The Front Office single on Mijji seems to be a combination of two different recording groups. The A-side “Girl” is polished, Motown-type soul, written by Steve Cook and arranged by Val Garay (who would go on to engineer and produce many high-profile acts in the 1970s and ’80s) and Mark Holly.
The instrumental flip side is something else altogether. “Wow” is first-rate psychedelia done by a band who knows what they’re doing and don’t hold back. The song writing credit goes to Gilbert Day, who is also credited as producer with G. Zacharisen (possibly George Zacharisen). Satori Music, BMI published both songs, released on Mijji M3007 in 1968.
Beyond those names, the identity of the musicians on “Wow” is a mystery. This was the last release on Mijji, which had a handful of other singles. Sound 70 had two singles on Mijji:
Mijji M-3002 – Sound 70 – “There Is No Reason” / “Seven Day Fool”
Mijji M-3004 – Sound 70 – “One Too Many Mournings” / “Chicago Blues”
Day-Gardner-Brown produced both singles, and other than song writing and publishing credits for the cover songs, “Seven Day Fool” and “One Too Many Mournings” (sic), there are no other names on the labels. Sound 70 played live around San Mateo, Belmont and San Carlos, California, adjacent towns on the peninsula between San Francisco and San Jose. Sound 70 seems to have come out of the Bundles, whose songs “Mark My Words” and “Watch Me Girl” went unreleased at the time but now appear on the Big Beat CD Dance With Me: The Autumn Teen Sound.
Judging by “There Is No Reason” and the heavy drums on “One Too Many Mournings”, Sound 70 had the ability to cut a track like “Wow”, but that’s only speculation.
Mijji M-3005 – Venus Flytrap – “The Note” / “Have You Ever” (both by Donald Danielli – Daniel Sanchez, prod. by Gilbert Day, published by Guard Music, BMI)
The original release came on Jaguar Records J-103, owned by Barry Wineroth. It was a hit in the Santa Barbara area, but the Redwood City band also had a following in the South Bay, which may be why Mijji repressed it.
If anyone has more info or photos on the bands, please contact me.
WOW indeed! That is some of the wildest fuzz feedback guitar that I have ever heard. If the Front Office recorded both the A & B sides, then they certainly had a wide range of musical styles.
“Girl” (M3007A) was recorded at Golden State on 6-4-1968 (my 28th. B.D.) After 27 takes the 8 track tape was ready for Val and Mark to take it back to L.A. for edit, it was just after midnight and the news about R.F.K. came in, The re-name for the band “Front Office” spin out of the discussion on R.F.K.’s murder (who would order such an action?) Since WOW and GIRL. we’re so different pressing both under Sound 70 did not feel. correct so the Front Office was born at 2:00am on 6-5-1968..