The Me and Him Duo

Me And Him Duo Paza 45 On the MoneyThe Me and Him Duo were organ player Phil Long and (I believe) drummer John Hill, from Pottstown and Reading, Pennsylvania. They have a good instrumental on Paza Records, “On the Money” backed with a vocal by Phil Long “Stay With Me”.

Songwriting is credtied to Philip Long and John C. Hill for Mamy Music Corp. and Mary Hill Music BMI.

Phil Long’s real name was Philip Charles Peter Vagnoni. He was related to country songwriter Shorty Long (Emedio Vagnoni). Phil continued playing organ in the Pottstown area with other drummers including Scot Raugh. Phil passed away in July 2008 in Reading, PA.

This is a mid-late ’60s record, not ‘garage’ by most people’s definition, but I’m posting partly to compare it to other organ and drum duos such as the Denny & Kenny Duo, and the Chancellors (usually a quintet but one of their Fenton singles has the instrumental “5 Minus 3” by organist Jim Ovaitt and drummer Rick Garfield):

I shouldn’t leave out the Cosmic Rock Show whose fabulous “Psiship” / “Rising Sun” takes the duo concept into new experimental territory, released in 1968 on Blitz Records 469 from the Minneapolis area.

The Sounds, Ltd. featuring Phil Jackson

Sounds, Ltd. Peak 45 Slimy Sue“Slimy Sue” by the Sounds, Ltd. featuring Phil Jackson is the kind of odd, non-commercial record of the ’60s garage era that I love.

These lyrics are bizarre, with plenty of humor in the masochism of the second and third verses.

I got me a woman, buddy, she’s got purple hair
Ain’t no other woman, buddy, that can compare, that can compare
To my girl, true blue, back alley Sue
Slimy Sue, yeah, well alright now

When I want some lovin,’ buddy, Sue knows what to do
She can kiss so gently, buddy, turns me black and blue
My girl, true blue, back alley Sue
Slimy Sue, yeah, well alright now

Hit it [guitar break]

When I get in trouble, buddy, with someone tough like you
Me, I never worry, buddy, I call on Sue, I call on Sue
My girl, black belt, weight lifting, Sue
Slimy Sue, yeah, well alright now

Philip W. Jackson wrote this song as well as the flip, “Fly Away”, for Cookie Crumb Music, BMI.

The Sounds, Ltd. recorded at Midwestern Recording Studios at 3140 The Paseo, Kansas City, Missouri. The studio’s own Peak label released the single on P-108 in October 1966. I’d like to know more about the band, who maintain a rough but great sound throughout “Slimy Sue”.

The band was from St. Joseph, Missouri, about 45 miles north of Kansas City. “Fly Away” was the ostensible A-side at the time, a kind of folky almost hippie-sounding song featuring lead vocalist Kathy Helmick.

Midwestern Recorders operated a studio since at least 1952 if not earlier, originally releasing records on the Central label. I assume other garage bands must have used Midwestern but haven’t found evidence of that yet.

Sounds, Ltd. Peak 45 Fly Away

The Organized Confusion “Tell Me Why” / “Makes Me Sad” on Golden Records

Organized Confusion Promo Photo

Organized Confusion Golden 45 Tell Me WhyI wrote about Alva Starr, who had two interesting garage releases on Golden Records of La., based in Baton Rouge, Louisiana. This single by the Organized Confusion is the other garage single on that label. It features two good original songs by Bill Richards, “Tell Me Why” b/w “Makes Me Sad”. Production credited to Ebb Tide and Randy Darnell, published by Darn-L. Copyrights for these two songs plus one called “Bad Girl” were registered with the Library of Congress in May 1968.

Ebb-Tide Golden Records Billboard February 3, 1968
One of Ebb-Tide ‘s ads in Billboard looking for songs and master tapes.

Interestingly, the band was from the Detroit, Michigan area. Ebb-Tide (Ebb Harrison or Ebb Harris) of Golden Records ran classified ads in Billboard in 1967 and 1968 looking for songs and finished songs. Randy Darnell of “The Darnell Sound” may have seen these ads and responded, or A&R man Bob Balog may have brought the band to Golden.

A promotional photo from the old G45 Central forum shows the band in a tree, and the songs for the single list “Hang On, He’s Not Coming” instead of “Tell Me Why”. Contact info is given both for the label, Golden Records and the production company, Darnell Sound Production, which has an address of 13079 Northline, Southgate, MI, south of downtown Detroit. Darnell and Balog also placed the Liquid-Candy “Hold On-I’m Coming” on Golden.

The Organized Confusion, from left: Joe Grabowski, Mark Bruce (friend of band filling in for Matt Sclafani), Dave Thibert, Bill Richards and Al Consiglio
The Organized Confusion, from left: Joe Grabowski, Mark Bruce (friend of band filling in for Matt Sclafani), Dave Thibert, Bill Richards and Al Consiglio

Update, February 2017:

Joe Grabowski and Al Consiglio sent in the photo of the group standing in front of trees and gave me more info about the band:

Dave Thibert – lead vocals
Bill Richards – lead guitar
Joe Grabowski- rhythm guitar
Matt Sclafani – bass guitar
Al Consiglio – drums

In the mid 60’s two Wyandotte friends and neighbors, Al Consiglio and Joe Grabowski joined Al’s cousin Matt Sclafani, living in Southgate, who knew Bill Richards and Dave Thibert. The five put together a play list, rehearsed the tunes and played local venues. Bill wrote the two recorded songs and pursued the necessary contacts to find the recording studio of Randy Darnell at 13079 Northline Road in Southgate, MI and produce the record. The building now is a beauty salon.

The band stayed together for a short time after making the record as the members focused their attention on finishing school, girls, cars and careers (in no particular order). To my knowledge no one was in a band prior to or went on to join other bands after the Organized Confusion.

Venues:

Knights of Columbus – downtown Wyandotte, MI
Knights of Columbus – Southgate, MI
Southgate Anderson High School – Southgate, MI
Davidson Jr High School – Southgate, MI
ALSAC Benefit with many other local bands including Little Carl Carlton – River Rouge, MI
Lawrence Technological University (Lawrence Institute of Technologies) – Southfield, MI
Southgate Shopping Center (in front of Montgomery Ward) – Southgate, MI
Aquinas High School – Southgate, MI

Organized Confusion Golden 45 Makes Me Sad

Alva Starr “Clock on the Wall” and “Light of 1000 Years” on Golden Records

Alva Starr ad in Billboard, September 9, 1967
Alva Starr ad in Billboard, September 9, 1967
Alva Starr Golden 45 Clock on the WallAlva Starr Golden 45 Light of 1000 YearsAlva Starr was a character in the Tennessee Williams play This Property Is Condemned. Natalie Wood portrayed Alva Starr in the 1966 flim of the same name, with a screenplay written in part by Francis Ford Coppola.

Alva is not a common name now, but you may recall it was phonograph inventor Thomas Edison’s middle name. Alva Starr became the stage name for Alva Snelling, a songwriter and singer from, possibly, Denham Springs, Louisiana, a few miles east of Baton Rouge.

Snelling recorded two singles in August and September 1967 for the Baton Rouge label Golden Records, owned by Ebb-Tide, short for Ebenezer K. Harris.

The first, on Golden 102 is the psychedelic-garage classic “Clock on the Wall”, where Alva intones lyrics like “time has made slaves of us all … the clock ticks away at our destiny … the hands they move with such a pace as to control the lives of the human race” while the band vamps with a monotonous drum beat in the background.

The flip side is the bizarre and cool patriotic ode “Space Race to the Moon” which includes lyrics like “the moon must be free, because that’s the way God meant it to be”. Alva Snelling wrote both songs, published by Sano Pub. Co BMI.

His second single is another fine original “Light of 1000 Years” played with a defter touch than the first, and backed with a cover of Arthur Alexander’s “Anna”. Snelling registered “Light of 1000 Years” with the Library of Congress in March of 1966.

As to who was backing Alva Starr, one commentator on youtube suggests the band was named the Luvrakers. I couldn’t find info on the Luvrakers other than they had a guitarist named Susan Owens probably at a later date than these recordings. However John Herring of the Lost GenerationΒ  doesn’t recall Susan Owens, but provided me with the names of the Luvrakers:

Rodney White – lead guitar and vocals
L.J. DeMaio (DeMiah? – how should this be spelled? – now calls himself L.J. Copas of the Copas Brothers) – rhythm guitar and vocals
Alva Snelling – bass and lead vocals
Alva’s brother – keyboard
David Cook – drums

Alva Starr Golden 45 AnnaAlva Starr and Ebb Tide produced both of these singles on “Golden-Records of La.” Golden Records had an address of PO Box 2544 in Baton Rouge, Louisiana. Both singles were released with gold-colored labels, though some copies of “Light of 1000 Years” have blue labels.

In 1986 Alva’s current band the Luv-Rakers recorded a heavy version of “Clock on the Wall” on Angel Records 1006, b/w “Lost Things and Changes” (written by Susan Owens).

Alva Snellling seems to have died in 1995, but I can’t find confirmation of this.

Other than Alva Starr and an interesting release by a Detroit group, Organized Confusion, most releases on Golden Records were country or soul music. 45 Cat has a nearly complete discography.

Blue label version scan taken from Mojama Records. Tip of the hat to Chaim O’Brien-Blumenthal for finding the Billboard ad at top.

Alva Starr Golden 45 Light of 1000 Years
Unusual blue label version of “Light of 1000 Years”

The Johnnys

Warner Bros Buys Valiant, Billboard April 22, 1967
Warner Bros Buys Valiant, April 22, 1967

The Johnnys Warner Bros 45 Nothing Sacred“Nothing Sacred” blends mournful sustained guitar with bright harmony vocals for a captivating song. Unfortunately it was relegated to the B-side of the only release by the Johnnys.

The Johnnys get a mention in an April 22, 1967 article in Billboard as one of the artist contracts transferred to Warner Bros when it purchased the Valiant Records label. Song writer Bodie Chandler is also named in the article. He and Edward McKendry wrote “Nothing Sacred”, and Chandler arranged the song. Chandler had been part of Barry & The Tamerlanes and has an extensive writing catalog.

The ostensible A-side is the more conventional “I Remember” written and arranged by Jack Walker. Both sides were published by Tamerlane Music, BMI

This single had release in July of 1967 on Warner Bros 7057. I can’t find any other mention of the Johnnys or who was in the group. I assume they were from California but that is only a guess. If anyone has more info please contact me.

The Johnnys Warner Bros 45 I Remember

The Phantoms – unknown band

The Phantoms, Concord Camera Club photo
The Phantoms, Concord Camera Club photo

Here’s a good photo of a band that would be anonymous but luckily the photo was mounted to a backing board which names the band as the Phantoms, and the photographer as Newell Wood of Ulfinian Way in Martinez, CA. It also tells that the photo placed second in the Concord California Club miniprints competition in June of 1966.

Martinez is about 8 miles from Concord, and the band could be from anywhere around the East Bay, Vallejo or Walnut Creek. I’m not aware of any group named the Phantoms from that area, or if they made any recordings.

The Phantoms photo detail
The Phantoms photo detail

The Phantoms, Concord Camera Club Photo Contest

Lord Douglas and the Serfs

Lord Douglas and the Serfs HR 45 Your Turn to CryLord Douglas and the Serfs were students at Hiram College, about 40 miles Southeast of Cleveland. Producer Howard Russell brought them to Cleveland radio station WSLR to record two originals for their only single on HR Records 606.

Gerald Johnson and Robert Kopp wrote “Your Turn to Cry” which features harmony vocals and a great bass line in the break. Kopp, Alexander and Smith wrote the flip side, “The Way of a Man” which has a catchy chorus and a brief subdued solo that reminds me of something on the Velvet Underground’s third LP.

The band registered “Your Turn to Cry” with the Library of Congress on August 29, 1966 but the single’s release date is approximately February 1967.

Lord Douglas and the Serfs HR 45 The Ways Of A Man

Freddie Mack’s bands March 1968-February 1969

Cover of Freddy Mack's Live album, re-released by Acid Jazz
Cover of Freddy Mack’s Live album, re-released by Acid Jazz

Retired American light-heavyweight boxer Freddie Mack, sometimes spelt Freddy Mack and also known as Mr Superbad, relocated to the UK in 1965 and established a second career as a soul singer and disc jockey.

Between late 1965 and the mid-1970s, Mack fronted a succession of bands featuring a staggering number of notable British R&B and soul musicians. Originally called The Mack Sound, the singer’s bands also worked under the names The Freddie Mack Sound, The Fantastic Freddie Mack Show and the Freddie Mack Extravaganza.

Thanks to tenor sax player Geoff Driscoll, it’s possible to pin down the line-up for Freddie Mack’s band from about early March 1968 through to around February 1969.

According to Driscoll, drummer Colin Davy left shortly before he joined (later playing with Joe Cocker among many others). The band, he adds, had just returned from playing the Blow Up Club in Munich (from mid-to-late March) which Davy’s replacement Pete Hunt had played.

When Driscoll hooked up with Freddie Mack around early April, the band comprised:

Freddie Mack – lead vocals

Tony Morgan – lead vocals

Sonny Gibbons – lead vocals

Tony St Clair (Sinclair) – lead guitar

Roy Davies – organ

Alan Cartwright – bass

Sonny Corbett – trumpet

Phil Kenzie – tenor saxophone

Dave Potter – tenor saxophone

Geoff Driscoll – tenor saxophoneΒ 

Dave Coxhill – baritone saxophone

Pete Hunt – drums (took over from Colin Davy in mid-to-late March in time for Munich trip)

Of the new line-up, Pete Hunt came from the Southampton area and had worked with a number of bands, most notably The Quik, The Meddyevils and The Soul Agents.

Tony St Clair, who came from Hackney, had joined Phil Wainman’s band literally a few weeks after they’d played the Christmas/New Year show with Freddie Mack in 1965. He would remain with Wainman’s band as it became The New Generation and backed Jimmy Cliff during 1966. The formation then joined forces with Gary Hamilton and became The Hamilton Movement. When St Clair left in late 1967, it’s reported that he played with Lace.

Phil Kenzie of course had worked with Freddie Mack in 1966 and had gone on to play with Sonny Childe & The TNT, Tuesday’s Children and PP Arnold & TNT in the interim.

Dave Coxhill had played with Tony Knight’s Chessmen and would also spend time with The Cat Soul Packet in late 1967 (and possibly early 1968).

According to the band’s roadie Martin James Lumley, Nigerian conga player Jimmy Scott was also a member during this period.

Geoff Driscoll recalls that the new line-up soon returned to the Blow Up Club in Munich via a gig in Belgium and then travelled to Rome to play at the famous Piper Club for three weeks. Some of the band met an RCA record executive who informed the musicians that the label was about to release a single by an actor that was going to be an enormous hit – it was Richard Harris’ β€œMacArthur Park”.

However, after nearly a year of playing with Mack and moaning about not getting paid, the band split from the singer (around February 1969) whereupon they were approached by Dave Hadfield to work as the house band (The Breed) at his Maximum Sound Studio on the Old Kent Road. The Breed backed a few reggae singers on Hadfield’s label before Manfred Mann got involved and lured the horn section away for Manfred Mann Chapter 3.

While Dave Coxhill and Sonny Corbett remained with Manfred Mann Chapter 3, Geoff Driscoll and Phil Kenzie reunited with Roy Davies and Alan Cartwright in Sweet Water Canal. Pete Hunt later worked with The Jess Roden Band among many others.

Selected gigs:

Melody Maker notes in its 2 March issue that the group was playing in Salisbury (not Alex’s Disco unless they replaced the advertised act) and Tony Morgan was taken to hospital with a knife wound.

8 March 1968 – Bradford University, Student Union with The Attack, The Quick Selection and The Collection

15 March 1968 – 400 Club, Torquay, Devon

16 March 1968 – Impsella Club, Chateau Impney, Droitwich, Worcestershire

16 March 1968 – Loughborough University, Loughborough with The Nice (The Pretty Things don’t show)

It was around now that Pete Hunt replaced Colin Davy on drums (not clear if it was before or after the Munich gigs below). Davy would reunite with former member Dave Tedstone in Geno Washington & The Ram Jam Band in mid-August 1968.

Del Paramor says his group The Warren Davis Monday Band finished at the Blow Up Club in Munich (see Driscoll’s comment above) on 17 March and that Freddie Mack took over. The residency was probably for two weeks, starting on 18 March.

22 March 1968 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands (unlikely considering Munich gig)

Norwich newspaperΒ The Eastern Evening NewsΒ notes that the group is in Germany the week that they are due to play a show on 27 March at the University of East Anglia (which is rearranged for 15 June).Β 

31 March 1968 – Carlton Ballroom, Erdington, West Midlands (may not have happened if they were still in Germany)

Geoff Driscoll would have joined The Mack Sound around the first week of April.

5 April 1968 – Grand Ballroom, Leicester with Chalky & The Decoys

6 April 1968 – Hermitage Ballroom, Hitchin, Herts

9 April 1968 – Maidstone Corn Exchange, Maidstone, Kent

12 April 1968 – Flamingo Ballroom, Penzance, Cornwall (listed as 7-piece Mac Sounds)

13 April 1968 – Winter Gardens Ballroom, Penzance, Cornwall

14 April 1968 – Flamingo Ballroom, Penzance, Cornwall (listed as 15-piece)

15 April 1968 – Blue Lagoon, Newquay, Cornwall with The Vigilantes (listed as 15-piece)

19 April 1968 – Top Rank Suite, Leicester with Johnny Wollaston and His Band

 

25 April 1968 – Flying Fox Club, Cottesmore, Rutland with Symbolin and A Mystery Group

It’s probably around late April that the band plays in Belgium on its way to a second residency at the Blow Up Club in Munich.

The group would probably have started its three-week residency at the Piper Club in Rome around 6 May, heading back to the UK around the last week of May.

7 June 1968 – Civic Hall, Wolverhampton, West Midlands with Dual Purpose

8 June 1968 – Bull’s Head, Yardley, West Midlands

9 June 1968 – Cosmo, Carlisle, Cumbria with Jasper Stubbs Gloryland Band

10 June 1968 – Quaintways, Chester, Cheshire with Shady Lane

15 June 1968 – East Anglia Rag, University of East Anglia’s Student Union, Norwich, Norfolk (originally booked for 27 March but rearranged as they were in Germany)

16 June 1968 – Mothers, Erdington, West Midlands

17 June 1968 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands with Barmy Barry

19 June 1968 – Mistrale Club, Beckenham, London

25 June 1968 – Droitwich Winter Gardens, Droitwich, Worcestershire with Breakdown

26 June 1968 – Top Rank Birmingham Suite, Birmingham (Birmingham Evening Mail)

30 June 1968 – Mistrale Club, Beckenham, south London

30 June 1968 – Whisky A Go Go, Wardour Street, Soho, London with Keef Hartley

 

4 July 1968 – Concorde, Basset Hotel, Southampton, Hampshire

6 July 1968 – The Swan, Yardley, West Midlands with Soul Express

19 July 1968 – Torquay Town Hall, Torquay, Devon with The Emotions

20 July 1968 – Flamingo Ballroom, Redruth, Cornwall (the group may have played gigs in Europe immediately after this date)

Melody Maker‘s 27 July issue, page 20,Β  says that the band is back after a series of continental gigs.Β 

28 July 1968 – Whisky A Go Go, Wardour Street, Soho, London

 

8 August 1968 – Fishmonger’s Arms, Wood Green, London

14 August 1968 – Winter Gardens Ballroom, Penzance, Cornwall

15 August 1968 – Blue Lagoon, Newquay, Cornwall with Fire and Sons and Lovers

16 August 1968 – Pavilion Ballroom, Bournemouth, Dorset with Jamies Jyg Saw

17 August 1968 – New King’s Bay, Herne Bay, Kent

23 August 1968 – The Factory, Birmingham, West Midlands

24 August 1968 – Tin Hat, Kettering, Northamptonshire

25 August 1968 – Whisky A Go Go, Wardour Street, Soho, London

31 August 1968 – St George’s Ballroom, Hinckley, Leicestershire

 

2 September 1968 – Bluesology Festival, Chateau Impney, Droitwich, Worcestershire with Fleetwood Mac, Chris Farlowe & The Thunderbirds, Family, The Move and others

7 September 1968 – Princess Pavilion, Falmouth, Cornwall with The Mood

10 September 1968 – Black Horse, Kidderminster, Worcestershire

23 September 1968 – Quaintways, Chester, Cheshire with Cleo’s Mood and Systems Five

25 September 1968 – Whisky A Go Go, Wardour Street, Soho, London (cancelled due to illness)

26 September 1968 – Blue Pacific, Bristol Hotel, Gloucester

28 September 1968 – Civic Hall, Guildford, Surrey

Around this time, the band was joined by Jamaican singer Owen Grey.

Photo: Melody Maker October 1968

3 October 1968 – Samantha’s, New Burlington Street, London

5 October 1968 – Walsall Town Hall, Walsall, West Midlands with John McFlare Band

6 October 1968 – Bull’s Head, Yardley, West Midlands

6 October 1968 – Whisky A Go Go, Wardour Street, Soho, London (this was pushed back to 13 October)

13 October 1968 – Whisky A Go Go, Wardour Street, Soho, London (this was pushed back from 6 October and marks the group’s third anniversary)

19 October 1968 – Shrewsbury Music Hall, Shrewsbury, Shropshire

24 October 1968 – Concorde, Basset Hotel, Southampton, Hampshire

25 October 1968 – Spinning Wheel Discotheque, Great Hall, Isle o Ely College, Wisbech, Cambridgeshire

25 October 1968 – Victoriana, Liverpool (9.30pm) and then Mardi Gras Club, Liverpool (11.30pm)

26 October 1968 – The Factory, Birmingham, West Midlands

30 October 1968 – Elbow Room, Aston, West Midlands

 

1 November 1968 – Queen Mary’s College, Mile End Road, London with Bonzo Dog Doo Dah Band, Fairport Convention, Blossom Toes, The Web and Black Cat Bones

2 November 1968 – Chelmsford Corn Exchange, Chelmsford, Essex

4-6 November 1968 – Hatchettes Playground, Piccadilly, London

9 November 1968 – Dreamland Ballroom, Margate, Kent with The Sweetshop

15 November 1968 – Shrubbery Hotel, Ilminster, Somerset with Fascination

16 November 1968 – Elms Court, Botley, Oxford

22 November 1968 – Co-op Hall, Nuneaton, Warwickshire with Legay

 

13 December 1968 – The Factory, Birmingham, West Midlands with The Gun

14 December 1968 – Glastonbury Town Hall, Glastonbury, Somerset with Sandy’s People

16 December 1968 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands with Barmy Barry

21 December 1968 – The Swan, Yardley, West Midlands

By January 1969, the band was starting to be billed as The Freddy Mack Extravaganza.

17-18 January 1969 – Birmingham’s First 1969 Extravaganza, Birmingham Town Hall, Birmingham, West Midlands with The Locomotive, The Fantastics, The Flirtations, The Californians, Ivan Chin Steel Band, Liz Christian and The Ebonites

23 January 1969 – Club Cedar, Birmingham with ‘Fat Boy’ Billy Stewart

23 January 1969 – Whisky A Go Go, Wardour Street, Soho, London

27 January 1969 – Shipley Boat, Shipley, Eastwood Nottinghamshire with Fatboy Billy Stewart (this is probably one of the final gigs by the current formation)

Melody Maker‘s 8 March issue notes that Freddie Mack is forming a new 11-piece band to debut on 11 April in Bristol at the New Market Hotel.

GARAGE HANGOVER WOULD LIKE TO HEAR FROM ANYONE THAT CAN PROVIDE INFORMATION ABOUT THE 1969-1970 PERIOD.

I would personally like to thank Geoff Driscoll for helping to piece together this part of the band’s story. Thanks also to Greg Russo and Bruce Welsh.

PLEASE LEAVE COMMENTS BELOW TO ADD/CORRECT INFORMATION

Live gig sources:

During my research on Freddie Mack from 1965-1969, I have found gigs from the sources that include:

The Cornish Guardian, Derby Evening Telegraph, Evening Sentinel, Melody Maker, Gloucester Citizen, West Briton & Royal Cornwall Gazette, Lincolnshire Guardian, Birmingham Evening Mail, NME, Northwich Chronicle, Sheffield Star, Warrington Guardian, Wrexham Leader, Express & Star, Nottingham Evening Post

Copyright Β© Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author. To contact the author, email: Warchive@aol.com or nick_warburton@hotmail.com

 

Freddie Mack’s bands: April 1967-February 1968

Cover of Freddy Mack's Live album, re-released by Acid Jazz
Cover of Freddy Mack’s Live album, re-released by Acid Jazz

Retired American light-heavyweight boxer Freddie Mack, sometimes spelt Freddy Mack and also known as Mr Superbad, relocated to the UK in 1965 and established a second career as a soul singer and disc jockey.

Between late 1965 and the mid-1970s, Mack fronted a succession of bands featuring a staggering number of notable British R&B and soul musicians. Originally called The Mack Sound, the singer’s bands also worked under the names The Freddie Mack Sound, The Fantastic Freddie Mack Show and the Freddie Mack Extravaganza.

Thanks to the recollections of former Doc Thomas Group lead guitarist Dave Tedstone, who took over from Stuart Taylor (himself deputising for Ged Peck) the band’s formation included the followingΒ  when he joined on 5 April 1967:

Freddie Mack – lead vocals

Derry Wilkie – lead vocals

Tony Morgan – lead vocals, congas

Kenneth Harry – lead vocals

Kookie Eaton – lead vocals

Dave Tedstone – lead guitar

Roy Davies – organ

Alan Cartwright – bass

Dick Morrisey – tenor saxophone

Bernie Wehrman – tenor saxophone

Chris Dawe – trumpet

Jeff Bridge – tenor saxophone

Sonny Corbett – trumpet

Roger Truth – drums

As Tedstone explains, his guitar playing was closer in style to ex-Pirate Mick Green than Ged Peck’s, who Taylor had been covering for.

Tedstone remembers that Dick Morrisey departed during the early half of the year (although he would return in late November). Also, Derry Wilkie left during May or June 1967 to pursue a solo career.

In mid-June Roger Truth announced his decision to move on and auditions were held later that month (see below in gig listing). Two drummers were brought in to replace him.

The first was Terry Stannard, who had previously played with The Pack and The Flowers of Wisdom and would go on to work with White Rabbit, The Mirrors, One and Kokomo among others. The other drummer was Ron Berg, who succeeded him in White Rabbit before playing with Blodwyn Pig.

Mistakenly credited to 1966, it was this formation (minus Derry Wilkie and Dick Morrisey) that appeared on the album, The Fantastic Freddy Mack Show – β€˜Live’ at β€˜Toft’s Club’ Folkestone. Tedstone says that not many venues at the time had stages that were large enough to accommodate a dual drum set up.

As a result, Terry Stannard played the first set and Ron Berg played the second. On the album, which was cut in mid-July (see the gig listing below but most likely date is 15 July), Stannard appears on side one while Berg is on side two.

Selected gigs:

5 April 1967 – Birmingham gig (marks Dave Tedstone’s debut)

Tedstone says his debut was in Birmingham but I’ve looked in the newspapers and there is no listing. I wonder whether he mistakenly attributed this to Freddie Mack and not Jimmy James & The Vagabonds who he joined in early 1968.

6 April 1967 – Overseas Visitors Club, west London (This was most likely Earl’s Court)

8 April 1967 – St George’s Ballroom, Hinckley, Leicestershire

12 April 1967 – Hemel Hempstead Pavilion, Hemel Hempstead, Herts with The Cortinas (Says 14-piece band)

14 April 1967 – George Inn, Wilby, Northamptonshire

15 April 1967 – Matlock Bath, Matlock, Derbyshire

19 April 1967 – Steering Wheel, Weymouth, Dorset (Around this time Melody Maker advert says it’s a 10-piece band)

20 April 1967 – Gig in Stafford, Dorset

21 April 1967 – Steering Wheel Club, Dorchester, Dorset

22 April 1967 – Beachcomber, Nottingham

23 April 1967 – Cromer, Norfolk (most likely the Olympia)

24 April 1967 – BBC recording (according toΒ Melody Maker)

25 April 1967 – Concorde, Southampton, Hampshire

Derry Wilkie left around now or in June. Dick Morrisey most likely left around the same time but returned in late November.

5 May 1967 – Upper Cut, Forest Gate, east London with The Bohemians

6 May 1967 – California Ballroom, Dunstable, Bedfordshire with Two of Each and New Jump Band

11 May 1967 – Overseas Visitors Club, west London (most likely Earl’s Court)

12 May 1967 – Kinkotab, Hitchin College of Further Education, Hitchin, Herts with The Triads

13 May 1967 – Gaiety Ballroom, Ramsey, Cambridgeshire with The En-Devers

13 May 1967 – Nite Owl, Leicester with The Executive

14 May 1967 – Garden Club (location not known but most likely Covent Garden, London)

16 May 1967 – High Wycombe Town Hall, High Wycombe, Buckinghamshire

17 May 1967 – Eel Pie Island, Twickenham, west London

18 May 1967 – Tiles, Oxford Street,Β  central London

19 May 1967 – King Alfred’s College, Winchester, Hampshire

20 May 1967 – Maple Ballroom, Northampton

21 May 1967 – Swan, Yardley, West Midlands

22 May 1967 – Carlton Club, Erdington, West Midlands

23 May 1967 – Melody Maker says this is a day of rest. However, I’ve found references to gigs in Warrington and also Bournemouth (the latter with The Mike Cotton Sound with Lucas and The Pill)

24 May 1967 – Hemel Hempstead Pavilion, Hemel Hempstead, Hertfordshire with The Associates

26 May 1967 – Golden Diamond, Sutton-in-Ashfield, Nottinghamshire

27 May 1967 – Toft’s, Folkestone, Kent

29 May 1967 – Belfry Hotel, Wishaw, West Midlands with The Monopoly and The Exception

30 May 1967 – Beachcomber, Nottingham

31 May 1967 – RANS Lossiemouth, Moray, Scotland

1 June 1967 – RANS Arbroath, Arbroath, Scotland

2 June 1967 – Gig in Hawick, Scotland

3 June 1967 – Gig in Kelso, Scotland

4 June 1967 – Cosmo Club, Carlisle, Cumbria

5-8 June 1967 – Gigs in Paris, France

9 June 1967 – Cesar’s, Bedford, Bedfordshire

10 June 1967 – Jazz & Blues Festival ’67, Norwich, Norfolk with The Small Faces, The Ronnie Scott Quartet, Spencer’s Washboard Kings, The Settlers, Mike Daniels’ Big Band and The Broads City Blueblowers

11 June 1967 – Beachcomber, Nottingham

11 June 1967 – Britannia Rowing Club, Nottingham

12 June 1967 – Three Horseshoes, Letchworth, Herts

13 June 1967 – Concorde Club, Southampton, Hampshire

14 June 1967 – Eel Pie Island, Twickenham, west London

16 June 1967 – Il Rondo, Leicester

17 June 1967 – Bath Pavilion, Matlock, Derbyshire

18 June 1967 – Le Metro, Birmingham

19 June 1967 – Carton Club, Warrington, Cheshire

20 June 1967 – Ritz, Bournemouth, Dorset

21 June 1967 – Princess Pavilion, Falmouth, Cornwall with Blood & Sand

22 June 1967 – Blue Lagoon, Newquay, Cornwall with The Vigilantes

23-24 June 1967 – Winter Gardens Ballroom, Penzance, Cornwall

Melody Maker reports that Freddie Mack auditioned for a drummer and 74 turned up after he’d advertised in the music paper. This seems the most plausible point at which Roger Truth announces he is leaving.Β 

25 June 1967 – Steering Wheel, Dorchester, Dorset

26 June 1967 – Cook’s Ferry Inn, Edmonton, north London

26 June 1967 – Orford Cellar, Norwich, Norfolk

27 June 1967 – Sherwood Rooms, Nottingham with Dave Dee, Dozy, Beaky, Mick and Titch

28 June 1967 – De Valance Ballroom, Tenby, Wales

30 June 1967 – Pavilion, Hemel Hempstead, Hertfordshire with Force Four

Roger Truth left around about now and Terry Stannard and Ron Berg joined.

1 July 1967 – Burton’s, Uxbridge, northwest London

2 July 1967 – Central Hotel, Gillingham, Kent

4 July 1967 – Concorde, Southampton, Hampshire

6 July 1967 – Huntington Youth Centre, Huntingdon, Cambridgeshire

7 July 1967 – California Ballroom, Dunstable, Hertfordshire with The Shell Shock Show

8 July 1967 – St George’s Ballroom, Hinckley, Leicestershire

9 July 1967 – Britannia Rowing Club, Nottingham

10 July 1967 – Melody Maker says they are recording

11 July 1967 – High Wycombe Town Hall, High Wycombe, Buckinghamshire

12 July 1967 – Industrial Club, Norwich, Norfolk

14 July 1967 – Grammar School, Gravesend, Kent

15 July 1967 – Toft’s, Folkestone, Kent (this is the most likely date for the recording of the LP)

16 July 1967 – Golden Torch, Tunstall, Staffordshire

18 July 1967 – Assembly Hall, Aylesbury, Buckinghamshire

19 July 1967 – Blue Lagoon, Newquay, Cornwall

21 July 1967 – Town Hall, Torquay, Devon

22 July 1967 – Purple Fez, Devonport, Plymouth, Devon

23 July 1967 – Eel Pie Island, Twickenham, west London

25 July 1967 – Carlton Club, Erdington, West Midlands

27 July 1967 – RAF Witham, Lincolnshire

28 July 1967 – Hemel Hempstead Pavilion, Hemel Hempstead, Hertfordshire with The Beachcombers

29 July 1967 – Memorial Hall, Barry, Glamorgan, Wales

30 July 1967 – Swan, Yardley, West Midlands

Terry Standard left around about now (most likely to join Herbie Goins & The Night-Timers but then subsequently White Rabbit).

1-2 August 1967 – Gigs in Paris, France

5 August 1967 – Britannia Rowing Club, Nottingham

9 August 1967 – Princess Pavilion, Falmouth, Cornwall with Modesty Blues

10 August 1967 – Blue Lagoon, Newquay, Cornwall with The Californians

11 August 1967 – Winter Gardens, Penzance, Cornwall

12 August 1967 – Flamingo Ballroom, Redruth, Cornwall

14 August 1967 – Whisky A Go Go, Wardour Street, Soho, central London

15 August 1967 – High Wycombe Town Hall, High Wycombe, Buckinghamshire (billed as Freddy Mack & The Mack Sound featuring Hon-ey!)

16 August 1967 – Gig in Scotland (needs confirmation)

18 August 1967 – Gay Tower Ballroom, Edgbaston, West Midlands with Bobby Johnson Big Band

19 August 1967 – Burton’s, Uxbridge, northwest London

20 August 1967 – Beau Brummel, Alvaston Hall Hotel, Nantwich, Cheshire

21 August 1967 – Carlton Club, Warrington, Cheshire

22 August 1967 – Concorde, Bassett Hotel, Southampton, Hampshire

25 August 1967 – Cesar’s, Bedford, Bedfordshire

26-27 August 1967 – Toft’s, Folkestone, Kent

28 August 1967 – Hemel Hempstead Town Hall, Herts (needs confirmation)

29 August 1967 – Ritz Ballroom, Bournemouth, Dorset

30 August 1967 – Tropicana Club, Croydon, south London

31 August 1967 – Scottish tour commences today and runs until 12 September

1-2 September 1967 – Two Red Shoes, Elgin, Scotland

L-R: Terry Stannard, Alan Cartwright, Roy Davies and Dave Tedstone

8 September 1967 – Ballerina, Nairn, Scotland with The T-Set

9 September 1967 – Civic, Wrexham, Wales with Dynamic Honey and System 5 (not possibleΒ considering other Scottish dates)

9 September 1967 – Gig in Aberdeen, Scotland

10 September 1967 – RNAS Lossiemouth, Moray, Scotland

11-12 September 1967 – More gigs in Scotland

13 September 1967 – Travel to Belgium for gigs

17 September 1967 – Central R&B Club, Central Hotel, Gillingham, Kent with Honey

24 September 1967 – Black Prince Hotel, Bexley, southeast London

29 September 1967 – Flamingo, Wardour Street, Soho, central London with The Gabb and The Scots of St James

30 September 1967 – Tin Hat, Kettering, Northamptonshire with The Survivors

1 October 1967 – Co-op Hall, Warrington, Cheshire

2 October 1967 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands with The Californians and Barmy Barry’s Show

4 October 1967 – Hemel Hempstead Town Hall, Hemel Hempstead, Herts

6 October 1967 – Il Rondo, Leicester

7 October 1967 – Enfield College of Technology, Enfield, north London

8 October 1967 – Le Metro, Birmingham

9 October 1967 – Bluesville ‘6 Clubs, St Matthew’s Bath Hall, Ipswich, Suffolk

12 October 1967 – Brays Grove Youth Club, Harlow, Essex

13 October 1967 – Pavilion Ballroom, Weymouth, Dorset with Pink Floyd and Denis Scott & The Soundsmen

14 October 1967 – Toft’s, Folkestone, Kent

15 October 1967 – Corn Exchange, Maidstone, Kent

16 October 1967 – 100 Club, Oxford Street, central London

17 October 1967 – Concorde, Bassett Hotel, Southampton, Hampshire

18 October 1967 – Travel to Paris, France

19-30 October 1967 – Gigs in Belgium

31 October 1967 – Shenley Green Youth Club, Shenley Green, West Midlands

2 November 1967 – Golden Torch, Tunstall, Staffordshire

3 November 1967 – Apex Club, Ashford, Kent

4 November 1967 – Earlham Park, Norwich, Norfolk with Elmer Gantry’s Velvet Opera

5 November 1967 – Cosmo Club, Carlisle, Cumbria with The Reg Jones Explosion

6 November 1967 – Quaintways, Chester, Cheshire

7 November 1967 – Ritz, Bournemouth, Dorset

8 November 1967 – Skyline Ballroom, Hull, East Riding of Yorkshire with The Gospel Garden, Delroys Good Good Band and The Disturbance

10 November 1967 – Mayfair Ballroom, Smallbrook Ringway, Birmingham

10 November 1967 – Digbeth Civic Hall, Digbeth, West Midlands

11 November 1967 – Bradford University, Student Union, Bradford, West Yorkshire

11 November 1967 – Industrial Club, Norwich, Norfolk (needs confirmation)

12 November 1967 – South Bank Jazz Club, Grimsby

13 November 1967 – 100 Club, Oxford Street, central London

14 November 1967 – Ritz, Bournemouth, Dorset

15 November 1967 – The Catacombs, Eastbourne, East Sussex

17 November 1967 – Top Spot Ballroom, Ross-on-Wye, Herefordshire with The Dipps (Gloucester Citizen)

18 November 1967 – Royal Lido, Prestayn, Wales with The Rayners

19 November 1967 – Beau Brummel Club, Alvaston Hall Hotel, Nantwich, Cheshire with The Jaytree Organisation

20 November 1967 – Bamboo Club, Stockport, Greater Manchester

Around this time, Dick Morrisey rejoins on tenor sax (according to Melody Maker‘s 25 November issue, page 3).

21-26 November 1967 – Gigs in Scotland (Aberdeen gigs may not have happened)

21 November 1967 – Two Red Shoes, Elgin, Scotland (billed as Freddie Mack & His Road Show) (advert lists 16-piece band) (Source: https://tworedshoes.wordpress.com/)

23 November 1967 – RNAS Lossiemouth, Moray, Scotland

24 November 1967 – Ballerina, Nairn, Scotland with The Brown Heart Federation

25-26 November 1967 – Gigs in Aberdeen, Scotland

25 November 1967 – West Runton Pavilion, West Runton, Norfolk with The Sonics (probably rescheduled toΒ 2 December gig below)

27 November 1967 – Carlton Club, Warrington, Cheshire

29 November 1967 – Reading Town Hall, Reading, Berkshire with The Beachcombers and Memphis Gents

Ron Berg left around this time and subsequently joined White Rabbit. Colin Davy, who’d worked with Georgie Fame in late 1967 joined.

1 December 1967 – Industrial Club, Norwich, Norfolk

2 December 1967– West Runton Pavilion, West Runton, Norfolk

6 December 1967– Hemel Hempstead Pavilion, Hemel Hempstead, Herts with Tramline ’67

7 December 1967 – Medway College of Art, Rochester, Kent

8 December 1967 – Southampton University, Southampton, Hampshire

9 December 1967 – Clacton Town Hall, Clacton, Essex with Lee Shelby Federation

10 December 1967 – Samantha’s, Bournemouth, Dorset

11 December 1967 – St Matthew’s Bath Halls, Ipswich

12 December 1967 – Keele University, Keele, Staffordshire

14 December 1967 – RAF Whitton (assuming this is Whitton, London)

15 December 1967 – Red Spot Club, Whetstone, Leicester with The Changing Scene

16 December 1967 – Night Prowler, Yarmouth, Norfolk with Combined Achievement

17 December 1967 – Leofric Hotel, Coventry, West Midlands

19 December 1967 – Queen’s Hotel, Grays, Essex

22 December 1967– Aurora Hotel, Gillingham, Kent

23 December 1967 – St James’ Spectacular, Chesterfield, Derbyshire with Joe Cocker’s Grease Band

26 December 1967 – Mayfair Ballroom, Smallbrook Ringway, West Midlands with The Fabulous Invaders

29 December 1967– Aurora Hotel, Gillingham, Kent

Around early January 1968, the group most likely included the following musicians:

Freddie Mack – lead vocals

Tony Morgan – lead vocals, congas

Kenneth Harry – lead vocals

Dave Tedstone – lead guitar

Roy Davies – organ

Alan Cartwright – bass

Dick Morrisey – tenor saxophone (may not have stayed long)

Bernie Wehrman – tenor saxophone

Chris Dawe – trumpet

Sonny Corbett – trumpet

Colin Davy – drums

Selected gigs:

7 January 1968 – Maidstone Corn Exchange, Maidstone, Kent with Formula Six

8 January 1968 – 100 Club, Oxford Street, central London

11 January 1968 – Concord, Basset Hotel, Southampton, Hampshire

12 January 1968 – Exeter University, Exeter, Devon

Melody Maker reports in its 13 January issue, page 13, that a continental tour is planned but does not say when.

13 January 1968 – Winter Gardens Ballroom, Penzance, Cornwall

14 January 1968 – Central R&B Club, Central Hotel, Gillingham, Kent

15 January 1968 – Koups Klub, Laker’s Hotel, Redhill, Surrey

19 January 1968 – Gari Ballroom, Great Yarmouth, Norfolk with Somethin Else

20 January 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with Out of Sight Blues

21 January 1968 – Black Prince Hotel, Bexley, southeast London

22 January 1968 – Whisky A Go Go, Wardour Street, Soho, central London

23 January 1968 – Gig in Aberystwyth, Wales (The Cambrian Times has no record of any shows in the town this day)

24 January 1968 – Gig in Cardiff, Wales

25 January 1968 – Gig in Epsom, Surrey (possibly Ewell Tech College)

25 January 1968 – Gig in Birmingham, West Midlands

27 January 1968 – Gig in Southport, Lancashire (most likely Floral Hall)

28 January 1968 – The Place, Hanley, Staffordshire

30 January 1968 – Whisky A Go Go, Wardour Street, Soho, central London

31 January 1968 – Hemel Hempstead Pavilion, Hemel Hempstead, Herts with The Lamb Bros and Co

 

3 February 1968 – Leeds University, Leeds, West Yorkshire

4 February 1968 – Cosmo, Carlisle, Cumbria

5 February 1968 – Quaintways, Chester, Cheshire with Kaspers Engine and Perfurmed Garden

5 February 1968 – Howard Platt Discotheque Show, Jazz and Blues Festival, Norfolk with The Kinks and Geno Washington & The Ram Jam Band

6 February 1968 – Gig in Birmingham, West Midlands

7 February 1968 – Gig in Grays, Essex

9 February 1968 – Gig in Leicester

10 February 1968 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with The Informers Plus 2

11 February 1968 – Gig in Manchester

14 February 1968 – Ship & Rainbow, Wolverhampton, West Midlands

Around the start of the second week in February, Freddie Mack advertised for three reed players suggesting he was looking to rebuild the band. Chris Dawe was among the horn players leaving and later joined Swegas.

 

19 February 1968 – Cosmo, Carlisle, Cumbria with Joe E Young & The Tonicks

23 February 1968 – Birmingham University Students’ Union, Edgbaston, West Midlands with Elmer Gantry & The Velvet Opera

24 February 1968 – Burton’s, Uxbridge, northwest London

28 February 1968 – Ship & Rainbow, Wolverhampton, West Midlands

Around this time Dave Tedstone left to join Jimmy James & The Vagabonds and would then reunite (briefly) with Colin Davy in Geno Washington & The Ram Jam Band in August 1968.

Kenneth Harry also left about now and Sonny Gibbons took over on vocals.Β 

STORY CONTINUED

I would personally like to thank Dave Tedstone for helping to piece this part of the story together.

PLEASE LEAVE COMMENTS BELOW TO ADD/CORRECT INFORMATION

Live gig sources:

During my research on Freddie Mack from 1965-1969, I have found gigs from a huge range of newspapers. These include the following sources:

The Cornish Guardian, Derby Evening Telegraph, Evening Sentinel, Melody Maker, West Briton & Royal Cornwall Gazette, Lincolnshire Guardian, Birmingham Evening Mail, NME, Northwich Chronicle, Sheffield Star, Warrington Guardian, Wrexham Leader, Eastern Evening News, Maidestone Gazette, Ipswich Evening Star, Bournemouth Evening Telegraph, Nottingham Evening Post, Cambridgeshire Times and Express & Star, Forres, Elgin & Nairn Gazette, Derbyshire Times.

Copyright Β© Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author. To contact the author, email: Warchive@aol.com or nick_warburton@hotmail.com

Β 

 

The Five Embers

Gary Boyle – guitar/vocals

Roger Sutton – bass/vocals

Ray Deville – organ/vocals

Ron Foster – saxophone

Clive Thacker – drums

Lead guitarist Gary Boyle, bass player Roger Sutton, keyboard player Ray Deville, drummer Clive Thacker and sax players Dave Quincy and Ian Thomas had backed singer Brian Bentley as Brian Bentley & The Kingsmen during 1962.

In early 1963, the remaining members (minus Quincy and Thomas) became The Five Embers after ditching Brian Bentley and recruiting sax player Ron Foster. Initially, the musicians played under their own name and then in March 1964 started backing Jamaican singer Millie.

Notable gigs as The Five Embers:

22 March 1964 – Star & Garter, Windsor, Berkshire

24 March 1964 – CafΓ© Des Artistes, Fulham, London

Notable gigs with Millie Small:

25 March 1964 – Bromley Court Hotel, Bromley, Kent

28 March 1964 – CafΓ© Des Artistes, Fulham, London

29 March 1964 – Star & Garter, Windsor, Berkshire

31 March 1964 – Peter’s Club, High Wycombe, Bucks

 

5-11 April 1964 – Cavern, Liverpool

 

16 May 1964 – City Hall, Salisbury, Wiltshire with The Initials

17 May 1964 – Blackpool ABC, Blackpool, Lancashire

18 May 1964 – Scarborough Futurist, Scarborough with others

 

5 June 1964 – Palace Ballroom, Maryport, Cumbria with The Defenders

16 June 1964 – Locarno, Swindon, Wiltshire with The Soul Agents

 

27 August 1964 – ABC Theatre, Plymouth, Cornwall with Rolling Stones and others

 

After splitting with Millie, The Five Embers continued to gig into 1965 before breaking up that spring and at some point backed Barry St John.

In August 1966, Clive Thacker joined Julie Driscol, Brian Auger & The Trinity and was joined two months later by Roger Sutton.

While Thacker remained with Brian Auger and Julie Driscol throughout the late 1960s, Sutton left in May 1967 and played with several groups before briefly joining The Krew in August 1968.

Roger Sutton subsequently played with a number of notable bands, including The Aynsley Dunbar Retaliation, Nucleus, Mark-Almond and Riff Raff.

Gary Boyle initially played with Lulu’s backing band during 1965. Then, in 1966, he worked with Dusty Springfield’s support group, The Echoes before reuniting with Roger Sutton and Clive Thacker in Julie Driscol, Brian Auger and The Trinity in January 1967.

After leaving in November of that year, Boyle subsequently played with Eclection in March 1969 and then returned to Julie Driscol and The Brian Auger Trinity that June.

Ray Deville meanwhile joined The Missing Links in February 1966 and stayed with this band when it took on the name, The All Night Workers in October 1967. He left in January 1968 and is rumoured to have worked with Dusty Springfield. Deville died in 2013.

Please note: this is a very brief overview of the band and its history. Garage Hangover would welcome any additional material and corrections.

Mike Collins’s interviews with Roger Sutton and Gary Boyle were really useful resources. Please see above links to his work.

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