I found five color snapshots of the Aces from Salisbury, North Carolina, as well as a news clipping from Statesville. Introducing the Aces Combo is one of the better LPs on the Justice label of Winston, North Carolina, or at least, one of the more consistent.
Salisbury is located about 40 miles southwest of Winston-Salem, on the way to Charlotte. Members included:
Tim Ervin – lead guitar, vocals Johnny Yarbrough – rhythm guitar, vocals Johnny Nance – rhythm guitar Michael Earnhardt – bass, vocals, tambourine Howard Caywood – drums and management
In the color photos the band has a keyboard player, who is not listed in the album credits. Some other personnel may also be different.
The go-go dancers in waist-high cages are a cool addition, as are the signs reading The Aces.
The Tyrods formed in high school in Chino, California in 1965. Chino is in San Bernadino County, just east of Los Angeles.
Members were:
Herkie Alves – guitar John Alves – guitar Alex Kizanis – keyboards Tim Thomas – bass Jerry Sagouspe – drums
Winning a battle of the bands at the Hollywood Palladium in 1967, earned them recording time to produce a single on Mark Records MR-202.
Brothers John and Herkie Alves wrote both sides of the single. “She Said, He Said” has lyrics worth puzzling out:
She said he said it’s all wrong, But I don’t believe her at all. She said he said it’s all wrong But I said …. (?)
She says that I look like I’m dead, ’cause I never smile any more. I say that I can’t …. (?) There’s so many things in my head.
There’s so many things in my head. Everything around I can’t see. Head’s to the sky, Eyes to the floor.
(?) …. all that riches and fame.
“Girl Don’t Know” includes harmonies that the group would develop in their later recordings.
About the beginning of 1969 the band made a second single, “Hey Girl” / “In a Garden” this time on Flick City. The label changed the band’s name on the single to the Young Californians, but for live shows they continued to use the Tyrods name, as seen on posters opening for the Strawberry Alarm Clock, Giant Crab, and the Sunrays.
Once again Herkie and John Alves wrote both songs. Released in February, 1969 on Flick City FC-3006, the record did not hit, despite a very favorable review from Cash Box on February 22. The band had developed their sound, and both sides are well-made songs.
Adam Sean Music, BMI published both songs. The brothers registered another song with Adam Sean Music in November, 1968, “Everyone Loves a Sunday Morning”, which has not been released to my knowledge.
David Rolnick owned both Adam Sean Music and Flick City, as well as Take 6, which was known for packaging hits into albums for local radio stations. In 1967, Take 6 had a number of interesting releases by the Nervous Breakdown (Rusty Evans), the Giant Sunflower and others. Rolnick may have started Flick City to distinguish original releases from the repackaged Take 6 product.
A Billboard article from April 1969, shows Rolnick being sued for over $47,700 by Rainbo Record Manufacturing.
I’ve seen mention that Creed Bratton, guitarist with the Grass Roots, was in this group, but I believe that must have been a different Young Californians.
In 1969 they had their last single, this time as Buffalo Nickel on Dome Records 507. The sound is even more polished than the Young Californians single, but this time they didn’t use their original songs.
Tony Powers and George Fischoff wrote “Hard to Be Without You”, and this may be the original version, as copyright registration shows February 1969. The more well-known versions are by the Book of Matches on Bell in June, 1969, and by Joey Powers Flower on RCA in December.
Jack Nitzsche and Greg Dempsey wrote “I Could Be So Good to You”, which was originally done (I think) by Don & the Goodtimes in 1967. Don McGinnis arranged the songs and Kingstreet Productions has a credit on the label.
I believe the group broke up shortly after this release.
Jerry Sagouspe would join Merrell Fankhauser, appearing on a number of albums beginning in the 1990s.
There was a Johnny Alves who was in Manuel & the Renegades with Manuel Rodriguez, Corky Ballinger, Roger Anderson and Mike Le Doux but I don’t believe this is the same person as the John Alves in the Tyrods.
Info & images on the group forwarded to me, originally from Jerry Sagouspe.
Info on Take 6 from Billboard and also Lisa Wheeler’s Radio Use Only.
The Baby Cakes were a legendary Austin band that lasted from 1965 until August, 1967. The Baby Cakes never recorded under that name, but they may have been the first Austin group with long hair, they won the first Aqua Festival Battle of the Bands, and they were a big influence on later groups. Two of their members would go on to form the Lavender Hill Express.
John Schwertner of the Reasons Why told Not Fade Away about the Baby Cakes:
We had always looked up to them ’cause they were the first band I remember to play English style rock and roll. A real scruffy looking band, sort of the Texas Rolling Stones I guess. They helped us get some bookings and they’d come to our shows and tell us how to improve our band, really helped us alot.
Early lineups included:
Chuck Bakondi – vocals Leonard Arnold – lead guitar Tommy Hill – rhythm guitar, 12-string guitar Don Lupo – bass Pat Russell – drums
At some point Layton DePenning joined on guitar and vocals.
After drawing crowds of University of Texas students to their rehearsal space, a woman named Paula started booking the group for parties. Michael Lucas would become their promotions and business manager.
The Austin Daily Texan ran a feature on the group on July 27, 1965:
Austin Goes Liverpool Or, Little Church by the Drag: What Gives?
There’s a new beat in Austin … you can hear it resounding from the basement windows of the Congregational Church almost any week night. Call it the West 23rd Street sound — that’s where the “Baby Cakes” hang out.
Practicing in a church basement is probably a unique idea for a rock-and-roll group. But Pat Russell, the Baby Cakes’ drummer, lives there. An English major at the University, Pat hopes to be a Congregational minister …
The group has been together about a month and a half under the name of the “Baby Cakes.” The first members were Pat Russell, Don Lupo on bass, and Leonard Arnold, lead guitar player.
Then they met Dave Biondi a former KNOW disc jockey. Dave is from Phoenix, Ariz. and had managed a group there. Deciding that the “Baby Cakes” needed a singer, Dave wrote Chuck Bakondi in Phoenix. Along with Tommy Hill, rhythm guitar player, the group was complete …
Sometimes it’s difficult to get together since Don is in the Air Force and stationed at Bergstrom, Leonard is presently going to school in Kingsville and has to commute …
Chuck is the Englishman (sans accent) of the group, complete to his hairstyle and boots. Pat, with his fantastic red hair and beard, looks like a musician, but hardly a potential minister. don, Tommy, and Leonard just look like they enjoy music. Seeing them blast out lines from “Satisfaction” and “For Your Love” you can tell.
The average age of the group is 20. But as Pat put it – “we’re all teenagers at heart.”
Performing on the job, the Baby Cakes wear Beatle boots, black shirts, gold jackets and white lace shirts. They play for about $120 a night.
“We’re expecting a baby organ,” said Pat. The group wants a baby organist and a guitar player to substitute for Leonard on week nights.
Dave got the idea for the group’s name from an old DJ friend of his in Phoenix – broadcasting over the radio he would often say – “what’s happening, Baby Cake?”
The Austin American wrote on July 29, 1965:
“‘Way Outers’ ‘Baby Cakes’ Booked for City Teen Dance”
The Baby Cakes – a newly organized rock-and-roll group of the “way out” variety – will provide half the dance music Friday night at the Parks and Recreation Department’s first annual City-Wide Teen Dance in the City Coliseum …
The second band scheduled for the evening is the popular Imperials group led by Frank Nunez and featuring vocalist Little Joe Castillo. The Imperials are known for their vibrant pop-Latin style and their recordings on the Valmon label …
A special guest appearance by the Petites – sisters Suzanne and Janice Dillingham of Brownwood – will be another highlight …
The Petites recorded the recent “Baby Blue Mustangs” hit for Troy Records, and have another current poll climber – “Baby Heartbreak”.
Frank Nuñez and the Imperials made eight Spanish-language singles for Valmon. I’ve heard an early version of the Baby Cakes backed Ronnie Cells on a single for Valmon: “My Love Is Haunted” / “Chicken” as Ronnie Cells and His Continentals on Valmon VN-1-067, issued circa May 1965.
Ronnie Cells had been performing in Austin since 1967, and used the Continentals name for his backing band from 1962 until 1970, when he changed to Ronnie Cells and the Fidels! Members of the Baby Cakes may have been part of the Continentals for a time, but if so, they struck out on their own by summer of ’65, even as Ronnie continued with a group called the Continentals for years to come.
The Austin Statesman reported on September 8, 1965:
KHFI cameras and tape recorders will be on the prowl this weekend to pick up the sounds at local fraternity houses. The taping, headed by Mike Ginn, is in preparation for a special program called Talent in Central Texas to be aired probably the following weekend.
Local Rock ‘n’ roll groups scheduled for recording include The Babycakes … a college group known as the Cavaliers, and a high school group called the Pack.
The Austin American on December 16, 1965 names their early manager: “Booked Friday at the Circleville Hoedown Club in Taylor – the Baby Cakes, a popular Austin rock band. Manager Leroy Ponkoney says the band returns by ‘popular demand'”.
On March 4, 1966, the Austin American wrote:
New feature at the Jade Room on Tuesday and Wednesdays is a big dance contest. With the Baby Cakes supplying the music, couples vie for free movie passes and record albums. This week, KNOW program director, Chuck Boyle, who also manages the Baby Cakes, was on hand along with staffer Richard Moore to judge the event. When asked how he managed to pick his winners from all the high-stepping young girls on the dance floor, Doyle confessed: “I watch the boys.” Oh well, to each his own, Chuck.
In August, 1966, the Baby Cakes participated in a benefit for the Tower Fund, to aid families of the victims of the University of Texas tower sniper. KNOW DJs hosted the event, and other bands included the Wig, the Mustangs, the Zakary Thaks and the Reasons Why.
The Austin American reported on August 4, 1966 “they are scheduled to being a European tour this fall, and are now negotiating the release of a new recording.
The Austin American on April 6, 1967 reported:
The Baby Cakes … will be back in town to perform (along with The Wig) outside the Paramount Theater Wednesday night for the world premier of “Good Times” …
And starting Thursday night, the group will be appearing weekly at the New Orleans Club. Lately, however, the Baby Cakes have been all over the place – at Texas Tech in Lubbock, at clubs in Dallas and Abilene, at the Catacombs in Houston … in Corpus Christi and at Texas A&I College in Kingsville. They’ll also be sharing the bill with the Playboys of Edinburgh at a Friday night bash in City Coliseum.
The last notice I can find for the Baby Cakes is from August 2, 1967, and ad stating they would be playing at Ozone Forest on 3405 Guadalupe “each and every Wed.”
On September 3, 1967, the Austin American announced a September 9 benefit for KMFA-FM, Austin’s classical music station … “making its debut will be South Canadian Overflow with former Wig [sic] Chuck Bakondi, Baby Cakes ex [sic] Johnny Richardson, and former Reasons Why John Inman, Tommy Langford and Dennie Dolan.”
At some point in 1967, Leonard Arnold and Layton DePenning formed the Lavender Hill Express with John Schwertner of the Reasons Why and two members from the Wig, Jess Yaryan and Rusty Weir. Baby Cakes manager Michael Lucas would continue with the Lavender Hill Express.
The first Lavender Hill Express notice I’ve found is from the Jade Room on November 7, 1967.
Don Lupo would go on to play with the Georgetown Medical Band, Liquid Glass with Bill Campbell and Virgil Harris (lamingo Lounge at 3709 Lake Austin Blvd on April 1, 1968) and other groups before moving to Tucson in 1971 and continuing in music.
Tommy Hill moved to Nashville but returned to Austin to form Tommy Hill and the Country Music Revue (also covered on Sonobeat).
March 6: opening for Sonny & Cher, with the Outcasts and Scotty McKay, at the Municipal Auditorium
March 12: “Bat Dance” at the Municipal Auditorium
March 14: at the New Orleans Club
March 19: Gunsmoke a Go-Go at ALA Hall March 20: Austin Livestock Show
April 7: at the New Orleans Club
April 27: at the New Orleans Club
April 29: Club Westerner Teenage Dance, Victoria, TX
May 5: at the New Orleans Club
June 1: at the New Orleans Club June 1: with the Nomads at a midnight screening of Hold On!
June 10: Club Westerner Teenage Dance, Victoria, TX
June 19: Swinger’s Club Sunday Jam Session
June 29: Swinger’s Club
July 6: The Swingers Club “with go-go girls Leslie and Maggie”
July 18: Club Westerner, Victoria
August 4: Starlight Revue series at Zilker Hillside Theater
August 11: Austin Aqua Festival at the Municipal Auditorium: “Last year’s winner, ‘The Babycakes,’ will be back this year as the house band hosting the visiting bands.”
August 19: The Circleville Hoedown Nite Club in Rockdale, followed by Ronnie and the Farrells the next night
October 7: The Swingers Club
October 24: Texas Federation of the Blind variety show in Town Hall at Hancock Center
October 30: Lanier High gym
November 12: The Same Place (managed by Burt Womack)
December 30: The Swingers Club
1967:
February 10: Rockdale Teen Club (American Legion Hall)
April 7: at the New Orleans Club
April 12: Baby Cakes and the Wig at the premier of Sonny & Cher’s “Good Times” at the Paramount. April 13: at the New Orleans Club April 14: Baby Cakes with the Playboys of Edinburg, 13th Floor Elevators, Zakary Thaks, Chevelle V and Chandells for the All-night Round Up Party at the City Coliseum
April 27: at the New Orleans Club
May 4: at the New Orleans Club
May 11 and 12: The Carousel, Corpus Christi
May 19: Richard King High School senior dance at the Corpus Christi Country Club with Kit and the Outlaws
June 6-11: The Pusi-Kat, San Antonio, with Joe Thomas
June 17: at the New Orleans Club
July 2: The Dunes, Port Aransas
July 5: at the New Orleans Club
July 18-23: The Pusi-Kat, San Antonio
August 2: at the Ozone Forest on 3405 Guadalupe “each and every Wed.”
When Dexys Midnight Runners’ topped the UK charts in 1981 with their “Geno” tribute, a new generation of fans discovered American soul singer Geno Washington, who had fronted British R&B/soul outfit The Ram Jam Band from 1965-1970 and enjoyed moderate chart success.
Originally the brainchild of lead guitarist Pete Gage, who now lives in Australia, this period covers the original formation before Geno Washington restructured the group in April 1967.
I have tried to list all of the gig sources at the end of this article.
Geno Washington & Les Blues
24 October 1964 – Town Hall, Clacton, Essex with Georgie Fame & The Blue Flames and The Limelighters
Geno Washington & The Ram Jam Band #1
(March 1965-July 1966)
Geno Washington – lead vocals
Pete Gage – lead guitar, vocals
Geoff Pullum (aka Jeff Wright) – organ, vocals
John Roberts – bass
Lionel ‘Rocky’ Kingham – tenor saxophone
Buddy Beadle – baritone saxophone
Herb Prestidge – drums
Guitarist Pete Gage (b. 31 August 1947, Lewisham) had been playing with Dalston, London group, The Zephyrs in late 1964, and had penned the A-side of their single, “She’s Lost You” (released in February 1965), when he ran into Geno Washington in Southend while moonlighting with R&B outfit, The Fairies.
At the time Geno Washington was fronted Les Blues, a band that he had formed in 1963 while working as a US airman, based at USAF Bentwaters, near Woodbridge, Suffolk. The group comprised pianist Koll Patterson, bass player Tony Coe, guitarist Morton Lewis and drummer Gerry Gillings.
Pete Gage had met Washington at USAF Bentwaters on several occasions over the past year and encouraged the American to become a professional singer.
Together with his school friend Jeff Wright (b. Geoffrey Keith Pullum, 8 March 1945, Irving, Scotland), Gage considered the option of “buying” Washington out of the US Armed Forces and then constructing a backing group around the singer.
In early 1965, Pullum introduced Nuneaton-born drummer Herb Prestidge and his friend, Coventry-born bass player John Roberts, who’d both previously worked with the keyboardist in Germany in Sonny Stewart & The Dynamos.
Prestidge had started out with Nuneaton band, The Barracudas around 1961 before playing with Max Hollyman & The Demons for two years, where he met John Roberts. They both met Geoff Pullum while playing with Sonny Stewart & The Dynamos in 1964.
After extensive auditions, Gage and Pullum recruited tenor sax player, Calcutta, India-born Lionel ‘Rocky’ Kingham and baritone sax player Buddy Beadle (b. 27 March 1947, Clapham, south London) to complete their Ram Jam Band, named after an old coaching inn at Stretton near Oakham on the A1 in Rutland.
The idea was to create a UK-based Stax-style soul outfit (with an African-American singer and a backing group like Booker T & The MGs with an added horn section) that British audiences could experience live.
Geno Washington, however, remained unavailable in early 1965, and so The Ram Jam Band tried out singer Kenny Bernard (whom Gage had previously recorded with) but he was more pop that soul. The musicians next tried singer Kenrick Des Etages (aka Ebony Keyes) whose vocals were a perfect match for the band. However, Keyes was more Caribbean than Stax-soul and so the musicians next performed three gigs with singer John Holder before linking with Jamaican singer Errol Dixon.
Together with Dixon, the band cut a lone single “Shake Shake Senora” c/w “Akinia”. Also, through the Jamaican’s contacts with Rik and John Gunnell and their Soho club, the Flamingo on Wardour Street, the musicians landed their first gigs at the prestigious venue around March 1965.
By this point, Geno Washington had demobbed from the US Armed Forces and was due to return to Indiana in the United States. Gage bought the singer a return ticket to the UK on condition that he would come back and replace Errol Dixon as front man.
In the meantime, Gage approached the Gunnell brothers with the proposition that Washington would take over from Dixon. When the American returned in mid-April, the group auditioned for the siblings and were immediately booked to play at the Flamingo.
The original line up was responsible for recording three singles – “Water” c/w “Understanding” (Piccadilly 7N 35312) in April 1966 (the group’s biggest hit, climbing to #39 in the UK charts); “Hi! Hi! Hazel” c/w “Beach Bash” (Piccadilly 7N 35329) in July 1966 (a UK #45 hit) and “Que Sera Sera” c/w “All I Need” (Piccadilly 7N 35346) in September 1966 (a UK #43 hit).
Two tracks also appeared on an EP, “Hi!” (Piccadilly NEP 34054) released in January 1967 and comprising the A-sides of the first two singles plus later recordings.
Selected gigs:
24 April 1965 – Flamingo, Wardour Street, Soho, central London with The Checkmates (first listing at Soho club)
25 April 1965 – Flamingo, Wardour Street, Soho, central London with Herbie Goins & The Night Timers
4 May 1965 – Flamingo, Wardour Street, Soho, central London with The Shevells
8 May 1965 – Flamingo, Wardour Street, Soho, central London with Tony Knight’s Chessmen
9 May 1965 – Riverside Club, Cricketers Hotel, Chertsey, Surrey
15 May 1965 – Flamingo, Wardour Street, Soho, central London with Georgie Fame & The Blue Flames
16 May 1965 – Flamingo, Wardour Street, Soho, central London with John Mayall’s Bluesbreakers
22 May 1965 – Witchdoctor Club, St Leonards-on-Sea, East Sussex
23 May 1965 – Royal Star Ballroom, Maidstone, Kent
28-29 May 1965 – Flamingo, Wardour Street, Soho, central London with The Soul Sisters and Brian Auger Trinity
30 May 1965 – Blue Moon, Hayes, west London
7 June 1965 – Flamingo, Wardour Street, Soho, central London with Chris Farlowe & The Thunderbirds
11-12 June 1965 – Flamingo, Wardour Street, Soho, central London with Doris Troy and Chris Farlowe & The Thunderbirds
13 June 1965 – Flamingo, Wardour Street, Soho, central London
15 June 1965 – Flamingo, Wardour Street, Soho, central London
18 June 1965 – Ricky Tick, Guildford Civic Hall, Guildford, Surrey (David Else says they replaced Errol Dixon)
18 June 1965 – Flamingo, Wardour Street, Soho, central London with Solomon Burke and The Mike Cotton Sound
19 June 1965 – Royal Star Ballroom, Maidstone, Kent with The Mark Leeman Five
19 June 1965 – Flamingo, Wardour Street, Soho, central London with Chris Farlowe & The Thunderbirds
20 June 1965 – Witchdoctor Club, St Leonards-on-Sea, East Sussex
23 June 1965 – Le Disque A Go Go, Bournemouth, Dorset
25 June 1965 – Flamingo, Wardour Street, Soho, central London with Herbie Goins & The Night Timers
27 June 1965 – Flamingo, Wardour Street, Soho, central London
3 July 1965 – Flamingo, Wardour Street, Soho, central London with Herbie Goins & The Night Timers
4 July 1965 – ‘Rhapsody at Racks’, Guildford, Surrey with The Graham Bond Organisation and The Herd
6 July 1965 – Klook’s Kleek, West Hampstead, north London with Dedicated Men’s Jug Band
9 July 1965 – Flamingo, Wardour Street, Soho, central London with Inez & Charlie Foxx and Tony Knight’s Chessmen
12 July 1965 – The Cavern, Liverpool with Richmond Group and Exit
16 July 1965 – Flamingo, Wardour Street, Soho, central London with Inez & Charlie Foxx and John Mayall’s Bluesbreakers (billed without Geno)
18 July 1965 – Bromel Club, Bromley Court Hotel, Bromley, southeast London with Inez & Charlie Foxx (billed without Geno)
18 July 1965 – Flamingo, Wardour Street, Soho, central London with Inez & Charlie Foxx (billed without Geno)
21 July 1965 – Flamingo, Wardour Street, Soho, central London (billed without Geno)
11 May 1966 – Tower Ballroom, (Great Yarmouth?) with Ye Highwaymen
16 May 1966 – Atlanta Ballroom, Woking, Surrey with support
17 May 1966 – Gala Ballroom, Norwich, Norfolk
21 May 1966 – Ricky Tick, Newbury Plaza, Berkshire (They may have played at Toft’s in Folkestone on this day)
22 May 1966 – Agincourt Ballroom, Camberley, Surrey
29 May 1966 – Central R&B Club, Central Hotel, Gillingham, Kent
29 May 1966 – Mister McCoys, Middlesbrough
30 May 1966 – Blues Festival, Quebec Park, East Dereham, Norfolk with Zoot Money & The Big Roll Band, Jimmy James & The Vagabonds, The Sullivan James Band and Sounds Reformed
6 June 1966 – Beachcomber, Preston, Lancashire
7 June 1966 – Klook’s Kleek, West Hampstead, north London
15 June 1966 – Farnborough Town Hall, Farnborough, Hampshire
16 June 1966 – The Beachcomber, Preston, Lancashire
20 June 1966 – Atlanta Ballroom, Woking, Surrey
21 June 1966 – Balliol Commem, Balliol College, Oxford University with The Kinks, The Fortunes, The Alan Price Set, Them, Caribbean All-Steer Band and Bunny Thompson
25 June 1966 – Ram Jam, Brixton, south London
26 June 1966 – Beachcomber, Nottingham
27 June 1966 – The Hop, Woodhall Community Centre, Welwyn Garden City, Hertfordshire
28 June 1966 – Civic Hall, Grays, Essex
29 June 1966 – Orford Cellar, Norwich, Norfolk
30 June 1966 – Club a Go Go, Newcastle upon Tyne, Tyne & Wear
1 July 1966 – Corn Exchange, Newbury, Berkshire
2 July 1966 – Marcam Hall, March, Cambridgeshire
3 July 1966 – Black Prince Hotel, Bexley, southeast London
5 July 1966 – Odeon Ballroom, Holywell Cross, Chesterfield
6 July 1966 – Corn Exchange, King’s Lynn, Norfolk
7 July 1966 – Civic Hall, Guildford, Surrey
8 July 1966 – Ram Jam, Brixton, south London and Flamingo, Wardour Street, Soho, central London
9 July 1966 – Burton’s, Uxbridge, west London
10 July 1966 – Iron Curtain, St Mary’s Cray, southeast London
11 July 1966 – Court Youth Centre, South Ockendon
12 July 1966 – Bristol University, Bristol
14 July 1966 – Ricky Tick, Windsor, Berkshire
15 July 1966 – California Ballroom, Dunstable, Bedfordshire with The Mark Barry Group
16 July 1966 – Flamingo, Wardour Street, Soho, central London with 5 Proud Walkers
17 July 1966 – Dereham Tavern Club, Dereham, Norfolk with The Style
Geno Washington & The Ram Jam Band #2
(July 1966-August 1966)
Geno Washington – lead vocals
Peter Gage – lead guitar, vocals
Geoff Pullum (aka Jeff Wright) – organ, vocals
Rick Parsons – bass
Lionel ‘Rocky’ Kingham – tenor saxophone
Buddy Beadle – baritone saxophone
Herb Prestidge – drums
John Roberts (aka Robbo to the group) had contracted TB earlier in the year and had spent six months in a clinic in Warwick. During his absence, Gage asked his friend John Baldwin (aka John Paul Jones) to cover initially on condition that Roberts would regain his place when he was better.
Rick Parsons, who had previously played with The Noise, was announced as the new bass player in the music press on 16 July but did not stay long. He joined after seeing an advert in Melody Maker and had also been a member of The Pitmen from West London.
When Parsons’s replacement Peter Carney (see later entry) proved to be an excellent bass player, it became clear that John Roberts would not re-join and he went on to play with Jimmy James & The Vagabonds where he reunited with Herb Prestidge and Lionel Kingham.
Selected gigs:
18 July 1966 – Atlanta Ballroom, Woking, Surrey (billed as Ram Jam Band)
19 July 1966 – Town Hall, High Wycombe, Bucks
21 July 1966 – Ricky Tick, Stoke Hotel, Guildford, Surrey
22 July 1966 – Youth Centre, Stanford-Le-Hope, Essex
23 July 1966 – Toft’s, Folkestone, Kent
24 July 1966 – Agincourt Ballroom, Camberley, Surrey (billed as Ram Jam Band)
26 July 1966 – Civic Hall, Grays, Essex
25 July 1966 – Majestic Ballroom, Reading, Berkshire
26 July 1966 – Klooks Kleek, West Hampstead, north London
28 July 1966 – Ricky Tick, Harpenden Town Hall, Herts
West Londoner Peter Carney had a long pedigree, having started out with Ealing band, The Krewsaders in 1962. After played with The Flexmen and touring Poland with The London Beats, he joined Tony Knight’s Chessmen in late 1965.
The new bass player remembers that his first outing with the band was a live radio session at BBC Radio 1 with Herman’s Hermits at the Playhouse Theatre in central London.
This line up was responsible for recording (albeit it with a studio bass player) a lone single, “Michael (The Lover)” backed by arguably the group’s best outing, the Pete Gage/Geno Washington co-write “(I Gotta) Hold On To My Love” (Piccadilly 7N 35359) in January 1967 (a UK #39 hit).
Geno Washington & The Ram Jam Band also cut two tracks – “Always” and Pete Gage’s “If I Knew”, which appeared on the EP “Hi!” (Piccadilly NEP 34054), also released in January 1967.
For the “If I Knew” session, Geno Washington learnt the song from a demo sung by Ebony Keyes (aka Kenrick Des Etages). Gage says that the group may have also cut “Never Like This Before” at the same session and that they definitely recorded two songs – “Tell It Like It Is” and “Girl I Want To Marry You”, which were held back and later released as a single (Piccadilly 7N 35403) during September 1967.
While producer John Schroeder preferred to use a session bass player for the studio sessions, Peter Carney did feature on the band’s live recordings and he appears on the debut LP Hand Clappin’, Foot Stompin’, Funky Butt…Live! recorded live at Pye’s Marble Arch Studios with an invited studio audience. The LP broke the UK Top 5 and stayed on the charts for 38 weeks.
Selected gigs:
6 August 1966 – Ram Jam, Brixton, south London with The Gass
7 August 1966 – Winter Gardens, Bournemouth, Dorset with Georgie Fame & The Blue Flames, Chris Farlowe & The Thunderbirds, Zoot Money’s Big Roll Band, The Alan Price Set and The Train (Moon’s Train?)
8 August 1966 – The Hop, Woodhall Community Centre, Welwyn Garden City, Hertfordshire
12 August 1966 – Club A Go Go, Newcastle Upon Tyne
13 August 1966 – Elizabeth Club, Glasgow, Scotland
14 August 1966 – Carousel Club, 1 Camp Road, Farnborough, Hants. Beat Instrumental has the band in Scotland on this date
16 August 1966 – Blue Lagoon, Newquay, Cornwall
17 August 1966 – Falcon Hotel, Eltham, Kent
18 August 1966 – Ricky Tick, Stoke Hotel, Guildford, Surrey
21 August 1966 – Mojo Club, Sheffield, South Yorkshire
24 August 1966 – Carousel Club, Farnborough, Hants
25 August 1966 – Ricky Tick, Harpenden Town Hall, Harpenden, Hertfordshire
26 August 1966 – Ricky Tick, Hounslow, west London
26 August 1966 – Ram Jam, Brixton, south London (needs confirmation)
27 August 1966 – Ricky Tick, Windsor, Berkshire
28 August 1966 – Flamingo, Wardour Street, Soho, central London
29 August 1966 – ABC Promotions, Heacham Festival, Norfolk with The Birds, The Small Faces, The Herd, The Versions and The Breed
29 August 1966 – Ram Jam, Brixton, south London (needs confirmation)
30 August 1966 – Burton’s, Uxbridge, west London
2 September 1966 – Il Rondo, Leicester
3 September 1966 – Sunshine Floor, Dereham Tavern, East Dereham, Norfolk
4 September 1966 – Country Club, Kirklevington, North Yorkshire
5 September 1966 – Majestic Ballroom, Reading, Berkshire
6 September 1966 – Civic Hall, Grays, Essex
7 September 1966 – Bromel Club, Bromley Court Hotel, Bromley, southeast London
8 September 1966 – Public Hall, Epping, Essex
9 September 1966 – Beat Festival, Scunthorpe United Football Ground, Scunthorpe, North Lincolnshire with Georgie Fame & The Blue Flames, Chris Farlowe & The Thunderbirds, Cliff Bennett & The Rebel Rousers, Billy J Kramer & The Dakotas, The Troggs, The Creation, The Mindbenders and The Fenmen
9 September 1966 – Tiles, Oxford Street, central London with The Equals
18 October 1966 – Public Hall, Harpenden, Hertfordshire
20 October 1966 – Finsbury Park, north London with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
21 October 1966 – Odeon, Birmingham with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
22 October 1966 – Odeon, Leeds, West Yorkshire with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
23 October 1966 – Gaumont, Doncaster, South Yorkshire with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
25 October 1966 – Odeon, Manchester with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
26 October 1966 – Odeon, Liverpool with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
27 October 1966 – Gaumont, Sheffield, South Yorkshire with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
28 October 1966 – Colston Hall, Bristol with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
29 October 1966 – Odeon, Cheltenham, Gloucestershire with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
31 October 1966 – Gaumont, Southampton, Hants with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
1 November 1966 – Odeon, Bolton, Greater Manchester with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
2 November 1966 – ABC, Carlisle, Cumbria with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
3 November 1966 – Odeon, Glasgow, Scotland with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
4 November 1966 – Odeon, Newcastle upon Tyne with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
5 November 1966 – Gaumont, Hanley, Staffordshire with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
6 November 1966 – Odeon, Leicester with The New Animals, Georgie Fame & The Blue Flames, Paul Butterfield Blues Band, Chris Farlowe & The Thunderbirds, Eyes of Blue
10 November 1966 – New Yorker Discotheque, Swindon, Wiltshire
11 November 1966 – Ricky Tick, Windsor, Berkshire
12 November 1966 – Toft’s, Folkestone, Kent
13 November 1966 – Starlite, Greenford, west London
18 November 1966 – Ricky Tick, Hounslow, west London
24 November 1966 – Bowes Lyon House, Stevenage, Herts with John Mayall’s Bluesbreakers and Mood Indigo
25 November 1966 – Ram Jam, Brixton, south London
26 November 1966 – Personal appearance by the band at Record Wise, Windsor, Berkshire
26 November 1966 – College of Technology, Loughborough
26-27 November 1966 – King Mojo, Sheffield, South Yorkshire
30 November 1966 – Orford Cellar, Norwich, Norfolk
1 December 1966 – Links International Club, Maxwell Park Youth Centre, Borehamwood, Herts (Simon Gee research)
2 December 1966 – Clouds, Derby with Cassie, Sandy & Sindy and The Makin’ Sounds
4 December 1966 – Ram Jam, Brixton, south London
6 December 1966 – College of Technology, Headington, Oxfordshire
7 December 1966 – ABC Promotions, Public Hall, Heacham, Norfolk with The Versions
8 December 1966 – Club A-Go-Go, Newcastle Upon Tyne
9 December 1966 – Durham University, Durham with Jimmy James & The Vagabonds (also billed to play Chelmsford this day)
9 December 1966 – Chelmsford Corn Exchange, Chelmsford, Essex with The Mooch
10 December 1966 – Ricky Tick, Windsor, Berkshire
12 December 1966 – Majestic Ballroom, Reading, Berkshire
13 December 1966 – Top Rank, Watford, Hertfordshire
14 December 1966 – Farnborough Town Hall, Farnborough, Hants
15 December 1966 – Reading University, Reading, Berkshire with Zoot Money’s Big Roll Band
16 December 1966 – Tiles, Oxford Street, central London
17 December 1966 – Ricky Tick, Hounslow, west London
18 December 1966 – Saville Theatre, Shaftsbury Avenue, central London with Creation and Sounds Incorporated
20 December 1966 – Burton’s, Uxbridge, west London
21 December 1966 – Town Hall, High Wycombe, Bucks
22 December 1966 – Ricky Tick, Guildhall, Southampton, Hants with Jimmy James & The Vagabonds
23 December 1966 – Flamingo, Wardour Street, Soho, central London
24 December 1966 – Ricky Tick, Newbury Plaza, Berkshire
26 December 1966 – Tavern Club, Dereham, Norfolk with The Summer Set and The Eyes of Blonde
30 December 1966 – Ricky Rick, Windsor, Berkshire
30 December 1966 – Roundhouse, Chalk Farm, north London with Cream and The Alan Bown Set
31 December 1966 – Glenlyn Ballroom, Forest Hill, southeast London
1 January 1967 – Ritz, Bournemouth, Dorset
2 January 1967 – Bluesville, Ipswich, Suffolk
3 January 1967 – Ricky Tick, Bedford, Bedfordshire
4 January 1967 – Club Cedar, Birmingham
6 January 1967 – Bluesville ’67, Manor House, north London
7 January 1967 – Burton’s, Uxbridge, west London
14 January 1967 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with The Symbols, The Nightbeats, Ray Bones and Frank & Keith
17 January 1967 – Winter Gardens, Malvern, Worcestershire
19 January 1967 – Bird Cage, Eastney, Hants
20 January 1967 – California Ballroom, Dunstable, Bedfordshire with Force Four
21 January 1967 – Twisted Wheel, Manchester
24 January 1967 – Aberystwyth University, Aberystwyth, Wales
25 January 1967 – Ricky Tick, Newbury, Berks (also have Borough Assembly Hall, Aylesbury, Bucks today)
26 January 1967 – Ricky Tick, Guildhall, Southampton, Hants
27 January 1967 – Ram Jam, Brixton, south London
28 January 1967 – Gaeity, Ramsey, Cambridgeshire
29 January 1967 – Ricky Tick, Hounslow, west London
3 February 1967 – Leicester University, Leicester
4 February 1967 – Winter Gardens, Weston-Super-Mare, Somerset
5 February 1967 – Starlite Ballroom, Greenford, west London
5 February 1967 – Ram Jam, Brixton, south London
6 February 1967 – St Andrew’s Hall, Norwich, Norfolk
7 February 1967 – Town Hall, High Wycombe, Bucks
10 February 1967 – Dancing Slipper, Nottingham
10 February 1967 – Orford Cellar, Norwich, Norfolk
11 February 1967 – Ricky Tick, Thames Hotel, Windsor, Berkshire
12 February 1967 – Blue Moon, Hayes, west London
14 February 1967 – Ritz Ballroom, Bournemouth, Dorset with The Living Trust
16 February 1967 – Ricky Tick, Newbury Plaza, Berkshire
17 February 1967 – Crystal Bowl Ballroom, Castleford, West Yorkshire with Root & Jenny Jackson & The High Timers and The Screen
17 February 1967 – Boulevard, Tadcaster, North Yorkshire with Ellisons Hog Line and The Screen
18 February 1967 – Twisted Wheel, Manchester
19 February 1967 – Clouds, Derby, Derbyshire
20 February 1967 – New Cellar Club, South Shields, Tyne & Wear
23 February 1967 – New Yorker Discotheque, Swindon, Wiltshire
24 February 1967 – Ram Jam, Brixton, south London
25 February 1967 – University College, Gower Street, central London
26 February 1967 – Dereham Tavern, Dereham, Norfolk with The Rubber Band
1 March 1967 – Blue Moon, Cheltenham, Gloucestershire
3 March 1967 – Bluesville ’67, Manor House, north London
4 March 1967 – Ricky Tick, Hounslow, west London
5 March 1967 – Starlite Ballroom, Greenford, west London
Geno Washington & The Ram Jam Band #4
(March 1967-April 1967)
Geno Washington – lead vocals
Peter Gage – lead guitar, vocals
Geoff Pullum (aka Jeff Wright) – organ, vocals
Peter Carney – bass, vocals
Lionel ‘Rocky’ Kingham – tenor saxophone
Clive Burrows – baritone saxophone
Herb Prestidge – drums
Pete Gage had been looking to improve the band and had started discussions with Eddie Thornton from Georgie Fame & The Blue Flames about getting a really punchy brass section together. He also planned to use Clive Burrows from The Alan Price Set to arrange the songs instead of writing all of the arrangements himself.
Unhappy about the current situation, Buddy Beadle left to join The Amboy Dukes but would return in June 1968.
Clive Burrows (b. 14 July 1939; d. 7 January 2005), who’d started out with The Wes Minister Five, and had gone to work with Zoot Money’s Big Roll Band before joining The Alan Price Set in 1965, came on-board after a show at Klooks Kleek on 7 March.
The new line up started to cut some live recordings, which appeared on the band’s second LP, Hipsters, Flipsters, Finger-Poppin’ Daddies! (Piccadilly NPL/NSPL 38032). Released in September 1967, the album also featured live tracks by the next version of The Ram Jam Band, and peaked at #8 on the UK charts.
Selected gigs:
9 March 1967 – Winter Gardens, Weston-Super-Mare, Somerset
10 March 1967 – Albany Institute, Deptford, Kent with The Bonzo Dog Doo Dah Band and The Lee Hawkins Group
10 March 1967 – Goldsmith College, New Cross, south east London
11 March 1967 – Toft’s, Folkestone, Kent
11 March 1967 – ‘Beat Club’ German TV with The Smoke, The Jimi Hendrix Experience, The Who and Cliff Bennett & The Rebel Rousers. This must have been recorded earlier than this date
12 March 1967 – Ricky Tick, Hounslow, west London
14 March 1967 – Burton’s, Uxbridge, west London
The Hillingdon Mirror ran a pull out spread with photos in its 14 March 1967 issue
16 March 1967 – Community Centre, Southall, west London
16 March 1967 – Ealing Tech at Seymour Hall, Marble Arch, central London
17 March 1967 – Ricky Tick, Newbury, Berks
21 March 1967 – Burton’s, Uxbridge, west London
21 March 1967 – Goldsmiths College, New Cross, southeast London with The Bonzo Dog Doo Dah Band and The Drovers (possibly the Tuesday evening)
22 March 1967 – Bromel Club, Downham, southeast London
23 March 1967 – Sutton Baths, Sutton-in-Ashfield, Nottinghamshire
23 March 1967 – Chelmsford Corn Exchange, Chelmsford, Essex and The Coletrane Union
24 March 1967 – Night Owl, Leicestershire
25 March 1967 – Chelmsford Corn Exchange, Chelmsford, Essex
26 March 1967 – Ram Jam, Brixton, south London
27 March 1967 – Baths Hall, Ipswich, Suffolk
28 March 1967 – The Marquee, Wardour Street, Soho, central London with The Amboy Dukes
31 March 1967 – Gaeity Ballroom, Grimsby
1 April 1967 – Dreamland, Margate, Kent with Waygood Ellis Zone
3 April 1967 – Majestic Ballroom, Reading, Berkshire (According to Reading Evening Post, this was cancelled as Geno collapsed on stage at the Dreamland)
5 April 1967 – Locarno, Stevenage, Hertfordshire
6 April 1967 – Club A Go Go, Newcastle Upon Tyne
7 April 1967 – California Ballroom, Dunstable, Bedfordshire with Stacey’s Circle
8 April 1967 – Bird Cage, Eastney, Hants
11 April 1967 – Town Hall, High Wycombe, Bucks (billed to be in Paris this same day)
11 April 1967 – Paris Olympia, Paris, France with The Rolling Stones, The Move and The Clan
13 April 1967 – Ricky Tick, Windsor, Berkshire
14 April 1967 – Brighton Arts Festival, Brighton, West Sussex with Paul Jones, The Move, Cliff Bennett & The Rebel Rousers, Jimmy James & The Vagabonds, Mike Stuart Span and others
15 April 1967 – King Mojo, Sheffield, South Yorkshire
16 April 1967 – Daily Express Record Star Show, Empire Pool, Wembley, west London with Cream, The Move, The Alan Price Set, The Kinks, Chris Farlowe & The Thunderbirds, The Troggs, Cliff Bennett & The Rebel Rousers and many others
Unhappy about the way the Gunnell brothers were treating the band, Pete Gage challenged the group’s management.
Rik Gunnell took Geno Washington to Paris (most likely on the weekend of 15-16 April) where he encouraged the singer to recruit new musicians to replace the guitarist, Geoff Pullum and Herb Prestidge.
The 16 April gig was most likely Gage, Pullum and Prestidge’s final show (although Disc & Music Echo’s 22 April issue does talk about the band being in France and Georgie Fame coming out to watch).
Gage and Pullum saw a lawyer to see how they could keep The Ram Jam Band name that they had created. However, they soon realised that they could not afford legal representation, especially one that could hope to match the Gunnells’ financial clout.
Herb Prestidge reunited with John Roberts in Jimmy James & The Vagabonds. Geoff Pullum moved into academia and is currently professor of general linguistics and head of linguistics and English language at Edinburgh University.
Pete Gage did production work (including Joe E Young & The Tonicks) initially before playing with Jimmy James & The Vagabonds in 1969. The following year, he formed and ran Dada and then formed and ran Vinegar Joe, recording with both acts.
After doing sessions for artists as diverse as Joan Armatrading, Elkie Brooks and Keef Hartley, he put another version of The Ram Jam Band together in the 1980s before moving into production. He currently resides in Australia.
Sources:
South East London Mercury, Bucks Free Press, Eastern Evening News, Evening Star (Ipswich), Guildford Advertiser, Hayes Gazette, Kent Messenger, Melody Maker, NME, Middlesbrough Evening Gazette, Newcastle Evening Chronicle, Nottingham Evening Post, Dave Allen (Bird Cage gigs), Spencer Leigh (The Cavern, Liverpool), Fabulous 208, Wood Green and Southgate Weekly Herald, Lincolnshire Standard, Essex Chronicle, Crawley Advertiser and Newham, West Ham & East Ham, Barking and Stratford Express, Lynn News, Windsor, Slough & Eton Express.
Huge thanks to Pete Gage, Geoff Pullum, Peter Carney and Tony Coe for helping with the band history. Thanks to Buddy Beadle for the amazing photos.
This is a much updated version of the original article which appeared on Strange Brew. Thank you so much Jason for first publishing the article on your site.
The Carousel recorded in Birmingham, Alabama in 1969. Members were:
Carl Williams – lead vocals Richard Studdard – vocals, keyboards Ronald Naramore – vocals, guitar Donny Grace – vocals, bass Mike Patton – vocals, drums
“Girl Maybe You” and “Gonna Hide My Face” are fast-paced pop originals by Donny Grace. Bob Grove and Unity produced for It’s a Lemon 1002.
Bob Grove ran Prestige Recording Studio in Birmingham, where he had recorded artists for his own Unity Record Company label with its beautiful logo of black and white fists with a dove.
I know of two releases on Unity, Candy Stanton’s “Now You’ve Got the Upper Hand” / “You Can’t Stop Me” (both written by Bo Fowler and produced by Bob Grove and Richard Dingler), and Underground Euphoria featuring Keisa Brown “What Can I Do About You” / “Let’s Go Back (To Our Little World)”.
The Carousel single came a couple years after these. I assume it was also recorded at Prestige. The Carousel 45 was preceded on the It’s a Lemon label by a hard rock single by The Brood “Virginia Neal” / “The Roach”. The Brood was Dale Aston of the Torquays along with Steve Salord, George Landman and Bobby Marlin.
I suppose there’s another release on It’s a Lemon between the Brood and the Carousel, but so far I haven’t found it.
Anyone have a copy of the It’s a Lemon singles, or a photo of The Brood?
The Deuces Wild formed in high school in Amarillo, Texas in 1965. They continued at least through 1967 and cut one 45 on their own Deuce Records label, “Hey Little One” / “Come Easy Go”.
Members were:
Mark Fenlaw – lead vocals Freddy Johnson – bass and vocals Donnie Rae – lead guitar Mark Hart – rhythm guitar Tommy Pena – organ Bill Hegedus – drums
First mention I can find for the band comes from August 12, 1965, announcing their participation in the Allied Youth’s AY a Go Go at the Amarillo Little Theatre, along with the Illusions, the Windthieves, the Others and the Echoes. I haven’t heard of these other bands.
The group’s ages ranged from 16 to 20 at the time of their 45 release. “Hey Little One” is the Dorsey Burnette song. Freddy Johnson wrote and sang the B-side, “Come Easy Go”. The songs were recorded at Larry Cox Studio on N.E. 24th Street, formerly Ray Ruff’s Checkmate Studio.
On May 28, 1967, the Amarillo Sunday News-Globe ran a feature on the band by Gloria Denko:
Rock ‘n’ Roll Band Cuts First Record
The Deuces Wild started about 2 1/2 years ago …
This week the group joined the ranks of performers on record. Their first release, “Hey, Little One,” on Era, with Mark Hart on the vocal, was produced and reocrded by Larry Cox Recorders, 3412 NE 24th, and hit the airways at KGNC, KPUR, KIXZ and other Panhandle radio stations.
“Come, Easy Go” on the flip side, with Freddie Johnson on the vocal, is an original by Johnson. He wrote the ballad, his first, about two years ago and since has written about 15 others. Johnson said about a third of his songs are ballads and the rest are rock ‘n’ roll.
The Deuces Wild count their appearance following Paul Revere and the Raiders at an all-city dance last fall as the high point of their career to date…
Bobby Harper, the buyer at Cooper & Melin, has been their manager for the past year …
They have performed … at Amarillo Air Force Base, for groups in Hereford, Spearman, Dumas and Vega, as well as in Amarillo.
The Dueces Wild had a stage show that included black light, a siren-whistle, flashing lights in time with music and a strobe.
Guitarist Mick Abrahams formed Blodwyn Pig in his home town Luton, Bedfordshire in the first few weeks of January 1969 after leaving Jethro Tull in early December 1968.
Bass player Andy Pyle had previously been a member of Abrahams’ pre-Jethro Tull group, McGregor’s Engine while sax/flute player Jack Lancaster was from Manchester and was working with the group Sponge when he got the call.
The trio advertised for a drummer and Ron Berg who’d been working with White Rabbit (singer Linda Lewis fronted them at one point) answered and got the job.
In his autobiography, What is a Wommett?, Mick Abrahams says that Blodwyn Pig rehearsed for a week before making their debut at the Cooks Ferry Inn in Edmonton, north London.
Melody Maker lists this as 27 January and notes that the quartet was billed as The Mick Abrahams Blues Band. In fact, Abrahams’ new group was billed under his own name rather than Blodwyn Pig for its first few gigs.
The following is an incomplete gig list of Blodwyn Pig 1969 gigs which are all listed in Melody Maker unless otherwise noted.
I’d welcome any additions. The band is billed as Blodwyn Pig unless noted.
Notable gigs:
27 January 1969 – Cooks Ferry Inn, Edmonton, north London (debut) Billed as Mick Abrahams Blues Band
Melody Maker’s 1 February issue, page 4, reports the new band and name under its news extra section
1 February 1969 – Van Dike, Plymouth, Devon (Jonathan Hill’s book, Van Dike – The Life & Times of a Plymouth Club 1968-1972). Billed as Mick Abrahams Band
7 February 1969 – Bedford College, Regent’s Park, central London with Chicken Shack. Billed as Mick Abrahams Band
13 February 1969 – Red Lion, Leytonstone, east London. Billed as Mick Abrahams
21 February 1969 – Blues Loft, Nag’s Head, High Wycombe, Bucks (Bucks Free Press)
Melody Maker’s 22 February issue, page 6, says the band made its Marquee debut last week but I have not found a listing elsewhere. Monday night (17 February) was audition night so this is the possible date
22 February 1969 – Mothers, Erdington, West Midlands with Keef Hartley
3 March 1969 – Cooks Ferry Inn, Edmonton, north London. Billed as Mick Abrahams
15 March 1969 – London College of Printing, Elephant & Castle, south London with Chicken Shack and Jellybread. Billed as Mick Abrahams Band
22 March 1969 – Mothers, Erdginton, West Midlands with Led Zeppelin
28 March 1969 – Hornsey Wood Tavern, Hornsey Wood, north London. Billed as Mick Abrahams Blodwyn Pigg
29 March 1969 – The Village, Dagenham, east London with Killing Floor and Yellow Dog. Billed as Mick Abrahams
2 April 1969 – Rambling Jack’s Blues Club, the Railway Hotel, Bishop’s Stortford, Herts (Steve Ingless’ book The Day Before Yesterday – Rock, Rhythm and Jazz in the Bishop’s Stortford area from 1957 to 1969)
15 April 1969 – Fishmonger’s Arms, Wood Green, north London. Billed as Mick Abrahams Blodwyn Pig
18 April 1969 – The Marquee, Wardour Street, Soho, central London with Circus (Tony Bacon’s book, London Live/Melody Maker)
19 April 1969 – London College of Printing, Elephant & Castle, south London with Climax Chicago Blues Band and Smiley
20 April 1969 – Mothers, Erdington, West Midlands with Dr K’s Blues Band
22 April 1969 – Bluesville ’69 Club’s Cherry Tree, Welwyn Garden City, Herts
23 April 1969 – Blues Loft, Nag’s Head, High Wycombe, Bucks (Bucks Free Press)
25 April 1969 – Northern Poly, Holloway Road, north London with Elmer Gantry
28 April 1969 – Wall City Jazz Club, Quaintways, Chester, Cheshire with Frankie & The Countdowns and Shady Lane (Liverpool Echo) Billed as Mick Abrahams Blues Band
29 April 1969 – The Marquee, Wardour Street, Soho, central London (Tony Bacon’s book, London Live/Melody Maker)
9 May 1969 – Bedford College, Regent’s Park, central London with Free
10 May 1969 – Luton College of Technology Students’ Union, Luton, Beds with The Spirit of John Morgan and Mechanical Bird (Blodwyn Pig concert Wiki site)
20 May 1969 – The Marquee, Wardour Street, Soho, central London with Grail (Tony Bacon’s book, London Live/Melody Maker)
30 May 1969 – The Marquee, Wardour Street, Soho, central London with Sam Apple Pie (Tony Bacon’s book, London Live/Melody Maker)
2 June 1969 – Cooks Ferry Inn, Edmonton, north London
16 June 1969 – The Pavilion, Bath (Poster) Billed as Mick Abraham’s Blodwyn Pig
20 June 1969 – City Hall, Newcastle upon Tyne, Tyne & Wear with Led Zeppelin and Liverpool Scene (Blodwyn Pig concert Wiki site)
22 June 1969 – Mothers, Erdington, West Midlands with The Taste
25 June 1969 – Derwent College, York, North Yorkshire with Bonzo Dog Band, John Mayall, Ronnie Scott & His Band, Eclection and Alexis Korner & Invaders Steel Band (Blodwyn Pig concert Wiki site)
26 June 1969– Guildhall, Portsmouth, Hants with Led Zeppelin and The Liverpool Scene (Blodwyn Pig concert Wiki site)
27 June 1969 – The Marquee, Wardour Street, Soho, central London with Groundhogs (Tony Bacon’s book, London Live/Melody Maker)
28 June 1969 – Bath Festival of Blues, Recreation Ground, Bath with Fleetwood Mac, Led Zeppelin, John Mayall, Chicken Shack, Nice, Ten Years After and many, many others. Billed as Mick Abraham’s Blodwyn Pig
29 June 1969 – Albert Hall, Knightsbridge, central London with Led Zeppelin and The Liverpool Scene. Billed as Mick Abraham’s Blodwyn Pig
30 June 1969 – Cooks Ferry Inn, Edmonton, north London
6 July 1969 – Farx, the Northcote Arms, Southall, west London. Billed as Mick Abraham’s Blodwyn Pig
11 July 1969 – The Marquee, Wardour Street, Soho, central London with Andromeda (Tony Bacon’s book, London Live/Melody Maker)
11 July 1969 – Brunel University Students’ Union, Brunel University, London with The Soft Machine, Aaardvark and Good Earth. Billed as Mick Abraham’s Blodwyn Pig
14 July 1969 – Friars, Aylesbury, Bucks (Bucks Free Press)
25 July 1969 – The Marquee, Wardour Street, Soho, central London with Circus (Tony Bacon’s book, London Live/Melody Maker)
2 August 1969 – Torquay Town Hall, Torquay, Devon (Torbay Express and South Devon Echo) Billed as Mick Abraham’s Blodwyn Pig
5 August 1969 – Klooks Kleek, West Hampstead, north London with Wine
Melody Maker’s 9 August issue, p12, has a good write up entitled ‘Blodwyn Pig continue with the heavy sound’.
9 August 1969 – Malvern Winter Gardens, Malvern, Worcestershire with Clouds (Poster)
10 August 1969 – 9th National Jazz, Pop, Ballads & Blues Festival, West Drayton, west London with The Nice, Family, Keef Hartley, Steamhammer and many others. Billed as Mick Abraham’s Blodwyn Pig
15 August 1969 – The Marquee, Wardour Street, Soho, central London with Grail (Tony Bacon’s book, London Live/Melody Maker)
20 August 1969 – Rambling Jack’s Blues Club, the Railway Hotel, Bishop’s Stortford, Herts (Steve Ingless’ book The Day Before Yesterday – Rock, Rhythm and Jazz in the Bishop’s Stortford area from 1957 to 1969) Concert was cancelled due to summer recess
22 August 1969 – Blues Loft, Nag’s Head, High Wycombe, Bucks (Bucks Free Press)
25 August 1969 – King’s Hall, Romford Market, Romford, east London
29 August 1969 – The Marquee, Wardour Street, Soho, central London with Samson (Tony Bacon’s book, London Live/Melody Maker)
Melody Maker’s 30 August issue, page 24 notes that the band missed some dates because Ron Berg was ill
16 September 1969 – Mothers, Erdington, West Midlands with King Crimson
18 September 1969 – Social Club, Aylesbury, Bucks
21 September 1969 – Farx, the Northcote Arms, Southall, west London. Billed as Mick Abrahams Blodwyn Pig
22 September 1969 – The Village of the Damned Blues Club, Aurora Ballroom, Brompton, Gillingham, Kent with support (Poster)
26 September 1969 – King’s Hall, Romford, east London with Stone The Crows
29 September 1969 – Dunstable Civic Hall, Dunstable, Beds with Jesse Harper
30 September 1969 – The Marquee, Wardour Street, Soho, central London with Ground (Tony Bacon’s book, London Live/Melody Maker)
The Wild Prophets came from Ames, Iowa, about 35 miles north of Des Moines. They recorded one single on Kustom Records, Ltd ARS-1001, an energetic version of the Last Word’s “Can’t Stop Loving You” backed with “Do I Have to Come Right Out and Say It”, a Neil Young original with the Buffalo Springfield.
The lineup at the time of the record was:
Ted Nunemaker – vocals Keane Bonath – sax Ken Wood – guitar Roy Aasen – keyboard Larry Kelley – bass and vocals Andy Gielbelstein – drums
Mark Miller signed the label of the record, but he replaced Ken Wood on guitar after the record was made.
Earlier members included Jacque Furman and Ralph Stevens on drums, Ray West on keys.
Later members included Ron Arends on keys and Scott Erickson.
Larry Kelly wrote to me:
I had a few groups in high school. My first band I joined was the Mystics – the first combo at Boone High School. I left that group and started my own band called the Tel-Stars. In ’65 I left that band and got married.
In ’66 I started organizing a new band and we came up with the name The Wild Prophets – Ken Wood, Ray West, Jacque Furman and I. We did things like play guitar/bass behind our heads, lay down on the floor playing, etc. That’s where the ‘wild’ came from in the name. We went thru various other musicians when Ray left. Jacque left and Ralph Stevens played drums. He left in time and Andy took over. When Andy left, Randy Stultz took over on drums.
The recording came about with Ken, Keane Bonath, Ted Nunemaker (both Keane and Ted were ISU students at the time), Andy on drums, and Roy Aaesen played keys. We found the two songs we wanted to do and Ted sang lead on the slow song, me on “Can’t Stop Loving You” which was a Buffalo Springfield flip-side song from their hit, “For What It’s Worth”. But “Can’t Stop” was too slow so we sped it up a bit!
We had a school bus we fixed up to travel in along with the name of the band on each side in big letters. In ’69, we bought over $10,000 worth of new band equipment which today would be more like $80-100k. So many stories, too numerous to tell.
The Wild Prophets recorded at Audiosonic Recording Studio in Ames, and the record saw release in 1969.
According to the informative Boone Rock website, the band played “in Mason City. The Cellar in Ames was a favorite with a good crowd in attendance every time. Other venues they performed at include the Starlite in Carroll, the Pla-Mor in Fort Dodge, the Dance-Mor in Swisher, RJ’s Lounge in Marion.”
The Wild Prophets broke up in 1973. Jacque Furman continued in music, but I have few details other than playing with Cris Williamson and Glen Yarborough.
Ted Nunemaker died on Dec. 14, 2008.
Thank you to Larry Kelley for correcting the spelling of names.
Some information from http://members.iowatelecom.net/thx1136/pages/prophets.html (currently offline).
I can find a few other Audiosonic Recording Studio credits, such as:
Ted Hart – “Down in the Mine” / “I Don’t Need You Anymore” (both by Don Taft and J.T. Schreiner), produced by J.T. Schreiner on Leslie LR 72068 from 1968.
Syndrum of Soul - “Lost and Found” (Gary French, Floyd Brown) / “Do You Care” on SOS 100, produced by M. Harper, from 1970.
The Coachmen are not well-remembered now, but were a significant band in Memphis in 1965. They played at the premier of Help at the Loews Palace Theatre with the WMPS Good Guys. They had one single on Gold Standard 155, “I’ll Never Leave You” / “Possibility”.
Members were:
Tommy Burnett – vocals Sam Brough Glen Cammack Rick Allen
“I’ll Never Leave You” is good upbeat pop. Copyright registration from August, 1965 shows Larry Hill and Rusty Taylor (as Roland Parker Taylor) as co-writers. Rusty Taylor was vocalist with the Yo-Yo’s (the Swingin’ Yo-Yo’s) and later had two solo singles on the M.O.C. label. The Coachmen single preceded the Yo-Yo’s singles on Goldwax.
“Possibility” is a Stan Vincent composition which had been done by the Crowns on Old Town Records in 1964.
Gold Standard owner Zeke Clements produced, and the labels credit “The Coachmen (from Memphis, Tenn)” and “vocal by Tommy Burnett”.
Rusty Taylor and Larry Hill registered another composition “I Know”, in October, 1965, also with Blazon Music.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials