There isn’t much information about the Facts of Life despite the group’s fine 45 single. The group came from Bala Cynwyd, Pennsylvania, which lies just to the west of the Philadelphia city line. Members included Bruce Klauber, later a jazz drummer and professor, and Robert Yampolsky, who wrote both songs on their only single. I don’t know the other members’ names.
“I’ve Seen Darker Nights” begins with a blast of distorted guitar but otherwise is free of fuzz. The lyrics are heartfelt, the singing good, the arrangement has good hooks and momentum from the rhythm section. There’s a long solo on the organ and a brief guitar break.
The flipside, “All In Good Time” has a good ballad sound with a basic guitar solo. Robert Yampolsky copyrighted both songs in October, 1967, and the record came out as Frana Records 59-A/B. I don’t know of any other releases on the Frana label.
The Dickens at The Place, Pensacola, FL. From left: Jimmy Smith, Louie Boyleston, Skip (Seldon) Higgins, Ron Bowman and Rick Pierce
The Dickens came from Pensacola, Florida. The members of the band were:
Rick Pierce – keyboards & vocals Louie Boyleston – guitar Ron Bowman – rhythm guitar & lead vocals Jimmy Smith – bass, harmonica & lead vocals Skip Higgins – drums
A news clipping shows the band as a four piece formed at Pensacola High School before Rick Pierce joined. The article notes the band played dances at Pensacola teen clubs the Place and the Beacon Club, and that they won the St. Ann’s Annual Talent Context.
In September, 1967 they cut two good, quirky versions of Left Banke songs on Format Records F45-5004/5, “I’ve Got Something On My Mind” / “I Haven’t Got The Nerve”. The single was produced by Jerry Ray for Daddy Rabbit Prod.
Six months later they kept their Left Banke inspiration but Rick Pierce wrote two excellent original son gs, “One of a Kind Woman” and “Inside – Outside”.
Jerry Ray is again listed as producer, but Rick Pierce arranged them and the production is much better than the first single. The band sounds more mature, with better keyboard work and stronger vocals than the first release, and the horns fit in fine on “Inside-Outside”.
This single had release as Format F-45-5006/7 in March of ’68, with publishing by Tamrof Pub BMI.
I contacted Ron Bowman, the lead vocalist on these songs, who provided this info on the band, plus the photos and sound clips:
The Dickens began forming circa ’62-63. Pensacola, Florida, Gulf Breeze to be precise. Ron Bowman & Louie Boyleston swapped their baseball gloves for acoustic guitars & began playing folk music, until they heard the Beatles. With electric guitars in hand, Winston for Ron & Silvertone for Louie they began scratching up Beatles, Stones, & Hollie records to learn the chords & lyrics. Time for a bass player. We knew a guy who looked the part, but he was too much into surfing, but he auditioned singing “Mrs Brown You’ve Got a Lovely Daughter”. We figured he could learn to play a 4 string instrument. Next a drummer. In West Pensacola we learned of Skip Higgens. He had a drum set. So voila, we had a band.
We’d play the run of the mill soul music all the other Pcola bands were playing, especially because people could dance to them, but our tastes were deep into the British Invasion, especially the vocals. I did most of it, but Jimmy & I were both the lead singers. We managed to get known, won a couple Battle of the Bands, then we heard about an amazing keyboardist (actually he played everything – from drums to pedal guitar) also from West Pensacola, Rick Pierce.
Once he joined the band, we really took off locally. Our early manager was a local disc Jockey, Daddy Rabbit Ray. We recorded our first session in Memphis where we recorded our first single “I’ve Got Something on My Mind” & “I Haven’t Got the Nerve” both Left Bank songs. We sold 90 copies in Albany, NY. We also recorded the first of Rick’s original songs “No One Seems to Know”, but that didn’t make vinyl. I think this was in ’66, I know we attended a Monkeys concert while in Memphis.
Q. What was the connection with Memphis?
Our manager knew of a studio. Why Memphis, beats me.
Q. Were you all fans of the Left Banke or was that mostly Rick’s influence?
Oh yes. They came to Pcola. We were deep into baroque music. Or ‘broke music’. All of us, not just Rick, but because of Rick’s fine piano/harpsichord musicianship, we were able to pull it off. Our main influence, besides the Beatles & Stones, were The Hollies. Damn those boys could sing harmony.
Because of this mild success, we rented out places in small southern towns like the Natl Guard Armory to make a decent wage for high school kids. In ’68 we recorded in New Orleans. All 3 songs were Pierce originals with Ron singing lead. A-Side “One of a Kind Woman”, B-Side “Inside Outside”, & the unreleased “I’ve Been Gone”. We sold far more of these singles & were listed on Billboard’s Hot 100 Charts with a bullet. Later we found out our manager had sent our tapes to MGM. They offered to fly us to LA to record an album & I guess groom us for a national audience. They offered Daddy Ray $40,000 as a finder’s fee. He thought “Gee if they’re that good, I’ll keep them on my label, FORMAT RECORDS. Just as well we didn’t know this at the time…
Q. Are the unreleased songs, “No One Seems to Know” and “I’ve Been Gone” still around?
I have two versions of the New Orleans session of “I’ve Been Gone”, one with & one without the lead. Jimmy Smith remixed this when he worked at Capitol Records. Another Rick Pierce original. Don’t think “No One Seems to Know” from Memphis survived.
About early ’69 we splintered off & Jimmy, Rick, & I formed a newer ‘Stoned Dickens’ foursome, John Russel played lead guitar, Rick moved to drums. Lots of Cream, Buffalo Springfield, Hendrix.
I did a short stint in the Phaetons as a bass player/ backup singer. Made a ton of money as Charlie Capri, our manager, kept us on the road. But that lasted less than the Stone Dickens, maybe 4 months.
With the narco cops following us around, Jimmy & Ron hightailed it to California. We formed a group called The Alleycats (several versions of members, one including Louie again).
Louie went on to open a mod clothing store, Oz Boutique. He was probably the best rhythm guitarist I’ve ever heard, although I do have one recording of my song “Real Fine Love” where he tears up the lead. He knew the chords to every rock & country song. Unfortunately he died of a heart attack about 2005 in his 50s.
Skip went to New Orleans & kicked around before winding up in Vienna, Austria, where he still lives. We are in touch.
Rick went to Atlanta, got very in with the Atlanta sound. I saw him last playing a solo gig in Marietta, Ga. We are not in touch now, but I’m working on this.
Jimmy’s still in Sherman Oaks. He’s worked a lot in the movie industry & was working at Capitol Records where he had access to their mixing room. This is where our remastered New Orleans session came from.
I stayed based in LA for a total of 17 years. In ’79 I joined the first American band ever to play for Club Med, The Hollywood Party Boys. Mexico, Switzerland, Greece, & always Paris, per diem. When I returned to LA, instead of resuming my music career while working for every record company mail room, including Billboard, I went to LACC & became an Elec tech. Moved back to Pensacola area, where I still live. I’ve always continued to write & record music.
Arturo & Pat with the Stowaways, from left to right: Norma Longoria, James Buckley, Pat Buckley, Wendall Maloy, and Arturo Longoria
The Stowaways were:
Arturo Longoria – vocals Pat Buckley – vocals Norma Longoria – keyboards Romolo Montalvo – lead guitar James Buckley – rhythm guitar Wendall Maloy – drums
Wendall Maloy sent in the clipping above and wrote to me about the Stowaways:
This is the first “garage band” to play the Grapefruit Bowl in Sharyland, TX. The photo is from The McAllen Monitor and mentions our parking lot dances in front of Carl’s Minimax in Mission. The photo was taken before the Pharaoh record we cut where the name of the group was changed.
Mr. Longoria paid for the record. On the record, we were listed as Arturo and Pat with the Stowaways. I don’t have a copy of the record. The title might have been, “Turn Your Light On Me.” It got lots of air play on KRIO because we were local. Jimmy Nichols, owner of Pharaoh Records, never signed a group and paid for their recording. He always got paid for studio time and pressing, in other words … he never invested in an artist or group. Anyone could cut a record with Pharaoh if they had the money. If I remember, it was about $500 for 500 records turnkey.
That was our only record with Arturo and Pat. They later were backed by The Invaders. [Arturo & Pat with the Invaders – “Oh Yes Tonight” / “So Tenderly & Faithfully” on Pharaoh 134]
Romolo Montalvo was a great lead guitar player. I played with Romolo, Juan Guerrero (bass guitar) and Oscar Villareall (vocals) at the Grapefruit Bowl after Romolo and I left Arturo and Pat. I soon left the Valley to attend college in Victoria, TX.
Oscar got a record deal with Falcon Records and had a successful career. He was killed in an accident while touring and his records started selling like crazy. I know that Juan played with Oscar’s band. I lost touch with most everyone, except Juan. He played with several Tejano groups like Los Fabulosos Quatro and later had his own group Los Sheekanos. He is in the Tejano Music Hall of Fame.
The best group from the Valley was the Playboy’s of Edinburg. They had a top 40 hit with “Look At Me Girl.” The song was recorded at Pharaoh and later released on Columbia. Bobby Vee covered the song, had it out at the same time on Liberty Records and kind of screwed them out of having a bigger hit.
I got drafted in 1967 and while serving as NCOIC of the Radio-TV Section at the Ft Hood Information Office, got the Playboys assigned to me when they came for summer camp with the National Guard. We are still close today.
The Haustofs, Bobcat News, Nov. 23, 1966. from left: Doug Gahan, Gary Thorson, Steve Rollofs (kneeling), Pat Buckley, and Randy Clark with manager Delon Wright lying on the grass. Not pictured: Bob Doty, keyboards.
Gary Thorson sent in the news clippings and wrote to me about the Haustofs:
I grew up in Pharr, TX during the 60s and was a member of a garage band there known as “The Haustofs” (supposedly named after a German beer known for its strength). We never cut a record, but played all the popular venues (the Valley Bowl was one of our favorites), sock-hops and private parties. We even shared the stage with some of them, like the Headstones and the Playboys of Edinburg. The Souls‘ David Lott and I were good friends.
Our band was primarily know as being from Mission, TX because that’s where our lead singer Pat Buckley (of the former Arturo and Pat hit record), our drummer, Doug Gahan, and our keyboard player, Bob Doty were from. Stephen Roelofs our bass player, Delon Wright our manager, and myself were all from Pharr, TX and Randy Clark our lead player was from Edinburg, TX.
Pat Buckley has released a single with another Mission student, Arturo Longoria as Arturo & Pat with the Invaders on the Pharaoh label, “Oh Yes Tonight” / “So Tenderly & Faithfully”.
The Bobcat News profiled the band on November 23, 1966, saying the band “was assembled by Doug Gahan, a senior at Mission High.”
An article in the Mission Eagle has many interesting quotes, such as Dough Gahan saying he was “‘an ardent admirer of Bill Reed,’ who plays drums in the Kavaliers.” Another is “As far as the other groups that the Haustofs admire are concerned, the Headstones are their favorite Valley group. They like the Kinks best of world-famous groups, although they also like the Beau Brummels and the Yardbirds.” It also mentions that Randy Clark of Edinburg High School had played rhythm guitar in the Tempests.
Gary Thorson adds the status of the individual band members as of today is:
Pat Buckley – Retired and living in southern Colorado Stephen Roelofs- School teacher living in the Dallas, TX area Bob Doty – Works for a large tool company living in Arkansas Gary Thorson – President of a computer consulting firm living in Fairhope, Al. Randy Clark – still pursuing his musical career in San Antonio, TX Doug Gahan – unknown
The Savage Generation came from Westchester, NY. Members were Roger Alther of Tuckahoe, Ronnie Fruscianti of New Rochelle, Tom Scarcello and Ray De Angelis of Scarsdale, and Paul Montclare of Eastchester.
They had one single on Senate Record Corp 2113 from October 1968, both sides original songs by band members. Ray De Angelis wrote the A-side, “You’re Not Going to Change My World”, which is heavy on the phasing and has great rhythm section. I haven’t heard the flip, “Mr. Sun”, written by Tom Scarcello and Ron Frusciante.
Both songs published by Pocket Full of Tunes, Inc / Egavas Music BMI, produced by Wes Farrell, and distributed by ABC Records, NY.
Savage Generation Fan Club cardThe Herald Statesman profiled the Savage Generation on March 23, 1968 for a gig the following Saturday at Westchester County Center. Besides giving the names of the group, it mentions their manager, Frank Garofaola of New Rochelle, and Brother Darby Ruane of Iona College who help the band get high profile live shows. It also says the group evolved out of a duo, The Hangmen, and a trio, The Savages.
The article has many interesting quotes from the band’s members, and also lists two songs that weren’t released, “A Dream Walks Amongst Us” written by Paul Montclare, and “Birth of a Savage”.
“Taken in Bermuda on Spring Break we played the Buccaneer Club” – Tommy
We wrote a song called “Birth of a Savage.” I would come on stage wearing a priest’s white robe with a long afro and beard and would light myself on fire with lighter fluid and the stage as well. We would sing our song, and then as things were burning, I would pick up a large empty shell that looked like a mini bomb, and I would scream, “Peace, peace, or destruction!” and then fling it out into the audience … We went on and recorded an album at the first 24-track studio owned by Jimmy [sic] Hendrix in New York City.
I think it’s likely the group did record more than just the single, but nothing else has been released to my knowledge. After writing this article, Tommy contacted me and sent the photos seen here.
A belated thank you to transoniq for finding this article, and special thanks to Tommy Scarcello for the photos of the group and fan club card.
The Savage Generation, profiled in the Herald Statesman, March 23, 1968
The Deltrons recorded in Sebewaing, Michigan a town about halfway between Bad Axe, the town of the A-side title, and Bay City, the location of the Deltron label and Delta Promotions.
Members were:
Dan Richards – vocals and lead guitar Bob Power – guitar Craig Young – bass Greg Young – drums
When I covered the Jayhawkers and Deltron Records, I didn’t believe this single was related to the Bay City Deltron label. The label design is different, and this one is a Chicago pressing by Stereo Sound from April of 1966. But Max Waller found this comment that Daniel Richards wrote on youtube:
It was Craig Young (bass), Bob Power (guitar), Dan Richards, and Greg Young (drums) recorded in Sebewaing, MI in January of 1966 at a cold warehouse. Dan (me) did the singing and lead guitar. Chet Hey wanted it recorded again after Arthur Godfrey sang it on his TV show in the 50s. He wanted a more modern version and we were just 16 to 18 years old at the time and still in high school.
Chet Hay and Ted Shunk wrote “I Found My Baby in Bad Axe” in 1949. “Bad Axe sounds like a funny name, it’s a durn good city just the same” go the lyrics. I wonder what he thought of the Deltrons version of his song!
The B-side “Tonya”, written by Dan Richards and Greg Young is wild, and has this for a chorus: “her name is Tonya, she’s really cool / the day I win her, I’ll blow up the school”!
The Cincinnati Enquirer profiled many local bands, including The De’ Blu or De Blus, as they appeared in ads for the Mod Room at the Cabana restaurant in Erlanger, Kentucky.
De’ Blu was comprised of three students of Covington Catholic High in Park Hills, plus one member each from St. Xavier and the University of Kentucky.
Members were: Mike White – organ Greg Barker – lead guitar Tom Bertke – rhythm guitar Jim Nordmeyer – harmonica Mark Gehring – drums.
“One of the most popular local bands appearing regularly at “Granny’s” these days is “The De’ Blu.” All of the boys live in Northern Kentucky and just recently they were offered a recording contract with Capitol Records.”
I have to wonder if anything ever became of the recording contract.
The Marc IV of Fort Thomas, Kentucky got a profile in the Enquirer on January 28, 1967. Members were:
Mike Reilly – lead singer and bass Rick Schmidt – organ Ken Steggeman – drums Steve Schiller – lead guitar
The news clipping says the group “banded together six months ago … have appeared at Granny’s, WSAI hops, school dances and every Sunday afternoon at the Avenue Club in Bellevue, Kentucky.”
I’ve also found an ad for the group from June of ’67 for an appearance at Capt. Al’s Ballroom in the Trolley Tavern at Anderson Fery Road with the Rambunctions.
Although the article continues “the boys have copyrighted several songs and plan to record them this spring in Lexington”, so far I haven’t found any record or copyrights by the group.
The Jay Hawkers came out of Bay City, Michigan and were led by Jay Walker, who was later a DJ on WKNX (1210 AM) in Saginaw, Michigan and WGRD, eventually changing his name as Sonny Fox.
Discographies tend to list the Jayhawkers as the backing band for a single by Dwight Douglas and the Jayhawkers on Astra 3008 – “Interstate ’45′” (L. Drake, J. Stokes) / “Mr. Big” (Lenny Drake). This is a pseudonym for Lenny & the Thundertones, who were based out of Detroit. Certainly the songs were cut several years prior to the Deltron records, so I have to believe this is a different band.
I’ve sometimes seen them listed as a Grand Rapids band, but the promo photo above comes from Delta Promotions in Bay City, which also (I believe) ran Deltron records label. Bill Kehoe and Jim Atherton owned Delta Promotions, which managed Question Mark and the Mysterians, and was the company that created several fraudulent bands to tour the US, including a bogus Zombies featuring two future members of ZZ Top and a made-up Archies group that led to a devastating lawsuit from Don Kirshner.
Deltron 21 (1227) – The Jayhawkers – “Dawn Of Instruction” (Trusdale Music, BMI) / “Searchin'”
As I wrote in an article about certain topical songs of the mid-60s, the Jayhawkers’ “Dawn of Instruction” is a straightforward inversion of P.F. Sloan’s “Eve of Destruction”. With over-the-top lyrics like “even the Jordan River has bodies floatin’ … my blood’s so mad feels like coagulatin”, “Eve of Destruction” was an easy target. The Jayhawkers made the most of the hyperbole in their answer song, singing lines like “step aside, Mister Doom Peddler” and “[we’re] not old enough to vote, but ain’t young enough for runnin”.
The Jayhawkers version came out in October 1965, just a month after Barry McGuire’s recording hit #1 in Billboard. Interestingly there’s no song writing credit for this side, only Trusdale Music publishing, which, as Max Waller pointed out, is probably a dig at “Eve of Destruction” publisher Trousdale.
The Jayhawkers opened for Simon and Garfunkel on Wednesday, December 29, 1965 at the Saginaw YMCA.
Deltron 1228 – The Jay Hawkers – “To Have A Love (As Sweet As You)” (T. Saputo, B. Kirener) / “Send Her Back” (Walker, Huntleigh)
Their second single came out in April, 1966, this time Jay Hawkers listed as two separate words. Both sides show a very different side to the band, and for me this is the best of their singles. “To Have A Love (As Sweet As You)” is catchy and very commercial. The song seems to be original to the band, though I don’t think the writers were members of the group.
“Send Her Back” is a slow and very affecting ballad. It may be the only song they recorded that was written by people in the band, namely Walker and Huntleigh.
The Jay Hawkers continued with two more singles, all cover songs in different styles:
Lucky Eleven 232 – “Come On (Children)” / “A Certain Girl” (produced by “Terry Nnight” aka Terry Knight, October 1966)
Lyke Til 4147 – “Love Have Mercy” / “Baby Blue” (Produced by Jay Walker, June, 1967)
The Deltron label
I can find three, maybe four, additional releases on this Deltron label out of Bay City:
Deltron 812 – The One Way Pedestrians – “I’d Like to Say (I Love You)” (Rod Clowthier) / “Hey Miss Sally” (I haven’t heard either side yet) Deltron 813 – The Bed of Roses – “Hate” / “I Don’t Believe You” (August 1967)
Deltron AR895 – Dick Rabbit “Take Me to L.A.” / “You Come on Like a Train” (both by The Thayber Brothers, produced by James Atherton, Package Music BMI)
Dick Rabbit also had “Love” (Phil Gordon, Rich Thayer) / “Trip” (Donavan) on Great Lakes GL-103, both published by Rabbit Music Co.
Deltron SS-6518 – The Deltrons (Craig, Bob, Dan, Greg) – “I Found My Baby in Bad Axe” / “Tonya” (Dan Richards, Greg Young) from April 1966
The Deltrons single is crude and great garage single on “Tonya”. I doubted it was related to the Deltron label from Bay City but the group recorded in nearby Sebewaing, so it likely is. I cover the Deltrons in more depth here.
The Cavaliers, in front: Ted Lovelace (with drumsticks) and Jim Brandon; in back from left: Jim Wenzel, Roger McIntosh and Walter Johnson
The Cavaliers, often listed as from Tennessee, were actually from Middletown, Ohio, a town roughly halfway between Dayton and Cincinnati.
Members were:
Roger McIntosh – lead guitar Jim Wenzel – rhythm guitar Jim Brandon – organ Walter Johnson – bass Ted Lovelace – drums
Two of the band were students at Middletown High, one was a freshman at Miami University, while the Cavaliers’ drummer and rhythm guitarist were in Junior High!
The group won a battle of the bands at Fantasy Farm, a kids amusement park next to the larger Americana Amusement Park in Middletown, that led to their recording their single on Style.
The Cincinnati Enquirer profiled the band on the same day they were in a Memphis studio, Saturday, September 16, 1967:
“The boys are in Memphis, Tenn. today to cut their first record for Style Productions.”
“Turn Your Leaf” is excellent pop, I’ve only heard it on a youtube video which has since been taken down. If anyone has a good quality recording, please contact me.
I haven’t heard the flip, “W.F. 67” described by Teenbeat Mayhem as a “military tempo instro”. Roger McIntosh wrote both songs.
Style Record Productions was one of Style Wooten’s many labels, and Pretty Girl Music BMI was one of his publishing companies. Mellow’s Log Cabin has an interesting biography of Style Wooten, along with extensive discographies for his record labels.
The Cavaliers from Middletown do not sound quite like the group of that name from Washington Court House, Ohio, who cut “You Are My Sunshine” b/w “Unchained Melody” for the Sound label.
The Enquirer article mentioned a few groups also competing at Fantasy Farm:
“Other bands reaching the finals of the contest were The Endeavors of Forest Park, The Crickets from Hamilton, The Guardian Angels of Urbana, The Mice and the English Gentlemen, both from Dayton.”
I’m not aware of any recordings by those groups, though given the Memphis connection, it’s possible the Mice are the same group that recorded “Think It Over” / “Norweigan Wood” for Bootheel Records, part of Fernwood.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
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There isn’t much information about the Facts of Life despite the group’s fine 45 single. The group came from Bala Cynwyd, Pennsylvania, which lies just to the west of the Philadelphia city line. Members included Bruce Klauber, later a jazz drummer and professor, and Robert Yampolsky, who wrote both songs on their only single. I don’t know the other members’ names.
Deltron 21 (1227) – The Jayhawkers – “Dawn Of Instruction” (Trusdale Music, BMI) / “Searchin'”
