Category Archives: North Carolina

The Si-Dells

Hubert Deans was organ player for the Durham, North Carolina band the Si-Dells in 1968, when they recorded his song “Watch Out Mother” for the East Coast Sound label, produced by Don Scoggins.

Hubert gives the history of the band in his own words:

The Si-Dells was the first “real” band I was in. In those days bands would typically reorganize in the summer, due to people going off to college.

The Si-Dells were started by:
Keith Thompson on guitar
John Thomson on drums
Lee James on guitar

They advertised in the Durham Herald-Sun for an organ player. That’s where I came in and brought a bass player named Joe Kirschner.

Charlie Clark joined last to play sax. However, Charlie played piano on both sides of the the record – no sax.

Side A was a sappy love song called “She’s The Only Girl For Me”, nothing like “Watch Out Mother”.

The record was recorded “live” in a studio that was built and run by a HVAC contractor. It was a converted corner of his warehouse. It was located at the intersection of 751 and HWY 70 across the street from Jacobs glass.

The record was actually the second recording of the song. The first (and probably better) version was lost by the pressing plant. We were called at around 3pm one Saturday and told to come back in and re-record it. We did and still managed to make our gig later that night.

I left the Si-Dells to join the Bondsmen. I replaced Gene Galligan in the Bondsmen when he went off to college. We (Bondsmen) recorded several tapes but never released anything else.

Q. Listening to the lyrics closely, is Watch Out Mother about a nuclear winter?

No, it’s just about the “natural” end of the world. It was the result of a homework assignment in the tenth grade. The teacher told us to choose a poem by Robert Frost and write one of our own, similar to the one we picked. It was easier for me to write a song and then use the lyrics as a poem. The big news story at the time was a cold spell all across the country, sub zero in the midwest and even in single digits here in NC. It sort of inspired me to go in that direction.

Plus, there was a TV commercial at the time about margarine featuring Mother Nature. The narrator tries to fool mother nature into thinking it’s butter. She ends up causing thunder and lightning and saying “it’s not nice to fool mother nature”. I guess the song was just a product of what was going on in my life at the time. Or maybe a premonition about the greenhouse effect we are seeing now.

After the Bondsmen, I joined a group called “Daze End” which later changed names to Still Creek Band and in 1974 released “Can I Move You”, an international release on MCA. We were pick hit of the week in the UK and Japan, but never sold enough records to amount to anything – no chart action. It’s so bizarre to me that the first thing I ever did seems to be stirring up the most notoriety.

Keith Thompson went on to play with Staircase Band and is still in Durham. His brother John is still around too, I believe, though I haven’t seen him in a while.

Lee James worked for IBM and I haven’t seen him since the 80s. If he’s still around it would probably be in Raleigh. Charlie worked for IBM also. Don’t know what ever happened to him. Joe Kirschner left the state with his family before we graduated from high school (’69). Haven’t heard from him since.

Thanks to Hubert for sharing the history of the band, and for the scan of the 45. Hubert runs the Snow Hill Music recording studio in Hillsborough.

The Symbols


From left: David Moore, Don Willin, Carl Erwin and Joe Boyland

Here’s a record I don’t own myself, but after writing about the Marke 5, I heard from a member of another band from Fayetteville, the Symbols.

The Symbols released this one 45. The A-side is the Beatlesesque “Can I See You Tonight?” with an unusual guitar solo. Less restrained is the excellent flip “Give Me Time,” full of energy and originality, and written by David Moore and Joe Boyland.

Jerry Miller put me in touch with his brother George, who was the second lead singer of the group, joining right after the 45 was recorded. Prior to the Symbols, George was in the Taxmen, a rival band to the Marke 5 at Seventy First High School in Fayetteville.

George Miller wrote to me about the Symbols:

David Moore played lead, Don Willin bass, Joe Boyland (he was a preacher) rhythm, Carl Erwin drums.

Don Willin was a McCartney freak at the time and copied his style. Willin played a big red Gibson hollow body Bass, like Peter Tork of the Monkees. Moore and Boyland wrote their songs.

Johnny Betz did the original vocals of “Can I See You Tonight.” I have no idea why, but after the record was cut and got dist. going, Betts and the drummer quit. Carl Irwin, from Pine Forest H.S. and myself from 71st, moved into those to places and the Symbols really clicked. I sounded exactly like him doing that song so we did it all the time and I got the credit for making it a hit.

We did “Words” by the Bee Gees then; and the crowd always went crazy. We played all over N.C. The Symbols were the first to use strobe and stage lighting. Very limited at the time, but effective. We had that stage magic. I won’t ever forget the fun and work it took to be on the road in H.S.

Jimmy Capps Productions was in Raleigh, N.C. Capps produced “Can I See You Tonight” 600 copies (at total $625.00). We had a recording offer from ‘Colgems’ (Columbia/Gem) in California, four songs all original, and I was too young to go on tour without an adult chaperone. So I got in trouble and headed off to Viet Nam with Mike and Jim, who were the other getter-in-troubles …..and we got to be War Heroes n’stuff and be cool around Fayyette-Nam….

By the way it is Bradley Moffet, lead guitar – Marke 5, that was working at Edwards Music not Donnie Wofford. Wofford is retired from the Army as an E-7, and runs some convenience stores in Hope Mills.

The Taxmen: Bobby Williams – Lead, Jay Shepherd – Rhythm, Bob Holmes – Bass, George Miller – Vocals, Bill Palmer – Drummer # 1, ? – Drummer #2. Anyone know where Bob Holmes and John Holmes might be? Old Jr. High School band “The Barons” the best song we did was “Shapes” by ‘The Yardbirds’… Barons was ahead of their time.

The Marke 5

The Marke 5 were high schoolers from Fayetteville, near Raleigh. Members were Donnie Wofford on vocals, Bill Muffet lead guitar, Pete Sanchez guitar, Steve Kellburg bass and Eddy Truman on drums.

“Pay” has a lot going for it: unusual staccato guitar work, a solo heavy on reverb, sharp drumming and good lead and harmony vocals. Great bass work stands out on “The Leader”, a solid shout-along tune. Both songs are credited to Donnie Wolford and Bill Muffett.

Ed Truman later played with a version of Minnesota band the Castaways (of “Liar Liar” fame) when Castaways’ guitarist Bob Folschow was stationed in Fayetteville while in the military.

Jimmy Capps was a very popular DJ on WPTF in Raleigh and started the JCP label in early 1965. He released records by dozens of groups including the Unknown IV, the Counts IV, the Symbols, the Vigilantes, the Nightwalkers, Davy Butler, and the Vibra-Sonics, recording in his studio behind the McDonald’s on Hillsborough Street. Jimmy Capps died in 1967 at age 47, and the label soon folded, ending a remarkable run at documenting the local Raleigh-Durham scene.

Sources include: Tobacco-A-Go Go vol. 2, and Fuzz, Acid and Flowers.

The Soul Twisters on Romat Records

Soul Twisters Pitt Sound Studio promo photo

The Soul Twisters had two singles on Romat Records out of Greenville, North Carolina. Their first was “Swinging (On a Grape Vine)”, written by J.R. Daniels, Florence Farmer and E. Perkins, and “Soul Fever” by J.R. Daniels and J. Early.

It was recorded at Pitt Sound Studios in Greenville and produced by James Perkins. The Soul Twisters had a second 45 on Romat, #1004, “Doing Our Dance” / “If It Takes A Year”.

I didn’t know anything about the group until James Early and Johnny Ray Williams left comments.

James Early wrote to me:

I joined the band after it started. James Perkins, Samuel Perkins, and Ernest Perkins can tell you more about its beginning.

James Perkins was manager during the time of these recordings….not drummer!

The members of the group on the 45s were:

Johnny Daniels – lead vocal on “Doin’ Our Dance”, background on “If It Takes a Year” and guitar player on all songs.

Fred Farmer – lead vocal on “If It Takes a Year” and background on “Doin’ Our Dance”. He is deceased.

Johnny Williams of Farmville, NC was drummer on all songs.

Joe Daniels was bass player on all songs.

I was on the two 45s as keyboard player.

We all called Roy Mathews (studio owner) “Zeke” jokingly.

I have a sleeve of the 45s with the picture of the group at that time.

We played beach, soul and could adapt to any audience. We played all surrounding areas. We had a female vocalist (Ella Daniels) that could take a dance crowd [off] their seats to pay attention.

The Soul Twisters was the first group I played in. I played an Olympia organ and a Fender Jazz bass. Chapter Three (later name used for our band) did not make any records or tapes.

I played in other groups Jazz Plus, Blues Plus and Poison. I have done and still doing studio sessions with other artist and groups.

James “Bro” Early

Romat was run by Roy Matthews, its first release was the Sound System, which I reviewed here a few months ago.

Shirley Hughey

Shirley Hughey 1974
Shirley, circa 1974. From the collection of Shirley Hughey.

Shirley Hughey recorded this hypnotic slice of psychedelia at Harry Deal’s Galaxie III Studios in Taylorsville in 1969. As it turns out, she recorded her vocal having never met the band cut the backing track! The flip is “When I Reach For You”.

“Pink and Green” was written by Bob Pruitt, produced by Dave Smith, and released on the Bandit label of Asheville, which is known more for soul releases by Willie Hobbs and Pic and Bill, but also has the Electric Love’s “She Wants to Be Free” / “Dreaming of Her”.

I didn’t know much else about this record until Vance Pollack contacted me in 2013.

Vance Pollack interviewed Shirley Hughey on Asheville Free Media on June 6, 2013. Vance wrote to me: “The song was written and recorded by Hendersonville, NC band Orange Purple Marmalade. Shirley’s vocal track was added later and she never met or performed with the band.”

“Orange Purple Marmalade’s guitarist songwriter “Hobby” Pruitt, who died in 2002, is the only writing credit appearing on the label.

“Shirley went on to a significant singing career fronting club bands in NJ, PA and NY throughout the 1970s before returning to North Carolina.

“About the time the song was recorded, Hobby shipped out to Viet Nam and the rest of the band relocated to Connecticut and played clubs along the coast with female drummer Theresa Crouch and guitarist Terry Justus. Theresa and Terry were married in 1970, returned to western NC and continued with Orange Purple Marmalade until about 1975 when the band was renamed Justice. Theresa gained quite a reputation as one of the region’s hardest rocking female drummers, known during the time by the grand title “Theresa, Queen of Drums!” Terry died in 2010. Theresa has fond memories of the musical career she shared with her husband of 40 years.”

Thank you to Vance for shedding light on this odd and fascinating single.

Orange Purple Marmalade Clipping 1969
A 1969 clipping of Orange Purple Marmalade with Chuck Carter, organ; Adrain Rovillon bass, Teresa Couch, drums, and Terry Justus, lead guitar. Thank you to Vance Pollack for this clipping.

 

Orange Purple Marmalade Danville Bee 1975 April 17
Orange Purple Marmalade in the Danville Bee April 17, 1975

 

The Sound System

The Sound System, circa 1969-1970. Standing left to right: Barry McNeill, Ray Barnes, Teddy Ray and Jimmy Harris. Seated from left: Ralph Melvin, Faye Williams and Lynn Jenkins
The Sound System, circa 1969-1970. Standing left to right: Barry McNeill, Ray Barnes, Teddy Ray and Jimmy Harris. Seated from left: Ralph Melvin, Faye Williams and Lynn Jenkins
Sound System Romat 45 Take a Look at Yourself
Sound System Romat 45 Take a Look at Yourself

The Sound System had the first 45 on the Romat label. The label credits this as a Carl Lineberger Pitt Sound Studio Production, from Greenville, North Carolina. Band members on the 45 were Barry McNeill on keyboards, Alan Knight drums, Alan Wright bass, Faye Williams guitar and Lynn Jenkins lead singer.

The haunting organ sound, solid drumming and buzzing psychedelic guitar work give the b-side, “Take a Look At Yourself” great tension to match Lynn Jenkins’ excellent vocals. I think it’s safe to say the top side, “Serenade”, will never be resurrected.

In 2009, Lynn Jenkins gave me some background to the band:

The first band that I was a member of was called the Intruders (not to be confused with the band who recorded “Cowboys to Girls”). Later I joined the Sound System. There were four members; Barry McNeil on keyboards, Alan Knight on drums, Alan Wright on bass guitar, Faye Williams playing lead guitar.

They were searching for a lead singer and I was approached for the position. As rehearsals continued for many weeks, we began to receive numerous bookings. Our band played at many locations including Duke University, Williams Lake, YMCA, local clubs, Fort Bragg’s Dragon Club, Pope Air Force Bases’ Officers’ Club, E-4– E-9 Drop Zone Club, the local skating rink and recreation centers. We felt we were gaining when we made several appearances on The Homer Briar Hopper Show hosted by Clyde Moody. Great times!

The Sound System won several Battle of the Bands, the most memorable was at the Hope Mills High School in Fayetteville, NC. Competition included Chico Carter and The Playthings, Digger Odell and The Undertakers, and numerous other groups.

Our manager Bernie McNeil (Barry’s dad) approached me and Barry on a Sunday afternoon and asked how quick we could write a song. Thirty minutes later “Take A Look At Yourself ” was complete, including the music. The following Monday it was recorded in Greenville, N.C. at Pitt Sound Studio. Our producer was Roy Matthews. It was a pleasant experience to work with Mr. Matthews. Several members of the band; “The O’Kaysions” who recorded “I’m a Girl Watcher” were present at the time of our recording.Sound System promo card

Our record was sold at live gigs, at all of our schools, and distributed throughout the state of N.C. One copy was even sent to Viet Nam and was played over the air in DaNang. Radio play was unbelievable! The DJ’s were overwhelmed with requests, that the record was broken over the air waves … literally (WFLB radio station in Fayetteville).

The band broke up upon my entrance to the U.S. Army in which I have retired Sgt. first class after 22 years in 1993 (82nd Airborne Paratrooper). I have no information about Alan Wright, Barry McNeil is the NC Assistant State Attorney General, Faye Williams has been teaching music in Iraq for several years and Alan Knight owns and operates a recording studio in Lenoir, N.C.

The Romat label lists the song writers’ names incorrectly: “Take a Look at Yourself” is listed as by J. Jinkins and B. McNeal, which is also rendered as Barry McNeil on the credits to “Serenade”.

Sound System Worldwide 45 Love Is A Beautiful ThingAfter a few years together they evolved into a larger soul/top 45 revue with horns. Barry McNeill sent me some examples of this later sound including a version of the Tams “Untie Me” and “Love Is a Beautiful Thing”.

Barry wrote:

These recordings were made in a small sound studio on Haymount Hill in Fayetteville NC, probably circa 1969 or 1970. Lynn Jenkins is the lead vocalist; Faye Williams is on guitar; Ray Barnes is on bass guitar; Alan Knight is on drums; Barry McNeill is on organ; Jimmy Harris is on trumpet; and Teddy Ray is on tenor saxophone. Ralph Melvin replaced Alan Knight for a period of time as the drummer.

The Sound System eventually changed their name to the Expressions, which included Warren McDonald as a member.

For more on the Romat label, see my posts on the Soul Twisters and Clear Blue Sky.

Thanks to Ken Friedman of Tobacco-a-Go-Go for information on the group and Romat.

The Challengers

A group of teens from the town of Wilson, east of Raleigh, North Carolina, recorded this raver at Sound City studios in nearby Bailey.

“Moon, Send My Baby” was written by J. Hodges, and the flip, a 50’s type pop number called “Dream” (written by M. Holland). It was released on the Kix label in 1971.

I didn’t know who was in the group until Phillip Bunn commented below:

The first line-up consisted of guitarist Earl Daniels, drummer Bruce Pittman, bassist Billy Bradshaw, keyboards – Johnny Allen and lead singer J.A. Cooper. The last line-up consisted of guitarist Bobby Denton, guitarist Phil Bunn, bassist Charlie Williams, keyboards – Johnny Allen, drummers – Jimmy Renfrow, later replaced by Danny Hayes.

Phillip also wrote that original guitarist Earl Daniels died of cancer in the early ’70s.

Update, April 2018:

Johnny Corbett sent in the photo and business card and wrote:
Challengers Wilson NC business card

This is the last line up in The Challengers Band from Wilson, N.C. The members were J.A.Cooper, the original singer; Johnny Corbett, lead guitarist; Steve Odom, drummer; Tommy Balance, bassist; Gail Daniel, keyboards; Randy Boykin, rhythm guitarist.

The band was active until 1976, Wilma Daniel was the manager & did  bookings along with Joe Steinbach who was a local DJ and music store owner.

Challengers Wilson NC photo
Last line up of The Challengers Band from Wilson, including J.A.Cooper, Johnny Corbett, Steve Odom, Tommy Balance, Gail Daniel,and Randy Boykin.

The Bondsmen

I remember how knocked out I was by the Bondsmen’s version of “I See the Light”, which I played over and over after taping it off of WNYU’s Mod Monday radio show when I was in high school.

I had the song on the tape but didn’t know who it was at the time, having missed the dj’s rundown of the songs he played. (If anyone has a tape of this show, please let me know; I do know “I See the Light” was followed by the Q65’s “I Got Nightmares”, which I also played endlessly.)

For years after I lost the tape I searched out who this could be, and was even disappointed (initially) by the Five Americans’ original version when I heard it. Finally I picked up a copy of Tobacco a Go Go vol. 1, and there it was, the opening track! By pure coincidence I later got in touch with the compiler of that lp, Ken Friedman, who provided me with this copy of the 45 and some information about the North Carolina garage scene.

Compared to the Five Americans, the Bondsmen’s version of “I See the Light” is faster, with a fuller sound to the organ. “Our Time to Try” is an ambitious psychedelic track, with thick forbodeing fuzz, and good drum and organ work. The vocalist does a great job on both songs, and the guitarist has a particularly fine solo on “I See the Light”.

The sound and plea for open minds on “Our Time to Try” dates the release to about 1968. The record has a dense production to it which makes it hard to hear the lyrics, and is that a horn I hear at times during “Our Time to Try”?

The Bondsmen came out of Durham, North Carolina, but recorded at Justice Records in Winston-Salem (“I Love You, Yes I Do” / “Out of Sight” on Justice 1003) and AMH Productions out of Chapel Hill. I recently heard from Gene Galligan, who filled me in on some of their story. I had heard that their drummer was Phil Lee, so I asked him about that too.

I am Gene Galligan, keyboard (organ) player for the Bondsmen. This AMH 45 of Our Time To Try and I See the Light was the result of us winning a Battle of the Bands at the baseball stadium in Durham. We did another 45 before this as the Bondsmen, two James Brown songs, Outasight / I Love you Yes I Do. I do not have any copies, however, Ken Heywood told me recently in a phone conversation that he has a box of them somewhere, he just has to find it.

Vocals: Archie Thomas
Bass: Jim Bowen
Drums: Philip Pearson
Trumpet: Tim Hutchinson
Organ: Gene Galligan
Guitar: Ken Heywood

Just a tidbit about my part on I See the Light. I used to play a Vox Super Continental (Dual manual Black keys were white, white keys were black). But on that recording I used an organ that was in the studio … it was like an Allen Theatre organ which is why it has that skating rink sound!!

Yes that was trumpet on Our Time to Try.

Philip Pearson was our only drummer … I don’t know what Philip did later… I was told some 30 years ago that he was in California.. so I don’t know perhaps Phil Lee was a stage name.

John Santa just published a book.

Anyone have a photo of the group?

The Fabulous Plaids

The ’66 Mustang in the foreground of the sleeve dates this record from no earlier than September of 1965 but from the looks of the band you’d think this was early ’60’s frat rock. So what do you get?

Most garage fans will want to pass on “Let’s Learn About Love”, the designated top side. It’s an odd pop tune, catchy in its way, though I have a hard time imagining this being a real hit. The b-side is another story. “I’m Comin’ Home to You” is tough r&b with blasting horns and a good guitar solo. Never comped before, either!

The Dixie label, located at 1020 Central Ave. in Charlotte, North Carolina, is better known for rockabilly and country releases. As far as I know, this is the only release on the label that comes close to garage.

The back cover lists the Fabulous Plaids as Ken Carpenter on guitar and vocal harmony (he wrote both songs); Denny Allen able to play alto and tenor sax “simultaneously, in complete harmony”; Jessie Smith on vocals, piano and organ; Tommy Hoover lead vocals, trumpet and “showmanship”; Jerry Vassey bass; and Mike Mallonee on drums. It also lists Hymie Williams – the latest addition – as an “old veteran of the big time bands” and that he “adds polish.”

In case you were wondering, “the attractive young lady on the cover is Miss Jayne Tatum of Winston Night Club, Charlotte.”

As the sleeve says, “What could be more rewarding to a group of young Americans than a ‘hit record!'”

The Unknown IV of Raleigh

Unknown IV Photo
The Unknown IV, summer of ’65, unidentified location. From left: Carline Clayton, Junior (?) on bass, Asa “Dosher” Ruark at mic, and Frankie Presnell on drums. Not visible: Jerry Evans. Photo courtesy of Asa Ruark.

The Unknown IV were from the Raleigh, NC area which was also the base of the JCP label. “I Want You To Be Mine” is a good number that the band recorded twice, first on JCP 1017 label with a good rockin’ flipside, “All of the Time”, and again for the Howell label with a country-style weeper, “Happiness Ain’t Comin’ to My House” on the flip. The Howell recording is a little faster and more confident but both performances are very good.

Jerry Evans was the lead vocalist and songwriter for the group. Two comments below give additional members.

Carline Clayton Allen wrote “I was the bass player & female vocalist on the JCP recording. Who replaced me, I do not know. I only know I was out of the band prior to the Howell label re-recording.”

Frankie Presnell played drums, Roy Stewart was on lead guitar, and Jimmy Anderson played bass. Asa “Dosher” Ruark joined for the summer of 1965 on lead guitar and vocals, and provided the photo at top.

Danny Adams’ son commented that Danny was in a later version of the group with Ed Adams, Jerry Evans and Kenneth Buffaloe.

Unknown IV JCP 45 I Want You To Be Mine

Unknown IV JCP 45 All of the Time

They have a second 45 on JCP 1019, “What’s Gonna Happen” / “Give Me a Chance”, both written by Jerry Evans.

Thanks to Gary Cease for contacting me about the Unknown IV.

Anyone have a photo of the group?