Category Archives: Detroit

The Lazy Eggs “I’m a Clown” / “Poor Boys Always Weep” on Enterprise

Today a new contributor, R.D Francis, profiles the Lazy Eggs in the first in a series of articles on Michigan bands.

The Lazy Eggs; image courtesy of Mike Dugo’s ’60s Garage Bands.com

Fronted by Tom Carson, the Lazy Eggs began in 1959 as TC and the Good Guys, with Gary Praeg, Sam Moceri, Clem Riccobono, Tom Pointe, and Bob Krause. Impressed with their writing and live performances, Carson’s band signed a management contract with Bob Swartz. While they never shared a stage, Swartz also managed the earliest beginnings of Bob Seger’s career with his band, the Last Heard.  The Lazy Eggs’ first big bar gig was working as the houseband at the Red Carpet Lounge on Warren and Outer Drive in Detroit; they replaced Bob Seger and the Last Heard who moved onto the Roostertail. After the folding of Seger’s old label, Cameo-Parkway, he signed with Capitol Records in 1968; the Last Heard became known as the Bob Seger System.

Lazy Eggs Enterprise 45 I'm Gonna Love YouAs the Beatlesque the Lazy Eggs, the band released their first single, “I’m Gonna Love You b/w As Long as I Have You” (E-5060; both composed by Riccobono) for Detroit’s Enterprise Records in 1967 (not in 1965 as mistakenly web-cataloged).

Lazy Eggs Enterprise 45 I'm a ClownTheir second single, “I’m a Clown b/w Poor Boys Always Weep,” (E-5085; Praeg composed the A-Side; Moceri the B-Side) appeared shortly after. After the release of their singles, and the departure of guitarist Tom Pointe, Ron Koss—noted for touring and recording with Wilson Pickett, Merv Johnson, and Hank Ballard, as well as his Motown session work—joined, remaining with the band until their early 1969 demise (other sources place the end, later, at 1972).

“I’m a Clown b/w Poor Boys Always Weep” debuted on Ontario’s CKLW-AM “The Big 8” on March 6, 1967. Achieving a minor placing on Detroit’s “Keener 13” WKNR-AM’s Top 40 chart, the single peaked at #28 on CKLW-AM, and at # 15 and #11 on Flint, Michigan’s smaller WTAC 600 AM and Ann Arbor’s WPAG 1050 AM, respectively. The chart success led to WKHM/WKNR’s Robin Seymour (later of CKLW-AM) hosting the band’s performances of both sides during a March 11, 1967, episode of Swingin’ Time airing on CKLW-TV’s Channel 9.

Tom Carson continued to work on stage with Bob “Catfish” Hodge in the Catfish Blues Band. Carson wrote the lyrics for “Catfish” on Get Down, the band’s 1970 debut on Epic.

Pacesetters Correc-Tone 45 The Monkey WhipGary Praeg also gigged on Detroit’s local stages as a member of the R&B flavored the Pacesetters (not to be confused with the West Coast soul group that cut “I’m Gonna Make It b/w What About Me, Baby” in 1968 on New Orleans’ Minit). Also featuring Ron Koss on lead guitar, along with drummer Vin Scalabrino, and future the Rockets’ bassist John Fraga, the Pacesetters—inspired by Major Lance’s chart-topping dance-craze hit, “The Monkey Time”—cut the one-off 45-rpm/7” “The Monkey Whip b/w Around the World” (CT-3476), released on the Detroit-based Correc-Tone on September 14, 1963. (Both sides were written by Motown writer-arranger, William Witherspoon.)

By 1970, Gary Praeg formed Katzenjammer with ex-Lazy Eggs’ bassist Angelo Palazzolo and drummer Chris Birg; they soon took over the houseband gig at Detroit’s Roostertail. Katzenjammer recorded no singles.

Tom Carson, along with former Lazy Eggs’ Clem Riccobono and Sam Moceri, founded Detroit’s Fiddlers Music in 1970. Dealing in instrument sales and rentals, as well as recording and releasing private press singles and albums, Fiddlers closed its doors in 1980. Gary Praeg founded Cloudborn Studios in the mid-’70s and recorded light-rock and jazz-influenced albums as Shivers and Dove Grey.

Clem Riccobono passed away in 2014; Sam Moceri and Tom Pointe in 2018.

TC and the Good Guys:
Tom Carson — lead guitar, vocals
Tom Pointe — rhythm guitar, vocals
Clem Riccobono — bass, vocals
Sam Moceri — drums

The Pacesetters:
Ron Koss — lead guitar
Gary Praeg — rhythm guitar
John Fraga — bass guitar
Vin Scalabrino — drums

The Lazy Eggs:
Tom Carson — lead guitar, vocals
Tom Pointe — rhythm guitar
Sam Moceri — keyboards, vocals (rejoined in 1963)
Clem Riccobono — bass, vocals
Bob Krause — drums

Other Lazy Eggs members:
Ron Koss — lead guitar (joined around 1963)
Gary Praeg — rhythm guitar, vocals (joined around 1963)
Angelo Palazzolo — bass
Chris Birg — drums

Note: The single, “My Baby Don’t Care b/w The Hammer Song,” released in 1968 on the Sunspot label—that is oft-compilation and web-cataloged with the Detroit Eggs—is a different Lazy Eggs: one led by Sid Herring; he later formed Watchpocket, a Southern Rock concern with Steve Cropper. While not directly relevant to the Detroit Lazy Eggs-subject of this article: 45-rpm aficionados take note that the Sunspot-45 in question is actually a cover of the Gants’ “My Baby Don’t Care,” which was Sid Herring’s previous group. Another band covered at Garage Hangover, the Wanted & Co., also covered “My Baby Don’t Care” with a 1968 single. Terry Montgomery, the brother of the Gants’ bassist Vince Montgomery, was a member of the Sceptres.

Lazy Eggs Enterprise 45 Poor Boys Always Weep

You can enjoy all four sides — and two TV appearances — of the Lazy Eggs with this convenient, catch-all playlist on You Tube.

Article written by R.D Francis.

Courtesy of Mike Dugo’s ’60s Garage Bands.com, by way of late drummer Sam Morceri

The Lonely Souls from Redford & Detroit

The Lonely Souls with Ray Goode on drums, May 1968.

The Lonely Souls were from the Redford / Detroit, Michigan area, like the Midnight Shift.

Members were:

Bob Calco
Terry Gilbert
Ray Goode – drums
Louie
Chuck Murphy

The group was active in the late sixties, certainly in 1968. Check out the double bass drum in the photo! I don’t believe they recorded.

Ray Goode died in a motorcycle accident in 1980. Thank you to Steve for sending in the photo and info on his uncle’s group.

Any further info on the band would be appreciated.

You and Me on Malibu Records “She’s One of a Kind” / “I’ll Find a Way”

You And Me Malibu 45 She's One of a Kind

You and Me seems to be a studio production from two song writers, Ken Phillips and Gordon Goodman. The songs on this single are innocent pop with some definite English influences: “She’s One of a Kind” is uptempo and catchy; “I’ll Find a Way” slower and moody.

The labels list arrangement by Ken Phillips and Gordon Goodman, and produced by Ken Phillips.

I found six songs registered with the Library of Congress: “You’re Gone”, “She’s Over There” and “I’d Feel Better With You Around” in 1965, “I’ll Find a Way” in February, 1966 and “Keep On With Me” in June of ’66, and “Anywhere” in 1967. All their compositions list Kenneth Phillips as writing words and music, and arrangement by Gordon Goodman.

I don’t have specific info on Phillips and Goodman, but this was released on the Detroit, Michigan label Malibu Records. The catalog number M-6801 suggests a 1968 release. This is on the same Malibu Records label as the crunching “Times Passed” by the Beaubiens from February, 1967. That record was a Joe Doll production with different arrangers, and likely no personnel in common with this single by You and Me. See my article on Tortoise Records for information on Joe Doll’s early production work.

I asked Joe Doll about this record and he responded:

I remember Ken Phllips. I engineered the recording of these two tunes in the same WCBN studio (at University of Michigan) where I recorded “Times Passed” by the Beaubiens and “Messin’ with the Kid” by the aftermath (they liked their name with no capitals.)

I believe Ken was a U of M student. He was hoping to find traction for “an old-fashioned love song” and thought this record might help. Ken lined up the musicians. I had the impression they were all U of M students within his circle of friends.

Malibu was my label. I considered it an upgrade from the earlier Tortoise label.

You And Me Malibu 45 I'll Find a Way

The Jammers

The Jammers Dearborn 45 You're Gonna Love Me TooLike other groups on Dearborn Records or with Chetkay Music publishing, I can’t find much info on the Jammers. Jack Groendal and Gerry Snyder wrote both sides and were likely members of the group.

The keyboard and lead guitar blend to make a good hook for the peppy “You’re Gonna Love Me Too”. “I Didn’t Mean To Make You Cry” works well as a ballad.

The songs were released on Dearborn D-519, published by Chetkay Music BMI in July, 1965.

I wonder if Jack Groendal is any relation to Zocko Groendal who played with the Lansing, MI band the Woolies, famous for their version of “Who Do You Love” on Dunhill.The Jammers Dearborn 45 I Didn't Mean To Make You Cry

John Does “One Kind Favor” on INsite

John Doe Band-O-Rama

John Does Insite 45 One Kind FavorJohn Does is an appropriate name for this group because nothing was known about them until Ron Domilici sent in a scan of the promo sheet seen at top. The band does one of the very best versions of “See That My Grave Is Kept Clean”.

I don’t know where the John Does learned their version of the song, it was done by many artists in the early ’60s. The alternate title “One Kind Favor” was used by Peter, Paul and Mary on their live album in ’64, and this may have been their source.

On the flip is “I’ll Never Take You Back”, an original by Roy R. Fernandez. The instrumentation is the same, but it lacks the mood, production quality and intensity of “One Kind Favor”. Strangely this side has a much different RCA master number, T4KM 8798 comparted to T4KM 2383, though both seem to be from the second half of 1966.

The promo sheet lists the group name as The John Doe, and the members of the group as:

Roy Fernandez – guitar
Bill White – bass
John Farion – harmonica and organ
Ken Everts – drums

Ernie Statton – manager
Dave Fox – producer

It also lists the record label as Insight instead of INsite, and seems to suggest they recorded “Diddley Daddy”.

Publishing for both sides was through Davenbar Music BMI. Fernandez copyrighted this and one other original, “Leavin’ that Girl Behind” in July of 1966. Not a bad title for a song, but I can’t find a release with that title by any artist.

Released as Insite 45-1001, Insite Records a division of Metro Productions Inc. but I don’t know of any other releases on Insite. The label typography is cool, though the small “s” in Does may have caused more confusion than anything else.

This is an early credit for the engineer Milan Bogdan, who would soon engineer singles by the Rationals, the Scot Richard Case, SRC, the MC5, Funkadelic and many, many others. I’m not sure which studio the John Does.

Dave Fox produced the record. David Fox and Davenbar Music publishing coincide on one soul single from 1964, the Dynamics “And That’s a Natural Fact” / “I Wanna Know” on Big Top 516, both songs written by Joseph W. McArthur. and co-published with Noma Music.

Special thank you to Ron Domilici for sending in the promo flyer.

John Does Insite 45 I'll Never Take You Back

The Detroit Riots

Detroit Riots Dearborn 45 A Fast Way to Die

Detroit Riots Dearborn 45 Pebble Stone
The Detroit Riots are an obscure group with one of my favorite singles on the Dearborn Records label. The A-side “Pebble Stone” has a commercial music track but buries the lead vocal. I prefer the flip, “A Fast Way to Die” for the contrast between the rhythm and lead guitar and a set of lyrics that fits the vocalist’s style.

Harry Wallace wrote both songs, copyrighted May, 1969 and published by ChetKay Music BMI.

Tome Webber arranged “Pebble Stone” and Elmer Wallace produced “A Fast Way to Die”.

According to a comment on a youtube video, the bass player was Paul Strothers. I don’t know the names of any other members.

Like the Chomps single I posted yesterday, Dearborn Records was a product of M.S.K Productions, and both singles share publishing by ChetKay. It’s also a Columbia custom press, ZTSC-142387/8.

The Chomps “Lookout World” / “Kiss My Lips” on Kool Kat

The Chomps Kool Kat 45 Lookout World
The Chomps released one pop side, “Kiss My Lips (One More Time)” (Kaplan, Rabinowitz for Chetkay, BMI and Floss, BMI) b/w a nifty, tongue-in-cheek biker tribute, “Lookout World” (Wilkins, Kaplan for Chetkay, BMI) on Kool Kat KK-1002 in 1968.

I thought the Chomps were likely a studio concoction, but a commenter below describes them as an actual group, possibly from the Ann Arbor area.

Copyright records show the names on the labels as Steve Rabinowitz and Eddy Marvin Kaplan, a songwriting team who sometimes used the aliases Steve Robins and Eddy Kay. Eddy Kaplan produced and arranged the Chomps single, and produced other area singles, like the Trademarks “If I Was Gone”. I’m not sure who Wilkins refers to.

Kool Kat is otherwise a soul label, run by M.S.K. Productions, Detroit, Michigan. The Chomps was a Columbia custom pressing, ZTSC 127041/2

Kool Kat 1001 – Joe Matthews – “(You Better) Check Yourself)” (C. McMurray, W. Hampton) / “Ain’t Nothin’ You Can Do”
Kool Kat 1003 – Hindal Butts – “Giggin” (Butts, Hicks, Block, instrumental, ZTSC 107007) / “Happiness (Is So Far Away)”
Kool Kat 1004 – Virgil Murray’s Tomorrow’s Yesterday – “I Still Care” (Huff, Murray, McGuire) / “Summer Dreamin'” (also released on Airtown A-015)

The Soul Source site gives some background on these names:

MSK stands for Martin, Schneider and Kajeski, who owned M-S records, Detroit. Chester J Kajeski owned the music publisher Chetkay, that published the Silky Hargraves tracks (DBA CHETKAY Music Pub, 15401 Tirman, DEARBORN, MI) Kool Kat records were a division of MSK productions, Detroit. Martin & Schneider also owned Marquee records, distributed by MSK productions. Marquee & Dearborn were run out of the same building in Dearborn.

Marquee put out the Free’s “Decision For Lost Soul Blue”. Dearborn is a cool label that had some in-demand soul singles, as well as rock stuff by Tino & the Revlons, the Undecided, H.T. & the Green Flames, the Jammers, Me & Dem Guys, and the Detroit Riots.

The Chomps Kool Kat 45 Kiss My Lips

Midnight Shift

The Midnight Shift Photo
The Midnight Shift, shortly before they became the Thomas Blood Band. Clockwise from top: Ken Victor, Bob Colone, Ed Jeffries and George Whitfield (aka George Werenka)

Midnight Shift MSI 45 Never Gonna Stop Lovin' YouMidnight Shift came from Redford Township, Michigan, at the northwest tip of Detroit. Above is the Midnight Shift right before becoming the Thomas Blood Band. The original bass player was Ken Mose (not in photo), the photo shows his replacement, Ken Victor.

Members were:

George Werenka (stage name George Whitfield) – vocals
Ed Pianasac (stage name Ed Jeffries) – guitar and vocals
Ken Mose, replaced by Ken Victor – bass and vocals
Bob Colone – drums and vocals

Their first release was “She’s Gone Far Away” b/w “Never Gonna Stop Lovin’ You”, both written by Ed Jeffreys and recorded sometime in late 1966.

The A-side is a gentle kind of love song while the flip has a harder sound with droning guitar and Bob Colane pounding the drums.

Midnight Shift MSI 45 Every Day Without YouThe band refined their sound for the next single in ’67, creating two beautiful melancholy compositions using acoustic guitar for rhythm.

“Every Day Without You”, written by Jeffries and Fazzio, is the more upbeat of the two, with excellent harmonies and hooks.

“Just Another Day”, written by Jeffries and Colone, is gentler and sadder, featuring a beautiful San Francisco-influenced electric solo.

Midnight Shift MSI 45 Just Another DayThey recorded both singles at M-S-I Recording Company in Livonia (next door to Redford). The band’s manager Bud Fazzio produced both singles.

I don’t know of other groups that used M-S-I Recording, I suspect it was the band’s own rehearsal or studio space.

Midnight Shift changed into the Thomas Blood Band, who played at the nearby Grande Ballroom and continues with different lineups to the present day.

Bob Lelli of the Thomas Blood Band sent in the photo at top and wrote to me:

Bob Colone, Ed Jeffries and Ken Victor started Thomas Blood Band playing at the Grande with the Turtles, T-Rex, Jeff Beck & Rod Stewart and more. Bob Colone came out front from drums, they got another drummer and he was lead vocalist until his drowning in 1973. At the time in negotiation for a recording contract with London Records and more. Thomas Blood still plays today. We are doing the 50th Grande Ballroom Anniversary Concert with the Yardbirds and more on Oct 8th, 2016.

Thank you to Kim for the photos below (can anyone help ID the members on these?)

http://www.motorcitymusicarchives.com/thomasblood.html
Some photos of the members of Thomas Blood Band can be seen at Motor City Music Archives.

The Midnight Shift early photo
The Midnight Shift early photo with fifth member. Please help with IDs on this photo.
Midnight Shift photo on Swingin' Time
The Midnight Shift on Swingin’ Time, with unidentified female, George Whitfield to her left. Please help with IDs on this photo.
The Midnight Shift photo 2
The Midnight Shift – or had they become Thomas Blood by this time? Please help with IDs on this photo.

Thomas Blood Band at Snoopys

The Organized Confusion “Tell Me Why” / “Makes Me Sad” on Golden Records

Organized Confusion Promo Photo

Organized Confusion Golden 45 Tell Me WhyI wrote about Alva Starr, who had two interesting garage releases on Golden Records of La., based in Baton Rouge, Louisiana. This single by the Organized Confusion is the other garage single on that label. It features two good original songs by Bill Richards, “Tell Me Why” b/w “Makes Me Sad”. Production credited to Ebb Tide and Randy Darnell, published by Darn-L. Copyrights for these two songs plus one called “Bad Girl” were registered with the Library of Congress in May 1968.

Ebb-Tide Golden Records Billboard February 3, 1968
One of Ebb-Tide ‘s ads in Billboard looking for songs and master tapes.

Interestingly, the band was from the Detroit, Michigan area. Ebb-Tide (Ebb Harrison or Ebb Harris) of Golden Records ran classified ads in Billboard in 1967 and 1968 looking for songs and finished songs. Randy Darnell of “The Darnell Sound” may have seen these ads and responded, or A&R man Bob Balog may have brought the band to Golden.

A promotional photo from the old G45 Central forum shows the band in a tree, and the songs for the single list “Hang On, He’s Not Coming” instead of “Tell Me Why”. Contact info is given both for the label, Golden Records and the production company, Darnell Sound Production, which has an address of 13079 Northline, Southgate, MI, south of downtown Detroit. Darnell and Balog also placed the Liquid-Candy “Hold On-I’m Coming” on Golden.

The Organized Confusion, from left: Joe Grabowski, Mark Bruce (friend of band filling in for Matt Sclafani), Dave Thibert, Bill Richards and Al Consiglio
The Organized Confusion, from left: Joe Grabowski, Mark Bruce (friend of band filling in for Matt Sclafani), Dave Thibert, Bill Richards and Al Consiglio

Update, February 2017:

Joe Grabowski and Al Consiglio sent in the photo of the group standing in front of trees and gave me more info about the band:

Dave Thibert – lead vocals
Bill Richards – lead guitar
Joe Grabowski- rhythm guitar
Matt Sclafani – bass guitar
Al Consiglio – drums

In the mid 60’s two Wyandotte friends and neighbors, Al Consiglio and Joe Grabowski joined Al’s cousin Matt Sclafani, living in Southgate, who knew Bill Richards and Dave Thibert. The five put together a play list, rehearsed the tunes and played local venues. Bill wrote the two recorded songs and pursued the necessary contacts to find the recording studio of Randy Darnell at 13079 Northline Road in Southgate, MI and produce the record. The building now is a beauty salon.

The band stayed together for a short time after making the record as the members focused their attention on finishing school, girls, cars and careers (in no particular order). To my knowledge no one was in a band prior to or went on to join other bands after the Organized Confusion.

Venues:

Knights of Columbus – downtown Wyandotte, MI
Knights of Columbus – Southgate, MI
Southgate Anderson High School – Southgate, MI
Davidson Jr High School – Southgate, MI
ALSAC Benefit with many other local bands including Little Carl Carlton – River Rouge, MI
Lawrence Technological University (Lawrence Institute of Technologies) – Southfield, MI
Southgate Shopping Center (in front of Montgomery Ward) – Southgate, MI
Aquinas High School – Southgate, MI

Organized Confusion Golden 45 Makes Me Sad

Sean and the Sheas

Sean and the Sheas Yorkshire 45 Hi DiddleSean and the Sheas Yorkshire 45 Come to the Party

Sean and the Sheas Yorkshire 45 Spiders
Joe Rodie sent the excellent scans seen here of rare singles by an unknown Detroit area band, Sean and the Sheas, who released two 45s in 1966. Joe is looking for information on the group, but unfortunately I couldn’t provide any yet.

Sean and the Sheas first release is the upbeat soul-influenced “Come to the Party” backed with an adaption of the nursery rhyme, “Hi Diddle”.

This was Yorkshire Y-001-A/Y-001-X, with “Come to the Party” written by John Rankin and “Hi Diddle” credited to B. Cozad – J. Rankin. The writers must have been aware a new arrangement of a traditional song could be copyrighted. The label reads recorded in Detroit, Mich., but I don’t know which studio. The producer was John Rankin, and executive producer Henry Cozad.

Sean and the Sheas Yorkshire 45 Hi Diddle
second release of “Hi Diddle”
For the second single, “Hi Diddle” repeated this time as Yorkshire Y-004-X while “Spiders” which I haven’t heard is listed as Yorkshire Y-004-XX. Terry Mohr wrote “Spiders” and he also appears as arranger on this 45, produced by Bill Cozad and John Rankin and this time oddly “Recorded in America”.

All songs published by Bico Music BMI, 1966.

The 45s have Nashville Matrix stamps and “95” etched into them. The “95” means they were pressed by Norman Archer at Archer Record Pressing, at 7401 E. Davidson in Detroit, as that was his account number at Matrix of Nashville. Archer handled many smaller Detroit labels, so despite the resemblance to the font used for Wheel’s 4 Records, Yorkshire was probably an unrelated label. There were several Yorkshire Records labels around the country at the time, but I can’t find any other release by this Detroit company.

With all the names on these singles I would think there would be some information on the group out there, but I can’t find any yet.

Thank you to Joe Rodie for the scans and motivating me to write about this group.