin Jerry Elarde was our drummer and lead singer (fab voice) … he sang It’s Alright. Our bass player, Curt Bachman, sang I Love You No More. I was the Lead Guitar player and Nick Fortuna was the rhythm guitar player. Both songs were written by Jeff Boyen (from Saturday’s Children). Jeff was part of a duo called Ron and Jeff, kind of folky, but they did early Beatles fabulously. These songs had nothing to do with The Buckinghams other than Nick and I became The Pulsations and then The Buckinghams.

Centuries Spectra-Sound 45 Yeh; It's AlrightJeff Boyan was part of the Blackstones which included Curt Bachman for a time. The Blackstones would release four singles on the Invictus label, including a slightly different arrangement of “I Love You No More” (as Dalek/Engam: the Blackstones) in July, 1965. Boyan would go on to join Saturday’s Children with singles on Dunwich. Deb Music BMI published both songs, which were credited to “Geoff – Boyan”.

Carl Giammarese, Nick Fortuna and Curt Bachman would continue with a name change to the Pulsations, adding Dennis Tufano, Jon Poulos, and Dennis Miccoli and eventually becoming the Buckinghams. The Buckinghams first single would also come out on Spectra-Sound Records, “Sweets for My Sweet” / “Beginner’s Love”, before they were signed to U.S.A. Records.

Dan Belloc owned Spectra-Sound Records. The Centuries single has master numbers 4759-1 and 4760-1 while the Buckinghams has S-4617, which may indicate the Buckinghams was released first, but I am not sure of that.

For more info on Jeff Boyan and context on these bands, I definitely recommend Jeff Jarema’s interview with Jerry McGeorge of the Blackstones, the Shadows of Knight, and H.P. Lovecraft in Here ‘Tis #6, which can be found on the Internet Archive.

Four Point Five/The Soul System

Photo: Keith Jellows. Clockwise from 12 O’clock: Duncan Wilkes, Rik Jones, Dave Horn, Keith Jellows, Keith Kendall, John Bartovski and Geoff

A west London band formed in mid-1966 and not to be confused with David O’List’s short-lived group of the same name who morphed into The Attack, The Soul System were originally called Four Point Five.

Formed by friends at Mellow Lane School in Hayes, the original formation comprised:

Geoff ? – lead vocals

Keith Kendall – lead guitar

John Bartovski – bass/harmony vocals

Rik Jones – organ/harmony vocals (after Bartovski departed)

Dave Horn – tenor sax

Duncan Wilkes – trumpet

Keith Jellows – drums

Kendall had started out with another Mellow Lane School group, Brian & The Fantoms but had left in 1964 to join The First Impressions (aka The Legends). In late 1965/early 1966, he departed to join Four Point Five.

Four Point Five (and later The Soul System) gigged extensively but never released any recordings.

As Four Point Five:

9 August 1967 – Drayton Hall, West Drayton, west London (Uxbridge and West Drayton Chronicle)

The Hillingdon Mirror ran an article and photo in its 15 August 1967 issue, page 2 (see above)

30 August 1967 – Hayes Town Hall, Hayes, west London (Uxbridge and West Drayton Chronicle)

The Hillingdon Mirror ran a photo of the band playing at the Town Hall Park in its 5 September 1967, page 7 (see above)

14 October 1967 – California Ballroom, Dunstable, Bedfordshire with Georgie Fame and The Army (website: www.california-ballroom.info/gigs/)

 

Changing name to The Soul System around late 1967/early 1968, former All Night Workers’ baritone sax player Johnny Baker joined the formation in January/February 1969.

The following month John Bartovski left and future Strawbs’ bass player Chas Cronk briefly covered the bass slot until the summer.

Rick Eagles, who’d worked with Keith Kendall in the First Impressions and The Legends during 1964-1965, and had subsequently worked with Tony Knight’s Chessmen and The Good Earth, assumed the bass position until the end of the year.

Just before Eagles’ arrival, however, Dave Horn departed to focus on his ‘A’ Levels. The group line-up remained steady until late 1969 when Baker re-joined The All Night Workers. He subsequently suggested Keith Kendall on lead guitar (who had briefly returned to Brian & The Fantoms in the interim).

Keith Jellows later played with The New Mud and also The Sweet.

Gigs at The Soul System (see comments section for more)

25 January 1969 – Club LaBamba, Tunbridge Wells, Kent (Kent & Sussex Courier)

28 January 1969 – Town Hall, High Wycombe, Bucks with Rod Welling and guest group (Bucks Free Press)

Thanks to Keith Kendall, Dave Horn, Keith Jellows and Rick Eagles for information about the band. We’d love to hear from anyone who can add more information.