Category Archives: New York

The Cleaners from Schenectady & the East Coast Clique

Cleaners band photo, Schenectady
Can anyone please ID who is who in this photo

Cleaners Knight 45 How I FeelThe Cleaners came from Schenectady, New York, releasing two singles in 1966 and 1967.

Members included Larry Parks (listed in songwriting credits as Larry Podrazik), Bob Ives (Robert Iovinella), Bob Sands and Jay Camp.

Cleaners Knight 45 If You Want Me

The Cleaners’ first single was the super-soulful “How I Feel” b/w “If You Want Me” (described on the label as Rock-Jazz), both originals by Podrazik and Iovinella. A comment below mentions booking manager George DeVito recording the songs in his home studio. However, I have a 8″ laquer acetate of both songs from Earl Kennett’s studio. The sound of the bass, and the echo of the hand claps on “If You Want Me” suggests Earl’s studio rather than a home recording.

It was issued on Knight Records KN 3, of Bellevue Station, Schenectady, with a State Music Productions credit; the ZTSP 122826/7 codes indicate a Columbia custom issue, a styrene 45.

Podrazik and Iovinella copyrighted the songs in April and May of 1966, along with another original, “Just Until the End of Time” that was not released but would remain part of their live set.

Cleaners Kleener Style 45 DustIn July of 1967 Podrazik and Iovinella registered another original song, “Dust”. The Cleaners cut it at Kennett Sound Studio in Kinderhook, NY, along with a cover of “Hold Me, Thrill Me, Kiss Me”, released on their own Kleener Style Records 0011.

These were among the earliest singles issued out of Earl Kennett’s studio, which would go on to record and release over twenty 45s into the 1970s.

From the 1967 index of copyright registration

Not long after, the East Coast Clique recorded “Dust” backed with another Podrazik/Iovinella original, “Last Stop (Everybody’s Getting Off)”, both with NemSong publishing. Released as Charter Records 0016, the Kennett Sound credit at the bottom indicates the studio, as does the 00 prefix on the release number 0016. The production on this version is fuller, with the drums more prominent and danceable.

The East Coast Clique, including at least two members of the Cleaners

A Schenectady news clipping about the East Coast Clique mentions a single on the “Cleaner Style” label, so the Clique were a continuation of the Cleaners with a new band name, and some different members. Larry Parks and Bob Ives had been in the Cleaners, and the East Coast Clique’s other members included Sal Cannavo, Kent Brust and John Malik.

The article states:

One of the group’s songs, “Just Until the End of Time,” arranged by Bob Ives, leader, and Larry Parks, will be dedicated to the memory of Dr. Martin Luther King Jr. during the performance.

Now appearing at the Bavarian Lodge in Hudson, the East Coast Clique … record on the Cleaner Style label and have appeared on Hank Brown’s Twistorama over WKTV, channel 2.

There is an 12″ acetate from Kennett Sound Studio of three songs by the East Coast Clique: a later version of “How I Feel”, “Last Stop (Everybody’s Getting Off)” and “Just Until the End of Time”. The second song was issued as the B-side to their single on Charter Records, “Dust” but I am not sure if this is the same version.

Podrazik and Iovinella registered two additional songs in 1968: “Captain Miller’s Flying Circus”, and “Sleepy Boy” (this last one shows Earl Kennett contributing to the music arrangement).

Cleaners Kennett Sound Studio Demo 45 Baby I Won't Be Lonely
Kennett Sound Studio acetate for the Cleaners “Baby I Won’t Be Lonely”, from 1969. Scan courtesy of Brian Kirschenbaum

In January 1969, they registered “Baby, I Won’t Be Lonely”, which exists on a Kennett demo acetate as by the Cleaners, so it may have been considered for release.

Later copyrights include “I’m So Happy” (October 1969, with words by Brummer).

Al Quaglieri wrote a profile of Bob Iovinella for the March 8-14, 1990 issue of Metroland. He describes how Iovinella and Larry Parks had a five-year publishing contract by Nat Weiss, but only two songs saw publication in that time.

In 1970, Larry Parks had a solo composition “Pay Day” (using the name Adam Parks) recorded by Sha Na Na.

Starting in 1980, Iovinella and Parks would work together again as partners in Hendi-Parksives Productions.

Thank you to Brian Kirschenbaum for scans of the East Coast Clique 45 and the Cleaners acetate. Thank you to Bobby Iovinella for the photo at top and to Mikael for the news clipping.

The Villagers “Wishes and Memories” / “Cry On” on Kennett Sound

Villagers Kennett Sound 45 Wishes and MemoriesThe Villagers included Phil Haskins, Rick Haskins and Charles Petit.

They cut their only single in very early 1969 at Kennett Sound Studio, located in a renovated barn just south of the village of Kinderhook, NY.

Phil Haskins wrote the words to the slow, lovely “Wishes and Memories” and co-wrote the music with Rick Haskins (Richard J. Haskins).

Charles R. Petit wrote the more soul-styled “Cry On”, copyright registered February, 1969.

There is no label name, but Kennett Sound appears on other singles by the Cleaners and East Coast Clique, and the 0018 release number is similar to others from that studio, usually four digits starting with 00.

Anyone have a photo of the group?

Villagers Kennett Sound 45 Cry On

Thee Illusion and Brass, Albion, NY, 1965-1971

Thee Illusion at the Erie Canal Fest, August 1967, from left: Alan, Tommy, Jim and Slate
Misfits photo with Tommy McNall, Slate Raymond, Alan Farnsworth
Misfits photo with Slate Raymond on guitar and Alan Farnsworth on drums

Jim Kriss compiled an amazing history of Thee Illusion (later known as Thee Illusion and Brass). There are dozens of great photos, a detailed history, and info on other groups from the area like the Humans and the Cult.

The PDF is available at the link below – a fairly large file, 22 MB.

https://garagehangover.com/images2020/TheeIllusionAndBrassAlbionNY1965-71.pdf

Below is Jim’s list of musicians in the Misfits and Thee Illusion and Brass:

Tom McNall – (original member of the Misfits and Thee Illusion – Rhythm/Lead guitar and vocals
T. Slate Raymond – (original member of the Misfits and Thee Illusion) – Lead Guitar
Alan Farnsworth – (original member of the Misfits and Thee Illusion – Drums, Bass Guitar and Vocals
Jim Kriss – (original member of Thee Illusion) – Drums and Vocals
Mark Heard – (second generation member of Thee Illusion) – Keyboards
Ray Colonna – (second generation member of Thee Illusion and Brass) – Percussion and Roadie
Steve Rustay – (first generation member of Thee Illusion and Brass) – Trumpet and Percussion
Bob Mathes – (first generation, former member of Thee Illusion and Brass) – Trumpet
Chuck Lafferty – (second generation member of Thee Illusion and Brass) – Trumpet and Percussion

The Odyssey “Just to Be” on Yorkshire Records

The Odyssey Yorkshire 45 Just to Be

Here is a truly unknown single by the Odyssey, “Just to Be” b/w “Sunday Time” on Yorkshire Records YO 154. I’m not sure of the pressing date, but Leonard Novarro registered “Sunday Time” with the Library of Congress in July, 1968.

I couldn’t find a Library of Congress registration for “Just to Be”, but BMI lists the song as “Just to Be the Way I Want to Be” with Warner-Tamerlane.

Leonard Novarro, Vincent Leary and Richard Nusser co-composed the song.

Richard Nusser may have been the columnist for the Village Voice.

Vincent Leary may be the same Vinny Leary who played guitar with the Fugs on their earliest albums, and again in the mid-80s. Vinny Leary was also an engineer at Variety Recording Studio. This was one of only two song-writing credits he has on BMI, the other being co-composer of “Virgin Forest” with Ted Berrigan and Lee Soren Crabtree; there is also a “Benson Leary” credited on the Fugs’ “Doin’ All Right”.

David Gornston’s name appears as publisher. Ten years prior Gornston published a number of Big Bob Dougherty’s songs on Golden Crest: including “Honky”, “Squeezer”, “Lover’s Love” and “Lorelei”.

Odyssey Yorkshire 45 Sunday TimeGolden Crest was based in Huntington, NY. I’m not sure where Yorkshire Records was located, but the label produced other good singles by the Dolphins, from Larchmont, and the Saxons, from West Palm Beach.

Leonard A. Novarro registered many other copyrights. Although the Odyssey labels spell his name as L. Navarro, it seems Novarro is correct. So far I haven’t discovered if any of the following were recorded:

In August 1967, Novarro registered “Don’t Disturb the Artist” and “Gypsy Man”.

In January 1969, using the pseudonym Gideon, Novarro registered “Candy Buttons”, “Dusty Shoes”, The Homecoming”, “Lady Liar”, “Sweet-Talkin’ Child”.

In May of 1970, he registered “Baby’s Sleeping”, “Sunny Day Woman” and “Time Again”, and in August “Hear My Warning” and “Legend of a Love Child, Linda” (echoes of Donovan on this title).

Thank you to J.W. Honeycutt for alerting me to the Odyssey single. Some info on Vinny Leary came from Mr. Smith, the Sybarite Who Also Was a Teacher by Warren Allen Smith.

The Four of Us “I Don’t Need No One” from Queens, NY

Four Of Us Brunswick 45 I Don't Need No OneThe Four of Us came from Queens, NY, though I’m not sure which neighborhood.

“I Don’t Need No One” is good tough garage with sax, written by Joseph Guido, Stephen Guido, and Jose Maldonado, all probably members of the group.

“I Don’t Need No One” was reviewed as the top side in Cash Box in January, 1966: “Raunchy funky shouting tune based on an everpresent solid beat. Strong guitar and hard vocal work could start this one off toward being a biggie.”

The flip is the more pop “Iga Diga Doo”, technically the A-side, written by Harold Onderdonk, George Bonetti, Tom Cox, and Jim Carrick. Merrimac Music Corp. published both sides. This team also wrote “Stomp ‘Em Out” for the Exterminators on Chancellor CHC 1148, the flip to “The Beetle Bomb”, but were not credited on the label. Ding Dong Music Corp published “Stomp ‘Em Out”, registering copyright in April, 1964 (March, 1964 for “The Beetle Bomb”).

The Four of Us was released on Brunswick 55288. Producer Harry Goodman was Benny Goodman’s brother.

I would appreciate more info or photos of the group.

Joey Guido and Jose Maldonado (as Jose Mala) formed the Koala with Anthony Wesley, Joe Alexander and Louis Caine, releasing an album & single on Capitol in 1969 featuring all original songs by Guido and Maldonado. In 1974, Jose Mala replaced Eric Emerson in the Magic Tramps.

The Aggregation on Dynamic Sound

Aggregation Photo

Aggregation shattered Dynamic Sound 45 CandlestickstompThe Aggregation cut two fine originals, “Candlestickstomp” and “You Lied to Me” for the Dynamic Sound label of Long Island, NY.

Members were:

Russell Javors – lead guitar
Bob Wenmouth – rhythm guitar
Ken Rosenberg – lead vocals and bass
Jim Carey – drums

As you can see, my copy did not arrive in very good condition.

Aggregation Photo School Dance
The Aggregation playing at a school dance

There was very little information about them until I heard from Ken Rosenberg, who sent in the photos seen here and wrote to me about the band:

This is Kenny Rosenberg, better known now as Kenny Owens since 1981, ’82. The group came out of Plainview, NY right next to Hicksville. I was the lead singer & bassist, Russell Javors played lead guitar, Bob Wenmouth played rhythm and Jim Carey played drums. We were pretty young, Jim was I think 13 the rest of us a little older. Russell a year younger than Bob and me. Jim and Bob are no longer present on earth.

The band used to play high school dances and parties and town pool events. Entered the battle of the bands, came in 2nd the first time, next year came in 1st.

We used to practice at 30 Eldorado Blvd in the Carey’s converted garage. We were big fans of the Mersey Sound.

The studio was in a modest house in Hicksville, recorded in the basement and the owner had his own pressing machine. That’s how I remember it.

We also recorded a 5 song acetate. Bob’s wife has a copy. Jim’s family has a copy. I let mine go years ago, in some landfill in Oyster Bay. One of the songs exists with “Candlestick Stomp” in a ten minute indie film … called American Sugar. “In This Placing” was the tune. The Careys tracked me down so they could use it in the film. I do remember we did a version of the stones “The Last Time”.

In answer about other 60’s bands I was in, I was the lead singer for a band called The Clique, we opened for The Young Rascals at Plainview High School, fun show.

Currently I’m an Americana singer-songwriter living in Hendersonville, TN. I record and make records and CD’s when I can. My site is kennyowensthewheatpennies.com .


Ken Rosenberg wrote “Candlestickstomp”. Russ Javors, Ken Rosenberg and Wenmouth collaborated on “You Lied to Me”.

Russ Javors later played guitar in Billy Joel’s band for many years.

Aggregation Photo 2
The Aggregation at a battle-of-the-bands

The Dynamic Sound label

The “WElls 8-7108” phone number on the labels indicates Dynamic Sound was based in Plainview, Jericho or Hicksville, NY.

I know of two released 45s:

Dynamic Sound DY-105 – Aggregation – “You Lied to Me” / “Candlestick Stomp”
Dynamic Sound DY-106 – Born Mean – “Don’t Let the Sun Catch You Crying” / “Shapes of Things” (a Rite vinyl pressing)

I’ve heard four acetate demos from Dynamic Sound, these three have the Wells exchange on the Dynamic Sound label:

The 5 of Us – “One of a Kind” / “But He Promised”
Satan & the Body Snatchers – “Little Young Girl” / “In the Summertime”
The Un-Called Four – “Since You’ve Been Gone” / “Masters of War”

This acetate I’ve heard (and both cuts are excellent) but haven’t seen the label:

The Gothics – “Mover” (instrumental) / “Watch Me Now”

—–

There was a Dynamic Sound label that released singles such as James Ray’s “I’ve Got My Mind Set On You”. Those usually have a “Hutch Davie” production logo and date to a few years earlier.

I doubt there’s any connection with the Dynamic Sound label of Milwaukee, WI.

There are at least two releases from Ohio that feature a Dynamic Sound label. The Born Mean cut “Shape Of Things” / “Don’t Let the Sun Catch You Crying” in 1966. The band may have been from New York but the release on Dynamic Sound 1068 was a Rite pressing from Cincinnati. Then in 1969 comes the Crystal Rain ‎with “You & Me” / “World On Fire” on Dynamic Sound 91101.

My broken copy of the Aggregation was shipped from Ohio so I wonder if there could be some connection?

The Black Banana and Banana Music Ltd. from Limestone, NY

Black Banana Fog 45 Listen GirlThe Black Banana had two singles under different band names. The first 45 I’d heard but hadn’t connected to the second because of the different artist name until Mike Markesich pointed out the connection in his comment below. Mike kindly provided scans of the 1st single as the Black Banana.

The group was from Limestone, in upstate New York, only a little west of Olean, the home of the Tigermen. The Tigermen were active earlier, but perhaps the bands knew each other. Mike tells me the band was also based in Bradford, Pennsylvania, just south of Limestone.

Reversing the usual way of garage bands, the group formed after some of the members had finished their military service. They have a great mid-’60s sound on both their singles despite the late recording dates.

Black Banana Fog 45 Please Come Back to Me
Both singles list the members on the label, for this first one the lineup is:

Fred Mascioni
Karl Langner
Dave McGee

Denny Eck would join the group on guitar by the time of the second single, but he is credited with co-writing “Listen Girl” with McGee and Mascioni.

McGee and Mascioni wrote “Please Come Back to Me” which I haven’t heard yet.

Karl Langner and Arnold White designed the cool label, and Car Hamme engineered the recording. This is an RCA custom pressing from 1969.

Banana Music Ltd Fog 45 Don't Bother Me
The second release has the Fog label but the band name is changed to Banana Music Ltd. It may date as late as 1971.

Members were:

Fred Mascioni
Karl Langner
Dave McGee
Denny Eck

Denny Eck wrote “Don’t Bother Us” and Mascioni & Eck wrote “Walkin'”.

The group is listed as “The Mack Banana Band” in the Bradford Era newspaper from August 1, 1969. From the excerpt I could find online, all the members names are listed except Denny Eck:

The new sound around, come and listen to music written & played by THE MACK BANANA Band — Fred Mascioni, Karl Langner, Dave McGee …

Besides Fog Music Inc., there are other production credits on the labels: “Langner Label”, “Rotten Crates Music Corp.” and “Black Banana”.

When Mike Markesich contacted Fred Mascioni he mentioned there were songs cut for an album that went unreleased.

Thank you to Mike for his help with this post.
Banana Music Ltd Fog 45 Walkin'

Coming Generation from Kingston NY

I don’t have much info on the Coming Generation who released one single in 1969 on the King Town label. Jim Du Bois wrote “Tell Me Now”, and Ed Barnhart wrote “This Troubled Life”.

The band seems to have been a quintet or sextet, with organ and smooth harmony vocals. They were indeed from Kingston, New York, as noted on several ads for shows in the Kingston Daily Freeman beginning in 1967 and ending in 1970.
A sample of their shows include:

1967 – Sportsmen’s Park, Rosendale and the Viking Lounge on Glasco Turnpike, High Woods

The Coming Generation opening for Fire & Ice, March 27, 1970
1968 – The Tropical Inn, Port Ewen

1969 – 1970 – the Pleasure Yacht, Eddyville

December 31, 1969 – the Creamery at Wiltwyck Village, Esopus with Jay and the Techniques

1970 – Thunderbird Inn, Route 9W, Saugerties

March, 1970 – Thunderbird Inn with Fire and Ice (could this be Auggie Bucci’s group, with singles on Capitol and Crazy Horse?)

Runout vinyl has no markings other than 0024-A/B, but this numbering and the label design indicates it was recorded at Kennett Sound Studio in Kinderhook, NY.

Despite the labels saying copyright ’69, I haven’t found any registration for these songs.

The Cordials “Tell Me Please”

Cordials Bundy 45 Tell Me Please

The Cordials recorded for the Bundy label of Freeport, New York. They may have been a local group, but Freeport is not far from Brooklyn, so the group could have been from anywhere in the New York metro area.

The Cordials cut a fine version of “Misery”, originally done by the the Dynamics on their 1963 single on Big Top. I prefer the flip, “Tell Me Please”, a moody original with great harmonies, written by Rick Stevens and published by M.C. Music Pub. BMI.

Cordials Bundy 45 MiseryAn article in Cash Box from August 7, 1965 gives an approximate date for the Cordials release and some background on Bundy:

“Bundy-Fonic Expands”

Mickey Carr, top man at The Bundy-Fonic Corp., is in the process of expanding the firm’s activities, and has appointed Bob Spina to veep and Clarence Finnell as A&R boss.

The diskery, with Dee Dee Records as a subsidiary line, will be offering two new releases, the first tagged “Misery” b/w “Tell Me Please” by the Cordials, and another by the Diablos, the titles on which will be announced at a later date. Both disks will be on Bundy Records. The address of the firm is 22 Pine St., Freeport, L.I.

Although Bundy had a 1962 release by Ray Artis, “Dear Liz” / “Wella-Wella” (Bundy BU-222), I haven’t found the Diablos single or anything else on Bundy. There were several record companies called Dee Dee, and I’m not sure if the one mentioned in the Cash Box article actually released anything.

The Cordials is a styrene 45, released on Bundy BU7711, Mickey Carr gets credit for arranging and producing both sides, and Bundy is listed as a subsidiary of Bundy Phonic Ent. Corp.

The Penetrators from Crown Point, NY

Penetrators Penstar 45 Guitar BoogieThe Penetrators came from Crown Point, NY, on the west shore of Lake Champlain above Ticonderoga.

Members included Dan Rabideau and Larry Rabideau, Kim Joiner and Joe Dugan on bass. John Hoffman seems to have been a later member of the group.

There is a single by the Penetrators on Penstar Records 1146, “Guitar Boogie” / “Coming Home Baby”, both instrumentals. I’m not yet positive this is the same as the Crown Point group.

Penetrators Ferus 45 I'll Make You MineIn March of 1968 they made what I believe to be their second record, the cool garage original “I’ll Make You Mine” by Dan Rabideau and Kim Joiner, backed with a good instrumental, “Splitter Splatter” by Dan Rabideau and Larry Rabideau.

The 45 came out on Ferus Records FR 4958. Ferus had an address of 64-12 60th Pl., Brooklyn 27, New York. Tommy Wilde produced the single, I’m not sure how the band came to find Ferus.

Danny and the Penetrators Ticonderoga Sentinel 1971
1971 Battle of the Bands
This is a styrene 45 with the Columbia custom pressing code ZTSP 124958/9. Both songs published by Ferus Music BMI.

As Danny and the Country Penetrators they put out a single that I haven’t heard, “She’s My Mother-In-Law” / “I’ll Be Waiting” on Delta Records in June of 1968.

The band was well known locally as as Danny and the Penetrators. They appeared on the Ted Mack Amateur Hour and continued with local bookings into the 1970s.

From a 1971 news item, it appears the Rabideau’s mother Doris managed the band.

Info on the band from a Port Henry forum. Thank you to Anthony M. for the original 45.

Anyone have a photo of the group?

Penetrators Ferus 45 Splitter Splatter