I often find records that are not garage rock, but are interesting enough to warrant research. The Pot label, the Texas location, & the title “The Exorcism” might raise one’s expectations, but this 45 by Isaac Sweat, David Kealy and Tom Lunar is conventional ’70s rock with a little horror in the lyrics. There is a cool backwards track version on the flip side.

Still, it’s obscure as can be: this is the only copy I know of, and have found no mention of it elsewhere. Some of members had their roots in the Houston garage band scene, though exactly how is murky at this point.

I found a copyright entry for “The Exorcism” from February, 1974, along with one for “A Love That Will Never Die” by David Kealey, Tom Lunar and Harold Fulton.

The address of 9717 Jensen Drive in Houston points to the Nashville Sound Studio (soon to be renamed Sound Masters) and the release number fits into other singles from that studio.

I thought Pot was the band name, because I.P. Sweat, David Kealy, Tom Lunar seems awkward for a group. But there are releases on the International Mod label that looks very much like this one, by Just Us, the Walkers, and Rocky Rhoades, all cut at Nashville Sound Studios.

I’ve read Isaac Payton Sweat played bass with Johnny Winter, I assume in the early days in Beaumont before Tommy Shannon joined in ’68 or ’69. Isaac died in 1990 after achieving some success with a rocking version of square dance and country music.

David Kealy has a credit as engineer on Kenny Cordray’s version of “Francene” from 1987. As David Kealey, he appears as a bassist on a Bill Nash LP and has many more engineering credits.

Tony Braunagel joined Paul Kossoff of Free in Back Street Crawler, and later became a studio drummer. Braunagel and David Kealey were both members of Bloontz who had an LP on Evolution in 1973.

Tom Lunar I have no additional info on.