My name is Gonzalo Gonzales (GG for short) and I was a band member with Noe Pro and the Semitones together with Jesse Salinas during the early 60’s. Another band from the area that I had played with. This would be Joey B and the Silhouettes. Let me lay out a bit of history that maybe ties some things together.I had played in my high school band and had always been interested in playing with or forming a group. After graduating in 1961, I left Brownsville to attend college close to Dallas. After one semester, I returned to Brownsville and attended a junior college here. A friend of mine, another band member from high school, informed me that there was a group looking to expand their sound with horns (both of us played clarinet and saxophone). He introduced me to the group and I joined up. This group was called the Blue Valiants – this is the same group that Noe Pro joined as a drummer later on. The Blue Valiants were led by a guitar player named Marcos Rodriguez.
After playing with the Blue Valiants for about a year, the group broke up and several of the members, including myself, left to form a new group. This new group was called Joey B and the Silhouettes. This group consisted of the following members: Joe Barron (Joey B) (lead singer and rhythm guitar), Joe Garcia (nicknamed Papucho and who happened to be a cousin of Marcos Rodriguez – bass guitar), Jesse Guerrero (drums), Luis Maza (my friend from high school – alto sax), and myself (tenor sax). Later on we added a lead guitar player who also sang from time to time – Felipe Garza.
We played gigs all over for high school dances, birthdays, weddings, etc. but we also put on our own dances from time to time. We would rent a salon, hire a cop for security, and then put up posters all over town. We then had our girl friends or family members charge admission at the front door. Other local bands started doing this same thing.
The Silhouettes did make an unreleased tape but I don’t remember with who or what ever happened to it. I wish I did – would be great to dig that up.
Eventually, of course, group members started leaving for different reasons and the group disbanded. Luis Maza left and joined another group that was getting popular during this period – Lenny and the Bellaires. Lenny was the stage name for Leo Silva. I hooked up with a couple of brothers that had started a group. This group was called The Staffs. This is the same group that Jesse played with later on after he played with Noe.
Meanwhile, Marcos Rodriguez brought on new members to the Blue Valiants including Noe Pro as a drummer. Noe tells me that he only lasted with the Blue Valiants for about 6 months or so before he decided to leave and form his own band which, of course, would be the Semitones.
Noe Pro and the Semitones started to make a big splash in Brownsville and, really, all over the Rio Grande Valley. The gigs that the Staffs were getting were getting less and less. So I got dissuaded with them and decided to join up with Noe. I then played with Noe and the core group until I had to leave for the service in mid 1966. I played with the Staffs way before they ever made that recording on the Pa-Go-Go label. In fact, I was surprised that they had recorded – I kind of lost track of them once I went into the service.
When I joined the Air Force, I ended up in San Antonio based at Lackland AFB. While there, I looked around for a band to play with. I got a hold of Rudy “Tee” Gonzales (from Rudy and the Reno Bops) and his brother to see if they could hook me up with someone and they did. They introduced me to Danny Martinez from Danny & the Tejanos and I ended up playing with them for a couple of years. In fact, I was on the recording of “Mustard Greens” which was recorded with Tear Drop.
Gonzalo Gonzales
