The Tin Hat, Kettering: 1967-1969 gigs

Thanks to Dave Clemo for the photo

Thanks to Dave Clemo for providing the contents of this entry, including the extensive gig list at the end

This is the story of The Tin Hat, Kettering’s legendary music venue. Between 1967 and 1969 many of the UK’s finest bands performed there.

This account is taken from Back Street Genius by Dave Clemo, with Roger Kinsey and Mavis Tompkins.

The book is the first of two books about legendary recording studio owner/engineer Derek Tompkins.

The roll call of musicians and producers who had their first studio experience at Derek’s Shield and Beck Studios include Queen bass player John Deacon; Whitesnake guitarist Bernie Marsden; and world famous record producers of the calibre of Max Norman, Trevor Horn and David Foster.

Copies of Back Street Genius can be ordered from Waterstones and Rough Trade. It is also available as an eBook.

The Tin Hat was a corrugated iron clad steel framed building that had originally been opened in 1900 as the Athletic Club. It was nestled in the shadow of the town’s football ground. The facilities were almost non-existent and eventually the decision was taken to open a new club along the road.

The new building had a large car park and the rear doors opened onto the stage which made loading in very easy for the groups that performed there. It opened for business in April 1967 and the old hut was consigned to history.

A few weeks later Derek Tompkins’ brother Brian reopened The Tin Hat as a music venue. He removed the old central bar and built a stage at one end. It proved to be very popular from the outset, so much so that both Derek and his wife Mavis came in most Saturday nights to help behind the bar.

Thanks to Dave Clemo for the photo

The opening night was June 10th, 1967. The club opened on Fridays, Saturdays and Sundays with a live band (or two) on a Saturday night and discos on the other nights. This fitted in well with The Works, the other regular music venue in Wellington Street. Their live music nights were on Sunday and Monday nights.

Very few photos of the venue exist. The smell of the interior must have been a heady mixture of tobacco smoke and warm beer, and no doubt the floor would have been pretty sticky by the end of the evening.

The disco nights featured Brian (Tompkins Sound) and Mavis’ brother Alan (Allan D). They used Derek Tompkins’ hand built Shield disco gear and it wasn’t long before they were performing at other well-known venues like the Nag’s Head at Wollaston or the George at Wilby.

Mavis Tompkins wrote: “Brian used to book some of the most famous soul and Motown bands of the time. Most of the Tompkins family got involved, from Brian’s wife (another Mavis), on the door, to his older kids on the cloakroom and glass collecting duties.

Derek and I would help behind the bar with serving drinks and glass washing, which involved dunking empty beer glasses into an ice-cold sink full of murky water as fast as we were able.

Our tasks included sweeping the filthy debris and beer-soaked floors and toilets afterwards. Mavis, Brian’s wife, had to be a pretty tough cookie, dealing with clashes from mods and rockers etc., and was famous for knocking out one belligerent customer who ended up in hospital!”

Derek later wrote: “It was always full to capacity every Saturday night, supposedly with around 200-300 punters, but it was more like 600! Brian booked a host of big stars: including Fleetwood Mac and John Mayall’s Bluesbreakers.”

Fake bands

In the mid sixties the Roy Tempest Organisation was one of the UK’s biggest music promoters and agents. The Canadians (featuring a very young David Foster on keyboards) signed with them in late 1966 and went to work backing visiting US acts like Chuck Berry.

However, there was another side to the agency. They regularly brought in unknown US acts and passed them off as Motown groups. The groups were tribute acts, sometimes but not always containing an original band member.

Tempest got around the law by subtly changing their names, calling them ‘The Fabulous Temptations’ or the ‘Original Drifters’.

Bill Pinkney was an original member of The Drifters dating back to 1953 and sang bass on many of their hit records. He and the group toured the UK three times in 1966.

Pinkney was back in the UK in 1967, this time accompanied by three singers who had never been Drifters at all. They were the unknown US band The Invitations. This was the line-up that played the Tin Hat on Friday September 29th.

The music press was soon up in arms. A reporter from Disc took it up with Tempest who argued that the promoters knew only too well they are not getting the real group. He claimed it was OK because he knew of five sets of Drifters touring the US at that time.

Tempest supplied several more acts for the Tin Hat in 1967/8, including ‘The Fabulous Temptations’ on September 15th, 1967 (actually the Fantastics who had recently changed their name from The Velours).

James & Bobby Purify appeared on February 3rd, 1968. It’s quite possible that the February 17th appearance by Edwin Starr was yet another tribute act.  Tempest also had a Mary Wells and a Fontella Bass act. They were the same singer.

My co-author Roger Kinsey remembers going to The Gaiety in Ramsey to see The Isley Brothers in February 1968. Were they the genuine article? Nobody knew what the genuine band looked like, and that was good enough for Tempest.

Motown eventually took legal action against him when they discovered that The Fantastics were being passed off as The Temptations and the resulting court case ended with Tempest’s bankruptcy.

Between 1967 and 1969 the Tin Hat was an important part of Kettering’s entertainment and night life. Every weekend the venue was packed to the rafters with people out to enjoy a good time. The acts that Brian booked covered almost every genre from Blues and Prog to Soul and Pop, and even jazz for a few weeks during the summer of 1967. The club was usually open on Fridays, Saturdays and Sundays, with live bands on Saturdays. Some of the descriptions of the groups make interesting reading half a century later.

People travelled to the venue from Rothwell, Desborough and Corby and from Christmas 1967 the club laid on late buses to get everyone home. The management of the club changed hands early in 1969 and an era was at an end. The venue continued for a few more years but mainly concentrated on Soul/Motown.

I looked through every back issue of the Kettering Evening Telegraph between 1962 and 1969 while researching Back Street Genius and photographed every advert for the Tin Hat.

Here is the complete list of shows

1967

Saturday, June 10th Horatio Soul & the Square Deals Show plus, Yvonne the limbo dancer and the Q Men (opening night)

Sunday, June 11th (Fontana recording artists) The Night People plus The Trax

Friday, June 16th (from Coventry) Inside Out

Saturday, June 17th (from the USA) Winston G backed by The Set plus The Ironsides

Sunday, June 18th (Top surfing performers) Deuce Coupe

Friday, June 23rd Dimples plus Updown Round Sound (from Oxford)

Saturday, June 24th (Surfing harmony group) The Symbols plus, The Swamp

Sunday, June 25th Gravy Train (from Birmingham) plus Disco

 

Friday, July 1st Disco

Saturday, July 2nd Sean Buckley Big Set plus Stumbling and Falling plus Rio Moody Dancers

Sunday, July 3rd (Radio TV and Recording stars) The Peeps

Friday, July 7th Disco

Thanks to Dave Clemo for the photo

Saturday, July 8th (Coloured Colourful CBS Recorders) The Gass

Sunday, July 9th Disco

Fri day, July 14th Disco

Saturday, July 15th Joyce Bond (Do the Teasy) Band Show

Sunday, July 16th Jazz Disco

Saturday, July 22nd (From London) Shell Shock Tamla Show

Friday, July 28th Disco

Saturday, July 29th Wynder K Frog & his Frogmen plus, The Plastic Dreamboat light show

Thanks to Dave Clemo for the photo

Saturday, August 5th The C.A.T. plus U.S.A. Flattop

Saturday, August 12th The Syn plus The Friction

Thanks to Dave Clemo for the photo

Friday, August 18th Allan D Disco (Alan Dobson is Mavis’ brother)

Saturday, August 19th P P Arnold with her Nice. A few weeks later they had split from her. Organist Keith Emerson later became a global superstar with Emerson, Lake & Palmer.

Sunday, August 20th Disco

Friday, August 25th Disco

Saturday, August 26th The Reg James Explosion plus Crash Landing

Sunday, August 27th Disco

 

Friday, September 1st Allan D Disco

Saturday, September 2nd Ebony Keys with the Hip Hooray Band (Cat Stevens’ former backing group), plus The Unit Six

Thanks to Dave Clemo for the photo

Saturday, September 9th John Mayall’s Blues Breakers with support from Pesky Gee

Friday, September 15th The ‘Fabulous’ Temptations (this was The Fantastics) plus The Invaders

Saturday, September 16th Root & Jenny Jackson with the Hightimers, plus Purple Barrier

Friday, September Sep 22nd Deuce Coupe

Saturday, September 23rd Disco

Friday, September 29th The Original Drifters (one of Roy Tempest’s fakes)

Saturday, September 30th Freddie Mac and the Mac Sound, plus The Survivors

 

Saturday, October 7th Nite People plus Stumblin ‘n Falling Blues Band

Sunday, October 8th Spencers Washboard Kings

Saturday, October 14th Disco

Sunday, October 15th Max Collie’s Rhythm Aces

Thanks to Dave Clemo for the photo

Saturday, October 21st Riot Squad plus the Triads

Sunday, October 22nd Bill Nile’s Delta Jazzband

Friday, October 27th Image (Kettering’s 1st and Only Light Show Scene)

Saturday, October 28th The Gass supported by The Traxx

 

Friday, November 3rd Disco

Saturday, November 4th (From Detroit) Max Baer and the Chicago Setback support by Friction

Friday, November 10th Allan D Disco

Saturday, November 11th Mike Stuart Span supported by The Dream plus Rio Moody Style Dancers

Sunday, November 12th Allan D Disco

Friday, November 17th Allan D Disco

Saturday, November 18th Rob Storme and the Whispers

Thanks to Dave Clemo for the photo

Saturday, November 25th Family with support from You Know Who

 

Saturday, December 2nd Sugar Simone and the Programme & Mo Brown and Hellions People

Sunday, December 3rd Allan Dee Disco

Saturday, December 9th Pinkertons Assorted Colours plus The Heretics

Sunday, December 10th Allan D Disco

Thanks to Dave Clemo for the photo

Saturday, December 16th P P Arnold with the TNT, plus The Crew

Sunday, December 17th Allan D Disco

Saturday, December 23rd Shevelles plus the Kobalts

Sunday, December 24th Laverne West and the Fabulous Rangers Showband

Tuesday, December 26th Swinging Q Men & the Spectre Powerhouse

Saturday, December 30th King Ozzie, Earl Green, Honey Darling and the Coloured Raisings Show

Sunday, December 31st Sweethearts & the Adlib Group

1968

Saturday, January 6th Peter Green and Fleetwood Mac plus John James and the Swamp Band (from Northampton)

Thanks to Dave Clemo for the photo

Saturday, January 13th Amboy Dukes plus Surrealist Adventure

Saturday, January 20th Triads plus the Ironsides

Saturday, January 27th Milton James and the Harlem Knock-out, plus Sweethearts

 

Saturday, February 3rd James & Bobby Purify plus Surrealist Adventure plus Rio Moody Dancers (Another Tempest fake?)

Saturday, February 10th Bobby Johnson and the Atoms plus Vfranie

Saturday, February 17th Edwin Starr plus Motiv (Another fake?)

Saturday, February 24th Equals plus Magic Roundabout

Thanks to Dave Clemo for the photo

Saturday, March 2nd Guy Hamilton Sound plus Sweet Heart

Saturday, March 9th Jimmy Cliff with Wynder K Frog, plus The Heretics

Thanks to Dave Clemo for the photo

Saturday, March 16th Pesky Gee! plus The Trade

Saturday, March 23rd Aynsley Dunbar Retaliation

Copyright: Brian Hindmarch

Saturday, March 30th Chicken Shack with Christine Perfect

Copyright: Brian Hindmarch

Saturday, April 6th La Pelle Nero plus Howling Robin and his Cool Cats Girls a go go

Sunday, April 7th The Symbols

Saturday, April 13th Riot Squad plus Blue Magnum

Thanks to Dave Clemo for the photo

Saturday, April 20th Herbie Goins and the Nightimers, plus Howling Robin and his Cool Cats

Saturday, April 27th Showstoppers plus Rupert’s Rick N Beckers (NO SHOW)

 

Saturday, May 4th Nepenthe with backing group, plus The Trax

Saturday, May 11th Hal C Blake plus Adlib plus Owlin Robin

Thanks to Dave Clemo for the photo

Saturday, May 18th Savoy Brown Blues Band plus The Friction

Saturday, May 25th Skip Bifferty plus disco

 

Saturday, June 1st Chantells plus Wild ‘n Silk Band, Sue Spencer, Kirk St James. Stage 2 Simon K and the Meantimes

Saturday, June 8th Family

Thanks to Dave Clemo for the photo

Saturday, June 15th The Taste plus Soul Bucket Show

Saturday, June 22nd Honeybus plus Art (from Leicester with John Deacon on bass)

Thanks to Dave Clemo for the photo

Saturday, June 29th Four Kents plus Submarines

 

Saturday, July 6th Freddie Fingers Lee plus Bubblegum

Saturday, July 13th Simon K & the Meantimers plus Trax

Thanks to Dave Clemo for the photo

Saturday, July 20th Dr K’s Big Blues Band, plus Rupert’s Rick ‘n Beckers

Saturday, July 27th Pesky Gee! plus disco

Thanks to Dave Clemo for the photo

Saturday, August 3rd Jethro Tull

Saturday, August 10th Vanity Fair plus disco

Saturday, August 17th Aynsley Dunbar Retaliation

Thanks to Dave Clemo for the photo

Saturday, August 24th Freddie Mac & Mac Sound

Saturday, August 31st Lloyd Alexander Real Estate plus Donnell Jackson & Broadway Crowd

Thanks to Dave Clemo for the photo

Saturday, September 7th The Taste plus the CAT Roadshow with US Flattop

Saturday, September 14th Lucas and the Mike Cotton Sound

Saturday, September 21st Billy Davis plus Bubblegum

Thanks to Dave Clemo for the photo

Saturday, September 28th Simon Dupree and the Big Sound, plus The Krisis

Thanks to Dave Clemo for the photo

Saturday, October 5th Cuby and The Blizzards (from Holland), plus Simon K and the Meantimers

Saturday, October 12th Fearns Brass Foundry

Saturday, October 19th Foundations plus The Market

Thanks to Dave Clemo for the photo

Saturday, October 26th Fantastics (USA) plus The Trax (They had previously played the Tin Hat as the Fabulous Temptations)

Thanks to Dave Clemo for the photo

Saturday, November 2nd Fleetwood Mac, Duster Bennett, plus Chris Shakespears Globe Show

Saturday, November 9th Oscar Toney Junior plus Apex Big Roll Band

Saturday, November 16th Flirtations plus Chris Bartley & group

Saturday, November 23rd Black Cat Bones plus Bubblegum

Saturday, November 20th The Taste plus Sonny Burke Show

 

Saturday, December 7th JJ Jackson backed by Kippington Lodge

Saturday, December 14th The CAT Roadshow feat US Flattop

Saturday, December 21st Wynder K Frog

Thanks to Dave Clemo for the photo

Tuesday, December 24th New Formula

Saturday, December 28th Ferris Wheel? (no separate advert)

Tuesday, December 31st Bubblegum

1969

Saturday, January 4th Simon K & The Meantimers

Saturday, January 11th Radio1’s Mike Raven plus Hal C. Blake

Thanks to Dave Clemo for the photo

Saturday, January 18th Ray Williams and his Grenades

Saturday, January 25th Sasparella

Thanks to Dave Clemo for the photo

Saturday, February 1st Plastic Penny

Saturday, February 8th Paul Williams Set (Formerly the Alan Price Set)

Thanks to Dave Clemo for the photo

Saturday, February 15th 20th Century Show

From February 22nd The adverts suggest that the venue had changed hands. The adverts have KAWMC printed on them. Had the club been taken over by the Kettering Athletic Working Mens Club? Within a few weeks the adverts had moved from the main entertainments page to the ‘Around the clubs’ page.

Saturday, February 22nd (KAWMC) The Decoys & Disco

 

Saturday, March 1st (KAWMC) Simon K & Meantimers

Saturday, March 8th Closed for redecorating. Re-open April 5th

 

Saturday, April 5th Soul Express plus The Ketas

Saturday, April 12th Noel & The Fireballs plus Shelley Tane

Saturday, April 19th Ruby James & Sound Trekkers

Saturday, April 26th Freddie Noaks & The Rudies, plus Herbal Remedy

Wednesday, April 30th Disco every Wednesday

Thanks to Dave Clemo for the photo

Saturday, May 3rd Status Quo

Saturday, May 10th Killing Floor

Saturday, May 17th The Ebonies

Friday, May 23rd Sand

Saturday, May 24th Jerome Arnold Band

Thanks to Dave Clemo for the photo

Saturday, May 31st Scorpions

 

June Mondays TTT Disco

Friday, June 6th Disco

Saturday, June 7th Mandrakes

Saturday, June 14th Wellington Kitch

Saturday, June 21st Moth

Friday, June 27th Theodore Green

Saturday, June 28th The Variations

 

July Fridays TTT Disco

Saturday, July 5th Monday Morning Glory Band

Saturday, July 12th Simon K & Meantimers

Thanks to Dave Clemo for the photo

Saturday, July 19th Ace Kefford Stand (former Move bass player)

Saturday, July 26th The Axe with Rodger Bloom

 

Saturday, August 2nd No Advert in paper

Saturday, August 9th Cherry Blossom Clinic

Saturday, August 16th Sand

Saturday, August 23rd Ptarmigen

Saturday, August 30th Killing Floor

 

Saturday, September 6th Clouds

Saturday, September 13th Lions of Juda (from Israel)

Thanks to Dave Clemo for the photo

Saturday, September 20th Herd (after Peter Frampton had left them)

Saturday, September 27th Pink Cheeks

 

Saturday, October 4th Epics

Saturday, October 11th Moth

Saturday, October 18th Max Romeo

Thanks to Dave Clemo for the photo

Saturday, October 25th Orange Bicycle

Thanks to Dave Clemo for the photo

Saturday, November 1st J J Jackson

Saturday, November 8th Solid State Stereo Disco

Saturday, November 15th Shirelles

Thanks to Dave Clemo for the photo

Saturday, November 22nd Freddie Mac

Saturday, November 29th No advert in paper

 

Saturday, December 6th No advert in paper

Saturday, December 13th Diary

Saturday, December 20th Disco

Wednesday, December 24th Moth

Friday, December 26th Smoke

Wednesday, December 31st Barabus & Sand

The Cobras with Link Wray, Bob Rubino and WPGC DJ Dean Griffith, 1965

Cobras WPGC photo 2 tambourine player and drummer
Cobras WPGC photo 1 guitarist

Here are photos of a 1965 WPGC show featuring the Cobras, a group that is unknown to me. They have a great look, and I’d love to know who they were and if they recorded.

Cobras WPGC photo Link Wray
Link Wray at the WPGC Good Guys show, 1965

It’s interesting to see Link Wray at the show, along with Bob Rubino, who was recording his single “A Rose and a Baby Ruth” / “Lonely Boy” at Link’s studio in Accokeek about this time.

Link would record a number of teen groups in 1966 for his Gray Ant label and the Vermillion label, including:

The Dead Beats -“She Don’t Love Me” (Rick Maske) / “I’m Sure” (Bob Coleman)
The Hard Times – “I Can’t Wait Till Friday Comes” / “(Old Wine) New Bottles”
The Suburbans – “The Love That I Had” (Roby, Murphy) / “Talk to Me” (Murphy)

I haven’t found any mention of the Cobras in connection to Link.

WPGC DJ Dean Griffith is represented. Dean Griffith was a house name at the station, and this was one of four people that had that moniker – anyone know his real name?

I’m not sure the venue, maybe a gymnasium in the Washington, DC area, or perhaps the DC Armory which did host some shows during these years.

I could not find a newspaper listing for a show with the Cobras, but the Daily Times of Salisbury, Maryland announced a teen dance on April 17, 1965 at the Wicomico Youth and Civic Center, sponsored by Pocomoke High School and Pocomoke City station WDMV.

Joey Reynolds of WKDW, Buffalo, NY acted as host. The bands were the British Walkers, Link Wray and the Wraymen “with Rob Rudino, guitarist, and a local group called the Astro-Tones”.

The Astro-Tones also played a dance at the Boggs-Disharoon American Legion in Berlin, MD on April 3.

Cobras WPGC photo 3 drummer

Cobras WPGC photo 4 bass player

Cobras WPGC photo 5 saxophone

Cobras WPGC photo 6 guitar

Cobras WPGC photo Bob Rubino

Cobras WPGC photo 6 WPGC DJ Dean Griffith

Unknown ’60s British rock group

Dated June 1961

Sarah Minney, who does military research at the National Archives, got in touch as she had come across some photos of an unknown British band(s), dating from the 1958-1961 period.

Dated 13/4/1958

She very kindly passed on the photos, which I have included here. We would very much like to hear from anyone who might be able to identify the musicians and the band(s).

There are no details, although one photo is dated 13/4/58 and another is June 1961, which I have listed above.

 

 

 

 

 

 

 

The photos were bought at an auction and came with a photo of west London band Jeep Rongle but it’s not clear if any of these musicians were in this unknown band. Another photo has a Wrexham address on the back.

The Beau Havens “Elizabeth” / “Feel So Good” on Gama

Back from the Grave stars the Beau Havens

The Beau Havens had one record, the fantastic “Elizabeth” / “Feel So Good” on Gama Records 45-705 from September, 1966. The photos seen here were taken about a year earlier, in 1965.

I’m trying to decipher the hand-writing on this card, so members’ names may not be spelled correctly. Any help would be appreciated:

Beau Havens lineup card

John Colgan – drums, vocals on “Feel So Good”
Kerry Miller – lead guitar
Jim Whelan – lead vocal on “Elizabeth”
Allan Hurdle (or is it Allen Hurdle?) – guitar
Tom Whelan – piano

Kevin Miller – manager

The group were all young teenagers in ’65.

Belle Haven, VA has been listed as their town of origin, though that is nearly four hours drive from the Springfield, VA American Legion Hall where these photos were taken. Belle Haven may be confirmed from a neighborhood newsletter that featured the group, the Belle Haven Tribune, from May 7, 1965. The newsletter spells the brothers names as Tom Whealen and Jim Whealen.

A Pi Alpha Gamma banner appears behind the group, and it’s likely the Beau Havens shared the bill with the Londoners and the Roaches.

Beau Havens photo 1 American Legion, Johnny Colgan on drums
This should be Johnny Colgan on drums
Beau Havens photo 3 American Legion
Photo of the Beau Havens – the drummer lacks his cravat

Beau Havens Gama 45 Elizabeth

Jim Whelan wrote and, I think, sang lead on “Elizabeth”.

Rick Fulton wrote “Feel So Good”. I’m not sure if Rick was a later member of the band or simply a friend. Johnny Colgan appears to have sang lead on this side.

Both songs likely were cut at Edgewood Recording Studio at 1627 K Street, N.W. in Washington D.C. A couple of Edgewood acetates of the single exist. On one the song has the title “She Makes Me Feel So Good”, corrected in pen to “She Makes Me Feel Right”.

Beau Havens Gama 45 Feel So GoodDoesn’t sound like the Beau Havens had a keyboard player on the record. Claiborne Music published both songs.

Beau Havens photo 2 American Legion
I believe this is Kerry Miller of the Beau Havens

More info on the Beau Havens would be appreciated.

Update May, 2022:

Danny G purchased a guitar in the D.C. area and the name on the case helped him trace it to this post, where it is clearly the guitar in the last photo above. Below are some interesting photos of this custom-made guitar provided by Danny along with his description:

Kerry Miller’s custom-made guitar

Likely a neck taken from an unbranded Kay guitar and put onto a solid chunk of mahogany (?). The white paint was to emulate the pickguard on a Höfner bass.

The guitar uses two Lafayette pickups, a 99-4536 in the neck which is a screw on pickup made for jazz arch top guitars and a PA-297 acoustic soundhole pickup in the bridge. The guitar has a really unique sound because of the odd choice of pickups, and that’s part of the reason I bought it.

The bridge pickup came with an RCA input and he simply repurposed it as the main input.

Beau Havens, Kerry Miller's guitar - back

Beau Havens, Kerry Miller's guitar - back
Kerry’s guitar – one hook to keep the pickup selector in place, and an eye for the guitar strap
Beau Havens Kerry Miller Guitar 4 Gretsch Tone Twister
Gretsch Tone-Twister palm vibrato
Beau Havens Kerry Miller Guitar 3 Lafayette pickups
Lafayette pickups

Clifford Herring and Sound City Recording Studios, Fort Worth

Receipt from Clifford Herring Sound Equipment for the Motovators session

Clifford Herring and Sound City were two separate recording studios at the same address, 1705 W. 7th St. at the corner of Fournier St. in Fort Worth.

Clifford Herring opened his studio in the 1930s or early ’40s, a large room that could fit an orchestra or big band. Herring recorded many country, rockabilly and pop records, most famously Bruce Channel’s “Hey! Baby” and Paul and Paula’s “Hey Paula”, both produced by Major Bill Smith.

Besides the recording studio, Clifford Herring Sound Equipment Co. sold, rented and installed film, dictating and sound equipment, and also had a Muzak business.

The Motovators recorded a demo there on March 4, 1965, one of the last artists to use Herring’s studio.

On April 2, 1965, the Star-Telegram reported:

Radio station KXOL has purchased Clifford Herring Sound Equipment Co. for more than $200,000, The purchase includes the Herring firm’s recording studio and sound equipment operation said Wendel Mayes Sr. of Brownwood, president of the broadcasting station.

Earle Fletcher, the station’s vice president and general manager announced Thursday. Extensive remodeling of the Herring building at 1705 W. 7th will begin immediately with occupancy expected about June 1. The building will house the station’s AM and FM broadcasting studios, news facilities, sales offices and other departments.

Fletcher said remodeling of the Herring building will give the station more than double its present space at 3004 W. Lancaster.

Sound City Inc. logo May 3, 1965

KXOL renamed the Herring business Sound City, Inc. I believe Herring’s large recording room was converted into KXOL’s studios or office. The new Sound City Recording Studios opened in the basement below KXOL’s studios.

KXOL sold off the equipment and rental parts of the business to Thomas Electronics at the end of 1965. I’m not sure when KXOL sold the basement studio, but I’ve read the owners were Jim Rutledge and, apparently, T-Bone Burnett (Joseph Henry Burnett III) though he was only 17 in 1965.

Phil York became a house engineer at Sound City. York had worked with Dewey Groom at Echo Sound in Mesquite and would go on to work at Autumn Sound in Garland. While at Sound City he cut his own demo as Philip & the Yorkshires, “Once Again” / “Someone To Love You”, that was not released to my knowledge. York’s name appears in many classified ads run in 1966 and 1967 trying to drum up business for the studio.

A November 27, 1968 article notes that the studio was “recently sold to Don Schafer Promotions of Dallas”. Frank Henderson was another engineer at the studio about this time.

Perhaps the biggest hits recorded at Sound City were by the Van Dykes, such as “Never Let Me Go”, “No Man Is an Island”, “I’ve Got to Go On Without You”, and “You Need Confidence”, all produced by Charles Stewart and released on Mala.

T-Bone Burnett was usually referred to as Jon T. Bone on record labels during his Sound City time.

The Loose Ends included Burnett, Don McGilvray and David Graves, their singles “Free Soul” / “He’s a Nobody” (produced by Stan Rieck) and “Dead End Kid” / “Verses” were released on Mala, with co-producer credits to Burnett and Charles Stewart.

It would be interesting to assemble a discography of releases made at Sound City, but it’s an impossible task without documentation. Besides the ones mentioned above, it would include:

Brownfield BF-33 – The Rondels – “I Lost My Love” / “Crying Over You”
Brownfield BF-1034 – Arthur Noiel ‎- “It’ll Make You Holler” / “She Don’t Love Me”
Brownfield BF-1035 – The Barons – “Don’t Burn It” / “I Hope I Please You”
Brownfield BF-1037 – The Rondels – “You Made Me Cry” / “I Cry Cause I Care”
Brownfield BF-1038 – Bruce Channel ‎- “Don’t Go” / “The Actor”
Brownfield BF-1040 – Jerry Williams & the Epics – “Whatever You Do” / “Tell Me What You See”

Cee Three – The Mods – “Days Mind the Time” / “It’s for You”

Cherry 101 – Charles Christy and the Crystals – “Cherry Pie” / “Will I Find Her”

Emcee Records ‎- E-014 – The Gnats – “That’s All Right” / “The Girl”

Fat 12966 – Little Joe and the Gentlemen ‎- “This Land” / “Stagger Lee”

Hue 375 – The Musical Training School – “Don’t You Fret” / “I’ll Go” (arranged by Jon T. Bone, produced by Charles Stewart)
Hue 377 – James Mays – “Nothing’s Bad as Being Lonely” / “Gotta Make A Move”

Jan-Gi T-91 – The Trycerz – “Almost There” / “Taxman”

Psycho-Suave’ ‎- PS-1033 – The Legendary Stardust Cowboy – “Paralyzed” / “Who’s Knocking at My Door” (picked up by Mercury)

Soft S-1008 – Roman Chariot ‎- “Five Sensations” (arranged by John T-Bone) / “Cool”
Soft S-1033 – Johnny Nitzinger – “Plastic Window” / “Life of John Doe” (produced by John Burnett and Charles Carey)

Souls Sound City Acetate 45 Green Eyes
Unknown group the “Souls”

Sound City acetates or tapes:

Charles Christy & the Crystals – various titles (info to come)

The Cynics – “I’ll Go” / “Don’t You Fret”

Jackie Layne (with the Pathfinders) – “Give a Little, Take a Little” / The Galaxies – “Someone To Love You”

Larry & the Blue Notes – “In and Out” (early version)
Larry & the Blue Notes – “Train Kept a Rollin'”

The Mods – “Evil Hearted You”

Rising Suns – “I’m Blue” / “Little Latin Lupe Lu” + two other cuts

Souls – “Green Eyes” / “Why”

Trycerz – “She Said Yeah” (2nd version) / “It’s Gonna Change”

Some tracks on the Galaxies CD collection Think About The Good Times were cut at Sound City, but I don’t have that release on hand.

LPs:

The Abstracts on Pompeii

The Yellow Payees cut one song from their Volume 1 album, “Never Put Away My Love For You” at Sound City.

Whistler, Chaucer, Detroit, and Greenhill ‎– The Unwritten Works of Geoffrey, etc. , a Sound City studio group of two former members of the Mods, Scott Fraser and Edd Lively, with Phil White, David Bullock and John Carrick. Produced by Burnett.

Thank you to George Gimarc for help with this article.

Sources included: Frank Gutch, Jr., “Lost in Space: The Epic Saga of Fort Worth’s Space Opera” from the No Depression site is an excellent read with detailed information about later Sound City sessions.

David Campbell and Larry Harrison – notes to Fort Worth Teen Scene! volumes 1-3 on Norton Records.

Topaz

Topaz were a vocal harmony group formed in 1969 after Robert Valentine left The Button Hole Band.

The band comprised (left to right): Ian Edlin (vocals), Roy Burchell (drums), Jan Edlin (vocals), Keith Richard (lead guitar) and Robert Valentine (bass/vocals).

The Stardusters

The Stardusters went professional in 1963 when they changed name to Unit 4 (no relation to the Ealing band nor the better known Unit 4 Plus 2) to back HMV recording artist Ricky Bowden.

The band comprised (as shown in the above photo, left to right):

Robert Valentine (rhythm guitar)

Brian Ranger (bass)

Graham Willeard (drums)

Richard Miles (lead guitar)

In 1964, Valentine went on to form The Clockwork Oranges.

Photo: Robert Valentine
Photo: Robert Valentine
Photo: Robert Valentine
Photo: Robert Valentine

The Button Hole Band

Robert Valentine (lead vocals)

Brian Brockie (lead guitar)

John Hawksley (bass)

Alan Attridge (baritone sax)

Roger Shoesmith (tenor sax)

John Parish (drums)

Formed by Valentine and Parish in early 1968 when The Clockwork Oranges broke up, Brian Brockie had previously played with The Honey Band. The group played at the Witchdoctor in Catford and on one occasion (most likely 17 February), they supported Marmalade.

Thanks to Robert Valentine for the photo and history

Photo: Robert Valentine

 

The Clockwork Oranges

Roger Cotton (lead guitar/keyboards/vocals), Robert Valentine (rhythm guitar/vocals), John Parish (drums) and Harry Blakey (bass/vocals). Thanks to Robert for the photo.

Robert Valentine (rhythm guitar/vocals)

Roger Cotton (lead guitar/keyboards/vocals)

Harry Blakey (bass/vocals)

John Parish (drums)

The Clockwork Oranges were formed in early 1964 and were based in southeast England, playing various ballrooms, clubs and dances.  When the band split up in 1967, Roger Cotton went on to join Johnny Johnson’s Bandwagon, Brothers Grimm, Peter Green’s Splinter Group, and Buddy Whittington, playing keyboards. Robert Valentine and John Parish formed The Button Hole Band. Cotton passed away in 2016 but the remaining three are still around and Valentine continues to perform.
Late 1967 gig in Hastings, East Sussex. Thanks to Robert Valentine
Many thanks to Robert for providing information about the band

The Trophies on Golden Sound

Trophies Golden Sound 45 With a Love

The Trophies released one single in October, 1965, “With a Love” backed with the uptempo “C’mon Little Lady”.

If the members were also the song writers, then the band included:

George Jevicky
Andy Martin
Daniel Nasimento

Geo. Jevicky, Andy Martin wrote the moody “With a Love” published by Blue Coast Music, administered by SESAC. Daniel Mascimento wrote “C’mon Little Lady” published by Duval BMI.

This is the only release on the Golden Sound label that I know of, GS 1011.

Teen Beat Mayhem lists the band’s location as San Francisco, California, but the label credits read “produced by Suwanee Songs, Lenoir City, Tennessee”.

I’d like to know how a San Francisco band wound up on a label out of Lenoir City, a small metropolis southwest of Knoxville.

Trophies Golden Sound 45 C'mon Little Lady

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