Category Archives: Philips

Categories: France, Philips, Riviera

Annie Philippe

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Born in the Paris district of Ménilmontant, Annie Philippe became a DJ at the Paris club Twenty One when she was just seventeen.

Meeting Paul Mauriat there led to an audition with the Riviera label, where she released 4 EPs beginning in 1964. In early 1966, her fourth EP contained her biggest hit, “Ticket de quai”, and also included one of my favorites “On m’a toujours dit”, with its fuzz guitar and handclaps.

After moving to the Philips label, she released the great “C’est la mode” in late 1966. This track is almost hypnotic in its buzzing guitar, heavy beat and layered vocals. She continued recording regularly through 1969 with occasional success, then made a comeback attempt in the late ’70’s.

Categories: Dayton, Ohio, Philips

Sonny Flaharty and the Mark V

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Dayton, Ohio’s Sonny Flaharty had been recording since the late 50s. In 1965 he helped a local band called the Rich Kids produce a demo. He ran into them again calling themselves the Mark V “direct from Toronto, Canada”! They asked Sonny to join the band but according to Sonny, “the only problem we had was with my past. I was very well known in Dayton. The band didn’t want to be associated with ‘Old Time Rock and Roll'”!

They changed their names and tried to pass themselves off as English or at least Canadian. They didn’t fool anyone for long, but there was nothing ‘old time’ about their music. Shad O’Shea of Cincinnati’s Counterpart Records asked them to record Sonny’s original, “Hey Conductor”.

There was a nine-month delay between the recording and the release of “Hey Conductor”. In the meantime Mike Losecamp (aka Haywood Lovelace), who played the distinctive organ on the record left to join the Cyrkle.

Once released Hey Conductor was a sizeable hit, selling in the thousands and immediately picked up by Phillips for national distribution. The good times didn’t last long, as its lyrics hinting at drug experiences got it banned on radio before it could break nationally. The song’s frantic pace, strange fuzz guitar and syncopated organ make it an often-heard record at dj nights even today.

Sources include: a detailed interview with the Mark V’s drummer Doug Porter here, and the liner notes to Sonny’s retrospective LP on Dionysius.