Category Archives: New York

Categories: Knight (Schenectady), Latham, Mechanicville, New York, Schenectady, Scotia, Troy, Upstate New York, Vibra, Vibra-Sound, Vibra-Sound Recording Studio

The Vibra-Sound Recording Studio and label

January 28, 2016 Chris Bishop 30 Comments

The Vibra-Sound Recording Studio and label started in Schenectady or Rotterdam, New York circa late 1966. I’m not sure where exactly the studio was, but New York State business records list a residential address on Crestwood Drive in Rotterdam for Vibra-Sound, and also include a later starting date in 1969, with the business closing in 1992. However, several of the singles listed here such as the Heathens and Delirium are earlier, from sometime in 1967.

Nate Schwartz appears as engineer and also as a representative of the label in an local news item from the early ’70s. Initially the studio was located in Schwartz’s garage, with the control room in the basement without a window between.

Vibra-Sound had its own Vibra label, plus variations like Vibra-Sound, VSS, and others that were customized for the artist. Later productions often share publishing by Robert Barry Music BMI.

Below is a general discography in approximate chronological order of records made at Vibra-Sound / Vibrasound, with my comments.

Any additions or corrections would be appreciated, as well as info on any of the artists listed here.

45s:

Vibra L-103 – Elaine Brooks & the Pushers (Albany/Schenectady) “I’m So Blue” (Brooks) / The Pushers – “The New Thang” (C. Nelson) both published by Kama BMI
“The New Thang” is a cool instrumental with saxophone, tambourine and plenty of echo. I’m surprised to see what must be some connection to Kama Productions of Utica, NY in the publishing company (see the end of my article on the Roosters for more info on Kama and related productions).

Vibra L-104 – The Heathens (Schenectady, NY) – “The Other Way Around” / “Problems” (both written by Michael Dellario, arranged by Hooker-Stahl, Petticrew, Sheer & Marquez)
Maybe the most well-known garage single of the NY capitol region.

Delirium Vibra 45 Never Comin' Home — 45 scan from the unparalleled collection of Bosshoss

Vibra L-136 – Delirium (Mechanicville, NY) “I Need Your Lovin'” / “Never Comin’ Home” (both songs by T. Sullivan, Wall Music BMI)
A very rare single, and musically as good as the Heathens. If anyone has info on this band please contact me.

Vibra L-137 – The Dimensions (Latham, NY) – “The Pilot” / “Dimension Beat” (both by Federici, Federici, Olson and Speciale for Wall Music, BMI)
Another fine garage single, According to copyright records from February, 1967, The Dimensions were Martin Federici, Arthur Federici, Dominick Speciale and David Olson. I’ve also found a new clip from 1965 verifying the members of the group.

Vibra Sound 423702 – Sound with Brass – “Shine Down on Me” / “Lollypops and Roses / Wall St. Rag”

Vibra-Sound 121969 – The Changing Times – “Free As The Wind” / “We Gotta Get Out Of This Place” 1969
Good versions of both songs, the capitol region being one of the few places where the Myddle Class had extensive radio play. Label credits for “Free As the Wind” give S. Trimochi, S. Lane in error, as the original song was a collaboration between Gerry Goffin & Carole King, and Rick Philp & Dave Palmer of the Myddle Class.

The Changing Times were from Mohonasen High School, Rotterdam, NY, with members Kurt Eastman, Mark Eastman, Gary Esposito, Bob Launders. and David Cilberti on vocals (thank you to David for his comment below)

USS 102 – The Chimes of Freedom (Scotia, NY) – “Did You Ever” / “Jungle Rock” (Hamilton, Francis, Pytlovany)
For more info on the Chimes of Freedom see my post on the group.

unreleased demo – The Concepts (Ravena,NY) – “Faces Come, Feelings Go” 1968. Presumably from an acetate, this track is on the Garage Beat ’66 vol. 2 CD

Hemlock VSS-2/09 – Art Anderson and the Anderson Family – “Don’t Come Knockin’ At My Door” / “I’ve Been Searchin’ in My Dreams” (both by A. Anderson, Robert Barry Music, BMI, ZTSP 140404, 1968)

Knight Records KN-1 – Marshall Hanson and the Hamps – “Dark Clouds” / “Waiting for My Love” (1966, State Music Productions, ZTSC122592/3)

Governor VSS-910 – Bob “Rebel” King and the Knights of Music – “Suspicious Illusions” (R. King) / “For the Good Times”

Al Knight Records VSS 2704 – Al Knight ”Dreaming Dreams of Yesterday”

Zep Records KN-4 Tim Ryan ”Angels in the Front Row”

Bob "Rebel" King - Governor 45 Suspicious Illusions — Scan courtesy of Brian Kirschenbaum

W.S. Highway 2710 – West Side Highway – “Spring Song” (J. Hochanadel) / “I’ve Got a Way” (D. Vroman) (both Robert Berry Music, BMI, Vibra-Sound 2710, ZTSP 140682/3)

Cobb 81935 – The Universal Set – “Ballad For Linda” / “Memphis Express” (both by E. Locke, Robert Barry Music, ZTSP 144640/1)

Darec VSS 81943 – The Dignitaries – “Steppin’ Out” (R. Gigliotti) ZTSP 144740

Hemlock 81946 – Cathy Lee, Anderson Family – “The Dark Side of the World” / “Our Side” (ZTSP 144893, Vibra-Sound 81946)

Kandy 101 – The Essentials – “Baby You Get to Me” (S. Wheeler) / “Oklahoma Blues” (F. Stay, S. Wheeler) both Robert Barry Music BMI, 1969

Kandy 82042 – The Essentials – “Sunshine Baby” / “Freedom” (both by Squeeky Stay for Robert Barry Music BMI, Vibra-Sound 82042, ZTSP-221980, 1970)

JC 82017 – 2nd Foundation – “Wipe Out” / “I Am The One” (D. Spensley, Robert Barry Music) (ZTSP 221697/8) – instrumentals produced by Johnny Cefala

Katy VSS 2705 Dusty Atcher and River Valley Boys – ”Right, But I Think It’s Wrong”

Little Records VSS-82043, Jimmy Lane and the Incredible 5 – “Deal With It” (J. Lane) / “What Kind of Man” (S. Brooks, J. Wortham) (both Robert Barry Music, BMI, A Little-Mickens Production, ZTSP 222378, Vibra-Sound 82043)

The Lightning Brothers Brothers Two 45 Wild Smoke — “Wild Smoke” is an excellent 70s rock song

Brothers Two 6023-13 – The Lightning Brothers – “Crazy Jane” (W. Braemer, S. Hansen, M Ilnicki, P Ilnicki) / “Wild Smoke” (W. Braemer, P Ilnicki) (both Robert Baby Music, an Albert Perrone Production, pressed by Queen City Album in Cincinnati)

Jinhea DC-100 – Squeeky Stay and Mark Galeo – “Slippin’ Away” / “Mrs. Jones”, early 1970s

Rambler 2712 – Jerry Madore and the New Prairie Ramblers – “Wishing” / “Blue Blue Eyes”

EROS Records VSS 1239 – The Ridgerunners – “Stop, Look and Listen” / “King and I” (Robert Barry Music, produced by Watrobski Enterprises Broadalbin, NY 1973)

CMS 5105-40 – Billy D. Hunter, the Country Joe Revue “My Heart’s Still Doin’ Time” / “Old Five & Dimers” A Conway-Murray Production

476-45P – Bunz Rock Show – “Doctor Rock & Roll” / “Raw Power” (both by S. Atwood, C. Cirrone, B. Deitz, R. Hull, 1976)

Neon Records 6084-24 – Skip Johnsen – “My Friend John” / “I Like You” (1976)

Sit’ n Bull 6072-31 – Night Conference – “I Can’t Give You Anything (But My Love)” / “Kansas City” (1976)

Alan 7054-25A – Alan Burn “Unless You’re Born Again” / “Jesus the Healer” with James Caulfield (backup vocal), and musicians Ernie Burnell, Joe Latorra and Mark Carnival

Also many square dance records on the Jay Bar Kay Records label by the Rustlers and others

LPs:

Vibra-Sound 8014N5 – The Common People – Come Rest In My Heart

VRS-741 – Yankee Doodle Band – Yankee Doodle … Comes To Town

Vibra-Sound 82031 – Birdcage Beat: The Moods & Sounds of Go Places with General Electric 1969

82055/6 – The Golden Fox Steakhouse Presents Live the Vito Mamone Trio and Carlos & Rosita (The Chaynas); Lou Mauriello, technical assistant.

Brian Kirschenbaum and Max Waller provided many additions to the discography.

Categories: La Salle, Lauren, Nassau County, New York

La Salle and Lauren Records discography

December 15, 2015 Chris Bishop Leave a comment

Here’s a start at the discography of Carl Edelson’s La Salle and Lauren labels, along with related singles by the Shandels and Eddie T. Burke.
Much of the talent came from Long Island including the Shandels of Levittown and Wantaugh, and the Taboos.

Cardell Music C-510 – The Shandels – “No Way Out” / “Treat Me Like a Man” both by Johnny Melnick & Eric Stern, C-101/C-102, 1966

La Salle L-370 – David Leigh – “Blowin’ in the Wind” / “One More Town”, L-1/2
La Salle L-371 – The Lemon Sandwich – “Give Me Love” (Eddie Hileman) / “I Must Be Dreaming”, L-3/4

La Salle L-381 – The Shandels – “Shades Of Blue” / “Fifteen Children” (both by John Melnick & Eric Stern, engineered by Joe Dulberg, Feb. 1967), C-165/6
La Salle L-382 – The Taboos – “All My Life” / “So Sad” (T-1, T-2)
La Salle L-383 – Elsie Dixon – “It Had to Be You” / “How Ya Gonna Keep em Down on the Farm”, C-167/C-168
La Salle L-384 – The Shandels – “Think About You” / “Barnyard Blues”, C-169/C-170

La Salle L-386 – John Goodman – “First Star” / “Stranger at the Dance”
La Salle L-387 – John Goodman – “Think About You” (John Melnick, Eric Stern) / “Rainbow”, produced by the ShanDels, C-182

La Salle L-390 – Carol Durrell ‎– “Shadow Of Your Smile” / “The Look of Love”

La Salle 25 – Ellen & the Shandels – “Gypsy” / “Try A Little Tenderness” (1969 or 1970, also released as Dry Well on Lauren Records 2515)

E.T.B. Records ETB-113 – Eddie T. Burke – “I Must Be Dreaming” / “So Sad” (both by Eddie Hileman for Carldell Music BMI, engineered by Joe Cyr at Variety Sound Studios, CE-15/16

Lauren L-2513 – Tommy Burke – “Give Me Love” / “I Don’t Want to Be Your Keeper” (both by Tommy Burke for Carldell Music BMI, engineered by Joe Cyr at Variety Sound Studios)
Lauren L-2514 – Johnny Hayes – “Greenback Dollar” / “Blowin’ in the Wind”
Lauren L-2515 – Dry Well – “Gypsy” / “Try A Little Tenderness” (reissue of Ellen & the Shandels 45 above), CE-20/21
Laruen L-2516 – Branded “X” – “Society And Me” (Tommy Burke) / “Tribute to Uncle Sam” (Herner-Auwaerter-Furbich, Carldell BMI, prod. by Tommy Burke at Variety Sound Studios), CE-23/24

I’m not sure if this is the same Lauren label as the ones listed above:
Lauren CO 2930 – The Out of Order – “Lonely Sentry” / “It’s Alright” (prod. by B. Jolie, L. Litchfield, T. Messier, Allegro Sound Studios NY, engineers Bruce Staple and Mike Consi, Ranford Music Co., BMI, distributed by Planet Records out of Providence, RI)

Categories: La Salle, Nassau County, New York

The Taboos on La Salle Records

December 15, 2015 Chris Bishop Leave a comment

The Taboos came from Long Island, New York, cutting only one single in 1967 for La Salle Records. I don’t have much info on the band other than song writer names.

“All My Life” has a subdued start, the keyboard and bass making a three chord vamp while the drummer keeps a steady roll of toms going in the background. The chorus is more conventional, but a real surprise comes halfway through the song, when the bass picks up the pace and the lead guitar starts a Jeff Beck-style psychedelic solo. The song was written by Von Ressler and DeBonis.

Brennan and Palazzo wrote “So Sad”, which has a typical ballad format and singing style but it’s still an effective song.

Larry Hiller engineered the session at Murlyn Studios. La Salle Records owner Carl Edelson published both songs with his Cardell BMI.

A footnote to the group would come a couple years later, when Eddie T. Burke overdubbed a new lead vocal (inferior in my opinion) over the original recording of “So Sad” and released it on E.T.B Records ETB-113. See the post on La Salle and Lauren records for more on Eddie Burke’s release.

Categories: Glen Cove, GMC, Mayfair Recording Studios (NY), Nassau County, New York, Sea Cliff

The Buffaloes “She Wants Me” on GMC Records

May 29, 2015 Chris Bishop 2 Comments

Considering the names on the labels of this 45 and the quality of single, it’s amazing how obscure this group called the Buffaloes seems to be. I knew nothing about the group except for their last names and first initial until Mike Kuzmin contacted me with additional copyright information.

The A-side is the jangly blaster, “She Wants Me”, written by George Schwartzkopf, Jr of Old Bridge, New Jersey. It’s a catchy song and I could imagine it being a hit, but seems to have missed. The flip is a ballad written by Arthur V. Walker of Sea Cliff, NY, on Long Island, “You Told Me Lies”. The copyright name for correspondence or refund is listed as Joel E. Shenton of Glen Cove, NY. Both songs published by Impression Music, BMI.

The Buffaloes may have had the first release on the GMC label. Gene Moretti founded the label; he had been director of international sales for MGM-Verve in 1964 after starting in the mail room of ABC-Paramount (according to Billboard).

Joel Shenton contacted me in July 2021 and kindly provided info about the band, GMC and Mayfair Studio.

The band:
Arthur Walker – lead singer / rhythm guitar
George Schwartzkopf – bass
James (Jimmy) Wolf – drummer
Joel Shenton – lead guitar, vocals, keyboard
I met Jimmy during high school years, late 50’s, through a mutual friend who got me interested in guitars. We fooled around as a 3-piece instrumental group until college interfered. I met George, a guitarist, at college. We formed a 4-piece group and played frat parties pretty much every weekend using various drummers including Jimmy, who was at school a few miles away. George decided to play bass, and we recruited a classmate to play rhythm and sing leads. That began our addition of vocals to our group.
After college and eventual return to Glen Cove, Jimmy introduced me to Arthur (“Artie”), and George, although living in New Jersey, joined up and we became the Buffaloes and played a few local clubs.
Gene Moretti lived near Jimmy, got interested, and that was the link to GMC. Gene had a few other musical groups as well, including the “Gumdrops 2”, a girl duet. We backed them up for a few gigs, and Jimmy eventually married one of the pair (Joan) who later became a vocalist for some Buffaloes numbers.
The link to Mayfair came from George. He got married while in college, and his wife was Clair Krepps’ daughter. Clair, at that time, had his own mixing studio (Knickerbocker Sound) on E47th Street in NYC, where he did subcontract mixing and overdubbing for several major NY studios. George and I had access to Knickerbocker and fooled around there on weekends during our summers off from college. Clair eventually formed the Mayfair organization in the theater building of the same name, adding multiple live recording and mixing rooms.
Mayfair was unique when it came to equipment. The control room was designed and built by Clair’s brother (I think) who had an electronics manufacturing company in Chicago. Nothing was conventional, and it became a testing ground for Ampex and Sennheiser. I recall Clair showing us one of the first 8 track and 16 track tape machines he used for recording, provided by Ampex for evaluation. The wall in the main control room was autographed by many well-known artists with comments like, “Fantastic sound,” “Wonderful experience”, etc. I think Sinatra, Streisand, the Stones, and even Hendrix were among the signers.
After the release of our first & only 45, and doing some club work, it became clear to us that our musical future was going to be more for fun than for a career path. We all had decent day jobs, and there was no economic security at our level of dedication and talent. We continued to play for fun, made several demo discs for posterity, but peddling them was rather futile even though we had contacts at UA and Decca.
We went our separate ways in the early 70’s. Jimmy and Artie wound up in Florida, George stayed in NJ working as a chemical engineer, and I moved to upstate western NY to run a plastics factory.
Although it has little to do with the Buffaloes, my interest in guitars and playing continues to this day, although my focus changed from R&R to country music…mostly due to the interests of the local population…and I currently enjoy playing lead guitar for several local bands.

[editor’s note: I’ve changed the spelling of Krepps’ name to Clair from Clare.]

Buffaloes GMC Billboard April 2, 1966 — Gene Moretti’s GMC Records announced in Billboard, April 2, 1966

Gene Moretti and GMC Records “a Division of Go-Go Music Corp”

The April 22, 1966 issue of Billboard noted how Gene Moretti would be managing and recording six acts for his new label: “Moretti’s approach is to rely exclusively on the copyrights owned by Impression and draw talent primarily from the three million population Long Island area. All six acts, in their teen and early 20’s, are local boys and girls.”

Billboard announced the Gumdrop 2 would have the first issue on GMC, “Getting Over You” / “So I Try”, numbered GM 10001, However, the Buffaloes single, dated to October ’66 in Teen Beat Mayham, is numbered GM 10000. GMC had about fifteen releases in total, featuring a dozen artists including Priscilla Price, Tony Kaye, Johnny D., Doreen Rose, the Miller Sisters, the Islanders, the Spoilers, Frankie ‘Slim’ Summerville, and Frankie Gracie & the Plastics.

Mayfair Studios

Another interesting connection is the studio, listed as Mayfair Studios (8 Track). Clair Krepps had been a recording engineer for Capitol, MGM and Atlantic Records and also did a lot of stereo percussion albums for Audio Fidelity. About the same time Moretti started GMC, Krepps began Mayfair Recording Studios at 701 Seventh Ave in Manhattan. Other clients would include the Velvet Underground, Al Caiola’s Caiola Combo All Strung Out LP on United Artists, Nico, the Chameleon Church, the Ultimate Spinach, the Beacon Street Union, Puff, Galt MacDermot, Ricardo Ray, Jimi Hendrix, the Mothers of Invention, etc.

Thank you to Joel Shenton and Mike Kuzmin for their help with this article.

If anyone has a photo of the Buffaloes, please contact me!

Categories: Brooklyn, New York, New York City, O.D.O. Sound Studio

The Pebble Episode

May 6, 2015 Chris Bishop 5 Comments

Vincent Oddo J-2 45 Tripsey — mistaken first label with studio owner Vincent Oddo’s name as artist

Bill DeFalco – lead guitar
Frank DeFalco – rhythm guitar
Jimmy DiGiacomo – bass
Joey Erico – drums

Brothers Bill and Frank DeFalco had a previous group called the Rock Monacles with a different drummer, Henry Bauman and vocalist George Malin. In the summer of 1967 the Pebble Episode went to O.D.O. Sound Studio on West 54th Street in Manhattan to record two songs, “Tripsey” (by William DeFalco, Frank DeFalco) and “The Plum Song” (by William DeFalco, Frank DeFalco and James DiGiacomo). Publishing by Mozella Music BMI, and produced by S. & J.

Juggy Murray of Sue Records signed the group to J-2 Records, his new label as Sue was sliding into bankruptcy to be sold to United Artists around 1968.

Pebble Episode J-2 45 Tripsy — Artist name corrected, song now spelled “Tripsy”

To compound the problems Murray had with Sue at the time, the first pressing of this 45 was mistakenly labelled with Vincent Oddo’s name, the engineer and owner of the ODO studio where the band recorded, but most definitely not the artist! New labels were printed up with the correct band name, though this time the A-side was spelled “Tripsy”.

“Tripsy” is an apt name for this wild instrumental loaded with echo and repeating riffs that wouldn’t be out of place on The Inner Mystique. By comparison, “The Plum Song” is much more conventional in sound, dominated by Bill DeFalco on organ and Joe Erico’s fine drum fills.

This was the first release on J-2 Records followed by Baby Washington doing “Like a Rolling Stone” (I’d like to hear that version!) b/w “The New Yorker” (J2-1301) and the Poets in-demand soul classic “Wrapped Around Your Finger” / “Can’t Wait Until Tomorrow” (J2-1302).

The Pebble Episode continued until 1972, with home recordings I haven’t heard but no further releases.

More info is in the comments to the Discogs page for the single.

Sorry for the atrocious condition of the labels for this post, but if you have a better high-resolution scan of Tripsy, please send it in.

Anyone have a photo of the group?

Categories: Chadwick's Recording Studio, Kama, New York, Upstate New York, Utica

Eric & the Chessmen

April 24, 2015 Chris Bishop 10 Comments

Eric and the Chessmen were a well-known group from Utica, New York. They toured throughout upstate New York and into Vermont, and even had a stand at the Peppermint Lounge in New York City. They released only one single: the original song “You Don’t Want My Loving” by the band’s leader, Eric Thorngren, backed with a rocked-up version of “Blue Skies”, on Kama Records 777.

The band’s membership changed many times, so I’ll list some of the lineups below to the best of what I can gather:

Eric and the Chessmen at the Evening Inn, Colliersville, June, 1965

As simply the Chessmen, the original lineup consisted of:

Eric Thorngren – guitar
Tony Frontera – saxophone
Jon Hynes – bass
Butch DeAngelo – drums

By March 1965 the band consisted of:

Eric Thorngren – guitar & vocals
Norm Knapp – guitar
Dale Rider – bass
Wayne Bohling – drums

Eric and the Chessmen Five Flys Club, Bennington, October 1966

When Norm Knapp took a leave of absence in 1965, Chuck Schoenley became the band’s first keyboardist:

Eric Thorngren – guitar & vocals
Chuck Schoenley – organ
Dale Rider – bass
Wayne Bohling – drums

After Chuck Schoenley left the group to join the Rogues, Frankie Convertino became the keyboard player, then Fred Faccioli.

Slivers Matrassi replaced Wayne Bowling on drums by early or mid-1966.

The band featured on the picture sleeve to their 45 and probably on the recording is:

Freddie Faccioli – organ
Eric Thorngren – guitar & vocals
Dale Rider – bass
Slivers Matrassi – drums

The sleeve at the top of this post seems to be very rare. The labels note “Recorded at Chadwicks Recording Studio, Chadwicks, NY”. For more on the Kama and related labels like Krishna and Sutra, see the final section of my post on the Roosters.

The band had other recordings that weren’t released at the time. An atmospheric instrumental featuring organ and a reserved guitar solo called “Too Much” appeared on The Best of Twist-a-Rama: Crude 1965 Garage Sounds from the Mohawk Valley. There are also demos of “Wooly Bully”, “New Orleans” and “Heat Wave”.

The Chessmen continued in different forms into the late 1960s, eventually without any original members. Sometime in 1967 or 1968 Ted Alexander replaced Freddie Faccioli. Dale Rider left to join the Rochester group the Oxford Watchband – a group by that name had a 45 in 1969 on the Hand label, “Diagnosis (One Way Empty and Down)” / “Welcome to the World”.

Eric Thorngren joined the Brass Buttons and went on to a long career as a recording and mixing engineer.

I found this info on the band at the forum After Bebop a Lula: Utica Bands 50s 60s. There are many photos of the band in that thread, see these pages for some of them:

http://clipper220.proboards.com/thread/779?page=108
http://clipper220.proboards.com/thread/779?page=110
http://clipper220.proboards.com/thread/779?page=111

Thank you to Fred D’Huve for the scan of the Audiodisc demo of “Heat Wave”.

Eric and the Chessmen at the Halfway House, Norwich, March 1966

Categories: Bronx, Inner, New York, New York City

Mustache Wax

November 17, 2014 Chris Bishop 5 Comments

Daniel Lane (Danny Lutzky) – guitar
Richie Winston – 6 and 12 string guitar
David Knopf – bass
Lloyd Goldberg – drums and lead vocals
Eddie DiBiase – harmonica

I was very excited to track down a copy of this 45 only find it to be in nearly unplayable condition – if anyone has a nice spare please contact me!

Mustache Wax came from the Bronx, in Riverdale. This was the last of several lineups and band names they used before breaking up after high school. They recorded the 45 in a studio on 42nd St.

Eddie DiBiase came from Queens and was the connection to Inner Records, though I can’t find any other releases on that label. Eddie wrote the top site, “I’m Gonna Get You” published by Luv Music ASCAP.

I also like the flip, “On My Mind” alternately somber and quick, written by guitarist Danny Lane for Philonic Music, BMI.

The 45 was produced by Epstein-Schwartzberg, yet it’s also “A Vitale-Eden Production”.

Anyone have a photo of the group?

Info from David Knopf via Flower Bomb Songs.

Categories: Hercules, Manhattan, New York, New York City

Joey Vine on Hercules

November 3, 2014 Chris Bishop Leave a comment

Joey Levine wrote “Try It” for the Standells and went on to compose, produce and sing on numerous pop hits for the Third Rail (including “Run Run Run” and the excellent flip “No Return”), the Ohio Express, Jet Stream and other acts. Before the hits came this one-shot record as Joey Vine, released on Hercules Records in the U.S. and Immediate in the U.K.

I’d like to know who was backing him on these songs. Though likely studio musicians, the group has a sharp garage sound on “The Out of Towner”, with a catchy guitar hook, solid drumming, and good harmonica fills. Vine gives a good vocal on the A-side, then does a close Dylan imitation on the flip, “Down and Out”.

Though Joey Levine wrote both songs, Gallico Music published “The Out of Towner” while Pentagon Music BMI published “Down and Out”.

Hercules Records had three singles, all in 1965, all produced by Charles Calello and distributed via Jamie/Guyden. Besides Joey Vine’s there were also Hercules 101, the Victorians “C’mon Dream (Chris Andrews) / “Catrina” (Donnie Frio) and Hercules 102, Joy Leonard “Baby I Wanna Back Track” (Lou Christie, Twyla Herbert) /”Don’t Feel Sorry For Me” (Rosemarie McCoy, Dorian Burton).

Of these three only Joey Vine’s was licensed for release in the UK by Immediate in October, 1965. How that happened is uncertain – the only other Jamie/Guyden product to be picked up by Immediate was a Barbara Lynn single whose r&b sound would have obvious appeal in England.

Background on Joseph Levine is available at http://home.comcast.net/~bubblegumusic/levine.htm and at http://www.wfmu.org/LCD/22/bubblegum.html

Hercules discography compiled by Davie Gordon on Spectropop.

Categories: Hempstead, Nassau County, Ultra-Sonic Recording, Unknown

The Cisum V

August 1, 2014 Chris Bishop 7 Comments

Kevin Longendyke sent me the transfers and scans of this demo acetate by the Cisum V. I have no info on the band, other than it was recorded at Ultra-Sonic Recording Studios at 149 North Franklin Street in Hempstead, NY, on Long Island. Both sides are moody winners, though “I’m So Glad” may have the edge on “You Told Me”.

The Cisum V – I’m So Glad
The Cisum V – You Told Me

Any info the band would be appreciated.

Mike Markesich suggests this is the same group that recorded the single “Medal of Honor” / Mrs. Orange” on Epic 5-10362, both songs by David Brightman and Phil Galdston for Brigand Music ASCAP. The label credits Stu Krane with production.

However that 45 features keyboards, unlike this demo, besides being a much more sophisticated production.

The Epic group Cisum (‘music’ spelled backwards) were Phil Galdston (keyboards, vocals), Dave Brightman (lead guitar, vocals), Rich Bronsky (rhythm guitar, vocals), Gary Mandel (bass, vocals) and John Glowa (drums, percussion).

Engineer & producer Jim Reeves has a website dedicated to his work at Studio 3 on East 57th Street and at CBS Columbia studios on East 52nd Street, including some (very small) photos of the band, about a third of the way down the page. On another page he writes that Cisum recorded an entire LP, Myriad Marvels at Studio3.

Categories: Hamilton, Krishna, New York, Upstate New York, Utica

The Roosters

July 12, 2014 Chris Bishop 18 Comments

I picked up this great 45 by the Roosters on the Krishna label, not the Los Angeles group, but one from upstate New York. “The Rooster Song” has a fantastic crunching guitar sound, and shows they must have been a fun, tight live band. The flip is a ballad, “Lost and Found”, an original by Lotz-Barbour for Fat John Music Inc. BMI.

The Roosters were one of a number of bands from the area near Utica, Oneida and Syracuse. They shared a record company, if it can be called such, with Eric and the Chessmen. The person heading this operation was some way assocated with Hamilton College in Clinton, NY and released singles on labels such as “Buddha”, “Krishna” and “Kama”.

The Roosters were:

John Lotz – lead vocals
Trey Lotz – lead guitar
Peter Brohl – bass
Ralph Guastaferro – drums

There’s also a piano player on “The Rooster Song”, but I don’t know his identity.

Trey Lotz produced the Krishna 45. “The Rooster Song” label reads “In album ‘The Roosters Live At The Appollo'” but I don’t believe this LP was ever released. If it was recorded, I’d love to hear it.

The Roosters have another 45 which I suspect came earlier, “I Wanna Do It” on Buddha Records. with a Hamilton College address.

The Roosters Photo 2 — The Roosters, from left: Ralph Guastaferro, Trey Lotz, John Lotz with Peter Brohl lying on the ground

Peter Brohl sent in the photos seen here and wrote to me:

The band was formed in 1965 (I think) by Jim Solan of the JS agency. I was playing with a true garage band that had just disbanded and Trey, a student at Hamilton College, was looking for a group to play with. When we got together, his brother, John, came to town and registered with Utica college. They then brought their friend and drummer, Ralph, who went to MVCC. We all jelled and the band was formed!
We used to play “The Ale House” once a week for a year or two in the ’65-’67 time frame. Of course we played locally but we were mainly a college concert band. Our agent would book us into a college for the weekend where we would usually play a couple of fraternity parties and a Saturday afternoon concert. We were very popular at St. Lawrence University, Union College, Cornell, Colgate, Vassar and a bunch of others who’s names escape me. We really only played the local bars and school dances if we didn’t have a college gig. During the summer months we would do Old Forge and the Adirondack circuit.
There never was an album called “Live at the Apollo”. That was a pipe dream of Trey’s. We did do an album for Decca records but it was never released; it didn’t have a title at that time.
The flip side of “I Wanna Do It” was “You Don’t Need Any Reason”, originally recorded by the Zombies.
Another question was who played the piano on the record [“the Rooster Song”. If my memory serves me correctly, it was John. Even in the mid-60’s records were multi-tracked. So, the piano was added as an enhancement. “The Rooster Song” was not recorded live as we always told our audiences but was done in a multi-track studio. It sounded live but, we were our own “live” audience. After the music tracks were layed down, we became the background ‘audience’. Also, on “Midnight Green” you will hear a celeste. That was a last minute addition by Trey because we found the celeste in the recording studio and it fit the song perfectly. Yep, it had it’s own track.
The Roosters also released a third single entitled “Midnight Green”. It was written by Barbour and recorded at 15 W. 45th Street in NYC; the same studio as the Lovin’ Spoonful, using the same technician. It was understandably the best production of the lot. The flip side was “Hurry Sundown”.
We continued as a quartet through mid-1967 when I decided to leave to pursue another career. The last time we all got together as a group was at Ralph’s wedding in 1971. The only one of us still playing music is Ralph. Last I heard he was playing with a dance band in Buffalo, NY. John and Trey both live in the LA area but neither are playing music these days.
After a 30+ year hiatus, I finally picked up the bass again and have been playing in my home for my own enjoyment. In addition, I have started to refurbish/restore guitars and basses on a very limited basis. I have rebuilt a Fender ‘P’ bass and built a Fender telecaster from the ground up. Needless to say I can’t call them “Fenders” so I call them “Roosters”.

Thank you to Peter Brohl for sending in the photos and providing some history of the Roosters.

Other bands from this scene who may not have made recordings include the Vandels, Andy & the Classics, Jack & the Naturals, the Mercy Side 5, Willie & the New Yorkers, and the Brass Buttons.

Does anyone know of other recordings by bands in Oneida, Clinton or Utica in the years ’64-’67?

Garage Hangover