Category Archives: HMV

Calcutta-16

Calcutta-16 HMV NE 1003 Ballad of the Purple InnAs far as I can tell, Calcutta-16 only released this one 45, but what a record it is. Ed Nadorozny has the record and provided the music and scans here. When I heard Calcutta-16’s “Ballad of the Purple Inn” I asked Ed if I could cover it on Garage Hangover and he kindly said yesCalcutta-16 HMV 45 Ballad of the Purple Inn  

I love everything about the song: Brinnand’s insolent delivery of the lyrics, the full bass line, the excellent sounds they get out of the guitars and echo, the drumming, all of it.

The flip “One Eyed Woman” has a great break halfway through with a pounding snare drum that just gets louder, war whoops, and a solo the segues so nicely back into the song. The bassist and the sound of the group in general remind me somewhat of the Great Society.

The band were:

John Brinnand – lead vocals (spelled John Brinand on the labels)
Peter Yeti – lead guitar
Romit Bhattaharya – rhythm guitar
Devdan Sen – bass guitar
Nondon Bagchi – drums

Devdan Sen and John Brinand “wrote the lyrics and composed and arranged the music” according to the notes on the back cover.Calcutta-16 HMV 45 One Eyed Woman

Dubby Bhagat of the Junior Statesmen produced the record and wrote the notes, and J.P. Sen engineered it. The record was released on His Master’s Voice NE. 1003 in 1969.

Dubby’s notes on the back also thank the band’s manager Jimmy Chaudhuri and “Colonel Bose of the ‘Living Sound’ Studio and his daughters Rita and Mita, who first recorded the group. Jack Dantes who christened the group. Sumit Bhattacharya and Rangam Mitra who gave time and equipment aplenty. The Surayas for their quiet but wholehearted support. Mr. Rafiq and Mr. A.C. Sen of H.M.V., who gave the boys this chance. Desmond Doig of the Junior Statesmen who encouraged the project. And Ananda Mitter and Jonathan Mason without who the group would never have got to Dum Dum for the recording!”

Next up from Ed will be a couple tracks from a very rare early EP by the Savages, better known for their Black Scorpio LP.

Calcutta-16 HMV NE 1003 Ballad of the Purple Inn

The Top Shelf “Time Beyond”

The Top Shelf His Master's Voice 45 Time BeyondThe Top Shelf were from Wanganui, a port town on the southwestern coast of the North Island of New Zealand, about a three hour drive from Wellington where they based their career. The Cresendos also came from Wanganui.

“Time Beyond (Can’t We Still Be Friends)” takes inspiration from “White Room” with some fantastic wah wah playing.

“Time Beyond” was left to the b-side behind a pop song with the very unwieldy title “Baby the World Really Turns (Many a Slip Twixt Cup and Lip)”. Although relatively lightweight, the opening is arresting and performance solid.

Production was by Peter Dawkins. A radio station card that accompanies my copy shows it was received on July 24, 1969, and played a paltry four times over the next two months, despite being a “Golden Disc Entry” for the year.

The band reunited for the Third Official Wellington 1960s Rock Band Reunion on Sunday, October 12, 1996 in the Lower Hutt Horticultural Hall. I can’t find any reviews of the show, but an article promoting the reunion in the New Zealand weekly the Sunday Star-Times gave a description of the band:

Wanganui’s Top Shelf are best remembered for their 1969 residency at Ali Baba’s in Wellington’s Willis Street, where they played soul and harmony based pop for the popular club’s post-teen regulars. They emerged in the strong Wanganui 1960s scene in mid 1968, made up of members from the popular Nusonics (Murray Barnes and John Harrison), and The Sect and Downbeats (Martin Berryman [on drums], Kevin Furey, and Doug Bonner) to play local dances, and save enough money to break into the Australian scene.

When kingpin promoter Ken Cooper offered them the Ali Baba’s gig, they headed south instead, leaving behind bassist Doug Bonner, who was replaced by Dave Berryman.

On-stage, they played up to nine hours a night on weekends, cutting a dash with their two piece horn section, and later in 1969, cutting a single for HMV Records, the bubblegum pop “Baby, The World Really Turns” backed with the psychedelic “Time Beyond”, penned by Wanganui duo Dick Le Fort and Martin Hadlow. They disbanded in late 1969.

Sources include: Mysterex: New Zealand Music and Culture (via the Internet Archive)