Tag Archives: James Smith

Nashville Teens’ gigs 1962-1970

Welcome to another posting of a series of gig listings for 1960s bands. None of these lists is exhaustive and my idea is to add to them in the comments section below over time. They are here for future researchers to draw on and, where possible, I have added the sources used, whether they are newspapers or websites.  I have also added a few interesting bits of information and will add images in time.

I’d like to encourage band members to get in touch to share memories, or for anyone to send corrections/clarifications to my email: Warchive@aol.com 

Equally important, if you attended any of the gigs below or played in the support band, please do leave your memories below in the comments section for future historians to use. If you know of any missing gigs, please add them too, if possible, with the sources.

Photo may be subject to copyright

THE NASHVILLE TEENS:

Ray Philips – lead vocals (b. 16 January 1939, Tiger Bay, Cardiff)

Art Sharp – lead vocals (b. 26 May 1941, Woking, Surrey)

John Hawken – keyboards (b. 9 May 1940, Bournemouth, Dorset)

Mick Dunford – lead guitar (b. 8 July 1944, Addlestone, Surrey)

Pete Shannon (Harris) – bass (b. Peter Shannon Harris, 23 August 1941, Antrim, County Antrim, Northern Ireland)

Dave Maine – drums

1962

Sometime in 1962, Roger Groom (b. Woking, Surrey) replaces Dave Maine.

14 July 1962 – Cellar, Kingston upon Thames, Surrey

21 July 1962 – Cellar, Kingston upon Thames, Surrey

28 July 1962 – Cellar, Kingston upon Thames, Surrey

 

22 September 1962 – Cellar, Kingston upon Thames, Surrey

1963

Photo may be subject to copyright

12 January 1963 – Coronation Hall, Kingston Upon Thames, Surrey with The Corvettes

19 January 1963 – Coronation Hall, Kingston upon Thames, Surrey with Gerry Brown’s Jazzmen

30 January 1963 – Hi-Fi Hop, Walton Playhouse, Walton-on-Thames, Surrey

 

14 February 1963 – St Valentine’s Ball, Surbiton Assembly Rooms, Surbiton, Surrey with The Avengers

 

2 March 1963 – Coronation Hall, Kingston upon Thames, Surrey with The Avengers

Photo may be subject to copyright

9 March 1963 – Co-op Hall, Tolworth, Surrey

14 March 1963 – Jazz Cellar, Kingston upon Thames, Surrey with The Barron Knights

Photo may be subject to copyright

18 May 1963 – Co-op Hall, Tolworth, Surrey

 

5 June 1963 – Co-op Hall, Tolworth, Surrey

Terry Crowe joins as a third vocalist for the band’s trip to Hamburg in July.

Woking Herald, 21 June 1963. Clockwise from top left: John Hawken, Mick Dunford, Pete Shannon, Roger Groom, Terry Crowe, Ray Philips and Art Sharp. Photo may be subject to copyright

The Surrey Comet has a great story on the band going professional in its 6 July 1963 issue, page 10

Back in the Britain after the German dates, Mick Dunford becomes ill on the eve of a Scottish tour in July/August and is forced to leave. John Allen (b. 23 April 1945, St Albans, Hertfordshire) takes over lead guitar.

Photo may be subject to copyright

8 October 1963 – British Legion Hall, South Harrow, Middlesex (Direct from Germany)

Also, this year Peter Jones temporarily replaces Roger Groom who leaves to join The End before Barry Jenkins (b. 22 December 1944, Leicester, Leicestershire) takes over full-time on drums. Terry Crowe departs too and reunites with Mick Dunford in The Plebs in March 1964.

10 December 1963 – British Legion Hall, South Harrow, Middlesex with The Saracens (Direct from Germany)

11 December 1963 – Hermitage Ballroom, Hitchin, Herts with Johnny Milton & The Condors (Stevenage Gazette) Says direct from Germany

1964

15 January 1964 – Golders Green Refectory, Golders Green, north London

25 January 1964 – Top Ten Club, Corn Exchange, Bedford with The Three Ways

 

16 February 1964 – Co-op Hall, Addlestone, Surrey

23 February 1964 – Cellar Club, Kingston upon Thames, Surrey

 

8 March 1964 – Cellar Club, Kingston upon Thames, Surrey

15 March 1964 – Co-Op, Addlestone, Surrey

26 March 1964 – Cellar Club, Kingston upon Thames, Surrey (backing Jerry Lee Lewis) with The Original Checkmates

31 March 1964 – Colston Hall, Bristol (backing Jerry Lee Lewis) with Pete Pete & The Original All Stars, The Redcaps, Troy Dante & The Infernos, The Chants, The Harlems and Jackie Lynton

Photo may be subject to copyright

2 April 1964 – British Legion Hall, South Harrow, Middlesex with Jerry Lee Lewis and The Falcons

19 April 1964 – Cellar Club, Kingston upon Thames, Surrey

Photo may be subject to copyright

4 June 1964 – New Haw Community Centre, New Haw, Surrey

27 June 1964 – Birkhead’s, Walton-on-Thames, Surrey

 

11 July 1964 – Hi Fi Hop, Walton Playhouse, Walton-on-Thames, Surrey (Woking Herald)

Thanks to John Warburg for sending. Photo may be subject to copyright

17 July 1964 – The Dolphin, Marine Court, St Leonards, East Sussex with Buddy Britten & The Regents

24 July 1964 – Rhodes Centre, Bishop’s Stortford, Herts with Venders

 

1 August 1964 – Wilton Hall, Bletchley, Bucks with Orbit 4

1 August 1964 – Club Noreik, Tottenham, north London with The Wild Ones

Photo may be subject to copyright

8 August 1964 – Civic Hall, Guildford, Surrey with The Cutaways

9 August 1964 – Brighton Hippodrome, Brighton, Sussex with Gerry & The Pacemakers, Elkie Brooks & The Quotations and The High Numbers

12 August 1964 – Cellar Club, Kingston upon Thames, Surrey

16 August 1964 – Queen’s, Blackpool, Lancashire

17 August 1964 – Pavilion, Bath

18 August 1964 – St Mary’s Hall, Putney, Surrey

19 August 1964 – Gig in Stourbridge

Photo may be subject to copyright

20 August 1964 – Assembly Hall, Worthing, West Sussex with The Judos

21 August 1964 – Majestic, Wellington

22 August 1964 – Gig in Manchester

23 August 1964 – ABC Great Yarmouth, Great Yarmouth, Norfolk with The Fourmost, The Remo Four and Peter Jay & The Jaywalkers (Beat Monthly has Winter Gardens, Morecambe on this date and lists the Great Yarmouth gig as 30th)

26 August 1964 – Gig in Nottingham

27 August 1964 – Gig in Kidderminster

28 August 1964 – Gig in Southsea, Hants

29 August 1964 – Oasis, Manchester

31 August 1964 – Majestic, Reading, Berkshire

 

2 September 1964 – Bristol Corn Exchange, Bristol

3 September 1964 – Gig in Ipswich, Suffolk

4 September 1964 – Gig in Morecambe, Lancashire

10 September 1964 – Cavern, Manchester

17 September 1964 – Ipswich Corn Exchange, Ipswich, Suffolk with Jimmy Pilgrim & The Classics

18 September 1964 – Granada, Walthamstow, north London with Billy J Kramer, The Ronettes, The Yardbirds, Cliff Bennett & The Rebel Rousers, The Dakotas and Tim Connor

Photo may be subject to copyright

20 September 1964 – Lewisham Odeon, Lewisham, southeast London with Billy J Kramer, The Ronettes, The Yardbirds and Cliff Bennett & The Rebel Rousers

25 September 1964 – Ready Steady Go TV show

26 September 1964 – Astoria, Finsbury Park, north London with Manfred Mann, Bill Haley & His Comets, The Rockin’ Berries, The Untamed Four and The Bobby Patrick Big Six (start of tour with Manfred Mann)

 

13 October 1964 – Granada Bedford, Bedford, Bedfordshire with Billy J Kramer & The Dakotas, The Kinks, The Yardbirds, Cliff Bennett & The Rebel Rousers and Bill Black’s Combo

17 October 1964 – Gloucester ABC, Gloucester with Billy J Kramer & The Dakotas, The Kinks, The Ronettes, The Yardbirds, Cliff Bennett & The Rebel Rousers, Bill Black’s Combo and Tim Connor

20 October 1964 – Royal Edmonton, Edmonton, Middlesex with The Animals, Carl Perkins, The Quotations, Tommy Tucker, Elkie Brooks and Ray Cameron (tour with Animals which began on 18th October)

25 October 1964 – Gig in Newcastle

26 October 1964 – Gig in Birmingham

27 October 1964 – Gig in Stockton-on-Tees

28 October 1964 – Gig in Edinburgh, Scotland

29 October 1964 – Gig in Dumfries, Scotland

30 October 1964 – Gig in Stockton-on-Tees

31 October 1964 – Gig in Bradford

 

1 November 1964 – Gig in Coventry

2 November 1964 – Gig in Kilburn, northwest London

3 November 1964 – Gig in Guildford, Surrey

4 November 1964 – Fairfield Hall, Croydon, Surrey with The Animals, Carl Perkins, Elkie Brooks, Tommy Tucker, The Quotations and Ray Cameron

5 November 1964 – Gig in Sheffield, South Yorkshire

6 November 1964 – Gig in Stoke-on-Trent, Staffordshire

7 November 1964 – Gig in Derby

8 November 1964 – Gig in Portsmouth, Hants

9 November 1964 – Gig in Rochester, Kent

Photo may be subject to copyright

10 November 1964 – Odeon, Lewisham, southeast London with Carl Perkins, The Animals, Tommy Tucker, Elkie Brooks, The Quotations and Ray Cameron

11 November 1964 – Gig in Cardiff, Wales

12 November 1964 – Gig in Bristol

13 November 1964 – Gig in Waterford (Republic of Ireland?)

14 November 1964 – Gig in Manchester

15 November 1964 – Gig in Bournemouth, Dorset

25-27 November 1964 – Gigs in Manchester

28 November 1964 – Gig in Northwich, Cheshire

29 November 1964 – Gig in Wembley, west London

 

2-4 December 1964 – Tour of Scotland

5 December 1964 – Gig in March, Cambridgeshire (probably Marcam Hall)

6 December 1964 – Gig in Golders Green, north London (probably the Refectory)

8 December 1964 – Gig in Launceston

11 December 1964 – California Ballroom, Dunstable, Bedfordshire with The Sonics and The Hustlers

13 December 1964 – Gig in Abergavenny, Wales

16 December 1964 – Bristol Corn Exchange, Bristol

22 December 1964 – Band leaves for the United States for American tour

The band from spring 1965, Fabulous 208. Photo may be subject to copyright

1965

23 January 1965 – Imperial Ballroom, Nelson, Lancashire

25 January 1965 – Gig in Newcastle-upon-Tyne, Tyne & Tees

26 January 1965 – Gig in Salisbury, Wiltshire

28-29 January 1965 – Gigs in Birmingham, West Midlands

Pic: Woking News & Mail. Photo may be subject to copyright

1 February 1965 – Galaxy Club, Town Hall, Basingstoke, Hampshire with The Saphenas

2 February 1965 – Gig in Grays, Essex

4 February 1965 – Gig in Birmingham, West Midlands

5 February 1965 – Leyton Baths, Leyton, Essex

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6 February 1965 – Corn Exchange, Cambridge with Hedgehoppers

Photo may be subject to copyright

7 February 1965 – The Downs, Hassocks, West Sussex with The Mo Henry’s

8 February 1965 – YOR Club, Parr Hall, Warrington, Cheshire

11 February 1965 – Gig in Swindon, Wiltshire

13 February 1965 – Redhill Market Hall, Redhill, Surrey (Beat Instrumental lists Peterborough on this day)

16 February 1965 – Town Hall, High Wycombe, Bucks

Photo may be subject to copyright

18 February 1965 – Liberal Hall, Yeovil, Somerset with The Riots with Paul Vernon

19 February 1965 – Gig in Glamorgan, Wales

20 February 1965 – Gig in Exeter, Devon

22 February 1965 – Gig in Abergaveny, Wales

24 February 1965 – Gig in Preston, Lancashire

26 February 1965 – Wimbledon Palais, southwest London

Photo may be subject to copyright

27 February 1965 – Whitehall, East Grinstead, West Sussex with The Otis Men

28 February 1965 – Pigalle, central London

 

1 March 1965 – Gig in Widnes

4 March 1965 – Maple Ballroom, Northampton

Photo may be subject to copyright

5 March 1965 – Lydney Town Hall, Lydney, Gloucestershire

6 March 1965 – Gig in Rawtenstall, Lancashire

7 March 1965 – Gig in Manchester

8 March 1965 – Gig in Willenhall

11 March 1965 – Gig in Stevenage, Herts

Photo may be subject to copyright

13 March 1965 – Brum Kavern Club, Small Heath, West Midlands

14 March 1965 – Gig in Southall, Middlesex (probably Community Centre)

20 March 1965 – Gig in Prestayn, Wales

21 March 1965 – Gig in Wembley, Middlesex (possibly Starlight Ballroom in Greenford)

25 March 1965 – Gig in Reading, Berkshire

27 March 1965 – The Gaiety, Ramsey, Cambridgeshire with Fernando’s Hideaways and The Pythons

28 March 1965 – Gig in Luton

29 March 1965 – Bath Pavilion, Bath with The Sherridans

31 March 1965 – Stoney Lea Hotel, Ilkley, West Yorkshire

Photo: Boyfriend magazine, 10 April 1965. Photo may be subject to copyright

1 April 1965 – Gig in Newcastle upon Tyne, Tyne & Wear

2 April 1965 – Gig in Leamington Spa, Warwickshire

3 April 1965 – Gig in Scunthorpe

9 April 1965 – Gig in Gravesend, Kent

Photo may be subject to copyright

15 April 1965 – California Ballroom, Dunstable, Bedfordshire with The Fenmen and The Nightshades

16 April 1965 – Gig in Bolton, Lancashire

17 April 1965 – Gig in Dudley, West Midlands

18 April 1965 – Gig in Blackpool, Lancashire

19 April 1965 – Bure Club, Mudeford, Hants

21 April 1965 – Bristol Corn Exchange, Bristol with AJ & The Others

22 April 1965 – Assembly Hall, Worthing, West Sussex

Photo may be subject to copyright

23 April 1965 – Hillside Ballroom, Hereford with The Tyrants

24 April 1965 – Gig in Coventry

25 April 1965 – Bromley Court Hotel, Bromley, southeast London

26 April 1965 – Gig in Reading,  Berkshire

27 April 1965 – Gig in Evesham, Worcestershire

28-30 April 1965 – Tour of Scotland

 

1-3 May 1965 – Tour of Scotland

3 May 1965 – Ayr Dam Park Hall, Ayr, Scotland with The Poets, The Golden Crusaders, Rab & The Clansmen, The Senate and The Honey Men

5 May 1965 – Gig in Erdington, West Midlands (most likely Carlton Ballroom)

6 May 1965 – Manor Lounge, Stockport, Greater Manchester with The Rangers

8 May 1965 – Gig in Leeds, West Yorkshire

Photo may be subject to copyright

9 May 1965 – Winter Gardens, Margate, Kent with Them, Wayne Fontana & The Mindbenders and The Fourmost

10 May 1965 – YOR Club, Parr Hall, Warrington, Cheshire with The Clique

11 May 1965 – Gig in Altrincham, Greater Manchester

12 May 1965 – Town Hall, High Wycombe, Bucks

13 May 1965 – Gig in Portsmouth, Hants

15 May 1965 – Gig in Newcastle upon Tyne, Tyne & Wear

18 May 1965 – Gig in Gorleston-on-Sea, Norfolk (most likely Floral Hall)

20 May 1965 – Silver Beat Club, Birmingham

Photo may be subject to copyright

20 May 1965 – Carlton Ballroom, Erdington, West Midlands with Mark Stuart & The John Bull Breed and The Four Ways

21 May 1965 – Gig in Nottingham

Photo may be subject to copyright

22 May 1965 – Church Hall, Sherborne, Dorset with The Misfits

24 May 1965 – Gig in Newport, south Wales

26 May 1965 – Gig in Plymouth, Devon

27 May 1965 – Gig in Gosport, Hants

28 May 1965 – Gig in Ilkley

29 May 1965 – Gig in Newcastle upon Tyne, Tyne & Wear

30 May 1965 – Riverside Club, Cricketers Hotel, Chertsey, Surrey

31 May 1965 – Gig in Cheltenham, Gloucestershire (most likely the Blue Moon)

Photo: Boyfriend magazine, 5 June 1965. Photo may be subject to copyright

1 June 1965 – Gig in Basingstoke, Hants

2 June 1965 – Gig in Tadcaster

4 June 1965 – The Dolphin, Marine Court, St Leonards, East Sussex with The Lonely Ones (Beat Instrumental has a gig in Cleethorpes on this same date)

5 June 1965 – Cavern, Leicester Square, central London

6 June 1965 – Gig in Manchester

7 June 1965 – Gig in Harlow, Herts

9 June 1965 – Gig in Gorleston-on-Sea (most likely Floral Hall)

11 June 1965 – Gig in Exeter, Devon

12 June 1965 – Gig in Grantham, Lincolnshire

13 June 1965 – Gig in Bromley, southeast London (most likely Bromley Court Hotel)

15 June 1965 – Gig in Pontefract

17 June 1965 – York University, York, North Yorkshire

18 June 1965 – Gig in Newcastle upon Tyne, Tyne & Wear

19 June 1965 – Gig in Bridlington

20 June 1965 – Gig in Manchester

21 June 1965 – Adelphi Ballroom, West Bromwich, West Midlands

21 June 1965 – Gig in Nottingham

25 June 1965 – Gig in Morecambe, Lancashire

26 June 1965 – Gig in Weston-Super-Mare, Somerset

27 June 1965 – Gig in Kettering, Northamptonshire

 

1 July 1965 – Ritz Club, Skewen, Wales with The Kingpins and The Iveys (Beat Instrumental has College of Technology in Birmingham on this date)

2 July 1965 – Mayfair Club, Belfry, Wishaw, near Sutton Coldfield, West Midlands with Danny King & The Mayfair Set

3 July 1965 – Community Centre, Corsham

Photo may be subject to copyright

4 July 1965 – Margate Winter Gardens, Margate, Kent with The Pretty Things and support

5 July 1965 – Hillside, Hereford

9 July 1965 – Silver Ring, Ascot, Berkshire

11 July 1965 – Odeon Southend, Southend, Essex with Tom Jones & The Squires, Jalacy Hawkins, The Clayton Squares, The Emeralds and Ray Cameron

12 July 1965 – Grand Pavilion, Porthcawl, Wales

13 July 1965 – Queen’s Ballroom, Cleveleys, Lancashire plus two supporting groups

15 July 1965 – Gig in St Athans, Wales

17 July 1965 – Memorial Hall, Northwich, Cheshire

18 July 1965 – Starlite Ballroom, Greenford, west London

 

5 August 1965 – Gig in Oldham, Lancashire

6 August 1965 – Beachcomber, Bolton, Greater Manchester

7 August 1965 – Gig in Leigh

10 August 1965 – Town Hall, High Wycombe, Bucks

11 August 1965 – Gig in Ebbw Vale

12 August 1965 – Gig in Kidderminster, Worcestershire

13 August 1965 – Town Hall, Haverhill, Cambridge

13 August 1965 – Gig in Harlesden, northwest London (may not have happened)

Photo may be subject to copyright

14 August 1965 – Clacton Town Hall, Clacton, Essex with Fernando & The Hideaways and The Trends

16 August 1965 – Gig in Shrewsbury

18 August 1965 – Farnborough Town Hall, Farnborough, Hampshire

20 August 1965 – Gig in Bath

21 August 1965 – Malborough Hall, Halifax, West Yorkshire (Beat Instrumental has a gig in Hull on this date)

23 August 1965 – Gig in Newcastle upon Tyne, Tyne & Wear

24 August 1965 – Gig in Norwich, Norfolk

31 August 1965 – Mexican Hat, Worthing, West Sussex with The Beat Merchants

 

1 September 1965 – Top Hat, Littlehampton, West Sussex

4 September 1965 – Royal Hotel Lowestoft, Lowestoft, Suffolk with The Leader

6 September 1965 – Galaxy Club, Town Hall, Basingstoke, Hampshire

9 September 1965 – Salisbury City Hall, Salisbury, Wiltshire with The Bunch

11 September 1965 – Town Hall, Loughborough

18 September 1965 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with The Objects and The Montanas

19 September 1965 – Manor Lounge, Stockport, Greater Manchester

20 September 1965 – Coed Eva Community College, Cwmbran, south Wales with Four of a Kind

24 September 1965 – Town Hall, High Wycombe, Bucks

25 September 1965 – Carlisle Assembly Hall, Carlisle, Cumbria

30 September 1966 – Roundel Club, RAF Locking, Somerset with Denise Scott & The Soundsmen

 

10 October 1965 – Plaza, Newbury, Berkshire with The Just Men

17 October 1965 – Galaxy Club, Constitutional Hall, Chertsey, Surrey

18 October 1965 – Broadway Club, Queen Mary Ballroom, Dudley, West Midlands with The Concords

20 October 1965 – Bristol Corn Exchange, Bristol

Photo may be subject to copyright

16 November 1965 – St Benedict’s Club, Sketty, south Wales with Eyes of Blue

17 November 1965 – Crynant Social Club, Crynant, south Wales with The Wild Ones

25 November 1965 – Brighton University, Brighton, Sussex

26 November 1965 – California Ballroom, Dunstable, Bedfordshire with two supporting groups

27 November 1965 – Liverpool University

30 November 1965 –  Gig in Marylebone, central London

 

2 December 1965 – Dorothy Ballroom, Cambridge with The Prowlers

2 December 1965 – Cooks Ferry Inn, Edmonton, north London

3 December 1965 – Mansfield College, Oxford

4 December 1965 – Baths Hall, Rawmarsh

8 December 1965 – Warwick University, Coventry

9 December 1965 – Civic Hall, Connah’s Quay

15 December 1965 – Pavilion, Bournemouth, Dorset

16 December 1965 – Thorngate Hall, Gosport, Hants

17 December 1965 – College of Technology, Slough, Berkshire

18 December 1965 – Ready Steady Go, Aylesbury, Bucks

18 December 1965 – Town Hall, Loughborough

19 December 1965 – College Theatre Club, Manchester

20 December 1965 – Students’ Union Debating Hall, Birmingham University

22 December 1965 – Secondary school in Chepstow

27 December 1965 – Astoria Ballroom, Rawtenstall, Lancashire

30 December 1965 – Locarno Ballroom, Stevenage, Herts

31 December 1965 – Dreamland Ballroom, Margate, Kent with The Pentads

1966

1 January 1966 – Starlight Ballroom, Boston Gliderdrome, Lincolnshire with Jeff Curtis & The Flames and The Game

5 January 1966 – Graston Ballroom, Liverpool

8 January 1966 – Big Beat Club, Stratford (possibly east London)

10 January 1966 – Bath Pavilion, Bath

11-12 January 1966 – Gigs in Scotland

14 January 1966 – Gig in Newcastle upon Tyne, Tyne & Wear

15 January 1966 – Coronation Hall, Kingston upon Thames, southwest London

20 January 1966 – Blue Moon, Cheltenham, Gloucestershire

21 January 1966 – Beaconsfield Youth Club, Beaconsfield, Bucks Beat Instrumental has Commercial College, Bangor, Wales on this date

 

5 February 1966 – Drill Hall, Grantham, Lincolnshire with The Nemkons and Sounds Force 5

10 February 1966 – Poor Man’s Ball, Bradford University, Bradford, West Yorkshire with The Mouldy Ways and Clayton Squares

26 February 1966 – Market Hall, Redhill, Surrey

27 February 1966 – Blue Moon, Hayes, west London (probably one of Jenkins’ final gigs)

Barry Jenkins joins The Animals after John Steele played his final gig. Nick Hairs (see Animals entry comments) says Jenkins was on drums for the Newcastle band’s Leicester gig on 4 March. Former member Roger Groom from The End replaces Jenkins

3 March 1966 – Pavilion Ballroom, Worthing, West Sussex (possibly Roger Groom’s first gig back)

4 March 1966 – Bristol University, Bristol

5 March 1966 – Bromley Technical College, Bromley, southeast London (probably Jenkins’ final gig)

6 March 1966 – St Richard’s Hall, Northolt, west London

8 March 1966 – Gig in Newcastle

11 March 1966 – Cricketers Inn, Westcliff, Southend, Essex with The Orioles

12 March 1966 – Faculty of Technology Union, Manchester

Photo may be subject to copyright

13 March 1966 – The Ultra Club Downs, Hassocks, West Sussex with Gideon Collins Outfit

17 March 1966 – Durham University, Durham

18 March 1966 – Masonic Hall, Hornchurch, east London

19 March 1966 – Imperial College, London

25 March 1966 – Ross Group Sports Club, Gaitey Ballroom, Grimsby, Lincolnshire with The Fourmost and The She Trinity. Beat Instrumental also has Westend Club in Coleville on this date

Photo may be subject to copyright

1 April 1966 – Farnborough Technical College Students’ Union, Farnborough, Hampshire with The Clayton Squares and Cops ‘N’ Robbers

2 April 1966 – Floral Hall, Southport, Lancashire with The Warriors

11 April 1966 – Casino Club, Bolton, Greater Manchester with The Warriors

22 April 1966 – Pavilion Ballroom, Bournemouth, Dorset with Syd Fay & His Orchestra

24 April 1966 – Catacombe, Eastbourne, East Sussex

27 April 1966 – Gala Ballroom, Norwich, Norfolk with Five X 5

29 April 1966 – Stratford Town Hall, Stratford, east London with support

 

30 May 1966 – Cricketers Inn, Westcliff, Southend, Essex with The Avengers

Photo may be subject to copyright

17-18 June 1966 – Birmingham University Carnival, Birmingham with Manfred Mann and The Uglys

28 June 1966 – Bournemouth Colleges Rag Appeal, Ritz, Bournemouth, Dorset with Wynder K Frog

 

2 July 1966 – Toft’s, Folkestone, Kent

6 July 1966 – Headland Pavilion, Bude, Cornwall

8 July 1966 – Liskeard Public Hall, Liskeard, Cornwall with Package Deal and Jaguars

Photo may be subject to copyright

9 July 1966 – Torquay Town Hall, Torquay, Devon with The Harlequins and The Reaction

16 July 1966 – Butterley Grange, Swanage, Dorset

22 July 1966 – Corn Exchange, Diss, Norfolk with En-Devers

23 July 1966 – King’s Hall, Aberystwyth, Wales

24 July 1966 – Cavendish Club, Newcastle upon Tyne, Tyne & Wear

24 July 1966 – Weatheralls, Sunderland, Tyne & Wear

Photo may be subject to copyright

5 August 1966 – The 7 Club, Shrewsbury, Shropshire with The Karakters

6 August 1966 – Paradise Club, Wigan, Greater Manchester with The Blue Diamonds

Photo may be subject to copyright

12 August 1966 – Top Spot, Ross-on-Wye, Herefordshire with Dave Anthony’s Moods and The Pathfinders

13 August 1966 – Dreamland, Margate, Kent with The Quiet Five

22 August 1966 – Bath Pavilion, Bath, Somerset

27 August 1966 – Corby Civic Centre, Corby, Northamptonshire with Section 5

28 August 1966 – Hastings Pier, Hastings, East Sussex

 

9 September 1966 – West End, Rushden, Northamptonshire

16 September 1966 – California Ballroom, Dunstable, Bedfordshire with Stacey’s Circle

17 September 1966 – Teenbeat Rock Klub, Market Hall, Redhill, Surrey

18 September 1966 – Shakespere Hotel, Woolwich, south London

19 September 1966 – Black Cat, Woolwich, south London

23 September 1966 –Axminster Guidhall, Axminster, Devon with The Legends

Photo may be subject to copyright

25 September 1966 – Gloucester ABC, Gloucester with The Small Faces, Dave Berry and The Truth

28 September 1966 – Church Hall, Stroud, Gloucestershire

29 September 1966 – Rugby Club, Garndiffaith, Pontypool, Wales

Photo may be subject to copyright

30 September 1966 – Roundel Club, RAF Locking, Weston-Super-Mare, Somerset with Denise Scott & The Soundsmen

 

1 October 1966 – Town Hall, Walsall, West Midlands

2 October 1966 – Khyber Club, Taunton, Somerset with The Germs

6 October 1966 – Salisbury City Hall, Salisbury, Wiltshire with The Meddy Evils

Photo may be subject to copyright

7 October 1966 – Wy-Key Club, Burnham Lane, Slough, Berkshire with Philip Goodhand-Tait & The Stormsville Shakers

Photo may be subject to copyright

13 October 1966 – Pier Pavilion, Worthing, West Sussex

15 October 1966 – Atlanta Ballroom, Woking, Surrey

15 October 1966 – ABC Cinema, Aldershot, Hampshire with The Hollies, The Small Faces, Paul & Barry Ryan, Peter Jay & The New Jaywalkers and Robb Storme & The Whispers

16 October 1966 – ABC Cinema, Romford, Essex

18 October 1966 – Odeon Theatre, Cheltenham, Gloucestershire

19 October 1966 – Capitol Theatre, Cardiff, Wales

Photo may be subject to copyright

20 October 1966 – Gaumont, Taunton, Somerset with The Hollies, The Small Faces, Paul Jones, Paul & Barry Ryan and others

21 October 1966 – Gaumont Cinema, Wolverhampton, West Midlands

22 October 1966 – ABC Theatre, Peterborough, Cambridgeshire

23 October 1966 – ABC Cinema, Kingston upon Hull, East Riding of Yorkshire

24 October 1966 – Gaumont Theatre, Ipswich, Suffolk

26 October 1966 – ABC Cinema, Northampton with The Hollies, Paul Jones, The Small Faces, Paul & Barry Ryan, Peter Jay & The Jaywalkers and Robb Storme & The Whispers

27 October 1966 – Regal Cinema, Cambridge, Cambridgeshire

28 October 1966 – ABC Cinema, Lincoln, Lincolnshire

29 October 1966 – ABC Cinema, Chester, Cheshire

30 October 1966 – Gaumont Theatre, Coventry, West Midlands

 

1 November 1966 – Gaumont Theatre, Worcester with The Hollies, Paul Jones, The Small Faces, Paul & Barry Ryan

2 November 1966 – ABC Cinema, Wigan, Lancashire

3 November 1966 – Odeon Theatre, Manchester, Greater Manchester

4 November 1966 – Odeon Theatre, Leeds, West Yorkshire

5 November 1966 – Sheffield City Hall, Sheffield, South Yorkshire

6 November 1966 – Newcastle City Hall, Newcastle upon Tyne, Tyne & Wear

10 November 1966 – Pier, Worthing, West Sussex

10 November 1966 – Quay Club, Newcastle upon Tyne, Tyne & Wear

11 November 1966 – De Montfort, Leicester, Leicestershire

12 November 1966 – College of Technology, Luton, Bedfordshire

Photo may be subject to copyright

13 November 1966 – Wheatsheaf Club, Brandon, Norfolk with The Nightbeats

19 November 1966 – Faculty of Technology Union, Manchester, Greater Manchester with The Things

26 November 1966 – London College of Printing, Elephant and Castle, south London

Photo may be subject to copyright

3 December 1966 – Club Nevada, Redhill Market Hall, Redhill Surrey

Photo may be subject to copyright

11 December 1966 – Casino Club, Burnley, Lancashire with The Sinners

17 December 1966 – Cliffs Pavilion, Westcliff, Southend, Essex with The Fingers and Sounds Around

18 December 1966 – Cabaret Club, Rosegrove, Burnley, Lancashire with Carl Ames, Jack Rigby, Susan Kent, Carl Lawson and Gunga Din and Sapphire

18 December 1966 – New 77 Club, Brierfield, Lancashire with The Marionettes

30 December 1966 – Wimbledon Palais, Wimbledon, southwest London

31 December 1966 – Dreamland, Margate, Kent with Candy Choir

1967

7 January 1967 – Leas Cliff Hall, Folkestone, Kent with The Mixed Feelings

8 January 1967 – Old Crown & Cushion, Perry Barr, West Midlands

Photo may be subject to copyright

28 January 1967 – Walton Hop, Walton-on-Thames, Surrey

29 January 1967 – Psychedelic Sounds, General Gordon Hotel, Kings Farm Estate, Gravesend, Kent

 

6 February 1967 – Kingfisher Country Club, Kingswinford, West Midlands with The ‘N’ Betweens

18 February 1967 – Royal Lido Ballroom, Prestatyn, Wales with The Raynes

26 February 1967 – Cliffs Pavilion, Southend-on-Sea, Essex with The Jimi Hendrix Experience, Dave Dee, Dozy, Beaky, Mick and Tich, The Koobas and Force Five

According to Disc & Music Echo, 4 March issue, future member Neil Korner left The New Vaudeville Band two weeks ago to form his own blues band

18 March 1967 – Spa Royal Hall, Bridlington, East Riding of Yorkshire with Big Change and The Voice

22 March 1967 – Fountains Club, RAF Brampton, Cambridgeshire with The Chequers

25 March 1967 – Tabernacle, Stockport, Greater Manchester

 

April 1967 – West German dates

 

9 May 1967 – South Pier, Lowestoft, Suffolk with Ray King Soul Band

According to Record Mirror, the band played in Hungary from 15-31 May 1967

28 May 1967 – Kisstadion, Budapest, Hungary

 

9 June 1967 – Tiles, London, central London with The Downliners Sect

Disc & Music Echo‘s 10 June issue says that they are on a Hungarian tour

18 June 1967 – Kettering Working Men’s Club, Kettering, Northamptonshire with McGregors Engine

24 June 1967 – Lewes FC Beat Rave, Lewes Town Hall, Lewes, East Sussex with The Attack and The Teen Team

28 June 1967 – Ritz, Bournemouth, Dorset with Wynder K Frog

 

1 July 1967 – Dreamland, Margate, Kent with The Washington DC’s

8 July 1967 – New Century Hall, Manchester with The Factotums

15 July 1967 – Rave Nite, Irchester near Wellingborough, Northamptonshire with The Symbols

Neil Korner from The New Vaudeville Band takes over from Pete Shannon around September 1967

9 September 1967 – Spa Royal Hall, Bridlington with The Sons of Witch and The Exodus

Photo may be subject to copyright

28 September 1967 – Liberal Hall, Yeovil, Somerset

 

16 October 1967 – Glastonbury Town Hall, Glastonbury, Somerset

21 October 1967 – KSL Club, Brackley Town Hall, Brackley, Northamptonshire

24 October 1967 – Manchester College of Commerce, Students Union October Ball with Cock-A-Hoop

 

3 November 1967 – Guildhall, Southampton, Hampshire

Photo may be subject to copyright

9 November 1967 – Bolton Institute of Technology & Bolton Technical College, Bolton, Greater Manchester with Spectrum and Skip Bifferty

11 November 1967 – Glastonbury Town Hall, Glastonbury, Somerset with The Lotion

21 November 1967 – Queens Rink Ballroom, Hartlepool, County Durham with The Gasboard and Tony King Sound

23 November 1967 – Cleveland Technical College Students’ Union, Astoria Ballroom, Middlesbrough, North Yorkshire with The St Louis Union and The Crescendos

24 November 1967 – Dorothy Ballroom, Cambridge with The Country Cousins

25 November 1967 – Afan Lido, Port Talbot, Wales with The Koo Koo Bird Bicycle Band

Photo may be subject to copyright

30 November 1967 – Penthouse, Birmingham, West Midlands with Amen Corner

 

December 1967 – Osprey Club, Portland, Dorset with Bill Collins & His Orchestra (Christmas show)

5 December 1967 – Starlite Room, Liverpool

Nashville Teens, early 1968. Photo may be subject to copyright

1968

3 February 1968 – Clockwork Orange, Chester, Cheshire with Bujjies (or The Travellers)

Photo may be subject to copyright

9 February 1968 – Roman Rag Ball, Glamorgan College of Technology, Glamorgan, Wales with Cliff Bennett, Union Pacific Showband, The Caribbean All Stars and The Stereos

Photo may be subject to copyright

10 February 1968 – Students’ Union, United of East Anglia, Norwich, Norfolk with support

The Nashville Teens, spring 1968. Photo may be subject to copyright

2 March 1968 – Bournemouth Pavilion, Bournemouth, Dorset with Skip Bifferty and Lemon Tree

8 March 1968 – Punchbowl, Lapworth, West Midlands

18-21 March 1968 – Hatchetts Playground, Piccadilly, central London

Photo may be subject to copyright

22 March 1968 – St Albans City Hall, St Albans, Herts with The Cortinas

30 March 1968 – Cliffs Pavilion, Southend, Essex with support

 

22 April 1968 – Raven, Strechford, West Midlands

26 April 1968 – Belfry, Wishaw, West Midlands with Youngblood, Lionel Rubins and Don McLean

 

4 May 1968 – Walsall Town Hall, Walsall, West Midlands with Traction

Fabulous 208 says that in late May 1968 road manager Dick Philips takes over from Neil Korner on bass but this seems unlikely unless it was temporary as Korner left later in the year

15 June 1968 – Winsford Civic Hall, Winsford, Cheshire

28 June 1968 – California Ballroom, Dunstable, Bedfordshire with support

Photo may be subject to copyright

5 July 1968 – Bell Hall, Warrington, Cheshire

6 July 1968 – Entertainments Centre Yate, Chipping Sodbury with The Sabres

13 July 1968 – Grafton Club, RAF Marham with The Alan Price Set and The Caste

Photo may be subject to copyright

26 July 1968 – Buckingham Town Hall, Buckingham, Bucks with support

 

9 August 1968 – Shrubbery Hotel, Ilminster, Somerset with The Circles

10 August 1968 – Barn Ballroom, Little Bardfield Hall, Little Bardfield, Essex

17 August 1968 – King’s Hall, Aberystwyth, Wales with Arnos Grove

 

4 October 1968 – John Dalton College, Manchester, Greater Manchester with The Stroll Band and The Kondours

5 October 1968 – Solihull Civic Hall, Solihull, West Midlands

17 October 1968 – Mayfair Ballroom, Newcastle upon Tyne, Tyne & Wear with Family, The Move, Dollyrocker Band and Peter’s People

24 October 1968 – Tall Trees Club, Newquay, Cornwall

25 October 1968 – Van Dike, Plymouth, Devon with Inner Circle

26 October 1968 – University College, central London with Grapefruit and Mustang Proteus (is this correct? See 26 November below)

 

15 November 1968 – Nottingham University, Nottingham with Marmalade and The Cortinas

16 November 1968 – White Buck Inn, Burley, Dorset with John Gary Group

26 November 1968 – University College, Gower Street, central London with Grapefruit, Mustang and Proteus

Photo may be subject to copyright

30 November 1968 – Chard Guildhall, Chard, Somerset with The Popees

John Hawken leaves around November initially to start a band with Chris Dreja and B J Cole. He subsequently forms Renaissance. Roger Groom also departs and is replaced briefly by Chris West

Photo may be subject to copyright

13 December 1968 – Brunel University, Uxbridge, west London with Bonzo Dog Doo Dah Band and Krisis

Neil Korner, Chris West and John Allen all leave around this time

Roger Deane (bass) and Len Tuckey (lead guitar) from The Chasers join with James Smith (drums), who’d previously worked with Hamilton & The Hamilton Movement among others

1969

Photo may be subject to copyright

7 February 1969 – West Kent College Assembly Hall, Tunbridge Wells, Kent with Spooky Tooth

Photo may be subject to copyright

20 February 1969 – Imperial College, Charity Concert, Royal Albert Hall, central London with The Spencer Davis Group, The Move, Status Quo and East of Eden

22 February 1969 – Ealing Town Hall, Ealing, west London

James Smith leaves in late February/early March to join House of Orange, who backed The Fantastics. His replacement is Lenny Butcher, another ex-Chaser

12 April 1969 – Ritz, Bournemouth, Dorset with The Rick ‘N’ Beckers

 

1 September 1969 – Pop and Blues Festival, Pennycross Sports Stadium, Plymouth, Devon with Fleetwood Mac, Geno Washington & The Ram Jam Band, The Move, Dave Amboy, Rod Mason Jass Band

 

23 November 1969 – London Palladium, central London with Gene Vincent and Wild Angels

1970

27 July 1970 – Telegraph, Brixton, south London

 

5 September 1970 – Marquee, Wardour Street, Soho, central London

Thanks to Rolf Hannet in Germany for helping with the Beat Instrumental and Beat Monthly gigs

Apart from the listings above, the gig sources include:

Aldershot News, Andover Advertiser, Banbury Guardian, Beat Instrumental, Beat Monthly, Birmingham Evening Mail, Bolton Evening News, Bucks Free Press (High Wycombe), Burnley Express and News, Cambrian Times, Cambridge News, Cornish Gazette, Cornish Guardian, Crawley Advertiser, Crewe Chronicle, Eastern Evening News, East Kent Times & Mail, Evening Argus, Express and Echo (Exeter), Fabulous 208 Magazine, Folkestone & Hythe Gazette, Glamorgan County Times, Harrow Observer & Gazette, Harrow Weekly Post, Hayes Gazette, Hull Daily Mail, Ipswich Evening News, Kilmarnock Standard, Kingston & Malden Borough News, Lancashire Evening Post, Lincolnshire Standard, Littlehampton Gazette, Liverpool Echo, Luton News, Lynn News, Manchester Evening News and Chronicle, Melody Maker, Mid Sussex Times, Newcastle Evening Chronicle, Newham, Barking and Stratford Express, Northampton Chronicle, Northwich Chronicle, Port Talbot Guardian, Somerset County Gazette, Southend Standard, South East London Mercury, Southern Evening Echo, South Wales Argus, South Wales Evening Post, St Neots Advertiser, Surrey Advertiser, Surrey Comet, Sussex Evening Express, Time out, Tottenham Weekly Herald, Warrington Guardian, Western Evening Herald, Western Scene, West Briton & Royal Cornwall Gazette, West Surrey Advertiser, Western Gazette, Weston Mercury, Windsor, Slough & Eton Express, Woking Herald, Wood Green and Southgate Weekly Herald, Worthing Gazette. Also Roger Bistow’s research on Dizzy Tiger Music website and the California Ballroom website.

Also the Bournemouth website: https://bournemouthbeatboom.wordpress.com/

Copyright © Nick Warburton.  All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Hamilton and The Hamilton Movement

Back row, left to right: Chris Palmer, Gary Laub and Peter Vernon-Kell. Front: Fedon Tilberis
Hamilton and The Hamilton Movement, 1965. Back row, left to right: Chris Palmer, Gary Laub and Peter Vernon-Kell. Front: Fedon Tilberis

In August 1965, an obscure R&B outfit named Hamilton & The Hamilton Movement signalled its arrival on the London scene with an impressive rendition of The Velvelettes’ Motown classic “Really Saying Something” (later a sizeable UK hit for Bananarama) and then seemingly vanished off the face of the earth.

Then, almost two years later, a band calling itself Hamilton & The Movement descended on the airwaves with the infectious soul-rocker, “I’m Not the Marrying Kind”, a Bill Wyman penned and produced number, infused with punchy horn lines, funky drums and some groovy Hammond organ fills. Could this really be the same band and, if so, why such a long radio silence?

The answer to that question is both a yes and a no. While both outfits were fronted by a singer called Gary Hamilton, they were in fact two entirely different groups, albeit each with fascinating histories. To understand how these two bands became entwined, it’s important to go back to the early Sixties and the man who kick-started ‘the movement’, so to speak – Gary Hamilton.

The son of an English mother and American father, Gary Hamilton was in fact a certain Gary Laub, who grew up in London’s Marble Arch and St John’s Wood areas.

In 1962, Laub formed his first (unnamed) group with a school friend and lead guitarist named Graham who lived opposite Lords cricket ground. Soon after, they were joined by bass player Chris Palmer, rhythm guitarist Ian Hunt and (finally) drummer Fedon Tilberis, who all attended Haverstock School.

“How Chris and Ian met Gary I don’t know,” says Tilberis. “I joined a little later but Graham was still in the band and left soon after. We enlisted a replacement lead guitarist named Mike Allen and emerged as a five-piece named The Moondogs. The name was [Gary’s father] Mr Laub’s idea before we auditioned at the famous Two Is coffee bar.”

Fast forward to spring 1965 and Laub, Palmer and Tilberis had to reshuffle the pack when Allen and Hunt moved on. Through a friend of Tilberis, they were introduced to two older guitarists – Costas and Bernie – and started gigging as Cell Block 5.

Cell Block Five“Costas was an ex-pro who had played US bases in Germany; he was a men’s tailor by trade. Bernie was from Rochdale. They were then in their late Twenties,” remembers Tilberis.

“We practised in the cellar of a scrap shop in south London that they knew. They did a three-nighter with us in a Greek Street cellar club called Les Cousins that I hustled but Bernie, not feeling very happy, left on the last night after the gig. Costas stayed on for a London suburb gig. They were only with us for about seven or eight weeks.”

Coining a new name, The Reaction, Tilberis hit the jackpot when he stumbled across Rayrik Studio owners Rick Minas and Bruce Rea, who offered up their Chalk Farm studio as a practice room. In return, the outfit would play free on any demo recording sessions when required.

“As it turned out, this was a great deal for us as we never had to record anything there other than our audition to clinch the agreement and practised for free,” continues the drummer.

Abetted by guitar legend Mick Green, The Reaction duly auditioned and Minas was bowled over by the performance.

“Chris and I had auditioned Mick at Chris’ place in Kilburn shortly before the Rayrik audition and we were both very impressed,” remembers Tilberis.

“Although Mick didn’t commit himself, he was interested in doing the Rayrik session, maybe hoping for some recording session gigs. I can’t remember what the number was that we recorded or if Gary was even there, but do remember listening to the backing take after and Mick’s comment. He said that it was a good clean recording and that you could build on it. Rick and Bruce agreed.”

Peter Vernon-Kell (front) with The Macabre outside the Ealing Club. Photo: Peter Vernon-Kell

However, when Mick Green opted to return to The Dakotas, with whom he had been playing with after leaving Johnny Kidd & The Pirates the previous year, Peter Vernon-Kell, a member of Goldhawk Social Club and Ealing Club regulars, The Macabre assumed guitar duties. Incidentally, Vernon-Kell had also been a brief member of The Detours, a forerunner of The Who.

“Both Mick Green and Peter Vernon-Kell came to us via a [Melody Maker] ad in that order. We did see other guitarists but finally settled for Peter after Mick moved on to greener pastures [excuse the pun],” explains Tilberis.

“Peter shared our new musical orientation and attitude, and as far as we were concerned, he fitted the bill. I then arranged our first practice at Rayrik.”

Prior to Vernon-Kell’s addition to the group’s ranks, Minas and Rea had introduced impresario Robert Stigwood, and the Australian subsequently offered Gary Laub a recording deal and put the band on his agency books.

Stigwood insisted that “Really Saying Something” should be the ‘A’ side while Rick Minas and his song-writing partner Mike Banwell offered up “I Won’t See You Tonight” for the flipside.

Before cutting both tracks at a demo session at Regent Sound in Denmark Street, Vernon-Kell coined a new name; The Reaction sounding too similar to The Action, The Who’s regular Tuesday night opener at the Marquee.

“He came up with The Hamilton Movement [in honour of Macabre guitarist Ed Hamilton] in the pub before the session [and] we thought it was great,” remembers Tilberis, who adds that Gary Laub, although at first not so keen, adopted ‘Hamilton’ as a stage name.

Having booked Olympic Sound (then situated in Baker Street) for the final recordings (and unbeknownst to the musicians), Stigwood augmented the band with Graham Bond on piano.

“We were aware who Graham was and were pleased to have him on board for the session,” says Tilberis.

According to the drummer, the tracks required only a few takes per playback and for the lead/backing vocals. Released in August 1965, the single entered the Radio Caroline charts at number 65 on 23 October and peaked at number 53 the following week.

However, the musicians soon realised that any talk of ‘band democracy’ was just that. Not only did the single list the outfit as Hamilton & The Hamilton Movement but Stigwood started promoting them as such.

“Only Gary was allowed to perform on Ready Steady Go using our playback, though we were allowed to attend the show,” explains Tilberis.

Interestingly, as future Hamilton Movement member Mel Wayne recalls, Stigwood insisted on the same conditions with another of his charges, The All-Nite Workers, who were backing Indian singer Simon Scott around the same time.

“Simon mimed to our backing track [on Ready Steady Go] while we had to stand on the balcony with the audience,” says the sax player. “It must have been a Stigwood thing.”

Aired on 22 October 1965, Gary Hamilton appeared on the popular British TV show alongside The Animals, The Searchers, Chris Farlowe & The Thunderbirds and The Rolling Stones, which may have been where the singer linked up with Bill Wyman.

By then, the group had started to pick up consistent live work, kicking off with a memorable gig at Sophia Gardens Pavilion in Cardiff on 30 August with The Who, The Graham Bond Organisation, The Merseybeats and The Easybeats (not the Australian outfit), which had been arranged by the Stigwood/Lambert-Stamp team.

“It looked like a sports hall with an enormous stage at one end. We went up the day before and slept in the van and hung about till early next afternoon to unload our gear,” says Tilberis.

“Townsend was also there early and limbering up in The Who’s dressing room. As our Pete knew him, he went to say ‘allo’ and introduce his new mates… [Townsend] asked Pete if he could borrow his Fender amp for the gig. Pete was more than wary, after all he didn’t want his amp wrecked so Townsend promised to only demolish his Marshall gear.

“Keith Moon and Tony Banks, drummer of The Merseybeats, were looning around and generally getting on everybody’s nerves, especially Entwistle’s as Moon had donned his bass and was running up and down the stage strumming it like a maniac. I thought John was going to thump him.”

More provincial gigs followed, not to mention the obligatory Mod clubs in London, including the El Partido in Lewisham where the outfit played alongside The Duke Lee Sounds on 30 October 1965.

However, in mid-late January 1966, the Stigwood/Lambert & Stamp team secured a spot for the band on a three-day, two shows a day package tour, once again opening for Vernon-Kell’s former band mates, The Who, and also featuring Screaming Lord Sutch & The Savages, The Graham Bond Organisation, The Merseybeats and The Fortunes.

“Bob [Stigwood] arranged for us to practise at the Granada TV rehearsal studios at the Oval about a week beforehand,” remembers Tilberis. “He and Lambert came to oversee the rep and offer presentation tips for our opening spot on the show.”

The tour debut duly took place at the Astoria Cinema, Finsbury Park on 4 February and was followed by a gig at the Odeon Cinema, Southend-on-Sea the next day, culminating with a final engagement on 6 February at the Empire Theatre, Liverpool.

The following month, on 11-12 March, the musicians found themselves on the campus of Essex University in Colchester where a number of bands, including the up and coming Pink Floyd were entertaining the students.

Then in April, Stigwood linked up with Chris Blackwell to promote a second package tour headlined by The Who, this time with Hamilton and The Hamilton Movement joining the likes of The Spencer Davis Group, The Band of Angels and (most notably) Jimmy Cliff & The Sound System (aka New Generation) (who featured musicians that would form part of the soon-to-be Hamilton Movement).

The four-day tour, with two shows a day, kicked off at the Gaumont Theatre in Southampton on 14 April. After weaving its way on to Fairfield Halls in Croydon, then the Odeon in Watford, the tour wound up at the Regal Theatre in Edmonton.

“Gary’s mum called me on Saturday, 16 April in the afternoon asking if we would do the Watford gig that evening,” says the drummer. “Although we all had other plans I rounded up Pete and Chris and we did that gig.”

Stigwood then proposed a second single and once again engaged Graham Bond on piano. The sessions included a stab at The Who’s “A Legal Matter” as the ‘B’ side, which was cut as an instrumental track. However, the recording of the ‘A’ side did not go well, as Tilberis recalls.

“We weren’t raving about the number. Stigwood arranged a practice room and gave us a single to learn but I can’t remember what it was called. I had a trouble with the drum part on the session.

“Bob was well peeved but let us play one of our tunes that we were working on, but there was no melody line or title at that stage and he didn’t like it. The Olympic session was a blow out and Bob gave us the thumbs down, we were out and the gig flow stopped.”

As Tilberis points out, there was still no signed contract, and the singer was looking out for himself. “Gary’s dad [Harry] being a shrewd businessman and used to dealing with contracts and small print had deleted a hefty portion of the contract!”

Chris Palmer and Fedon Tilberis soon left for Jimmy & The Rackets, a British beat group with hit parade successes in Germany, Switzerland and Austria.

Joining long-standing frontman, Jimmy Duncombe and guitarist Mike Bell, Tilberis remained with the Swiss-based outfit until spring 1968 while Palmer stayed on for another year.

The pair appeared on a cache of European-only released singles by The Rackets, kicking off with a cover of Eddie Cochran’s “C’mon Everybody” backed by a cover version of George Harrison’s “I Want To Tell You”.

The pair ended up setting up home in Switzerland where, in 1970, The Chris Palmer Band recorded the ultra-rare solo LP Fingertips, featuring originals from all the band members.

Palmer later hit pay day in 1980 when Surface Noise topped the UK dance music chart with a cover of his song, “The Scratch”. Tilberis re-joined The Rackets and played with local bands, including Swiss Sixties specialists, The Countdowns.

Vernon-Kell meanwhile subsequently moved into production. Setting up PVK Records, he managed Peter Green and produced a string of his late 1970s and early 1980s albums. More recently, he’s become an executive producer for films and currently runs Cabana Films Ltd.

But Gary Hamilton wasn’t finished with The Hamilton Movement. In late July/early August 1966, he linked up with Jimmy Cliff’s backing band, The New Generation, renaming them The Movement.

Bass player Ron Thomas, who years later struck fame with The Heavy Metal Kids, thinks the link-up came through The New Generation’s keyboard player Mick Fletcher.

“[Mick] was always going down all the clubs around Wardour Street,” says the bass player. “He was always ducking and diving and I thought he just met him [Gary Hamilton] out there one night.”

“Me and Mickie Fletcher were great mates and frequented The Ship in Wardour Street and drank with Gary there quite a bit,” confirms sax player Mel Wayne.

“We were all a bit frustrated the way things were going with Jimmy Cliff because he didn’t have a soul or pop voice, which was the sort of music Chris Blackwell wanted him to do and engaged us for.”

New Generation members Ron Thomas and Mel Wayne, together with fellow sax player Dave Mahoney, had first come together in West London R&B outfit Mike Dee & The Prophets.

Adding Thomas’s school friend Mick Stewart on guitar in mid-1965, they split from Mike Dee and worked as Anglo-Indian singer Simon Scott’s backing group, The All-Nite Workers. Their lone single together was produced by none other than Robert Stigwood!

By late 1965, former Paramounts drummer Phil Wainman had assumed leadership, and after cutting several singles with Errol Dixon and briefly backing Freddie Mack, Mick Stewart jumped ship to join Johnny Kidd & The ‘New’ Pirates.

Having previously introduced Mick Fletcher from The Epitaph Soul Band, guitarist Tony Sinclair (aka Tony St. Clair) completed the new formation, now gigging as The Sound System.

Through a chance meeting with Chris Blackwell, the sextet supported his roster of artists – Jackie Edwards, Millie, Owen Grey and most notably Jimmy Cliff. Trumpet player John Droy joined just before the Gary Hamilton pairing.

Clockwise from front: Ron Thomas, Mick Fletcher, Gary Laub, Tony Sinclair, Mel Wayne, Dave Mahoney and Phil Wainman
Clockwise from front: Ron Thomas, Mick Fletcher, Gary Laub, Tony Sinclair, Mel Wayne, Dave Mahoney and Phil Wainman

The expanded group began rehearsing at London’s Colony Club where Gary’s father was employed; US film star George Raft worked as its casino director and briefly financed the outfit. Mel Wayne adds that the group also rehearsed at Caesars Palace in Dunstable and Ken Collier’s London club.

When John Droy bailed after a short nationwide tour with The Walker Brothers in mid-August to join The Quotations, The Movement expanded its line-up, bringing in trumpet players – Mike Bailey, Alan Ellis and Patrick Higgs, the latter from Elton John’s group, Bluesology around December. (Ed: One of the unsuccessful musicians to audition was trumpet player Verdi Stewart, who would be instrumental in landing Mel Wayne future work with Carl Douglas.)

“We had a ten-piece band; a five-piece brass section; three trumpets. When I think of it now, we were all on a wage,” recalls Thomas.

Hamilton & The Hamilton Movement extended line upThat November, Gary Hamilton landed a recording deal with CBS and the musicians entered IBC Studios to work with Rolling Stone Bill Wyman in the producer’s chair.

“That was something that [Gary’s father] Mr Laub put together. He said, ‘We’ve got a song for you’,” remembers Phil Wainman, who adds that the group nailed both sides in a couple of takes.

“He [Bill Wyman] just let us get on with it. The band was so good. We’d rehearsed it prior to the studio and… in three hours I think we were done, recorded and mixed.”

“I’m Not The Marrying Kind” c/w “My Love Belongs To You” was duly released on 10 February 1967 and hit single written all over it.

However, despite having supported The Who at Leeds University on 21 January and then making a notable appearance at the Saville Theatre opening for Chuck Berry and Del Shannon on 19 February, the single’s commercial failure prompted the backers to drastically reduce the group’s bookings.

Phil Wainman was the first to abandon ship for The Overlanders and then Jack Hammer, author of “Great Balls of Fire”.

Hamilton and The Movement Fab November 1966After co-penning The Yardbirds’ cover “Little Games” and working with The Quotations, Wainman became a top session player and then a successful producer with Sweet and Boomtown Rats, among his credits.

“As a producer I did so much better than as a musician,” says Wainman. “That’s where I did well. I probably sold about 300 million records.”

James Smith, fresh from an audition with The New Pirates, reforming after Johnny Kidd’s death, assumed the drum stool.

“I got a call from Ron Thomas,” remembers the newcomer. “He said Mick Stewart had given him my number and would I be interested in auditioning? I got the gig, though it was a hard act to follow. Phil was one of the best drummers around at the time.”

Smith remembers the band finding plenty of work on the university circuit that spring, including Keele, Nottingham, Leeds and Birmingham.

In the first week of April, Melody Maker reported that the group had whittled down from a 10 piece to a seven piece. Mel Wayne left to join Carl Douglas & The Big Stampede and two other horn players also departed, most likely including Pat Higgs.

On 27 May, Hamilton & The Movement joined Cliff Bennett & The Rebel Rousers, The Action, The Bonzo Dog Doo Dah Band and The Swinging Blue Jeans to entertain the students at Oxford’s Hertford Balls.

The drummer also says that The Hamilton Movement opened for US soul act Sam and Bill several times (most notably at the Boston Gliderdrome on 15 July) before further changes ensued during August and October 1967.

Sam and Bill, Record Mirror

“The brass section dropped out and this kind of triggered a fairly rapid exodus… There were no gigs for a while so Tony, Mick and Ron found other work,” says the drummer.

While Mick Fletcher failed to reunite with Mel Wayne in Carl Douglas & The Big Stampede (the job went to Rod Mayall), he next appears to have played with The Rifle (with guitarist Del Grace from Carl Douglas’ band and singer Malcolm Magaron) and then The Amboy Dukes in late 1969 for a short tour into mid-1970.

Tony Sinclair briefly played with Lace before joining Freddie Mack’s band in early 1968. The soul outfit split from the former boxer in 1969 and worked with Dave Hadfield at his studio on the Old Kent Road, providing backing tracks for various artists on Hadfield’s Revolution label.

Ron Thomas meanwhile got a job with guitarist Pip Williams’s band, The House of Orange, backing US soul act, The Fantastics.

“They were right in the middle of a tour backing Garnet Mimms,” he recalls. “They were a house band working with Roy Tempest. They just phoned me up. Their bass player had got slung out in the middle of the tour and they had a gig that night.”

With ‘The Movement’ on hold, James Smith had also started to explore other avenues and even had an offer on the table when Gary Hamilton convinced him to hang on.

“Gary came up with Mick Stewart and Tony Savva and said he wanted to change the style and format going with a three-piece backing band, so I decided to stay,” says the drummer.

Bass player Tony Savva was best known for his work with A Wild Uncertainty, the group that featured Eddie Hardin, who had replaced Stevie Winwood in The Spencer Davis Group that spring.

Savva is uncertain how the link-up with Hamilton came about but has some photos with A Wild Uncertainty drummer Gordon Barton and lead guitarist Peter Tidmarsh in them, which offers a clue.

“Gary and I were behind the camera,” he explains. “How and why I don’t know but obviously we were backing Gary as vocalist. Maybe Gordon and Peter split and Mick [Stewart] and Jimmy [Smith] came in.”

Mick Stewart, however, can throw more light on this transition period. “I believe that I played with Tony Savva for a little while because of something to do with Don Arden’s son David being a would-be-singer at the time,” says the guitarist.

“The intro to that was in a way due to Johnny Kidd. Over the years, he was in fact booked quite a bit by Don Arden’s agency and after he died, I believe that someone at Arden’s company suggested I play guitar in this back-up band. Tony was already in the line-up. At the end of the day, however, David Arden although he was a really great guy to be in a rock ‘n’ roll band with, he was not really a singer at all.”

Gary Hamilton 25 November 1967 Record Mirror

With the new version finding its feet, Gary Hamilton returned to the studios with session musicians to cut a solo single. Produced by Tony Meehan and penned by Mike D’Abo, “Let the Music Play”, backed by the self-penned “Don’t Ask”, was released by Decca on 12 November 1967 but flopped. A dramatic, big band production, “Let the Music Play” appears on Colour Me Pop, Volume Three and Fading Yellow Volume 9: The Other Side of Life.

During early November 1967,  Gary Hamilton expanded the line-up by bringing in organist Terry Goldberg, who had previously played with The Mark Leeman Five and would go onto Tintern Abbey.

Melody Maker, 11 November 1967

The five-piece gigged prolifically over the next four months, even opening for Ike & Tina Turner and others at the Boston Gliderdrome on 20 April 1968. Two days later, the musicians played possibly their final show at the 100 Club on Oxford Street before the inevitable split.

During 1968, Gary Hamilton recorded a one-track acetate “Carry The Can“, which was never released. The tracks were recorded with studio musicians and not the final version of The Hamilton Movement.

Mick Stewart immediately joined James Royal and participated in a prestigious concert tour alongside Johnny Cash, June Carter and Carl Perkins.  During 1969-1970, he recorded three singles with Sweet before later moving to the United States in the late 1970s, where he works in Los Angeles and Nashville as a successful record producer and also owns a music publishing company and a recording studio.

Tony Savva meanwhile subsequently worked with Lionel Bart and Samuel Prody among others and currently lives in Cyprus. James Smith, who later recorded with Aquila, played with a revamped Nashville Teens before reuniting with Ron Thomas in The House of Orange.

“[Ron] said The Fantastics were coming back to the UK for a tour and he and Pip Williams were getting a backing band together and looking for a drummer and organist. I’d seen Ron and Pip previously so I didn’t need asking twice.”

As for Gary Hamilton, he joined the London production of Hair before resuming his solo career with a lone single for CBS and gigging briefly with Cozy Powell’s band, Big Bertha. Produced by Bernard Lee, the self-penned “Easy Rider” stalled when it was released on 5 December 1969.

Undeterred, he returned to Polydor for a cover of Ed Welch’s the “Monkey Song”, produced by Peter Knight Jr and arranged by John Fiddy. Released on 20 November 1970, the single flopped and Hamilton moved into movie acting; the eagle-eyed can catch him in the cult horror flick, Tower of Evil.

Thanks to Fedon Tilberis, Peter Vernon-Kell, Chris Palmer, Ron Thomas, Phil Wainman, Mel Wayne, James Smith, Mick Stewart and Tony Savva

To add information and make corrections, email: Warchive@aol.com

A version of this article appears in Ugly Things magazine.

Copyright © Nick Warburton.  All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Notable gigs (see comments section for sources):

 

Gary Hamilton (vocals)

Peter Vernon-Kell (guitar)

Chris Palmer (bass)

Fedon Tilberis (drums)

30 August 1965 – Sophia Gardens Pavilion, Cardiff, Wales with The Who, The Graham Bond Organisation, The Merseybeats and The Easybeats

18 September 1965 – Il Rondo, Leicester

 

16 October 1965 – Woodhall Community Centre, Welwyn Garden City

30 October 1965 – El Partido, Lewisham, south east London with The Duke Lee Sounds and The Loose Ends

13 November 1965 – Co-Op Hall, Chesham, Bucks

27 November 1965 – Dungeon, Nottingham

4 December 1965 – Gala Ballroom, Norwich, Norfolk with Profile

24 December 1965 – Clacton Town Hall, Clacton, Essex with Unit 4+2 and The Nite-Sect

 

4 January 1966 – Pavilion Ballroom, Bournemouth, Dorset

1 February 1966 – Carousel Club, Farnborough, Hants

4 February 1966 – Astoria Cinema, Finsbury Park, north London with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages

5 February 1966 – Odeon Cinema, Southend-on-Sea, Essex with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages

6 February 1966 – Empire Theatre, Liverpool with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages

11 February 1966 – Wimbledon Palais, Wimbledon, London with The Who and The Mike Rabin Group

18 February 1966 – Tower Ballroom, Great Yarmouth, Norfolk with Circuit Five

19 February 1966 – Royal Links Pavilion, Cromer, Norfolk with The Ultimate

 

11-12 March 1966 –  Essex University, Colchester, Essex with Pink Floyd and others

18 March 1966 – Dancing Slipper, Nottingham with Carl Pagan & The Heathens

19 March 1966 – Gala Ballroom, Norwich, Norfolk with The Spectrum

11 April 1966 – Clacton Town Hall, Clacton, Essex with The Moody Blues and Dave & The Strollers

14 April 1966 –  Gaumont Theatre, Southampton, Hants with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System

15 April 1966 – Fairfield Hall, Croydon, south London with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System

16 April 1966 – Odeon, Watford, Herts with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System

17 April 1966 – Regal Theatre, Edmonton, north London with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System

21 May 1966 – New Central Ballroom, Aldershot, Hants with The Nuetrons

The original band split around June 1966 and Gary Hamilton put together a new version in late July

Gary Hamilton (vocals)

Tony Sinclair (aka St Clair) (guitar)

Ron Thomas (bass)

Mick Fletcher (keyboards)

Mel Wayne (sax)

Dave Mahoney (sax)

John Droy (trumpet)

Phil Wainman (drums)

11-13 August 1966 – Gaumont Cinema, Bournemouth, Dorset with The Kinks, The Walker Brothers, The Quotations, The Creation, The Wishful Thinking, Dave Dee, Dozy, Beaky, Mick & Titch and The Moody Blues

14 August 1966 – Tiles, Oxford Street, central London with The Anzacs

John Droy left soon after the tour to join The Quotations

26 August 1966 – The Place, Hanley, Staffordshire

 

3 September 1966 – Rhodes Centre, Bishop’s Stortford, Herts with The Mystery Men

9 September 1966 – Benn Memorial Hall, Rugby, Warwickshire with The Roaring 60s and The Imagination (Rugby Advertiser)

18 September 1966 – Cromer Olympia, Cromer, Norfolk with The Barry Lee Show

24 September 1966 – Golden Torch, Tunstall, Staffordshire with Dave Berry & The Cruisers

29 September 1966 – Thorngate Ballroom, Gosport, Hampshire

1 October 1966 – Golden Torch, Tunstall, Staffordshire with The Thoughts

16 October 1966 – Khyber Club, Taunton, Somerset with The Sabres (the band replaced MI5)

Three trumpets players joined around December – Mike Bailey, Alan Ellis and Pat Higgs

 

21 January 1967 – Leeds University, Leeds, West Yorkshire with The Who

 

19 February 1967 – Saville Theatre, Shaftsbury Avenue, central London with Chuck Berry, The Canadians and Del Shannon

26 February 1967 – Saville Theatre, Shaftsbury Avenue, central London with Chuck Berry, The Candians and Herbie Goins & The Night-Timers

 

11 March 1967 – Birdcage, Portsmouth, Hants (cancelled)

Phil Wainman left around now and Jim Smith joined on drums

18 March 1967

18 March 1967 – Ewell Technical College, Ewell, Surrey with The Easybeats

Around early April, Mel Wayne and two trumpet players left, most likely including Pat Higgs. The band carried on as a seven-piece with two horn players.

6 May 1967 – Royal Lido Ballroom, Prestatyn, Wales with The Quotations and The Raynes (billed as Hamilton)

27 May 1967 – Hereford Balls, Oxford with Cliff Bennett & The Rebel Rousers, The Action, The Bonzo Dog Doo Dah Band and The Swinging Blue Jeans

10 June 1967 – Tiles, Oxford Street, central London with The Collection and The Gas Company

11 June 1967 – Starlight Ballroom, Crawley, West Sussex with Craig King & The Midnight Train

17 June 1967 – Bal Tabarin, Downham, south east London with supporting groups

2 July 1967 – Cosmo, Carlisle, Cumbria with Four Degrees West

6 July 1967 – Blue Lagoon, Newquay, Cornwall (billed as Hamilton & The Quotations but assuming it is the same band)

The group backed US soul singers Sam & Bill on a UK tour. The pair arrived on 12 July so it’s safe to assume the gigs listed below featured Hamilton & The Hamilton Movement

12 July 1967 – Locarno, Stevenage, Herts with Sam & Bill (most likely debut)

13 July 1967 – Sybilla’s, Swallow Street, Mayfair, central London (billed as Sam & Bill)

15 July 1967 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Sam & Bill, The Skatalites and The Reasons

16 July 1967 – Speakeasy, central London (billed as Sam & Bill)

21 July 1967 – Big ‘C’, Farnborough, Hants with Sam & Bill

21 July 1967 – Cue Club, Paddington, central London (billed as Sam & Bill)

22 July 1967 – New All-Star Club, Liverpool Street, central London (billed as Sam & Bill)

23 July 1967 – Dungeon, Nottingham with Sam and Bill

23 July 1967 – Saville Theatre, Shaftsbury Avenue, London (billed as Sam & Bill)

28 July 1967 – Skyline Ballroom, Hull with Sam & Bill plus One In A Million and That Feeling

29 July 1967 – Northwich Memorial Hall, Northwich, Cheshire with Sam & Bill and The Trap

30 July 1967 – Starlight Ballroom, Crawley, West Sussex with Sam & Bill and The Gas Company

13 August 1967 – Dungeon, Nottingham (says they were Sam and Bill’s backing group)

23 August 1967 – Locarno, Stevenage, Herts

25 August 1967 – Steering Wheel, Weymouth, Dorset

Dave Mahoney and the last trumpet player departed around now

2 September 1967 – Kirklevington Country Club, North Yorkshire

Sam & Bill played Floral Hall in Southport on 9 September 1967, but it’s unlikely they were support band this time.

15 September 1967 – Fiesta Hall, Andover, Hampshire

16 September 1967 – El Grotto, Ilford, east London

23 September 1967 – Cesar’s Club, Bedford with The Scotch of St James

30 September 1967 – City Hall, Salisbury, Wiltshire with Jigsaw and Dave Jay

Ron Thomas, Mick Fletcher and Tony Sinclair all left during October and the band was put on hold as Gary Hamilton recruited new players

Gary Hamilton (vocals)

Mick Stewart (guitar)

Tony Savva (bass)

Jim Smith (drums)

21 October 1967 – Maple Ballroom, Northampton

Terry Goldberg joined on keyboards 

11 November 1967 – Brackley Town Hall, Brackley, Northamptonshire (possibly Goldberg’s debut)

8 December 1967 – City University, central London with The Soft Machine and Robert Hirst & The Big Taste

 

6 January 1968 – Lion Hotel, Warrington, Cheshire with Styx and Just Us

3 February 1968 – Sheridan Rooms, Huddersfield, West Yorkshire

9 February 1968 – Tiger’s Head, Catford, south east London (billed as Hamilton’s Movements)

25 February 1968 – Barnsley Civic Hall, Barnsley, West Yorkshire with Jay Jones (billed as The Gary Hamilton Movement)

26 February 1968 – Primrose Hill Working Men’s Club, Huddersfield, West Yorkshire (billed as The Gary Hamilton Movement)

9 March 1968 – Clouds, Derby (says it’s an eight-piece soul band)

15 April 1968 – Barnsley Civic Hall, Barnsley, West Yorkshire with The Koobas and Detroit Soul Sound

20 April 1968 – Starlight Room, Boston Gliderdrome, Boston, Lincs with the Ike & Tina Turner Show, The Ikettes, The Artists and The Train Set

22 April 1968 – 100 Club, Oxford Street, central London (possibly the final gig)

The Fantastics – British tours 1967-1970

Photo may be subject to copyright

Comprised of singers John Cheatdom, Jerome Ramos, Donald Haywoode and Richard Pitts and originally known as The Velours, US soul band, The Fantastics had enjoyed US chart success before being brought to the UK by promoter Roy Tempest in late 1967.

Billed as the “Fabulous Temptations” (even though there was no connection with the more famous Motown act), the group’s debut British tour took place in August/September 1967.

Bournemouth 65-67
The Sovereigns, circa 1966. Sitting on elephant, left to right: Mich Tomich, Freddie Tillyer, Pip Williams and Keith Franklin. Standing: Roy St John-Foster (pic: Pip Williams)

To support the soul act on the road, Roy Tempest’s agency hired west London band, The Sovereigns, who had been formed in mid-1965 and comprised singer Roy St John-Foster, lead guitarist Pip Williams, bass player Mick Williams, tenor sax player Freddie Tillyer (ex-Eddie King & The Chequers) and drummer Keith Franklin.

When the band turned professional, Pip’s brother Mick dropped out and Mick Tomich took over on bass. In October 1966, the band supported US soul singer Alvin Robinson on some British gigs.

In late 1966, The Sovereigns were signed to King Records and recorded a lone 45 which was issued in January 1967. The release combined Freddie Tillyer and Pip Williams’ “Bring Me Home Love” with a cover of “That’s the Way Love Is”.

Just before the band got picked up by Roy Tempest’s agency, Scotsman Brian Johnson, keyboard player in The Senate came on board.

Billed as The Clockwork Orange (although this may well be another band), the musicians appear at Barnsley Civic Hall, Barnsley, West Yorkshire with The Discounts.

Pip 65-67
Pip Williams, circa 1966. Photo: Pip Williams

Selected gigs (see end for other sources not listed here):

31 August 1967 – The Place, Hanley, Staffordshire (Evening Sentinel) Billed as “The Fabulous Temptations”

 

1 September 1967 – California Ballroom, Dunstable, Hertfordshire Billed as “Fabulous Temptations”

2 September 1967 – Nite Owl, Leicester with Pesky Gee (Leicester Mercury) Billed as “The Fabulous Temptations”

2 September 1967 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with The Equals, The Sovereigns and The Rubber Band  (Lincolnshire Standard) Billed as “Fabulous Temptations”

3 September 1967 – King Mojo, Sheffield, South Yorkshire (Sheffield Star) Billed as “Temptations”

5 September 1967 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as “Temptations”

6 September 1967 – The Place, Hanley, Staffordshire (Evening Sentinel) Billed as “The Temptations”

11 September 1967 – New Century Hall, Manchester with The New Rave (Manchester Evening News & Chronicle) Billed as “The Temptations”

12 September 1967 – Dungeon, Nottingham (Nottingham Evening Post) Billed as “The Temptations”

Photo may be subject to copyright

16 September 1967 – The Place, Wakefield, West Yorkshire (Wakefield Express) Billed as “The Fabulous Temptations”

16 September 1967 – The Hub, Barnsley, West Yorkshire (The Barnsley Chronicle & South Yorkshire News) Billed as “The Fabulous Temptations”

17 September 1967 – Plaza Ballroom, Handsworth, West Midlands (Birmingham Evening Mail) Billed as “The Temptations”

17 September 1967 – Club Cedar, Birmingham with The Ray King Soul Band (Birmingham Evening Mail) Billed as “The Temptations”

18 September 1967 – Ritz Ballroom, King’s Heath, West Midlands (Birmingham Evening Mail) Billed as “The Temptations”

19 September 1967 – Sloopy’s, Manchester with The Measles (Manchester Evening News & Chronicle) Billed as “The Fabulous Temptations”

Motown advert published in Melody Maker. Photo may be subject to copyright

After the first tour with The Fabulous Temptations (aka Fantastics), the band (now called The Clockwork Orange) backed US singer Garnet Mimms.

On 29 September 1967, The Clockwork Orange also played a solo gig at Princess Ballroom, Halifax, West Yorkshire.

According to Barnsley Chronicle & South Yorkshire News, Garnet Mimms played at the Hub, Barnsley, West Yorkshire on 8 October 1967. Although the support band isn’t listed, it is likely it was The Clockwork Orange.

Half way through the Garnett Mimms tour, Mick Tomich departed and Ron Thomas was brought in from Hamilton & Hamilton The Movement. Tomich went on to play with Pickettywitch among others.

Photo may be subject to copyright

They also did some gigs backing The Soul Sisters, including a show at the Boston Gliderdrome on 14 October.

Soon after, the group started to use the name The House of Orange (although they were also still billed as The Clockwork Orange occasionally).

On 22 October 1967, The House of Orange played two shows backing The Soul Sisters. These took place at the Hub, Barnsley, West Yorkshire with The Pitiful Souls and The Place, Wakefield, Barnsley, West Yorkshire with Randy Dandy Band.

Selected gigs (see end for other sources not listed here):

In November, The Fabulous Temptations (aka The Fantastics) returned for a second British tour. 

12 November 1967 – Domino Club, Openshaw, Greater Manchester and Princess Club, Chorlton, Greater Manchester (Manchester Evening News & Chronicle) Billed as “The Temptations” (backing band billed as The Senate) The Senate also backed Garnet Mimms

13 November 1967 – Bluesville ’67 Club, St Mathew’s Baths Hall, Ipswich, Suffolk with The Clockwork Orange (Ipswich Evening Star) Billed as The Fabulous Temptations

14 November 1967 – Clay Pigeon, Eastcote, northwest London (Harrow Weekly Post) Billed as “The Temptations”

14 November 1967 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as “Fabulous Temptations”

Photo may be subject to copyright

15 November 1967 – Savoy Ballroom, Southsea, Hampshire with Clockwork Orange and Nepenthe with The Trend (Portsmouth News)

17 November 1967 – California Ballroom, Dunstable, Bedfordshire Billed as “Fabulous Temptations”

18 November 1967 – Plaza Ballroom, Old Hill, Bearwood, West Midlands (Birmingham Evening Mail) Billed as “The Temptations”

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18 November 1967 – Plaza Ballroom, Handsworth, West Midlands (Birmingham Evening Mail) Billed as “The Temptations”

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19 November 1967 – The Hub, Barnsley, West Yorkshire with The Clockwork Orange and Nepenthe with her Soul Men backing group (most likely The Trend) (Barnsley Chronicle & South Yorkshire News) Billed as “The Fabulous Temptations”

25 November 1967 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Gates of Eden (Cambridgeshire Times)

26 November 1967 – Purple Onion Club, Cleethorpes with The Roll Movement and The Clockwork Orange (Grimsby Evening Telegraph) Billed as “The Temptations”

27 November 1967 – King Mojo, City Hall Ballroom, Sheffield, South Yorkshire (The Sheffield Star)

30 November 1967 – Winter Gardens, Malvern, Worcestershire with The Clockwork Orange Billed as “Fabulous Temptations”

 

1 December 1967 – Palais Ballroom, Worksop, Worksop, Nottinghamshire with The Priscilla Juke Box with The Clockwork Orange (Doncaster Evening Post) Billed as “The Temptations” 

2 December 1967 – New Century Hall, Manchester with other acts (Manchester Evening News & Chronicle) Billed as “The Fabulous Temptations”

2 December 1967 – Sloopy’s, Manchester with The Clockwork Orange (Manchester Evening News & Chronicle) Billed as “The Fabulous Temptations”

3 December 1967 – Starlight Ballroom, Crawley, West Sussex with The Army Billed as “Temptations”

5 December 1967 – Klooks Kleek, West Hampstead, north London (Melody Maker) Billed as “Fabulous Temptations”

9 December 1967 – Flower Pot Club, Digbeth, West Midlands (Birmingham Evening Mail) Billed as “The Temptations”

9 December 1967 – Plaza Ballroom, Old Hill, Bearwood, West Midlands (Birmingham Evening Mail) (tour ends today?)

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13 December 1967 – Steering Wheel, Weymouth, Dorset (House of Orange only gig)

During January 1968, The House of Orange gigged in its own right. They also backed Garnet Mimms on some gigs. Like this one:

19 January 1968 – King Mojo, City Hall Ballroom, Sheffield, South Yorkshire (Sheffield Star)

In early February, The Fantastics returned for another tour

2 February 1968 – King Mojo, City Hall Ballroom, Sheffield, South Yorkshire (Sheffield Star)

3 February 1968 – The Place, Wakefield, West Yorkshire with The House of Orange (Wakefield Express)

3 February 1968 – Plebians, Cheapside, Halifax, West Yorkshire (Huddersfield Daily Examiner) Says formerly known as “The Fabulous Temptations”

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9 February 1968 – Clifton Hall, Rotherham, South Yorkshire (Sheffield Star) Says ex-“Fab Temptations”

10 February 1968 – Tinned Chicken, Castleford, West Yorkshire (Sheffield Star)

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11 February 1968 – The Hub, Barnsley, South Yorkshire (Sheffield Star)

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14 February 1968 – St Valentine’s Dance, Victoria Ballroom, Chesterfield, Derbyshire (Sheffield Star) Says ex-“Fab Temptations”

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17 February 1968 – Princes Pavilion, Falmouth, Cornwall with Peace & Quiet (Cornish Guardian)

23 February 1968 – Big C Club, 1 Camp Road, Farnborough, Hampshire (Aldershot News) Billed as The Fantastics

24 February 1968 – Tavistock Town Hall, Tavistock, Devon with Cousin Jacks (Cornish Guardian)

24 February 1968 – Royal Lido, Prestatyn, Clwyd, Wales with The House of Orange and The Missing Links (Rhyl & Prestayn Gazette)

25 February 1968 – Beau Brummel Club, Nantwich, Cheshire (bills backing group, The House of Orange) with The Jaytree Organisation

26 February 1968 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)

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2 March 1968 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Gospel Garden, The Reformation (Lincolnshire Standard) (bills backing group, The House of Orange)

2 March 1968 – Brave New World, Portsmouth, Hampshire (billed but replaced by Mike Cotton & Lucas)

3 March 1968 – Ram Jam, Brixton, south London (Melody Maker)

17 March 1968 – Beau Brummel Club, Nantwich, Cheshire (bills backing group, The House of Orange) with The Jaytree Organisation

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18 March 1968 – King Mojo, City Hall, Ballroom, Sheffield, South Yorkshire (Sheffield Star) Replaced The Impressions as no connection with Curtis Mayfield

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24 March 1968 – Kirklevington Country Club, Kirklevington (Middlesbrough Evening Gazette)

25 March 1968 – King Mojo, City Hall Ballroom, Sheffield, South Yorkshire (Sheffield Star) Not sure if this happened as they stepped in the previous Monday. They may have played both Mondays

27 March 1968 – Bluesville ’68 Club, St Matthew’s Baths, Ipswich, Suffolk (Ipswich Evening Star) Says formerly The Fabulous Temptations

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28 March 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)

Photo may be subject to copyright

14 April 1968 – City Hall Ballroom, Barkers Pool, Sheffield, South Yorkshire (Sheffield Star)

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15 April 1968 – Plebians, Cheapside, Halifax, West Yorkshire with The Clockwork Orange (Halifax Evening Courier and Guardian)

21 April 1968 – Clifton Hall, Rotherham, South Yorkshire (Sheffield Star)

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20 April 1968 – Glastonbury Town Hall, Glastonbury with The House of Orange and Chris Shakespere Globe (Somerset County Gazette/Western Gazette)

26 April 1968 – Clockwork Orange, Chester, Cheshire (bills backing group, The House of Orange)

27 April 1968 – Ram Jam, Brixton, south London with The Duke Reid Sound (Melody Maker)

Photo may be subject to copyright

28 April 1968 – Central R&B Club, Central, Gillingham, Kent (Chatham, Rochester & Gillingham News)

 

5 May 1968 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)

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6 May 1968 – Belfry, Wishaw, West Midlands with Immediate Pleasure (Birmingham Evening Mail)

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10 May 1968 – Il Rondo, Leicester with House of Orange (Leicester Mercury)

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13 May 1968 – Cromwellian, South Kensington, west London (Melody Maker)

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17 May 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)

19 May 1968 – Wake Arms, Epping, Essex (Melody Maker)

19 May 1968 – Central R&B Club, Gillingham, Kent (Chatham, Rochester & Gillingham News)

25 May 1968 – Brave New World, Eastney, Hampshire

Photo may be subject to copyright

2 June 1968 – Clouds, Derby (Derby Evening Telegraph)

3 June 1968 – Queen’s Hall, Leeds with The Herd, Bill Haley & The Comets, Alan Bown, Edwin Starr, Amboy Dukes, Gospel Garden, The Clockwork Orange and others

Photo may be subject to copyright

3 June 1968 – Blue Lagoon, Newquay, Cornwall with The Action (Cornish Guardian) (unlikely with gig in Leeds on the same day but was advertised)

9 June 1968 – Starlite Ballroom, Greenford, west London (Melody Maker)

10 June 1968 – Carlton Club, Warrington, Cheshire (Warrington Guardian)

11 June 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)

15 June 1968 – Bulmershe College of Education, Woodley, Berkshire

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22 June 1968 – Wolverhampton College of Technology, Wolverhampton, West Midlands with The Scarab (backed by The House of Orange)

23 June 1968 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)

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8 July 1968 – Orchid Ballroom, Purley, Surrey

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13 July 1968 – Civic Hall, Dunstable, Bedfordshire with The Sun (Welwyn & Hatfield Advertiser)

15 July 1968 – Carlton Club, Warrington, Cheshire (Warrington Guardian)

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20 July 1968 – Spa Royal Hall, Bridlington, North Yorkshire with The Scarlet Farmyard and The Little Dedication (Scarborough Evening News)

30 July 1968 – Concorde, Southampton, Hampshire (Southern Evening Echo)

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3 August 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)

5 August 1968 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)

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9 August 1968 – Derby Locarno, Derby, Derbyshire (Burton Daily Mail)

11 August 1968 – Black Prince Hotel, Bexley, southeast London (Melody Maker)

16 August 1968 – Fishmonger’s Arms, Wood Green, north London (Melody Maker)

22 August 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)

Photo may be subject to copyright

23 August 1968 – New Market Discotheque, Bridgwater, Somerset (Bridgwater Mercury)

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24 August 1968 – “Middle Earth”, Torquay Town Hall, Torquay, Devon (bills backing group, The House of Orange) with The Royals and Howard Stephen Shape

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26 August 1968 – Orchid Ballroom, Purley, Surrey

Photo may be subject to copyright

31 August 1968 – Tees Pop ’68, Recreation Ground, Eston, Teesside with Traffic, Ben E King, Bonzo Dog Doo Dah Band, Alan Bown, Family, Amboy Dukes, Joe Cocker & The Grease Band, The Tramline, Rivers Invitation and Chelfont Line (Newcastle Evening Chronicle)

 

1 September 1968 –Queen’s Hall, Leeds with Ben E King, Clyde McPhattter, The Flirtations, (the former The Gypsys, booked as The Fabulous Marvelettes and backed by The Trend), Tim Rose, Timebox and The World of Oz

2 September 1968 – Brave New World, Eastney, Hampshire

10 September 1968 – Concorde, Southampton, Hampshire (Southern Evening Echo)

11 September 1968 – Nottingham Boat Club, Nottingham (Nottingham Evening Post)

13 September 1968 – Braintree Corn Exchange, Braintree, Essex with The Shannons (Essex Chronicle)

14 September 1968 – Blue Lagoon, Newquay, Cornwall with Same Brothers and Confusion (Cornish Guardian)

Photo may be subject to copyright

16 September 1968 – Chesford Grange, Kenilworth, Warwickshire with The Ray King Soul Band (Warwick Advertiser/Coventry Evening Telegraph)

17 September 1968 – Hatchettes Playground, Piccadilly, central London

18 September 1968 – Hotspot, Madison Club, Torquay, Devon (Herald Express)

Photo may be subject to copyright

21 September 1968 – Soul Club, Plaza Ballroom, Newbury, Berkshire with Just Us (Reading Evening Post)

23 September 1968 – Carlton Club, Warrington, Cheshire (Warrington Guardian)

 

3 October 1968 – Scotch Discotheque, Torquay, Devon (Herald Express)

6 October 1968 – Black Prince Hotel, Bexley, southeast London (Melody Maker)

Photo may be subject to copyright

8 October 1968 – Cheltenham Spa Lounge and Ballroom, Cheltenham, Gloucestershire (Gloucester Citizen)

11 October 1968 – Nottingham Boat Club, Nottingham (Nottingham Evening Post)

12 October 1968 – Links, Borehamwood, Hertfordshire with Fragrant Blend

18 October 1968 – George Ballroom, Hinckley, Leicestershire with The Chase and The Midnights (Nuneaton Evening Tribune)

Photo may be subject to copyright

25 October 1968 – New Market Discotheque, Bridgwater, Somerset (Bridgwater Mercury)

26 October 1968 – Tin Hat, Kettering, Northamptonshire with The Trax (Northamptonshire Evening Telegraph)

29-31 October 1968 – Rum Runner, Birmingham with Catz (Birmingham Evening Mail)

31 October 1968 – Birdcage, Harlow, Essex

 

1 November 1968 – Bird Cage, Harlow, Essex with Chuck Jackson and Carla Thomas

2 November 1968 – Rawtenstall Baths, Rawtenstall, Lancashire

3 November 1968 – Crystal Palace Hotel, Crystal Palace, south London (South East London Mercury)

5 November 1968 – Concord, Southampton, Hampshire (Southern Evening Echo)

8 November 1968 – Public Baths, Sutton-in-Ashfield, Nottinghamshire with Inez & Charlie Foxx and The House of Orange Band (Derbyshire Times)

8 November 1968 – Arts-Tech Rag Ball, Nottingham with Charlie and Inez Foxx

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9 November 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with Generous Earth (Cambridgeshire Times)

14 November 1968 – Oak Leaf Hotel, South Bank (Middlesbrough Evening Gazette)

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15-16 November 1968 – Scene Two, Scarborough, North Yorkshire (Scarborough Evening News)

17 November 1968 – Tudor Club, Mercers Arms, Coventry (Coventry Evening Telegraph)

22 November 1968 – California Ballroom, Dunstable, Bedfordshire

23 November 1968 – Odeon Manchester (or was this Manchester Free Trade Hall?) with Diana Ross & The Supremes and others

24 November 1968 – London Palladium, central London with Diana Ross & The Supremes and others

29 November 1968 – Cue Club, Paddington, central London (Melody Maker)

30 November 1968 – New Century Hall, Manchester (Manchester Evening News)

 

1 December 1968 – Princes and Domino clubs, Greater Manchester (Manchester Evening News)

3 December 1968 – The Place Club, Henley, Berkshire (could this be the Place, Hanley, Staffordshire?)

6 December 1968 – City Hall, Sheffield, South Yorkshire (Sheffield Star)

7 December 1968 – Elms Court Ballroom, Botley, Oxford with Gentle Influence (Oxford Mail)

8 December 1968 – Crystal Palace Hotel, Crystal Palace, southeast London (South East London Mercury)

9 December 1968 – Ramsgate Coronation Ballroom, Ramsgate, Kent

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10 December 1968 – Spa Lounge and Ballroom, Cheltenham, Gloucestershire (Gloucester Citizen/Stroud News)

12 December 1968 – Pavilion, Worthing, West Sussex

13 December 1968 – Top Rank, Doncaster, South Yorkshire

15 December 1968 – RAF Mildenhall

16 December 1968 – Tithe Farm, Harlow, Essex

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19 December 1968 – South Dorset Technical College, Students’ Association, Weymouth Pavilion, Weymouth, Dorset with Alan Bown (replaced Traffic) and The Package Deal (Dorset Evening Echo) Says backed by The Colourful Orange

20 December 1968 – Tabernacle, Stockport, Greater Manchester

21 December 1968 – Cliffs Pavilion, Southend, Essex

22 December 1968 – Black Prince Hotel, Bexley, southeast London

23 December 1968 – Golden Torch, Hanley, Staffordshire (Evening Sentinel)

Photo may be subject to copyright

24 December 1968 – Soul Club, Plaza Ballroom, Newbury, Berkshire with The House of Orange, The Joyce Bond Show and Barley Mo (Reading Evening Post)

26 December 1968 – Imperial Ballroom, Nelson, Lancashire

27 December 1968 – New Market Discotheque, Bridgwater, Somerset

28 December 1968 – Civic Hall, Nantwich, Cheshire with The Hideaways

29 December 1968 – Mercers Arms, Coventry, West Midlands (Coventry Evening Telegraph)

30 December 1968 – Belfry Hotel, Wishaw, West Midlands

31 December 1968 – Morecambe Pier, Morecambe, Lancashire

The Trend featuring future members Peter Cole and Norman Cummins
The Trend. Left to right: John Connolly, Peter Cole, Frankie Morgan and Norman Cummins

At the outset of the 1969 tours, Peter Cole (known as ‘Spam’) the bass player from The Trend, who had recently disbanded, became The Fantastics’ road manager.

2 January 1969 – Sloopy’s, Middlesbrough

Photo may be subject to copyright

3 January 1969 – Nottingham Boat Club, Nottingham (Nottingham Evening Post)

4 January 1969 – Civic Hall, Winsford, Cheshire

5 January 1969 – New Revolution, Baths, Sutton-in-Ashfield, Nottinghamshire (Nottingham Evening Post)

5 January 1969 – Clouds, Derby (Derby Evening Telegraph)

17 January 1969 – Birmingham’s first 1969 Extravaganza, Town Hall, Birmingham with Freddie Mack Show, The Locomotive, Ivan Chin Soul Band and Liz Christian

18 January 1969 – Town Hall, Glastonbury, Somerset

19 January 1969 – Surrey Oval Rooms, Kennington, south London

21 January 1969 – King’s Hall, Aberystwyth, Wales

24 January 1969 – White Lion, Edgware, north London

25 January 1969 – Winter Gardens Pavilion, Weston-Super-Mare, Somerset

26 January 1969 – Surrey Rooms, Kennington, south London

 

1 February 1969 – New Astoria Ballroom, Rawtenstall, Lancashire and Bin Lid Club, Dewsbury, West Yorkshire

2 February 1969 – The Place, Hanley, Staffordshire

7 February 1969 – Nottingham Boat Club, Nottingham

14-15 February 1969 – Scene 2 Club, Scarborough

16 February 1969 – Black Prince Hotel, Bexley, southeast London

22 February 1969 – Cliff’s Pavilion, Southend, Essex

23 February 1969 – Good Companion’s Hotel, Slough, Berkshire

 

3 March 1969 – Orchid Ballroom, Purley, Surrey

In early March, Roy St John-Foster, Keith Franklin and Brian Johnson all departed. Pip Williams, Freddie Tillyer and Ron Thomas brought in drummer James Smith from The Nashville Teens and organist Martin Woodward from Tapestry.

Selected gigs (see end for other sources not listed here):

19 March 1969 – The Lyceum, the Strand, central London with The Move (debut show with new line up)

Photo may be subject to copyright

23 March 1969 – Black Prince Hotel, Bexley, southeast London

Martin Woodward and Peter Cole remember playing the following venues but they can’t recall the dates:

Civic Hall, Winsford, Cheshire

400 Ballroom Torquay (at least twice)

Scene 2 Club, Scarborough (two or three times)

The Place, Hanley, Staffordshire

Lyceum, Sheffield

Clouds, Derby

The Plaza Ballroom, Handsworth, Birmingham

The Penthouse, Birmingham

The Starlite Ballroom, (Greenford?) west London

The Skyline, Hull

The U.S.A.F. Base Alconbury near Huntingdon, Cambridgeshire

The Dungeon, Nottingham

The Princess Theatre Club, Greater Manchester

The Domino Club, Greater Manchester

The King Mojo, Sheffield

Mecca, Derby (at least twice)

Mecca, Plymouth

Winter Gardens Pavilion, Weston-Super-Mare, Somerset

Dunstable (possibly California Ballroom)

Middlesbrough Showboat for a week plus one night stands

Middlesbrough City Hall (possibly with Three Dog Night)

Kenilworth Grange

Bolton Casino, Wigan Casino, Garrick Lea (for seven days)

Sheffield University for last two nights

April – US airbases in Frankfurt Germany and then to Zurich (Black Out club), Switzerland with Gun.

Selected gigs (see end for other sources not listed here):

25 April 1969 – Nottingham Boat Club, Nottingham (Nottingham Evening Post)

Photo may be subject to copyright

26 April 1969 – Dreamland Ballroom, Margate, Kent with The Candy Choir (Folkestone & Hythe District Herald)

27 April 1969 – Crystal Palace Hotel, Crystal Palace, south London (South East London Mercury)

 

18 May 1969 – Surrey Room, Kennington, south London (South East London Mercury)

24 May 1969 – Leas Cliff Hall, Folkestone, Kent (Folkestone & Hythe District Herald)

25 May 1969 – Skegness Seaside Soul Festival, Skegness, Lincolnshire with Amen Corner, Inez and Charlie Foxx, Geno Washington & The Ram Jam Band and Jimmy James & The Vagabonds

 

21 June 1969 – Broken Wheel, Retford, Nottinghamshire (Retford Times)

29 June 1969 – Surrey Room, Kennington, south London (South East London Mercury)

Ron Thomas, hotel, Frankfurt, 1969 (Pic: Peter Cole)
Ron Thomas, hotel, Frankfurt, 1969 (Pic: Peter Cole)

According to James Smith, The Fantastics had problems with UK work permits around this time and had to live and work outside of the UK for six months. While playing the US military air bases in and around Frankfurt Germany, Ron Thomas left later to play, most notably, with The Heavy Metal Kids.

Peter Cole, The Fantastics’ road manager (and known as “Spam”), who had started out as bass player with The Trend took over after playing rhythm guitar on the European gigs. The Trend had worked for the Roy Tempest Agency in the mid-1960s backing artists like The Drifters, Garnett Mimms and Ben E King, The Soul Sisters, Clyde McPhatter, The Flirtations (then The Fabulous Marvelettes), The Platters and Buddy Holly’s Crickets among others. When The Trend folded Spam became road manager for The Fantastics.

Jimmy Smith and Ron Thomas (just before Ron left) in Frankfurt, 1969 (Pic: Peter Cole)
Jimmy Smith and Ron Thomas (just before Ron left) in Frankfurt, 1969 (Pic: Peter Cole)

July 1969 – US airbases in Germany (Ron Thomas departs in Frankfurt)

Pip Williams, who wasn’t long married and needed to return home, left while the band was in Naples and returned home, subsequently joining Jimmy James & The Vagabonds. Pip Williams later became a top session player, working with producer Phil Wainman among others. Later on, he became a successful producer, and is best known for producing Status Quo and The Moody Blues.

Peter Cole, Jimmy Smith and Martin Woodward in Cannes, France (photo: Peter Cole)
Peter Cole, Jimmy Smith and Martin Woodward in Cannes, France (photo: Peter Cole)

Initially, Peter Cole’s former band mate from The Trend, Norman Cummins took over to play the US air base gigs in Naples and after a subsequent return to Frankfurt stayed to play in a club in Cannes. Cummins then departed and moved to South Africa.

The rest of the band travelled to Majorca where former Tony Knight’s Chessmen and Magicians guitarist Fred D’Albert was flown over to join the remaining backing group. D’Albert had also played with Smith backing a soul act in Essen, West Germany during mid-1968 (possibly Owen Grey).

Selected gigs (see end for other sources not listed here):

July 1969 – NATO airbase in Naples, Italy (Pip Williams left and Norman Cummins joined as lead guitarist).

Norman Cummins in Frankfurt before heading to Cannes (Pic: Peter Cole)
Norman Cummins in Frankfurt before heading to Cannes (Pic: Peter Cole)

July – Frankfurt and then Cannes, France (Cummins leaves)

August 1969 – Sloopy’s, Palma, Majorca (for one month) (Fred D’Albert joins on guitar)

Fred at Sloopy's, Palma, Majorca (Pic: Peter Cole)
Fred D’Albert at Sloopy’s, Palma, Majorca (Pic: Peter Cole)

While in Majorca, the musicians met Tina (Christine Sykes) who danced with The House of Orange before The Fantastics came on stage. Tina at a later date joined up with Herbie Goins & The Night-Timers. The musicians returned to the UK afterwards but eventually split up. It’s not clear whether they backed The Fantastics on a spring 1970 tour.  Fred D’Albert joined Sweetwater Canal in late 1969.

18 January 1970 – Broken Wheel, Retford, Nottinghamshire with J J Jackson & The Greatest Little Band In The Land and The United Nations (Retford Times)

Photo may be subject to copyright

9 March 1970 – Orchid Ballroom, Purley, Surrey with Booker T & The MGs, Johnnie Walker, The Globe Show and Blue Mink

13 March 1970 – Castle Soul Club, Tooting Broadway, southwest London

22 March 1970 – Broken Wheel, Retford, Nottinghamshire with James & Bobby Purify, Edison’s Phonograph, The Globe Show and Midnight Express (Retford Times)

Photo may be subject to copyright

24 March 1970 – Rebecca’s, Birmingham (Birmingham Evening Mail)

Martin Woodward in Rome

When the band folded in March 1970, Martin Woodward and James Smith formed Aquila who recorded a lone album. They then teamed up again in The Tommy Hunt Band. According to Woodward, The Fantastics tried to hire The Tommy Hunt Band but couldn’t afford them.

Aquila (L-R: Phil Childs, Ralph Denyer, George Lee, Martin Woodward, James Smith)
Aquila (L-R: Phil Childs, Ralph Denyer, George Lee, Martin Woodward, James Smith)

Peter Cole meanwhile replaced Philip Chen on bass in The Joyce Bond Review, who recorded an album, Winds of Change, as Joyce Bond and The Colour Supplement. Bond enjoyed number one hits in the West Indies on Island Records with “Do The Teasy” and a cover of The Beatles’ “Ob-La-Di Ob-La-Da”.

One early morning Tina met Pete Cole in the M1 services The Blue Boar after a gig with Herbie Goins. He invited Tina to join the Colour Supplement who undertook a tour in the West Indies. British Guiana, Surinam and Barbados.

Gig sources include:

Fabulous 208 Magazine, Lincolnshire Standard, Melody Maker, Crawley Advertiser, West Briton & Royal Cornwall Gazette, Birmingham Evening Mail, Northwich Chronicle, Sheffield Star, Warrington Guardian, Express & Star, Yorkshire Evening Post, Reading Evening Post

A huge thanks to Pip Williams, Martin Woodward, Ron Thomas, James Smith and Peter Cole for their help piecing the band history together. Thank you to Pip Williams for the Sovereigns photos and Peter Cole for the band images.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author. To contact the author, email: Warchive@aol.com or nick_warburton@hotmail.com

 

The London Beats

The London Beats in Poland March 65
London Beats in Poland, 1965. Left to right: John Carroll, Jimmy Smith, Peter Carney and Mick Tucker

The London Beats were the first Western rock band to tour behind the Iron Curtain, releasing an ultra-rare LP in Poland and three Polish-only EPs.

Significantly, its members also went on to such notable bands as Geno Washington’s Ram Jam Band, Fortes Mentum, Hamilton & The Hamilton Movement, The Flower Pot Men, The Nashville Teens, Aquila, Cressida and Tranquility.

Moonriders, left to right: Mick Godfrey, Simon Coaffee, Tony Terry, Mick Tucker and Terry Jones
Moonriders, left to right: Mick Godfrey, Simon Coaffee, Tony Terry, Mick Tucker and Tony Jones

Lead guitarist/singer Mick Tucker, rhythm guitarist/singer Tony Terry and bass player Simon Coaffee (aka Sam Clifton) first came together in Horley, Surrey outfit, The Moonriders, in early 1963, alongside singer Tony Jones and drummer Mick Godfrey. Not long after, the band changed name to The Pete Chester Combo after Chester took over the drum stool.

“For a while [Pete] became the band leader, because to us he was nationally famous,” explains Tucker. “His dad was a big radio star. Charlie Chester was a household name in the 1960s.”

Tony Jones, however, didn’t stay long and Mick Tucker poached lead singer Frank Bennett from local rivals, The Rockatones. Paired with producer Mickie Most, who introduced South African singer Jackie Frisco (later Gene Vincent’s wife) and his brother Dave Hayes as guest singers, The Pete Chester Combo recorded “Love Comes Only Once”, which was subsequently shelved.

Pete Chester Combo 1963
Pete Chester Combo, 1963. Left to right: Tony Jones, Mick Tucker, Simon Coaffee, Pete Chester and Tony Terry

When Pete Chester retired that autumn, original sticks man Mick Godfrey briefly re-joined, just in time for an aborted six-day tour of Israel.

Reverting to The Moonriders, the quintet cut a private demo disc comprising five songs – “Da Doo Ron Ron”, “Every Day”, “Love Potion No 9”, “Memphis Tennessee” and “Talk About You”, and this landed the band a contract with Johnnie Jones’s London City Agency. The agent suggested a new name.

“The London Beats was his [Johnnie Jones’s] idea, particularly in Europe because it said where we were from and what sort of music we played,” explains Tucker.

London Beats, early 1964, left to right: Mick Tucker, Tony Terry, Frank Bennett, Jimmy Smith, Simon Coaffee
London Beats, early 1964, left to right: Mick Tucker, Tony Terry, Frank Bennett, Jimmy Smith, Simon Coaffee

Jones arranged a six-month deal with a promoter in West Germany, kicking off in January 1964, but Mick Godfrey bailed. Shuffling the pack, Frank Bennett recommended drummer Jimmy Smith from Lewes band, The Shades.

The London Beats shortly after James Smith joined. Photo: Mid Sussex Times

 

“Frank used to turn up to quite a few late ’63 gigs; he’d come up on stage and do a few numbers with us,” says Smith. “I remember being really impressed by his R&B voice.”

The London Beats in Germany during 1964Departing for Frankfurt in March 1964, The London Beats worked the German club scene and American bases until mid-December, by which point Tony Terry had returned home (later forming The Pack).

In London, Mickie Most played the musicians a pre-release master tape of The Animals’ “House of The Rising Sun”. “We knew straight away that it would be a hit record,” remembers Coaffee.

That December, the quartet recorded a cover of Ian Tyson’s “Four Strong Winds” with producer Terry Kennedy, possibly credited as Bennett Tucker.

The London Beats based in Germany 1964According to Tucker, Kennedy was putting the final touches to ‘Funny How Love Can Be’ by The Ivy League, and ‘Catch The Wind’ by Donovan,” around the same time. He hired Simon Coaffee to play bass on The Ivy League’s “Tossin’ and Turnin’”.

Then, in January 1965, it was back to Germany for two months to play at the Funny Crow and Top Ten in Hamburg, the latter alongside Howie Casey’s band, Beryl Marsden and Paddy, Klaus & Gibson.

“We did some recordings at the Top Ten, which became a studio during the day,” remembers Tucker.

“Frank Bennett and I did some backing vocals for Isabelle Bond, the resident singer at the Top Ten club – German versions of ‘Bread and Butter’ and also ‘Downtown’. Klaus [Voorman] was also one of the backing singers.”

Back home, Jones offered them a three-month contract in Poland as part of a musician union exchange with the Polish Modern Jazz Quartet. However, Frank Bennett and Simon Coaffee weren’t interested.

“The Polish national agency wanted us because they’d heard through a third party at some trade fair in Poznan in Poland that we were making shed loads of money for our manager in Germany and so the Poles thought we’d like to get in on this,” explains Tucker. “They asked specifically for us even though they’d never heard of us.”

“My father wouldn’t let me go,” explains Bennett on his decision to bail out. “You couldn’t bring the money out, which was a problem. That was the reason. Also, I went back to Germany and joined The Statesmen, an American five-piece harmony band.”

London Beats fivepiece in 1964In 1967, Bennett joined Fortes Mentum. The band later released three singles for Parlophone and enough material for an album, which has recently been issued on a CD with Pussy.

Keen to see behind the Iron Curtain, Tucker and Smith recruited an organist and bass player who would join them alongside a female vocalist, a specification in the Polish contract.

Through Melody Maker, they hired Hammond organist John Carroll, who recommended his band mate from Ealing group, The Flexmen – bass player Peter Carney.

Later on, Johnny Jones also recruited a female vocalist – Birmingham-based club singer Linda Crabtree (Linda Fortune) as a solo artist with her own contract.

The musicians headed to Poland in March 1965 and soon after recorded an ultra-rare LP for the Polskie Nagrania Muza label in a church hall in Wroclaw.

“The record company had trucked in a twin-track mobile studio from Warsaw because our itinerary was full and they didn’t want to wait,” says Smith.

“The equipment was pretty old and they didn’t seem to have any experience of recording rock/pop music, resulting in the sound quality and balance leaving a lot to be desired.”

Something of a collector’s item, the album features a fascinating choice of covers, including Sam Cooke’s “Bring It On Home To Me”, Buddy Holly’s “Maybe Baby” and Burt Bacharach and Hal David’s “Walk On By”.

The London Beats in Poland, 1965. Left to right: John Carroll, Jimmy Smith, Peter Carney and Mick Tucker
The London Beats in Poland, 1965. Left to right: John Carroll, Jimmy Smith, Peter Carney and Mick Tucker

With the initial contract nearing its end, Pagart (the Polish agency) offered to extend the group’s stay.

“We negotiated our own contract with the Polish authorities because we were fed up with the London City Agency, which had done nothing really to help us,” confesses Tucker.

“In the whole three months we were there [initially] we didn’t hear from them once. We were a bit pissed off with that, so we negotiated the next thing, which is why the name slightly changed to The Original London Beat. That was just for legal reasons.”

Left to right: John Carroll, Peter Carney and Mick Tucker
Left to right: John Carroll, Peter Carney and Mick Tucker

The quartet returned to Poland in late June but after about two months, John Carroll and Pete Carney returned to home, both joining Tony Knight’s Chessmen.

Carney would subsequently become a long-standing member of Geno Washington’s Ram Jam Band while Carroll would hook up with Herbie Goins & The Night-Timers and later join The Flowerpot Men.

Also back in the UK, Mick Tucker recruited bass player Kevin McCarthy from Tolworth, Surrey outfits The Trends (later The 4 Degrees) and The Peasants, and Australian rhythm guitarist Tony Stanton.

“Mick Tucker contacted me, came over and told me about The London Beats,” remembers McCarthy. “I played him a recording of the 4 Degrees, which must have been good enough for him to consider me for the job. We got together at his house in Horley to rehearse, where I met the new singer Sterry Moore.”

New line up. Left to right: Mick Tucker, Frank Stanton, Kevin McCarthy and Jimmy Smith
New line up. Left to right: Mick Tucker, Tony Stanton, Kevin McCarthy and Jimmy Smith

The female singer (no relation to actor Roger Moore) was brought in to take over from Linda Crabtree on both the recording and touring front. However, as McCarthy points out, Tucker’s decision to bring in another guitarist was a last minute decision.

“He found [a keyboardist] in Melody Maker and we went to meet him. He had a brand new Vox Continental organ and he could really play it. This was Eddie Hardin, who later joined Spencer Davis. Alas, he did not want to go to Poland with The London Beats for six months.”

On 25 October 1965, the musicians flew to Warsaw where they were reunited with Jimmy Smith.

“We began rehearsals and the agency organised photos and posters,” continues McCarthy. “They took our names straight off our passports and printed them on the posters…

“Mick was a tall guy, well-built with very long hair. I’m 5 ‘2” and was still suffering from a butchered haircut I’d gotten for The Peasants so we must have looked very strange together. However, we were treated like VIPs.”

That winter, the reconfigured line up recorded 12 tracks on four-track at Polskie Nagrania Muza’s studio in Warsaw Old Town, which were released over the next six months over three EPs. In recording terms and quality they were far superior to the earlier recordings.

With singer Sterry Moore
With singer Sterry Moore

The first EP, entitled The Original London Beat, and featuring Mick Tucker on all lead vocals, came out in late 1965 and comprised the tracks, “Walking The Dog”, “Wanna Walk In The Sunshine”, “Hang on Sloopy” and Scarlet Ribbons”.

This was followed in early 1966 by I’ll Go Crazy, which featured Mick Tucker on lead vocals on two tracks – “I’ll Go Crazy” and “If You Gotta Go, Go Now” and Polish singer Mira Kubansinka on the remaining tracks, “Walking In The Sand” and “You’re No Good”.

The final EP, Don’t Let Me Be Misunderstood, also released in 1966, featured Sterry Moore on lead vocals on all four tracks – “Don’t Let Me Be Misunderstood”, “I Had a Talk With My Man”, “The Biggest Players” and “Won’t Be Long”.

London Beats Poland late 1965
Joined by Mira Kubansinka (third left)

Joined by Mira Kubansinka for a nationwide tour, the musicians traversed the country in a bus, right in the dead of winter.

“Snow was often piled high on the side of the road,” remembers McCarthy. “In the country, there were horse-drawn carts everywhere and people working very hard to survive. Cities were stark, cold and old-fashioned with foreboding-looking statues and shrapnel damage still visible on the walls of buildings leftover from the war.”

McCarthy adds that while The London Beats were touring in Poland, other UK groups like The Hollies and Lulu & The Luvvers started arriving.

However, with the extended contract coming to an end in late January 1966, and the opportunities to work in Poland exhausted, the musicians lost interest.

On 15 March 1966, most of the band flew to London. No longer celebrities the musicians had to start from scratch.

“I was fed up with living out of a suitcase by then and we had no feeling of going forward,” admits Tucker.

“We’d been for want of a better word, big stars in Poland and wherever else we’d play from there on, we’d have to work from the bottom up again. After five or six years at it, I thought I’d quit and have some happy memories.”

Tony Terry and Mick Tucker
Tony Terry and Mick Tucker

Tucker reunited with former member Tony Terry and worked the folk club circuit from 1967-1968.

The pair then set up a travel business driving mini buses all over Europe and North Africa. Tucker was offered the opportunity to return to Poland but declined.

Four Ovus, August 1966. Photo: Mid Sussex Times

Jimmy Smith, Sterry Moore and Kevin McCarthy formed Forovus with guitarist Ken Ali. Having started calling herself Mary McCarthy, Moore then recorded the single “People Like You” with singer Mickey Clarke, which was released on CBS in January 1967. She recorded two solo singles – “The Folk I Love” and “Happy Days and Lonely Nights”– that same year.

Jimmy Smith, who nearly joined The New Pirates (alongside John Carroll), replaced Phil Wainman in Hamilton & The Hamilton Movement. After a brief reunion with Carroll in Germany, a short spell with The Nashville Teens and The Fantastics, he recorded an album with Aquila in 1970.

Kevin McCarthy hooked up with R&B outfit, Ivan St Clair & System Soul Band, before landing on his feet: “Sometime in 1968 I answered an ad in Melody Maker and met John Heyworth and Angus Cullen; we would eventually become Cressida and record two albums for Vertigo with producer/manager Ossie Byrne.”

When Cressida split in November 1970, McCarthy joined Tranquility and appeared on two albums and some unreleased tracks before moving to Los Angeles in 1976. He has participated in several Cressida reunions and continues to play guitar and write songs.

“Interestingly, one of my songs recorded by another artist was ‘One Way Ticket’, which appeared on The Hollies’ Then, Now, Always, album released in 2010.”

London Beats Reunion 21 March 2015
The first reunion on 21 March 2015. Left to right: Mick Tucker, Simon Coaffee, Jimmy Smith and Tony Terry. Photo credit: Pam Terry

As for the original London Beats, Mick Tucker, Jimmy Smith, Simon Coaffee and Tony Terry reunited on 21 March this year with plans for a second reunion with Frank Bennett on 11 July.

Huge thanks to Mick Tucker, Jimmy Smith, Frank Bennett, Peter Carney, Simon Coaffee, John Carroll and Kevin McCarthy.

London Beats Germany poster

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