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Them

First UK EP showing lineup after November, 1964. From left: Alan Henderson, Pat McAuley, Van Morrison, Billy Harrison and Jackie McAuley
First UK EP showing lineup January 1965. From left: Alan Henderson, Pat McAuley, Van Morrison, Billy Harrison and Jackie McAuley

Van Morrison (harmonica, saxophone, vocals)
Alan Henderson (bass)
Billy Harrison (lead guitar)
Eric Wrixon (keyboards)
Ronnie Millings (drums)

1963

The group is formed in Belfast, Northern Ireland by Henderson (b. 26 November 1944, Belfast, N. Ireland), Harrison (b. 14 October 1942, Belfast, N. Ireland) and Millings (or Mellings), who have previously played in a local three-piece outfit, The Gamblers. The trio adds keyboard player Eric Wrixon (b. 29 June 1947, Belfast, N. Ireland) and a short while later completes the original line up with singer Morrison (b. George Ivan, 31 August 1945, Belfast, N. Ireland) from local band The Monarchs. Wrixon names the band after a 1950s B horror film.

1964

April (10) According to an article in Belfast weekly, Cityweek, dated 22 September 1966, Them had played their first ever gig at the Maritime Hotel in College Square North as a trio of Harrison, Henderson and Millings as Van Morrison was playing at the Plaza and had to give two weeks’ notice. The trio played in the break for The College Boys.

(17) One of the first R&B/beat group’s in the province, the Morrison fronted Them quickly build a reputation as a strong live act holding down a residency at the Maritime Hotel. The group’s repertoire includes a blistering 15-minute version of Bobby Bland’s “Turn On Your Love Light”, and a 20-minute improvisation of Morrison’s celebration of teenage lust, “Gloria”. (Although Morrison is credited for the song’s lyrics, Harrison and Henderson have contributed significantly on the musical side.)

(24) Them return for a show at the Maritime Hotel in Belfast.

May The band attracts the attention of manager Phil Solomon (currently working with Irish pop trio The Bachelors), who is greatly impressed by the band’s live performances (and Morrison in particular). Solomon encourages Decca’s Dick Rowe to see the band perform at the Maritime, and Rowe in turn arranges a session in London. (According to Cityweek‘s 22 September 1966 issue, the group had already recorded a three-track demo for local producer Peter Lloyd comprising “Stormy Monday”, “I Got My Mojo Working” and “Don’t Start Crying Now”.)

(1) Them play at the Martime Hotel, Belfast.

(8) The group appears at the Maritime Hotel, Belfast.

(15) Another show takes place at the Maritime Hotel, Belfast.

(22) The group returns for a show at the Maritime Hotel, Belfast.

(29) Them appear at the Martime Hotel, Belfast.

June Them relocate to London and a hotel in Portobello Road, where they hang out with their label mates The Poets.

French EP showing original drummer Ronnie Millings (with shades)
French EP showing original drummer Ronnie Millings (with shades)

July (5) The group enters Decca’s West Hampstead, London studios to begin recording, but the three-hour session is a stressful affair and Rowe decides to employ session musicians Arthur Greenslade (organ) and Bobby Graham (drums) to “fill out” the sound. Them records Slim Harpo’s “Don’t Come Crying Now” and Van Morrison’s “Gloria”, “One Two Brown Eyes” and “Philosophy”, which are all released over the next year. The band also records covers of “Groovin’”, “Turn On your Love Light” and “You Can’t Judge A Book By Its Cover” which are shelved. After the recordings, Wrixon is forced to leave (in part because his father objects to a disproportionate royalty split between the management and the group and in part because he is still at school and has ‘A’ levels to complete). Pat McAuley (b. 17 March 1944, Coleraine, N.Ireland) takes over the keyboard position.

September (4) The group’s debut single, “Don’t Start Crying Now” backed by “One Two Brown Eyes” is released but fails to chart.

October The group returns to the studio to record an electrifying version of Big Joe Williams’s blues classic “Baby Please Don’t Go”. Session guitarist Jimmy Page adds rhythm guitar to the recording (and does not play lead as some sources suggest).

(15) Them are billed to perform at the Zeeta House, Putney, Surrey.  However, there is another west London band with this name who soon become Themselves to avoid confusion with Van Morrison’s band so this may be that group.

November (6) “Baby Please Don’t Go” backed by Morrison’s “Gloria” is released. Millings leaves and Pat McAuley moves onto drums.

December The short-lived (yet well photographed) new line-up appears on the popular TV show Ready Steady Go!

1965

January Pat’s brother Jackie (aka John) (b. 14 December 1946, Coleraine, N. Ireland) is added on keyboards as the group begins work on its next single, a recording of their new producer, Bert Berns’s “Here Comes The Night”. Some sources maintain that organ player Phil Coulter and drummer Alan White are brought in to play the McAuley brothers’ parts, but this is disputed by the band members. (Berns, an American producer working in the UK is impressed with Morrison as a vocalist and will continue to work with the group over the next few months.)

Photo: Cityweek

February Aided by TV appearances, “Baby Please Don’t Go” hits UK #10, while “Gloria” quickly becomes an anthem for the emerging US garage band generation. Decca releases an EP featuring both sides of Them’s debut single, the recent hit and Morrison’s “Philosophy” recorded during the July sessions.

(10) Western Scene lists the band playing at Bristol Corn Exchange.

(13) The Kilmarnock Standard lists the band playing at the Community Centre, Auchinleck, Scotland with The Blue Chekkers.

(15) Western Scene lists the band playing at Bath Pavilion.

(18) According to the Worthing Herald, the band appears at the Pier Pavilion in Worthing, West Sussex.

(20) Them appear at the Club Noreik, Tottenham, north London.

(22) The Warrington Guardian lists the group at the YOR Club, Parr Hall, Warrington, Cheshire with The Clayton Squares.

(25) The band performs at Swindon’s Locarno Ballroom with The Knives and Forks.

(26) Them plays at Woolwich Polytechnic in southeast London.

(27) The band appears at Manchester University.

March “Here Comes The Night” hits UK #2 and is the group’s most successful release. The band begins work on its debut album, but sessions are once again plagued with problems. Some sources suggest that the group’s three producers Bert Berns, Dick Rowe and Tommy Scott supplement the band with session players, although this is disputed by band members.

(1) The Dorset Evening Echo lists Them at the Pavilion Ballroom, Weymouth, Dorset with The Soundsmen and The Silhouttes.

(2) The band plays at Wallington Public Hall in Wallington, Surrey.

(3) Them perform at Stourbridge Town Hall in Worcestershire.

(4) The group appears at Kidderminster Town Hall in Worcestershire.

(9) The Yorkshire Evening Post lists the group performing at the Three Coins in Leeds, West Yorkshire.

(13) The Stockport County Express says Them appear at the Manor Lounge in Stockport with The Mersey Squares.

(14) The Birmingham Evening Mail reports that the band plays at the Brum Kavern Club, Small Heath, West Midlands with The King Bees.

(16) The Southern Echo lists the band playing at the Empire Hall, Totton with Gary Young & The Deacons.

(19) The Ruislip & Northwood Gazette lists the group playing at Botwell House, Hayes, Middlesex.

(20) The Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Delcounts.

(21) Them perform at the Pigalle in central London.

(22) The group plays at the Adelphi in West Bromwich, West Midlands with the Uglys.

(23) The Woking Herald lists the band at Walton Playhouse.

(24-28) Them takes part in a short tour of Scotland, according to Beat Instrumental. The Bridge of Allan Gazette newspaper lists a show at the Cochrane Hall, Alva, Scotland on 24 March with Lee Evans & The Lea-Ways.

(25) During the Scottish tour, the band appears at the Two Red Shoes in Elgin.

(29) Music Echo from Liverpool reports that Them appear at Silver Blades in Liverpool.

(30) Them play at the Floral Hall in Gorston-on-Sea, Norfolk with Ye Highwaymen.

April (1) The band returns to perform at the Manor Lounge, Stockport, Greater Manchester with The Mersey Squares.

(3) Them appear at Benn Memorial Hall in Rugby, Warwickshire with The Four Strangers, according to the Rugby Advertiser.

Photo: Melody Maker, 3 April 1965

(4) Them appear at the Ritz in Birmingham.

Photo: Cityweek

(9) The group plays at Leamington Town Hall in Warwickshire. On the same day, Billy Harrison responded to the band’s critics in an article entitled “‘Them’ Hit Back” in the Belfast publication Cityweek.

(10) Them performs at Dudley Town Hall in the West Midlands.

(11) Them perform at the New Musical Express Poll Winners Concert at the Empire Pool, Wembley, west London with many others. Beat Instrumental also has the band appearing at the Co-Op in Gravesend, Kent earlier during the day. It is not clear whether this happens as the Sussex Evening Express also lists the band appearing at the Whitehall in East Grinstead, West Sussex with The Hounds.

(13) The Southern Echo lists the band at Haymarket Theatre, Basingstoke, Hampshire with John Mayall’s Bluesbreakers, The Evil Eyes and The Trinity.

(14) The Birmingham Evening Mail reports that Them appear at the Mackadown, Kitts Green, West Midlands with The Tombstones.

Gloria reaches #1 on KRLA, April 14, 1965
Gloria reaches #1 on KRLA, April 14, 1965
early mention for band in KRLA's Beat, May 19, 1965
Early US mention for band in KRLA’s Beat, May 19, 1965

(17) Beat Instrumental reports the band performing at the Market Hall in Redhill, Surrey.

(18) Beat Instrumental lists Them at the Oasis, Manchester.

(22) The Western Gazette advertises the group appearing at the Liberal Hall, Yeovil, Somerset with The Bo-Peeps.

(23) Beat Instrumental reports that the band is performing another show in Gravesend, Kent but this is unlikely.

(24) Beat Instrumental lists Them playing in Kirkcaldy, Scotland but this is unlikely as the band headed back to Northern Ireland around this time. Unhappy with the band’s direction and his personal treatment, Jackie McAuley leaves after a show at St Columbana’s Parish Church in Ballyhome, Northern Ireland and is replaced by ex-Cheynes member Peter Bardens (b. 19 June 1944, Westminster, London, England; d. 22 January 2002).

Them's first UK LP, The Angry Young Them, Peter Bardens in pink shirt next to Van
Them’s first UK LP, The Angry Young Them, Peter Bardens in pink shirt next to Van
First U.S. issue, featuring "Here Comes the Night"
First U.S. issue, featuring “Here Comes the Night”
Second U.S. cover to capitalize on "Gloria"
Second U.S. cover to capitalize on “Gloria”

May “Gloria” charts for a week at US #93, selling mostly in California where it hits Top 10 in some major cities.

(1) The Walthamstow Guardian reports that Them play at Walthamstow Assembly Hall, Walthamstow, north London.

(7) Belfast publication, Cityweek reports that Them have been recording a lot in the past few days with new organist Peter Bardens.

(9) Them perform at the Winter Gardens in Margate, Kent with Wayne Fontana & The Mindbenders, The Nashville Teens and The Fourmost.

(11) The band appears at Bristol Chinese R&B Club, Corn Exchange, Bristol, according to the Western Scene.

Photo: Surrey Mirror, 14 May 1965

(14) The Streatham News reports that Them appear Wimbledon Palais, southwest London.

Photo: Boyfriend magazine, 15 May 1965

(17) The Enfield Gazette & Observer reports that Them perform at the Potter’s Bar Ritz in north London with The Zephyrs, Screaming Lord Sutch & The Savages and The Mark Four.

(20) The Worthing Herald lists the band playing at Worthing Assembly Hall.

(23) The Yorkshire Evening Gazette reports the band appearing at the Futurist Theatre, Scarborough, North Yorkshire with Wayne Fontana & The Mindbenders, The Rocking Berries, Dave Berry & The Cruisers, Sandra Barry and The Artwoods.

(25) Them appear at the Assembly Hall, Wallington, near Croydon, south London.

(26) The band performs at Stourbridge Town Hall in Worcestershire.

(28) Them play at Winchester Town Hall in Hampshire.

(29) The band appears at the Rhodes Centre in Bishop’s Stortford in Hertfordshire.

(30) The band plays at Elm Park in Hornchurch, east London.

June (1) Them begin a UK tour at Tunbridge Wells Public Hall. (The tour will end on 21 June at the Beachcombers, Leigh and Bolton). During this period, Pat McAuley is briefly replaced by former drummer Ronnie Millings before rejoining the group.

(2) Western Scene lists the band playing at Bristol Corn Exchange.

(3)  The Cornish Post has the Morrison’s group playing at Holsworthy Memorial Hall in Holsworthy, Cornwall.

(5) The Cornish Guardian notes the band will play at the Par Stadium in St Austell before later appearing at the Riveria Lido in the evening.

(7) The Gloucester Citizen reports the band appearing at the Top Spot, Ross-on-Wye, Herefordshire with The Saxons.

(11) The Morrison-penned “One More Time” fails to chart. Them’s debut album (The Angry Young) Them is released in the UK to coincide with the single but is another chart failure.

Thanks to Andy Neill for the photo

(17) Them perform at the Ritz Club, Skewen, south Wales with The Jay Birds and The Eyes of Blue.

(18) Belfast publication Cityweek reports that Jackie McAuley is back home and is helping to reform The Yaks. McAuley, however, soon moves to Dublin and learns to play guitar. He will rejoin his brother in a rival Them in late December 1965.

(19) Them play at Dudley Town Hall in the West Midlands.

(21) The band appears at the Beachcomber in Leigh.

(24) Them perform at Leeds University.

(25) The group appears at the Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Rodgers Lodgers.

(26) “Here Comes The Night” hits US #24. On the same day, the Lincolnshire Standard reports that Them play at the Starlight Ballroom, Boston Gliderdrome, Lincolnshire with Mike Sheridan & The Nightriders and Rodgers Lodgers.

July Original Them member, Eric Wrixon completes his studies.

(2) The Middlesbrough Evening Gazette reports that Them play at the Queen’s Rink Ballroom, Hartlepool with Russ & The Nickels and The Evergreens.

(3)  The Lancashire Evening Post reports that Them appear at Public Hall, Preston, Lancashire with Bob Johnson & The Bobcats and The Wildcats.

Photo: Cityweek

(9)  Harrison responds to rumours that Them are breaking up in an article in Cityweek. In the article, entitled “We are not breaking up”, he insists the group has no intention of splitting.

(15) Them perform at Salisbury City Hall, Salisbury, Wiltshire. Around his time Billy Harrison is sacked and replaced by Scottish guitarist Joe Baldi (b. Joseph Baldi, 16 March 1943, La Spezia Italy), who has played with Bardens in Hamilton King’s Blues Messengers. Harrison will briefly return in mid-October.

Photo: Richard Gleave

(17)  Them appear at Clacton Town Hall, Clacton, Essex with The Vaqueros and The Blue-Berries.

(18)  The new line-up plays the Whitehall in East Grinstead, West Sussex backed by Johnny Fine & The Ramblers, according to the Sussex Evening Express.

(19)  The Belfast Telegraph reports that Pat McAuley was sacked today. He is subsequently replaced by Englishman Terry Noon, who has previously worked with Gene Vincent.

(21) The Littlehampton Gazette lists the band at the Top Hat in Littlehampton, West Sussex, possibly marking Noon’s debut.

Photo: Cityweek

(23)  Cityweek reports that Them now contains only Van Morrison and Alan Henderson in an article entitled “…And then there were two”. Peter Bardens, however, does remain with the band. The Belfast publication also notes that Pat McAuley resigned from the band rather than was sacked. On the same day, the Bridge of Allan Gazette newspaper lists Them playing at the Plaza in Stirling, Scotland with supporting groups.

(26-27) Them’s new line up appears at the Queen’s Ballroom, Cleveleys, Lancashire with two supporting groups after playing in Scarborough on the 25th July.

(28) The Bolton Evening News says the band performs at the Beachcomber, Bolton, Greater Manchester.

(29) Beat Instrumental reports that Them are appearing at the Pavilion Ballroom on the Isle of Man.

August A second Berns song, “(It Won’t Hurt) Half As Much” is released but doesn’t chart. In the US the single’s b-side “I’m Gonna Dress In Black”, written by producer Tommy Scott under the pseudonym ‘Gillon’, is released instead but is not a success.

(3) Them play at the Mexican Hat, Worthing, West Sussex, according to the Worthing Gazette.

(4)  The Camberley News reports that Them play at the Agincourt Ballroom in Camberley, Surrey.

(15) The Western Gazette advertises the group appearing at the Gaumont, Bournemouth, Dorset with The Byrds, Unit 4 Plus 2, Charles Dickens & The Artwoods, Johnny B Great & The Quotations, Sue Holloway and Jerry Stevens .

(23) The Cambridge News reports that Them play at the Dorothy Ballroom in Cambridge.

(28) The Lancashire Evening Post lists the band appearing in the Marquee in the grounds of Clitheroe Castle, Burnley, Lancashire with The Fortune Tellers.

(30) The Cambridge News advertises the group appearing at Bigmore Hall in Cambridge.

(31) The Eastern Evening News reports that Them appear at the Gala Ballroom in Norwich with Pentad.

September (1) Former members Billy Harrison and Pat McAuley (now on keyboards) announce their own version of Them in London on this day, which contains singer Nick Wymer (ex-Pink Faires), drummer Skip Alan (ex-Donovan) and bass player Mark Scott (ex-Adam Faith). The group is initially dubbed “Some of Them”.

(4) The Bolton Evening News reports that Van Morrison’s Them play at Bury Palais De Danse, Bury, Greater Manchester. Soon afterwards, Baldi returns to Scotland. Bardens also departs and forms The Shotgun Express. He later moves into session work, records two solo albums for Transatlantic Records and then forms 1970s progressive/rock outfit, Camel. Terry Noon also leaves but will return briefly in mid-October.

Back in Belfast, Morrison and Henderson have formed a new version of Them with lead guitarist Jim Armstrong (b. 24 July 1944, Belfast, N. Ireland) from The Melotones and keyboard/sax, flute player and vibes player Ray Elliott (b. 23 January 1944, Belfast, N. Ireland; d. June 1993, Toronto) from The Broadways. Apparently, original keyboard player Eric Wrixon fills in briefly but soon leaves to rejoin Portadown band, The People before Elliott joins. The new version of Them is completed with new drummer John Wilson (b. 6 November 1947, Belfast, N. Ireland) from The Misfits. The band rehearses at the Martime for two weeks before making its live debut in Lisburn on 24 September (see below). Belfast’s publication Cityweek had reported in its 23 September issue that Morrison  rehearsed with Wilson’s band The Misfits as a potential new version of Them for three days before the new line up was agreed.

(24)  The Manchester Evening News & Chronicle reports that Them play at the New Birch Park Club in Rusholme in Greater Manchester with The Corvettes. This must be the rival version led by Billy Harrison and Pat McAuley.

Photo: Cityweek

(24) Morrison’s new version of Them make their debut at the Top Hat club, Lisburn, Northern Ireland where they perform a 40-minute set. Shortly after a show at the Flamingo in Ballymena, Morrison’s band returns to London and resumes work on its second album. The group’s debut album is released in the US as Them and hits #54.

Photo: Cityweek

(30) Cityweek‘s 30 September issue features an article on the new formation entitled “The return of Them”.

October (4) The Middlesborough Evening Gazette reports that Them appear at the Astoria Ballroom in Middlesbrough.

(11) Morrison’s Them play at the Thorngate, Gosport, Hants.

Photo: Melody Maker

(15) Van Morrison’s Them play at Zeeta House, Putney, southwest London.

(16) The Wolverton Express lists Them playing at the Wolverton Palace in Bucks with The Fenmen and Ginger Toms. This could well be the rival version with Billy Harrison and Pat McAuley unless they played the gig below in Halifax.

Rare French EP showing short-lived line up from November 1965, from left: Billy Harrison, Alan Henderson, Van Morrison, Ray Elliott and Terry Noon
Rare French EP showing short-lived line up from October 1965, from left: Billy Harrison, Alan Henderson, Van Morrison, Ray Elliott and Terry Noon

(16) Them are billed to play at Big Daddy’s in Halifax, West Yorkshire with The Blues Set. Around this time, Jim Armstrong is forced to pull out of the band at short notice. Billy Harrison is drafted in to play some UK dates before joining the group for French and (in December) Scandinavian dates (see later).

(17) The Manchester Evening News & Chronicle reports Them appear at the Cavern in Manchester with Ivan’s Meads.

Photo: Cityweek

(19) Them (with Billy Harrison) appear at the Olympia in Paris, France with Bo Diddley. The gig is reported in Cityweek‘s 21 October issue. John Wilson, who is considered to be too young to travel, is replaced by former member Terry Noon. The group then travels to Scandinavia for more live dates (although this may be later in the year). Back in England later this month, Noon makes way for a returning John Wilson and joins The Yum Yum Band before moving into rock management, working initially with Honeybus.

(21)  Belfast publication, Cityweek reports that John Wilson’s former band, reduced to a trio since he left, is moving to London.

(22) Streatham News reports that Them play at the Wimbledon Palais in southwest London. However, it is not clear whether this is the rival Them or Morrison’s group after returning from Paris but most likely the former.

(30) According to the Lincolnshire Echo, Them performs at the Raven Club, RAF Waddington, Lincolnshire with Pathfinder Five and Penny Farthings. Again, it’s not clear which version this is.

(31) The Eastern Evening News reports that Them appear at the Royal Hotel in Lowestoft, Suffolk with The Easi-beats.

November Early in the month, Skip Alan leaves the Harrison/McAuley Them to replace Viv Prince in The Pretty Things, who soon takes up Skip Alan’s place for a few weeks.  Harrison, who has briefly returned to the rival Them after Jim Armstrong resumes his place,  departs when Skip Alan lands the job with The Pretty Things.  Harrison does session work for producer Joe Meek.

(4) Pat McAuley’s rival Them registers the Them name. By now the group contains a new guitarist, known as Don, who has replaced Billy Harrison.

(25) The Western Gazette advertises the band (but not clear which version) appearing at Liberal Hall, Yeovil, Somerset with The Fortunes and Screaming Lord Sutch & The Savages.

December (2) When Viv Prince leaves Pat McAuley’s rival Them, his place is taken by Ken McLeod.

(4) “Mystic Eyes” fares better in the States where it reaches #33. On the same day, Boyfriend magazine notes that Them appear at Leeds College. This could be the rival version.

Photo: Cityweek

(9) Cityweek reports that Billy Harrison has joined The Pretty Things and is currently touring with that band in Holland. He also plays with The Pretty Things on a Scandinavian tour in early December. At the turn of the year, he also covers for Jim Armstrong in Them for their first Scandinavian shows. Harrison quits the music business in mid-1966 after playing with The Pretty Things in the Isle of Wight during March (this might have been in August 1965 instead) and joins the GPO. Original Them keyboard player Eric Wrixon meanwhile had joined The Kings showband in late November before re-joining The People, according to Cityweek.

(10) The Gloucester Citizen  reports that Them appear at Lydney Town Hall, Lydney, Gloucestershire, which might be a gig by the rival version of Them.

(17) The Southend Standard lists Them appearing at the Cricketers Inn, Westcliff, Southend, Essex with The Orioles.

Photo: Evening Sentinel. Wymer’s final gig with the rival Them

(19) Wymer leaves the rival Them after a gig in Stoke-on-Trent (this is Mr Smith’s in Hanley with The Beatroots). Soon afterwards, he is replaced by Pat’s brother Jackie McAuley on keyboards/vocals, who has been living in Dublin. Pat moves on to drums and Ken McLeod takes over guitar from Don who leaves in mid-January. On the same day, Them play at the nearby Majestic Ballroom in Shropshire, which could have been an earlier gig by the rival band. Around this time, Morrison’s group plays in Liverpool and after the show Armstrong collapses with a suspected perforated appendix. He spends Christmas in the emergency ward at Liverpool’s Southern Hospital, according to Cityweek‘s 6 January 1966 issue.

Photo: Cityweek

(23)  Cityweek notes that John Wilson left Them last weekend but no replacement has been announced. The article entitled “Them rush-release second album for States” also profiles the forthcoming Them Again LP. Wilson rejoins The Misfits (until April 1967) and then works with Belfast groups, Derek & The Sounds and Cheese. In the late 1960s, he joins guitarist Rory Gallagher in Taste before forming Stud in the early 1970s.

Photo: Cityweek, 6 January 1966

(29) Cityweek‘s 6 January 1966 issue reports that Alan Henderson and Ray Elliott have flown to Stockholm to join the other Them members (Van Morrison and Billy Harrison) for two shows at the weekend of 31-December-2 January. The group is still without a permanent replacement for John Wilson. However, David Harvey (b. David Tufrey 29 July 1943, Bude, Cornwall, England) takes his place on the drums in January after the group use a succession of temporary fill ins.

(31) Boyfriend magazine reports that Them play at the Fender Club in Kenton, northwest London but it’s not clear which version this is. However, it is most likely the Pat McAuley version considering Morrison’s version play in Stockholm this weekend.

1966

January Them’s second album Them Again fails to chart in the UK. It contains two of Morrison’s best songs: “Hey Girl” and “My Lonely Sad Eyes”, as well as an edited version of Bobby Bland’s “Turn On Your Love Light”. Original Them member Eric Wrixon leaves The People, who have relocated to Blackpool, and joins another expatriate Belfast band, The Wheels in February, who record two singles for Columbia.

Photo: Cityweek, 6 January 1966

(1) Jackie McAuley makes his debut with the rival Them in Peckham, southeast London. On the same day, Cityweek reports that Them make their first trip to Scandinavia this weekend, even though Armstrong hasn’t fully recovered from his hernia operation in late December. Billy Harrison takes Armstrong’s place.

(3) Them appear at the Shoreline club in Bognor Regis, West Sussex. This could be the McAuley brothers’ version.

(4) Them play at the Assembly Hall, Aylesbury, Bucks. Again, this could be the McAuley brothers’ version.

(6) Cityweek reports that Them will return to Paris’ Olympia next week and are also resident in the Club Locomotive for three days.

(10) Them appear at the Labour Hall, Bletchley, Bucks. This could be the McAuley brothers’ version.

(11) Them play at the Hut, Westcott, Surrey. Again, this could be the McAuley brothers’ version.

(22) The Coulsdon & Purley Advertiser reports that Them perform at the Club Nevada, West Croydon, south London. This is most likely Van Morrison’s version as on the same day another Them are billed to appear at the Seaton Beat Club at Seaton Town Hall, Seaton in Devon with The Exiles and The Degrees, according to Pulman’s Weekly News.

(27) Them appear at the Whitehall, East Grinstead, West Sussex. On the same day, Cityweek reports on the legal row over who is Them. Van Morrison’s version is currently on tour in Wales.

(29) Durham University’s student paper Palatine advertises a gig for Them (with Van Morrison) at Aidan’s on the university campus. The show is reviewed in the student newspaper’s 10 February issue, page 8.

(30) The North Herts Herald reports that Them perform at Newbury Plaza Ballroom in Berkshire with The Just Men.

February (4) The McAuley brothers’ Them record three tracks at a demo session: a cover of Graham Bond’s “I Want You”, a cover of Bob Dylan’s “It’s All Over Now Baby Blue” and Jackie McAuley’s “Movin’ Free”.

(11) The Luton News reports that Them appear at Parkside Ampthill, Bedfordshire with The Sneakers but it is not clear which version this is.

(12) The Manchester Evening News & Chronicle reports  that Them play at the Faculty of Tech Union in Manchester with Five of a Kind. It’s not clear however if this is Morrison’s group or the rival version.

(15) The Coulsdon & Purely Advertiser reports that Van Morrison’s Them appear at Club Nevada, West Croydon, south London.

(16) Melody Maker lists the band playing at the Last Chance on Oxford Street, central London.

(18) The rival Them perform at the KB Hall, Copenhagen, Denmark with The Pretty Things.

(19) Van Morrison’s version appears at Floral Hall, Southport, Lancashire with The Cryin Shames.

Photo: Melody Maker

(21) According to Melody Maker, Them play at the Club Continental in Eastbourne.

(22) Chris Groom’s book Rockin’ and around Croydon lists Them at the Gun Tavern in Croydon, south London.

(25) The Bridge of Allan Gazette newspaper lists Them playing at the Plaza in Stirling, Scotland with The In Crowd.

March Morrison’s version of Them’s cover of producer Tommy Scott’s “Call My Name” fails to chart.

(5) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Lighting Blues but it is not clear which version this is.

Photo: Melody Maker

(7) The McAuley brothers’ Them appear at the Club Continental, Eastbourne.

Photo: Eastbourne Herald Chronicle

(9) The rival Them lose their court case and change name to “Some of Them”.

Photo: Melody Maker

(11) Van Morrison’s version play at Tiles on Oxford Street, central London with Steve Darbyshire and The Yum Yum Band.

(26) The Warrington Guardian lists Them playing at the Mersey View Ballroom in Frodsham, Cheshire with The SOS but it’s not clear which version of the band this is.

Photo: Melody Maker

(28) Van’s version returns to Tiles for another show with The Quiet Five in support.

April Morrison’s Them’s final session produces a cover of Paul Simon’s “Richard Cory” and Morrison’s “Mighty Like A Rose”. “Gloria” is re-issued and climbs to US #71.

(2) The Nelson Leader reports that Them appear at the Imperial, Nelson, Lancashire with Cliff Bennett & The Rebel Rousers and Sounds Incorporated.

(9) Van Morrison’s version of Them appears at Torquay Town Hall in Devon with The Hunters and The Javelins, according to the Herald Express.

(16) The Shadows Of Knight’s version of “Gloria” hits US #10. On the same day, the Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Beathovens and The Nemkons.

From KRLA's Beat, April 30, 1966. From left to right: Ray Elliott, John Wilson, Jim Armstrong, Van Morrison and Alan Henderson
From KRLA’s Beat, April 30, 1966. From left to right: Ray Elliott, John Wilson, Jim Armstrong, Van Morrison and Alan Henderson

Them Again US Parrot LP

Them Decca 45 Call My Name

KRLA's Beat, April 23, 1966
KRLA’s Beat, April 23, 1966

(30) Billed as Them, what looks like the rival version perform at Newcastle University’s Union Rave held in the Union Ballroom, on a bill with Jimmy James & The Vagabonds. The university’s student newspaper, The Courier, reviews the shows in its 4 May issue, page 3.

The Courier, Newcastle

May Paul Simon’s “Richard Cory” is the group’s last official single but is not a success. Morrison is particularly annoyed by its release, preferring his own song “Mighty Like A Rose” as a prospective single. In the US, Tommy Scott’s “I Can Only Give You Everything” is released as a final single and is quickly adopted by US garage bands like The MC5 as a punk anthem. Them Again reaches US #138.

(2) The Coulsdon & Purley Advertiser reports that Them perform at the Star Hotel in Croydon, south London.

(7) The Luton News reports that Them appear at Harpenden Public Hall, Harpenden, Herts with The Fuzz Bugs but it is not clear which version this is.

(14) Them perform at Decca Entertainment Centre, Ashton-under-Lyne, Greater Manchester.

(21) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Group 66 but it is not clear which version this is. In late May, PACE magazine reports that Van Morrison’s version play at Crayford Town Hall in southeast London. Soon afterwards, Morrison’s version flies out to New York to begin its debut US tour, with the first show in Arizona.

(27) Some of Them record two tracks with Kim Fowley – “Gloria’s Dream” and “Secret Police”. On the same day, Van Morrison’s Them appear at the Rollarena, San Leandro, California.

(30) Some of Them perform in Blackpool, Lancashire. On the same day, Van Morrison’s Them begins a residency at the Whisky-A-Go Go, West Hollywood, California.

May (31) – June (17) Morrison’s Them performs at the Whisky-A-Go-Go, West Hollywood, California, where they are sometimes supported by The Doors.

June (3) The rival version of Them performs at the Cricketers Inn, Westcliff, Southend, Essex with the Orioles, according to the Southend Standard.

(13 & 15) Some of Them record further tracks in London.

(18) On the last night at the Whisky, The Doors’ vocalist Jim Morrison joins Van Morrison’s group on stage for a 20-minute improvisation of “Gloria”.

(19) The band discovers that the club has been willing to pay the group $10,000 per week. However, due to their management deal with Phil Solomon (whereby they have agreed to play for $2,000 a week minus a 35% management fee and a guarantee), Them have received considerably less than they think they should. This causes a lot of bitterness between the group and Solomon, and as a result Them inform promoter Bill Graham that they will only play at their forthcoming Fillmore concert if they are paid in advance.

Photo: Cherwell

(21) Some of Them (billed as Them) appear at Balliol College, Oxford University alongside The Kinks, The Fortunes, The Alan Price Set, Geno Washington & The Ram Jam Band, The Caribbean All-Steer Band and Bunny Thompson.

(23) Morrison’s Them appear at San Francisco’s Fillmore Auditorium with The New Tweedy Brothers. After their performance, Morrison meets his future wife Janet Planet who accompanies the band on the rest of the tour. (She will be the inspiration for Morrison’s Astral Weeks.)

KRLA's Beat, June 25, 1966
KRLA’s Beat, June 25, 1966

(26) Morrison’s group is supported by The Association at the Oakland Auditorium, Oakland, California.

(27-29) Some of Them move to Denmark where they perform as Them. The group performs three shows in Copenhagen and finish their final recordings. Over the next five months, the band gigs in Denmark, Sweden and Norway. In the last week of July, the band is briefly joined by former Them member Peter Bardens on keyboards, allowing Jackie McAuley to come up front as lead singer.

July (1-2) Morrison’s Them perform at the “Beat On The Beach”, Santa Monica, California with The New Generation.

(8-9) Them appear at the Waikiki Shell, Kapiolani Park, Honolulu, Hawaii.

(23) The band performs at the Strand Theater, Modesto, California.

(28) Morrison’s group is supported by The Doors and The Count Five at the Starlight Ballroom, Oxnard and (in the evening) the Earl Warren Showgrounds, Santa Barbara, California.

(29-30) Morrison’s Them is supported by The Sons Of Champlin at the Fillmore Auditorium, San Francisco.

August (9) The McAuley brothers’ Them play at the Complain-LA-Tour jazz festival in Belgium.

(19-21) Morrison’s group performs at the Losers North, San Jose, California.

(23-28) A further set of dates take place at the Losers North.

The Wheels with Eric Wrixon, September 1966

September (1) Belfast publication Cityweek reports that The Wheels are back in the city. The band will split soon after, however. In 1967, Eric Wrixon will move to West Germany with The Never Never Band and plays regularly at Hamburg’s Star club, supporting soul acts like Sam & Dave.

KRLA's Beat, September 24, 1966
KRLA’s Beat, September 24, 1966

(2-3) Them performs at the Longshoreman’s Hall, San Francisco.

(8) Cityweek reports that Van Morrison, Alan Henderson and Jim Armstrong arrived home from America last week so it’s not clear whether the September US dates took place despite being advertised.

Photo: Cityweek

(9) They are billed to appear in Fresno, California. However, Morrison and Henderson may have already returned to London to sort out business matters with Solomon.  Morrison continues to work on some new songs that will later comprise his masterpiece Astral Weeks.

The Belfast Gypsies, released as Them
The Belfast Gypsies, released as Them
Rare French EP with Belfast Gypsies listed
Rare French EP with Belfast Gypsies listed

(17) The McAuley brothers’ group, now dubbed The Belfast Gypsies score a minor US hit when “Gloria’s Dream” hits #124.

(22) Morrison and Henderson are profiled in Cityweek‘s 22 September issue in an article entitled ‘Van and Co. back to “square one”‘.

Photo: Cityweek

(29) Cityweek reports that Ray Elliott flew in to Belfast last week.

October (2) The Weston Mercury reports that Them appear at the Winter Gardens, Weston-Super-Mare, Somerset. This would have been the McAuley brothers’ version. In Belfast, Morrison soon returns to occasional live work in a new outfit dubbed, Van Morrison and “Them Again”, which features former Castaways and Unit guitarist Eric Bell alongside former Alleykatz members Joe Hanratty (drums) and Mike Brown (bass). Alan Henderson doubles up on second bass.

Photo: Cityweek. Eric Bell (top right)

(13) Cityweek reports that Jim Armstrong has left Them to play with The Federals. Ray Elliott will also briefly join this outfit, according to the paper, a short while later.

Photo: Cityweek

(28) The Belfast Telegraph reports that Van Morrison and Them  play (their debut show) at the Square One Discotheque in Belfast with The Blue Angels.

Photo: Cityweek

November (4) Cityweek‘s 3 November issue reports that Them appear at Carrickfergus Town Hall today with The Carpetbaggers and The Fugitives.

Photo: Cityweek

(5) The McAuley brothers’ Them play their final date in Stockholm.

(10) The Belfast Telegraph reports that Van Morrison & Them perform at Sammy Houston’s Jazz Club. When Eric Bell leaves immediately after the Queen’s University rag ball gig, the band implodes.  Van Morrison concentrates on a solo career. Bell meanwhile moves to Glasgow and plays with The Bluebeats for two years.

Cityweek profile October 1965

December Armstrong, Elliott, Harvey and Henderson decide to carry on with Them’s name, now that Morrison has abandoned the name and is pursuing a solo career. The group recruits a new vocalist Ken McDowell (b. 21 December 1944, Belfast, N. Ireland), previously a member of Belfast group The Mad Lads, who have recorded a number of singles for Decca Records, as well as a lone release “I Went Out With My Baby” as Moses K. & The Prophets. The new version of Them writes to Carol Deck, Californian editor of Flip magazine (who had given the band some encouraging reviews during its US tour) asking for help, and she in turn introduces them to Texan producer Ray Ruff, who has his own indie label, Ruff Records. The new version of Them moves out to Amarillo, Texas in June 1967.

1967

January Major Minor Records releases “Gloria”, backed by another Morrison song, the acoustic “Friday’s Child” as a UK single. The McAuley brothers’ Them implodes and Jackie McAuley returns to Dublin and forms Cult with singer/songwriter and guitarist Paul Brady.

March A second Major Minor single “The Story Of Them” is released. Morrison signs a solo contract with Bert Berns and travels to New York to record for his Bang label. This will result in an immediate US hit “Brown Eyed Girl”, which makes #10. After Berns’ death in December 1967, Morrison will sign with Warner Brothers and record the classic Astral Weeks, which proves to be the beginning of an illustrious career.

Photo: Cityweek

(4) The Belfast Telegraph reports that Van Morrison is one of the opening acts for The Stormsville Shakers at Queen’s University’s student union in Belfast together with The Interns.

June (30) The US-based Them appear at the Purple Onion Teen Club, Wichita Falls, Texas.

Them in Checkmate Studios, Amarillo, 1967, from left: Ray Elliott, Alan Henderson, Dave Harvey, Ken McDowell and Jim Armstrong. Photo from the collection of Tom McCarty
Them in Checkmate Studios, Amarillo, 1967, from left: Ray Elliott, Alan Henderson, Dave Harvey, Ken McDowell and Jim Armstrong. Photo from the collection of Tom McCarty

July (12) According to the Childress Index, Them appears at Fair Park Auditorium, Childress, Texas. The next day they also play a gig in Farmington, New Mexico. The newspaper says they will tour for five months and play 20 times in Texas.

KRLA's Beat, May 6, 1967
KRLA’s Beat, May 6, 1967
The McAuley brother's group
The McAuley brother’s group

August Nearly year after the band’s final performance, the McAuley brothers’ group The Belfast Gypsies have a belated album release on the Swedish label Sonet as Them Belfast Gypsies. Having relocated to Amarillo, Texas, Henderson’s Them release their debut single without Morrison, a cover of Tom Lane’s “Dirty Old Man (At The Age Of Sixteen)” / “Square Room” on Sully Records before a nation-wide distribution deal is struck with Tower Records.

(10) The Evening Sentinel reports that Eric Wrixon’s latest group, The Never Never Band appear at the Golden Torch in Tunstall, Staffordshire.

Them Sully 45 Dirty Old Man
Above and below, first record by the Amarillo, Texas based Them

Them Sully 45 Square Room

September Starting off in Amarillo, Henderson’s group kicks off a major tour. The gruelling 61-date tour takes the musicians across the US Midwest and then to Los Angeles, where Them begin work on its first album without Morrison. Santa Rosa, California-based newspaper, the Press Democrat notes in its 1 January 1968 issue that the LP is recorded in studios in Texas, Oklahoma and Hollywood, California.

November Henderson’s Them release a second 45, the band composition “Walking In The Queens Garden” b/w “I Happen to Love You” on Ruff Records.

December Tower issues two singles, one includes newly recorded versions of “Dirty Old Man (At The Age Of Sixteen)” and “Square Room” and the second reissues the Ruff 45.

(8-10) The band appears at the Whisky-A-Go-Go, West Hollywood, California with Love and Blue Cheer. Santa Rosa paper the Press Democrat, says they play at the Vets Building in Santa Rosa, California over the Christmas weekend.

Poster from Amarillo, 1967, from left: Jim Armstrong, Dave Harvey, Ken McDowell, Ray Elliott and Alan Henderson. Poster from the collection of Tom McCarty
Poster from Amarillo, 1967, from left: Jim Armstrong, Dave Harvey, Ken McDowell, Ray Elliott and Alan Henderson. Poster from the collection of Tom McCarty

Them Tower LP Now and Them1968

January A new album, Now And Them is released featuring Them’s reply to the Doors’ “The End”, the extended raga piece “Square Room”.

February Tower reissues the Ruff 45 of “Walking In The Queens Gardens” but its success is limited to the West Coast.

March (24) The Hamilton Spectator’s 22 March issue, page 30, notes Them are playing in Toronto and will appear at Carl’s in Hamilton, Ontario on this date with David Clayton-Thomas and Combine. The group’s incessant touring prompts Elliott to quit the band while Them are in New York. He returns to Belfast briefly before working with an Irish showband in Leeds alongside guitarist Eric Bell from “Them Again”. Bell soon returns to Belfast to replace guitarist Gary Moore in The Shades of Blue before working with the Dublin-based The Dream showband.

April “But It’s Alright”, an out-take from the album is released as a single but doesn’t sell.

(11) According to the Odessa American newspaper, Them plays at Ector County Coliseum, Odessa, Texas.

May (24-25) Henderson’s Them appear alongside The Incredible String Band at the Kaleidoscope, Hollywood, California.

July The title track from their forthcoming album Time Out For Time In is released but is not a success.

August (14-15) The band plays with Frank Zappa & The Mothers of Invention at the Electric Theatre, Chicago. Them also performs at the Baton Rouge Festival on a bill that features Freddie King.

November Them’s second album Time Out Time In For Them is released. It has been recorded at Los Angeles’ Gold Star studios in the wake of Elliott’s departure and features session drummer John Guerin on a number of tracks. A single “Waltz Of The Flies” is extracted but fails to chart.

1969

March Them’s final single, a cover of the traditional Corinna is released but fails to chart. Unhappy with Ruff’s management and production, Armstrong and McDowell leave and return to Belfast where they put together Sk’Boo with Ricky McCutcheon and Colm Connolly. Henderson, meanwhile, remains with Ruff in L.A. and continues with the Them name; using guitarist Jim Parker and drummer John Stark from Amarillo band, The Kitchen Cinq, he produces two further albums: Them (1969) and In Reality (1970) for the Chicago label Happy Tiger. David Harvey also stays behind in California but will leave the music business.

June After working briskly throughout Ireland and the British mainland, Armstrong and McDowell shelve Sk’Boo (after a farewell gig in Wolverhampton) and return to the US later that year. Based in Chicago, the duo recruit an American rhythm section comprising bassist Curt Bachman (ex-The Buckinghams) and drummer Reno Smith formerly of Baby Huey and The Babysitters in a new group called Truth, which becomes house band at Beavers. The Chicago Tribune‘s 2 November 1969 issue runs a spread on the newly formed group. The band tours extensively around the Chicago area for the next 18 months, and also contributes several songs to the soundtrack for Pat Mulcahy’s film Cum Laude Fraud (later released as College For Fun And Profit), before being offered a recording deal with Epic Records. Ex-Them member Ray Elliott rejoins the band during its lifespan but subsequently leaves after contributing to some recordings and returns to England.

July (26) Them and Truth* both appear at the Eugene Pop Festival, Hayward Field, University of Oregon, Eugene alongside Alice Cooper, The Doors and others.

* Neal Skok and I have been trying to find out for some time now what “Them” this was — there is a slim chance it was the Tower Records ensemble. But the “Truth” that is listed for this gig is most definitely not the Chicago-based Truth comprised of the ex-Them gents (whose CD Neal and I put out on his “Epilogue” label in ’94). This “Truth” was a NW teen rock band – and of course there were several Christian bands that used that name in the ’60s and later.
– John Berg

October Having returned from Germany and joined The Trixons showband, original Them member Eric Wrixon joins guitarist Eric Bell from the short-lived “Them Again” in the original Thin Lizzy. He leaves in early 1970 and returns to Germany to play with Junior Walker, Junior Wells and Buddy Guy among others.

1970

January (21) Truth play at the New Cellar, Chicago alongside The Mauds.

March Having moved to Beirut in Lebanon with The League of Gentlemen the previous year, former Them member Jackie McAuley returns to England and forms Trader Horne with Judy Dyble, who has previously worked with the original Fairport Convention. The duo release the album, Morning Way, which features contributions from former Them member Ray Elliott. When Trader Horne split later in the year, McAuley forms the short-lived One with Rosko Gee and Adam Marsh before starting on a solo album.

Japanese sleeve with Alan Henderson's Them
Japanese sleeve with Alan Henderson’s Them

Them Tower LP Time Out! Time In for ThemThem Happy Tiger LP

Them In Reality LP

1971

February Truth return to Belfast for a working holiday before sessions in London begin later that month. Unfortunately, Epic Records undergoes a change in management and following a communication problem, Truth’s band members fall apart before they have a chance to enter the studio. Elliott subsequently moves to Canada (where he dies in June 1993 in Toronto), while Bachman and Smith return to the US. Armstrong and McDowell move back to Belfast where Armstrong joins the Civil Service and McDowell becomes a member of The College Boys. (Truth’s private recordings and studio sessions from Chicago are later released by Epilogue Records as The Truth Of Them And Other Tales in 1995.)

March Jackie McAuley releases his eponymous debut solo album on the small Dawn label, before later working with bands Wand and Mackeral Sky. He also spends four years working with Lonnie Donegan. Jackie’s brother Pat (who turns down an offer to play with Marc Bolan), sadly dies in a drowning accident in Donegal on 11 August 1984.

1972

August Compilation album Them Featuring Van Morrison hits US #154.

1973

After working with cabaret singer Roly Stewart, Jim Armstrong has rejoined Ken McDowell in The College Boys in the early 1970s. The pair then join Reunion before working with another former Them member John Wilson in Bronco. The pair also form the band Spike, which works at the Pound club in Belfast. Wilson subsequently becomes Northern Ireland’s top session drummer.

Truth of Them and Other Tales

Deram double LP repackages their first two U.S. LPs minus two tracks each.
Deram double LP repackages their first two U.S. LPs minus two tracks each.

1974 Backtrackin’ released only in the U.S., featured obscure b-sides and songs not previously available in the U.S.: “Richard Cory”, “I Put a Spell on You”, “Just a Little Bit”, “I Gave My Love a Diamond”, “Half as Much”, “Baby Please Don’t Go”, “Hey Girl”, “Don’t Start Crying Now”, “All for Myself” and “Mighty Like a Rose”. All the tracks except the last, however, were in simulated stereo.

1978

Armstrong leaves Spike and forms his own band Light, who record an eponymous album on the small Mint label in Ireland only.

1979

Billy Harrison reforms Them with original keyboard player Eric Wrixon. Initially, Harrison intended to complete the group with John Wilson, who’d played drums on Them Again album, together with bass player Jackie Flavelle and singer Mel Austin but Wilson and Flavelle drop out prompting him to bring in drummer Billy Bell. He also brings back Henderson, who has spent several years working on his Connecticut farm. Them move to Germany where they hold down a residency in Hamburg. While there the group records the album Shut Your Mouth for Teldec/Decca before Jim Armstrong and Brian Scott from Light replace Harrison and Wrixon. However, after a brief tour of Germany the group splinters. Armstrong reunites with Ken McDowell in a new version of Sk’Boo, who release one single “It’s A Hard Road” for the small Cuecomber label.

From left: Joe Baldi, Terry Noon, Peter Bardens, Van Morrison and Alan Henderson from summer of 1965. London LP Backtrackin'
From left: Joe Baldi, Terry Noon, Peter Bardens, Van Morrison and Alan Henderson from summer of 1965

1980

Harrison emerges with the solo album Billy Who? on the German Vagabond label. He then abandons a music career and become a marine electrician. Jackie McAuley spends most of the 1980s and 1990s working with Poor Mouth, who release a number of albums, including Gael Force. In 1982, he co-writes “Dear John”, which is a hit for Status Quo.

1989

Original member Eric Wrixon forms The Belfast Blues Band with another former Them member, John Wilson.

1994

Jackie McAuley emerges with a new solo album, Headspin. Guitarist Jim Armstrong meanwhile has formed The Belfast Blues Band with original Them member Eric Wrixon. His former band mate, Ken McDowell has continued to work with Sk’Boo and then plays with Hens Teeth before forming The Kenny McDowell/Ronnie Greer Band in the early 2000s.

1998

Jackie McAuley releases another solo release, Shadowboxing.

2000

Jackie McAuley puts out another solo release, Bad Day At Black Rock. McAuley subsequently joins The Harbour Band, who release the album Live In The Spirit Tour in 2003.

2003

The Ken McDowell/Ronnie Greer Band release the album, Live At The Island. Jim Armstrong leaves The Belfast Blues Band and reforms The Jim Armstrong Band.

Sources:

Clayson, Alan. Call Up The Groups – The Golden Age Of British Beat,

Blandford Press, 1985, pages 168-170.

Doggett, Peter. “Them”, Record Collector # 149, January 1992, pages 112-116

Du Noyer, Paul. “Heart & Soul Of Van Morrison”, Mojo Magazine, November 1993, page 84.

Gray, Michael. Mother – The Frank Zappa Story, Plexus, 1993.

Grushkin, Paul D. Art Of Rock – Posters From Presley To Punk, Artabras, Cross River Press Ltd, 1987.

Harper, Colin. Sleeve notes to CD Belfast Beat, 1998.

Harper, Colin and Hodgett, Trevor. Irish Folk, Trad & Blues – A Secret History, Cherry Red Books, 2004.

Hodgett, Trevor. “Them After Van Morrison”, Record Collector #89, pages 52-57.

Hogg, Brian. “Van Morrison & Them”, Strange Things Are Happening, Vol 1, #4, Sep/Oct 1988, Bam-Caruso Books, pages 6-14 and 20.

Housden, David Peter. The Castle, Love #9, December 1995, page 28 and 57.

Housden, David Peter. The Castle, Love #10, 1996, pages 6-7.

Rees, Dafydd and Crampton, Luke. Guinness Book Of Rock Stars, 2nd Edition, Guinness Publishing, 1991, page 528.

Rogan, Johnny. CSN&Y – The Visual Documentary, Omnibus Press, 1996, page 10.

Shaw, Greg. The Doors On The Road, Omnibus Press, 1997, pages 14 and 172.

Turner, Steve. Van Morrison – Too Late To Stop Now, Bloomsbury, 1993, pages 49 and 60.

Unterberger, Richie. “Belfast Gypsies” article in Ugly Things issue 23.

Whitburn, Joel. Bubbling Under Hot 100 1959-1985, Billboard Researchers Inc, 1985.

Sleeve notes to the Deram Anthology The Story Of Them – Featuring Van Morrison, 1997.

Sleeve notes to Epilogue CD, The Truth Of Them And Other Tales, 1995.

Melody Maker, March 5, 1966, page 13.

News clippings from KRLA Beat.

Gigs from Beat Instrumental and Melody Maker.

Thank you to John Warburg, Simon Gee, Nigel Norman. Tom McCarty and Mike Markesich.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Email: Warchive@aol.com

Japanese sleeve with wrong photo showing the Scottish group, the Poets
Japanese sleeve with photo incorrectly showing the Scottish group, the Poets

Los Beatniks – La Barra de Chocolate

Los Beatniks CBS 7" RebeldeArgentina had a strong rock n’ roll scene dating back to the ’50s, for years largely imitative of U.S. sounds, with records sung in English. The explosion of British Invasion sounds came through the hugely influential Los Shakers, from nearby Montevideo, Uruguay, and later from Los Mockers and Los Bulldogs, also Uruguayan bands.

By the mid-’60s groups like Los Gatos Salvajes started singing in Spanish. Another was Los Beatniks, who had been playing in the basement club La Cueva on Pueyrredón Avenue. They recorded their only single “Rebelde” / “No finjas más” (CBS 21574) on June 2, 1966. “Rebelde” is credited as the first Argentine garage song sung in Spanish. The song starts with a great bass and drum line and has fine organ fills, but the coolest parts are the opening scream and the ghoulish echo of the vocals during the chorus.

They pulled some publicity stunts – supposedly playing naked in a fountain and spending three days in prison for it. There’s a short, silent b&w clip of the band playing in the back of trucks around Buenos Aires. The stunts got them some media coverage, but didn’t help their single – it sold only 200 copies out of the 600 pressed and they soon broke up. (Note: there were unrelated groups from Brazil, Chile and Mexico that also had the name Beatniks.)

Their singer Pajarito Zaguri made a single as El Cuarto Pajarito with other musicians he knew from La Cueva and an all-night pizza shop, La Perla del Once. He then joined Los Náufragos for their debut LP before forming La Barra de Chocolate with guitarist Nacho Smilari, Jorge “Yoryo” Mercury on organ, Miguel Monti on bass and Quique Sapia on drums.

La Barra de Chocolate Music Hall 7" El MaleconLa Barra de Chocolate released four singles and and LP on the Music Hall label. Stylistically they range from pop with horns and strings to psychedelia of “Proyectos de un ladrón prisionero” (hear it on the compilation Obsession on Bully Records) and “El divagante” to the extended jamming of “Viste”. My favorite tracks are the garage sound of “Buenos Aires Beat” from their LP and the b-side to their third single “El Malecon”, which has a scuzzy funk quality that really sets it apart.

Their LP and singles have been reissued on CD (from master tapes I believe), though it’s not easily available. The CD includes the b-side to Los Beatniks single, “No finjas más”, plus another song not released at the time, “El Soldado” (but not “Rebelde” for some reason), and both sides of the rare El Cuarto Pajarito single.

Thanks to Borja for the scan of the Los Beatniks single. The Magic Land is a great source of info on rock from Argentina and Uruguay.

The Beagles

The Beatles, 1964, from left: Bill Suddith, Lonnie McLane, Russ Jordan, Wayne DeWitt and Donnie Turner

Beagles Empires 45 All I Need Is YouThe Beagles “All I Need Is You” is a crude garage number very reminiscent at times of “Can’t Buy Me Love”. There are a couple good shouts and a decent guitar break. It’s backed by the goofy “Him and Her”, a song about the two dogs at the White House getting in LBJ’s way.

The band was from Lynchburg, Virginia, with song writing by John William Suddith and Wayne DeWitt, published with Gary Simpson who owned the Beagles name (thanks to Mop Top Mike for the info).

The band members were:

Bill Suddith – lead guitar and vocals
Lonnie McLane – guitar and lead vocals
Russ Jordan – bass and vocals
Wayne DeWitt – sax and vocals
Donald Turner – drums

Released on the Empire label in the spring of 1964, this 45 was pressed at the Southern Plastics plant in Nashville, using Nashville Matrix to master and plate.

No relation to the Beagles cartoon which had some great tracks like “I Feel Like Humpty Dumpty”.

The Volcanoes and Freddie & the Freeloaders

Freddie and the Freeloaders, from left: Jamie Montana, Bobby Dennis, Fred Prue, Al Roberts, and Dennis Broadbelt
The Volcanoes, Fred Prue at right, the others are unidentified

Updated March, 2022

Left-handed guitarist Fred Prue came from Newport, Vermont, the eldest of thirteen children. His father Frederick Adelbert Prue was also a guitarist, with a record as Fred Prue with Roy Baxter & His Combo – “Don’t Wink at Me” / “Lookin for Joe” (both songs by Prue & George Zorich) on Arctic 45-100 in 1957.

Fred Prue started the Volcanoes, but I am not sure who was in the early lineups of the band. Al Roberts, who had been with the Thunderbolts from Plattsburgh, NY joined sometime around 1964. Prue and Roberts would be constants in the lineups of Freddie & the Freeloaders over the next couple years.

Volcanos B and J 45 Someone Like YouThe 1965 lineup of the Volcanoes or Freddie & the Freeloaders seems to have included:

Fred Prue – guitar and vocals
Al Roberts – organ
Bob Dennis – guitar
Joe Seta – bass
Dennis Broadbelt – drums

Volcanoes B&J 45 Someone Like YouThe Volcanoes met Johnny Baylor, probably in New York City while touring. The Volcanoes were among Baylor’s first record productions, their single released on his B&J Records 100 in early 1965.

“Two of a Kind” is a slow weeper with a long dramatic introduction. I prefer the flip, “Someone Like You”, a rocker with swirling organ, a couple good shouts, decent guitar solo and a solid rhythm section. Frederick C. Prue wrote both songs, though Amy Prue told me her grandfather wrote the original version of “Someone Like You”. The red-label stock copy has a different logo at top, and oddly, a second vocal track on “Someone Like You”.

Also in early 1965, the Volcanoes changed their name to Freddie and the Freeloaders, based out of Burlington, VT, but touring constantly. They made another single with Johnny Baylor producing, “Shindig Dance” (Betty Newsome, Eddie Silvers) b/w “Two of a Kind” (written by Fred C. Prue), arranged & conducted by Eddie Silvers.

The only other artist Baylor produced on B and J Records and Baylor Records was Little Dooley and the Fabulous Tears. Baylor would relocate his operations to Memphis, Tennessee, where he started the Koko label in 1966, and would eventually become involved with Stax Records.

Willie Mitchell’s band with Freddie and the Freeloaders in Memphis, circa 1966. From left (kneeling): Willie Mitchell, unidentified, Freddie Prue, and Don Bryant. Top row from left: James Mitchell, six unidentified people, Dennis Broadbelt, and unidentified

The connection with Baylor may have brought Freddie & the Freeloaders to Memphis, where they would cut their next single at Sun Studios. The rockin’ “Patty” is credited to Fred Prue and Gene Simmons, Arkmil Pub. Co., and “The Octopus Song” is by James Mitchell & John Franzese. The initial release was on Crossroad 103/4 out of West Memphis, Arkansas in March, 1966.

Laurie Records immediately picked it up for national distribution as Laurie LR 3334. The single even saw release in Germany on Ariola 18 880 AT.

Freddie and the Freeloaders promotional photo
Freddie and the Freeloaders, from left: Jamie Montana, Bobby Dennis, Fred Prue, Al Roberts, and Dennis Broadbelt

An article in the Nashua Telegraph (Nashua, New Hampshire, not far from Boston) on December 31, 1966 lists the members as:

Fred Prue – lead guitar
Al Roberts – rhythm guitar
Joe Seta – bass
Robert Allen – organ
Bob Bennet – drums

Freddie and the Freeloaders from Burlington, VT … have made many records such as “The Octopus Song” and “That’s the Kind of Man I Am.” They were recording in Memphis, Tenn for Laurie Records and came from there [via] the Fred Petty Agency.

Some of their college dates have been at Tufts, Rensselaer and Princeton.

Ranging in age from 20 to 23, the boys, Fred Prue, lead guitar; Al Robert, rhythm guitar; Joe Seta, base guitar; Robert Allen, organ and Bob Bennet, drums, have a style of Rock and Roll combined with rhythm and blues … very much their own.

Freddie and the Freeloaders later promotional photo
I could use help identifying the musicians in this photo. Fred Pruce is center.
Ad for an engagement at Pal Joey’s Lounge in Somerville, MA, Feb. 13-25, 1967, the band includes Fred Prue, Al Roberts, Joe Seta and Dennis Broadbelt, with an unidentified drummer

A photo from an ad for February, 1967 shows in Somerville, MA includes:

Fred Prue – lead guitar
Al Roberts – rhythm guitar
Joe Seta – bass
Dennis Broadbelt – drums
unknown – ?

I am not sure when Freddie & the Freeloaders split up. Fred Prue continued playing music, including Prues Blues. He passed away on February 15, 2020.

Thank you to Amy Prue for the photos & information on her father’s bands.

Thanks also to James for the scan of “Someone Like You”.

Sources include: The Story Of The Thunderbolts by Will Shade.

There were most certainly not the Volcanoes from Canada, who made “Sympathize” / “Listen to the Clouds” on Sound Inc (and picked up by Sparton in Canada), two songs written by Ron Allan Neilson & Harry Olsen and produced by Getz-Powers.

Also, there were three other Freddie and the Freeloaders acts with records. None of these are related to Fred Prue’s group:

Freddie and the Freeloaders with Fred Halls from Danville, Illinois who recorded on Redd Hedd.

Freddie and the Freeloaders – “Say It” (Freddie W.) / Little Prince & the Freeloaders – “Nursery Love” on M and M 1263 in 1963

Freddie and The Freeloaders from the Baltimore area – “Little One” / “You’re Gone” on Dome SR 4014

1967 lineup, from bottom right: Dennis Broadbelt, Fred Prue, Al Roberts, Joe Seta, and unidentified
Freddie and the Freeloaders color photo
Fred Prue at left

The Versatiles

The Versatiles were from Mobile, Alabama. They played at The Happening and the Stork Club, among other venues. Members were:

Daryl Huffman – lead guitar, keyboards
Jerry Smith – guitar
David Smith – bass
P.J. Johnston – drums

Darryl Huffman’s distorted tone and wailing lead distinguishes the top side of their first record, “Cyclothymia”. The title refers to a mild form of manic-depression, with lyrics to match.

If released as I’ve read in September 1967, then it was a heavy sound for its time. Of the four songs they released, this was the only one written by the group. The flip is a cover of Brian Wilson’s “Farmers Daughter”.

One unusual aspect about the band is that there seems to be no real lead singer, as they sing all four songs from their singles in unison, both verse and chorus.

Their second 45 on Rickarby, “Somethin’ Like A Man” starts out like “Cyclothymia” with intense drumming and riffing. Huffman plays leads behind the verses, while the lyrics (excerpted below) could be described as anti-war, but seem to me to be more ambiguous:

What is a man?
Does he knows what’s happening when he sees,
The world and all its atrocities?
Yes he does.
Now ain’t that something like a man?
He only does what he has to, when he can.

What does he do when the world is tilting right?
Picks up his gun and he runs to join the fight.
Does he know which side he’s fighting for,
Or is it just an excuse to join the war?
Don’t you agree that he’s something like a man?

Does he know just what to say?
Does he get down on his knees and pray?
Is he aware of the life that he’ll have to take,
To protect his home for his family’s sake?
Yes he is.
Now ain’t that something like a man?
He only does what he has to, when he can.

“Warm In The Rain” has a lighter sound, with ringing guitar notes. Both of the songs on their second 45 were written by Clarence Previto (Tony Previto).

Tom and the Tempests “It’s Over Now” / “Play It Cool” on Alco

Tom & the Tempests Alco PS It's Over Now

Tom & the Tempests Alco 45 It's Over NowTom Fortener, keyboard player for Tom and the Tempests sent me this incredible 45 and sleeve and a short bio on the group:

Tom and the Tempests were formed in 1963 by Tom Fortener. Original members were, Randy Debord, rhythm guitar and vocals, Frank Hall, lead guitar, Bill Muncy, drums, Fred Nagle, bass and Tom Fortener, piano, organ. The band was managed by Toms’ Dad, Ray Fortener.

They wrote and recorded “It’s Over Now” and “Play It Cool” in 1964. They sponsored Sunday afternoon dances at GBU hall in Dayton, Ohio. They hired disc jockeys from WING and WONE. A popular promotion there was the Battle of the Bands. In 1965, they played the New State Pavilion, New York World’s Fair in Flushing, New York. They played throughout Ohio and was considered by many the best band in the area.

Tom Fortener

This is a Rite pressing from 1964. Alco’s first two releases were by Sonny Flaharty and His Young Americans, so the Young American Productions credit on the labels of this indicate Flaharty’s involvement. Alco was owned by Arvey Webster on Springboro Ave in Dayton.

Update: I’m very sorry to report that Thomas Fortener passed away on Sunday, May 25, 2025, in Ohio, at the age of 76. All my condolences to his family and friends.

Info on Alco from 45rpmrecords.com.

Tom & the Tempests Alco 45 Play It Cool

Mike Ibrahim and the Nite Walkers

Mike Ibrahim Parlophone EP cover

Mike Ibrahim and the Nitewalkers Parlophone EP side 1Probably best known for backing Mike Ibrahim, The Nitewalkers of Johore Bahru in Malaysia, also backed other singers, such as Milah Hussain and A. Ramlie. With Mike Ibrahim they recorded a number of EPs in the early 1970s that have more of a 1960s feel, one of the heavy variety!

The first three EPs they released all featured one song about Malaysian children’s games, such as “Chong Chong Nai” and “Chok Chok Kundong”. The song featured here, “Bangselebu”, is from there second EP, released in 1971. In 2007 Mike Ibrahim was reported to be preparing a new album.

Mike Ibrahim and the Nitewalkers Parlophone EP back cover

The Aliens (of Norfolk, VA)

The Aliens, 1966 photo
The Aliens, 1966, from left: Bill Gaunce, Conrad Dedacatoria, John Davis, Robbie House and Rick Hudson

Original bassist Bill Gaunce sent me this early photo of the Aliens. I love the illustration painted on the organ. A couple years after this photo they recorded two 45s, “Love Someone” / “Tobacco Road” on the Telastar label, and “Come Fly with Me” / “Season of the Witch” on the Son of a Witch label. Hear “Love Someone” on the excellent CD, Aliens, Psychos & Wild Things vol. 1.

Here’s the first official band photo taken of The Aliens from Norfolk, Virginia. This picture appeared in Norfolk paper, The Ledger Star, when the Aliens became the house band at the Four Seasons club. We’re all 15-16 years in this pic.

The Aliens played in the 1967 WNOR battle of the bands. There was also an Aliens from Hampton, Virginia which prompted a battle of the bands challenge at Mercury Roller Rink in Norfolk to determine who would keep the name. The Aliens from Norfolk won the battle, but from then on were known as The Norfolk Aliens which had been originally adopted just for the battle of the bands.

The lineup changed in the next few years, this photo is of the original members. Pictured from left to right:

Bill Gaunce on bass
Conrad Dedicatoria on drums
John Davis guitar
Robbie House (front with tambourine)
Rick Hudson keyboards

Rick and Conrad asked me to join the band they were forming. Conrad and I “auditioned” Robby House (without his knowledge!) when he was in a band called The Royal Wellingtons. We asked him to join and he did. The Aliens were in a battle of the bands with the Corduroys; Steve Green was the singer/gutarist and really impressed us so we ask him to join. Byrd was a high school friend who basically hung around and sat in enough to eventually be “absorbed” into the band.

Rick Hudson was replaced by Steve Green (guitar/vocals) shortly after this picture and Bill/Claire Sechman (aka Byrd) was added shortly after that. We played at the Four Seasons with this lineup and then I left and formed a band called Quagmire (me on bass, Steve Wilson vocals, Nick Kepics guitar, and Russell Scarborough drums). In ’68-’69 we were a fixture in downtown Norfolk’s seedy bars, most notably The Jamaican Room where we were house band for a short time.

The Aliens expanded their lineup to include Nick Bonis (keys) and PooNeil [Gayle Hollowman] on vocals. With Doug Coward on bass they had their recording lineup. Doug has passed away, Nick Bonus still plays and is the bass player in a band called Big Fun, which coincidentally had Quagmire’s old drummer Russell Scarborough playing with them until just recently. Robbie House still gigs around town doing acoustic stuff, Steve Green is playing bass and guitar in Nashville.

I played live until 2004. Now I write and record my own stuff & I’ve put out a few CDS with my music. I’m getting ready to release a cd of Americana flavored music & the songs are scattered about on my site at www.billgaunce.com.

Bill Gaunce

Aliens Norfolk Virginia Booking Agency promo photoA
Later photo of the Aliens, from left: John Davis (Spazz), Pooniel (Georgia Randall or Randell … not sure about spelling), Steve Greene behind Pooniel, Doug Cowert in back (not sure about spelling R.I.P), Morgan Hampton (previously Conrad), Byrd (William Sechman R.I.P), Nick Bonis, and Robbie House. Submitted by the estate of Joanne Tluchak, Virginia Beach

This photo was found with another by the East Coastmen – could there be any connection between the two?

The Factory / Factree / Tree

The Factree, from left: Rick Gauthier, Chris Smith and Mike Weaver
The Factree, from left: Rick Gauthier, Chris Smith and Mike Weaver
As the Factory, 1967
As the Factory, 1967

Factree Sparton 45 Kaleidoscope

Factree Sparton 45 Something Called Love

Like the Sinners who I profiled last week, the Factree came from the Niagara region of southern Ontario.

Guitarist Chris Smith spoke to me about the group and shared his incredible collection of photos and memorabilia along with a CD collecting the band’s music.

There are some great unreleased songs. The early “Who I Am” was written by bassist Rick Gauthier and drummer Mike Weaver and recorded in Chris Smith’s garage. Chris lets loose three incredible buzzing guitar passages, one after each chorus. Rick’s bass lines lock in with Mike’s drumming for a solid backing rhythm. It must have been a great sound to hear live.

Another self-recorded song was Chris’s original “Blue Shades”. The vocals boom from a distance over rolling drums and a repetitive guitar and bass vamp to give an eerie effect. Chris provides another cutting solo.

There are two versions of another Chris Smith original, “Something Called Love”, and they make for a good comparison. The demo recorded at a Timmins, Ontario radio station has a cool bizarre ending not used on the Sparton 45 version, which is tighter and has good use of echo.

Mike Weaver and Rick Gauthier wrote the other side of the Sparton 45, “Kaleidoscope” which may be the culmination of their heavy sound, from Chris’ dissonant opening riff to the psychedelic lyrics and trippy middle section. After a great sludgy solo, Rick’s bass slows to a final Hendrix-inspired lick enveloped in echo. More than any Canadian or U.S. music of the time, “Kaleidoscope” reminds me of the hard-driving rock being cut by English groups like Tomorrow and the Pretty Things.

The Factree postcard
The Factree postcard
The Tree postcard
The Tree postcard

Tree Canland Recording 45 See to Your NeighborBy 1969 the band was going by an abbreviated name, the Tree, and cut one last 45 for Michael Addario’s Canland Records label, a loose, catchy version of the Electric Flag’s “See to Your Neighbor” with Mike Weaver’s drums and the rough vocals standing out. It was backed with a Creedence-style version of Suzie Q.

FacTree promo photo
Left to right: Rick Gauthier, Chris Smith and Mike Weaver
from left: Mike, Chris and Rick
from left: Mike, Chris and Rick

Chris Smith, RCA Studios, 1968
Chris Smith, RCA Studios, 1968
Mike Weaver, RCA Studios, 1968
Mike Weaver, RCA Studios, 1968
Rick Gauthier, RCA Studios, 1968
Rick Gauthier, RCA Studios, 1968
from left: Rick, Chris and Mike
from left: Rick, Chris and Mike

McIntyre Arena, May 19, 1969
McIntyre Arena, May 19, 1969

Chris Smith answered some of my questions about the group:

I started playing guitar at age 14 like most my age after seeing the Beatles, we figured that’s cool. There were several groups before the Factory. – the Mercy Beats (’64/’65 – there might have been a bigger band with this name, we were just kids in my garage singing Beatles songs); the Spyders (’65/’66 – British rock); the Executioners and the Silencers (’66 – both pop rock); the Moddels (’66/’67 all the cool mod songs and blues); & the 13th Floor (’67 – Doors, Vanilla Fudge etc).

Q. When you joined the Factree they were still known as the Sinners, is that correct? Or was it started as a completely new band?

The Sinners had nothing to do with Factory. Mike and Rick were playing with the Mood – they broke up. I was playing with the 13th Floor. We were looking for a singer and got ahold of Rick to jam. Rick came out but was really only interested in me as a guitar player and wanted to stay with his drummer Mike, so he asked me to jam on our own. This was around ’66 / ’67 – Hendrix, Cream, etc, three man was in, so we wanted to go in that direction.

We came up with the name The Factory. We later changed it to Factree, later our fans kinda shortened to the Tree. The joke was we decided to Fac off. We were about half original, the rest Cream, Hendrix, usual acid rock stuff of the era. We were friends with the Spartons, The Sinners, The Night Walkers, many others, also friendly rivals of everyone – that’s just the way it was.

I wrote “Something Called Love”. We were messing with our garage recordings on a bunch of stuff. The garage recordings were done using two Phillips stereo recorders, Shure PE58 mics one on bass amp, one on guitar, overhead and snare and kick mikes. Run through a Shure mixer, vocals added on during mix. The reverb is the hallway that led to my basement, no processors at that time. I ran 100 feet of cable from the garage, we sang into the PA in the garage, sent it to a speaker in the hall, mike at the other end back to the recorders in the garage. With such long cables no low impedance, no balanced feeds back then, it’s a wonder the noise isn’t too bad considering. That was my start as a engineer for sure.

Pete Borbolli was the DJ friend of the Mood who recorded them on their 45, “Who Do You Love” and “Train’s Late”. He moved to Timmins and asked us to come up. The radio station was old school had real nice full studio for big band era stuff. We recorded “Something Called Love” and some other stuff there. We played a couple of large dance concerts up there hosted by the radio station.

Pete really flogged the music and it was on the playlist and did #1 in the Top Ten. We had a loyal following there and lots of promo and hype to boot. The demo did lead to the RCA contract.

The RCA sessions were a big thing for us small town boys in a real big studio in the big city Toronto. Everything was done in a few hours, we got there around noon and the studio closed at 5:00 so out the door we went. We managed to get it down, so all was good.

The RCA Sparton 45 was promoted by the company and did get considerable airplay at the time so we were happy. The first single on Sparton was to be followed by the second two songs we recorded that day – yeah we did four. It was unfortunate the masters were damaged before the second release was pressed.

We had a falling out with the producer so we decided to [go with] Canland, a friend who had a small music store and some recording gear in a back room. The Canland recording was more home brew and didn’t get the distribution of the RCA 45. It did keep us current and we had product to promote so the live scene was very successful for us.

Q. Regarding the vocals, were you singing lead on your songs and Rick and Mike singing together on ‘Who I Am’ and ‘Kaleidoscope’? How about ‘See to Your Neighbor’, which sounds very different than any other vocal by the band?

Yes, you are right about the vocals. I mainly sing lead on my own and the same for them. “See to Your Neighbour” was sung by Mike.

Q. Can you recall your setup as far as your guitar sound on the recordings and for live shows? You get a great variety of distorted tones on your leads – were there particular combinations of pedals and amps that you preferred?

The Timmins set up was a ’64 Gibson SG and Kimberly Fuzz made in Rochester, NY plugged directly into an Ampex tube mixer then direct to recorder. The garage stuff was Telecaster/SG and Kimberly through a Bandmaster. My set up at RCA was a ’61 Telecaster and ’66 Bandmaster, Dallas Arbiter Fuzz Face. The Canland Tree stuff was Ace Tone Wah, Fuzz Face and Marshall Plexi.

Live, my main Factory/Factree/Tree set up was the Ace Tone Wah, Fuzz Face gradually discontinued in lieu of straight over-driven guitar through the Marshall. For the arena rock and halls I used a Marshall and Bandmaster with Sykes cabinets and a Traynor Roto Master Leslie (“I’m a Man” kinda sound). The guitars ’61 Telecaster, ’64 Gibson SG, later ’66 Burns Nu Sonic, ’67 Rickenbacker. The fuzzes evolved from the Kimberly, Zonk [John Hornby Skewes’ Zonk Machine], Fuzz Face, to none. The Ace Tone Wah most of the way in fact I still have it but haven’t used it in years.

Q. Did the group end with Mike Weaver’s sudden death?

Mike was from the club era and wanted to go more commercial away from acid rock, high school & dance concert stuff, so by 1970 we started play more hotel circuit stuff. I wanted to carry on my concert style and didn’t like the club scene on the road – too many nights in the same spot doing stuff I didn’t like. So I left the band.

They continued for a few months when Mike had his first heart attack. He was off a few months then back at it, he became ill again and died a few months later. Either way that was end of the band. Rick finished with another drummer and guitarist but it was over quick.

With the Spencer Davis Group at the McIntyre Arena in Timmins, May 19, 1969. Back row: Spencer Davis, Chris Smith, Rick Gauthier, unidentified. Front: unidentified, Ray Fenwick (?), Mike Weaver. Can anyone help ID the other members of the Spencer Davis Group at this time? Are these still Pete York and Eddie Hardin, or Dee Murray and Nigel Olssen?

Q. In one of the clippings by Kevin Scanlon he writes that there was a deal with Island Records in the works – what happened with that?

The Island thing never went much beyond the rumor. Spencer Davis was talking about trying to set something up but they were pretty much defunct after our couple of gigs. We were hopeful to go to England and pursue the mission, but our own problems and lifestyles, change in direction and factors I discussed before – well it just didn’t happen. As a recap this inability to keep moving toward larger venues ultimately led me to leave my own group.

When I moved on I allowed Mike and Rick to continue as Factree again. Since the begining I was the leader and as such was paid double and had 50% control of any vote issues as well. Just because I was unhappy with direction, I felt I would let them carry on.

Q. What was your next project?

I was playing my thing with Padlok (heavy ’70s rock, half original) – see my web site www.kingoftheattic.com for details, samples and photos.

Chris Smith

Factree promo photo

“Something Called Love” and “Blue Shades” © 1967 C. Smith; “Who I Am” © 1966 M. Weaver, R. Gauthier; “Kaleidoscope” © 1968 M. Weaver, R. Gauthier.

Thanks to Ivan Amirault for the 45 scans and Curtis color promo photo.

Factree opening for the Spencer Davis Group, McIntyre Arena, Timmins, May 16, 1969
Opening for the Spencer Davis Group, McIntyre Arena, Timmins, May 16, 1969

Factree stationary and band cards

Sparton Record News

Sparton Record News

Knights of Columbus Hall, February 7, 1969
Knights of Columbus Hall, February 7, 1969
Red Carpet Room, Kennedy Arms Tavern
Red Carpet Room, Kennedy Arms Tavern

Tree Heavy flyer

with Uphoria at the Palace Theatre, St. Catharines
with Uphoria at the Palace Theatre, St. Catharines
Bissell's Hideaway, Ridgeville
Bissell’s Hideaway, Ridgeville

Tree news clipping from the Evening Tribune

Power Plant Discotheque, St. Catharines
Power Plant Discotheque, St. Catharines
At the Welland Arena with the Other Syde and the Speed
At the Welland Arena with the Other Syde and the Speed

Tree news clipping

At the Cove in Long Beach
At the Cove in Long Beach
Factree promo photo, 1970
Factree promo photo, 1970
Good description of their live show by Kevin Scanlon in Pop and Stuff.
Good description of their live show by Kevin Scanlon in Pop and Stuff.

M. Yubi and Dizzy Inspiration

M. Yubi and Dizzy Inspiration Sea Lion EP front cover

M. Yubi and Dizzy Inspiration Sea Lion EP side 1I haven’t got much to say about M. Yubi & Dizzy Inspiration because I don’t know much. By the look of the chaps on the cover I would say that this was recorded in the late 1960s.

The song “Dendang Seloka” invites all young men and women to dance and be happy and not worry about things too much, otherwise they will just bring themselves pain. The other songs on the EP are ballads.

“Dendang Seloka” is credited on the label for composition and lyrics to Dizzy Inspiration. I have no doubt that they wrote the words, but the music has more than a passing similarity to the Standell’s “Sometimes Good Guys Don’t Wear White”. Female Malaysian singer Kamsiah M. Ali also recorded a song titled “Dendang Seloka”, but it is totally different lyrically and musically.

M. Yubi and Dizzy Inspiration Sea Lion EP back