
Another band from Sault Ste Marie are (Those) Rogues, who have a fine and rare double-sider on Algoma, “Wish I Could See You Again” / “Girl”.
Members were Bryan Primeau organ and vocals, Rick Rogers guitar, Terry Davey on saxophone, Harvey Bell on bass and Mike Jargan on drums. Terry Davey left the group sometime before they recorded their 45.
In 1963 or ’64, the group recorded a whole LP worth of songs in John Holt’s basement. John Holt had about 10 acetate copies without covers made from the tape, some of which were used for promotion. Any copies John Holt had of this were lost in a house fire, and both Bryan and Terry have lost their copies. Does anyone have this lost artifact of Soo rock n’ roll?



Ivan Amirault explained to me: “The Rogues changed their name to (Those) Rogues, because at the time Mandala used to call themselves the Five Rogues.”
The single was recorded at Arc Studios in Toronto on February 26, 1967 (I’m not positive on the year), with Marshall Shapiro engineering the session. The label lists the address as Case Road. As with the Amen’s 45 the producer is John Holt, but no songwriting credits are listed. As Bryan’s son Joel mentions in the comment below, his father was the songwriter for the group for the 45.
At this point the band was regularly playing at the Sundown Room, though I’m not sure if that was in Sault Ste Marie or elsewhere in Ontario.
Notable in the article below is when Bryan describes the feeling of playing in front of an audience: “It’s like going to an LSD party, without the LSD”!
Joe Spina, program director at Cambrian College in 1966 and 1967 sent me a number of cool photos of the Rogues, some with Debbie Lori Kaye.
Thanks to Ed Nadorozy who sent in scans of the newspaper clipping and the smaller photos, and to Ivan Amirault who interviewed the late John Holt and provided me with info on their acetate and about their name change. Thank you to Joe Spina for photos of the Rogues on stage and with Debbie Lori Kaye.

Terry Davey spoke to me about the early days of the group:
The Rogues started their career playing in the Moose Hall in Thessalon in the very early 60’s. The Fireflies gave us a break to fill their spot at the Peppermint Hall in the Soo as they were taking a trip. We played there and then moved across Queen Street to play at the former Knights of Columbus Hall. As I remember we were the last group to play at the Peppermint Hall. The Fireflies had just moved their equipment into the hall when it burned down.
When I was with the Rogues we made an LP with the help of John Holt. John Holt managed the entire thing. I believe it got a little air time at CKCY radio and possibly CJIC, but hey, that was the early 60’s. I had one copy and all the other band members had a copy.
When the Rogues decided to go to Toronto I decided to stick with my job at Algoma Steel. It was a good choice!
That is me on the sax in the photo. I am not that tall. I was standing on the rails of the barstools.
Some years later I also started a group called the Bishops Court Trio with Ed Shire and Jerry Pennet. We played at the Algonquin Hotel and also the Black Knight and other places.
Is Harvey Bell still alive? He was Chief of the Ojibwa tribe for some time.
My son Kevin Davey, formally of the Soo, is making a real name for himself in Canadian music. I had taught him guitar and bass many years ago and now he really makes me proud. He now lives in Vancouver, B.C.
I am currently playing sax, sometimes bass and guitar, in our church’s Prase and Worship group.
Update May 2019: Terrence J. “Terry” Davey passed away on April 5, 2019 in Florida. See comment below for more information on Terry’s life. Thank you to Rose Davey for writing to me with this information and for sending some of the photos seen here. Thanks also to Al McGrath for help with identifying some of the musicians in the photo of the Dimensions.































































On the blue label is the Sloths’ song “Makin’ Love”, which was covered by the Dirty Shames a year later. The Sloth’s version is far cruder, but both are fine perfomances. The Dirty Shames label gives writing credit to Hank Daniels. I had heard a rumor that the two bands shared some members, but Marty Wons from the Dirty Shames says this isn’t true. The Sloths record happens to be by far the rarest garage 45 on this label.
Lonnie and The Legends recorded one of my very favorite songs on this label. “I Cried”/ “Baby Without You” (Impression 109) was released in Mar. 1966. Lonnie Grah’s niece Becky Lynn Ray sent me some photos of Lonnie and info about Lonnie & the Legends. The band was from Sylmar, California, near San Fernando. It may surprise the listener that they were actually more of a country & western band, performing on bills with many big names like Doye O’Dell, Joe and Rose Maphis and Lefty Frizzell, and were friends with early rock ‘n roll performers like Ritchie Valens and the Rivingtons of “Papa-Oom-Mow-Mow” fame.
The Dirty Shames have one great double-sided 45, the garage classic “I Don’t Care” with the flip “Makin’ Love” (Impression 112) released Sept. 1966. Band members include Marty Wons and Bob Larson. Marty wrote a little to me, but hasn’t answered my responding emails. He wrote: