The Scotch of St James, situated at 13A Masons Yard, Mayfair, London was a notable music venue in the 1960s and a popular hang out for rock musicians, notably The Beatles and The Rolling Stones.
Jimi Hendrix also made his first UK appearance at the Scotch in September 1966.
The Scotch of St James was rarely advertised in the music papers so it’s been difficult to find confirmed gigs. The list below is a start but I’d welcome any additions and corrections plus any photos of the venue/posters of advertised gigs/photos of bands who appeared there (all credited accordingly).
This exclusive Mayfair establishment was primarily a late night members club with gambling but did put on live music occasionally (see The Stormsville Shakers gigs immediately below). It was officially opened as a late night club offering regular live music from 14 July 1965.
1965
Drummer Tony Richard says that his band The Fetish Crowd played at the Scotch of St James, which would have been the 1965-1966 period.
Singer James Nairn (aka James Royal) notes that his bands James Royal & The Hawks and The James Royal Set both performed at the club.
7 May (Friday) – The Stormsville Shakers (website: http://www.stormsvilleshakers.com/bandhistory.html)
Phillip Goodhand-Tait kept diaries from 1961 onward and notes that his band The Stormsville Shakers were paid to play the Scotch on the above date. They arrived at 7.30pm and finished at 2am on the Saturday morning after playing three spots of 35 minutes. They were re-booked at the Scotch for the two dates below.
14 May (Friday) – The Stormsville Shakers (website: http://www.stormsvilleshakers.com/bandhistory.html)
15 May (Saturday) – The Stormsville Shakers (website: http://www.stormsvilleshakers.com/bandhistory.html)
According to London Life magazine’s 9-15 October issue, The Marionettes were the resident band during this week. They were also listed for 16-22 October, 23-29 October and 30 October-5 November.
22 October (Friday) – The Riot Squad (website: http://brunoceriotti.weebly.com/the-riot-squad.html)
The Krew (who backed Beryl Marsden and Steve Aldo) played at the Scotch of St James around the middle-to-end of the first week of November, according to keyboardist Alan Reeves’ book. The Krew featured sax player Howie Casey who later did sessions for Paul McCartney & Wings.
9 November (Tuesday) – Wilson Pickett (backed either by The Links or The Maroons) with The Krew (Alan Reeves’s book Sex, Booze & Blues)
Bruno Ceriotti says that Wilson Pickett’s guitarist Jimmy Owen was joined by three members of The Animals.
3 December/4 December (Friday/Saturday) – The Krew (an advert in the Middlesbrough Evening Gazette has the band playing at Kirklevington Country Club on Sunday, 5 December and says the band came direct from the Scotch Club)
8 December (Wednesday) – Major Lance (Record Mirror)
21 December (Tuesday) – Joe Tex (Melody Maker)
Record Mirror lists the Joe Tex gig as 16 December.
1966
Sometime during January 1966, The Krew backed US soul singer Fontella Bass for one night, according to Alan Reeves’s book Sex, Booze & Blues.
5 January (Wednesday) – Patti LaBelle & The Bluebells with Bluesology (Melody Maker)
Bluesology’s keyboard player was Reg Dwight, who became famous as Elton John.
11 January (Tuesday) – The Exciters (Record Mirror)
3 February (Thursday) – Stevie Wonder (probably backed by The Sidewinders) (Melody Maker)
According to an advert in the Middlesbrough Evening Gazette for a show at the Kirklevington Country Club on 13 February, it says The Gass were residents at the Scotch of St James around this time.
According to the South East London Mercury, The Loose Ends began playing at the Scotch of St James three times a week for three months in the week starting 21 February (see clipping above).
The Alderley & Wilmslow Advertiser lists a gig for The Manchester Playboys at the Club Creole in Wilmslow, Cheshire on 25 February 1966 and says the band are direct from the Scotch of St James.
17 March (Thursday) – Irma Thomas with The Sons of Adam (website: https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/)
30 March (Wednesday) – The Nite People (Barry Curtis’ gig diary)
Melody Maker and Record Mirror both report that Martha & The Vandellas played at the Scotch of St James on 30 March.
1 April (Friday) – Episode Six (audition) (Brian Long’s research)
According to London Life magazine from 14-20 May, the three resident bands for this week were The VIPs, Gass and The Chavelles (The Caravelles?)
20 May (Friday) – Ben E King (London Life magazine)
According to London Life magazine for the week 28 May to 3 June, the three resident bands for this week were The VIPs, Gass and The Chavelles (The Caravelles?)
The same magazine notes that the three resident bands for the week 11-17 June were The VIPs, The Loose Ends and The Chavelles (The Caravelles?)
26 June (Sunday) – The Loose Ends (Fabulous 208)
This may be July not June so needs confirmation. However, The Loose Ends played in Stockton-on-Tees on Saturday, 25 June according to the Middlesbrough Evening Gazette and the advert notes they came from the Scotch of St James so it’s possible they played the week leading up to 25 June.
7 July (Thursday) – Norma Tanega (Record Mirror)
26 July (Tuesday) – The Loose Ends (London Life magazine)
29 July (Friday) – Joe Tex (London Life magazine)
According to London Life magazine, The Loose Ends, together with The VIPs and The Paramounts were the three resident bands playing at the Scotch of St James during the week 30 July to 5 August.
10 August (Wednesday) – The Fleur De Lys (Keith Guster’s gig diary)
Guster says that Alan Price invited him to join his band at this gig.
The Westminster & Pimlico News’ 12 August 1966 issue notes that Gass played the club 6-7 nights a week around this time.
11 September (Sunday) – The Iveys (Tom Brennan’s research: http://www.badfingerlibrary.com/)
18 September (Sunday) – The Vibrations (needs source and confirmation but probably Melody Maker)
22 September (Thursday) – Jimi Hendrix solo (needs source and confirmation)
Apparently on the evening he’d arrived in the UK, Jimi Hendrix played a couple of songs as a solo act at the club.
23 September (Friday) – The VIPs (Fabulous 208)
24 September (Saturday) – The VIPs (Fabulous 208)
26 September (Monday) – The VIPs (Fabulous 208)
Jimi Hendrix sat in with The VIPs on 26 September – see Terry Ellis comment in the comments section below.
27 September (Tuesday) – The VIPs (needs confirmation)
28 September (Wednesday) – The Brian Auger Trinity (Fabulous 208)
Guitarist Vic Briggs says that Chas Chandler and Jimi Hendrix came into the Scotch of St James and sat in with the band. Brian Auger invited the American guitarist to sit in with the band at Blaises the following night, 29 September.
30 September (Friday) – The VIPs (Fabulous 208)
The Derby Evening Telegraph’s 1 October 1966 issue notes that Pepper’s Machine played the club recently.
3 October (Monday) – The Raylettes (London Life magazine)
7 October (Friday) – The Paramounts (London Life magazine)
Robin Trower had left The Paramounts in late June/early July and formed The Jamm, so Martin Shaw (no relation to the actor) was on lead guitar.
8 October (Saturday) – The Paramounts (London Life magazine)
13 October (Thursday) – The Trend (London Life magazine)
14 October (Friday) – The Trend (London Life magazine)
15 October (Saturday) – The Loose Ends (London Life magazine)
17 October (Monday) – The Loose Ends (London Life magazine)
18 October (Tuesday) – The Loose Ends (London Life magazine)
19 October (Wednesday) – The Paul Butterfield Blues Band jams with Cream (needs source and confirmation)
It has been noted that The Paul Butterfield Blues Band jammed with Cream at the Scotch of St James on 19 October (the alternative location was the Cromwellian). However, according to Christopher Hjort’s excellent book on the British blues boom, “Strange Brew”, Cream were playing at the Blue Moon in Cheltenham on this day.
According to London Life magazine, Tony & The Defenders played at the Scotch of St James during the week 22-28 October.
24 October (Monday) – Edwin Starr (possibly backed by The Guests) (London Life magazine)
25 October (Tuesday) – The Jimi Hendrix Experience (band’s debut as private showcase at the venue) (Website: https://en.wikipedia.org/wiki/The_Scotch_of_St._James)
29 October (Saturday) – The Paramounts (London Life magazine)
This was one of the band’s final gigs before splitting in November 1966. Gary Brooker formed Procol Harum the following spring.
31 October (Monday) – The Brian Auger Trinity (London Life magazine)
1 November (Tuesday) – The Brian Auger Trinity (London Life magazine)
2 November (Wednesday) – The Loose Ends (London Life magazine)
3 November (Thursday) – The Loose Ends (London Life magazine)
4 November (Friday) – The Loose Ends (London Life magazine)
5 November (Saturday) – The Loose Ends (London Life magazine)
11 November (Friday) – Ben E King (London Life magazine)
18 November (Friday) – The Impressions (London Life magazine)
The Impressions featured future soul star Curtis Mayfield.
According to Disc & Music Echo on 26 November, Deep Feeling made their debut at the Scotch of St James around the week starting 21 November. Chris Curtis, Giorgio Gomelsky, Robert Stigwood, Speedy Acquaye and Beryl Marsden were among the guests.
According to Melody Maker, Bobby Darin sat in with Deep Feeling around early-to-mid December and played the drums.
London Life magazine reports that The Checkmates played at the Scotch of St James during the week 3-9 December.
The Manchester Independent notes that Manchester band The Powerhouse played at the venue during December.
7 December (Wednesday) – The Vibrations (London Life magazine)
8 December (Thursday) – The Young Rascals (Disc & Music Echo)
The magazine reports that Paul McCartney, Chas Chandler, Eric Burdon, Keith Moon, Brian Epstein and Bill Wyman are among the guests.
13 December (Tuesday) – The Brian Auger Trinity (Fabulous 208)
14 December (Wednesday) – The Brian Auger Trinity (Fabulous 208)
15 December (Thursday) – Bobby Hebb (Record Mirror)
The magazine says that Bobby Hebb came on at 1am. This is confirmed by London Life magazine, which notes the 14 December so it looks like Hebb came on stage after The Brian Auger Trinity had finished. Future Deep Purple bass player Nick Simper was in his backing band.
19 December (Monday) – The Brian Auger Trinity (Fabulous 208)
20 December (Tuesday) – The Brian Auger Trinity (Fabulous 208)
21 December (Wednesday) – The VIPs (Fabulous 208)
22 December (Thursday) – The VIPs (Fabulous 208)
23 December (Friday) – The VIPs (Fabulous 208)
24 December (Saturday) – Eric Burdon & The New Animals (London Life magazine)
28 December (Wednesday) – The VIPs (Fabulous 208)
29 December (Thursday) – The VIPs (Fabulous 208)
31 December (Saturday) – Eric Burdon & The New Animals (Disc & Music Echo and London Life magazine)
1967
Guitarist Doug Ayers says that The All Night Workers played at the Scotch of St James (most likely in early 1967).
Jim Cregan, guitarist with Blossom Toes, remembers playing at the club and The Beatles and The Rolling Stones were there on the same night to catch his band performing.
Drummer Chris Hunt says The Good Time Losers played the club in the first half of 1967.
Tony Glyde remembers playing at the Scotch of St James with Simon K & The Meantimers in 1967-1968.
2 February (Thursday) – Edwin Starr (Evening Standard)
The Loose Ends were playing at the venue in late March/early April when the Stax-Volt show tour came in. This is where Otis Redding picked up singers Alan Marshall and Bob Saker and took them back to the US to record tracks at Fame Studios during June.
23 April (Sunday) – The Wages of Sin (Melody Maker)
28 April (Friday) – Moon’s Train (Malcolm Penn’s gig diary – thanks to Peter Gosling for sharing)
Drummer Phil Wainman, who went on to produce The Sweet, remembers playing the club in May 1967 with Jack Hammer & The Hammer Jammers.
Keyboard player Mick Ketley says The Motivation/Penny Peeps played at the Scotch of St James on two occasions which would have been from May 1967 onwards.
7 May (Sunday) – The Marshall Scott Etc (Hounslow Post)
The Loose Ends were performing at the Scotch of St James in early June 1967 when former Ram Jam guitarist Pete Gage brought singer Kenny Bernard into see the musicians. This led to the formation of Cats Pyjamas with some of the group members.
16 June (Friday) – Vince Edwards (Del Paramor’s gig diary)
The Manchester Playboys performed at the Scotch of St James and July seems the most likely period as they were in London gigging. Also Peter Simensky, who had joined the band recently, was a member at the time and he recalls singer Billie Davis working at the Scotch at the time.
Frank Torpey, who was lead guitarist with London band, The Tribe (and would go on to become the original lead guitarist in The Sweet), says that when the group was playing regular Saturday nights at the Marquee in Wardour Street between July-September, the Marquee’s owner John Gee would get a call from the Scotch of St James asking what band was on and would they like to double up? He says The Tribe always said yes as it was a great top up. Torpey adds that they never had another band on with them. He thinks they may have played at the Scotch maybe three or four times.
It sounds like The Tribe may have played the Scotch in the early hours of the Sunday morning after finishing up at the Marquee but this would need confirmation.
This insight is interesting as it might mean other groups that played the Marquee went on and played the Scotch of St James after finishing up.
1 July (Saturday) – The Tribe (Tony Bacon’s book, London Live)
The Tribe (which changed name to The Dream in late August 1967) played at the Marquee every Saturday from 1 July to 30 September according to Tony Bacon’s excellent book on the London music scene and its Marquee listings, so it’s impossible to know what Saturday evenings/early Sunday mornings The Tribe went on to play at the Scotch of St James afterwards. It’s also quite possible that the other band sharing the billing at the Marquee with The Tribe may have been asked as well (see Torpey’s recollections above).
7 July (Friday) – Vince Edwards (Fabulous 208)
8 July (Saturday) – The Manchester Playboys (Graham Sclater’s diary)
1 August (Tuesday) – The Manchester Playboys (Graham Sclater’s diary)
Timebox played at the Scotch of St James during August 1967. They had a Tuesday night gig at the Marquee so possibly played afterwards. Former Felders Orioles drummer John Halsey advertised in Melody Maker for a new band on Thursday, 17 August and auditioned with Timebox shortly afterwards at the Scotch.
29 August (Tuesday) – Marmalade (Fabulous 208)
According to the poster below for the Gloucester YMCA, The Official Receivers played at the Scotch of St James around October 1967.
30 October (Monday) – The Dave Davani Five (Poster from Barry Monks on Patto website)
31 October (Tuesday) – Ben E King (Poster from Barry Monks on Patto website and Disc & Music Echo)
1 November (Wednesday) – The Anglians (Poster from Barry Monks on Patto website – see above)
2 November (Thursday) – The Anglians (Poster from Barry Monks on Patto website)
3 November (Friday) – The Anglians (Poster from Barry Monks on Patto website)
4 November (Saturday) – Mud (Melody Maker)
6 November (Monday) – The Web (Poster from Barry Monks on Patto website)
Melody Maker lists The Downliners Sect.
7 November (Tuesday) – The Web (Poster from Barry Monks on Patto website)
Melody Maker lists The Downliners Sect.
8 November (Wednesday) – The Web (Poster from Barry Monks on Patto website)
Melody Maker lists The Downliners Sect.
9 November (Thursday) – Ben E King (Poster from Barry Monks on Patto website)
10 November (Friday) – The West Coast Consortium (Poster from Barry Monks on Patto website)
Melody Maker lists The Downliners Sect.
11 November (Saturday) – The West Coast Consortium (Poster from Barry Monks on Patto website)
13 November (Monday) – Timebox (Poster from Barry Monks on Patto website)
14 November (Tuesday) – Timebox (Poster from Barry Monks on Patto website)
15 November (Wednesday) – Timebox (Poster from Barry Monks on Patto website)
16 November (Thursday) – Timebox (Poster from Barry Monks on Patto website)
17 November (Friday) – Mud (Poster from Barry Monks on Patto website)
18 November (Saturday) – Mud (Poster from Barry Monks on Patto website)
20 November (Monday) – Wishful Thinking (Poster from Barry Monks on Patto website)
21 November (Tuesday) – Wishful Thinking (Poster from Barry Monks on Patto website)
22 November (Wednesday) – Wishful Thinking (Poster from Barry Monks on Patto website)
23 November (Thursday) – The Web (Poster from Barry Monks on Patto website)
24 November (Friday) – The West Coast Consortium (Poster from Barry Monks on Patto website)
25 November (Saturday) – The West Coast Consortium (Poster from Barry Monks on Patto website)
27 November (Monday) – The Bystanders (Poster from Barry Monks on Patto website)
28 November (Tuesday) – The Bystanders (Poster from Barry Monks on Patto website)
29 November (Wednesday) – The Bystanders (Poster from Barry Monks on Patto website)
30 November (Thursday) – The Bystanders (Poster from Barry Monks on Patto website)
30 December (Saturday) – Kaleidoscope (Melody Maker)
1968
Iain Pitwell, Brian Mansell and Geoff Glover confirm that The All Night Workers played at the Scotch of St James regularly during the 1968-1969 period.
Mo Umansky says his band Mr Mo’s Messengers played at the venue, most likely in 1968.
26 January (Friday) – The Magic Roundabout (audition) (Geoff Chinnery’s gig diary)
3 February (Saturday) – Katch 22 (Mike Eastman’s gig diary)
6 February (Tuesday) – James & Bobby Purify (Melody Maker and New Musical Express)
8 February (Thursday) – Edwin Starr (New Musical Express)
According to Melody Maker, Rupert’s People played at the Scotch of St James around the week starting 19 February.
27 February (Tuesday) – Tim Rose (Melody Maker)
According to Melbourne music magazine, Go-Set, Australian band The Groop played the Scotch of St James between early March and mid-April.
8 March (Friday) – Katch 22 (Mike Eastman’s gig diary)
23 March (Saturday) – Katch 22 (Mike Eastman’s gig diary)
4 April (Thursday) – Ray King Soul Band (Melody Maker)
1 May (Wednesday) – Ike & Tina Turner and Ray King Soul Band (Melody Maker)
2 May (Thursday) – Ray King Soul Band (Melody Maker)
9 May (Thursday) – Tuesday’s Children (Bob Hodges’ gig diary)
16 May (Thursday) – Edwin Starr & The State Express (Melody Maker and Fabulous 208)
20 May (Monday) – Katch 22 (Mike Eastman’s gig diary)
5 June (Tuesday) – The Coasters (New Musical Express)
17 June (Monday) – Ray King Soul Band (Melody Maker)
18 June (Tuesday) – Ruby & The Romantics (New Musical Express)
30 June (Sunday) – The Crystals (New Musical Express)
16 July (Tuesday) – Katch 22 (Mike Eastman’s gig diary)
20 July (Saturday) – Moon’s Train (Malcolm Penn’s gig diary – thanks to Peter Gosling for sharing)
3 August (Saturday) – Scrugg (Jack Russell’s gig diary)
5 August (Monday) – The Dave Davani Five (Melody Maker)
6 August (Tuesday) – Tim Rose (Melody Maker and New Musical Express)
Rose’s gig was cancelled.
13 August (Tuesday) – Elmer Gantry (Melody Maker and Fabulous 208)
19 August (Monday) – Ben E King (Melody Maker and New Musical Express)
21 August (Wednesday) – The Dave Davani Five (Melody Maker)
22 August (Thursday) – Timebox (Melody Maker and Fabulous 208)
26 August (Monday) – Timebox (Melody Maker and Fabulous 208)
7 September (Saturday) – Scrugg (Jack Russell’s gig diary)
10 September (Tuesday) – Ben E King (New Musical Express)
14 September (Saturday) – Scrugg (Jack Russell’s gig diary)
27 September (Friday) – Scrugg (Jack Russell’s gig diary)
28 September (Saturday) – Scrugg (Jack Russell’s gig diary)
16 October (Wednesday) – The New Formula (Melody Maker and Fabulous 208)
The New Musical Express lists Brook Benton for the 16 October.
12 November (Tuesday) – The New Formula (Melody Maker and Fabulous 208)
18 November (Monday) – The New Formula (Melody Maker and Fabulous 208)
28 November (Thursday) – Jimmy Witherspoon (Melody Maker)
12 December (Thursday) – The New Formula (Melody Maker and Fabulous 208)
17 December (Tuesday) – Bandwagon (New Musical Express)
18 December (Wednesday) – The Barrier (Melody Maker and Fabulous 208)
1969
Guitarist/violinist Mike Piggott confirms that Gass played the Scotch of St James during the 1969-1970 period.
21 January (Tuesday) – Ray King Soul Band (Melody Maker)
31 January (Friday) – The N’ Betweens (later became Slade) (Don Powell’s website)
24 February (Monday) – Ben E King (Melody Maker)
New Musical Express reports that Ben E King is backed by Chris Shakespeare Globe Show for his UK tour in February 1969.
10 March (Monday) – The Tymes (Melody Maker)
29 March (Saturday) – Ben E King (Time Out)
14 April (Monday) – JJ Jackson (Fabulous 208)
21 April (Monday) – Turnstyle and Steamhammer (Fabulous 208)
19 May (Monday) – Bob & Earl (John Warburg research)
16 June (Monday) – Yes (Peter Banks website: http://www.peterbanks.net/archive/bands/yes/)
24 June (Tuesday) – Girl Talk (Melody Maker)
21 July (Monday) – Jimmy Ruffin with Sweet Blindness (New Musical Express)
25 August (Monday) – JJ Jackson (Time Out)
1 September (Monday) – Katch 22 (Mike Eastman’s gig diary)
4 September (Thursday) – Sir Percy Quintet (Melody Maker)
8 September (Monday) – Sir Percy Quintet (Melody Maker)
9 September (Tuesday) – Sir Percy Quintet (Melody Maker)
11 September (Thursday) – Katch 22 (Mike Eastman’s gig diary)
1970
28 January (Wednesday) – Lucas & The Soul Sounds (Melody Maker)
28 October (Wednesday) – Tear Gas (Melody Maker)
29 October (Thursday) – Czar (Bob Hodges’ gig diary)
5 November (Thursday) – Legend (Melody Maker)
6 November (Friday) – Charge (Melody Maker)
7 November (Saturday) – Clear Blue Sky (Melody Maker)
8 November (Sunday) – Merlin (Melody Maker)
9 November (Monday) – Calum Bryce (Melody Maker)
Ted Hare’s gig diary for bands he managed, including Calum Bryce, have this group listed at the Scotch of St James on 10 November not the 9 November so possible there is a mistake here.
10 November (Tuesday) – Dave Davani (Melody Maker)
12 November (Thursday) – Fairfield Parlour (Melody Maker)
13 November (Friday) – Clear Blue Sky (Melody Maker)
14 November (Saturday) – Renea (Melody Maker)
16 November (Monday) – UFO (Melody Maker)
17 November (Tuesday) – Dave Davani (Melody Maker)
18 November (Wednesday) – Bubastis (Melody Maker)
19 November (Thursday) – Clear Blue Sky (Melody Maker)
20 November (Friday) – Mataya (Melody Maker)
23 November (Monday) – Clear Blue Sky (Melody Maker)
24 November (Tuesday) – Merlin (Melody Maker)
25 November (Wednesday) – Aquila (Melody Maker)
26 November (Thursday) – Dave Davani (Melody Maker)
27 November (Friday) – Clear Blue Sky (Melody Maker)
30 November (Monday) – Nick Twilley (Melody Maker)
1 December (Tuesday) – Merlin (Melody Maker)
2 December (Wednesday) – Clear Blue Sky (Melody Maker)
1971
15 April (Thursday) – Octopus (Paul Griggs’ gig diary)
6 May (Thursday) – Octopus (Paul Griggs’ gig diary)
Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.
hi nick,
the manchester playboys did play at hatchetts,and scotch of st james ,i do not remember dates,there was tiles club in oxford st we played ,they used to do a radio broadcast from tiles,pirate radio ,i believe on a tuesday night,we did the radio show when our single was released,on the same show that night were ike and tina turner,the troggs and various other groups,you just mimed to your latest releasewe did proper live gigs there as well.
the german stuff your looking for ,hamburg w did top ten club on the reeperbahn and the star club on the grosse freiheit
cologne the storyville club were we had all our kit stolen after a saturday afternoon matinee,frankfurt am main ,the storyville club in schiller strasse,wuppertall haus der musik,hanover the savoy club,berlin the liverpool hoop,duisberg i think storyville but i wasnt in the gruop when they played that one.
i will scrape the old memory bank and see what i can come up with,i just received s album that we made when we toured romania recorded on electrochord 1967 first time i ever heard it,wish i hadnt bothered,ho ho ho merry christmas and keep up the good work kind regards,kerry
Those notes brought back memories. We (Jo Jo Gunne) played the Scotch of St James many times. We hated it as it was sooo late and not allowed to pack up until last customer left!!. I do recall Louis Brown was the owner. We also played Hatchetts Playground, the Cromwellian, Tiles, the 2 Eyes (audition in front of Micky Most), Bag o nails, Samanthas, often,with Edwin Starr and Billy Preston!, Speakeasy, Revolution and of course once only, at the Marquee. We ofetn gigged 2 clubs in the same night and with no roadie. Wish I had that much energy now!!
Sorry for my curiosity but I know JO JO GUNNE played 30 October 1971 in London – The Rag Queen Dance seems supported by PEACE (Paul Rodgers on vocals, also member of English Rock band FREE internationally famous for their hit “All Right Now” of 1970). Did your remember more of this gig ? Did you remember of Paul Rodgers and PEACE ? Thanks for your memories
I know the All Night Workers playerd here but not sure of dates
Priceless!! Played there with Jo Jo Gunne most Sundays till 4AM. Another Laurie O Leary and Louis Brown gig 68/69. Horrible gig, empty until late late
Pretty sure Stevie Wonder played here on 3 February 1966 and Paul McCartney met him
Do I remember with dog nite & jo jo gunne and manager o Leary ?
First pro band was Bunkers Brain later changed to Almanack….played this club on one occasion…… also played regularly the Whisky A Go Go in 1968/69.
You might like to change the date of the first time Jimi Hendrix played in the UK:
Excerpt taken from ebook by Rod Harrod Sex, Drugs & Rock ‘n’ Roll – I WAS THERE, published on Amazon
6. What’d I say? What did he play?
Jimi and Chas arrived at the Scotch in plenty of time on Monday 26th September 1966.
I remember the VIPs had just finished the first of their three sets. Angie Clare, my DJ, had just started spinning the soul-based sounds. The DJ perch was inside a former horse-drawn, vintage London Taxi Coach set at the side of the stage.
I passed Chas and Jimi on the spiral staircase. It connected the bar and entrance level with the basement clubroom.
Chas was wearing his best light-tan, short leather jacket. And Jimi, need I say it, dressed the same tie-died shirt and skin-tight purple velvet pants.
It became obvious this was Jimi’s complete wardrobe. He was trailing his caseless Stratocaster by the neck, as though it was a permanent extension to his arm.
I left Chas chatting to the leader of the group, Jimmy Henshaw.
Every house band knew other musicians could sit in with them if given permission. Of course most of those who jammed were members of established, name acts. The house band was only too happy to share a stage with them.
But Jimi was an unknown entity. I’d given Chas the OK but it was courtesy for Chas to ask Jimmy Henshaw’s permission for the young American to sit in. I heard him explain to the band that he’d brought Jimi over from the States.
Continuing up the stairs I gave Jimmy Henshaw the thumbs up over Chas’ shoulder. I left them to sort out the details.
I have a single regret. As an unknown quantity and being uncertain what I’d let us in for, I didn’t introduce Jimi on stage. I opted out from giving him any big build up. I left him to the mercy of a less than full Monday night audience. He went on cold.
None of us knew what to expect. Jimmy Henshaw had given Chas the O.K. for Jimi to plug into his Gibson Mercury II lead guitar amplifier. He’d only recently bought it – though my picture shows it on its last days in the ’70s.
The exact amp, the Gibson Mercury II that Jimi Hendrix plugged into at the Scotch of Saint James, on his first ever gig using his new name. The amp owned at the time by Jimmy Henshaw lead guitarist of the VIPs and super electronic whizz. Picture courtesy of the VIPs.
When it came time for the next set, Jimi clambered on stage as if he was a regular member of the band.
He leant sideways into the mike and announced, “My name is Jimi Hendrix.”
This was the first time anywhere in the world he’d used the name.
The words tumbled in a casual way from the side of his mouth. He added a half nervous / half self-effacing nod.
Song 1.
He turned to the band. “Could we start with ‘Summertime Blues’ then see how things go?”
Taking a pace towards the back of the tiny club stage he adjusted the settings on the Gibson.
Jimmy Henshaw had started out as a television engineer. He knew a thing or two about electronics. He knew the ins and outs of valve amplifiers. He thought he knew every way possible to make the sound bigger than the manufacturer would suggest was the most. He watched in horror as Jimi wound up the volume and tone knobs to what seemed more than even he would attempt.
Jimi stepped back from the amp to cut the resulting feedback. He replaced one deafening screech with the ear-piercing sound of plectrum striking strings.
Simultaneous he stabbed the neck of the Strat forward. It penetrated the darkness like some heraldic knight lancing an opponent.
The amp almost jumped off the ground as the world acknowledged –or rather the scattered Scotch audience present – Jimi Hendrix had arrived. A Star was born.
Song 2.
He paused, not for applause but just long enough to throw the title ‘Wild Thing’* at the band. He broke into the number that had risen to Number 2 in the UK earlier that summer. It was recorded by British band the Troggs. The same version had hit the magical No. 1 spot on Billboard’s US charts just a few weeks earlier.
The VIPs looked at one another aghast. It was hardly in their Soul or ‘60s Rhythm and Blues bag. But they’d just been a part of an unrecognisable ‘Summertime Blues’ and so they went along with Jimi. Or at least they did their level best.
This was ‘Wild Thing’ like no Trogg or troll or anyone else had ever played or heard the song played. This was a cover like no other.
Though Jimi Hendrix first solo appearance at the Scotch of St James in Sept 66 is well documented why oh why is there nothing in the way of pictures or text detailing the Experience first gig there on 25 Oct 66 ???
ANYTHING on this would be appreciated…..cheers!!
In August 1968 I was interviewed by Scotland Yard regarding an unsolved murder that had taken place on July 4, 1967 in very close proximity to the Scotch. Detective Sergeant Cork, who interviewed me, said that he and his colleagues were tasked with interviewing as many Scotch members as they could locate. I asked how many members there were. Cork said as near as they could figure about 30,000! Although I lived in London in those days, as an American, I was able to immediately tell Cork that I was at a BBQ in upstate NY on July 4, 1967. How did I recall this so quickly, Cork asked. I replied that nearly every American knew where they would have been on July 4, even over a year later. Cork slapped his forehead and said, “By Jove, you’re right! That would have been American Independence Day!” Cork thanked me for my time and left our flat satisfied with my alibi. I never did learn if this murder was ever solved. Did anyone else reading this board ever get interviewed as well?
Drummer Roger Siggery has got in touch. His group Tony’s Defenders, featuring future Mike Stuart Span guitarist Brian Bennett, were the house band at the club during late 1966.
Roger says that Mitch Mitchell borrowed his drums on the 25th October ‘66 when Jimi did the showcase at the Scotch. Here are his recollections of that evening:
We played all the ‘in’ clubs back in the day; mostly covers as that was what the clubbers wanted!
The Scotch is memorable because, quite frequently, we would look out, and there on the dance floor, would be the person whose song we were playing…..really!
The one that sticks in my mind was when we were playing a Four Tops number and there was two of the group giving it large on the dance area!
The night of the Hendrix showcase; I was checking my drums and a guy whose face I recognised walked up and said “Would you guys mind giving up your middle set tonight?” It was then I twigged it was Chas Chandler! I told him we wouldn’t mind as long as he squared it with the management. He introduced the guys; Noel, Jimi and Mitch Mitchell and asked if they could use our gear owing to the fact it was a tad cramped in there!
I was made up with that as I was a fan of Mitch, having seen him with Georgie Fame.
Anyway we had to swap my kit around as I’m left handed. I was a tad concerned as it was a job to get the hanging Tom right for him; he was fine with it and assured me he’d manage….he certainly did!!
We watched for a while and couldn’t believe what we saw!! The manager of the club went ballistic. He reckoned the roof would collapse as it was so loud!!
Anyway, after the set Mitch took me to the pub across Masons Yard, I forget the name and bought me a pint for my trouble. What a nice guy.
I don’t think anyone who witnessed that short set would have had ANY idea how things would turn out!!
So….there you have it, a brief story about a bit of history!