Mary Wells’s British tours in the 1960s

As the first female Motown artist to tour Britain, singer Mary Wells had been invited by The Beatles to join them for a nationwide tour from 9 October to 10 November 1964 alongside The Rustiks, Michael Haslam, Bob Bain, The Remo Four and Tommy Quickly.

For what was Wells’s first British tour, she was backed by Sounds Incorporated, who comprised John St John (lead guitar); Wes Hunter (bass); Barrie Cameron (organ/baritone sax); Alan “Boots” Holmes (baritone sax/tenor sax); “Major” Griff West (tenor sax/flute); and Tony Newman (drums).

In March 1967, Wells returned for her second (but first headlining) British tour and was backed by Scottish band O’Hara’s Playboys featuring John O’Hara (vocals/sax); Peter Green (tenor sax); Pete Campbell (lead guitar); Bobby Campbell (keyboards/guitar/vocals); Bill Mathieson (bass); and Davy McHarg (drums).

Source: Melody Maker, 26 November 1966, page 4

Judging by an article in Melody Maker, she was originally due in January 1967.

The following list is incomplete but includes: 

30 March 1967 – Locarno, Bristol with The Playboys (Bristol Evening Post)

1 April 1967 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle)

2 April 1967 – Top Rank Astoria Ballroom, Oldham, Greater Manchester (Manchester Evening News & Chronicle)

4 April 1967 – High Wycombe Town Hall, High Wycombe, Bucks with guest group (Bucks Free Press)

7 April 1967 – Gaiety Grimsby, Grimsby, North East Lincolnshire with John O’Hara’s Playboys (Grimsby Evening Telegraph)

8 April 1967 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with supporting band, The Sect, The Group and The Steel Band (Lincolnshire Echo)

9 April 1967 – Beau Brummel Club, Alvaston Hall Hotel, Nantwich, Cheshire with O’Hara’s Playboys and Phil Ryan & The Scorpions (Runcorn Guardian)

9 April 1967 – 7 Club, Wyle Co-op, Shrewsbury with support group (Shropshire Journal)

13 April 1967 – Ram Jam, Brixton, south London with The Playboys (Melody Maker)

14 April 1967 – Marine Ballroom, Central Pier, Morecambe, Lancashire with Five of a Kind and MBQ (Morecambe Visitor)

15 April 1967 – California Ballroom, Dunstable, Bedfordshire with The Apex R&B All Stars and Night Train (Melody Maker/California Ballroom website)

15 April 1967 – Cue Club, Praed Street, Paddington, west London (Melody Maker)

20 April 1967 – Clouds, Derby, Derbyshire (Derby Evening Post)

21 April 1967 – Club A Go Go, Newcastle upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)

22 April 1967 – Nite Owl, Leicester with Sonny Childe & The TNT (Leicester Mercury)

22 April 1967 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Fireflies (Cambridgeshire Times)

23 April 1967 – Starlite Ballroom, Greenford, northwest London with The Gods (Melody Maker)

It was another two years before Mary Wells returned to Britain for her second solo British tour. On this one she appears to have been backed, at least on some gigs, by Glasgow band, Sir Percy Quintet who comprised Ian Wright (vocals); Jim Fraser (guitar/vocals); John Thompson (guitar/vocals); Colin Wright (bass/vocals); and Ray Gibson (drums).

The following list is incomplete but includes the following. I think some of the Melody Maker gigs listed in the image below may be slightly off. 

2 May 1969 – Flamingo, Wardour Street, Soho, central London with Clam (Melody Maker)

2 May 1969 – White Lion, Edgware, north London (Melody Maker)

Source: Melody Maker, 3 May 1969, page 4

3 May 1969 – Civic Hall, Nantwich, Cheshire with Cleveland Fox Soul Band (Evening Sentinel)

3 May 1969 – Clockwork Orange, Chester, Cheshire with Familiarity Breeds (Liverpool Echo)

8 May 1969 – Hatchetts Playground, Piccadilly, central London (Evening Standard) The Flirtations attended this

Source: Melody Maker, 17 May 1969, page 6

9 May 1969 – Annabel, Sunderland, Tyne & Wear (Newcastle Evening Echo)

12 May 1969 – Club Cedar, Birmingham with Sir Percy Quintet (Birmingham Evening Mail)

13 May 1969 – Stockton Fiesta, Stockton-on-Tees, Teesside (Northern Echo)

13 May 1969 – Sloopy’s, Manchester (Manchester Evening News & Chronicle)

15 May 1969 – Crystal Ballroom, Stoke-on-Trent, Staffordshire (Evening Sentinel)

15 May 1969 – Club Cedar, Birmingham with Soul Show and Second City Road Show (Birmingham Evening Mail) This advert says she was backed by Soul Show

16 May 1969 – Victoriana, Mardi Gras Club, Liverpool with The Acropolis and Action Lion with Billy Butler (Liverpool Echo)

18 May 1969 – Brit-Brit, Trent Bridge, Nottingham with The Klan (Nottingham Evening Post)

18 May 1969 – Cue Club, Praed Street, Paddington, west London (Melody Maker)

Nearly a year later Mary Wells was back in Britain for her third solo tour. It’s not clear, however, who backed her on this one.

It is also quite possible that this was a fake Mary Wells brought over by Roy Tempest.

The following list is incomplete but includes: 

21 March 1970 – Oakengates Town Hall, Oakengates, Shropshire with The Powerhouse Soul Band (North Shropshire Journal)

30 March 1970 – George Hotel, Walsall, West Midlands (Walsall Observer)

We’d welcome any recollections in the comments section below. We would particularly like to hear about the songs performed and any other standouts.

Irma Thomas’s March 1966 British tour

In early March 1966, American soul singer Irma Thomas arrived in England to participate in a nationwide tour organised by Roy Tempest who hired Nottingham band, The Sons of Adam, to back her.

In some of the adverts, the group appears to be listed as The Excitements (or Exciters) unless this was another band that played on some of the tour dates?

The Sons of Adam line-up for the tour was Paddy Flynn (lead guitar), Harry Hopewell (bass), Barry Heald (tenor sax), John Sanderson (tenor sax) and Mick Franks aka Mick Maltby (drums).

The dates below (and band line-up) are listed on the Dungeon Mods website (https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/) and from advertised sources. After this tour with Irma Thomas, The Sons of Adam backed Screaming Jay Hawkins on a handful of gigs.

4 March 1966 – New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker) Doubtful this happened even though it was advertised

Morning and afternoon rehearsals took place at the Roebuck on Tottenham Court Road. Apparently, The Sons of Adam had to wait until Stevie Wonder had finished rehearsing before starting tour preparations with Irma Thomas and were introduced to him by Thomas. Evening rehearsals took place at the Titanine Sports & Social Club in Colindale.

11 March 1966 – Marquee, Wardour Street, Soho, central London with The Roscoe Brown Combo (https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/)

11 March 1966 – Club West Indies, Stonebridge Park, Harlesden, northwest London (Melody Maker)

11 March 1966 – Cue Club all-nighter, Paddington, west London with The Jet Set (Melody Maker)

12 March 1966 – Dungeon, Nottingham (Nottingham Evening Post)

13 March 1966 – Gainsborough Club, Salford, Greater Manchester and the Riverboat Club, Manchester (https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/)

14 March 1966 – 1pm recording for Scene at 6.30 for Granada TV in Manchester (https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/)

14 March 1966 – The Penthouse, Birmingham with The Fabulous Creseendoes (Birmingham Evening Mail/Concert ticket)

17 March 1966 – Irma Thomas and the band did a sound balance for ITV’s Ready Steady Go at 12.30pm (https://dungeonmods.wordpress.com/2020/04/16/life-of-a-local-band/)

17 March 1966 – Whisky A Go Go, Wardour Street, Soho, central London with The Excitements (Melody Maker). In the early hours Irma Thomas and The Sons of Adam played the Scotch of St James in Mayfair on an all-nighter.

18 March 1966 – ITV’s Ready Steady Go at 12.30pm and Flamingo, Wardour Street, Soho, central London with Ralph Denyer’s Rockhouse Band at 7pm (Melody Maker) From midnight Irma Thomas and The Sons of Adam played the El Partido in Lewisham, southeast London on an all-nighter.

19 March 1966 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle)

19 March 1966 – Twisted Wheel, Manchester (late session) with Wilson Pickett (Manchester Evening News & Chronicle)

20 March 1966 – Roaring ‘20s, Carnaby Street, Soho, central London with The Powerhouse Six, The Excitements and Duke Lee (Melody Maker/Poster)

23 March 1966 – Catacombe Club, Eastbourne, East Sussex (Melody Maker)

24 March 1966 – The Rialto, Derby with The Sidewinders and The Tommy Owen Quintet (Derby Evening Telegraph) This was reviewed in the press

24 March 1966 – The Penthouse, Birmingham (Birmingham Evening Mail)

25 March 1966 – Canterbury Union Ball, Eliot College, Kent University, Canterbury, Kent with Manfred Mann and full supporting groups (InCant /Melody Maker/Poster)

25 March 1966 – New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker)

26 March 1966 – Caribbean All Star Club, Sheffield, South Yorkshire with The Excitements (Sheffield Star) The Sons of Adam gigs also list a second show at the King Mojo in Sheffield.

27 March 1966 – Flamingo, Wardour Street, Soho, central London with The Chessmen (Melody Maker)

In an interview for The Guardian from May 2025 (https://www.theguardian.com/music/2025/may/26/irma-thomas-galactic-soul-queen-new-orleans), Thomas talked about how badly organised the tour was and explained how she lost 15lbs and her voice for three months.

“I had no one looking after things for me and found myself singing night after night – and some matinees – for around three weeks,” she recalled.

“I had a very basic British backing band and went everywhere in an old van. It was exhausting and debilitating. I was told by a voice doctor that if I ever wanted to sing again, I couldn’t speak for three months. So, I didn’t. Which was really difficult, especially when you have small children.”

27 June 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Although this was advertised, it is probably a printing error and was actually Rufus Thomas who was touring Britain at the time.

If you can add anything, please leave a comment below. We would particularly like to hear about the songs performed and any other standouts.

The Mad Lads “Come Back to Me” on Prestige Productions

Mad Lads Prestige 45 Come Back To MeThe Mad Lads came from Birmingham and seem to have been active no later than late summer 1966.

They cut one excellent original song “Come Back to Me” written by Butch Romana and Larry Rosser, backed with a good version of “Tossin’ and Turnin'”. It was released on Prestige Productions Records PP66-152 in August 1966.

The Mad Lads did get some fine gigs, including Stage Center for the April 19-20, 1966 Festival of Arts at Third Avenue and 20th Street North. Other rock performers those days included the Shades and Carol the Go-go Girl, the Discotheques, and the Blackouts.

They also played at Holiday Beach on the Tuscaloosa Highway in June, 1966.

Most notably they performed at a Battle of the Bands on TV Channel 42 vs. the Impacts on Saturday, March 26, 1966!

I would appreciate more info on the group. Does a photo of the band exist?

Channel 42 Battle of the Bands – The Impacts vs. Mad Ladson March 26, 1966

Richie’s Renegades “Don’t Cry” / “Baby It’s Me” on Polaris

Richie's Renegades Daily Item 1966 May 13

Richie’s Renegades in the Daily Item, April 17, 1966

Richie’s Renegades came from Lynn, Massachusetts. After winning a state-wide battle of the bands in May, 1966, the group cut a fine single on the Polaris Records label, “Don’t Cry” / “Baby It’s Me” released in August.

Members included:

Richie Reynolds – lead vocals
William Dunn – guitar
Robert Leger – guitar
Robert Peck – organ
Brian Michaels – bass
Kevin Robichaud – drums

Erik Lindgren’s notes to The Polaris Story CD note that they cut the single at Fleetwood, while alternate versions of the single and a Pepsi commercial “Come Alive” featured on the CD were done at Ace.

The Lynn Daily Item ran photos of the group on April 26 and May 13, 1966:

Richie’s Renegades, a Lynn band, will be one of 18 competing for sate-wide honors tomorrow at Boston Gardens. They are on of a group of winners selected from more than 600 band taking part in local and regional contests, sponsored by the Jaycees.

The accompanying article noted that “Plans are now underway for a national competition next year, the Jaycees said.”

May 16, 1966 notice of their win

The May 16 Daily Item noted that the band won the final competition “which brings with it a $500 cash award, new musical instruments, recording contracts and other awards.

Inscribed to Edlita Adams (Miss Essex County and a Jaycee finals judge) by Billy Dunn, Bob Leger, Bob Reader (?) and Kevin Robichaud.

I found a copy of their record inscribed to Edlita, with four signatures: Bob Leger, Bob Reader [surname correct?], Ken Robichaud, and Billy Duran. Bob Reader isn’t in the lineups I’ve found online, and I read Robichaud’s as Kevin instead of Kenneth.

Kevin Robichaud is the correct spelling, as Lou Ames Music Store ran ads in September and October, 1968 with Kevin’s photo as a drum instructor, “featured with ‘The Playn Jane” and formerly with ‘Richie’s Renegades.'”

I found a notice in the Daily Item on August 25, 1966:

Richie and the Renegades of Lynn … will give two performances at the Pepsi booth as a highlight of the Family Day program at Topsfield Fair on Tuesday, Sept. 6.

The group will autograph their just released recordings “Baby, It’s Me” and “Don’t Cry” and, in addition, will offer autographed photographs.

One of the judges of [the Boston Garden battle] was Miss Edlita Adams, 19, of Lynn, reigning “Miss Essex County.”

That notice, and a couple others I found, list Robert Teck instead of Robert Peck.

The Boston Globe ran a brief item in April, 1967 about the group going to Worcester for the national competition with the same lineup listed as in 1966.

November 24, 1967 notice in Greenville, New Hampshire with William the Wild One, Tall Paul Floyd, and the Young Adults.

A December 20, 1966 notice in the Daily Item ran:

The Lynn Young Democrats held a Christmas party for needy children, highlighted by the appearance of a local band, Richie’s Renegades …

Members of the Renegades, donating their services for the occasion, were Brian Michaels, Bob Leger, Bill Dunn, Bob Peck, Kevin Robichaud, Dick Tarnborini, Bill Barry and Richie Reynolds.

The inclusion of Bill Barry is interesting, as he is also known as William the Wild One, who cut a great 45 on Festival in 1966, supposedly with Richie’s Renegades providing backing. A Fitchburg Sentinal notice mentions the Renegades playing a show with William the Wild One at Appleton Academy in December, 1966, noting that William “toured the country with the Dave Clark Five. He and Reynolds are cousins of Dave Barry, a student at the academy.”

By 1968, Richie’s Renegades became Playn Jane, mentioned in the February 29, 1968 Daily Item:

The third annual Battle of the Bands sponsored by the Lynn Jaycees will be held Saturday night at Classical High.

The competing teenage bands are Danny and the Dreamers, Passing Times, Playn Jane, Psychedelic Innovation, Satisfaction and the Sinders …

Dancing will be allowed during the competition.

Robert Leger passed away on January 7, 2020.

Kevin Robichaud of Richie's Renegades, Lou Ames Music, Daily Item 1968 Sept 10
September, 1968 ad for Kevin Robichaud of Lou Ames Music Studio

The Road Runners from Gadsden, Alabama on MBM

Road Runners MBM 45 Do You Love Me Sixty Six StyleThe Road Runners have a Gadsden, Alabama address on their only 45, but a notice in the Alexander City Outlook on December 15, 1966, mentioned a performance at the Goodwater, AL home of Mr. & Mrs. Steve Gilliland, Jr. Both towns were east of Birmingham, but at some distance from each other. The other names on the notice are Dr. & Mrs. Joe T. Roberts, likely parents of another band member.

The A-side is a good, jaunty version of the Contours hit, with the full title “Do You Love Me Sixty Six Style”. The flip is a light instrumental credited to Gilliland, “To Be With You”.

Anyone have a photo of the group?

Road Runners Alexander City Outlook 1966 Dec 15

Froggy and the Gremlins (a.k.a. The Gremlins)

Froggy and the Gremlins from left: Mike Shields (organ), John McClusky (drums), Bill Thomason (lead vocals), Pat [surname?] (lead guitar), and Craig Gardner (bass)

Our band started one Friday night in late 1964 literally in a garage in Vestavia, Alabama when I (Froggy) was singing while two friends were playing the drums and the guitar. The three of us attended Berry High School. The drummer’s cousin, Craig Gardner stopped by to show off his new Oldsmobile 442 and he listened to us perform a tune or two. The next day Craig called me and said that he and a few guys from Shades Valley High School were starting a band and asked if I was interested in being the lead singer. Of course, I said yes.

My neighbor was Ray Edwards, the lead singer with The Knights and the first time I saw them perform I resolved to one day do the same. This was my chance! So, the following weekend, Froggy and the Gremlins band was born in Mike Shields living room and the first song we learned was a cover of the Beatles’ “I Saw Her Standing There”.

Members in the photo at top:

Mike Shields – electric organ
John McClusky – drums
Bill Thomason – lead singer
Pat ? – lead guitar
Craig Gardner – bass

Before long, Pat dropped out and was replaced by lead guitarist Jerry Meadows.

After learning a set list of about 25 songs we hit the road and were very popular locally in Birmingham and North Alabama. Venues consisted of many fraternity parties at the University of Alabama in Tuscaloosa and in Birmingham, and teenage dances and sock-hops at local National Guard Armories around northern Alabama. We were invited to a Battle of the Bands at the Huntsville coliseum and placed third. WBRC-TV in Birmingham televised a weekly Battle of the Bands and we were matched against the late, great Rooster Gallagher and the Townsmen who I believe eventually won the entire competition later that year.

Froggy and the Gremlins ad

Pizitz Department Store in downtown Birmingham would hold regular dances and Go-Go demonstrations in the teen clothing section which was a brilliant marketing idea since it drew hundreds of teens (and their mothers) to the store. We played these events several times and once opened for The Swingin’ Medallions there.

Gremlins (Birmingham AL) business cardOver time as all the other bands were adding horns and reeds, we added:

Bill Roberts – alto sax
Mark Stevens – trumpet

I was also a trumpet player so we had a full, solid sound and were consistent with what was popular at the time. Also, we dropped the “Froggy” and were just “The Gremlins” to project a more contemporary and professional image.

Jerry Meadows was a song writer so like practically every other band on this site, the time came for our rite of passage in Ed Boutwell’s studio at an old church on 2nd Avenue North in Avondale. We created an eight-song demo tape of six cover songs and two songs that Jerry had composed. One was titled “Summer Girl” and the other one I do not remember. We had no money to afford a record press so we hawked the reel-to-reel demo tape around to several radio stations with favorable results but of course there was no air time since there was no vinyl to play.

Finally, in the fall of 1966 most everyone was leaving for various colleges around the state. I, on the other hand having primarily been interested in dedicating most of my time to The Gremlins rather than to high school academics, was shipped off to military school at Lyman Ward Military Academy in south Alabama. Thus, The Gremlins band officially came to an end.

Over the years, I saw Mike Shields occasionally at church and later heard he moved to Carmel, California and became an artist. I also occasionally saw Bill Roberts at the University of Alabama-Tuscaloosa when we were both students there. Ironically, John McClusky was the drummer for String and the Beans when they played at my High School senior military ball. He eventually became a lawyer in the Birmingham area. I lost touch with Jerry Meadows, Craig Gardner and Mark Stevens after our last gig in the late summer of 1966.

Regrettably, as the years passed and my focus turned to college, kids and careers, my copy of the demo tape disappeared. Several years ago, I reached out to Mark Harrelson at Boutwell Studios right after they moved to their beautiful new facility on Central Avenue in Homewood. He told me that had I been a year earlier they probably would have had the master tape but that after all those years they had finally purged the old archives in the latest move.

What an exciting time it was to be a teenager and part of the incredible ‘60’s music scene. Music has remained a big part of my family and these days even one of my college-aged grandsons is carrying on the tradition with a country music solo act.

Bill Thomason, September 2025

Derek Savage Foundation

Welcome to another posting of a series of gig listings for 1960s bands. None of these lists is exhaustive and my idea is to add to them in the comments section below over time. They are here for future researchers to draw on and, where possible, I have added the sources used, whether they are newspapers or websites.  I have also added a few interesting bits of information and will add images in time.

I’d like to encourage band members to get in touch to share memories, or for anyone to send corrections/clarifications to my email: Warchive@aol.com 

Equally important, if you attended any of the gigs below or played in the support band, please do leave your memories below in the comments section for future historians to use. If you know of any missing gigs, please add them too, if possible, with the sources.

Photo: Fulham and Hammersmith Chronicle. Image may be subject to copyright. Left to right: Derek, Tony, Jim, Ian and John. 

Derek Savage – Lead vocals

Tony Noble – Lead guitar

Ian Milne – Organ

John Turner – Bass

Jim Van Sickle – Drums

 According to an article in the Fulham & Hammersmith Chronicle from 10 March 1967 (page 8), Derek Savage formed this group in late 1965 with drummer Jim Van Sickle after leaving another band (Ed. Although the press says Jim was American, Tony Noble confirms he was born and raised in Fulham, southwest London).

Photo: Fulham and Hammersmith Chronicle. Image may be subject to copyright

Tony Noble arrived having responded to a newspaper advertisement and introduced his friend John Turner, with Ian Milne completing the formation.

The band played extensively at the Flamingo in Wardour Street in Soho, central London from late 1966 through to early 1967 and signed with Date Records, which issued a lone single – ‘Stop the Wedding’ c/w ‘Breakin’ Through’.

Photo: Fulham and Hammersmith Chronicle. Image may be subject to copyright

The musicians were also pictured, with a short article, in the Fulham and Hammersmith Chronicle, in the newspaper’s 17 March 1967 issue (page 4).

The Derek Savage Foundation continued to gig until late 1967 before splitting up.

We’d love to hear from anyone that can add further information below

 Notable gigs:

Image may be subject to copyright

23 September – Flamingo, Wardour Street, Soho, central London with The VIPs (Melody Maker)

 

7 October 1966 – Tiles, Oxford Street, central London with Freddie & The Dreamers (Melody Maker)

Image may be subject to copyright

8 October 1966 – Flamingo, Wardour Street, Soho, central London with Remo Four (Melody Maker)

14 October 1966 – Flamingo, Wardour Street, Soho, central London with Ike & Tina Turner Show (Melody Maker)

22 October 1966 – Club Continental, Eastbourne, East Sussex (Eastbourne Herald Chronicle)

 

5 November 1966 – Flamingo, Wardour Street, Soho, central London with The Soul Trinity and Tina and Johnny Glover (Melody Maker)

12 November 1966 – Flamingo, Wardour Street, Soho, central London with Makin Sound and Tina and Johnny Glover (Melody Maker)

Image may be subject to copyright

15 November 1966 – Flamingo, Wardour Street, Soho, central London (Melody Maker)

19 November 1966 – Flamingo, Wardour Street, Soho, central London with The Soul Trinity and Tina and Johnny Glover (Melody Maker)

26 November 1966 – Flamingo, Wardour Street, Soho, central London with Alex Harvey & The Mox and Tina and Johnny Glover (Melody Maker)

 

3 December 1966 – Club Continental, Eastbourne, East Sussex (Eastbourne Herald Chronicle)

4 December 1966 – Toft’s, Folkestone, Kent (Folkestone, Hythe & District Herald)

9 December 1966 – Flamingo, Wardour Street, Soho, central London with O’Hara’s Playboys and Tina and Johnny Glover (Melody Maker)

Image may be subject to copyright

17 December 1966 – Flamingo, Wardour Street, Soho, central London with Locomotive and Tina and Johnny Glover (Melody Maker)

 

13 January 1967 – Flamingo, Wardour Street, Soho, central London with Jo Jo Gunn (Melody Maker)

17 January 1967 – Adelphi, Slough, Berkshire (Windsor, Slough & Eton Express)

Image may be subject to copyright

20 January 1967 – Flamingo, Wardour Street, Soho, central London with Jimmy Cliff’s Shakedown Sounds (Melody Maker)

24 January 1967 – Walton Hop, Walton Playhouse, Walton-on-Thames, Surrey (Woking Herald)

Image may be subject to copyright

11 February 1967 – Club Continental, Eastbourne, East Sussex (Eastbourne Herald Chronicle)

18 February 1967 – Walton Hop, Walton Playhouse, Walton-on-Thames, Surrey (Woking Herald)

19 February 1967 – Surf City Coffee Club, Tunbridge Wells, Kent (Tunbridge Wells Courier)

Image may be subject to copyright

2 March 1967 – Tiles, Oxford Street, central London with The Web and John L Watson (Melody Maker)

21 March 1967 – Walton Hop, Walton Playhouse, Walton-on-Thames, Surrey (Woking Herald)

Image may be subject to copyright

22 April 1967 – YMCA, Sebert Street, Gloucester with Sack O’ Woe (Gloucester Citizen)

29 April 1967 – Disc Club, Colchester, Essex (Essex County Standard)

 

27 May 1967 – Papa’s, Bournemouth, Dorset (https://bournemouthbeatboom.wordpress.com/gigs-1967/)

 

17 June 1967 – Legion Hall, Amersham, Bucks (Bucks Advertiser)

 

22 July 1967 – The ‘Big C’ Club, Farnborough, Hants (Aldershot News)

 

23 September 1967 – The ‘Big C’ Club, Farnborough, Hants (Aldershot News)

 

20 October 1967 – Woodhall Community Centre, Welwyn Garden City, Herts (https://www.coda-uk.co.uk/60’s_music_scene.htm)

Image may be subject to copyright

29 October 1967 – Cesar’s Bedford, Bedfordshire with The Pink Champagne (Ampthill News & Flintwick Record)

 

3-4 November 1967 – Silver Blades, Streatham, southwest London (Coulsdon & Purley Advertiser)

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

The Legends (Surrey band)

L-R: Roger Smith (rhythm guitar); Ron Prior (vocals); Jess Hodges (drums); Graham Bradley (vocals); Keith Greaves (bass); and Roger Tinkler (lead guitar). Photo: Ron Prior

Ron Prior – lead vocals

Graham Bradley – lead vocals

Roger Tinkler – lead guitar

Roger Smith – rhythm guitar

Keith Greaves – bass

Jess Hodges – drums

This northwest Surrey band evolved out of The Black Arrows and featured two lead singers – Ron Prior and Graham Bradley.

Invited by Cyril Stapleton to record a demo recording at Radio Luxembourg in central London, the sextet cut two tracks, including a cover of Solomon Burke’s ‘Stupidity’ via Cliff Bennett & The Rebel Rousers (featuring Prior on lead vocals), but it was never released.

Prior and Tinkler subsequently joined Jeep Rongle in March 1966.

Ron would love to hear from any surviving band members in the comments section below

Selected gigs:

6 December 1964 – Sunday Club, Addlestone, Surrey with The Applejacks (Woking Herald)

26 January 1965 – Walton Playhouse, Walton-on-Thames, Surrey (Woking Herald)

 

26 February 1965 – The British Legion Hall, Virginia Water, Surrey (Staines & Egham News)

 

5 March 1965 – Co-op Hall, Addlestone, Surrey (Woking Herald)

 

8 May 1965 – Egham Hythe Social Club, Egham Hythe, Surrey with The Roosters (Staines & Egham News)

 

12 June 1965 – St Paul’s FC, Social Centre, Egham Hythe, Surrey (Staines & Egham News)

19 June 1965 – Social Club, Egham Hythe, Surrey with the Cherokees (Staines & Egham News)

 

21 August 1965 – Egham Hythe Social Centre, Egham Hythe, Surrey with The Stormsville Shakers (Staines & Egham News)

 

19 September 1965 – Co-op Hall, Addlestone, Surrey (Woking Herald)

 

 

The Black Arrows

Clockwise from front: Roger Smith (rhythm guitar), Alan Smith (lead guitar), Keith Greaves (bass) and Ron Prior (drums). Photo: Ron Prior

Alan Smith – lead guitar

Roger Smith – rhythm guitar

Keith Greaves – bass

Ron Prior – drums

Former Highlights and Magnets singer/turned drummer put this band together in 1962 with Chertsey, Surrey-raised brothers Alan and Roger Smith.

Like Prior’s previous band The Magnets, The Black Arrows played extensively throughout Surrey, including appearing frequently at the Walton Playhouse (see 1962 on that entry).

Although The Black Arrows did not record, all of the members (with the exception of Alan Smith) stayed on when the group became The Legends (not to be confused with the west London band of the same name) in 1965.

Ron would love to hear from any surviving band members in the comments section below

L-R: Roger Smith, Ron Prior, Keith Greaves and Alan Smith. Photo Ron Prior

The Magnets

L-R: Craig Collins (drums), Paul Baxter (lead guitar), Ron Prior (lead vocals), Mick Angel (rhythm guitar). Ronnie Knight not pictured. Photo: Ron Prior

Ron Prior – lead vocals

Paul Baxter – lead guitar

Mick Angel – rhythm guitar

Ronnie Knight – bass

Craig Collins – drums

Formed in 1960 by Virgina Water, Surrey-raised singer Ron Prior, who’d started out with The Highlights, a group that briefly included future Kinks drummer Mick Avory.

The group played extensively throughout Surrey for the best part of two years before Prior departed to form The Black Arrows.

Ron would love to hear from any surviving band members in the comments section below

L-R: Ron Prior (hands at the microphone), Paul Baxter, Mick Angel and Ronnie Knight. Photo: Ron Prior

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