Category Archives: Trans-World

Our Generation

Our Generation Barry 45 Run Down Every Street - some similarity to "Season of the Witch"
Some similarity to “Season of the Witch”

Our Generation Trans World 45 Cool Summer

Jim Robertson (Vocals) (circa May 1966-circa July 1969) 

Tim Forsythe (Keyboards, Harmonica) (circa May 1966-August 1967)

Domenic Angelicchio (Drums) (circa May 1966-circa July 1969)

Danny Barrucco (Bass) (circa May 1966-December 1966)

Dave Hanna (Guitar) (circa May 1966-July 1966)

 

Don Duncan (Guitar) (July 1966-September 1966, May 1967-August 1967) 

 

Jean Pierre Lauzon (Guitar) (September 1966)

 

Richard Lasnier (Guitar) (circa October 1966)

 

Gary Marcus (Guitar) (circa October-December 1966)

 

Bob Burgess (Bass) (December 1966-May 1967)

Louis McKelvey (Guitar) (December 1966-May 1967)

 

Ken Duffy (Bass) (May 1967-circa July 1969) 

 

Les Kozichinsky (Guitar) (August 1967-July 1968)

Don Hay (Keyboards) (August 1967-December 1967)

 

Jerry Carruthers (Keyboards) (December 1967-July 1968)

 

Dick Stenstrum (Keyboards) (July 1968-circa July 1969) 

Roald Longhi (Guitar) (July 1968-circa July 1969)

The original band was formed in the summer of 1966 by former Haunted members Jim Robertson and Tim Forsythe. Robertson was originally from Edinburgh, Scotland where he’d played sax in a group during 1964 before moving to Montreal.

Based in Lachine, Quebec, the band made its debut at the local YMCA.

Hanna left soon after the band started playing live. However, the group went through a succession of lead guitarists, starting with Don Duncan, who left in September 1966, before McKelvey joined in December.

McKelvey’s arrival coincided with that of Bob Burgess from The Haunted. In between Duncan leaving and McKelvey joining, Our Generation featured temporary stopgap guitarists, J P Lauzon, who went on to The Jaybees, Richard Lasnier and Gary Marcus from Oven.

The line up with Duncan, however, was responsible for the first single, a cover of the Muddy Waters blues favourite ‘I’m a Man’, backed by Forsythe’s ‘Run Down Every Street’.

Irish-born and British raised guitarist Louis McKelvey, who had arrived in Montreal around October 1966 after playing with west London band Jeff Curtis & The Flames and later South African groups The Upsetters and The A-Cads, appeared on the band’s second single, before forming Influence in late May 1967.

Prior to joining Our Generation, McKelvey had played with Les Sinners for a few weeks and was later given co-production credit for The Haunted’s third single with fellow ex-A-Cads member Hank Squires.

This line up of Our Generation provided the soundtrack to the Canadian Film Board film, ‘It’s Not Jacques Cartier’s Fault’. McKelvey wrote ‘Cool Summer’ while Burgess composed the A-side, ‘Out to Get Light’.

Burgess left Canada in late 1967 to spend some time in the UK where he recorded, and then returned to form a new band Lilac. In the ‘70s he led Aean.

Angelicchio, Forsythe and Robertson kept the band going bringing back guitarist Don Duncan and adding new bass player Ken Duffy. This line-up lasted until August 1967 when Forsythe left to join Peter & The Pipers and Duncan moved on.

Angelicchio, Duffy and Robertson brought in keyboard player Don Hay and guitarist Les Kozichinsky for a few months. Then in December Jerry Carruthers took over keyboards from Hay.

This line-up settled and performed into the summer of 1968 before further changes.

Keyboard player Dick Stenstrum and guitarist Roald Longhi joined Jim Robertson, Dominic Angelicchio and Ken Duffy and also played Our Generation’s most significant concert date,  the Summer Pop Festival held at The Autostade, Montreal on 17 July, which was headlined by The Who, The Troggs, Mitch Ryder & Detroit Wheels and The Ohio Express. The Haunted also appeared at the festival.

The band continued on for another year or so before splitting.

After The Jaybees, Lauzon went on to play with The Carnival Connection, Life, Mylon Le Fevre and ultimately The Wackers. Marcus joined The Haunted.
Recordings

45 I’m A Man/Run Down Every Street (Barry 3461) 1966
45 Cool Summer/Out To Get Light (Trans World 1678) 1967

Selected advertised gigs

February 17 1967 – West Hill High, Montreal
February 18 1967 – Stanstead College, Montreal
February 24 1967 – Malcolm Campbell High, St Laurent, Quebec
February 25 1967 – The Barn (on Du Hamel)

March 3 1967 – Gig in Hudson (Quebec?)
March 4 1967 – Salle Espangnola, St Therese, Quebec
March 10 1967 – The Jail, Montreal
March 11 1967 – Gig in Huntington, Quebec
March 18 1967 – St Hubert Inn Club, St Hubert
March 25 1967 – Caveman’s Hive, Montreal
March 27 1967 – St Augustine’s NDG (Montreal?)

April 8 1967 – The Jail, Montreal
April 14 1967 – St Willabroads School (Montreal?)
April 22 1967 – St Bartholemew (Montreal?)
April 28 1967 – The Barn, Ile Perrot
April 29 1967 – Roxboro Chalet, Roxboro
May 5 1967 – Hot Spot, Rosemere
May 6 1967 – Town and Country, Cote de Liesse with Munks
May 7 1967 – Town and Country, Cote de Liesse with The Jaybees

September 24-30 1967 – Garden of Stars, Montreal

Live dates taken from the Montreal Star newspaper.

Many thanks to Bill Munson, Carny Corbett, Louis McKelvey, Bob Burgess, Ken Duffy.

Copyright © Nick Warburton. All Rights Reserved
To contact the author, email: Warchive@aol.com

Our Generation articles

Our Generation & Haunted articles

Our Generation and Haunted article scans courtesy of Alex Taylor, provided by Ivan Amirault

The Nocturnals


Nocturnals in RPM, August 16, 1965
click to see full article

The Nocturnals started as an instrumental band called the Rousers in Haney, BC, east of Vancouver in the late 1950’s. They evolved into the Nocturnals, based in Vancouver, with members Bill McBeth drums and lead vocals, Ron Henschel on guitar, Chad Thorp organ, Wayne Evans on bass, and Roger Skinner and Carl Erickson on saxophone.

The band had regular bookings at the Grooveyard, located at 795 Carnarvon in New Westminster, a nightclub they part-owned. Les Vogt (member of another early Vancouver band the Prowlers) and Red Robinson opened the club in September, 1965. The Nocturnals kept their stake in the club a secret so competing bands wouldn’t refuse bookings there.

The Grooveyard succeeded in a Vancouver scene that attracted top r&b acts. The club’s primary competition was Danceland, a big hall on the other side of town which attracted U.S. servicemen from the Whidbey Island base.

Les Vogt produced a two LP set, Live From the Grooveyard, featuring bands who appeared regularly at the club: the Stags, Kentish Steele and the Shantelles, the Epics, Soul Unlimited and the Night Train Revue. The Nocturnals have four songs on the album: “Mustang Sally”, “Slow Down”, “You Make Me Feel So Good” and “Get On Back”. Far from being live, it was recorded at Robin Spurgin’s studio with crowd noise overdubbed, and released in 1966 on New Syndrome, run by Tom Northcott, who made a few records himself. The album accurately reflects the soul-oriented live shows typical of working bands of the time.

In late 1965 the Nocturnals traveled to Kearney Barton’s Audio Recording in Seattle, the same studio used by the Sonics and the Wailers. Their first single, “Because You’re Gone” chugs along steadily with a Peter Gunn-style riff, flashes of horns, fine drumming and chanting vocals. Their second featured two more originals, “This Ain’t Love” b/w “You Lied.” Both of their Regency 45s reached the top ten on CFUN.

For their first two singles the band had help in song writing from Kathy Dubin and Jeanne Fink, two sisters who were fans of the band. Kathy and Jeanne wrote “Because You’re Gone” with Billy McBeth and the flip “Can It Be True” with Henshel. Jeanne’s daughter Linda headed the Nocturnals fan club!

In 1967 they signed to Trans-World and released three more 45s. The second of these, “Detroit” b/w “Do What You Want” was picked up for U.S. release on Milton Berle’s Embassy Records in March, 1967. Although it didn’t chart, “Detroit” is a good track, with all the elements that would have made their live show exciting – fuzz guitar, soulful horn charts, and group vocals.

A highpoint for the Nocturnals was playing the huge Expo 67 in Montreal. Afterwards the band relocated to Ontario, but, uninterested in adapting to the new psychedelic styles, they returned home after a few months. The band broke up in 1968, with Billy McBeth going into The Fox and Wayne Evans and Carl Erickson both staying in music for some time.

In April and June, 2007 the Nocturnals reunited for two live performances. They also released a CD of all their 60’s recordings, and a DVD of clips of the band from CBC-TV’s Let’s Go show and at the PNE backing the Coasters.

Sources include articles in the Vancouver Sun and the PNW Bands site. Thank you to Ivan Amirault for the RPM cover scan.


Photo from Live! from the Grooveyard LP