Sound On Sound “Girl, You’ve Got to Turn Me On” on Tunnel Records

Sound on Sound at the Time Tunnel, circa 1967, from left: Stony Ratliff on keyboards (tie and jacket – barely visible), Chris Shortridge, singer (white pants and jacket), Dan Rose on guitar (dark pants and shirt), Larry Lester on bass, and Terry Long on drums. Eddy Dixon usually stood between Larry and Terry, but was taking this pic.
Sound on Sound Girl, You've Got to Turn Me On, Tunnel RecordsSound On Sound were from Grundy in the western part of Virginia, close to a three hour drive to any large city like Roanoke or Johnson City, Tennessee.

The original group consisted of Ed Dixon lead guitar, Curtis Shortridge guitar, Stoney Ratliff organ, Larry Lester bass and Terry Long on drums. Looking for a singer they found Oakwood’s Danny Rose of the Kool Kuzzins, who had cut an excellent 45 on Spot in 1967, “Love Can Be True” / “Hey Little Girl”.

Sound On Sound played back country gigs until they opened their own club, the Time Tunnel, in Garden Creek, about 10 miles from Grundy.

From the Virginia Mountaineer:

These young men performed at a nice, wholesome hangout in 1967 at Young’s Branch for the young people in our community. The teens danced and had lots of fun!

In 1968, at a radio station in Big Stone Gap they recorded their only 45, produced by Joe Deaton. The A-side was the sleepy “My Little Girl”, but on the flip is the much more electric “Girl, You’ve Got to Turn Me On”. Dominated by Stoney Ratliff’s organ style, Ed Dixon’s guitar buzzes in around the vocals while Terry Long smacks the kit and Larry Lester plays runs on the bass, making a great single all in all!

In the 1970s, Curtis Shortridge played bass and sang backup with a group called Phoenix, with Danny Perkins, Lonnie Perkins, Kenny Hale, Randy Long, Ken Jordan and others. Phoenix lasted into the 1980s, and released a single “Loving You” on Transworld Records, recorded at Tandem Recording Studio in Bristol, VA, engineered by Joe Deaton.

Thank you to Selena Long for sending in the photo at top.

Sources include: The Virginia Mountaineer, and liner notes to Aliens, Psychos and Wild Things vol. 2.

Billy John and the Continentals

Billy John & the Continentals N-Joy 45 Ooh Pooh Pah Doo
Billy John and the Continentals are most famous for a couple 45s on Floyd Soileau’s Jin label in Ville Platte, “The Alligator”/”All Over Again” (Jin 203) and “Slap It To Me”/”Shooting Squirrels” (Jin 214). (Thanks to Boursin for this info – see his comment below correcting my original post regarding “Po Boy”.)

Billy John was Billy John Babineaux, and I believe he passed away in 2002. I’m not sure who was in the Continentals, but Kirby Boudreaux is a possibility.

They also released two 45s on Roland “Rocky” Robin’s N-Joy label in a more conventional r&b style. The first is this fine cover of Jessie Hill’s “Ooh Pooh Pah Doo” with the ballad “Does Someone Care (for Me)” on the flip.

The second N-Joy release has two more Billy Babineaux originals, the rockin’ “Lover Boy Blue” and the horn-driven r&b “Put the Hurt on You”.

Billy John & the Continentals N-Joy 45 Lover Boy Blue

The Caravelles

The furious opening chords and drum rolls, the casual vocal delivery. Sharp guitar and Yardbirds style rave up – “Lovin’ Just My Style” is one of the signature songs from the garage era.

The Caravelles established themselves as a live act in Phoenix and somehow got the attention of Hadley Murrell, a DJ at the AM soul station KCAC. Murrell produced many of Phoenix’s soul acts in the mid-60’s, including Eddie and Ernie (45s “Time Waits for No One”, “I’m Goin’ for Myself”, etc), the New Bloods, and the Soul Setters, whose 45 “Out of Sight” was also released on Onacrest.

When the Caravelles recorded their single in 1966, the lineup included John Fitzgerald on vocals and harmonica, Mike Lipman lead guitar, Jerry Breci rhythm guitar, Danny Reed keyboards and Doug Steiner on drums.

“Lovin’ Just My Style” is an original by Fitzgerald, Lipman and Breci. For the flip, they covered a song by the New Bloods, “Self-Service”, with the memorable lines: “I don’t have no one to love me, I don’t have no one to kiss me … so I’ll have to serve myself … Self-service!”

Rick Anderson may have been bassist at the time of the record; he later joined the Superfine Dandelion. The band’s first keyboardist was Brooks Keenan, and Neal Smith was their last drummer, before he joined Alice Cooper.

The Rogues “Wanted: Dead or Alive” early Michael Lloyd and Shaun Harris

The Rogues Ariola PS One Day / Wanted Dead or Alive
German issue on Ariola

The Rogues Living Legend 45 One DayMichael Lloyd formed the Rogues while he was at Hollywood Professional School. It was his third band after the surf instrumental group the New Dimensions and the vocal version of the Dimensions, the Alley Kats.

Shaun Harris met Lloyd while playing bass in another band at Hollywood Professional, the Snowmen, who had recorded “Ski Storm” with Kim Fowley producing. Shaun joined the Rogues in time to help produce their only 45, “Wanted: Dead or Alive”/”One Day.”

The Rogues Living Legend 45 Wanted: Dead or Alive
Original US issue on Living Legend
“Wanted: Dead or Alive” is basically Hey Joe with altered lyrics, despite the songwriting credit to Harris and Lloyd. It’s an unusual version though, with ethereal harmonies and a guitar solo accompanied by a change in rhythm that just manages to stay on track. On the flip is Michael Lloyd’s excellent “One Day”, which demonstrates the direction his songwriting was heading in.

Lloyd and Harris produced the 45, which was released on Kim Fowley’s Living Legend label. This record marks the start of Shaun Harris’ work with Lloyd; they would soon start the West Coast Pop Art Experimental Band with Shaun’s brother Danny. It may also mark the beginning of Lloyd’s frequent collaborations with Kim Fowley.

On the Living Legend label are also a couple solo 45s by Kim Fowley “Mr. Responsibility”/”My Foolish Heart” and “Underground Lady”/”Pop Art ’66”; a Fowley duet with Gail Zappa as Bunny and Bear titled “America’s Sweethearts”; and one by Vito and the Hands, “Where It’s At,” featuring the Mothers of Invention.

The sleeve above shows the German release, probably a result of Fowley’s connections in Europe.

For another example of Michael Lloyd’s early work, see the entry on Boystown.

The Prime Mover “When You Made Love to Me” on Socko

The Prime Mover were led by two brothers from New York, John Pastor and Tony Pastor, Jr., who wrote both sides of this mystical opus.

Released in late 1967 on the Socko label, “When You Made Love To Me” contrasts droning chords with ringing chimes and quirky lead guitar work. The dense production prevents this song from having as strong an impact as it could have.

The less ambitious flip, “Shadow of a Day Gone By”, falls flat by comparison. The Pastors were sons of jazz bandleader Tony Pastor, and also had a vocal group the Pastor Brothers with their other sibling, Guy.

The Marquees of Sherman, Texas

The Marquees were a high school group out of Sherman, TX, northeast of Dallas. They never recorded, but shared a small local live scene with Bill Galleon’s the Passions (“Lively One” / “You’ve Got Me Hurtin'” on Pic 1 records), the Jack Rafters and the Coachmen with Steve Chase.

Members were Mark Higgins and Mark Kennedy on vocals, Dan Witt and Elon Reynolds on guitars, Eddie Moughon bass and George Tocquigny on drums. They had a great website (http://thefabulousmarquees.com/history_01.htm – defunct as of 2022) with lots of photos and history of the band, and even some silent Super 8 footage.

The Shags

There were a number of bands calling themselves the Shags in the ’60s, this group came from Winnipeg, Manitoba. The only member I know of was Greg Leskiw, later of the Logan Avenue, the Guess Who and Mood jga jga.

“Smiling Fenceposts” is a great psychedelic song, written by Merritt & Steward. The group vocals remind me the Strawberry Alarm Clock, and the song has a fantastic buzzing guitar break. The drumming is excellent as well.

“Dr. Feel-Good” is more formulaic, but has another fine guitar solo. The singer is looking for women who weigh at least 400 pounds! It was written by someone named Smith, and is a different song from the Aretha Franklin tune.

Wes Nowosad founded Eagle Records, releasing records by Winnipeg groups including the Quid, Satan and the D Men, Good Feeling and the Shondels. He died last year, Dec. 4, 2006.

The Ferguson Tractor

Another obscurity from the MTA label. Ferguson Tractor was the vehicle (hah, sorry for the pun!) for D. Ferguson, who wrote both these songs. “12 O’Clock High” has strong fuzz guitar backing the vocals and what sounds like a Leslie speaker for the guitar’s wah effect on the chorus.

“Desperation Blues” is very much like other psychedelic blues from 1967, like the Dead or Big Brother & the Holding Co. The guitar fills remind me of early Country Joe & the Fish especially. Neat watery effect on the organ. Anyone who likes blues in the style of the early Bay Area groups should dig this.

I’ve read that “Desperation Blues” was the last 45 released by the Moonglow label, in early 1967, but I’ve only ever seen it on MTA, a 1969 release. The Moonglow link, if it’s real (which I doubt), plus the general sound of the record strongly suggest this is a California group.

The Wild Vybrashons, Birmingham, Alabama

The Wild Vybrashons, from left: Chuck Terpo, Vern Reeves, Harford Capps, Al Lovoy and Mark Papisan
The Wild Vybrashons, from left: Chuck Terpo, Vern Reeves, Harford Capps, Al Lovoy and Mark Papisan

Revised June, 2010

Wild Vybrashons Red Eye 45 One Track MindThe original Wild Vybrashons were Charles Terpo, Vernon Reeves, Hartford Capps and Mark Papisan, along with a female singer who was replaced by Al Lovoy, who had been in two prior bands, the Swingin’ Lamp Liters and the Royal Carousels.

They released one 45, with a version of “A Place in the Sun” as the A-side. I much prefer their update of “One Track Mind”, a song that had been recorded previously by Gary Lewis & the Playboys and the Knickerbockers.

The record was arranged by Steve Norris and produced by Glen Powers, two popular DJs on Birmingham radio station WSGN. Not surprisingly, the record hit that station’s charts, with “A Place in the Sun” reaching #1 on April 24, 1969.

After the single the group shuffled members, adding another former member of the Lamp Liters, Gary Swatzell.

Thanks to Diana Lovoy for sending the scan of the photo and business card and to Al Lovoy for correcting the band lineup in his comment below.

Wild Vybrashons business card with Al's name misspelled as Al Lavoy
Business card with Al’s name misspelled as Al Lavoy
Cool ad and article on the Monkees coming to Birmingham City Auditorium, with the 'Wild Vybrasions' opening.
Cool ad and article on the Monkees coming to Birmingham City Auditorium, with the ‘Wild Vybrasions’ opening.
Not surprisingly the band’s name is often spelled differently, like Wyld Vibrations, Wild Vibrashons, Vybrashuns, etc.

Annie and the Orphans

Annie and the Orphans were a part of the New Hampshire band scene in the 60’s. The group was from Meredith, a small town on the banks of Lake Winnipesaukee. Although they didn’t release any records at the time, they won a battle of the bands in Franklin, NH.

Original members included Bob McNab on bass, Anatole Paquette (“Annie”) on vocals, Tom Paquette, Jay Ley and Jim Corriveau. More recent members include Peter Previte on keyboards, Roy D’Innocenzo on guitar and Barry Nelson on drums.

Bob McNab sent in these great photos to share, including photos of earlier bands of Peter and Barry, and wrote to me about the group:

Two of us (front man Anatole “Annie” Paquette, and I) have been together since 1964, but we’ve had many other musicians with us over the years, who are with other bands now, but they occasionally sit in from time to time for the fun of it.

We have never made a studio recording as a band, but some of us have done work on recordings with friends bands, especially our drummer, Barry Nelson, he has done studio work on many projects.

We still play venues in, and around NH, ME, VT, and MA.

Check out their website AnnieandtheOrphans.com.


Annie and the Orphans in 1968

Barry Nelson, our drummer, and his old band, The Ampegs c1962


Peter Previte, our keyboard player, and his band, the Wolves circa 1966

The site for '60s garage bands since 2004