Frani & the Frantics were a vocal quartet of Fran Russak, sisters Karla Major and Alaine Major, and Jim Morabito. Fran Russak came from Carmel, New York, the others from Peekskill.

Their one and only single from the spring of 1964, “You Threw a Line” b/w “Skin and Bones” was also the first on the Giantstar label of Mahopac, owned by Raymond Meltzer. Giantstar would release three singles by the Mark IV of Poughkeepsie.

The labels of Giant Star GS 401 credit Dorothea Meltzer & Jeannie Villetto for both songs. Ray Meltzer owned Jemel Publishing, JNR Production and Music-All Inc. Copyright registration shows another song, “Why Ya Make Me Wanna Cry” which Frani & the Frantics attempted but didn’t finish.

Jeanne Villetto had previous experience in song-writing, composing songs for two singles by Claire Lane (aka Claire Litke, a member of the Ramrods): “I Dig That Guy” for the top side of Josie 904 (b/w “Run Run Run Away”), and “Curiosity” / “Isn’t It a Shame” on Petal 1020 in August, 1963.

Villetto and Litke also wrote “Do You Hear Me Call?” in 1962, but I’m not sure if this was recorded.

Alaine Major wrote to me about her time as a Frantic:

I was one of the Frantics of the group Frani and the Frantics. The “Frantics” were myself, my sister Karla and Jimmy Morabito. We recorded “You Threw a Line” backed by “Skin and Bones” in 1964 with Ray Meltzer and Jean Villetto.

Karla, Jimmy and I sang in high school. One day we saw an ad in our local Pennysaver that record producers were auditioning singers for studio backup work (for Frani). We thought that sounded like fun, so we called and auditioned. Once Ray Meltzer and Jean Viletto heard us sing (acapella), Jean decided right then and there that instead of us being studio backup singers, she wanted to form a group.

Within two weeks we were under contract. We rehearsed locally in the Peekskill area for two months most evenings and weekends with a small combo. Finally Ray and Jean decided we were ready to record. Our Mom drove us to Mars Broadcasting [in Stamford, Connecticut] for the recording sessions. Ray knew several musicians from the New York Philharmonic who made up the orchestra you hear on the record. I remember the engineer Chuck James who was truly supportive of our efforts. The studio was very crowded with the musicians on one side and we on the other. We each sang into a hanging mic. There was a lot of down time as the engineer worked on the board with Ray and Jean listening and tweaking. (I also remember hearing that Mars Broadcasting was owned by Dick Clark).

Music-All was Raymond’s company and was the name on our contract. “Why Ya Make Me Wanna Cry” was supposed to be the ‘B’ side of “You Threw A Line”, but the next week we switched to “Skin and Bones”.

At our request, “Skin and Bones” was done acapella. If you listen to it again, you’ll hear me cue Frani her note after we modulate up on the word “bones.”

We played rock n roll shows with The Duprees, The Ventures, The Rivieras, and others I don’t recall anymore. It was an exciting time for three high school kids from Peekskill, NY! We became local celebrities and got invited to sing at many, many shows and events.A year later I used to do a lot of writing and I would go to the studio just to get my stuff on tape. Under the name The Jarlaynes, we recorded “Why Don’t You Call” with Karla and I playing the acoustic guitar. “I Don’t Love You Anymore” was originally just me and my guitar and Chris Dikaris [who also had a single on Giantstar] added instruments & backup vocals. I wrote both of those songs and so my name, Alayne Major, is written underneath the song title.

After high school Karla, Jimmy and I began singing as a trio again and sang at many local events and “hootenanny’s” which became popular with the advent of folk music.

Karla was also a student at New Paltz. Jimmy moved on, but Karla and I sang as The Major Sisters and were invited to other colleges to perform in their hootenanny’s. We also were asked to be the opening act for several musicians at college concerts which included Chuck Berry (!), Judy Collins, Miriam Makeba and Hugh Masakela among others. This went on through 1969.After Woodstock, Karla moved to San Francisco and started a band, and I was a wife and mother. In 1970 Jimmy was drafted and went to Vietnam.

I was the impetus for Karla’s solo career through contacts I’d made. She used the stage name Mirabai. She returned from San Francisco around 1972 and moved to NYC where she was a headliner at Reno Sweeney’s, Catch a Rising Star, and The Bottom Line (she opened for Billy Joel, Kenny Rankin, Loudon Wainwright III). Her big break came in 1974 when Jimmy Cliff was going to do his first U.S. concert at Carnegie Hall and he requested Karla (then Mirabai) be his opening act. Danny Goldberg caught her performance and began managing her career at that point.

In 2006 Karla was living in Asheville, NC with her family. She got in touch with Bob Johnston who produced her album and he produced a new CD she’d written. Unfortunate personal events precluded its release, but I have the master and a couple of first CDs printed.

I learned from a friend that Raymond and Jean got married and lived out the rest of their lives in Florida. Karla died in 2016, and Jimmy died on March 14, 2022.

Thank you to Alaine Major for answering my questions about the Frantics!

Thanks also to Mike Markesich for the scans of the Jarlayns single on Giantstar.