Category Archives: US

Categories: Bronx, Inner, New York, New York City

Mustache Wax

November 17, 2014 Chris Bishop 5 Comments

Daniel Lane (Danny Lutzky) – guitar
Richie Winston – 6 and 12 string guitar
David Knopf – bass
Lloyd Goldberg – drums and lead vocals
Eddie DiBiase – harmonica

I was very excited to track down a copy of this 45 only find it to be in nearly unplayable condition – if anyone has a nice spare please contact me!

Mustache Wax came from the Bronx, in Riverdale. This was the last of several lineups and band names they used before breaking up after high school. They recorded the 45 in a studio on 42nd St.

Eddie DiBiase came from Queens and was the connection to Inner Records, though I can’t find any other releases on that label. Eddie wrote the top site, “I’m Gonna Get You” published by Luv Music ASCAP.

I also like the flip, “On My Mind” alternately somber and quick, written by guitarist Danny Lane for Philonic Music, BMI.

The 45 was produced by Epstein-Schwartzberg, yet it’s also “A Vitale-Eden Production”.

Anyone have a photo of the group?

Info from David Knopf via Flower Bomb Songs.

Categories: Holladay, Palladium, Salt Lake City, Utah

The In Mates

November 15, 2014 Chris Bishop 2 Comments

The In Mates came from Holladay, Utah, a suburb east of Salt Lake City. Randy Teal wrote “London Town” and Sam Parsons, who was not in the group, wrote “The Same”. Both songs are steady ’60s pop with harmony vocals and a good balance between the clean guitar work, organ and the rhythm section. Both songs have a touch of melancholy; “London Town” has a richer arrangement and harmonies, while “The Same” is more upbeat.

This 45 was released in January, 1967 on Palladium P-5011. I don’t know of any other releases on this Palladium label (there were others). Publishing by Le Mon Music, BMI.

Randy Teal wrote to me:

The members of the band were: myself on lead guitar and lead vocals, Randall Chase drums and vocals, John Foster rhythm guitar and back up vocals, Lane Clissold organ and Don Hancock bass guitar and vocals. The band lasted about three years.
We were all actually from Holladay, Utah not Kearns. I think Sam Parsons was from Kearns although, I never met him. When we went into the studio to record “London Town” we didn’t have a decent song for our B side. Our manager and producer at the time had access to Sam’s song “The Same”, so we learned it and recorded it the same day we did London Town.
I played in a variety of bands throughout the 70’s, 80’s, 90’s on up to the present including a trio with Tony Decker and Dean Widen from Fargo. In seventh grade I met Bob Holman who would end up drumming with Fargo and we were in our first band together in 1964.
In the early eighties I was in a band called Haymaker which had a lot of success playing in and around the inter-mountain west. From that band our steel guitar player Brooke Langton went on to play with Marie Osmand and Pam Tillis and is still very active in the music scene in Austin Texas.
I continue to play in a trio called The Fall River Ramblers doing all original Americana music and playing festivals throughout the western united states. I released a CD of all original music in 2010. You can view our website at fallriverramblers.com.
Randy S. Teal

Categories: IGL, IGL (Iowa Great Lakes Recording), North Dakota, Oakes

The Dynamic Dischords

November 4, 2014 Chris Bishop 9 Comments

The Dynamic Dischords came from the small town of Oakes, North Dakota, in the southeast part of the state. Members were: Mel Bruns, Dave Enquist, Tom Rodine, Bob Vorachek and Tim Weatherhead.

In 1967 the band played the Roof Garden in Arnolds Park, Iowa, 330 miles from Oakes, but not an unusual distance for a band to travel in the upper Midwest. After their show the band visited Iowa Great Lakes Recording in nearby Milford, Iowa, where they cut their first 45, released on IGL 45-150 in November, 1967.

“Passageway (to Your Heart)” starts with a gloomy four-note riff then settles into something resemblings “You Keep Me Hanging On”, with heavy fuzz breaks between the verses. The IGL Rock Story, Vol. 2: 1967-1968 has a slightly longer version with an alternate vocal, though I prefer the 45.

I’m a fan of the flip side, “This Girl of Mine”, an upbeat harmony song without any psychedelic influence at all.

Tom Rodine and Mel Bruns wrote both songs and Mark Reiner produced the single. I don’t recall Mark Reiner appearing on credits for any other IGL singles so he may have been part of the Dischords’ management. The publishing was by Okoboji Music BMI, a common credit on IGL 45s (and named after the lake where all this fun was happening).

The band did not record again until 1971 when they released “The Age of Caesar” / “I Love Life” (another Rodine & Bruns original) on Mark Custom Records from Moorhead, Minnesota, distributed by Midwest Booking Authority in Grand Forks, ND. I haven’t heard either side of that 45 yet.

Info and top poster taken from http://www.nightlifemusic.com/HOR/Dynamic%20Dischords/index.html. Poster below sent to me by Philippe Wegmuller.

Categories: Hercules, Manhattan, New York, New York City

Joey Vine on Hercules

November 3, 2014 Chris Bishop Leave a comment

Joey Levine wrote “Try It” for the Standells and went on to compose, produce and sing on numerous pop hits for the Third Rail (including “Run Run Run” and the excellent flip “No Return”), the Ohio Express, Jet Stream and other acts. Before the hits came this one-shot record as Joey Vine, released on Hercules Records in the U.S. and Immediate in the U.K.

I’d like to know who was backing him on these songs. Though likely studio musicians, the group has a sharp garage sound on “The Out of Towner”, with a catchy guitar hook, solid drumming, and good harmonica fills. Vine gives a good vocal on the A-side, then does a close Dylan imitation on the flip, “Down and Out”.

Though Joey Levine wrote both songs, Gallico Music published “The Out of Towner” while Pentagon Music BMI published “Down and Out”.

Hercules Records had three singles, all in 1965, all produced by Charles Calello and distributed via Jamie/Guyden. Besides Joey Vine’s there were also Hercules 101, the Victorians “C’mon Dream (Chris Andrews) / “Catrina” (Donnie Frio) and Hercules 102, Joy Leonard “Baby I Wanna Back Track” (Lou Christie, Twyla Herbert) /”Don’t Feel Sorry For Me” (Rosemarie McCoy, Dorian Burton).

Of these three only Joey Vine’s was licensed for release in the UK by Immediate in October, 1965. How that happened is uncertain – the only other Jamie/Guyden product to be picked up by Immediate was a Barbara Lynn single whose r&b sound would have obvious appeal in England.

Background on Joseph Levine is available at http://home.comcast.net/~bubblegumusic/levine.htm and at http://www.wfmu.org/LCD/22/bubblegum.html

Hercules discography compiled by Davie Gordon on Spectropop.

Categories: Atlanta, Gaye, Georgia, Rose

Jerry Ashley and the Dynamics Unlimited “Don’t Tell Me Why” / “Come to Me” and “Come On”

November 2, 2014 Chris Bishop 1 Comment

Jerry Ashley Gaye Records promo photo — Jerry Ashley photo courtesy of Bruce Allen

Jerry Ashley & the Dynamics Unlimited Rose 45 Don't Tell Me Why

Jerry Ashley recorded for two related Atlanta, Georgia labels, Rose and Gaye.

The Dynamics Unlimited backed Jerry Ashley for his single on Rose 2091, “Don’t Tell Me Why” / “Come to Me”, two originals by Ashley also published by Margie Music.

The Dynamics Unlimited had their own 45 on the Rose Records label, “The Tide Rises” / “Baby Let’s Wait” on Rose 2890.

Jerry Ashley had a second single on Gaye Records 3044 from late ’67 or 1968, an upbeat party record with sing-along vocals, shouts and screams called “Come On”, backed with an instrumental version of the same song. This too was a Jerry Ashley composition for Margie Music and though the PO Box on the label is slightly different, there’s a striking similarity to the Rose label design.

I’d appreciate any additional info about Jerry Ashley or the Rose and Gaye Records labels.

Thank you to Mark Taylor for the scans of the Jerry Ashley 45s on Rose and Gaye.

Categories: Lafayette, Lightning, Louisiana

The Persian Market

October 27, 2014 Chris Bishop 9 Comments

Lee DeHart – lead vocals
Doug Cochrane – lead guitar
Brad DeHart – rhythm guitar, vocals
Tommy Ranson – bass and vocals
Doug Begneaud – organ
Keith Thibodeaux – drums
Joe Stein – percussion and vocals

The Persian Market came from Lafayette, Louisiana. In May of 1967, the band recorded four songs at La Louisianne’s studio in Lafayette. Two of these, “Flash in the Pan” and “The Wind Is Ours” were released on Lightning Records LR 103. They also recorded versions of “Sometimes Good Guys Don’t Wear White” and “The Gamma Gooce”, which eventually saw release on Cicadelic. “Flash In the Pan” is a driving garage number, led by the organ playing and with a good vocal delivery. It was written by Lee Dehart and Tom Ranson. The flip is the softer “The Wind Is Ours” (written by Brad Dehart for Lightening Pub, BMI).

The single was produced by Eddy Raven and Ben Skolnick, 104 Brighton, Lafayette, LA; the address is a house not far from the Vermilion River. Ben Skolnick managed the group.

Keith Thibodeaux had acted the part of “Little Ricky” on the TV series I Love Lucy and also played in another group, Little David and The Giants.

Anyone have a photo of the band?

Persian Market Lake Charles American Press Thursday, May 11, 1967 — May 1967 ad for the Cave on Ryan Street in Lake Charles, featuring the Persian Market (Fri. May 12) & the Gravel Road (Sat. May 13)

The first 45 on the label was Lightning LR-101, the Roamin’ Togas “Bar the Door” (Person, Adams, Prust) / “You Must Believe Me” from June of 1967, with the same production and publishing credits as the Persian Market. The Adams in the credits seems to be Pete Adams, according to BMI. I’m not sure of any other releases on Lightning, but the Togas and Persian Market are now very rare, fetching about $200 nowadays.

Sources: Brad DeHart’s website and Mike Dugo’s interview with Doug Cochrane.

Categories: Alabama, Montgomery, Morgan

Morgan Records discography

October 27, 2014 Chris Bishop 1 Comment

Morgan Records had its base in Montgomery, Alabama. Some artists, like the Rockin’ Gibraltars recorded at Cloverland Studio in Montgomery. Publishing was often with Granny Music BMI.

Morgan discography (incomplete – any help with this would be appreciated)

Morgan 674H-3947 – Kavaliers – “Get Your Feet Off Me” / “If You Loved Her” (SK4M-3947/8) (November 1965)
Morgan 5965 – Doug Hughes – “Reno Blues” (Mitchell Bush, Granny Music BMI) / “Two People I Know” (SK4M-5966)
Morgan HR 9018 – Charlena & the Rockettes – “Ramrod” / “Last Night”
Morgan HV-9026 – Joe & Harold – “Rag Mop” / “That’s What’s the Matter with Me”
Morgan HV-9040 – Rockin’ Gibraltars – “Go With Me” (S. Grier, K. Brewer) / “Signed, Sealed and Delivered” (TK4M-2418/9) 1966
Morgan HV-9041 – The Mustangs – “Hitch Hike” / “Daddy’s Home” (T4KM-5005/6) 1966
Morgan HV-9044 – The Bankrupts, vocal Jimmy Wood – “Bankrupt” (J. Segrest) / “Why Can’t I Change” (T4KM-5107)
Morgan HV-9049 – Fabulous Checkmates – “Safari ‘Jungle Trip'” (Bush, Jones, Helms, Windham, Dean) / “My Sin and My Pride” (TK4M-5243/4)
Morgan HV-9059/9053 – Kavaliers – “Hot Cha” (Woods) / “Hey Baby” (TK4M-9707/8) (1966)
Morgan HV-9060 – The Seeds of Time – “She’s Been Travelin’ ‘Round the World” / “Gina” (TK4M-9674/5)

The Kavaliers were Wayne Neuendorf, Jack Boutwell, Mike Morris, Larry Hughes, Tim Nix and Mike Walters.

Thanks to Gary Wise and Max Waller for help with the discography.

Categories: Alabama, Birmingham, Chantain

The Illusions

October 26, 2014 Chris Bishop 11 Comments

One of many groups called the Illusions, this group cut only one 45 featuring the great “Shadows of You” by D. Gillon, which was originally the B-side. The A-side is the more pop “Rain, Shine, or Snow” by J. Dougherty.

Members were Jim Posey – lead vocals, Robert Thames – lead guitar and vocals, David Gillon – rhythm guitar and vocals, Joe Dougherty – bass guitar and vocals and Paul Morrow – drums and vocals. The band had an earlier 45 under Jim Posey’s name, a version of “Double Shot (of My Baby’s Love)” b/w “That Boy” on Bahama Records out of Florence, Alabama.

United Recording and Production was incorporated in Birmingham, Alabama on May 20, 1968. The Chantain BMI credit doesn’t show up in BMI’s current database. Although it looks something like a Rite pressing, it is not, with etched deadwax simply “L-193-1/2”. Maybe someone can comment with the likely pressing plant for this record.

Chantain had at least three other releases, a soul 45 by Roy Smith “Don’t Go Away” (R. Smith, B. Walker) / “The Pain Lingers On” (Chantain CH-0014, reissued on Ascot AS 2239), the Regular Size doing a ballad called “Down In Texas” b/w “Richmond”, and a release by Jerry Woodward.

Thank you to Max Waller for information on the band.

Categories: DAB, Michigan, Ohio, Petersburg

The Kaleidoscope Machine

October 14, 2014 Chris Bishop 6 Comments

When this 45 by the Kaleidoscope Machine came up for auction this summer, I threw a bid out for about a third of its reputed value. To my surprise, and subsequent financial distress, I won it. The band had only 200 copies pressed in October, 1967, distributing them to local radio stations. Those copies are mostly lost and this is considered a very rare single now.

According to Buckeye Beat, Dennis Anthony was a student at Toledo University and wrote original songs. He formed a band with his wife’s younger brother and a couple other high school students from the small town of Petersburg, MI, about 30 miles from Toledo. The Kaleidoscope Machine did some shows in Petersburg and Toledo. The band stayed together only a short time, but it was enough to record two of Dennis Anthony’s songs at a radio studio.

The band rocks behind Dennis on “Why”, while “We Can’t Wait” is more subdued. The lyrics to both songs are simple and impassioned, but the performances have a confidence that elevates them above many other singles in this vein. The rarity of this 45 has kept these songs from being compiled and few people have heard either.

Anthony wrote both songs for Barthmare Music, BMI, though I can’t find any trace of them in BMI’s online database. The label is DAB Records, which I assume was short for Dennis Anthony Barthmare. Master #s are 20577/8.

Anyone have a photo of the group?

Categories: Fayetteville, North Carolina, Valley

Cross Tie Walkers

October 14, 2014 Chris Bishop 9 Comments

Can’t find much about this group who did this one 45 in 1970. The Cross Tie Walkers included brothers Tony Goggans and Mike Goggans. From a signed copy I saw online, other members includes Patrick Stephens and Roger McDaniels (not sure I have Roger’s surname correct).

I’ve read Valley was an Alabama label, and apparently the Goggans came from Fort Payne, Alabama but Vance Pollack tells me they were often billed as “the Malabous Ron, aka Malibus / Malibous, etc. of Fayetteville” in North Carolina.

“Days I Recollect” is the standout, sounding much like Creedence, but with something original to it. Mike Goggans wrote both that and the flip, “Girl We Got a While Yet”, for Clay Music BMI.

Tony Goggans produced the 45, engineered by Jerry K. Black and arranged by Michael Goggans. The PRP 21841/PRP 21842 code indicates Precision Record Press in Nashville.

Any additional information about the group would be appreciated. Anyone have a photo of the group?

Garage Hangover