Any help with the discography or info on Pa-Go-Go in general would be appreciated!
Lillian Gonzales and her husband Joe “Pato” Gonzales owned the El Pato grocery store in Saginaw, Michigan, and also ran the Gonzales & Gonzales artist management company. Joe, whose name I’ve seen in print as Jose Gonzales or Victor Gonzales, owned half of Bego Records with Paulino Bernal, which had been releasing conjunto records in McAllen, Texas since the early ’60s.
Joe started the Pa-Go-Go record with brothers Rudy “Tee” Gonzales and Manuel Gonzales (apparently no relation to Joe – see comment from Cisco below), basing the label out of San Antonio where Rudy Gonzales had his group, Rudy & the Reno Bops. Pa-Go-Go’s focus would be less specialized than Bego’s, with rock, soul and r&b releases.
Lillie Gonzales brought ? & the Mysterians to Art Schiell’s Recording Studio in Bay City, Michigan in April, 1966 to record a version of “Midnight Hour” and their original song, “96 Tears”, with Rudy Gonzales producing. The first pressing was 750 copies, but there were additional pressings as the single broke out on stations in Saginaw, Flint, Windsor and Detroit.
According to Billboard, Neil Bogart, a twenty-three year old sales manager at Cameo-Parkway flew to McAllen, Texas to purchase the master of “96 Tears” from Bego, winning out over a verbal agreement with Roulette’s Morris Levy.
Although Pa-Go-Go’s address of 408 Hazel St. San Antonio, Texas was on the labels of every release, about half the acts were from Michigan. A Billboard item from October, 1967 even mentions the label being headquartered in Saginaw. Pa-Go-Go only existed for about a year and a half, but released some fine music in that time, with the last single I can find mention of, Count & the Colony’s “Say What You Think” being sold to SSS International.
Pa-Go-Go Discography:
101 – Danny & the Tejanos – “Mi otra movida” (Polka) / “Con esta copa” (Ranchera)
102 – Question Mark & the Mysterians – “96 Tears” / “Midnight Hour” (April, 1966)
103 – Sir David & His Knights – “Shotgun” / “All My Love” (David Camarillo, published by Ed Arguello Pub.)
104 – Fernando Y Juan – “Se te llego tu dia” / “Vuela vuela Palomita”
105 – Chavez & the Chevelles – “Buscando Una Estrella” / “El Trenesito (The Train)” (D.A.R.)
106 – Danny & The Tejanos – “Confecion” / “Mundo raro”
107 – Little Henry & His Band – “No soy tu arroz con pollo” (Isidrio Lopez) / “Amor sin medida” (Jose A. Jimenez)
108 – Sonny Ace- “Ya volvio la Palomia” (Lonnie Guerrero) / “Sandra” (Martin Linan)
109 – ?
110 – Al Pinckney & the Exclusives – “Coasting” / “La-Hai”
111 – Chavez & the Chevelles – “Pido” / “Angelitos Negros”
112 – Danny & the Tejanos – “Listen, Sweet Thing” / “What’s the Word” (Danny Martinez)
113 – Conjunto Los Galantes de Manuel Gutierrez – “Contestaction a ‘Me Voy Lejos'” / “Ellas”
114 – ?
115 – Freddie Fender & His All Stars – “Cool Mary Lou” / “You Are My Sunshine”
116 – ?
117 – ?
118 – Staffs – “Another Love” / “I Just Can’t Go to Sleep”
119 – ?
120 – ?
121 – Count and the Colony – “Can’t You See” (Dick Brown, Butch Burden) / “That’s the Way” (Larry Wheatley, Butch Burden)
201 – Count and the Colony – “Say What You Think” / “Symptoms of Love” (October, 1967)
See the entry on the Staffs for more about that band.
At this point I’m not sure if the missing numbers were actually issued, as I haven’t found any evidence of them, nor has Davie Gordon (see his comment below) or Mike Markesich.
? & the Mysterians, Sir David and His Knights, and Count and the Colony were all Michigan acts. Danny & the Tejanos, the Staffs and Al Pinckney & the Exclusives were from Texas (see comment from Robert Villarreal below).
Sources: background on Bego from Wikipedia, most complete account of the early days of ? & the Mysterians I could find was at MichiganRockandRollLegends.com, with further background from the ChicagoReader.com, Fredric Dannen’s Hit Men, and info on Danny & the Tejanos and Sir David & His Knights from I’m Shakin’.
Thank you to Martin Hancock for info on the Little Henry 45 and to Antonio of La Plebe for his contributions to the discography. Thanks also to Francisco Candia, Shane, Alfonso, and Josh (jollyrarestuff) for their help with the discography.
By 1965 they had changed their name to Robb London and the Rogues, releasing three 45s in the next couple years:
Beckingham 1084 features soul vocalist Billy Sol with songs written by Robb London, “Have You Ever Told Her”, backed with “The Bells”.
The third 45 has another two London originals, “Crazy Baby” / “Mary Jane”. “Crazy Baby” gets repetitious, but has a cool, brief second section that first kicks in around 50 seconds into the song. The flip “Mary Jane” is one of London’s best cuts, a tough rocker from start to finish about a girl “who’ll put you down”: “if you see her comin’, you better step aside, a lot of men didn’t, a lot of men died!”.
Robb London’s manager was Mel Adcock of Swingtime Productions (who also managed the Five Canadians and the Frantics). They played shows around San Antonio, including the Knights of Columbus Hall on the east side of the city, and had a reputation as both a soul cover group and for British Invasion sounds.
The flip is a great, slow version of “Gloria” with Robb’s best vocal performance, the band encouraging him with shouts. Most remarkable is the arrangement that dispenses with the repetitive chords and syncopated build-up of Them’s version in favor of a relaxed pace that suits the lyrics. The opening guitar riff works well with the horns; it was probably a favorite live song for the group.
