“Nothing Sacred” blends mournful sustained guitar with bright harmony vocals for a captivating song. Unfortunately it was relegated to the B-side of the only release by the Johnnys.
The Johnnys get a mention in an April 22, 1967 article in Billboard as one of the artist contracts transferred to Warner Bros when it purchased the Valiant Records label. Song writer Bodie Chandler is also named in the article. He and Edward McKendry wrote “Nothing Sacred”, and Chandler arranged the song. Chandler had been part of Barry & The Tamerlanes and has an extensive writing catalog.
The ostensible A-side is the more conventional “I Remember” written and arranged by Jack Walker. Both sides were published by Tamerlane Music, BMI
This single had release in July of 1967 on Warner Bros 7057. I can’t find any other mention of the Johnnys or who was in the group. I assume they were from California but that is only a guess. If anyone has more info please contact me.
10 years ago Rhino released two fine 24-track CD compilations, Come to the Sunshine and Hallucinations, both subtitled “Nuggets from the WEA Vaults.” These compilations made thematic sense and included a lot of unfamiliar music. The sound was consistent as most of the songs came from the Warner Bros./Reprise labels, with a smattering from labels like Cotillion, Atco and Valiant.
Unfortunately, there’s no unifying theme to this compilation. “Farmer John” follows “Black Roses”, and is followed by the Association. Most selections are singles, but then there are album cuts by the Fugs and Iron Butterfly. A few UK singles are mixed in, for no particular reason other than that they were released on Atco or Elektra. There are even a couple Flamin’ Groovies cuts from 1976, originally released on Sire!
Nor is there anything approaching ‘rare’ on this set. The only song that hasn’t already been reissued on CD is the Waphphle’s “I Want You”, which is hardly essential. There are no previously unreleased tracks. 13 tracks appeared on Rhino’s earlier CD set, Where The Action Is! Los Angeles Nuggets: 1965-1968 including the most inspired choices of obscure songs, such as “The Rebel Kind” by Dino, Desi & Billy, and “Come Alive” by the Things to Come.
A third of the selections come from the Warner Bros./Reprise labels, including oft-reissued fare by the Electric Prunes, the Music Machine and the Premiers. This set would have benefited from songs like the Magic Mushroom’s “I’m Gone”, the New Order’s “Why Can’t I” & “Meet Your Match”, and the Gates of Eden “Elegy”, all originally released on Warner Bros and never officially reissued.
Other than three songs from Love, Elektra is only represented by Leviathan’s “Remember the Times”, Clear Light and the Waphphle (the undeserving “I Want You” instead of the better “Goin’ Down”).
Atlantic/Atco provides the Vagrants (three songs), The Common Cold, Rose Garden, Iron Butterfly, and a couple UK artists: Vamp (“Floatin'”) and Sharon Tandy. The rest of the tracks are from other labels controlled by Warner Music Group, such as Dunwich, Mustang, Roulette, Mira, Original Sound, Autumn, many of which are good selections.
The sound quality is generally good but suffers on certain tracks, such as the Shadows of Knight’s “I’m Gonna Make You Mine” which is brittle and lacking in bass. The clipping was obvious when I opened the file up in an audio editor.
Other than a few nice Record Store Day 7″s, the Rhino Custom imprint seems to specialize in unexciting rehash of old music. The six page booklet has short bios on the three primary labels and ten of the bands. It’s a cheap package, but at 15 tracks per CD, it’s not even a bargain.
The Fab Four are a long-active group from Kansas City, Missouri. They evolved out of the Midknighters, formed in 1959 by Bob Theen and Alex Love. After a name change to the Fabulous Four Jacks, they shortened it to the Fabulous Four in 1961 and to the Fab Four by the time of their second record.
In 1963 Theen and Love added two new members to form a unit that would be together for fifteen years. Jeff Mann joined after original guitarist Dick Wilson was drafted and Mike Myers of Kansas City’s Silvertones replaced keyboardist Bill Bryant. Their first show with this lineup was at the Combo Club.
An EP from August, 1964 may be their earliest recordings. This was not given a full release; it seems AGL Enterprises pressed only a few copies for either booking or publishing promotion. The recordings are basic, and filled with reverb.
The songs included are “And Now You Cry”, a ballad; the mid-tempo “Dah Dah Dai” which has a stinging guitar solo buried in the mix; “All You Gotta Do” with strong doo-wop vocals; and a piano-driven rocker, “Miss Brown”. All four songs were originals by the group, written by Alex Love, Jeffrey Mann, Michael Meyers and Robert Theen, published by Happiness Music Corp.
I asked Bob Theen about this EP and he wrote:
Probably the the first thing we ever recorded. Some little studio that used to be at a place called the Blue Ridge Mall in Independence, MO. Don’t even remember the name of the studio, it wasn’t there very long. I remember we wrote all four of the songs. Didn’t know they were ever copyrighted. I still have one of those old 45’s.
I found four additional songs in the Library of Congress copyright registrations from January, 1965, but recordings of these have not yet turned up. Again, all are originals credited to the full band: “But You Don’t Love Me”, “She’ll Be Hurtin'”, “Sun Dog”, and “Who Could It Be”, and published by Happiness Music Corp.
The band wrote the melancholy “Now You Cry” for their first single, b/w the folky pop song “Got To Get Her Back”. George Hodes, owner of Prior Brass Co. recorded the group in his living room, and issued it on the Brass label in 1964. Coral soon picked it up for national distribution, but it missed the charts.
Guitarist Bob Theen wrote to me about the band:
This first 45 was released in 1966 on a local Kansas City label (Brass) and then picked up by Decca Records and re-released on the Coral label.
I’m sure you figured it out but we really were The Fabulous Four all those years, it was just the record companies that wanted to change our name on the records. I’m not really sure when everyone started calling the Beatles The Fab Four. That probably had something to do with it. But, we were the Fab Four long before the Beatles.
In our nightly performances we all sang lead and background vocals. That’s why our songs all sound so different.
I like their second 45 even more, “Happy”, with its shrill organ, harmonies, sharp guitar lines, also produced by George Hodes, and written by Theen and Mann.
Both sides of the third 45 are also good. “I’m Always Doing Something Wrong” was written by J. Coffin (a member of In Black and White with Hal Pierce, and later The Wizards From Kansas), and once again the harmonies really come through. The flip is a cover of “Youngblood” with distortion on the guitar. Don Price produced this one.
From left: Bob Theen, Mike Myers, Alex Love and Jeff Mann
In 1967 the group landed a great opportunity to travel New York to record “I’m the Only One” and “Break Away” as the Next Exit for Warner Bros, produced by the Tokens. “Break Away” was written by Stephen Friedland (aka Brute Force) and Paul Kahan, and is well-crafted psychedelic pop.
Bob Theen: This song was recorded in NY in 1967, produced by The Tokens. It was supposed to be the title song for a movie that was released that next year in 1968 called “Butterflies Are Free’ The movie did come out it ‘68 but for some reason unknown to us our recording was not chosen. The song “I’m The Only One” was in the movie but only one short verse was sung by one of the stars on an acoustic. Darn the luck!! The other side of this is “Breakaway”.
Our version of the song was released in the spring of 1968 and got some air play here in K.C. MO. Don’t know about anywhere else. But evidently it wasn’t a smash hit.
I still have a letter from Hank and Jay asking us to return to NY for some more recordings but for some reason at the time the trip was too far. I still wonder to this day why we didn’t go. I think it had something to do with our families, wives, babies and that sort of thing.
They recorded their last record as the Fabulous Four in 1969, “River Days” / “I Got A Feeling In My Body” on Pearce, cut at Cavern Studios in Independence.
The Fab Four as The Pretty: Mike Myers, Jeff Mann, Alex Love and Bob Theen
Also at Cavern they cut two songs written and produced by Michael Weakley (“Quint” Weakley, drummer for the Electric Prunes) that got a rare release on Squeakly Records with the band listed as ‘Pretty’. Both songs show the band tackling heavy psychedelic sounds, a completely different style of music than they’d done on record before.
Bob Theen gave me the background on these recordings:
During the years 1969 to 1971 we did a lot of recording at a local studio by the name of Cavern Recording Studios located in Independence, MO on Truman Road. It was a very unique studio because it was actually located in a huge cave in the hillside, hence the name Cavern. Talk about quiet!
We recorded a lot of songs there. Some we wrote, some we co-wrote, some other people wrote. We also had some of our friends set in on some of the sessions. Two of the songs recorded there were titled “Mustache In Your Face” and “The Electric Hand” produced by a guy named Michael Quinton Weekly. Michael was also the drummer for The Electric Prunes. We wrote and recorded a lot of other songs there, most we thought were pretty good, just couldn’t get them off the ground on our own.
From top: Mike Myers (with sunglasses), Bob Theen, Alex Love and Jeff Mann
Q. Was that 45 all the members of the Fab Four? Why the change of name?
Bob: The “Pretty” record was all the members of the Fab Four band plus a couple of other friends that sat in with us. I think maybe Weekly [sic] even played the drums. It was completely different from what we had been recording, but not so different from what we were used to playing live at the clubs every night, we were pretty versatile. Weekly just sparked a different side of us.As far as the name change, it was Weekly again. He was a little far out on ideas during that time, I have some pictures of us to prove it. Don’t laugh! As for myself, I never was real sure about four macho guys trying to be Pretty!
Q. Was it difficult adapting to that heavier style? Were you playing those songs in your live sets?
Bob: As I mentioned before, the style change was not really a change for us because we played that kind of stuff every night at the clubs.
Q. How did Quint Weakley wind up producing records at Cavern?
Bob: A couple of us knew Weekly from way back in our kid days. As I remember he showed up at Cavern Studios one day, said he had some ideas for some songs and it just took off from there.
Q. That record seems to be very rare now, was it distributed at all?
Bob: To my knowledge the record was not distributed at all. After the sessions, Weekly took off for California to try and sell them to someone. Don’t think he had any luck, and we didn’t see much of him after that.
Q. Also, are there unreleased tracks from those sessions?
Bob: There are some other recordings from that time, but they only exist on tape.
At the Cavern studio: Bob Theen, Jeff Mann and Mike MyersKansas City, 1970, L-R: Jeff Mann – bass, Mike Myers – keyboards, Alex Love – drums and Bob Theen – guitar
When they recorded a 45 for Capitol in 1970 the band’s name was changed to Kansas City, but they continued as the Fab Four for live shows, including extended stays at the Attic. The band broke up in 1976 and have reunited since.
Bob Theen: The song “Linda Was A Lady” was recorded in Memphis in 1970 on the Trump label, a Subsidiary of Capitol. The back side was “Red Tower Road”. To our knowledge, and from the amount of the royalties, it did the best of the three we released. Our producer was Tommy Cogbill along with Chips Moman, a couple of very talented guys in Memphis. I think Tommy has since passed away, don’t know about Chips.
We continued playing professionally till about 1974 when we decided to hang it up. I think the disappointment of our last recording not going big time got us down.
Twenty three years later we got the itch to do it again, but soon it was evident that our original drummer was not physically able to play again. We had another drummer friend by the name of Mark Higbee that hooked up with us and would be our drummer for another ten year run. We played parties, clubs and all kinds of events around the Midwest and had a great time doing it.
We did our last Hoorah in the fall of 2007 for a Parkinson’s Fund Raiser called Rock Around The Block featuring us and several well know bands from our era in the K.C. area. The event was held at the new H&R Block headquarters in K.C. MO.
On March 22, 2008, The Fabulous Four Band (Bob Theen – Jeff Mann – Mike Myers – Mark Higbee & original drummer Alex Love) was inducted into the Kansas Music Hall Of Fame.
Jeff Mann passed away in 2012.
Sources include:Rockkansas.com (http://rockkansas.com/columns/billlee/021804-fabfour.shtml – link now defunct).
Special thanks to Keith Brawley, who found the AGL EP and sent me scans & recordings.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials
“Nothing Sacred” blends mournful sustained guitar with bright harmony vocals for a captivating song. Unfortunately it was relegated to the B-side of the only release by the Johnnys.
The band wrote the melancholy “Now You Cry” for their first single, b/w the folky pop song “Got To Get Her Back”. George Hodes, owner of Prior Brass Co. recorded the group in his living room, and issued it on the Brass label in 1964. Coral soon picked it up for national distribution, but it missed the charts.
Guitarist Bob Theen wrote to me about the band:
I like their second 45 even more, “Happy”, with its shrill organ, harmonies, sharp guitar lines, also produced by George Hodes, and written by Theen and Mann.
In 1967 the group landed a great opportunity to travel New York to record “I’m the Only One” and “Break Away” as the Next Exit for Warner Bros, produced by the Tokens. “Break Away” was written by Stephen Friedland (aka Brute Force) and Paul Kahan, and is well-crafted psychedelic pop.
Our version of the song was released in the spring of 1968 and got some air play here in K.C. MO. Don’t know about anywhere else. But evidently it wasn’t a smash hit.
When they recorded a 45 for Capitol in 1970 the band’s name was changed to Kansas City, but they continued as the Fab Four for live shows, including extended stays at the Attic. The band broke up in 1976 and have reunited since.
Twenty three years later we got the itch to do it again, but soon it was evident that our original drummer was not physically able to play again. We had another drummer friend by the name of Mark Higbee that hooked up with us and would be our drummer for another ten year run. We played parties, clubs and all kinds of events around the Midwest and had a great time doing it.