The Werps recorded one 45 for the WGW label of Somerville, New Jersey in 1967. People who think horns have no place in garage songs dislike “Love’s a Fire”, but I think the horns help the sense of mayhem, and I dig the soloing over the drum rolls. There’s really no other record from any era quite like this one.
Tim Warren made a huge effort to get a version without the horns for Back from the Grave vol. 6, but wound up with a slower take without the shouting and intensity of the 45 that dissatisfied most everyone.
“Shades of Blue” burns at a slow pace compared to the urgency of “Love’s a Fire”, but it’s excellent too. Both songs were written by James Serenko and John Matzko, and the record was produced by Geno Viscione.
I don’t know the full names of all the members or what instruments they played. According to comments below, there was a guitarist named Clark (surname?) and a drummer Paul (surname?).
Tage Weie sent me the scans and transfers of an acetate from Studio 76. The version of “Love’s a Fire” on this acetate is the same as the one on Back from the Grave, except it’s about 20 seconds shorter, with a fade out instead of coming to a stop. The flip of the acetate is another cool original, “Voodoo Doll”, subdued but also intense, and possibly inspired by Arthur Lee’s “Signed, D.C.”
Studio 76 was located at 1650 Broadway, around the block from the Brill Building. The studio was owned by Ed Chalpin, who is best known for having Jimi Hendrix under contract “for $1 and 1% royalty” before Jimi met Chas Chandler – a contract that has since earned Chalpin millions through lawsuits, as well as U.S. rights to the “Band of Gypsys” LP. I highly recommend Mike Rashkow’s article about working at Studio 76 with Chalpin and his father Sam.
Anyone have a photo of the group?
Thanks to Tage Weie for sharing his one-of-a-kind acetate with us.
I completely agree with you on this one. The version with horns is far more frantic and wild than the one without. The hornless version is too slow.
This is my girlfriends fathers band. He now lives in Kennesaw, Ga. The Band stands for We Eat Raw Pussy. They used to open for Bruce Springfield before he became famous.
The Werps are effin’ great! Garage Hangover is great! Thanks for all the amazing posts!
Love these tracks. Thanks. Horns version is much more crazed.
Does everyone haves any more information or songs from this band?I think they sound great.
They also recorded a song named ‘Car Hop’
Yeah, I have one.
My girlfriend is the daughter of James Serenko. We are trying to find a copy of the 45. To give her dad for xmas
Is James still in hightstown?
No he is in Georgia. I am his daughter Amanda.
Hi, Amanda,
I was in your dad’s grade at Hightstown High School (Class of ’68). Jimmy, as I think of him, let me hang out and watch the Werps practice, and the band played at an assembly/happening I presented on behalf of the school newspaper, climaxed by the school principal running down the center aisle trying to stop the music.
Your dad was the first cool musician dude I knew. Please send him my love and thanks. Should he be interested, ask him to drop me a line.
I had a typo on the other post they opened for Bruce Springsteen “The Boss” before he became famous. He is looking for 45’s of their stuff if anyone can get them it would be great.
My dad was also in this band.
His name was Paul..He played the drums.
Ive had my family on the search for copies for years.
I was happy to find the mp3 here!
The drummer was my cousins dad and the Bass player is married to my Aunt. I think Clark was in a band. I didn’t know the name. That song was cool. Psychedelic 60’s.
Chrissy – Your uncle’s name is Clark McAvoy. And yes, he was the bass player.
My friend Clark was the guitarist.
I own the other acetate of Love’s a Fire/Voodoo Doll. Mine is from Regent Sound Studios.
I also have the master tapes
My version of ‘Loves A Fire’ does not have horns and is not slowed down.