Category Archives: Label

The Manchester Playboys

Manchester's Playboys, Hamburg, 1967 photo
The Manchester Playboys, Hamburg, 1967. Photo from Graham Sclater. Left to right: Malcolm Tag-Randall, Stuart Fahey, Graham Sclater, Peter Simensky, Alan Watkinson and Kerry Burke

 

The Manchester Playboys (line up from July/August 1965)

 

Kerry Burke – vocals

John Denson – organ/lead guitar/vocals (left mid-1966)

Stuart Fahey – rhythm guitar/trumpet

Malcolm Tag-Randall – saxophone 

Alan Watkinson – bass

Mel Preston – drums (left May 1967)

 

Jim Warhurst – lead guitar (joined mid-1966, left June 1967)

Peter Simensky – drums (joined May 1967)

Graham Sclater – organ (joined June 1967) 

Kenny Anders – lead guitar (joined early 1969)

This tragically overlooked British soul/R&B outfit were authors of the infectious, horn driven soul classic, “I Feel So Good” c/w “I Close My Eyes”, which was released on Fontana Records in September 1966.

The group’s roots can be found in St Helens, Lancashire band, [Mike] Cadillac & The Playboys, who included Stuart Fahey and Alan Watkinson from around 1963. Both hailed from nearby Newton-le-Willows in Lancashire.

Former Classics’ drummer Mel Preston had joined during 1964 and when singer Mike Cadillac departed,  another former Classics member John Denson came in on keyboards and vocals. They also added singer/guitarist Les Stocks.

In spring 1965, the band briefly backed singer Lorraine Gray but the partnership was short-lived. Soon after Gray and Stocks (who later got married) emigrated to Australia. By this point, they had adopted the name The Manchester Playboys as the city had become their base and that’s where their management was based.

During July 1965 while playing in Duisberg, West Germany, The Manchester Playboys crossed paths with Beau Brummell & The Noblemen and their sax player Malcolm Randall (aka Tag-Randall), who was originally from Harrow-on-the-Hill, Middlesex, jumped ship. Tag-Randall had started out with Twickenham band, Jeff Curtis & The Flames in early 1963.

Later that month (back in England), they finally persuaded Kerry Burke to join as lead singer, within days of a return trip to West Germany.  Like drummer Mel Preston, Burke was originally from St Helens.  Burke had started out as singer/harmonica player with St Helens band The Denims and had been earmarked for the group several months before.

“I was an apprentice electrician,” remembers the singer. “The Playboys were out looking for a lead singer and approached me after watching me at a local gig. I turned them down as I already had a good band and apprenticeship. They wouldn’t let go and in the end I joined up. In no time at all, I had a passport, no work permit and we were off to Frankfurt for a month at the Storyville Club.”

As Burke recalls, the band made a number of trips to Germany over the next few years, appearing at Hamburg’s Star Club and Top Ten Club, the Savoy Club in Hanover and the Liverpool Hoop in Berlin to name just a few (see gig list below for more details).

At the end of October 1965, The Manchester Playboys became the second British band to tour Romania after The Federals and spent six weeks there. While in Romania, the band recorded an ultra-rare 10″ album with Carol Kay (aka Karol Keyes) and Bobby Shaftoe, which was released as The Playboys on the Electrecord label.

“Romania was a hard place to live in those times,” says Burke. “Although we were being employed by the Government, they would try and undermine us at any opportunity via photos and articles in the press. We were deemed to be a bad example from the West. They would jam Radio Luxembourg on a regular basis and would greatly restrict the amount of tickets made available to the young people. I didn’t witness much joy there at all.”

Back in England in mid-December, the group met session drummer Bobby Graham who took over the band’s management. Graham was also a producer for the French Barclay recording company.

Sometime in early 1966 the band recorded a four-track EP at Pye Studios near Marble Arch with Bobby Graham at the helm. The EP featured covers of “Woolly Bully”, “Lipstick Traces” and two James Brown covers – “And I Do Just What I Want” and “Tell Me What You’re Gonna Do”. The EP allegedly topped the French charts.

From February 1966, the band started playing regularly in Belgium, particularly at the Shark Club in Ghent.

“We played [the Shark Club] numerous times along with Tony Blackburn as guest DJ,” says Burke. “Dave Berry was huge in Belgium due to a performance in the Eurovision song contest. He turned up at the Shark and he did get up and do a set with us.”

Sometime in mid-1966, The Manchester Playboys played on the same bill as Manchester band, The Meteors in Oldham and asked their guitarist Jim Warhurst (Hyde) to replace John Denson who was leaving.

The new line-up recorded the group’s lone UK single, an excellent blue-eyed soul number, which was released on Fontana Records that autumn.

At the end of May 1967, Mel Preston also left to concentrate on the family business and Jim Warhurst asked his former band mate from The Meteors, Peter Simensky to join.

Simensky had reformed The Meteors with new members as The Hobo Flats in the interim.

“I did my first gig at the Belle Vue in Manchester on 3 June 1967,” says Simensky.

“We left for Hamburg on the 4 June. I remember the day. It was a Sunday morning and as we drove through Stockport, we heard the news that a British Midland flight had just crashed in the centre of Stockport.”

Later that month, The Manchester Playboys saw Graham (Sandy) Sclater playing Hammond organ with The Birds and The Bees at the Star Club. The two bands frequently met in the Bier Shoppe along with other musicians and it was at that time that Jim Warhurst’s father was taken ill and Sclater, who’d been playing in Germany since 1964 with a number of bands, took his place and returned to England with them.

Back in England, The Manchester Playboys rehearsed for a few days in Manchester before travelling down to London to play at Tiles in Oxford Street and the Scotch of St James in Mayfair. They then returned north to play gigs at venues like the Bolton Nevada, the Bolton Palais and The Place in Hanley plus several airforce bases around the UK.

A show from late April 1967 at the Place, Hanley, Staffordshire

Joined by Tag-Randall’s former band mate from Jeff Curtis & The Flames Jeff Lake (who was acting as road manager) the group then traveled to Sweden in mid-August (via Belgium and Denmark) for a tour, and for most shows they backed the female “hit” duo The Caravelles.

Thanks to Mats Jarl for supplying the clipping

“In Sweden we played mainly open air gigs in volk parks,” says Burke.

“Two notable events while we were there. The Swedes were in the state of changing which side of the road they drive on. At that time they used the left hand side. We went out in the van… I believe 3am… and if I remember correctly we just drove to the other side of the road. It all passed very easily without any problems.”

Thanks to Mats Jarl for supplying the clipping. Pop Inn Gothenburg (see gig list below)

Burke also remembers The Manchester Playboys jamming with some special guests at the Cue Club in Gothenburg.

“The owner of the club asked us to take our kit to the lift to the basement club for a party,” says the singer.

Thanks to Mats Jarl for supplying the clipping. This gig may be from 2 September 1967 (see gig listing below)

“The party turned out to be for Jimi Hendrix and his entourage. We already knew Noel Redding from Germany when he was lead guitarist with Neil Landon & The Burnetts. Noel didn’t show up but Jimi, Mitch [Mitchell], the drummer, Chas Chandler and a large group arrived at the party. We were providing the live music. Graham asked Jimi and Mitch up for a jam. They agreed and Jimi took Stuart Fahey’s Baldwin Burns guitar, turned it around as it was strung for a right hander and just played along with the rest of the band, no showmanship, just jamming.”

Back in the UK, Simensky remembers the band doing some further recordings. “We did some recordings for Les Reed; cover versions of current hit records,” he recalls. “Someone said the label eventually became K-Tel.”

These tracks, which included a cover of “Knock on Wood” and “You Got What It Takes” appeared on an EP for Avenue Records in late 1967.

The Manchester Playboys also cut some tracks in West Germany during early 1968.

“When we were playing in Berlin, we were approached by Hansa and asked if we would like to go in the studio and record something,” continues Simensky.

“It would have to be original and the studio was booked two days hence. Alan and I wrote a couple of not very good songs which we recorded and promptly sank without trace, only to surface several years later alongside Georgio Moroder on a compilation album!”

By May 1968, however, Stuart Fahey, Malcolm Tag-Randall and Graham Sclater had all left and the remaining trio carried on briefly with guitarist Kenny Anders from The Chosen Few and Hush. Fahey died in the mid-2000s.

After leaving the band, Malcolm Tag-Randall moved to Cambridgeshire and ended up working with Red Express during the 1970s (who featured several future Shakatak members). However, he is currently suffering from poor health.

Graham Sclater played on sessions for James Taylor’s Apple recordings.

Of the other band members, Kerry Burke currently lives on the Isle of Wight, Alan Watkinson lives in the Manchester area and Pete Simensky lives in Duckingfield.

Watkinson later played with Petrus Boonkamp and The Kaystones. Simensky meanwhile played played with Treetown.

Simensky is also a songwriter and has signed a lot of his songs to Tabitha Music Limited, which is run by Graham Sclater, who lives in Exeter and has his own website: http://tabithabooks.webs.com/authorgrahamsclater.htm.

Selected gigs

15 November 1964 – Royal Star Ballroom, Maidstone, Kent (Kent Messenger)

 

10 December 1964 – Club A Go Go, Newcastle upon Tyne, Tyne and Wear (website: http://www.readysteadygone.co.uk/club-agogo-newcastle-2/)

11 December 1964 – Club A Go Go, Newcastle upon Tyne, Tyne and Wear with The Continentals (website: http://www.readysteadygone.co.uk/club-agogo-newcastle-2/)

10 January 1965 – Ashton Palais, Ashton-under-Lyne, Greater Manchester (North Cheshire Standard)

30 January 1965 – Corn Exchange, Bedford, Bedfordshire with The Trespassers (Biggleswade Chronicle)

13 April 1965 – Hen & Chickens, Langley, West Midlands with The UK Bonds (Birmingham Evening Mail)

15 April 1965 – Fiesta Hall, Andover, Hampshire (Andover Advertiser) With Lorraine Gray

16 April 1965 – Mecca, Royal Pier, Southampton, Hants (Southern Echo) Billed as Lorraine Gray & The Manchester Playboys

22 April 1965 – Manor Lounge, Stockport, Greater Manchester with The Marauders (Stockport County Express) Supporting Lorraine Gray

Rugby gig in May/June 1965. Photo: Rugby Advertiser

7 June 1965 – Mecca Dancing, Bolton Palais, Bolton, Greater Manchester with The Solitaires (Bolton Evening News)

24 June 1965 – Manor Lounge, Stockport, Greater Manchester with The Jacobeats (Stockport County Express)

29 June 1965 – Oasis, Manchester (Manchester Evening News & Chronicle)

1 July 1965 – Locarno Ballroom, Swindon, Wiltshire (Swindon Evening Advertiser)

4 July 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

(Most likely 12-16) July 1965 – The Storyville Jazz Club, Duisberg, West Germany (Kerry Burke recollections)

While The Manchester Playboys are performing at the club in Duisberg, they share the bill with Beau Brummell &  The Noblemen. Sax player Malcolm Randall (aka Malcolm Tag-Randall) is blown away by the group and jumps ship

19 July 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News) Beau Brummell & The Noblemen play in Stockport this evening and it’s possible Malcolm Randall played this date and then joined Manchester Playboys

26 July 1965 – The Cavern, Liverpool (Benefit Show, 12 hour session) with The Five Aces, The Boomerangs, The Cresters, The Clayton Squares, The Dimensions, Earl Preston’s Realms, The Escorts, The Lancastrians, Lorraine Grey, The Merseybeats, The Powerhouse Six and The Richmond Group (Phil Thompson’s Story of the Cavern book/Liverpool Echo)

The group asks Denims singer Kerry Burke to join them for their residency in Frankfurt. The group leaves England in the last week of July, within days of the Cavern benefit show 

July/August 1965 – The Storyville Jazz Club, Frankfurt, West Germany with The Chants (Kerry Burke recollections)

 

1 September 1965 – Group arrives in Belgium (Kerry Burke’s passport) Unless this is exit stamp for return to England from Frankfurt

4 September 1965 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post) Advert says they are back from Germany

5 September 1965 – Golden Torch, Tunstall, Staffordshire with The Presidents (Evening Sentinel)

6 September 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

9 September 1965 – Two Red Shoes Ballroom, Elgin, Scotland (website: https://tworedshoes.wordpress.com/1965/12/)

11 September 1965 – Beach Ballroom, Aberdeen, Scotland (Aberdeen Evening Express)

14 September 1965 – Gay Tower Ballroom, Edgbaston, West Midlands (Birmingham Evening Mail)

17 September 1965 – The Cavern, Liverpool with The Verbs and Richmond Group (John Warburg research/Liverpool Echo)

20 September 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

21 September 1965 – Oasis, Manchester (Manchester Evening News and Chronicle) Billed as The Playboys

24 September 1965 – Mecca, Ashton Palais, Ashton under Lyne, Greater Manchester (Manchester Evening News and Chronicle)

26 September 1965 – The Cavern, Liverpool with Earl Preston’s Realms (Phil Thompson’s Story of the Cavern book)

26 September 1965 – Jungfrau, Manchester (Manchester Evening News and Chronicle)

30 September 1965 – Locarno Ballroom, Swindon, Wiltshire with The Yardbirds (Swindon Evening Advertiser)

5 October 1965 – Peppermint Lounge, Liverpool with Dave the Rave (Liverpool Echo)

9 October 1965 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post)

18 October 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

22 October 1965 – Grand Naval Dance, Royal College of Advanced Technology, Salford, Greater Manchester with The Original Checkmates, The Meteors and The Fat Sound (Manchester Evening News and Chronicle)

23 October 1965 – Oasis, Manchester with The Graham Bond Organisation (Manchester Evening News and Chronicle)

26 October 1965 – The Cavern, Liverpool with Earl Preston’s Realms (John Warburg research/Liverpool Echo)

30 October-14 December 1965 – Romanian tour (Kerry Burke’s passport). The band recorded as The Playboys while there and a ‘10 was issued in 1966

 

15 December 1965 – Bulls Head Hotel, Hanford, Staffordshire (Evening Sentinel)

16 December 1965 – Ashton Palais, Ashton-under-Lyne, Greater Manchester (Manchester Evening News & Chronicle)

17 December 1965 – Domino Club, Openshaw, Greater Manchester and Princess Theatre, Chorlton, Greater Manchester with Major Lance and Bluesology Incorporated and Jonathan Good Tweed (Manchester Evening News & Chronicle)

24 December 1965 – Top Twenty Club, Droylsden, Greater Manchester with The Power House Six and Johnny Peters Set (Manchester Evening News & Chronicle)

24 December 1965 – Jungfrau Dance Club, Manchester with Power House Six and Frankenstein’s Monsters (Manchester Evening News & Chronicle)

26 December 1965 – Jungfrau Dance Club, Manchester with Richard Kent Style (Manchester Evening News & Chronicle)

26 December 1965 – Mr Smith’s, Manchester with The Fugitives (Manchester Evening News & Chronicle)

27 December 1965 – Club Creole, Wilmslow, Greater Manchester (Manchester Evening News & Chronicle) Advert says direct from Rumania and billed as The Playboys

30 December 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

 

1 January 1966 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post) Advert says they are direct from a continental tour (Romania)

2 January 1966 –Golden Torch, Tunstall, Staffordshire with Group One (Evening Sentinel)

6 January 1966 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)

7 January 1966 – Greenways, Baddeley Green, Staffordshire (Evening Sentinel)

8 January 1966 – Queen’s Hall, Burslem, Staffordshire with Group One (Evening Sentinel)

17 January 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

21 January 1966 – Faculty of Building, Trentham Gardens, Stoke Staffordshire with Jack Kirkland’s BBC Broadcasting Band (Evening Sentinel)

24 January 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

30 January 1966 – 76 Club, Burton on Trent, Staffordshire (Burton Evening Mail)

31 January 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

5 February 1966 – 400 Ballroom, Torquay, Devon (Torbay Express and South Devon Echo)

12 February 1966 – Oasis, Manchester (Manchester Evening News & Chronicle)

19-20 February 1966 – Union Rowing Club, Nottingham (Nottingham Evening Post)

24 February 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

25 February 1966 – Club Creole, Wilmslow, Cheshire (Alderley & Wilmslow & Knutsford Advertiser) Says direct from the Scotch of St James

28 February 1966 – Entry date into Belgium, possibly to play the Shark Club, Ghent (Kerry Burke’s passport)

Record Mirror reports in its issue, week ending 16 April that Dave Berry had a TV show in Belgium so this period seems highly plausible. Looks like they may also have played some German dates

 

3 April 1966 – Golden Torch, Tunstall, Staffordshire with The Sounds of Three (Evening Sentinel)

4 April 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News) Says back from German tour

9 April 1966 – Union Rowing Club, Nottingham (Nottingham Evening Post) Says back from tour of Germany

11 April 1966 – New Elizabethan, Belle Vue, Manchester (Manchester Evening News & Chronicle)

12 April 1966 – Top Twenty Club, Droylsden, Greater Manchester (Manchester Evening News & Chronicle)

16 April 1966 – King’s Hall, Stoke, Staffordshire with The Small Faces, Roy Grant & The Kingpins and Barmy Barry (Evening Sentinel)

23 April 1966 – Mersey View Ballroom, Frodsham, Cheshire with The Optimists (Cheshire Observer)

24 April 1966 – Mecca Dancing, Newcastle Under Lyme, Staffordshire with The Blue Thunderbirds and The Rocking Vicars (Evening Sentinel)

28 April 1966 – Golden Torch, Tunstall, Staffordshire with The Sounds of Three (Evening Sentinel)

30 April 1966 – Locarno Ballroom, Swindon, Wiltshire with Yes and No (Swindon Evening Advertiser)

2 May 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

6 May 1966 – Crystal Ballroom, Newcastle under Lyme, Staffordshire with Jimmy Powell & The Dimensions, Kris Ryan & The Questions and Wednesday’s Child (Evening Sentinel)

9 May 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

14 May 1966 – The Golden Torch, Tunstall, Staffordshire with The Kinks and Tony Terrett (Evening Sentinel)

15 May 1966 – Starlight Ballroom, Crawley, West Sussex (Caterham Weekly Press)

22 May 1966 – Tower Ballroom, Great Yarmouth, Norfolk with Barry Lee & The Planets (Eastern Evening News/Yarmouth Mercury)

26 May 1966 – Crystal Ballroom, Newcastle under Lyme, Staffordshire (Evening Sentinel)

27 May 1966 – Club Creole, Wilmslow, Cheshire (Alderley & Wilmslow & Knutsford Advertiser)

28 May 1966 – Mersey View Ballroom, Frodsham, Cheshire with The Dodoes (Runcorn Weekly News)

 

4 June 1966 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Keith Powell and Billie Davis, The End, The Humperdinks and The Ferryboys (Lincolnshire Standard)

6 June 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

6 June 1966 – 76 Club, Burton on Trent, Staffordshire (Website: http://www.76club.org.uk/gigs.html)

7 June 1966 – Crystal Ballroom, Newcastle Under Lyme, Staffordshire (Evening Sentinel)

10 June 1966 – Worsley Civic Hall, Walkden, Worsley, Lancashire with This Generation (Bolton Evening News)

13 June 1966 – Wolverhampton Civic Hall, Wolverhampton, West Midlands with The Ambassadors (Express & Star)

16 June 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

20 June 1966 – Casino Club, Bolton, Greater Manchester with The Crestas (Bolton Evening News)

25 June 1966 – The Place, Hanley, Staffordshire with support (Evening Sentinel)

27 June 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

Jim Warhurst has joined in time (replacing John Denson) to appear on the group’s lone 45 for Fontana “I Feel So Good” c/w “I Close My Eyes”, which is released in September 1966

7 July 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

9 July 1966 – Union Rowing Club, Nottingham (Nottingham Evening Post) Says back again from Germany

12 July 1966 – Crystal Ballroom, Newcastle under Lyme, Staffordshire with Dene Wayne & The Exiles (Evening Sentinel)

14 July 1966 – Locarno, Derby (Derby Evening Telegraph)

16 July 1966 – Locarno Ballroom, Swindon, Wiltshire with Dynamos (Swindon Evening Advertiser)

18 July 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

23 July 1966 – Navada, Bolton, Greater Manchester (Bolton Evening News)

28 July 1966 – Entry date into Belgium on way to Storyville Jazz Club, Cologne, West Germany (Kerry Burke’s passport) The group most likely played at the club for one month

 

3 September 1966 – Oasis, Manchester with The Wheels and Frankenstein (Manchester Evening News & Chronicle)

3 September 1966 – The Cavern, Liverpool with The Times, The Hideaways, The Mixture, The Dollies, The Dark Ages and The Prowlers (John Warburg research/Liverpool Echo)

4 September 1966 – Burnley Locarno, Burnley, Lancashire (Burnley Express and News)

8 September 1966 – Bradmore WMC, Bradmore, West Midlands (Express & Star)

12 September 1966 – Atlanta Ballroom, Woking, Surrey (Aldershot News/Camberley News)

15 September 1966 – Barrow Public Hall, Barrow in Furness, Cumbria with The Warriors (North Western Mail)

16 September 1966 – Paradise Club, Wigan, Greater Manchester  (Liverpool Echo)

17 September 1966 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post)

19 September 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

20 September 1966 – Crystal Ballroom, Newcastle Under Lyme, Staffordshire (Evening Sentinel)

23 September 1966 – Hull College of Technology’s Fresher’s Dance with Birds Groove (Hull Daily Mail)

29 September 1966 – The Cavern, Liverpool with Georgia Germs (John Warburg research/Liverpool Echo)

 

1 October 1966 – The Place, Hanley, Staffordshire (Evening Sentinel)

3 October 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

4 October 1966 – Oasis, Manchester (Manchester Evening News & Chronicle)

7 October 1966 – California Ballroom, Dunstable, Bedfordshire with The James Royal Set (Luton News)

9 October 1966 – Agincourt Ballroom, Camberley, Surrey with support (Aldershot News/Camberley News)

10 October 1966 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)

10 October 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News) Looks like they cancelled or the gig was pushed back three days

13 October 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

16 October 1966 – Beachcomber, Bolton, Greater Manchester (Bolton Evening News)

18 October 1966 – Crystal Ballroom, Newcastle Under Lyme, Staffordshire (Evening Sentinel)

27 October 1966 – Entry date into Belgium, possibly to play Shark Club, Ghent (Kerry Burke’s passport)

 

4 November 1966 – Oasis, Manchester (Manchester Evening News and Chronicle)

5 November 1966 – The Thing, Oldham, Greater Manchester (Oldham Evening Chronicle)

6 November 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

7 November 1966 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)

11 November 1966 – Crystal Club, Glossop, Greater Manchester (Manchester Evening New and Chronicle)

11 November 1966 – Student Union, Manchester with Paul Butterfield Blues Band and Big City Sound Manchester (Manchester Evening New and Chronicle)

13 November 1966 – Swinging Sinking Ship, Stockport, Greater Manchester (Manchester Evening New and Chronicle)

14 November 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

17 November 1966 – Tiles, Oxford Street, London with Wishful Thinking (Melody Maker)

18 November 1966 – Entry date into Belgium, possibly to play the Shark Club, Ghent (Kerry Burke’s passport)

25 November 1966 – 7 Club, Shrewsbury, Shropshire with The Silvers (Express & Star)

26 November 1966 – Flamingo, Redruth, Cornwall with Circuit 5 (West Briton & The Royal Cornwall Gazette)

27 November 1966 – Flamingo, Redruth, Cornwall (West Briton & The Royal Cornwall Gazette)

 

3 December 1966 – Locarno Ballroom, Swindon, Wiltshire with Unchained (Swindon Evening Advertiser)

6 December 1966 – The Place Hanley, Staffordshire (Evening Sentinel)

7 December 1966 – Elbow Room, Aston, West Midlands (Birmingham Evening Mail)

10 December 1966 – Oasis, Manchester (Manchester Evening New and Chronicle)

11 December 1966 – Burnley Locarno, Burnley, Lancashire (Burnley Express and News)

12 December 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

14 December 1966 – Tiles, Oxford Street, central London (Melody Maker)

21 December 1966 – The Place, Hanley, Staffordshire with The Factotums (Evening Sentinel)

23 December 1966 – St Bernadette’s, Withington, Greater Manchester with The Children (Manchester Evening New and Chronicle)

24 December 1966 – Golden Torch, Tunstall, Staffordshire with The Children (Evening Sentinel)

25 December 1966 – Top Ten Club, Manchester (Manchester Evening News and Chronicle)

26 December 1966 – Oasis, Manchester with The Chuckles and Some Other Guys (Manchester Evening New and Chronicle)

26 December 1966 – Stockport Town Hall Ballroom, Stockport, Greater Manchester with St Louis Union and Cock-a-Hoops (Manchester Evening New and Chronicle)

27 December 1966 – Peppermint Lounge, Liverpool with Nog (Liverpool Echo)

29 December 1966 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)

31 December 1966 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post)

 

1 January 1967 – Jung Frau, Manchester (Manchester Evening News and Chronicle)

4 January 1967 – Tiles, Oxford Street, central London (Melody Maker)

6 January 1967 – Entry date into Belgium on the way to play Hans der Musik, Wuppertal, West Germany for one month (Kerry Burke’s passport)

 

24 February 1967 – Blackpool Tower, Blackpool, Lancashire with The Graham Bond Organisation, The Easybeats, The Iveys and The Cryin Shames (Kerry Burke’s recollections) This was the band’s first gig back in the UK after the Wuppertal residency

25 February 1967 – Navada, Bolton, Greater Manchester (Bolton Evening News)

4 March 1967 – White Bicycle, Maple Ballroom, Northampton, Northamptonshire with The Legal Matter (Northampton Chronicle)

9 March 1967 – Club A Go Go, Newcastle upon Tyne, Tyne and Wear (Website: http://www.readysteadygone.co.uk/club-agogo-newcastle-2/)

10 March 1967 – SBYC, St Bernadette’s, Withington, Greater Manchester (Manchester Evening News and Chronicle)

11 March 1967 – Oasis, Manchester (Manchester Evening News and Chronicle)

13 March 1967 – Belfry, Wishaw, West Midlands with New Way of Life (Birmingham Evening Post)

14 March 1967 – The Place, Hanley, Staffordshire (Evening Sentinel)

17 March 1967 – Carlton Club, Warrington, Cheshire with The Executives (Warrington Guardian)

19 March 1967 – Tiles, Oxford Street, London (Melody Maker)

26 March 1967 – Entry date into Belgium (Kerry Burke’s passport)

 

6 April 1967 – Crystal Ballroom, Newcastle-under-Lyme, Staffordshire (Evening Sentinel)

7 April 1967 – Tabernacle, Stockport, Greater Manchester with The Iveys (Manchester Evening News and Chronicle)

13 April 1967 – Locarno Ballroom, Coventry, West Midlands with PP Arnold and The Nice (Coventry Evening Telegraph)

15 April 1967 – Union Rowing Club, Trent Bridge, Nottingham (Nottingham Evening Post) Back from a European tour (see Belgium entry date above)

22 April 1967 – Blue Lagoon, Newquay, Cornwall with The Jaguars (West Briton & Royal Cornish Gazette/Cornish Guardian)

 

26 April 1967 – The Place, Hanley, Staffordshire with The Cheetahs (Evening Sentinel)

29 April 1967 – New Century Hall, Manchester with The Silverstone Set (Manchester Evening News and Chronicle)

 

3 May 1967 – Entry date into Belgium (Kerry Burke’s passport)

12 May 1967 – Carlton Club, Warrington, Cheshire (Warrington Guardian)

19 May 1967 – Boulevard, Tadcaster, West Yorkshire with The Screen (Yorkshire Evening Post)

27 May 1967 – Staffs Volunteer, Bushbury, Wolverhampton, West Midlands (Express & Star)

30 May 1967 – The Place, Hanley, Staffordshire with The Shell Shock Show (Evening Sentinel)

Mel Preston left at this point and Peter Simensky joined, playing his first show on 3 June at the Belle Vue

3 June 1967 – Belle Vue, Manchester (Manchester Evening News and Chronicle)

3 June 1967 – Top Ten Club, Manchester (Manchester Evening News and Chronicle) They left for Hamburg next day

 

6 June 1967 – Entry date into West Germany (Kerry Burke’s passport)

6 June-2 July 1967 – The Star Club, St Pauli, Hamburg, West Germany (Ian Hamilton contract) Shared with various acts including The Equals, The Hi-Fis and The Birds and The Bees from 30 June to 1 July

Jim Warhurst leaves during late June/early July and Graham Sclater joins from The Birds and The Bees

3 July 1967 – Entry date into the Netherlands (Kerry Burke’s passport)

7 July 1967 – Tiles, Oxford Street, London (Graham Sclater’s diary)

8 July 1967 – Scotch of St James, Mayfair, London (Graham Sclater’s diary)

10 July 1967 – Bolton Nevada, Bolton, Greater Manchester (Graham Sclater’s diary)

12 July 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

13 July 1967 – Tiles, Oxford Street, London with Chas Stevens (Melody Maker) The group was advertised playing in Melody Maker but this gig did not happen

14 July 1967 – Gig in Huddersfield (Graham Sclater’s diary)

15 July 1967 – Ritz Manchester (Graham Sclater’s diary)

16-17 July 1967 – Bolton Mecca, Bolton, Greater Manchester (Graham Sclater’s diary)

18-20 July – Mr Smith’s, Manchester (Graham Sclater’s diary)

21 July 1967 – Gig in Freshwater (Graham Sclater’s diary)

22 July 1967 – Gig in Swansea, south Wales (Graham Sclater’s diary) Port Talbot Guardian has the group appearing at Ritz, Skewen, Wales on this date with The King B’s

23 July 1967 – Gig in Blackburn, Lancashire (Graham Sclater’s diary)

26 July 1967 – The Place, Hanley, Staffordshire with Milton James (Evening Sentinel)

27 July 1967 – Gig in Sheffield, South Yorkshire (Graham Sclater’s diary)

28 July 1967 – Gig in Prescott (Graham Sclater’s diary)

29 July 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

 

1 August 1967 – Scotch of St James, Mayfair, London (Graham Sclater’s diary)

2 August 1967 – Gig in Preston, Lancashire (Graham Sclater’s diary)

3 August 1967 – Palais, Bolton, Greater Manchester (Bolton Evening News)

4 August 1967 – RAF High Wycombe, High Wycombe, Bucks (Graham Sclater’s diary)

5 August 1967 – Gig in Mildenhall (Graham Sclater’s diary)

10 August 1967 – YMCA Ipswich, Suffolk (Graham Sclater’s diary)

11 August 1967 – Entry date into Belgium, possibly to play the Shark Club, Ghent (Kerry Burke’s passport)

Graham Sclater’s diary has The Shark Club listed for 11-16 August but he’s not sure they did play. However, the dates do tally with Kerry’s passport stamp above, although it is unlikely they played 16th July if this did happen as they arrived in Denmark that day.

Malcolm Tag-Randall’s old friend and former band mate from Jeff Curtis & The Flames, Jeff Lake was road manager on the Swedish tour and recalls the band playing a club just outside Ghent

18 August 1967 – Entry date into Sweden via Denmark (Kerry Burke’s passport)

Thanks to Mats Jarl for supplying the clipping

18 August 1967 – Pop Inn, Gothenburg, Sweden backing The Caravelles (Graham Sclater’s diary)

19 August 1967 – Gig in Virestom, Sweden backing The Caravelles (Graham Sclater’s diary)

20-21 August 1967 – Gig in Gaule, Sweden backing The Caravelles (Graham Sclater’s diary)

Thanks to Mats Jarl for supplying the clipping

22 August 1967 – Gig in Stockholm, Sweden backing The Caravelles (Graham Sclater’s diary)

23 August 1967 – Globe Club, Gothenburg, Sweden backing The Caravelles (Graham Sclater’s diary)

25 August 1967 – Saffle, Gothenburg, Sweden backing The Caravelles (Graham Sclater’s diary)

Thanks to Mats Jarl for supplying the clipping

26 August 1967 – Ellos-Hunnebo, Sweden backing The Caravelles (Graham Sclater’s diary)

Thanks to Mats Jarl for supplying the clipping

27 August 1967 – Uddevalla-Trollhatt, Sweden backing The Caravelles (Graham Sclater’s diary)

28-31 August 1967 – Gigs in Gothenburg, Sweden backing The Caravelles (Graham Sclater’s diary)

 

2 September 1967 – Cue Club, Gothenburg, Sweden with The Rebels and The Shamrocks (Mats Jarl clipping) Exact date needs confirmation

Thanks to Mats Jarl for supplying the clipping

2 September 1967 – Globe Club, Gothenburg, Sweden with The Patch (Mats Jarl clipping) Exact date needs confirmation

Thanks to Mats Jarl for supplying the clipping

3 September 1967 – Hoffrekullen, Romelanda, Gothenburg, Sweden with The Hill Billy Five (Mats Jarl clipping)

3 September 1967 – Cue Club, Gothenburg, Sweden (Kerry Burke recollections) Jammed with Jimi Hendrix

7 September 1967 – Left Sweden to return to UK via Denmark (Kerry Burke’s passport)

8-9 September 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

10-11 September 1967 – Hatchetts Playground, Piccadilly, central London (Graham Sclater’s diary)

15-16 September 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

17 September 1967 – College Club, Manchester (Graham Sclater’s diary)

21 September 1967 – Imperial, Darlington (Graham Sclater’s diary)

22 September 1967 – Carlton Club, Warrington, Cheshire with The Do-Does (Warrington Guardian)

23 September 1967 – Locarno Ballroom, Swindon, Wiltshire with The Avalons (Swindon Evening Advertiser)

24 September 1967 – Plaza Huddersfield (Graham Sclater’s diary)

27 September 1967 – The Place, Hanley, Staffordshire with The Drifters (Evening Sentinel)

28 September 1967 – Cinysey, north Wales (Graham Sclater’s diary)

29 September 1967 – SBYC, St Bernadette’s, Withington, south Manchester (Manchester Evening News and Chronicle)

30 September 1967 – Menwith Club, Yorkshire (Graham Sclater’s diary)

 

1 October 1967 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)

5 October 1967 – Entry date into Belgium (Kerry Burke’s passport)

6-8 October 1967 – Shark Club, Ghent, Belgium (Graham Sclater’s diary)

9-14 October 1967 – Hatchetts Playground, Piccadilly, central London (Graham Sclater’s diary) Graham isn’t totally sure about this one

19 October 1967 – Beachcomber, Luton, Bedfordshire (John Warburg research)

Graham Sclater has Dunstable not Luton

22 October 1967 – Birdcage, Harlow (Graham Sclater’s diary)

25 October 1967 – The Place, Hanley, Staffordshire with The Waterboard (Evening Sentinel)

26 October 1967 – Palais, Bolton, Greater Manchester (Graham Sclater’s diary)

27 October 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

28 October 1967 – NCO gig in Crighton (Graham Sclater’s diary)

This is probably RAF Croughton in Northamptonshire. The Coventry Evening Telegraph also lists the band playing at the Flower Pot Club in Digbeth, Birmingham on this date with The Junction. The Flower Pot Club gig is also confirmed by the Birmingham Evening Mail (see picture below)

30 October 1967 – Town Hall, Spennymoor (Graham Sclater’s diary)

 

5 November 1967 – Two Bar Egremont (Graham Sclater’s diary)

8 November 1967 – Penny Farthing, Hanley, Staffordshire (Evening Sentinel)

10 November 1967 – Entry date into Belgium, possibly on the way to West Germany for gigs. This must be a mistake as the band played UK dates around this period unless the UK gigs were cancelled?

10 November 1967 – Caesar’s Club, Bedford (Graham Sclater’s diary)

11 November 1967 – Navada Bolton, Bolton, Greater Manchester (Graham Sclater’s diary)

12 November 1967 – Sloopy’s, Manchester (Manchester Evening News and Chronicle) This gig was advertised in Manchester Evening News so perhaps the UK dates did happen?

13 November 1967 – Blackpool Locarno, Blackpool, Lancashire (Graham Sclater’s diary)

16-30 November 1967 – Savoy Club, Hanover, West Germany (Graham Sclater’s diary)

 

3 December 1967 – Peter Lee Jazz Club, County Durham (Graham Sclater’s diary)

8 December 1967 – Oxford Union Society, Oxford (Graham Sclater’s diary)

9 December 1967 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

11 December 1967 – Palais, Bolton, Greater Manchester (Graham Sclater’s diary)

14 December 1967 – Assembly Rooms, York (Graham Sclater’s diary)

15 December 1967 – Hollins College, Manchester (Graham Sclater’s diary)

16 December 1967 – Public Hall, Barrow, Cumbria (Graham Sclater’s diary)

17 December 1967 – Peter Lee Jazz Club, County Durham (Graham Sclater’s diary)

18 December 1967 – Stoke WJBA (Graham Sclater’s diary)

21 December 1967 – Dorchester Hotel, central London (Graham Sclater’s diary)

31 December 1967 – Birdcage, Harlow (Graham Sclater’s diary)

 

6 January 1968 – RAF Upper Heyford (Graham Sclater’s diary)

11 January 1968 – Bolton Palais, Bolton, Greater Manchester (Graham Sclater’s diary)

12 January 1968 – Winter Gardens, Morecambe, Lancashire (Graham Sclater’s diary)

13 January 1968 – Windsor Ballroom, Redcar with Mr Poobah’s Chicago Line (Graham Sclater’s diary/Middlesbrough Evening Gazette)

14 January 1968 – College club, Manchester (Graham Sclater’s diary)

19 January 1968 – Owens Park, Manchester (Graham Sclater’s diary)

20 January 1968 – University of Aston, Aston, West Midlands with Pinkerton’s Colours (Birmingham Evening Mail)

21 January 1968 – Excel Bowl, Middlesbrough (Graham Sclater’s diary/Middlesbrough Evening Gazette)

24 January 1968 – New Century Hall, Manchester (Graham Sclater’s diary) This date needs confirmation. Sclater recalls that the group played two Manchester gigs on the same night at short notice backing singer Madelaine Bell. Status Quo were supposed to do the honours but were appearing on Top of the Pops. 

26 January 1968 – Queens Rink Ballroom, Hartlepool with Mark Aynsley Big Beat Band (Graham Sclater’s diary/Middlesbrough Evening Gazette)

27 January 1968 – Il Rondo Ballroom, Leicester (Leicester Mercury)

28 January 1968 – Clayton Lodge Hotel, Newcastle under Lyme, Staffordshire (Graham Sclater’s diary)

28 January 1968 – Bamboo Club, Wilmslow, Cheshire (Alderley & Wilmslow Advertiser) Missing from Graham Sclater’s diary

 

1 February 1968 – Drokiweeny, Manchester (Manchester Evening News) Missing from Graham Sclater’s diary

7 February 1968 – RAF Bentwaters, near Woodbridge, Suffolk or  Casino, Leigh (Graham Sclater’s diary)

8 February 1968 – Bolton Palais, Bolton, Greater Manchester (Graham Sclater’s diary)

9 February 1968 – Gig in Woodbridge, Suffolk (Graham Sclater’s diary) Could possibly be Drill Hall, Woodbridge

10 February 1968 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

14 February 1968 – Entry date into the Netherlands on the way to West Germany (Kerry Burke’s passport)

15 February 1968 – Entry into East Germany on the way to West Berlin to play the Liverpool Hoop for one month (Kerry Burke’s recollections/passport)

 

March 1968 – Top Ten Club, Hamburg, West Germany with Floribunda Rose and then Bluesology (Graham Sclater’s recollections)

 

9 April 1968 – The Place, Hanley, Staffordshire (Graham Sclater’s diary)

10 April 1968 – Smallthorne Victory Club, Stoke-on-Trent, Staffordshire (Graham Sclater’s diary)

13 April 1968 – Lion Hotel, Warrington, Cheshire with Gospel Garden (Warrington Guardian)

Malcolm Tag-Randall remembers that he left after this gig or shortly after and briefly reunited with Jeff Lake in Tommy Bishop’s Rock ‘N’ Roll Revival Show for a gig in Barry, south Wales. Tag-Randall later played with The Red Express and Sindy & The Action Men among others.

14 April 1968 – Lower Chambers Town Hall, Rochdale (Graham Sclater’s diary)

22 April 1968 – Bolton Palais, Bolton, Greater Manchester (Graham Sclater’s diary)

24 April 1968 – RAF Bentwaters, near Woodbridge, Suffolk (Graham Sclater’s diary)

27 April 1968 – Gig in Woodbridge, Suffolk (Graham Sclater’s diary) Could possibly be Drill Hall, Woodbridge

27 April 1968 – Rainbow Suite Co-op, Birmingham with Ultra Sound (Birmingham Evening Mail)

Graham Sclater doesn’t have the Birmingham gig in his diary and says he left after the Woodbridge date. He thinks Malcolm Tag-Randall left at the same time as did Stuart Fahey. Kenny Anders joined on lead guitar

11 May 1968 – Windsor Ballroom, Redcar, North Yorkshire with The Skyliners (Middlesbrough Evening Gazette)

12 May 1968 – Clayton Lodge Hotel, Newcastle under Lyme, Staffordshire (Evening Sentinel)

2 September 1968 – Penny Farthing, Southend, Essex (Southend Standard)

3 October 1968 – Penny Farthing, Southend, Essex (Southend Standard)

17 October 1968 – Penny Farthing, Southend, Essex (Southend Standard)

26 October 1968 – Ritz, Bournemouth, Dorset (Bournemouth Evening Echo)

31 October 1968 – Penny Farthing, Southend, Essex (Southend Standard)

2 November 1968 – Wellington Manor Country Club, Crowthorne, Berkshire (Reading Evening Post)

 

Many thanks to the following for their generous input: Kerry Burke, Peter Simensky, Graham Sclater and Malcolm Randall.  To add further information, please email the author at Warchive@aol.com.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

The Skaliwags

The reformed version of the Skaliwags, from left: Pete Christensen, Gerry Foster, Eddy Mitchell, Ralph Leroux and Chris Saunders
The reformed version of the Skaliwags, from left: Pete Christensen, Gerry Foster, Eddy Mitchell, Ralph Leroux and Chris Saunders

Skaliwags 45 Turn Him Down 1st issue
Turn Him Down 1st issue
The Skaliwags (sometimes misspelled Skalliwags) came from Ottawa, Canada like a band I profiled last month, the Raphaels. The Skaliwags had been around since 1961, based in Gatineau. Lead singer Eddy Mitchell remembered Big 12 shows at the old Coliseum from noon to midnight, where each of the 12 bands would play two short sets and as many as 8,000 kids would attend during the day. Those shows gave the band many contacts, including John Brower (who would later produce the Rock and Roll Revival festival where the Plastic Ono Band would record Live Peace in Toronto) and local DJs including Al Pascal of CFRA.

Skaliwags 45 365 Days a Year 1st issue
365 Days a Year 1st issue
Alex Sherman of Sherman’s Music was owner of Excellent label and put up the money for the singles. The Skaliwags went to RCA studios in Montreal to record their first single in February of 1966. “Turn Him Down” reached #1 on CFRE. The flip, “365 Days a Year” is equally excellent.After this single, the band splintered. Lead guitarist John Bacho left to join the Townsmen, and bassist Andy Cody left the band to get married. Ed Mitchell recalled the Skaliwags recruiting Chris Saunders and Ralph Leroux from The Slaves of Time. Ralph Leroux is the brother of David Leroux of the Raphaels. Pete Christensen of the Raphaels joined on bass.

Skaliwags 45 Turn Him Down 2nd issue
Turn Him Down 2nd issue
I’ll reproduce Eddy Mitchell’s comment below:

I was the singer for the Skaliwags. The version of the group that recorded “Turn Him Down” consisted of Ed Mitchell singer, John Bacho lead guitar, Gerry Foster (real name Gerry Fortier) rhythm guitar, Andy Cody (real name Andre Cote) bass guitar and Gil Brooks (real name Jules Leclair) drums. The names were changed so as not to appear to come from Gatineau, since we thought that it make a difference to Ottawa kids.

Skaliwags 45 365 Days a Year 2nd issue
365 Days a Year 2nd issue
The second record, “Me Minus More” was recorded by Ed Mitchell, Gerry Fortier, Ralph Leroux, Peter Christianson, and Chris Saunders. I left the Skaliwags in October of 1967 and joined another Gatineau called Musical Fantasy who went nowhere, and I quit music altogether on December 15, 1967 when my lung collapsed on stage at what was then called Immaculata High School on Bronson Ave.

Paul Warman (spelled Paull Warman on the green label releases) wrote all four songs the Skaliwags released, including their second release, “Me Minus More” / “Broken Man Am I” from 1967. Eddy Mitchell said in an interview on Brian Murphy’s Capitol Roots radio show on CHEZ 106.1 FM in Ottawa in the early ’80s that the band was trying to find a song as catchy as “Raindrops keep Falling on My Head”. The band broke up after the second single.

Eddy wrote to me about Paul Warman:

Paul Warman who passed away in January of 2011, was our manager. He never played in the group and as you know he wrote all four songs. He also wrote another song titled “You Ain’t Pulling the Wool Over My Eyes Babe”. We actually recorded the song and one of the guys in the group kept the acetate. It was destroyed in a house fire several years later. As to photos, you have everything that I have, except some that go further back to the really early days.

Paul Warman passed away on Jan 23rd, 2011 at the age of 67.

Skaliwags Excellent 45 Me Minus More

Skaliwags Excellent 45 Broken Man Am I

Skaliwags releases:
Excellent E-5001 (1st issue, gold label) – 365 Days a Year / Turn Him Down
Excellent E-5001 (2nd issue, green label) – 365 Days a Year / Turn Him Down
Excellent E-5001 (green label) – Me Minus More / Broken Man Am I

Thank you to Alex for the promotional photo seen at top, and to Ivan Amirault for the scans of the Skaliwags 45s, the additional photos, and the clip of the Capitol Roots show.

Skaliwags Promo Photo

Skaliwags Live Promo Photo

Skaliwags Leonard Alexander Agency Promo Photo

Skaliwags Promo Photo

Skaliwags Promo Photo

Skaliwags Live Photo

Skaliwags Live Photo

Skaliwags live photo
Does anyone have better quality scans of these photos and promo pics?

Dave & the Detomics

Dave & the Detomics pose in front of their Cadillac Superior, 1966 from left: Vince Slagel, Jeanne Eickhoff, Bill Sheedy, Dave Bethard, Steve Westhoff and Monte McDermith
Dave & the Detomics pose in front of their Cadillac Superior, 1966 from left: Vince Slagel, Jeanne Eickhoff, Bill Sheedy, Dave Bethard, Steve Westhoff and Monte McDermith

Dave Bethard – lead guitar/vocals
Jeanne Eickhoff – lead vocals
Galen Johnson – rhythm guitar
Steve Westhoff – rhythm guitar, back-up vocals
Vince Slagel — organ and vocals
Terry (Fuzzy) Johnson – bass, vocals
Monte McDermith – bass, lead guitar, vocals
Bill Sheedy – drums and vocals

Dave and the Detomics came from the same southern-central area of Illinois, like Oglethorp and Othelow who I profiled last year. Both groups also had record releases on a southeast Texas label named Van, thanks to the connections of local radio show host Oscar Wells. Wells also recorded additional songs by each group that went unreleased at the time.

In the article below, Dave Bethard tells the band’s story in his own words, with some additional input from band mate Galen Johnson where noted. Dave has been very patient with my questions, and also provided all the incredible photos seen here.

Dave's pre-Detomics band, the Stardusters, Illiopolis, 1963 from left: Joe Hischer (sax), Mark Myers (trumpet), Dave Bethard (vocal and rhythm guitar), Paul Cooler (lead guitar) and Terry Buff (drums)
Dave’s pre-Detomics band, the Stardusters, Illiopolis, 1963 from left: Joe Hischer (sax), Mark Myers (trumpet), Dave Bethard (vocal and rhythm guitar), Paul Cooler (lead guitar) and Terry Buff (drums)

My name is Dave Bethard — formerly of Dave & The Detomics of Morrisonville, Illinois, and the surrounding area.

The whole history of Dave & the Detomics included cousins Galen and Terry Johnson (both from Palmer, Illinois—attending Morrisonville High School) on rhythm and bass guitar prior to the band’s later personnel grouping in 1965/66. Dates are hard to fix, but Galen, Bill, Terry (Fuzzy) and I were at it in 1963 and 1964 as the Majestics too, before changing our name. We added Vince Slagel first. Then, later, Monte to replace Terry, and Steve to replace Galen, and then Jeanne was added, but those dates are hazy to me. Vince and Jeanne went to Hillsboro High School (Jeanne lived in Butler), and Steve went to Litchfield High, Monte to Nokomis, so we had a wide following because of the spread-out geography of our members.

Dave & the Detomics band cardRichard Dean’s article [on Oglethorp and Othelow] is pretty accurate—except for the part that we were a rockabilly band. We never thought of ourselves that way, and certainly didn’t work to sound that way or to learn or perform country and western songs, unless they were on the charts and requested. Admittedly, we all had a Midwest twang, which probably sounded country….but that was not our musical intent. We always thought that we were better on instrumentals, compared to vocals, and we worked hard to do numerous Ventures (and other instrumental) songs—indeed, using a version of one of their songs for our theme and break song for years.

Q. How did the band get the name Detomics?

There used to be a gas station in Springfield (between 5th and 6th streets on the South end of town) where the two streets split from divided back to a four lane heading South. That street was only 1 block long, and on the South side, there was a Detomic Gas station. That’s where the name came from.

We all came up with the name together, democratically. I was the leader, but took equal share with everyone else, and didn’t throw my weight around.

Original lineup of the band, winter of 1964, from left: Bill Sheedy, Galen Johnson, Dave Bethard, and Terry Johnson. Taken in Bill Sheedy's basement by his brother, Richard.
Original lineup of the band, winter of 1964, from left: Bill Sheedy, Galen Johnson, Dave Bethard, and Terry Johnson. Taken in Bill Sheedy’s basement by his brother, Richard.
Dave Bethard and Galen Johnson
Dave Bethard and Galen Johnson

Jeanne was (is) an accomplished vocalist, and her addition certainly made our overall sound better, and our song choices then expanded, allowing us to do more ballads and harmony to accompany her. Along with Jeanne and me, Bill, Vince and Monte all sang individual songs, with Steve doing backup vocals—so we all had mics. Monte’s addition was a great benefit for me, as he could sing and had a higher pitched voice than me—and, he could play lead on some songs, giving me a break on both fronts. We thought it made us look more professional to switch instruments occasionally during the evening for a song or two.Richard is correct that we didn’t draw big crowds in Pana—or in Irving, for that matter–and our enthusiasm to work there shrank after several tries. I’d have loved to hit it off with the Pana, Illiopolis area kids, but multiple trips there for us, at least, were frustrating. We just didn’t click with them, at least, that was our take on it. Too bad.

But, to balance his point, we drew large crowds in Nokomis, Palmer and Morrisonville locations over several years at numerous venues, including the Nokomis Park House, a frequent favorite of ours. Certainly, hailing from the Central Illinois area, we got around as much as we could, and enjoyed nearly every location. The open air Morrisonville Park pavilion was a favorite of ours too, and we used to do Thursday night dances every week during the summer months. It was normal to have between 200 and 300 kids attending—we were subject to the whims of Mother Nature, but rain-outs were rare. The overhead was minimal, so the money take for band members was sometimes better than ‘scale’.

Dave and Detomics on the Johnny Rabbitt show, November 29, 1964
Dave and Detomics on the Johnny Rabbitt show, November 29, 1964
Johnny Rabbitt and Kay
Johnny Rabbitt and Kay

Johnny Rabbitt of KXOKJohnny Rabbitt of KXOK

The band provided music for the Johnny Rabbitt show – the Rabbitt and Kay signed autographs & did some ticket magic – door prices, chances to another appearance of his, etc. Mainly, it was a venue for him to give away stuff and to mingle with his listeners. To my recollection, he and Kay came alone, I don’t remember any handlers or entourage.The business address for KXOK was was a small one-story house or building as I recall – you could easily drive by it, and we did! I don’t think that our records made it to KXOK—by the time we did them the Rabbit was gone, I think.

Galen Johnson: “One thing I remember from the Johnny Rabbit show was him picking up a phrase we told him while visiting his show, and then using it on his show. That was ‘Hang it on your ear.’ I don’t even know now what that means, but he used it anyway.”

Johnny Rabbitt's KXOK show, Nov. 29, 1964
Johnny Rabbitt’s KXOK show, Nov. 29, 1964
Bill Sheedy after setting record for 40 hours of non-stop drumming
Bill Sheedy after setting record for 40 hours of non-stop drumming

Probably the pinnacles of our band efforts would have been two major events—Bill Sheedy became the World’s Marathon Drummer in 1964 (I think). This gave him and us front page coverage on most media in the vicinity, and some world wide coverage as well. He played his drums for 40 solid hours in my dad’s garage (our practice spot) and had hundreds and hundreds of people come through during the event. It was over a weekend, so we all got to skip school on Monday—pretty much excused, as it was a big local event.

Dave Bethard of Dave & the Detomics and Dave Davies of the Kinks, 1965, "taken during our 3 day tour of Central Illinois"
Dave Bethard of Dave & the Detomics and Dave Davies of the Kinks, 1965, “taken during our 3 day tour of Central Illinois”
The Rivieras, on the Kinks tour, 1965
The Rivieras, on the Kinks tour, 1965

The band did a three day tour (Peoria, Springfield and Decatur, dates uncertain) with The Kinks, Paul Petersen, The Rivieras, and the Hollywood Argyles. Dick and Dee Dee must have been scheduled to appear, but didn’t. Along with another popular local group from Springfield (Randy and the Ramblers) we got to spend a few minutes with the ‘big boys’, while they filled in between bigger audiences in Chicago and St. Louis. That week, all told, with the other ‘normal’ bookings, we appeared in front of about 10,000 people—certainly a huge increase from our norms. And the best part of it all was that they paid us to do what we would have volunteered to do for free!Pretty heady stuff for high school kids!

Galen Johnson writes: “I was in the Illinois State Police and my office was in the Armory Building in Springfield during the last part of my career. One of the people I worked with, Larry Ball, discovered Ray Davies from the Kinks had scratched his name in the marble wall in one of the bathroom stalls in the basement. They used that area as a dressing room during the concert in Springfield. It remains there today. Larry is from Springfield and remembers being at that concert. Mr. John Wayne Gacy was President of the Springfield J.C.’s at the time and that club had sponsored the show in Springfield. That is why he was there. During his murder trial episode there was an article in the Springfield paper about his life in Springfield and it mentioned his involvement with this concert. I wish I had kept that article now.

 

The Hollywood Argyles on the Kinks tour, 1965 (a rare photo of the touring group - may include Ted Marsh, Deary Weaver, Marshall Leib, Gary "Spider" Webb, Bobby Rey and/or Ted Winters. See this site. Can anyone ID the female vocalist? -"all we knew was that she was part of the group!" - Dave
The Hollywood Argyles on the Kinks tour, 1965 (a rare photo of the touring group – may include Ted Marsh, Deary Weaver, Marshall Leib, Gary “Spider” Webb, Bobby Rey and/or Ted Winters. Can anyone ID the female vocalist? -“all we knew was that she was part of the group!” – Dave

 

Dave & the Detomics on the Kinks tour, Decatur, Illinois, 1965
Dave & the Detomics on the Kinks tour, Decatur, Illinois, 1965
The original Detomics plus new organ player Vince Slagel in the 1965 Picnic Book
The original Detomics plus new organ player Vince Slagel in the 1965 Picnic Book

The 1965 Picnic Book was a black and white advertising publication for the Morrisonville Picnic and Homecoming (published by the same folks who published the local weekly paper, the Morrisonville Times) that came out each year, and contained numerous advertisements as well as photos and schedules for the upcoming events. The Homecoming was always THE big event in the year, and I’d bet they still have the books in another form, perhaps. They still have a big crowd for the annual event every July! I believe they also still have dances during the evenings too.Fuzzy and Galen were older, Fuzzy by several years, and Galen by one year. Fuzzy really left the group not too long before he went to the Army, and while there were some hurt feelings on both sides for a while, we were able to get past it, and continue our friendship. Galen’s departure was much more planned, but ultimately he went in the Army also. During the transition between Galen and Steve, we played with 3 guitars and a bass for a while.

 

Nokomis Sadie Hawkins Dance, November 1965
Nokomis Sadie Hawkins Dance, November 1965

 

November '65, Monte McDermith has replaced Terry Johnson on bass
Monte McDermith has replaced Terry Johnson on bass

Revised lineup, early 1966, from left: Bill Sheedy, Dave Bethard, Monte McDermith, Steve Westhoff and Vince Slagel. This group recorded the first Detomics single
Revised lineup, early 1966, from left: Bill Sheedy, Dave Bethard, Monte McDermith, Steve Westhoff and Vince Slagel. This group recorded the first Detomics single

 

Valentines Day dance at Litchfield, February 1966
Valentines Day dance at Litchfield, February 1966

 

At right is Dave's father
At right is Dave’s father

 

Stage setup in Litchfield, notice light show below organ
Stage setup in Litchfield, notice light show below organ

Dave and the Detomics Van 45 Detomic Orbit

Our [first] 45 was an instrumental, side A being “Detomic Orbit”, and side B being “Shatter”. By way of example about how songs and groups superimposed on one another in those days, a version of that song was the theme song for a group we idolized early in our careers, called the Shattertones. We ‘borrowed it’ for our own—the sincerest form of flattery!

Dave and the Detomics Van 45 Why Can't IQ. After I wrote about Van Records, someone from Holland wrote to me to say his copy of Dave & the Detomics’ second 45 “Why Can’t I” / “Soft White Gloves” came from a Dutch publishing company called Belinda Records that had taken out an option on this 45 to release it in the Netherlands in the ’60s, but for some reason it didn’t materialize. The Detomics came close to having a release in Europe! Amazing if true.

The news about someone else releasing it is new to me, at least, and amusing at this stage of my life.

Dave and the Detomics Van 45 Soft White GlovesLillie [who wrote “Soft White Gloves”] was my mom. Both parents were into and involved with the band—my mom actually had a dream, and the lyrics came to her in the dream. When she got up, she wrote them down and gave them to me with the story. I worked only a short time before putting the music to Johnny B Goode behind the lyrics—and with an uptempo beat, it sounded pretty good. My mom gave it her stamp of approval, and Jeanne was enthusiastic about it too. A song is born!

I did find the 4 Audiodiscs (soft copy records with a metal middle layer) that Oscar Wells made for us. I ended up with more than a double CD full of songs—more than I thought we had.

None of the tracks was recorded in a studio. The 45 records were the best quality, and Oscar did those with his portable equipment in my dad’s garage (the band did adjust our volume and tone accordingly) right where we practiced every week!

The radio station tracks came from three audiodiscs that Oscar gave to us from three radio shows we did in 1966. Sort of like payment…but not exactly. Getting our butts up and on the radio at 09:30 am on a Sunday was tough—especially when we played jobs the night before, which was almost always the case.

The rest were from a session Oscar did for our use only, not for sale (to see what we really sounded like), in 1964 when Monte first joined the group — a full 33 1/3 lp of our early days, recorded (the same way) in the Morrisonville (Illinois) American Legion Home, which we rented for $50 just to do that for an evening. I still have the soft discs, and that’s where all of the CD music came from — none of it is even in stereo. At least it’s durable … has survived all these years—and now, it will live forever in the digital world!

Oscar Wells was a country boy trying to navigate in a city world, and he was somewhat out of place. He was a wonderful person, and was honest, very patient, and helpful in all of our dealings with him. That area of Central Illinois, and his show in particular were more country than rock on most days, if my memory is accurate. Any place where the ‘Swap Shop’ is a hit local radio program for years running, isn’t exactly deep in the heart of the city! Oscar did only good for us, and may he rest in peace.

The lineup that recorded "Why Can't I" / "Soft White Gloves", with Jeanne Eickoff
The lineup that recorded “Why Can’t I” / “Soft White Gloves”, with Jeanne Eickoff

Richard Hall, a guitar student of Dave's, with Dave's mother Lillie and his father Clete in the back
Richard Hall, a guitar student of Dave’s, with Dave’s mother Lillie and his father Clete in the back
1966 show
1966 show

 

Dave's red '65 GTO with the Cadillac
Dave’s red ’65 GTO with the Cadillac

 

Detomics' final show, December 31, 1966 from left: Jeanne Eickhoff, Bill Sheedy (on drums), Dave Bethard, Vince Slagel (on organ in back), Monte McDermith and Steve Westhoff
Detomics’ final show, December 31, 1966 from left: Jeanne Eickhoff, Bill Sheedy (on drums), Dave Bethard, Vince Slagel (on organ in back), Monte McDermith and Steve Westhoff

Vince and Jeanne were the seniors of the group when we broke up at the end of 1966—they were both in college. I had just graduated from high school, and the rest were at least a year behind me, I think—my point being—we were just kids doing pretty good work for our ages. We did several high school proms, which were just making the transition from ‘all slow songs’ to ‘a mix of slow and rock songs’, and we always were nervous about them, as we preferred rocking, to playing endless slow songs….plus we didn’t know all that many slow tunes.Dave & the Detomics disbanded after playing our final job on New Years Eve 1966. We were hired by a younger faction of the Auburn Country Club who wanted a rock band for New Years—so they got an upstairs place in downtown Auburn, and we did that job as my last one, and I still remember it like it was yesterday.

Dave Bethard at the Detomics' final show, December 31, 1966
Dave Bethard at the Detomics’ final show, December 31, 1966

 

“During my pre-Japan Air Force leave,” 1967
The Detomics jamming during Dave's leave, 1967
The Detomics jamming during Dave’s leave, 1967

After that, I went off to the Air Force in February of 1967, and the remaining band members, Monte McDermith, Steve Westoff, Vince Slagel, Jeanne Eichoff and Bill Sheedy went in other directions. All but Bill and Jeanne went to the Reactions[see clipping at bottom of that page], and, so far as I know, neither Bill or Jeanne joined any band on a full time basis after that.Those times were tough on 18 year old males not in college. There was a military draft and we all knew we would end up in the military in some manner. I just scheduled mine by enlisting, which was a very pivotal time of my life.

Galen, Terry and Dave in front of Fuzzy Johnson's Corvette
Galen, Terry and Dave in front of Fuzzy Johnson’s Corvette
Galen Johnson, Fuzzy Johnson and Dave Bethard
Galen Johnson, Fuzzy Johnson and Dave Bethard

Vince and Jeanne Slagel are married, and live in Georgia after both having very successful careers outside of music. Steve Westoff still lives in Litchfield, Illinois, and is married. Bill Sheedy is married, and still living in Morrisonville, Illinois. Terry Johnson is married, still plays bass and lives in Missouri. Galen Johnson is married, still plays guitar, is a retired State Policeman, and has a successful real estate business in Pawnee, Illinois. Monte McDermith is deceased.About 4 years ago I found and reestablished contact with all of our band members that are still living, and with Monte’s dad and family. I was also able to locate and make contact with Jeanne Weber, our band manager from the earlier days, who is also now deceased.

I live in Florida, I’m married to a woman I met in my Air Force tour in Japan in 1970, and I’m retired after an aerospace career, and still own, but rarely play guitar. We are all still friends, and communicate on occasion.

Dave Bethard, 2012

 

Terry 'Fuzzy' Johnson in front of his Corvette, 1967
Terry ‘Fuzzy’ Johnson in front of his Corvette, 1967

 

Bill Sheedy, 1967
Bill Sheedy, 1967

 

Two views of the original Detomics: Galen Johnson, Dave Bethard, Bill Sheedy and Terry Johnson. Above, 1964: “I was still using a Spiegel catalog guitar–before upgrading to Fender equipment.” Below: “from a jam session we had when I was on leave in 1967 before going to Japan – October time frame.”

The (Rockin’) Eccentrics

The Eccentrics, 1965 photo
The Eccentrics, 1965, back row, from left: John Kerrison, Bruce Watts (sitting) and Mick Liddell (sunglasses) Front row, left to right: Roy Robinson and Peter Maggs

Mick Liddell – vocals
Peter Maggs – lead guitar
Roy Robinson – bass
Bruce Watts – rhythm guitar
John Kerrison – drums

Middlesex County Times and Gazette, May 1965
Middlesex County Times and Gazette, May 1965

Eccentric's Pye 45 What You GotOriginally called The Henchmen, this Ealing group included lead singer Dave Kaye (real name: Dave Tregwin), bass player Roy Robinson, rhythm guitarist Bruce Watts and drummer Clive Buckie, who had played alongside Ritchie Blackmore in The Dominators.

In 1962, Peter Maggs, who’d been a very early member of The Downliners with Don Craine from 1959-1962, took over lead guitar.

Mick Liddell replaced Dave Kaye on lead vocals in mid-1964 and the group changed name to The Rockin’ Eccentrics. In late November/early December, John Kerrison from Frankie Reid & The Casuals took over from Clive Buckie.

Rockin' Eccentrics Pye promo for "What You Got"

Eccentrics Pye promo for “What You Got”Sometime around April-May 1965, they shortened the name to The Eccentrics and recorded a cover of Gerry Goffin and Carole King’s “What You Got” backed by “Fe Fi Fo Fum” for Pye Records. After playing the UK scene, The Eccentrics were allegedly the first British band to pass an audition for the famous Piper Club in Rome.

Travelling to ‘Italy, The Eccentrics played the Rome club in June 1965 and later returned to Italy.

At the Piper Club, Rome, June 1965. Photo may be subject to copyright

During July Kerrison left to return to the UK and was replaced by John “Speedy” Keen from Ealing band, The Second Thoughts. Keen, of course, later went on to found Thunderclap Newman.

Liddell also left at this point and the remaining members brought in singer Romano Morandi (ex-Equipe Ottanta Quattro) and played gigs in northern Italy before returning to the UK in January 1966 and disbanding. Liddell meanwhile put together a new band called Gli Atomi, who recorded a number of singles in 1965-1966.

Back in England, John Kerrison joined Slough-based band The Horizons with singer Rod Evans, lead guitarist Colin Butt and bass player Len Hawkes.

Evans would later become lead singer with Deep Purple after working with The Maze while Hawkes would join The Tremeloes after playing with Davey Sands & The Essex.

The Horizons had work lined up in Berlin during August-September 1965 and played gigs for a few months after which Kerrison returned to the UK. In October 1965, he joined Hounslow favourites The Dae-b-Four.

Kerrison would later reunite with Mick Liddell in Italy for a one-off recording during 1966.

John Kerrison (far left) reunited with Mick Liddell in Italy in 1966

However, in February 1967, he joined The New Pirates alongside lead guitarist Mick Stewart, bass player Nick Simper and keyboard player Johnny Carroll.

By the summer, however, the band had split and Kerrison worked with Episode Six and then The Beachcombers (Keith Moon’s early 1960s band).

Notable gigs (as The Rockin’ Eccentrics unless noted)

30 November 1964 – Ealing Club, Ealing, Middlesex (Monday) (Middlesex County Times & West Middlesex Gazette)

 

3 December 1964 – Ealing Club, Ealing, Middlesex (Thursday) (Harrow Observer & Gazette)

10 December 1964 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette)

17 December 1964 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette)

19 December 1964 – Witchdoctor, Hastings, East Sussex with Christian’s Crusaders (website: https://dizzytigerstu.proboards.com/thread/880/witch-doctor-1964-1967)

24 December 1964 – Ealing Club, Ealing, Middlesex with South West Five (Thursday) (Middlesex County Times & West Middlesex Gazette)

31 December 1964 – Ealing Club, Ealing, Middlesex with South West Five (Thursday) (Middlesex County Times & West Middlesex Gazette)

 

7 January 1965 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette) (needs confirmation but likely)

14 January 1965 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette)

21 January 1965 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette)

23 January 1965 – Royal Hotel, Lowestoft, Suffolk with The Millionaires (Bo Street Runners cancelled) (Eastern Evening News)

28 January 1965 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette)

 

4 February 1965 – Ealing Club, Ealing, Middlesex (Thursday) (Middlesex County Times & West Middlesex Gazette) (possibly with Jimmy Royal & The Hawks)

15 February 1965 – Ealing Club, Ealing, Middlesex (Monday) (Middlesex County Times & West Middlesex Gazette)

22 February 1965 – Ealing Club, Ealing, Middlesex (Monday) (Middlesex County Times & West Middlesex Gazette)

6 March 1965 – Carfax Ballroom, Oxford with The Ravons (Oxford Mail)

26-27 March 1965 – Silver Blades, Streatham, southwest London (Streatham News) (as The Eccentrics)

27 March 1965 – Witham Public Hall, Witham, Essex with The Decadents (Essex County Standard)

 

30 April 1965 – Ealing Club, Ealing, Middlesex (Friday) (Middlesex County Times & West Middlesex Gazette) (as The Eccentrics)

 

21 May 1965 – Ealing Club, Ealing, Middlesex (Friday) (Middlesex County Times & West Middlesex Gazette) (as The Eccentrics)

Many thanks to John Kerrison, Peter Maggs and Mick Liddell for providing information.

To contact the author with further information, please email Warchive@aol.com

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Frankenstein & the Monsters

Frankenstein & the Monsters, article from the Lincolnshire Standard, April 2, 1965
Frankenstein & the Monsters, article from the Lincolnshire Standard, April 2, 1965

Above are rare photos of Frankenstein & the Monsters playing at the Woodhall Spa Hockey Club dance at Coronation Hall on Saturday, March 27, 1965. Woodhall Spa is east of Sheffield & Manchester, and a few hours north of London.Likely the act was capitalizing on the horror-rock show of Screaming Lord Sutch. The article describes what it was like to be at the show:

“…the sound building up to a crescendo of cacophony and din spread over half-an-hour and with increasing tempo, subdued lighting and flashing lights, was designed, and succeeded in stirring the pulse and the imagination.”‘

Frankenstein was vocalist Ray Stuart from Manchester, the rest of the group seems to have changed frequently over the next year. This photo seems to be an early line up of the group, named in the article as:

Paul Jarvis – bass
Budg. P. Curtis – lead guitar
Andy Fearn – drums
Royce Francis – organ

Royce Francis played with the Upsetters, a group of English musicians formed in France in 1964 that toured the continent over the next several years, often with singer Pete Lancaster. The Upsetters backed Pete on two German releases, the single “Stupitidy” (sic – should read “Stupidity”) and “Baby, Baby, Baby” on Polydor International from 1966, and the LP Rhythm and Blues Show on Polydor from 1967. Anyone have good scans of those?

I’m not sure if Royce was with the Upsetters for their entire run, as this gig with Frankenstein and the Monsters would overlap.

The Upsetters included Derek Moore (bass), John C Marshall (guitar), Jim Clapper (tenor sax), Alvino Sykes (drums) and Royce Francis (organ). Also at some point, Ron Howden, who with Derek Moore would later join the Prophets before evolving into Nektar.

Andy Fearn played with the Barry Norton Four along with Pete Brown (lead guitar) and Dave Robinson (bass). I’m not sure who Budg. P. Curtis is.

Sometime after this show Ray Stuart found another backing band, the Sheffields. The Sheffields consisted of Roy Ledger, Dave Fawcett and Richard Smith, and cut legendary 45s on Pye in 1964: “It Must Be Love” / “Say Girl” (Pye 7N 15600), “Got My Mojo Working” / “Hey, Hey Lover Boy” (Pye 7N 15627), and “Bags Groove (Skat Walking)” / “Plenty of Love” (Pye 7N 15767, also Dot 45-16722 in the US).

Dave Robinson commented on the ManchesterBeat.com:

At the end of 1965 however, The Sheffields went their own way before splitting ( lead guitarist Roy Ledger joined Dave Berry’s Cruisers) and Ray Stuart approached Dave Robinson, Phil Galley and Spud West to form a ‘new’ Monsters – eventually acquiring the services of former Monster’s bass player from the 1964/5 line up, Paul Jarvis.

This was the line up for the duration of 1966 with the band proving the most popular in their home city of Sheffield.

Spud West played the part of The Mummy in the horror show and introduced the wonderful new trick of setting himself on fire as he left the coffin, until it got out of hand at Worsley Civic Hall when the fire hose had to be employed!

The band frequently appeared at The Oasis, Jung Frau, Top 20 Club at Droylsden as well as Bolton Palais and similar surrounding venues.

How do I know?  I was lead guitarist in that line up before we became the fourth generation of Dave Berry’s Cruisers.

Additional info from Obscure Bands of the 50s and 60s.

Thank you to Nick Warburton for the scan from the Lincolnshire Standard.

Ovni 87

Ovni 87 Uruguay PS on Vik

Ovni 87 Vik single Sueño Un CaminoThis is the first single by the Uruguay group Ovni 87, released in 1969 on a local RCA subsidiary, Vik Records #31-UZ-1007.It came with an oversize sleeve of about 7 1/2 inches, which guarantees most of them have since been lost, tattered or bent, and mine is no exception, having been stuck to some other record on the reverse.

The back sleeve gives some info on the band:

Gabriel Gomez – lead guitar
Alvaro Rosas – rhythm guitar
Alvaro Galante – bass guitar
Mario Talento – drums
Ruben A. Melogño – vocals

“Algo fugaz” (literally “Something Fleeting”) is a fine dreamy pop song with good harmony vocals. The flip Sueño un camino” (“Dream a Way”) is something else altogether, a unique rhythmic background for what is essentially a ballad.

Ovni 87 Vik single Algo FugazRuben Melogno wrote “Sueño un camino”, while Alvaro Rosas wrote “Algo fugaz”. Production by Carlos Piriz, and illustration by Nebur Oñgolem. Odd notes (mostly obliterated on my sleeve) by Leirbag Zemog (read it backwards) tie in with the group’s name, which translates to UFO 87.

Ovni 87 has at least one other single, with the excellent psychedelic pop song, “Siento”, and a song I haven’t heard yet, “No tengo valor”

The original group was together from 1966-68. In 1969 all the band left except Melogño who formed an entirely new group, including Freddy Anzorena (guitar), Atilio Fonseca (organ), Miguel Dodera (bass) and Hermes Calabria (drums). Later additions included Leonardo Goldberg on bass and Omar Picún on percussion.

The group dissolved in 1971 and Ruben Melogño joined the prog group Psiglo as their lead singer.

Information on the band from cualquiercosamenossordo.blogspot.com/2011/04/vieja-musica-uruguaya-parte-chu.html [which has become defunct since writing this].

Ovni 87 photo

Ovni 87 Vik single PS back

The Wanted

 The Wanted on A&M, full page ad in Billboard, April 1, 1967
Full page ad in Billboard, April 1, 1967

The Wanted Detroit Sound 45 Teen WorldThe Wanted released eight songs on six different singles, four on The Detroit Sound and two national releases on A&M.

The names of the band are well-known: they put them on the labels of their 45s. Other information is not easy to come by and I don’t find them mentioned in any detail in my usual sources.

Arnie DeClark – rhythm guitar
Dave Fermstrum – organ
Bill Montgomery – bass
Tim Shea – lead
Chip Steiner – drums

The Wanted Detroit Sound 45 Lots More Where You Came FromAll their releases have excellent songs. “Here to Stay” is an amazingly mature ballad, with a great nasal lead vocal, written by Tim Shea and Chip Steiner. The flip “Teen World” is their most basic song, sounding much like “California Sun” with new lyrics, but it’s a fine party song of the mid-60s and probably their rarest release. It was written by C. Shermetaro.

The Detroit Sound Recording Co. was located at 12730 E. Warren. I’ve read that Chip Steiner’s father Irv Steiner owned the Detroit Sound label, which usually featured soul acts.

The label changed the graphics and re-released “Here to Stay”, backed with a good version of “In the Midnight Hour” that reached #1 on WKNR in Detroit & Dearborn in March of ’67, and #3 on CKLW in Windsor, Ontario. They appeared on Robin Seymour’s TV show Swingin’ Time, probably several times. I don’t know which song was originally featured in the clip below as the audio is dubbed in.

The Wanted in Billboard's Bubbling Under, April 29, 1967
Billboard, April 29, 1967

A&M picked this up for national release in April, 1967 and bought a full page ad in Billboard for it with a neat watch graphic. As far as I can tell, the furthest it reached in the national charts was “bubbling under” at #128, with Michael & the Messengers’ version of the song on the U.S.A. label at #121. Too many competing versions kept these from breaking out nationally, although each has a distinct style.

They had one further release on A&M, a fine pop number with horns called “Big Town Girl” backed with “Don’t Worry Baby”. Despite being a Detroit Sound production I believe this single was only released on A&M.

Their next single was the tough “Lots More Where You Came From”, with the lyric “girl I’m picking up on your bad vibrations”! It was written and produced by Dugg Brown (aka Doug Brown of the Omens and producer of Bob Seger, Del Shannon, Southwind, etc), backed with a version of “Knock on Wood”. Their last on the Detroit Sound label was a good take on Bob Seger’s “East Side Story” backed “Sad Situation”, which is simply “Lots More Where You Came From” with a different title.

An email from a friend of the band was the inspiration for this post:

My name is Michael Surarez Thompson. In the 60’s I was a close friend of the Detroit garage band The Wanted. The guys all came from the Grosse Point area. Chip Steiner’s dad Irvin bought an old Detroit city bus and had it converted to a motor home if you will. The bus took us to gigs in and around Detroit and came with a chauffeur I believe his name was Walker.

I was a bit older then the boys and I left to serve in the Marine Corps. Through the years we lost contact. I have been searching for my former friends but they seem to have vanished from face of earth. I am from Port Huron, Michigan, retired Marriott executive chef living in Eugene, Oregon.

45 releases:

The Detroit Sound 222 (plain red label) – Here to Stay (Shea – Steiner) / Teen World (C. Shermetaro)
The Detroit Sound 222A/223A (red and blue label with instrument graphics) – Here to Stay / In the Midnight Hour (February, 1967)
The Detroit Sound 230 – Lots More Where You Came From (Dugg Brown) / Knock On Wood
The Detroit Sound 232 – East Side Story / Sad Situation
A&M 844 – Here to Stay / Midnight Hour (March, 1967)
A&M 856 – Big Town Girl (Dugg Brown) / Don’t Worry Baby (produced by Doug Brown) (May, 1967)

Source: WKNR chart info from ARSA. Thank you to Jim Heddle for the clean scan of the chart.

The Wanted, #1 on WKNR, March 13, 1967
#1 on WKNR, March 13, 1967
The Wanted, Breakout Singles, Billboard, April 8, 1967
Billboard, April 8, 1967

Al’s Untouchables and the Orphans

The Untouchables, 1966
The Untouchables, 1966 from left: Bruce Nunamaker, Ron Bressler, Tom Hankins and Dick Douglas

Al's Untouchables Hunt 45 Come On BabyAl’s Untouchables’ “Come On Baby” / “Stick Around” is one of long-time classics of 60s garage rock. Original copies are rare and when they do sell, go for well over $1,000. The G45 Central site described “Come On Baby” as “raw energy that may never be equaled”, all within two minutes of playing time. After the band establishes the pounding rhythm, lead guitarist Dick Douglas solos for nearly half a minute, and continues whenever there’s a break in the lead vocals.

Though overshadowed by “Come On Baby”, the flip “Stick Around” is excellent bluesy r&b. The label for “Stick Around” has “Douglas” in parentheses, referring to Dick Douglas on lead vocals.There were actually two different groups on Hunt Records called the Untouchables. The first group consisted of Al Huntziner (drums), Larry Fountain (guitar), Ernie Dvorak (saxophone), Ron Hamad (guitar), Bob Keith (keyboards), Bill Alley (bass), Mel Winder (guitar), Frank Glaser (guitar) and Bob Gaston. This Al & the Untouchables released one 45 on Hunt, “Church Key” / “Danny Boy”.

Al's Untouchables Hunt 45 Stick AroundThen came an all-new Untouchables – but that story is best told by bassist and vocalist Tom Hankins. Tom also sent in the photos seen here.

In 1962, 14 year old Tom Hankins (bass and vocals) started a rock band with Scott Bascom (guitar and vocals), Mike Sexton (guitar and vocals) and Mike Curley (drums). The band was formed in Cedar Rapids, IA and named themselves The Belvederes.

Personnel changes were made at various points and the final version was Hankins on bass, keyboards, guitar and vocals, Dick Douglas on lead guitar and vocals, Bruce Nunamaker on rhythm guitar, Eddy Hood on 12 string guitar, bass and rhythm guitars and vocals and Ron Bressler on drums.

The Untouchables with Sam the Sham and the Everly Brothers
The Untouchables billed with Sam the Sham and the Everly Brothers, among others

They were having moderate success when area manager Al Huntzinger called Tom and asked him if his band would become Al’s Untouchables, as Al’s band of that name had all quit over money issues with Al. Hankins accepted and The Untouchables were born. Al still insisted on putting his name on the band, but they were just known to their fans as The Untouchables and Al no longer performed with them, as Hankins made that part of the deal [which is why “Hankin’s” is included in parentheses underneath the band’s name on the second Hunt single – ed.].They quickly became Iowa’s top group with the backing of Darlowe Olsen, owner of Danceland Ballroom in Cedar Rapids, where The Untouchables became the house band and backing band for touring acts like Sam The Sham, Ike & Tina Turner, The Hullaballoos and dozens more top national and British Invasion acts. They also toured on Olsen’s circuit of venues in the Midwest with Chuck Berry, The Dave Clark Five, The Animals, Johnny Tillotson and others.

In 1965 The Untouchables recorded what turned out to be a double-sided hit in the upper Midwest in 1966 with the songs “Come On Baby” and “Stick Around”, both penned by Hankins and Douglas writing under the name of Thomas Richards.

“Come on Baby” is now being called “The Holy Grail of Garage Punk”. This was recorded in Chicago at Sound Studios, the same studio used by The Stones and also with their engineer Stu Black. Hankins and Douglas produced the songs, but manager Huntzinger listed himself as producer when the record was pressed.

The Untouchables of Jefferson High School

The Untouchables aka the Orphans
The Untouchables at the Spider Web, a youth club managed by Mom Uffelman

They began drawing packed venues. In 1966 the entire band was kicked out of high school because the school board deemed their hair as “unfit”, as it covered the top of their ears and almost went over their collars.It turned out that Jefferson Senior High School principal William Paxton found out that the boys in the band were making more money than he was and he developed a grudge against them, doing his best to make sure the boys wouldn’t get their diplomas, but he failed. This put The Untouchable’s name in the headlines nationwide and they drew record crowds at all of the big ballrooms in the Midwest.

Once they were out of school they immediately headed to Hollywood. They had been there during Spring Break when Liberty Records asked them to come out and sign a contract. Liberty, however, wanted The Untouchables to clean up their image and cut their hair, to which the band refused, ripped up the contract and walked out the door.

The Orphans, 1967
The Orphans, 1967 from left: Ron Bressler, Dick Douglas, Jimmy Carroll, Tom Hankins and Eddy Hood

The Orphans Herbst 45 Without You

They dumped their manager Huntzinger and changed the band name to The Orphans at this point after finding out he had been pocketing up to 80% of the band’s pay before dividing the rest up with the musicians. Famed producer Phil Spector listened to “Come On Baby” and “Stick Around” and helped them get a production deal with producer Marshall Leib. Herb Alpert was just starting A&M records with Jerry Moss and he wanted to sign The Orphans, but they lacked enough original material and Alpert needed someone immediately.They met The Doors and toured California with them. This was before The Doors were known outside California and were not even signed yet. Dissension broke The Orphans up.

Orphans with the Left BankeThe band returned to Iowa where Hankins and Douglas took over the operation of Danceland Ballroom from Olsen and ran it until it was closed for good, to be ripped down to make room for a parking garage and events center. They also put The Orphans back together. The duo also promoted concerts in The Midwest with The Orphans generally headlining, but other groups like The Byrds and Beau Brummels headlined some of these shows.

Douglas and Hankins returned to Hollywood and formed a new group with vocalist Aaron Brownstone and world-famous drummer Sandy Konikoff, who also played with Taj Mahal and George Harrison, among others. They record a 12 song album of original material for ABC Records, but upon completion of the LP, Brownstone was killed in a motorcycle accident, thus negating the contract.

Douglas and Hankins returned to Iowa where Douglas formed Enoch Smokey and they became one of the top Eastern Iowa groups. Hankins former a power blues trio with Dan Daniels and became the house band at the all-African American club called The Cougar Lounge in Cedar Rapids. In 1969 both Hankins and Daniels started training to become professional wrestlers and became known nationwide as “The World’s Most Dangerous Wrestlers”.

 CAC 2004, from left: Verne Gagne, Jack Brisco and Tom Hankins
CAC 2004, from left: Verne Gagne, Jack Brisco and Tom Hankins

During this period they were both offered a berth playing with Charlie Daniels after participating in a jam session in Nashville, where they happened to be wrestling, but they had to turn him down as their wrestling career was just taking off.Dick Douglas still plays in Iowa and is recording a new CD as this is being written. Coincidentally, Hankins is currently recording and producing a new CD with The Powerhouse Blues Band in Los Angeles. Nunamaker lives in Colorado and continues to be one of the state’s top guitarists. Bressler left the music business completely and Eddy Hood is currently an artist living in Northern California, and still plays with his own group around the San Francisco area.

The band was inducted into the Iowa Rock & Roll Hall of Fame in 2007, with Douglas and Nunamaker accepting the awards for the band, while Hood and Hankins went to San Francisco for a musical reunion of their own and jammed for two days.

 Tom Hankins, Eric Burdon and Dick Douglas, April 1966
Tom Hankins, Eric Burdon and Dick Douglas, April 1966

Tom kindly answered some of my questions about the Untouchables and also about the unreleased recordings of the Orphans:

Q. What was the connection with the Legends?

The Legends were the top drawing band in Cedar Rapids until The Untouchables hired Douglas out from under them. They did release a song that Eddy Hood and I wrote called “Sunshine Daydream” and the flip side was a cover of “Back in the USSR”. It received airplay in Cedar Rapids only however and their popularity was mainly around Cedar Rapids itself.

The Orphans Herbst 45 Hey GypQ. Is that you playing organ on “Come On Baby”?

Yes, I’m playing organ on both sides of the single and Eddy Hood played bass.

Q. Do you remember where the show with the Left Banke took place?

The Left Banke show was at Danceland Ballroom when Dick Douglas & I were running it and was the last major act to play there in 1967. They no-showed twice and this third time when they finally did show, the fans didn’t and they drew less than 200 people.

Q. The Orphans was at least pressed to vinyl – what happened to all the copies of the 45?

“Without You”, written by Dick Douglas and me and recorded as The Orphans in 1966 in Hollywood at Gold Star Studios. It was never released as the, engineering, production, mixing and mastering was so terrible and the quality of the recording is so bad that we refused to let them release it. This is what broke up The Orphans.

The flip side of “Without You” was “Hey Gyp”. written by Donovan and obtained from him for The Orphans to record before anyone else did. The Animals did a much better version.

Our “manager” and all-around thief Al Huntzinger stole the 45’s when we quit, even though we’d paid for them and for the recording session ourselves, and he must have destroyed them. I only have two myself.

I run into Eric Burdon at times as he lives here in Los Angeles too. He remembered Cedar Rapids and being hungover badly while playing there. We had just come off the road and were really hung over too.

Tom Hankins
May 2012

Despite the muddy sound, the Orphans’ “Without You” is an excellent cut and deserves to be heard. As far as I can tell it’s never been comped or featured before now. Norman Goodman engineered it and Larry Herbst and Dick Michaels are listed as producers. I can’t find much further info about Herbst or Michaels as far as the music biz goes.

Hunt Records discography:
Any additional info would be appreciated

Hunt 450 – Al and the Untouchables – Church Key / Danny Boy
Hunt 1401 – Al’s Untouchables – Come On Baby / Stick Around
Hunt 1201 – Corruption, Inc – She’s Gone (Logel – McCleary) / Somewhere (produced by Jim Logel)
Hunt 270 – Uncle ‘na Anteaters – Kathy Ran Around / I Can’t Go On (formerly the Countdowns)

 The Untouchables
The Untouchables

Pharaoh Records Discography, McAllen, TX

Jimmy Nichols ran a recording studio in McAllen, Texas and owned the Pharaoh label. The Zakary Thaks and Bad Seeds used Nichol’s studio for their early singles. I’ve read that the studio burned down years ago with whatever stock and master tapes was left in it.

Pharaoh discography:

Any help with this would be appreciated

LP:
1001 – Ray Wray Quartet – Yes Indeed!

45s:

101 – Ray Wray Quartet – “A Song Is Born” / “When Your Love Has Gone” (with picture sleeve – see above)
102 – Robert Burnie – “My Twistin’ Mexicali Baby” / “Come Just a Little Bit Closer to Me” (J. Nicholls) Division of Alki Alki Music Pub. BMI
103 – Johnny Jay & the Pompadors – “You Drive Me Crazy (You Drive Me Wild)” (Johnny Mendez) / “I Feel So Lonely” (Benny Mendez)
104 – Billy Myers Combo – “Oso” / “Ten Little Indians” (some copies on red vinyl)
105 – Johnny Jay & The Pompadors – “She’s Gone And I’m All Alone” / “I Want You So I Need You So”
106 ?
107 ?
108 ?
109 – Don Blakey – “Mona Lisa” / “Danny Boy”
110 – Marvin Nash and the “K” Sisters – “I’ll Cry” / “Happiness”
111 ?
112 ?
113 – Davis Brothers – “I Don’t Hear You” / ?
114 – Noe Pro & The Blue Valiants – “Hit Me With The Stroll” / “My Love Is Real”
115 – Marvin Nash and the Chevelles – “Darling” / “Dina” (1961)
116 – Don Bennett And His Orchestra – “That’s All” / The Balladiers with Don Bennett And His Orchestra ‎- “Texas A & M Waltz”
117 – Don Bennett & Orchestra – “Jersey Bounce” / “Only A Dream”
118 – Noe Pro and the Blue Valiants – “I Know” / “Reina de mi Vida”
119 – Little Joe Parker and the Vikings – “Straight Jacket” / “Feed the Chickens” (both by Joe Gonzales)
120 ?
121 – Noe Pro & the Blue Valiants – “Come Along My Baby” / ?? (1964)
122 – Little Joe Parker and the Tigers – “Is That A Tiger In My Tank” / “Movin’ On”
123 – Ronnie Dale – “You’ve Learned How To Cry”
124 – Noe Pro and the Semitones – “I Know What’s Been Going On” / “I Love You My Darling”
125 – The Cruisers – “An Angel Like You” / “The Lonely”
126 – Jeanne Hatfield – “My Babe” / “Summertime” (March 1965)
127 ?
128 – The Cruisers – “Another Lonely Night” / “Please Let Me Be (The One For You)” (with picture sleeve)
129 – Simon Reyes & the Outerlimits – “My Baby Hurts Me” / “Mistake Number Three”
130 ?
131 – Billy D. Nash – “This Little Light Of Mine” / “There Is A Balm In Gilead” (with picture sleeve)
132 ?
133 – George and the Lion’s Den Trio Here’s George – “The Swinger” / “Crazy Ideas” (with picture sleeve)
134 – Arturo & Pat with the Invaders – “Oh Yes Tonight” / “So Tenderly & Faithfully”
135 – Jim Roberts – “Jukebox for Company” / “Hay for My Donkey”
136 – George and the Lion’s Den Trio – “Tequila Sour” / “Como Prima”
137 – The Cavaliers – “Pride” (Billy Rowe) / “Sea Weed”
138 – Danny Mata & the Pathfinders – “Looking Around” / “Iolavay”
139 – The Cruisers – “My Place” (E.J. Ledesma) / “Walkin’ and a Ridin'”
140 – Eddie & the Emeralds – “Preparation X” / “If You Only Knew”
141 – The Playboys of Edinburg – “Wish You Had A Heart” (James Williams) / “Understand Me”
142 – The Playboys of Edinburg – “Look at Me Girl” / “News Sure Travels Fast” (James Williams)
143 – Simon Reyes – “Broken Hearted Fool” / “What Now My Love”
144 – Jeanne Hatfield – “Wowie, Pretty Scary” / “If You Want Me”
145 – Don Pierce – “Take Another Drink” / “One Man Band”
146 – Thee Kavaliers – “That Hurts” / “Symbols of Sin” ( both by Javier Rios)
147 – The Headstones – “24 Hours (Everyday)” / “Wish She Were Mine” (both composed by Dave Williams)
148 – The Cruisers – “The Fire’s Gone” / “Oh! Sweetness”
149 – George Garza & the Lion’s Den Trio – “Watermelon Man” / “Blue Moon Of Kentucky” (1966)
150 – Thee Kavaliers – “The Last Four Words” / “Ballad Of Thee Kavaliers”
151 – Christopher & the Souls – “Diamonds, Rats and Gum” / “Broken Hearted Lady” (both composed by Chris Voss)
152 – The Headstones – “Bad Day Blues” (Williams-Palmer) / “My Kind of Girl” (Dave Williams)
153 – Brother & Sister – “See What Tomorrow Brings” (Arturo Longoria) / “The Answer Is Love” [flower-power folk!]
154 – Thee Kavaliers (Cavaliers) – “Congregation for Anti-Flirts, Inc” / “Back to You”
155 – The Cruisers – “Celina” / “Baby Doll”

I had erroneously listed 141 and 142 as by the Playboys of Edinburgh, but they were not named after the Scottish city, but rather after Edinburg, TX, a small town northeast of McAllen.

See individual entries on The Cruisers, Christopher & the Souls, Simon Reyes and Noe Pro & the Semi-tones, and Thee Kavaliers for more info on those bands.

There were other Pharaoh labels:

Chicago:
Pharaoh Records 7707 – Hot Coke – “Make This Love Last” / “All By My Self”

Massachusetts: (pressed either in NY or Hollywood):
Pharaoh SA-327 – Roy Victor – “Hot Dog” / “You Are My Wish” (ZTSP-94713, arranged and cond. by Fran Devino, Harvest Hill publishing, ASCAP)
Pharaoh 339 – Scavengers – “You Do It Too” / “Speed Trap”

Tulsa, OK:
Pharaoh 1006 – Paragons – “Who Am I” / “Will You Still Love Me Tomorrow”   (also released on BTR 1006)
Pharaoh 1235 – Dynamics – ” Lucy Part I” / “Lucy Part II”
Pharaoh 1236 – Roger Wayne & the Clic – “Ballad Of Sara Lee” / “I Gotta Lotta Time”
Pharaoh 1239 – Mike Catron & the Avanties – “Donna” / “Bass Beat”

Thank you to Gilbert Rodriguez for his help with this discography and to Ed Nadorozny for the Ron Wray sleeve scan. Thank’s also to Bob, Drunken Hobo, Jason Chronis, Max Waller and Tommy for the additional entries. Thanks also to Fred Hoyt for the Jeanne Hatfield sleeve scan.

JeanneHatfieldPharaohPSMyBabe

The Solid State “Wait and See” / “The Lynching” on Elpa

I haven’t seen any concrete info on the Solid State. I’ve read the band was from Bandera, Texas, but the Elpa label was located at 5214 Beautonne in El Paso. El Paso is close to eight hours’ drive from Bandera, while San Antonio is within an hour, Austin two hours drive, and even Dallas is closer.

The A-side is the very moody “Wait and See”, written by Jerry Walker and Sam Lott.

The flip is “The Lynching”, a fascinating original by Jerry Walker with an upbeat rhythm and a catchy six-note guitar line, plus good soloing on the outro. The harmonies are cheery, but the words are most definitely not!

What is the matter in the street,
I hear the clattering of feet,
Here comes an angry bunch,
They’ve had a little too much,
You’d better not get in their way.

I hear a bandit’s on the loose,
They meant to fit him with a noose,
They are looking for a man,
He has gotten out of hand,
And they are going to string him up.

Looks like it’s lynching time again,
And there’s no mercy to be shown,
You’d better hide your head from the electric wind, (?)
Destruction marks where where it has blown,

Sundown has set the scene for hate,
Come ’round let’s all participate,
Don’t be late for a party tonight,
Celebrate for a triumph of right,
The lynching mob knows where it’s at.

Look out, here they come your way,
Watch out, you may hear them say,
We are looking for a man,
He has gotten out of hand,
This man we’re looking for is you!

Looks like it’s lynching time again,
And there’s no mercy to be shown,
You’d better hide your head from the electric wind, (?)
Destruction marks where where it has blown.

I have to wonder what inspired this song – perhaps the photos of lynchings that took place in the 40s and 50s where the crowd looks ebullient.

Both songs were published by Linjo Music. BMI’s database lists the song as one of Jerry Jeff Walker’s compositions, but it’s unlikely, as his usual publisher is Grouper Music, and by the time the Solid State released their 45 in October, 1968 Jerry Jeff was part of Circus Maximus and hadn’t made a name for himself as a songwriter yet. Though from upstate New York, Jerry Jeff busked through Texas in the mid-60s, so it is possible he was a member of this group or gave some songs to them.