(Those) Rogues

Those Rogues with Debbie Lori Kaye photo
The Rogues with Debbie Lori Kaye. Photo from the collection of Joe Spina.

(Those) Rogues Algoma 45 Wish I Could See You AgainAnother band from Sault Ste Marie are (Those) Rogues, who have a fine and rare double-sider on Algoma, “Wish I Could See You Again” / “Girl”.

Members were Bryan Primeau organ and vocals, Rick Rogers guitar, Terry Davey on saxophone, Harvey Bell on bass and Mike Jargan on drums. Terry Davey left the group sometime before they recorded their 45.

In 1963 or ’64, the group recorded a whole LP worth of songs in John Holt’s basement. John Holt had about 10 acetate copies without covers made from the tape, some of which were used for promotion. Any copies John Holt had of this were lost in a house fire, and both Bryan and Terry have lost their copies. Does anyone have this lost artifact of Soo rock n’ roll?

(Those) Rogues photo: Mike Jargan, Rick Rogers, Bryan Primeau, Harvey Bell
(Those) Rogues – left to right: Mike Jargan, Rick Rogers, Bryan Primeau, Harvey Bell
CJIC-TV Telethon notice with local Soo groups the Odds and Ends, the A Men and The Rogues.
CJIC-TV Telethon notice with local Soo groups the Odds and Ends, the A Men and The Rogues.
Those Rogues Photo
Photo as the Rogues, with Debbie Lori Kaye on vocals and Terry Davey on saxophone at right. Photo courtesy of Rose Davey.

(Those) Rogues photoIvan Amirault explained to me: “The Rogues changed their name to (Those) Rogues, because at the time Mandala used to call themselves the Five Rogues.”

The single was recorded at Arc Studios in Toronto on February 26, 1967 (I’m not positive on the year), with Marshall Shapiro engineering the session. The label lists the address as Case Road. As with the Amen’s 45 the producer is John Holt, but no songwriting credits are listed. As Bryan’s son Joel mentions in the comment below, his father was the songwriter for the group for the 45.

Those Rogues on stage photo

At this point the band was regularly playing at the Sundown Room, though I’m not sure if that was in Sault Ste Marie or elsewhere in Ontario.

Notable in the article below is when Bryan describes the feeling of playing in front of an audience: “It’s like going to an LSD party, without the LSD”!

Joe Spina, program director at Cambrian College in 1966 and 1967 sent me a number of cool photos of the Rogues, some with Debbie Lori Kaye.

Thanks to Ed Nadorozy who sent in scans of the newspaper clipping and the smaller photos, and to Ivan Amirault who interviewed the late John Holt and provided me with info on their acetate and about their name change. Thank you to Joe Spina for photos of the Rogues on stage and with Debbie Lori Kaye.

Rogues are off to Toronto to cut their first disc

 An early photo of (Those) Rogues
An early photo of the group

Terry Davey spoke to me about the early days of the group:

The Rogues started their career playing in the Moose Hall in Thessalon in the very early 60’s. The Fireflies gave us a break to fill their spot at the Peppermint Hall in the Soo as they were taking a trip. We played there and then moved across Queen Street to play at the former Knights of Columbus Hall. As I remember we were the last group to play at the Peppermint Hall. The Fireflies had just moved their equipment into the hall when it burned down.

When I was with the Rogues we made an LP with the help of John Holt. John Holt managed the entire thing. I believe it got a little air time at CKCY radio and possibly CJIC, but hey, that was the early 60’s. I had one copy and all the other band members had a copy.

When the Rogues decided to go to Toronto I decided to stick with my job at Algoma Steel. It was a good choice!

That is me on the sax in the photo. I am not that tall. I was standing on the rails of the barstools.

Some years later I also started a group called the Bishops Court Trio with Ed Shire and Jerry Pennet. We played at the Algonquin Hotel and also the Black Knight and other places.

Is Harvey Bell still alive? He was Chief of the Ojibwa tribe for some time.

My son Kevin Davey, formally of the Soo, is making a real name for himself in Canadian music. I had taught him guitar and bass many years ago and now he really makes me proud. He now lives in Vancouver, B.C.

I am currently playing sax, sometimes bass and guitar, in our church’s Prase and Worship group.

Update May 2019: Terrence J. “Terry” Davey passed away on April 5, 2019 in Florida. See comment below for more information on Terry’s life. Thank you to Rose Davey for writing to me with this information and for sending some of the photos seen here. Thanks also to Al McGrath for help with identifying some of the musicians in the photo of the Dimensions.

The Dimensions, from left: John Legacy, Terry Davey, Jerry Pennett, the next two are unidentified. Any help identifying the musicians would be appreciated
Terry Davey's group in the '70s
Terry Davey’s group in the ’70s, any help identifying the musicians would be appreciated

Inferno 5 Plus 1 Photos pt. Six


At the Mine Mill Hall in Lively

Wayne Wallace

John Bell and Dave Powers
Click on any photo above to see a larger-size version of it.

Main page for Inferno 5 Plus 1

Photos:
Part 1: At the Sudbury Arena
Part 2: Rehearsal at Les Maki’s parents house in Lively
Part 3: At the Sault Ste. Marie Boathouse
Part 4: At the Inferno Club
Part 5: Outside John Bell’s parents house; Club 23 in Cornwall

 

Inferno 5 Plus 1 Photos pt. Five


at John Bell’s parents house in Sudbury

Location unknown

Lance and John Bell in front of Club 23, Cornwall, Ontario

Click on any photo above to see a larger-size version of it.

Main page for Inferno 5 Plus 1

Photos:
Part 1: At the Sudbury Arena
Part 2: Rehearsal at Les Maki’s parents house in Lively
Part 3: At the Sault Ste. Marie Boathouse
Part 4: At the Inferno Club
Part 6: At the Mine Mill Hall in Lively plus others

Inferno 5 Plus 1 at the Sault Ste. Marie Boathouse


“At Sault Ste. Marie at the Boathouse. I don’t think it’s there anymore, we had to join the union back in those days to play there.” – Lance Whitman
Click on any photo above to see a larger-size version of it.

Main page for Inferno 5 Plus 1

Photos:
Part 1: At the Sudbury Arena
Part 2: Rehearsal at Les Maki’s parents house in Lively
Part 4: At the Inferno Club
Part 5: Outside John Bell’s parents house; Club 23 in Cornwall
Part 6: At the Mine Mill Hall in Lively plus others

Inferno 5 Plus 1 at Les Maki’s house in Lively


Les Maki

Randy La Rocque and Lance Whitman

Wayne Wallace

Dave Powers
Click on any photo above to see a larger-size version of it.

Main page for Inferno 5 Plus 1

Photos:
Part 1: At the Sudbury Arena
Part 3: At the Sault Ste. Marie Boathouse
Part 4: At the Inferno Club
Part 5: Outside John Bell’s parents house; Club 23 in Cornwall
Part 6: At the Mine Mill Hall in Lively plus others

The Threads of Fybre

The Threads of Fybre recorded “Mama”/ “Believe Me” in Toronto, Ontario on June 25, 1967.

Members were Tim Meyer drums and vocals, Wayne Diebold rhythm guitar, Gary Brenner lead guitar, and Harold Scheffner on bass. Meyer and Diebold wrote both their songs.

The band was from St. Clements near Kitchener, Ontario.

The Cen-Trend label refers to the centennial year of Canada’s independence. Like other Ontario bands [see the Amen, Inferno 5 Plus 1 and (Those) Rogues], this is an Arc custom pressing done in Toronto.

Thanks to Tim Meyer for information about his band.

Anyone have a photo of the group?

Odin (Ed Willman) – “Lost” and “I’m Out of Here”

Odin Willman 45 Oh Why

Odin came from Sidney, Ohio, a one-man band and true outsider artist. His real name was Ed Willman and was known as Mike Willman. I’m not sure the extent of his recording, but he had two singles pressed by Columbia Records’s Chicago-office plant in Terre Haute, Indiana in the mid 1960s.

First came “Oh Why” / “True”, Odin singing two plaintive ballads accompanying himself on electric guitar, with a pause for each chord change. This single has a Columbia pressing code of ZTSC-107533/4. I’m not sure of the date, but maybe someone out there has a chart for dating Columbia pressings.

Odin Willman 45 LostOdin has a more accomplished sound by the time of his next single, “Lost” and “I’m Out of Here”. His singing has improved and the instrumental backing of autoharp or guitar and snare drum is steady. The echo gives it an otherworldly sound. “Lost” was copyrighted with the Library of Congress in October 1966. This recording seems to be at least a couple years after “Oh Why” / “True”, with a Columbia code of ZTSC-12135/6.

Apparently this is the same Edward Michael Willman who was born on April 2, 1947 and died on December 24, 2007 in Daytona Beach. After serving in Vietnam, he studied mathematics at Wright State University and became a pilot. However, I would like to hear confirmation that this is indeed the same person.

Thank you to Mike Stuart for his comment below. Some information came from Edward Willman’s obituary.

Odin Willman 45 I'm Out of Here

Impression Records discography

The Sloths Impression PS Makin' Love / You Mean Everything

I planned an entry on the Dirty Shames for their great “It’s A Shame” 45, but when I discovered the flip side, “Makin’ Love”, was a cover of an earlier 45 on the same label by the Sloths, I thought I may as well feature whatever I can find out about Impression. It turns out there were a good number of fine 45s on this Hollywood, California label run by two brothers, Al and Sonny Jones.

There were two sets of Impression releases, a first on a blue label with plain logo, and the second on yellow labels with the new, somewhat psychedelic Impression logo.

The Sloths Impression 45 Makin' LoveOn the blue label is the Sloths’ song “Makin’ Love”, which was covered by the Dirty Shames a year later. The Sloth’s version is far cruder, but both are fine perfomances. The Dirty Shames label gives writing credit to Hank Daniels. I had heard a rumor that the two bands shared some members, but Marty Wons from the Dirty Shames says this isn’t true. The Sloths record happens to be by far the rarest garage 45 on this label.

Update June 2011: I’ve included more on the Sloths on a separate page.

Of the releases on the yellow Impression label, first was a release by the Dillons, produced by Dorsey Burnette. See the Dillons’ entry for more on this release.

Next up is one that I hadn’t heard until recently. The Mark Five of San Bernadino featured brothers Danny and Jimmie Faragher, who released “I’m Through With You” b/w “I’Il Keep On Trying” on Impression 102 in 1965 before they went on to form the Peppermint Trolley Co. The Mark Five also recorded as the Intercoms and the C-Minors for Impression, as well as helping back Jimmy Robins on his great soul song, “I Just Can’t Please You”. See their entry for the full story on all four of these Impression releases.

The Tangents have the distinction of releasing two 45s on Impression, “Good Times” / “Till I Came Along” (Impression 105) in 1965, and “Hey Joe, Where You Gonna Go?” / “Stand By Me” (Impression 111) a year later. “Good Times” starts off like Heat Wave then gets very pop sounding. Their version of “Hey Joe” is one of the best. Like many 45s on this label it was arranged and engineered by Al Jones. Members were: Jim Janesick (Jim Janesich?) lead guitar, Bob Shelton rhythm guitar & lead vocals, Terry Topolski bass guitar and Warren Brodie drums.

Lonnie & the Legends backing Doye O'Dell
Lonnie & the Legends backing Doye O’Dell

Lonnie & the Legends Impression 45 I CriedLonnie and The Legends recorded one of my very favorite songs on this label. “I Cried”/ “Baby Without You” (Impression 109) was released in Mar. 1966. Lonnie Grah’s niece Becky Lynn Ray sent me some photos of Lonnie and info about Lonnie & the Legends. The band was from Sylmar, California, near San Fernando. It may surprise the listener that they were actually more of a country & western band, performing on bills with many big names like Doye O’Dell, Joe and Rose Maphis and Lefty Frizzell, and were friends with early rock ‘n roll performers like Ritchie Valens and the Rivingtons of “Papa-Oom-Mow-Mow” fame.

Songwriting credits are George and Lonnie Grah, but Becky tells me “I Cried” was actually written by Lonnie and her mother, Nancy Grah, who was also in the group along with Donna Grah. Other musicians included Kenny Ray on bass and Gene Gunnels on drums, who was in Thee Sixpence just before they became Strawberry Alarm Clock, and then joined Hunger. (See SAC’s website.)

Lonnie & the Legends had other 45s:

Rev 1006: Lonnie & the Legends – “Penguin Walk” / “Crazy Penguin” (George Grah, Laucan Music BMI)
Danette Records: Lonnie & His Legends – “Cause I Love You” (Lonnie Grah, Nancy Grah, produced by George Grah) / ?

The Dirty Shames Impression 45 I Don't CareThe Dirty Shames have one great double-sided 45, the garage classic “I Don’t Care” with the flip “Makin’ Love” (Impression 112) released Sept. 1966. Band members include Marty Wons and Bob Larson. Marty wrote a little to me, but hasn’t answered my responding emails. He wrote:

We recorded until we lost two members to the Vietnam war draft. Al Jones did the majority of the engineering with Sonny occasionally sitting in. By the way, the Sloths and the Dirty Shames were two different groups. No crossover members. We were given a copy of their record to create our version of Makin’ Love.

A discussion of the Grodes would take up a whole entry in itself. From Tucson, Arizona, they tried to break out to national success with some 45s released on California labels. Their most famous is the original version of “Let’s Talk About Girls”, covered by the Chocolate Watchband. Over a year later, they released “What They Say About Love” on Impression 114, but it made no mark at all. I don’t believe John Fisher of Current Records was part of Impression, but he may have been the connection for  the Grodes single.

Impression discography (any help on finishing this would be appreciated)

Blue label series:

?? – (Impression 101)
Tommy Lee – If You See Me Cry / One of These Days (both written by Al Jones & Joe Osborn, produced by Al Born) (Impression 102)
Big Dave Washington & the Zensations with the Buddy Harper Orch. – You Stay On My Mind / Don’t Say We’re Through (Impression 103)
The Sloths – Makin’ Love / You Mean Everything (Impression 104)

Yellow label series with new Impression logo:

The Dillons – Simple Way of Living / Night Winds (Impression 101)
The Mark Five – I’m Through with You / I’ll Keep on Trying (Impression 102)
Teddy Durant – The Beast Of Sunset Strip / The Night Stalker (Impression 103)
Bob & Judy – We’ll Try It For Ourselves (Gregory Dempsey) / We’ve Got Something Going (Impression 104)
The Tangents – Good Times / Till I Came Along (Impression 105)
The C-Minors – Just a Little Feelin’ / Don’t Go (Impression 106)
The Intercoms – Unabridged, Unadulterated, Unextraordinary, Ordinary, Mediocre Unoriginality Blues / Please Try and Understand (Impression 107)
Jimmy Robins – I Just Can’t Please You / I Made It Over (Impression 108)
Lonnie & the Legends – I Cried / Baby, Without You (Impression 109)
?? – (Impression 110)
The Tangents – Hey Joe, Where You Gonna Go? / Stand By Me (Impression 111)
The Dirty Shames – I Don’t Care / Makin’ Love (Impression 112)
The Dirty Shames – Run and Hide / I Don’t Care (Impression 112 – white label promo only)
Jan Crutchfield – Front Door, Back Door / It’s Now (Impression 113) (both by Crutchfield and Fred Burch)
The Grodes – What They Say About Love / Have Your Cake and Eat It Too (Impression 114)

Thanks to Rich Strauss, Jason and Max for help with the discography. According to Rich, the Teddy Durant 45 has a couple of good novelty monster songs, and #113 is mediocre country. The Tommy Lee, Big Dave Washington and Jimmy Robins are r&b/soul releases, everything else is rock.

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