Category Archives: Rite Record Productions custom pressings

The Creations on Top Hat “Crash” and “Don’t Be Mean”



Picture sleeve for first single, with original drummer Skip Borden
The Creations came from Milford, Connecticut, releasing two singles “Crash” / “Chickie Darlin” in July 1964, and “Don’t Be Mean” / “Forty One Willis” in April 1965. Members were:

Chuck Delaney – lead guitar and vocals
Howie Plant – rhythm guitar and vocals
Danny Gomes – bass and vocals
Skip Borden – drums, replaced in late 1964 by
Jim Burnham – drums

Danny’s surname is spelled Gomes on the records, but Gomez in some news articles and on copyright registrations.

The first notice I can find for the group comes from the Bridgeport Post on July 28, 1964:

Four local boys, members of a combo billed as “The Creations” in its first recording for Top Hat records, will make a personal appearance at Fladd’s music center in Milford on Friday from 7 to 8 p.m.

The members of the combo are Howie Plant, Skip Borden, Dan Gomez and Chuck Delaney.

The group has appeared locally to play for numerous dances and are currently appearing at the Black Cat in Shelton on Wednesday evenings.

Creations Top Hat 45 Crash“Crash” is a frantic surf instrumental written by Chuck Delaney without a trace of British Invasion influence. Danny Gomes wrote the ballad flip, “Chickie Darlin”.

The band released it through New York label Top Hat Records, TH 1003. Top Hat had Rite Record Productions of Cincinnati press the records, pressing # 12699/12700.

Publishers Palais Royale Music and Marks Tey Music both seem connected to Top Hat Records, as earlier releases on Top Hat included those publishers.

A notice for a show at the Connecticut Post center for the United Fund from October 21, 1964 also includes Skip Borden in the lineup. By December 5, 1964, Jim Burnham had replaced Skip, as the Bridgeport Post ran a photo of the group with new drummer Jim Burnham after a benefit for the Muscular Dystrophy fund.

Creations in the Bridgeport Post, December 5, 1964, Jim Burnham joins the group

Creations Top Hat 45 Don't Be MeanFor their second record, Danny Gomes and Howie Plant co-wrote the pounding pounding Beatles-inspired “Don’t Be Mean”, while Delaney and Gomes collaborated on “Forty One Willis”, which refers to a ’41 Willys, a coupe popular with hot rodders (tip of the hat to Mike Markesich – I thought Forty One Willis was a street address!)

Released as Top Hat Records 1004, this was again a Rite pressing, using account number 1151 and Rite pressing code 13891/13892.

Like the first single, this came with a picture sleeve, very rare now. The photo on the front can be seen in the video below.

The Bridgeport Post ran a feature on the group on April 11, 1965, written by Barbara Verespey:

Members of the four-man group include Chuck Delaney, 20, who plays lead guitar and organized the original Creations and the present band, Danny Gomes, 18, bass guitarist and his father, Joseph Gomes, the group’s manager. Both boys are graduates of Milford high. Also, Howie Plant, rhythm guitarist, and Jim Burnham, drummer, are seniors at MHS, and aged 17 and 18 respectively. Jim joined the group in October when Skip Borden of Jonathan Law [High School] moved to Indiana, and feels it was his “biggest break.”

All of them sing except for Jim who “occasionally yells.”

Richard Coderre, their personal agent … “the most colorful agent in show business,” said “we’re shooting for the moon” …

Yesterday, The Creations made a return appearance on the Brad Davis show, Hartford. Their first telecast on the show was Feb. 13. Next stop, if plans work out, is a two-week engagement in Bermuda.

Creations Top Hat 45 Don't Be Mean“41 Willys” [sic] and “Don’t Be Mean,” which Chuck and Danny collaborated on, were released March 12. The following week, the group cut “And She Lied,” “Wait For Me.” and “Someone New.” Danny and Howie wrote all three.

The four boys, whose hair is styled in the “fad,” released “Crash” and “Chickie Darlin'” last July. The former was written by Chuck, and the latter by Danny, who, incidentally, hasn’t seen a barber in six months.

Since last January, the group has appeared at Milford high dances and records hops at Enfield, Holyoke, Mass., and New Britain. They have played at the University of Bridgeport, University of Connecticut, Yale, Holy Cross, Bay Path and Central Connecticut colleges. The group has also … appeared at the Actors Colony in Derby, the Ambassador in Hamden, the Statler Hilton hotel, Hartford, the Roadside Inn, Fairfield, and the Etcetera Lounge and Golden Slipper in Long Island.

The Creations have just completed a booking at the Villa Rosa in Milford …

Chuck likes … sleeping, and dislikes snobby girls and liver. Danny also is against snobs, and his favorite interest is dating. Howie has no pet peeves and has expressed an interest in medical science. Jim enjoys playing billiards and dislikes liquor.

Head of the group’s fan club at MHS is Mary Gannett, but the Creations have a bigger following at Jonathan Law. Their officers are Barbara Emmons, president; Donna Skinner, vice president; and Gale Anderson, official correspondent.

Announcing the Creations appearance on the Brad Davis TV show, from left: Howie Plant, Chuck Delaney, Jim Burnham and Danny Gomes, Bridgeport Post, April 11, 1965

Three days later the Post ran a notice that the Creations would appear on The Brad Davis Show on Saturday, April 17, 1965, with Gene Pitney. I have seen a photo of the group with Brad Davis, but only have a poor-quality xerox of it.

That’s the last notice I can find for the Creations.

On April 16, 1965, Danny and Howie registered “Don’t Be Mean” and “Wait For Me” with the Library of Congress’s Copyright Office, and Chuck Delaney belatedly registered “Crash”.

On May 27, 1965, Daniel Gomez and Howard Plant registered two of the songs mentioned in the Bridgeport Post feature, “And You Lied” and “Wait for Me”. I have to think the Creations recorded these songs, but if so, no trace of them has turned up so far. Perhaps “Someone New” also exists on a demo acetate.

Paul E. Bezanker’s Connecticut Rocks! has some more info on the band that I need confirmation on: Howie Plant replaced by Howie West of the Realms (“Baby Let’s Wait” / “All I Want” on Melody ME 105). Bobby Sheehan replaced Howie West. Delaney replaced by Frank Woodman, also of the Realms. Fred O’Brien of the Long Island Sounds comes in on bass, and Danny Gomes becomes lead vocalist.

The group changed into the New Creations with Danny Gomes, Fred O’Brien, Bobby Sheehan and Rick Simpson, which became Bone in late 1967. After more lineup changes, Bone had one single “It’s an Easy Thing” / “Everybody’s Gone Into April” on Poison Ring 712 in 1969.

The Tremors – “Wondering Why” on Catalina

Tremors Catalina 45 Wondering Why

Updated July, 2023

The Tremors “Wondering Why” on Catalina is one of the greatest garage records, but almost nothing was known about the band until recently, when Matt Aquiline found an article from the Urbana Daily Citizen on December 12, 1966, detailing their first recording session, which would produce the 45.

Members were:

Bill Cromwell – lead vocals and rhythm guitar
Derry Cox – lead guitar
Gene Monroe – bass
Herald Barker – drums and organ
Jim Cummins – organ and drums

Buckeye Beat has a photo and mentions that four members were from Urbana, Ohio and one from Springfield OH. They cut their single at the O’Brien Studio in Springfield, produced by musician and race car driver Ron Knull, released in December 1966 or January 1967 on Catalina 03/04.

The 45 was pressed by Rite Record Productions, 19469/70, account # 1801, both songs published by Ronnie K Music.

The writer credit on “Wondering Why” is Cummins – Barker. For some reason, many scans of this side on the internet have erased their names. I need to see a good scan of the B-side, the fine ballad “What Have I Done” to see if there are similar credits.

Paul Lunnon suggests Harold Barker was known as Hal Barker, he and Jim Cummins were long-time friends and musicians. Hal Barker mainly played drums, James Cummins organ and keyboards.

“The Tremors” dance band in the Daily-Times, New Philadelphia OH, March 31, 1967

The only other notice I can find is a mention of “The Tremors” Dance Band at the Quarter Miler Rod & Custom Show on April 1 & 2, 1967, at the National Guard Armory in New Philadelphia, Ohio, almost three hours’ drive east of Urbana.

Other singles on Catalina:

Catalina 1 – The Shacklefords – “The Wonderer” / “The Unloved” (1966, written by D. Shackleford, published by Lunk Music, Rite pressing 17743/4, account # 1801)

Catalina 335 – Ron Frasier and Consolidations – “Summer with You” / “Another Girl” (I need a scan of this single, it is a Rite pressing 18803/4, account # 297)

Last Exit “The Fast One” on Wildwood

Las tExi t Wildwood 45 The Fast OneLast Exit came from western Ohio, perhaps Montgomery County, near Dayton. The only name I have is K.K. Petty, who wrote both sides.

“The Fast One” gives the lead guitarist plenty of time to solo. “The Slow One” is, as the title suggests, a ballad, with lines like “The best foundation for true love is simply a little trust / But the whole thing can be shattered, with a sudden burst of lust”!

The band cut their single at Wildwood Sound Productions in Brookville, where the Centrees, and Captain Crunch and the Crew also recorded.

Gene Turner’s Gene O Music published the songs but I cannot find registration for either. It is a Rite pressing, account # 1850, from 1967.

The Loose Ends “Hey, Sweet Baby” on Meadow Brook Records

Loose Ends Meadow Brook 45 Hey Sweet BabyWhen I heard the Loose Ends “Hey, Sweet Baby” / “I Love You, Baby”, I thought this might be a rural southern single. I was surprised to find a suburban Connecticut address on the labels.

“Hey, Sweet Baby” by Robins and Douglas has a fuzz blues riff that hardly varies the entire song. There are breaks, not for guitar solos, but screams and hoots. Great drumming too. The hand claps towards the end of the song show the group was loose indeed.

The flip “I Love You, Baby” by Robins is a fine ballad with an extended reverb guitar solo.

Released on Meadow Brook Records MB-0069, the labels have an address of 27 Carousel Drive, Nichols, CT (now would be Trumball, CT), northeast of Bridgeport. The labels spell it Carrousel.

Produced by MBR Productions, and published by Loose Ends Music BMI. This is a Rite pressing from October, 1969.

The Loose Ends seem to be a dead end, as I can’t find any leads past the info on the label.

The Countrymen “Flare-Up!!” on Audio Adventures

Countrymen Audio Adventures 45 Flare-Up!!

The Countrymen recorded on Audio Adventures out of Piqua, Ohio, 20 miles north of Dayton in 1971. They were really a country act, but “Flare-Up!!” is a crude and bizarre song, and does sound like it was recorded in a garage.

On “Flare-Up!!”, Ron Lininger sang lead and played guitar, Harry Burd played bass and Bud Allen contributed the tambourine. Lyrics were by W.R. Lake, music by Harry Burd.

Are you ready girls?

Now there’s times I’m sorry,
You can bet your bippy,
That I ever decided to marry a long-haired hippie.

Well I like to eat,
And hold down a job,
You’d rather eat and drink and live like a slob.

I think we’re about to have a flare-up,
Let’s not have another flare-up.

If you dress like a girl,
Maybe put up your hair,
I’m sure that we could avoid another flare-up.

If you’d only wake up,
And do a little clean-up
We might avoid another flare-up.

When I need a little loving,
Tender loving care,
All I ever see is your long, black, and greasy hair.

I think we’re about to have a flare-up,
Let’s not have another flare-up.

The lyrics are basically sung twice, separated by a break where the drummer & tambourine keep the beat while Ron slides the pick down the strings.

Countrymen Audio Adventures 45 That's Why I'm Dreaming of YouFor the country ballad “That’s Why I’m Dreaming of You”, Bud Allen sang lead, Harry Burd played steel guitar (and wrote the song), and Ron Lininger played bass.

Fred Snyder played drums on both sides.

This is a Rite Records custom pressing, 27699/27770 from Rite account number 5216.

Anyone have a photo of the group?

Archie Liseo and the Cinaways “Homebrew” on CLW

Archie Liseo and the Cinaways CLW 45 Homebrew

“Homebrew” is a storming instrumental, with a foreboding rhythm guitar and bass behind sharp lead guitar work, excellent drumming and rockin’ piano.

I can’t find much about Archie Liseo other than an odd news item from December, 1965, where an Archie Liseo “is resigning from the Denver Young Democrats in protest against what he described as ‘filth’ in the organization’s newspaper. Liseo said he objected to the review of a play in the December issue of the paper The Vanguard. He said the paper had been read by his children before he arrived home Thursday.”

I suppose that could be a different person, considering this group titled their record “Homebrew”.

“Homebrew” has a writing credit of A. Trujillo, which could be another name for Archie Liseo. This may be the only record he ever made. The band is so good I hope there are more recordings somewhere.

The ballad A-side, “Lonely” was written by L. Pickett and J. Ward. CLW Music Pub published both songs.

Released on CLW 45-6576, this is a Rite pressing, 13705/6 from 1965. CLW owner Jim Ward produced the single with Geo Chapekis. The address for CLW is given as 522 Knox Ct., Denver.

Archie Liseo and the Cinaways CLW 45 Lonely

Sab Florence E. on Band Box

Sab Florence E. Band Box 45 Why Must It BeThe typically murky Band Box production enhances the strange outsider effect of this 1969 single from Florence S. Espinoza, credited on the label as Sab Florence E.

“Why Must It Be” has a gloomy guitar riff and a female chorus cooing the title. “I Need Your Love” adds harmonies over another leaden rhythm from the guitar, drums and very distant bass. Both songs are originals by Florence Espinoza, with copyright registration in October 1968.

Released on Band Box 389 during that label’s last year or two of production. This is a Rite pressing, 22737/8.

Florence S. Espinoza Patent diagram
Florence S. Espinoza’s patent diagram, from the Official Gazette of the US Patent Office, volume 855

A quick search turns up Espinoza was awarded a patent in March, 1967 for an “Acoustical Baffling Cove System: A method and apparatus for soundproofing the head space in drop ceiling construction … barricades space above the room dividing walls with a V-shaped sound baffling cove for deflecting sounds…” The patent gives his address as 1021 S. Patton Court, Denver, internet records suggest he or his family may still be living there.

An obviously creative person, I wonder if he did more in music besides this solitary release.

Sab Florence E. Band Box 45 I Need Your Love

The Buggs from Kantner, PA – “It’s All Right”

Buggs Bittner's 45 It's All RightThe Buggs came from Forbes High School in Kantner, Pennsylvania, about 75 miles southeast of Pittsburgh. In February, 1966, the Buggs cut two songs at Bittner’s Recording Co. in nearby Somerset. “It’s All Right” is great frantic garage, “Please Be True” is an original ballad by Raymond Lohr. Rite Record Productions in Cincinnati pressed the 45s, which are now very scarce.

Members were:

Raymond Lohr – singer and lead guitar
Ernie Lohr – bass guitar
Barry Boyer – organ
Joe Wirleich – drums

The Somerset Daily American Newspaper on Wednesday, March 9, 1966 wrote:

No, these are not the kind that will bite or harm you. As a matter of fact, they are pretty friendly. It is a name given to a Rock and Roll band from Forbes. Members of the group are: Raymond Lohr, singer and lead guitar; Ernie Lohr, bass guitar; Joe Wirleich, drums; and Barry Boyer, organ. All members of the group are from Forbes, except the manager, Ronnie Eutin, who is from Frielens.

They recently cut their first record with the Bittner Recording Company of Somerset.

The group will suffer a great loss, when Ernie Lohr leaves for the service at the end of March. Ernie has been with the group since it started in 1964.

Buggs Bittner's 45 Please Be TrueBittner’s would release four other singles that I know of, one each by Andy Wynn, Donnie Hunter, Larry LaVigne and Judie Follmar.

Ray Lohr passed away on May 17, 2017. An obituary online adds some information about his song, “Please Be True”:

He grew up in Hooversville, Pennsylvania, and graduated in 1966 from Forbes High School in Kantner, Pennsylvania. While in high school, he was a member of “The Buggs” rock ‘n’ roll group; he wrote and produced a 45 record entitled “Please Be True to Me Girl” about his high school sweetheart who had moved to Anchorage, Alaska. Shortly thereafter, Ray headed to Anchorage where he married the love of his life, Sandra J. Shumaker, on March 4, 1967.

The Stairway to the Stars “Cry” / “Dry Run” on Brite-Star

Stairway to the Stars, 1967, from left: T.r. Sollosi, Dave Benard, P.J. Geary, and Ray Niccolai. Photo courtesy of Paul Geary
Stairway To The Stars Brite-Star 45 Dry Run

The Stairway to the Stars came from the Pittsburgh area, but cut this 45 for the Brite-Star label out of Newberry, Ohio, near Cleveland. Newberry is only a couple hours from Pittsburgh, but the labels indicate a Nashville base.

One side has a moody, echoing vocal, “Cry”, written by Tom Sellosi and Dave Benard. The intensity grows for the short recitation at the end.

On the flip is “Dry Run” a great instrumental featuring a lot of tremolo on the guitar, a strong three note riff that sounds like a keyboard more than guitar, and a long and dissonant middle section for the lead break. Phil Dirt pointed out the similarity of the opening melody to the Vistas “No Return” on Tuff, but the Stairway to the Stars really expand on that theme in the rest of the song.

The Rite account number is 728 and the release numbers are 17909 (“Dry Run”) / 17910 (“Cry”), released in September or October 1966.

Members on the record included:

Tom Sollosi – lead guitar
Dave Benard – lead vocals
Paul Geary – tenor sax
Ray Niccolai – rhythm guitar and bass

Paul Geary provided the photos and wrote to me:

We all lived in the Monongahela, Pa. area south of Pittsburgh. Tom Solossi knew I played tenor sax in the jazz band in high school and he was trying to get a little band together. He had already recruited Ray Niccolli for rhythm guitar. Tom himself played lead guitar and also taught guitar at a local music shop. Dave Benard who worked at a furniture store in Mon City was our vocalist.

The band did a lot of weddings, teen dances, and social clubs. We were all in high school at the time and appreciated the extra money we made playing music.

Tom knew a local DJ in Charleroi, Pa. His name was Johnny Barbero and he wanted us to come to the radio station WESA for a recording session. I played sax on the recording but was drowned out by the heavy guitars.

We made a demo and paid Brite-Star Records to make some records to distribute. It played on a few local radio stations, but never took off.

Q. Do you remember who played drums on the record?

We were between drummers at the time but I’m pretty sure it was George Tirpack.

We stayed together for about a year and then everyone started applying for colleges and that ended the group.

The Library of Congress has a registration for “Cry” from September 12, 1966, to David Benard and Thomas Sollosi. The “Dry Run” label lists T.R. Sollosi, but this song wasn’t registered.

Teen Beat Mayhem indicates this 45 came with a picture sleeve, which I’ve never seen. Paul tells me there was never anything but a plain sleeve for the single.

The Blue Knights, precursor to Stairway to the Stars, from left: Frank Champ, accordion and keyboard; Tom Sollosi, lead guitar; Bill Garrison, drums; Paul Geary, sax; Ray Niccoli, rhythm guitar. Photo courtesy of Paul Geary.

Info on Brite-Star came from the 45rpm Records site.

Stairway To The Stars Brite-Star 45 Cry

The Secrets “Somethin Good For Me” on Raven

Secrets Raven 45 Somethin Good For MeThe Secrets’ “Somethin Good For Me” / “Love” has as obscure an origin as any single out there. The band may have been from southern Illinois or eastern Missouri, but I don’t know anything definite yet. The only name I can associate with the group is Ivan White who wrote both songs.

“Somethin Good For Me” is lo-fi perfection, offering plenty of atmosphere over a chunky rhythm, a pleading vocal and a simple but apt lead guitar break.

“Love” slows it all down and substitutes accordion for the rhythm guitar. I’d put up a clip but my copy gets scratchy sounding on this side.

Released around 1967 on Raven 18569/70, with production credited to “Div – JLJ Enterprise”. This is a Rite release, as was the other Raven release I know of, Johnny Apollo “You’re Sixteen” / “Shake the Hand of a Fool” on Raven 17829/30 from a year or two earlier, with J. Hutcheson credited as director.

Rite 286 is found in the deadwax, an early Rite account number dating back to 1960. 286 was used for at least two other singles: the Harmony Echoes single “Wonderful Guest” / “Gospels Singers Heaven” on Echo CP-6759/60 from 1961, out of WFRX 1300 AM, West Frankfort, Illinois, featuring Joe Williams, Phyllis Williams, Rolla Martin and Don McCool.

Also for Amateur 11421/2, the Coachmen “Lonely Rider” / These Memories of You”, folk & pop from 1963 out of Maplewood, Missouri with J. Buchman credited on the label.

Maplewood is just west of St. Louis, and 115 miles northwest of West Frankfort. It seems possible the Secrets come from this area of southern Illinois or eastern Missouri.

Info on other Rite pressings from www.45rpmrecords.com

Secrets Raven 45 Love