Category Archives: Country

The Magic Circus

RPM Weekly, 19 August 1967. Thanks to Ivan Amirault for providing

James Houston (Guitar, Vocals) 

Al Palmquist (Guitar, Vocals) 

Al Spencer (Bass) 

Roz Parks (Drums) 

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Colin Walker (Drums) 

The Magic Circus were best known for containing future Paupers’ members Roz Parks (b. 15 April 1945, Picton, Ontario) and James Houston (b. 25 May 1946, Belfast, Northern Ireland).

Houston, Parks and Spencer (b. 7 March 1947, London, England), had previously been members of The Creeps but changed name in early 1967 when guitarist Al Palmquist replaced Dave Morgan.

Thanks to Ivan Amirault for the photo

The band was best known for the 50-minute rock symphony, ‘March of The Mushroom’, written largely by Houston. Aside from playing other original material, the group also played Beatles, Beach Boys, Association and Mamas & The Papas covers.

The band was popular on Toronto’s club scene and opened for many of the top artists of the day, including Del Shannon, Wilson Pickett, The Turtles, Mitch Ryder, Eric Burdon & The Animals, Paul Revere & The Raiders, Ronnie Hawkins and The Left Banke. They also toured widely throughout Ontario playing high schools and dance halls.

Parks left in July 1968 to play with Edward Bear briefly before replacing Skip Prokop in The Paupers in October.

Australian Colin Walker from the Australian band, The Flying Circus joined in his place. The band then played as The Carnival (apart from a couple of shows, including the ‘Time Being’ held at the Canadian National Exhibition in Toronto in September where they played as The Magic Circus).

Houston also joined The Paupers in April 1969 after turning an offer down from Skip Prokop to play bass in Lighthouse (he may also have fronted Wizard’s Hand for a while).

Palmquist and Spencer carried on as The Carnival on TV shows and then resumed the Magic Circus name.

Photo from Ivan Amirault
Photo from Ivan Amirault

 

Thanks to Ivan Amirault

Advertised gigs

18 March 1967 – Lakeshore Lions Arena, Toronto with The Strays

24 March 1967 – Queen’s Park, London, Ontario

25 March 1967 – Hidden Valley, Huntsville, Ontario with The Left Banke

Thanks to Ivan Amirault

27 March 1967 – St John’s Church, Niagara Falls, Ontario

28 March 1967 – The Night Owl, Toronto

29 March 1967 – The Castle, St Catherine’s, Ontario

30 March 1967 – Brant Inn, Burlington, Ontario

31 March 1967 – Royal Plaza, Clarkson, Ontario

 

1 April 1967 – Huntingdon Park Commercial Centre, Hamilton, Ontario

 

3 June 1967 – The Flick, Toronto

10 June 1967 – Scarborough Arena Gardens, Scarborough, Ontario with Eddie Spencer & The Mission, Roy Kenner & The Associates, The Tripp, Bobby Kris & The Imperials, The Lords of London and others

 

5 July 1967 – Muskoka Pavillion, Bala, Ontario

21 July 1967 – Huron Park Recreation Centre, Cooksville, Ontario

 

9 August 1967 – Cobourg Pavilion, Cobourg, Ontario

27 August 1967 – Summer Gardens, Port Dover, Ontario with The Federations

 

1 October 1967 – Paradise Gardens, Guelph, Ontario with Three to One

16-18 October 1967 – The Flick, Toronto

19 October 1967 – The Flick, Toronto

 

2 November 1967 – Stratford College Institute, Stratford, Ontario

3 November 1967 – Crosby High School, Forthill, Ontario

4 November 1967 – Belleville Arena, Belleville, Ontario

5 November 1967 – Club Shingaling, Welland, Ontario

 

21 December 1967 – Annandale High School, Ontario

22 December 1967 – Brampton High School, Brampton, Ontario

23 December 1967 – Pelham District High, Fenwick, Ontario

26 December 1967 – St Nick’s Church, Hamilton, Ontario

27 December 1967 – Kitchener College Institute, Kitchener, Ontario

28 December 1967 – The Night Owl, Toronto

29 December 1967 – St Martin’s Church, Niagara, Ontario

30 December 1967 – Haileybury High School, Haileybury, Ontario

31 December 1967 – Kirkland Lake, Ontario

 

6 January 1968 – Broom and Stone, Scarborough, Ontario

12 January 1968 – York University, Toronto with The Paupers and The Last Words

12 January 1968 – Brantford Collegiate Institute, Brantford, Ontario

 

1 February 1968 – University of Waterloo, Waterloo, Ontario

2 February 1968 – Forrest Hills Collegiate, Forest Hills, Ontario

3 February 1968 – Forest Hills CI, Kitchener, Ontario

4 February 1968 – St Martin In The Field Church, Toronto

6 February 1968 – St John’s Church, Niagara Falls, Ontario

 

5 April 1968 – Cayuga High School, Cayuga, Ontario

6 April 1968 – Barton High School, Hamilton, Ontario

11 April 1968 – Port Dover Composite School, Port Dover, Ontario

12 April 1968 – Club Shade Blue, Toronto

13 April 1968 – Wallaceberg Teen Club, Wallaceberg, Ontario

 

18 May 1968 – Sauble Beach Pavilion, Sauble Beach, Ontario

 

13 June 1968 – Waterford Arena, Waterford, Ontario

14 June 1968 – Elmiria District HS, Elmiria, Ontario

15 June 1968 – Crystal Beach Pavilion, Crystal Beach, Ontario

16 June 1968 – St Gabriel’s Church, Burlington, Ontario

18 June 1968 – Glenbriar Arena, Kitchener, Ontario

20 June 1968 – East Hamilton Kiwanis Club, Hamilton, Ontario

21 June 1968 – Brantford Collegiate Institute, Brantford, Ontario

22 June 1968 – Rideau Ferry Inn, Smith Falls, Ontario

25 June 1968 – Dundas Arena, Dundas, Ontario

26 June 1968 – Georgetown Arena, Georgetown, Ontario

27 June 1968 – Stratford Arena, Straford, Ontario

28 June 1968 – Cobourg Pavilion, Cobourg, Ontario

29 June 1968 – The Gette, Oshawa, Ontario

Thanks to Ivan Amirault for the photo

2 July 1968 – Toronto City Hall, Toronto

3 July 1968 – Wallaceburg Arena, Wallaceburg, Ontario

5 July 1968 – Pav-Orillia, Orillia, Ontario

6 July 1968 – Kee-to-Bala, Bala, Ontario (Roz Parks’ last gig?)

 

10 August 1968 – Sauble Beach Pavilion, Sauble Beach, Ontario

 

1-2 September 1968 – ‘Time Being’ at CNE, Toronto

 

14 February 1970 – The Get (O’Neill Collegiate), Toronto

 

7 March 1970 – The Hawk’s Nest, Toronto

 

16 May 1970 – Hidden Valley, Huntsville, Ontario with Beadree

17 May 1970 – Hidden Valley, Huntsville, Ontario

 

5 June 1970 – Jubilee Auditorium, Oshawa, Onatario with The Poor Souls (billed as Majic Circus)

Most of these gigs were taken from the After Four section of the Toronto Telegram. Thanks to Roz Parks, James Houston and Al Spencer for their input.

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author

Thanks to Ivan Amirault for the photo

Jericho

Left to right: Gord Fleming, Frank De Felice, Fred Keeler and Denny Gerrard. Photo may be subject to copyright.

Fred Keeler (Guitar, Vocals) 

Gord Fleming (Keyboards, Accordion, Vocals) 

Denny Gerrard (Bass, Vocals) 

Frank Di Felice (Drums) 

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Scott Cushnie (Keyboards) 

Danny Marks (Guitar, Vocals) 

Bob Yeomans (Drums) 

This musically interesting band was formed in March 1970 by former Paupers member (turned manager) Chuck Beal, who teamed Fleming and Keeler, both of whom had worked together in the mid-1960s with The Shays with former Paupers’ bass player Gerrard and ex-Grant Smith & The Power drummer Di Felice.

Between The Shays and Jericho, Fleming had played with Ronnie Hawkins & The Hawks, John Hammond and Gord’s Custom R&B Sound, while Keeler had been in The Majestics. Gerrard had done stints with McKenna Mendelson Mainline and Luke & The Apostles.

The group recorded an album, produced by Todd Rundgren, at The Band’s Bearsville Studios. Rundgren incidentally also worked with The Band around this time and is also featured on guitar.

The sound not surprisingly then is reminiscent of The Band’s Stage Fright period and is thoroughly recommended. Rundgren’s production is top notch, particularly on tracks “Make It Better” and “Lonely As Me”.

“Make It Better” reached #80 on the Canadian RPM chart in July 1971 by which point Fleming and Keeler had lost interest and left. Gerrard left too to join Heaven and Earth.

Di Felice quickly reformed the group with ex-Tundra member Scott Cushnie and former Edward Bear and Mama Lion member Danny Marks.

Bob Yeomans replaced Di Felice in late 1971 but the band broke up soon afterwards. Cushnie subsequently played with Mudlark (and also worked with Aerosmith) while Yeomans was one half of Jackson Hawk.

Fleming subsequently joined Great Speckled Bird and also did stints with Cat Stevens and the McGarrigle sisters. He died in February 1996.

Gerrard played with Heaven and Earth and recorded two singles for RCA Victor before forming Great White Cane (both groups were fronted by Rick James).

Marks subsequently joined Rick James & The Stone City Band after a brief stint with Zig Zag.

Recordings

45 True Fine Girl/Back Track (Ampex 1303) 1971 (Canada)

45 Make It Better/Cheater Man (Bearsville X31003) 1971 (US)

LP front cover. Left to right: Gerrard, Fleming, De Felice and Keeler

LP Jericho (Ampex 10112) 1971 (Canada)

LP Jericho (Bearsville 10112) 1971 (US)

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author

The Twilighters “Spellbound” on Red Flame Records

Twilighters Red Flame 45 SpellboundThe Twilighters came from Kirksville, Missouri, a small city about 165 miles from Kansas City and 200 miles from St. Louis. In 1967 they cut two originals, “Spellbound” / “My Little Angel” at Technisonic Studios in St. Louis.

“Spellbound” is a fast-paced rocker, driven by Dave Daniels’s fantastic drumming. There’s a great guitar break and a double-time ending, and it’s over in less than two minutes.

The chant of “Spellbound” has a distinctive sound that may come from some other song but if so, I can’t think of it. It reminds me of a later cut, Steve Miller Band’s “Living in the U.S.A.” where the group chants “Stand Back”. I’d be interested if anyone has heard something very similar in another song from the era.

The B-side, “My Little Angel” is a ballad with fine vocals, and good recording production.

Released on Red Flame Records 45-1005, the labels show a 1966 copyright date, but the U4KM indicates a pressing date in the first half of 1967.

The Twilighters, from left: Everett Cassidy, Gary Blurton, David Daniels on drums, Bob Harbur, and Randy Elmore. Photo courtesy of David Daniels.

David Daniels wrote to me:

The Twilighters band began in 1963 with Gary Blurton (rhythm guitar and vocals), David Daniels (drums), Everett Cassidy (bass), and Bob Harbur (lead guitar). Randy Elmore joined the band in 1964 because Gary was leaving to join the National Guard and the band would be needing a lead vocalist. Randy played lead guitar as well.

Eventually Bob moved to the St Louis area and Everett also moved away from the Kirksville area. At that point Richard Hudson, also a local boy and friend of Randy and David, came on to play rhythm guitar.

The Twilighters, from left: Everett Cassidy on bass, Randy Elmore on guitar, David Daniels with drumsticks, and Gary Blurton, guitar. Photo courtesy of David Daniels.

This configuration of The Twilighters (Randy, David, and Richard) placed an ad in the local paper seeking a keyboard player, to which Carl Foultz responded and that was the group that made the record “Spellbound” / “My Little Angel”. Carl Foultz was the song writer and organ player, and the bass was covered by the bass pedals on the organ.

Randy Elmore – lead guitar and lead vocal
Richard Hudson – rhythm guitar
Carl Foultz – organ (and bass pedals)
David Daniels – drums (background vocals for “My Little Angel”)

There were no headphones to monitor in the recording room and “Spellbound” was recorded in one live take. The band could not hear the vocal work at all until listening to the playback in the control room. Likewise for “My Little Angel.” It was the first recording the band had made and their first experience in a recording studio.

Randy, Richard, and David were local boys, born and raised in the Kirksville area. Carl was from Pennsylvania and came to Kirksville to attend university at Northeast Missouri Teachers College (now Truman State University).

The band members changed off and on over subsequent years with a total of about 20 different players having done some time with The Twilighters during their run (1963 – 1971).

Randy and David continued to play in many other bands in the NE Missouri area from 1971 – 2011, often times together, other times not, under the names: Country Flavor, Fox, Survival, Loose Louie, Twilighter’s Rockin’ Reunion, BJ Allen Band, and Blue Voodoo.

These photos are of the original players. There are no pics with Richard or Carl, so neither of these are the exact group of players that were on the recording.

David went on to buy Circle M Music in Kirksville in 1974 and operated the music store and built his own recording studio where he recorded many local musicians and vocal groups. David mentored many young kids over the years, sharing his love of music and recording. He retired in 2014 after serving the NE Missouri music community for 42 years. As an honor to his Grandpa David, Black Daniels & The Bears did a cover of “Spellbound” live at David’s retirement party in 2014, the 3rd generation of musicians in the Daniels family, carrying on the tradition.

Randy retired from SW Bell and now lives in Columbia, MO.

Richard did not continue with music but went on to other employment, was a private business owner, and has retired to Lake of the Ozarks.

Carl graduated from NE Missouri Teachers College and moved away, the other band members having lost touch with him.

Gary is retired from local employment in the Kirksville area.

Bob and Everett are now both deceased.

Dick Lawrence (deceased) was owner of Red Flame Records and was an avid music promoter throughout the NE Missouri area his entire life.

Twilighters Red Flame 45 My Little AngelCarl Foultz was also a member of an r&b group called the Del-Fis or Del-Phis with Ed Corte, Frank Gantt, T.J. Jackson, Mac Pendelton, Nick Romanetz and Gary Smyth, some of whom were students at Northeast Missouri State Teachers College (now known as Truman State University).

After Carl Foultz left the Twilighters, Bill Daniels joined on guitar and Ray Beets on bass, as Ray states in his comment below.

Bob Harbur moved to St. Charles, just outside of St. Louis, where he formed a new band called the Twilighters with his brother John.

Dick Lowrance owned Red Flame Records which released three singles by the group he was a member of, the Red Blazers, usually with Ike Haley as leader.

In 1966 Lowrance released a single by Friar Tuck and the Merrymen’s “Peanut Butter” / “Try Me” (Mike Barger) on his Sherwood Forest Records subsidiary. That band may have been from western Illinois though I’m not sure which town. I’ve found newspaper ads for a “new Friar Tuck and the Merrymen” playing at the Wayside Inn in Moberly, Missouri, about an hour south of Kirksville; not sure if this is the same group.

Sources: A research paper by Dylan Pyles has more info and a couple small photos of the group: download the Word doc, and Sweatshirts and Rock ‘n’ Roll by Nicholas Romanetz in the Truman Review.

David Clayton-Thomas & The Phoenix

Image may be subject to copyright

 

David Clayton-Thomas (Guitar, Vocals)

Michael Fonfara (Keyboards)

Larry Leishman (Guitar)

Peter Hodgson (Bass)

Jeff Cutler (Drums)

When singers John Finley and Lee Jackson left The Jon-Lee Group (aka Jon & Lee and The Checkmates) in mid-September 1967, Toronto singer David Clayton-Thomas picked up their backing band, renamed it The Phoenix and moved to New York.

After a month’s rehearsals, the group debuted at the Bitter End and then briefly played at the East Scene in October before working as the house-band at Steve Paul’s The Scene.

The band’s career, however, was cut short during early November  when Clayton-Thomas was deported for being an illegal alien.

Leishman also returned to Toronto at this point and played with several groups, including The Power Project and Bobby Kris & The Imperials before joining The Duke Edwards Cycle in late 1968.

Hodgson meanwhile was offered a place in Project Supergroup (later Rhinoceros) in December and flew out to Los Angeles to audition.

After being passed over for the group in early 1968, he briefly rejoined David Clayton-Thomas in his group, David Clayton-Thomas Combine. When that split in mid-1968, Hodgson moved back to the US and became a member of the Paxton Ranch Band, playing on Jackson Browne’s early recordings (aka Baby Browning).

Cutler stayed in New York and worked with an embryonic version of Hot Tuna and then did a stint drumming and managing The Crazy World of Arthur Brown during the band’s summer ’68 North American tour. He later worked as a manager for The Holy Modal Rounders.

When Clayton-Thomas had previously worked in New York in March 1967, he had shared a flat with former Bob Dylan bass player Harvey Brooks, who was in the process of putting The Electric Flag together.

Apparently Brooks had offered Thomas the original vocal slot in the group, but he declined.

Fonfara however, did accept an invitation from the Flag’s drummer Buddy Miles to replace Barry Goldberg when the latter got busted in November 1967.

Fonfara duly appeared on the group’s debut album, before becoming a member of Project Supergroup the following month, which soon changed name to Rhinoceros.

Hodgson and Leishman both rejoined Fonfara in Rhinoceros in 1969.

David Clayton-Thomas joined Blood, Sweat & Tears in June 1968.

Advertised gigs

19-22 October 1967 – Steve Paul’s The Scene, New York with The Carnival Connection

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author

David Clayton-Thomas Combine

David Clayton-Thomas (Vocals)

Jack Mowbray (Guitar)

Peter Hodgson (Bass)

Pat Patterson (Drums) then

Pat Little (Drums)

David Clayton-Thomas formed this band in Toronto in February 1968 with former Bossmen guitarist Jack Mowbray, who had been playing in Italy for six months backing pop singer Nicola di Barri.

He also brought in former Jon-Lee Group (aka Jon & Lee and The Checkmates) bass player Peter Hodgson for his new band and drummer Pat Patterson who was quickly replaced by ex-Luke & The Apostles and Edward Bear drummer Pat Little.

The group recorded the original versions of “Spinning Wheel” and “Father Dear Father” for Arc Records, which were pressed for a single but it’s not clear if any copies were released.

In June, Clayton-Thomas was asked to be Al Kooper’s replacement in Blood, Sweat & Tears and the band split up. Hodgson moved out to LA and joined Jackson Browne’s band (recording an unreleased album) and later Rhinoceros.

Little and Mowbray joined another ex-Bossmen, Tony Collacott in The Georgian People, which soon changed name to Chimo!

Advertised gigs

2 March 1968 – LC Dance in Kingston, Ontario with Soul Mine (Kingston Whig-Standard newspaper)

16-24 March 1968 – El Patio, Toronto, Ontario (After Four section of Toronto Telegram)

24 March 1968 – Carls A Goo Goo, Hamilton, Ontario with Them (Hamilton Spectator)

 

19 April 1968 –BCI, Brantford, Ontario (The Expositor)

Thanks to Pat Little and Peter Hodgson for help with the entry

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author

 

The Power Project

 

Doug Stokes (Vocals)

Greg Carducci (Bass)      

Ray Rychlewski (Drums)

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Josef Chirowski (Keyboards)

Larry Leishman (Guitar)

Singer Doug Stokes formed The Power Project in mid-1967 with former Roy Kenner & The Associates members Carducci and Rychlewski.

Former Mandala member Josef Chirowski and ex-David Clayton-Thomas & The Phoenix and Jon-Lee Group guitarist Larry Leishman joined around November 1967.

The band never recorded but did open for James Brown at Toronto’s Maple Leaf Gardens. The Power Project played during the evenings only as Chirowski was working for Canadian Pacific Railways during the day.

After a few months of playing live, the group changed name to Freedom Fair in January 1968.

The band reverted to The Power Project name in mid-1968. Chirowski joined Grant Smith & The Power at the end of 1968, before becoming a member of Crowbar, while Leishman ended up with Rhinoceros after a stint with The Duke Edwards Cycle and Bobby Kris & The Imperials.

Advertised gigs

10 June 1967 – The Hawk’s Nest, Toronto

30 June 1967 – North York Centennial Centre, Toronto with Mandala, The Spirit and Livingstone’s Tripp

30 June 1967 – The Hawk’s Nest, Toronto

 

14 July 1967 – Balmy Beach Club, Scarborough, Ontario

15 July 1967 – Broom and Stone, Scarborough, Ontario with The Ugly Ducklings and Trayne

26 July 1967 – The Hawk’s Nest, Toronto

28 July 1967 – The Hawk’s Nest, Toronto

 

6 August 1967 – Port Carling Surf Club, Port Carling, Ontario

 

8 September 1967 – The Thing, Toronto with The Jon-Lee Group

15 September 1967 – The Hawk’s Nest, Toronto

23 September 1967 – The Hawk’s Nest, Toronto

Chirowski and Leishman joined during November

4 November 1967 – Hawk’s Nest, Toronto with The Tiffanies

11 November 1967 – The Pavilion, Orillia, Ontario

19 November 19 1967 – Maple Leaf Gardens with James Brown (this may have been May 1968)

25 November 1967 – The Hawk’s Nest, Toronto

 

2 December 1967 – Inferno, Toronto

9 December 1967 – The Bunny Bin, Toronto with The Counts and Bunny Band

30 December 1967 – The Hawk’s Nest, Toronto

31 December 1967 – Broom and Stone, Scarborough, Ontario with Jackie Shane, Frank Motley The Hitch-Hikers

 

26 January 1968 – The Hawk’s Nest, Toronto

 

28 June 1968 – Port Carling Surf Club, Port Carling, Ontario

 

5 July 1968 – Port Carling Surf Club, Port Carling, Ontario

The gigs were taken from the After Four section in the Toronto Telegram. Thanks to Larry Leishman for some background information.

Jon & Lee and The Checkmates

Lee Jackson (Vocals) 

Michael Fonfara (Keyboards) 

Larry Leishman (Guitar, Vocals)  

Dave Brown (Drums)

Peter Hodgson (Bass) 

Wes Morris (Drums) 

John Finley (Vocals) 

Jeff Cutler (Drums) 

Toronto’s R&B favourites, Jon & Lee and The Checkmates were originally known as Lee Jackson & The Checkmates.

The original band (formed at a local high school in 1962) comprised singer Lee Jackson (real name: Michael Ferry), lead guitarist Al Dorsey, bassist Dave McDevitt, drummer Paul Carrier and saxophone player Hilmar Hajek.

They were joined soon afterwards by classically trained keyboard player Michael Fonfara (b. 11 August 1946, Stevensville, near Niagara Falls, Ontario).

Towards the end of 1963, the group’s manager introduced a second lead guitarist, Larry Leishman (b. 4 April 1947, Dunfermline, Scotland) from local band The Tempests.

The new line-up however, was short-lived as Dorsey soon left. His departure precipitated a series of personnel changes and by mid-1964, former Esquires singer John Finley (b. 6 May 1945, Toronto, Ontario) and his cousin, bassist Peter Hodgson (b. 16 April 1946, Toronto, Ontario), also ex-The Tempests were added alongside drummer Wes Morris.

Morris’ predecessor, Dave Brown meanwhile had gone on to join Jay Smith & The Majestics. When Morris left to join The Majestics in the summer of 1964, the group added Jeff Cutler (b. Rowland Jefferies Cutler, 8 September 1941, Toronto, Ontario).

The new line-up quickly changed its name and was picked up by local booking agent, Ron Scribner, who organised concert dates in high schools across Ontario to promote the band.

Thanks to Ivan Amirault for the photo

In early 1965, the band moved up to the city’s vibrant club scene and for a while were residents at Yorkville’s Avenue Road Club and the Devil’s Den. In April of that year Jon & Lee and The Checkmates opened for The Rolling Stones at Toronto’s Maple Leaf Gardens, followed by what was probably their most prestigious concert performance, an appearance (in front of 60,000 people) at Nathan Philips Square in September supporting Bobby Curtola.

Around this time, the group cut two songs on four-track with their manager and musical director, Eddie ‘Duke’ Edwards, which led to TV appearances in Buffalo and New York.

The band also attracted the attention of American record companies RCA, Motown, Mercury, Elektra and Decca; they actually cut some demos with the latter in New York but they were never issued.

During 1966, the band traveled to New York and played at the Phone Booth and the Peppermint Lounge. The group also performed alongside Junior Walker & The All Stars, The Chiffons and The Temptations at Shea Stadium. On 21 August, the group appeared on Compass on Channel Six.

That same year, Edwards composed ‘Batman Batusi’, which the band recorded for the ABC-TV Network. The track appeared on a rare 45 with the A-side performed by another group.

Image may be subject to copyright

Shortening their name to The Jon-Lee Group in June 1967, the band travelled to New York to play at Steve Paul’s The Scene and to record for ABC Records.

The band completed four tracks, including a cover of The Lovin’ Spoonful’s ‘Girl Beautiful Girl’, which never saw the light of day.

Instead, the label chose to release the soulful ‘Bring It Down Front’ with the instrumental rocker ‘Pork Chops’ (credited to Edwards, and provisionally titled ‘Fuck Up’).

The single subsequently reached #23 on the RPM chart in October, when it was released in Canada by Sparton Records. The single also hit #10 on Toronto’s Chum chart.

On 31 July 1967, the band returned to Toronto for its final set of gigs. The band’s music started to take on a more psychedelic bent but didn’t go down so well with audiences.

Thanks to Ivan Amirault for the photo

Jackson and Finley separated from the band in mid-September 1967 and the others moved to New York to become the house band at Steve Paul’s The Scene. For a while they acted as David Clayton-Thomas’ support band, The Phoenix.

However, when Thomas was deported from the US in November for being an illegal alien, Fonfara joined The Electric Flag (in time to appear on their debut album) and toured with the group for almost a month before running into Finley and Hodgson in L.A in early December.

Both had auditioned for Elektra’s new band ‘Project Super group’ (which later became Rhinoceros) and although Hodgson missed out on the original line-up, Finley was recruited, and duly recommended Fonfara for the band. Hodgson and Leishman would later join Rhinoceros together with Duke Edwards.

Lee Jackson meanwhile remained in Toronto and reverted to his former name. He later went on to work with Bruce Cockburn briefly and became a local rock promoter. In the early ‘70s, he worked for the Toronto Stock Exchange and ran a small studio before joining a floor-covering firm in 1974.

Jeff Cutler, who briefly worked with The Holy Modal Rounders and The Crazy World of Arthur Brown, later became a movie set producer.

The others (minus Cutler and Jackson and with new members) reformed as Blackstone in 1972.

Review in Variety Magazine

 

Recordings

45 Batman Theme/Batman Batusi (ABC-TV Network) 1966 (B-side only)

45 Bring It Down Front/Pork Chops (Sparton P1617) 1967

Advertised gigs (as Jon & Lee and The Checkmates)

25 April 1965 – Maple Leaf Gardens with Rolling Stones, The Paupers and others

 

20 June 1965 – Devil’s Den, Toronto

26 June 1965 – Purple Candle Club, Wasaga Beach, Ontario

 

10 July 1965 – Purple Candle Club, Wasaga Beach, Ontario

11 July 1965 – Devil’s Den, Toronto

16-17 July 1965 – The Hawk’s Nest, Toronto

18 July 1965 – Devil’s Den, Toronto

25 July 1965 – Devil’s Den, Toronto

29 July 1965 – “Red Cross Blood Donor Clinic”, Varsity Arena, Toronto with The Big Town Boys, The Paupers and J B & The Playboys

 

10 August 1965 – Sauble Beach Pavilion, Sauble Beach, Ontario

27 August 1965 – Club 888, Toronto

29 August 1965 – Devil’s Den, Toronto

 

3 September 1965 – Dunn’s Pavilion, Bala, Ontario

5 September 1965 – Lakeview Casino, Grand Bend, Ontario

12 September 1965 – Devil’s Den, Toronto

13 September 1965 – Nathan Phillips Square, Toronto with Bobby Curtola, David Clayton-Thomas & The Shays and others

25 September 1965 – Gord’s A Go Go, Oshawa, Ontario

26 September 1965 – Devil’s Den, Toronto

 

1 October 1965 – Mimicombo A Go-Go, Mimico, Ontario

10 October 1965 – Hop in the park, Eglington Park, Toronto

31 October 1965 – Maple Leaf Gardens with Rolling Stones and others

 

12 November 1965 – Mimicombo A Go Go, Mimico, Ontario

13 November 1965 – Hop in the park, Toronto

 

4 December 1965 – Avenue Road Club, Toronto

10 December 1965 – The Hawk’s Nest, Toronto

December 1965 – Peppermint Lounge, New York

14-16 January 1966 – The Avenue Road Club, Toronto

22 January 1966 – North Toronto Memorial Gardens, Toronto

28-29 January 1966 – Avenue Road Club, Toronto with Majestics with Shawne Jackson (then to New York)

 

20 February 1966 – Avenue Road Club, Toronto

27 February 1966 – Avenue Road Club, Toronto

 

4-5 March 1966 – Avenue Road Club, Toronto

6 March 1966 – Avenue Road Club, Toronto

12 March 1966 – The Hawk’s Nest, Toronto

26 March 1966 – Avenue Road Club, Toronto

 

1 April 1966 – Avenue Road Club, Toronto, with Franklin Sheppard & The Good Sheppards

3 April 1966 – Avenue Road Club, Toronto (afterwards went to New York, Detroit and Philadelphia for three months)

 

6-7 May 1966 – Avenue Road Club, Toronto

13 May 1966 – Avenue Road Club, Toronto

20 May 1966 – Hawk’s Nest, Toronto

22 May 1966 – Avenue Road Club, Toronto

 

19 June 1966 – Broom and Stone, Scarborough with David Clayton-Thomas and The Ugly Ducklings

 

9 July 1966 – Hunters Beach Pavilion, Lake Simcoe, Ontario

13 July 1966 – Whitby Arena, Whitby, Ontario with The Five Rogues, Bobby Kris & The Imperials and The Ugly Ducklings

13 July 1966 – North Toronto Memorial Arena, Toronto with The Big Town Boys and The Secrets

16 July 1966 – Port Carling Surf Club, Port Carling, Ontario

20 July 1966 – Don Mills Curling Club, Don Mills, Ontario with The British Modbeats, Bobby Kris & The Imperials and Dunc and The Deacons

23 July 1966 – Hidden Valley, Huntsville, Ontario with Barry Allen, Wes Dakus & The Rebels

26 July 1966 – North Toronto Memorial Arena, Toronto with The Jaybees and Wes Dakus, Barry Allen & The Rebels

30 July 1966 – The Hawk’s Nest, Toronto

 

7 August 1966 – Avenue Road Club, Toronto

14 August 1966 – Avenue Road Club, Toronto

19 August 1966 – Hidden Valley, Huntsville, Ontario

20 August 1966 – Hunter’s Beach, Lake Simcoe, Ontario

21 August 1966 – Avenue Road Club, Toronto

27 August 1966 – Port Carling Surf Club, Port Carling, Ontario

28 August 1966 – Broom and Stone, Scarborough with The Just Us and All Five

29 August 1966 – The Hawk’s Nest, Toronto

 

2 September 1966 – Balmy Beach Club, Scarborough, Ontario

3 September 1966 – Purple Candle, Wasaga, Ontario

6 September 1966 – Balmy Beach Club, Scarborough, Ontario

 

21 October 1966 – Gogue Inn, Toronto with Jack Hardin & The Silhouettes, The Five Good Reasons, Nicky Garber and Percy Dovetonsils

28-30 October 1966 – The Castle, St Catherine’s, Ontario

 

6 November 1966 – Avenue Road Club, Toronto

11 November 1966 – Cobourg Lions Pavillion, Cobourg, Ontario

19 November 1966 – Gogue Inn, Toronto with Jaye’s Rayders and others

 

30 December 1966 – Villa Inn, Streetsville, Ontario

31 December 1966 – Gogue Inn, Toronto with Eddie Spencer & The Power and The Wyldfyre

 

22 January 1967 – Club Isabella, Toronto

29 January 1967 – Charlie Brown’s, Toronto

 

4 February 1967 – Gogue Inn, Toronto with The Five Good Reasons and The Paytons

 

22 April 1967 – Avenue Road Club, Toronto

28-29 April 1967 – Avenue Road Club, Toronto

 

6 May 1967 – Gogue Inn, Toronto with Jack Hardin & The Silhouettes and Simon Caine & The Catch

20 May 1967 – Centennial Cool-Out, Kingston, Ontario with The Guess Who, The Esquires, The Townsmen and others

Advertised gigs (as Jon-Lee Group)

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8-11 June 1967 – Steve Paul’s The Scene, New York

 

8-9 July 1967 – Emerald Room, Wildwood, New Jersey, US with The Soul Survivors and The 4 Reasons (Philadelphia Daily News)

15-16 July 1967 – Emerald Room, Wildwood, New Jersey, US with The Soul Survivors and The 4 Reasons (Philadelphia Daily News)

21 July 1967 – The Living Room, Philadelphia, US (Philadelphia Daily News)

 

2 August 1967 – The Hawk’s Nest, Toronto

5 August 1967 – Port Carling Surf Club, Port Carling, Ontario

26 August 1967 – Broom & Stone with The Peepers and Christopher Edward Campaign

 

1 September 1967 – Hawk’s Nest, Toronto

2 September 1967 – Port Carling Surf Club, Port Carling, Ontario

4 September 1967 – Esquire Show Bar, Montreal, Quebec (week-long gig, cancelled after Finley injured in crash according to Montreal Star)

8 September 1967 – The Thing, Toronto with The Power Project

16 September 1967 – Hawk’s Nest, Toronto

18 September 1967 – The Living Room, Philadelphia, US (Philadelphia Daily News)

25 September 1967 – The Living Room, Philadelphia, US with Soultastics (Philadelphia Daily News)

Toronto live dates were taken from the ‘After Four’ section of The Toronto Telegram unless otherwise noted

Copyright © Nick Warburton. All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author

Mitzee Baker – “Stand Up Boy” on Dralmar

Mitzee Baker Dralmar 45 Stand Up Boy
Mitzee Baker’s “Stand Up Boy” is early ’60s pop, not garage but it has a strong beat and crude production. I’m posting because it seems to be unknown, and there are some deadwax codes I am not familiar with.

The flip is a ballad with some orchestration, “No One Can Love You (More than I)”. Harry Moffitt wrote both songs and co-produced with Fred Downs, released on Dralmar 5000. Pompadour Music published the songs, but I can’t find them in BMI’s database. A Philadelphia origin is likely.

The runout codes are: “D-5000-B A” / “D-5000-B”. Both sides have “A.M.S.” followed by something that looks like a D with a couple short horizontal lines in front of it. In very small lettering on the A-side is “TV 33166”. All are etched.

Mitzee Baker embossed stamp codeAn embossed stamp on both sides seems to read backwards, beginning with, possibly M.O.I. and ending with CO – but I may not be reading that correctly.

Humpback Whale – V. Karlsson – “Passing Tone”

Humpback Whale 45 Passing Tone
Humpback Whale – Passing Tone

Getting out of my usual range to post about an unknown record from 1973. The label reads “Mumbled on the album Riddles from Home by Humpback Whale” but I haven’t found a trace of that album yet, if it exists.

One side contains a kazoo arrangement of “Also Sprach Zarathustra” with whistling. It predates the version by the Temple City Kazoo Orchestra by a good five years.

“The Whale Sighed” (i.e. the side with the whales on the label) has a great original song called “Passing Tone” by V. Karlsson.

The only other credits are “1973 Angel Guardian Road Service” and “Your Basic Fish Recordings, Chicago, Illinois” and BMI, though I can’t find the songs in BMI’s database.

Humpback Whale 45 Also Sprach Zarathustra
Humpback Whale – Also Sprach Zarathustra

Randy Chance was lead guitarist for a group called the Other Half, and before that the Just Four. Note this was not the Other Half from Chicago who cut “Girl with the Long Black Hair” / “Third of January” on the Orlyn 503 in June of 1967.

There is an April 1975 copyright registration for “Search for Magicians”, words by Wade Martinow (Martinov), words and music Van Karlsson, pseudonym of Van Carson, Angel Guardian Road Service Publishing Company.

Randy Chance has a website with a timeline, dating Riddles from Home to 1972 and noting that from 1971 – 1973, he built Humpback Whale Studios in Chicago, plus “Your Basic Fish” record company and “Angel Guardian Road Service” publishing.

He also wrote and performed a musical, Turds in Hell by the Godzilla Rainbow Troupe, and a rock opera Breathe Deeply Today is Fill in Blank for the Free Theater and the Center for New Music.

Randy’s online resume includes an extensive list of composition and recording through 2016.

GT’s from Dayton, Ohio

GTs Xenia Daily Gazette Feb. 21, 1967
The GTs in the Xenia Daily Gazette Feb. 21, 1967

GT's Nashville 45 Bad GirlThe GTs came from Dayton, Ohio. Members were:

John Boerstler
Eddie Wells
Brenda Bishop
Mary McCartney
Bruce Larson

The Xenia Daily Gazette featured a photo of the band in February, 1967 for their date at the Blue Moon Ballroom.

A 1966 single “Bad Girl” and “Farewell Faithless Farewell” on Nashville NV-5302 is reputed to be by this band, however neither song was written by a member of the group. Cathryn Wright wrote “Farewell, Faithless, Farewell” while “Bad Girl” was written by Earl Isble, listed in March, 1966 copyright registration as Earl Roger Isble. Tronic BMI published both songs.

The 45 was a Starday Recording and Publishing production, so the band only had to send their tape in, not travel to Tennessee.

GT's Nashville 45 Farewell Faithless Farewell