The Mad Lads were a popular Belfast R&B group who took over Them’s residency at the Maritime Club when Van Morrison’s band moved to London in the second half of 1964. Singer Ken McDowell later assumed Morrison’s place as lead singer in Them in late 1966.
Cityweek, 5 March 1965
The group were featured regularly in Belfast publication Cityweek, most notably its 5 March 1965 issue, which contained a detailed column and colour photo. According to the article, promoter Eddie Kennedy picked them out of dozens of applications for the Maritime’s resident spot and he became their manager in December 1964.
Despite playing three nights a week at the Maritime, The Mad Lads found time to travel to Dublin in late February 1965 and perform some gigs, according to the article.
During May, The Mad Lads travelled over to London and recorded three tracks at Decca’s studio with Them’s producer Bert Berns – “I Went out with My Baby Tonight”, “So Long” and “Answer the Phone” with session players Andy White (drums) and Phil Coulter (keyboards). This website has more information on The Mad Lads’ recordings and personnel changes.
Cityweek’s 9 July 1965 issue noted that The Mad Lads had left their Maritime residency and signed with the Solomon Agency in London.
On 31 July, The Mad Lads played at the Red Rooster Club in Bangor, Northern Ireland, a venue they would return to again in the future.
However, one of their most notable gigs was opening for folk singer Donovan at Ulster Hall in Belfast on 20 September 1965.
Cityweek’s 23 September issue noted that The Mad Lads were about to change their name to Moses K & The Prophets to avoid confusion with US soul act The Mad Lads, who were about to start a British tour. Also, Decca was going to release their debut single – “I Went out with My Baby Tonight” c/w “So Long” on 1 October under this name. According to the same article, Ken McDowell had travelled alone to London in the summer to double track his lead vocals on the tracks on 31 August at Regent Sound Studios in Denmark Street.
In early November, Moses K & The Prophets appeared at the Overend Club in Mount Merrion, Dublin in front of 1,200 fans, which Cityweek’s 11 November issue noted was a record for an Irish R&B group.
The Belfast publication’s 23 December issue reported that Moses K & The Prophets would top a seaside bill with a return to the Red Rooster Club in Bangor on 7 January 1966. The following week, they were due to appear in Larne.
However, not long afterwards, manager Eddie Kennedy sacked the musicians and kept McDowell for a new version which never took off.
Cityweek‘s 17 February 1966 issue reported that McDowell was due to record a solo 45 as Moses K (see below).
While the others subsequently reformed The Mad Lads in March 1966, the singer later replaced Van Morrison in Them.
We’d love to hear from anyone who can add more information about The Mad Lads in the comments below
The Wheels, l-r: Victor Catling, Rod Demick, Brian Rossi, Tito Tinsley and Herbie Armstrong all photos and clippings courtesy Victor Catling
Brian Rossi – organ, piano and vocals Rod Demick – rhythm guitar and vocals Herbie Armstrong – lead guitar Tito Tinsley – bass Victor Catling – drumsUpdated September 2013
The Wheels’ first recording, “Don’t You Know” This label is the flip of the US release of “Bad Little Woman”, February 1966The Wheels came out of the same Belfast band scene as Them, playing at the famous Maritime Hotel in College Square North.
They began as the Golden Eagles, fronted by the charismatic singer Brian Rossi (Brendan Rosebotham, as noted on the songwriting credits to “Bad Little Woman”) and house band for the Plaza, one of the circuit of dance halls owned by the Mecca company. Van Morrison briefly played saxophone with the Eagles – previously he and Herbie Armstrong had been in the Manhattan Showband together. Some time after changing their name to the Wheels they were fired from the Plaza and in September 1964 began a club residency in Blackpool in northern England (just above Liverpool), where they built a strong following while sharing a house with the Rockin’ Vicars. In 1965 the Wheels’ rhythm guitarist Kit Carson quit the band, to be replaced by Rod Demick of Tony and the Telstars with Tony G. Ford, Robert Green, Ernie Graham and Chris Stewart.
EMI Columbia signed them to a singles deal in 1965. All three of their releases would be produced by Tommy Scott (Thomas Kilpatrick), a young Glaswegian who had been working with Them since producing “All For Myself”, the flip to Them’s third single “Here Comes the Night”.
Rossi ‘hopes to make his disc debut with a Van composition, ‘Gloria'”
At their first session at Regent Sound Studios they chose a good cover of Them’s “Gloria” for their first single, backed with Tommy Scott’s “Don’t You Know” (a song Them would also release, on the flip to their ’66 single “Richard Cory”). The single came out in September ’65. Also from this first session was a fine version of “Mona (I Need You Baby)” with Rod Demick on harmonica and Brian Rossi on lead vocals. It would show up in 1997 on Belfast Beat Maritime Blues along with several other unreleased gems by the Wheels.
The Wheels went back to Regent Sound Studios to record five songs, two of which would appear on their second 45, from February 1966, the originals “Bad Little Woman” b/w “Road Block”. Three other songs from that session had release on Belfast Beat Maritime Blues, “Send Me Your Pillow”, “You Got Me Dizzy”, and “I’m Leaving”.
Notice for Aaron Shcroeder’s Aurora Records in Billboard, Feb. 6, 1965“Bad Little Woman” was released simultaneously in the U.S. on the Aurora label (it was predicted to reach Billboard’s Hot 100 chart on February 5, 1966), which included the b-side from their first Columbia single, “Don’t You Know” instead of “Road Block”. The Aurora release renamed the group the Wheel-a-Ways, possibly to prevent their being confused with Mitch Ryder and the Detroit Wheels, whose first chart single “Jenny Take a Ride” hit the charts in November of ’65.
What makes this single so fascinating is Columbia accidently sent Aurora a tape with a different take of “Bad Little Woman”. The Columbia version begins fast, with two guitars, organ and drums equal in intensity. The Aurora version starts at a much slower pace with room for intermittent guitar licks and harmonica bleats, and forgoes the organ.
With the line “and he don’t love you baby …” both versions accelerate for twenty seconds of rave-up, but the Aurora version achieves incredible velocity, with the guitars cranking out one of the best amp sounds I’ve ever heard recorded, while the vocals go completely into the red with distortion.
“The Wheels say most of the English groups just hate showbands.”
The band comes together for a last chord on the Columbia version, while the Aurora version ends quietly – a slow slide down a high guitar string to the final sound of a guitarist taking his fingers off the frets.
Judging by the audio quality and the assured pace of the band on the Columbia single, I’d say the Aurora version was recorded first, possibly meant to be a demo rather than a finished single. The timing of 2:20 on the Aurora label doesn’t make any sense, the song is 2:44.
The Wheels went back to Regent Sound for a third session, this time producing two covers of recent singles by other bands. “Call My Name” was another Tommy Scott composition, originally the A-side of Them’s seventh single, from March of 1966. “Tell Me (I’m Gonna Love Again)” had been A-side to the Graham Bond Organisation’s third 45, from April of ’65.
The Wheels version of “Call My Name” would show up as the b-side to their third single “Kicks” in August of 1966. It would also appear on the b-side of most UK promo copies of “Bad Little Woman”, though mislabeled as “Road Block”. A 1992 Record Collector article on the band erroneously listed the mislabelled promo b-side as “Kicks” – impossible as the Feb. ’66 release date would have been a month prior to the Raiders’ release of “Kicks”!
Six-member version of the Wheels from left: Tito Tinsley, Victor Catling, Rod Demick, Brian Rossi, Eric Wrixon and Herbie Armstrong
The Record Collector article and the notes to Belfast Beat Maritime Blues state that Brian Rossi left the band after the failure of the second single, and that Eric Wrixon from Them joined the group on keyboards. According to this chronology, Wrixon would be playing on the third Regent Sound session that produced “Call My Name”. However, since “Call My Name” was recorded in time to be on some promo copies of “Bad Little Woman”, then it’s likely Rossi was still with the band at the time of that session. If so, then it’s also probable that “Kicks” was the only session that included Eric Wrixon.
Curious as to who sang on the singles, I asked Rod Demick and he stated in an email that he sang lead vocals on the singles released by The Wheels. In an interview with Shindig magazine Rod specified that Brian Rossi sang lead on “Mona” and “You Got Me Dizzy”. Victor Catling wrote to me “Rod was the lead singer with that [hard r&b] style of music. Rod used one of those harmonica racks when playing. Brian Rossy sang ballads and rock numbers when we were on stage. Herbie and Tito also sang but mostly as backup singers. I never heard what happened to Tito.”
From their first Regent Sound Studios session, “Mona” has lead vocals simultaneous with the harmonica, and I don’t think either is dubbed, so that confirms Rossi on lead vocals and Demick on harp. It’s a step from that level of singing to what Rod accomplishes on “Gloria” (from the same session), “Bad Little Woman”, “Road Block” & “I’m Leaving” (these three from their next Regent Sound session).
Rossi was probably not with the band by the time they recorded their version of “Kicks”, so Demick is likely singing on that song, which is very different in style from their other recordings.
Cityweek, September 1, 1966Victor Catling of the Wheels
An article from the Belfast newspaper Cityweek in September 1, 1966 depicts a six-member lineup including both Wrixon and Rossi. This show is described as a short-lived reunion with Rossi before the band broke up in early ’67, but the article doesn’t mention anything about it being a reunion, nor does it suggest the band is about to break up. In any case, they did fall apart.I know of only one version of the Wheels’ “Bad Little Woman” from that era, a great one by the Shadows of Knight. An obscure group called the Right of Way copied the Shadows of Knight version, unreleased until Norton’s Northwest Killers Vol. 3. This can only be a testament to how obscure this single was at the time.
After the Wheels, Rod Demick and Herbie Armstrong recorded two singles as the James Brothers for Page One Records in 1967, “Does It Have To Be Me” / “You Don’t Really Love Me” and “I Forgot To Give You Love” / “The Truth About It”. I haven’t heard either. Rod Demick switched to bass and with Herbie they backed Screaming Lord Sutch for a time, and then recorded two LPs together in the early ’70s. Demick has since played with many bands. Armstrong joined Fox and also Van Morrison’s band for a time, and then had his own groups.
Brian Rossi passed away in 1984. There are some photos of the Wheels within a tribute video created by his daughter Tamara Rossi; if anyone has access to better quality versions of any photos, please contact me at rchrisbishop@gmail.com.
Thanks to Bruce Welsh for pointing out the first James Brothers 45 to me.
Special thanks to Victor Catling for the news clips and photos seen here.
Wheels Sessionography
Regent Sound Studios, Summer 1965: Don’t You Know (b-side to first single, Columbia DB 7682, September 1965) Mona Gloria (a-side to first single, Columbia DB 7682, September 1965)
Unknown studio and date: Bad Little Woman (A-side to US release as the Wheel-a-Ways, Aurora 157, Feb. 1966)
Regent Sound Studios, late 1965: Bad Little Woman (a-side to second single, Columbia DB 7827, February 1966) Send Me Your Pillow You Got Me Dizzy I’m Leaving Road Block (b-side to second single, Columbia DB 7827, February 1966)
Regent Sound Studios, late 1965 or January 1966: Tell Me (I’m Gonna Love Again) Call My Name (b-side to third single, Columbia DB 7981, also shows up on some promo copies of their second single mislabeled as “Road Block”)
unknown session, probably without Rossi, so assume Demick on lead vocal: Kicks (a-side to third single, Columbia DB 7981)
The Wheels, l-r: Victor Catling, Rod Demick, Brian Rossi, Tito Tinsley and Herbie Armstrong
First UK EP showing lineup January 1965. From left: Alan Henderson, Pat McAuley, Van Morrison, Billy Harrison and Jackie McAuley
Van Morrison (harmonica, saxophone, vocals) Alan Henderson (bass) Billy Harrison (lead guitar) Eric Wrixon (keyboards) Ronnie Millings (drums)
1963
The group is formed in Belfast, Northern Ireland by Henderson (b. 26 November 1944, Belfast, N. Ireland), Harrison (b. 14 October 1942, Belfast, N. Ireland) and Millings (or Mellings), who have previously played in a local three-piece outfit, The Gamblers. The trio adds keyboard player Eric Wrixon (b. 29 June 1947, Belfast, N. Ireland) and a short while later completes the original line up with singer Morrison (b. George Ivan, 31 August 1945, Belfast, N. Ireland) from local band The Monarchs. Wrixon names the band after a 1950s B horror film.
1964
April (10) According to an article in Belfast weekly, Cityweek, dated 22 September 1966, Them had played their first ever gig at the Maritime Hotel in College Square North as a trio of Harrison, Henderson and Millings as Van Morrison was playing at the Plaza and had give two weeks’ notice. The trio played in the break for The College Boys.
(17) One of the first R&B/beat group’s in the province, the Morrison fronted Them quickly build a reputation as a strong live act holding down a residency at the Maritime Hotel. The group’s repertoire includes a blistering 15-minute version of Bobby Bland’s “Turn On Your Love Light”, and a 20-minute improvisation of Morrison’s celebration of teenage lust, “Gloria”. (Although Morrison is credited for the song’s lyrics, Harrison and Henderson have contributed significantly on the musical side.)
(24) Them return for a show at the Maritime Hotel in Belfast.
May The band attracts the attention of manager Phil Solomon (currently working with Irish pop trio The Bachelors), who is greatly impressed by the band’s live performances (and Morrison in particular). Solomon encourages Decca’s Dick Rowe to see the band perform at the Maritime, and Rowe in turn arranges a session in London. (According to Cityweek‘s 22 September 1966 issue, the group had already recorded a three-track demo for local producer Peter Lloyd comprising “Stormy Monday”, “I Got My Mojo Working” and “Don’t Start Crying Now”.)
(1) Them play at the Martime Hotel, Belfast.
(8)The group appears at the Maritime Hotel, Belfast.
(15) Another show takes place at the Maritime Hotel, Belfast.
(22) The group returns for a show at the Maritime Hotel, Belfast.
(29) Them appear at the Martime Hotel, Belfast.
June Them relocate to London and a hotel in Portobello Road, where they hang out with their label mates The Poets.
French EP showing original drummer Ronnie Millings (with shades)
July(5) The group enters Decca’s West Hampstead, London studios to begin recording, but the three-hour session is a stressful affair and Rowe decides to employ session musicians Arthur Greenslade (organ) and Bobby Graham (drums) to “fill out” the sound. Them records Slim Harpo’s “Don’t Come Crying Now” and Van Morrison’s “Gloria”, “One Two Brown Eyes” and “Philosophy”, which are all released over the next year. The band also records covers of “Groovin’”, “Turn On your Love Light” and “You Can’t Judge A Book By Its Cover” which are shelved. After the recordings, Wrixon is forced to leave (in part because his father objects to a disproportionate royalty split between the management and the group and in part because he is still at school and has ‘A’ levels to complete). Pat McAuley (b. 17 March 1944, Coleraine, N.Ireland) takes over the keyboard position.
September(4) The group’s debut single, “Don’t Start Crying Now” backed by “One Two Brown Eyes” is released but fails to chart.
October The group returns to the studio to record an electrifying version of Big Joe Williams’s blues classic “Baby Please Don’t Go”. Session guitarist Jimmy Page adds rhythm guitar to the recording (and does not play lead as some sources suggest).
(15) Them are billed to perform at the Zeeta House, Putney, Surrey. However, there is another west London band with this name who soon become Themselves to avoid confusion with Van Morrison’s band so this may be that group.
November(6) “Baby Please Don’t Go” backed by Morrison’s “Gloria” is released. Millings leaves and Pat McAuley moves onto drums.
December The short-lived (yet well photographed) new line-up appears on the popular TV show Ready Steady Go!
1965
January Pat’s brother Jackie (aka John) (b. 14 December 1946, Coleraine, N. Ireland) is added on keyboards as the group begins work on its next single, a recording of their new producer, Bert Berns’s “Here Comes The Night”. Some sources maintain that organ player Phil Coulter and drummer Alan White are brought in to play the McAuley brothers’ parts, but this is disputed by the band members. (Berns, an American producer working in the UK is impressed with Morrison as a vocalist and will continue to work with the group over the next few months.)
Photo: Cityweek
February Aided by TV appearances, “Baby Please Don’t Go” hits UK #10, while “Gloria” quickly becomes an anthem for the emerging US garage band generation. Decca releases an EP featuring both sides of Them’s debut single, the recent hit and Morrison’s “Philosophy” recorded during the July sessions.
(10) Western Scene lists the band playing at Bristol Corn Exchange.
(13)The Kilmarnock Standard lists the band playing at the Community Centre, Auchinleck, Scotland with The Blue Chekkers.
(15) Western Scene lists the band playing at Bath Pavilion.
(18)According to the Worthing Herald, the band appears at the Pier Pavilion in Worthing, West Sussex.
(20)Them appear at the Club Noreik, Tottenham, north London.
(22)The Warrington Guardian lists the group at the YOR Club, Parr Hall, Warrington, Cheshire with The Clayton Squares.
(25)The band performs at Swindon’s Locarno Ballroom with The Knives and Forks.
(26)Them plays at Woolwich Polytechnic in southeast London.
(27)The band appears at Manchester University.
March “Here Comes The Night” hits UK #2 and is the group’s most successful release. The band begins work on its debut album, but sessions are once again plagued with problems. Some sources suggest that the group’s three producers Bert Berns, Dick Rowe and Tommy Scott supplement the band with session players, although this is disputed by band members.
(1)The Dorset Evening Echo lists Them at the Pavilion Ballroom, Weymouth, Dorset with The Soundsmen and The Silhouttes.
(2)The band plays at Wallington Public Hall in Wallington, Surrey.
(3)Them perform at Stourbridge Town Hall in Worcestershire.
(4)The group appears at Kidderminster Town Hall in Worcestershire.
(9) The Yorkshire Evening Post lists the group performing at the Three Coins in Leeds, West Yorkshire.
(13) The Stockport County Express says Them appear at the Manor Lounge in Stockport with The Mersey Squares.
(14) The Birmingham Evening Mail reports that the band plays at the Brum Kavern Club, Small Heath, West Midlands with The King Bees.
(16)The Southern Echo lists the band playing at the Empire Hall, Totton with Gary Young & The Deacons.
(19)The Ruislip & Northwood Gazette lists the group playing at Botwell House, Hayes, Middlesex.
(20)The Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Delcounts.
(21)Them perform at the Pigalle in central London.
(22)The group plays at the Adelphi in West Bromwich, West Midlands with the Uglys.
(23)The Woking Herald lists the band at Walton Playhouse.
(24-28)Them takes part in a short tour of Scotland, according to Beat Instrumental.
(25)During the Scottish tour, the band appears at the Two Red Shoes in Elgin.
(29)Music Echo from Liverpool reports that Them appear at Silver Blades in Liverpool.
(30)Them play at the Floral Hall in Gorston-on-Sea, Norfolk.
April (1) The band returns to perform at the Manor Lounge, Stockport, Greater Manchester with The Mersey Squares.
Photo: Melody Maker, 3 April 1965
(4)Them appear at the Ritz in Birmingham.
Photo: Cityweek
(9)The group plays at Leamington Town Hall in Warwickshire. On the same day, Billy Harrison responded to the band’s critics in an article entitled “‘Them’ Hit Back” in the Belfast publication Cityweek.
(10)Them performs at Dudley Town Hall in the West Midlands.
(11) Them perform at the New Musical Express Poll Winners Concert at the Empire Pool, Wembley, west London with many others. Beat Instrumental also has the band appearing at the Co-Op in Gravesend, Kent earlier during the day. It is not clear whether this happens as the Sussex Evening Express also lists the band appearing at the Whitehall in East Grinstead, West Sussex with The Hounds.
(13)The Southern Echo lists the band at Haymarket Theatre, Basingstoke, Hampshire with John Mayall’s Bluesbreakers, The Evil Eyes and The Trinity.
(14) The Birmingham Evening Mail reports that Them appear at the Mackadown, Kitts Green, West Midlands with The Tombstones.
Gloria reaches #1 on KRLA, April 14, 1965Early US mention for band in KRLA’s Beat, May 19, 1965
(17)Beat Instrumental reports the band performing at the Market Hall in Redhill, Surrey.
(18)Beat Instrumental lists Them at the Oasis, Manchester.
(22)The Western Gazette advertises the group appearing at the Liberal Hall, Yeovil, Somerset with The Bo-Peeps.
(23)Beat Instrumental reports that the band is performing another show in Gravesend, Kent but this is unlikely.
(24) Beat Instrumental lists Them playing in Kirkcaldy, Scotland but this is unlikely as the band headed back to Northern Ireland around this time. Unhappy with the band’s direction and his personal treatment, Jackie McAuley leaves after a show at St Columbana’s Parish Church in Ballyhome, Northern Ireland and is replaced by ex-Cheynes member Peter Bardens (b. 19 June 1944, Westminster, London, England; d. 22 January 2002).
Them’s first UK LP, The Angry Young Them, Peter Bardens in pink shirt next to VanFirst U.S. issue, featuring “Here Comes the Night”Second U.S. cover to capitalize on “Gloria”
May “Gloria” charts for a week at US #93, selling mostly in California where it hits Top 10 in some major cities.
(1) The Walthamstow Guardian reports that Them play at Walthamstow Assembly Hall, Walthamstow, north London.
(7) Belfast publication, Cityweek reports that Them have been recording a lot in the past few days with new organist Peter Bardens.
(9) Them perform at the Winter Gardens in Margate, Kent with Wayne Fontana & The Mindbenders, The Nashville Teens and The Fourmost.
(11) The band appears at Bristol Chinese R&B Club, Corn Exchange, Bristol, according to the Western Scene.
Photo: Surrey Mirror, 14 May 1965
(14) The Streatham News reports that Them appear Wimbledon Palais, southwest London.
Photo: Boyfriend magazine, 15 May 1965
(17) The Enfield Gazette & Observer reports that Them perform at the Potter’s Bar Ritz in north London with The Zephyrs, Screaming Lord Sutch & The Savages and The Mark Four.
(20)The Worthing Herald lists the band playing at Worthing Assembly Hall.
(25) Them appear at the Assembly Hall, Wallington, near Croydon, south London.
(26) The band performs at Stourbridge Town Hall in Worcestershire.
(28) Them play at Winchester Town Hall in Hampshire.
(29) The band appears at the Rhodes Centre in Bishop’s Stortford in Hertfordshire.
(30) The band plays at Elm Park in Hornchurch, east London.
June(1)Them begin a UK tour at Tunbridge Wells Public Hall. (The tour will end on 21 June at the Beachcombers, Leigh and Bolton). During this period, Pat McAuley is briefly replaced by former drummer Ronnie Millings before rejoining the group.
(2) Western Scene lists the band playing at Bristol Corn Exchange.
(5)The Cornish Guardian notes the band will play at the Par Stadium in St Austell before later appearing at the Riveria Lido in the evening.
(7)The Gloucester Citizen reports the band appearing at the Top Spot, Ross-on-Wye, Herefordshire with The Saxons.
(11)The Morrison-penned “One More Time” fails to chart. Them’s debut album (The Angry Young) Them is released in the UK to coincide with the single but is another chart failure.
Thanks to Andy Neill for the photo
(17)Them perform at the Ritz Club, Skewen, south Wales with The Jay Birds and The Eyes of Blue.
(18) Belfast publication Cityweek reports that Jackie McAuley is back home and is helping to reform The Yaks. McAuley, however, soon moves to Dublin and learns to play guitar. He will rejoin his brother in a rival Them in late December 1965.
(19) Them play at Dudley Town Hall in the West Midlands.
(21) The band appears at the Beachcomber in Leigh.
(24) Them perform at Leeds University.
(25) The group appears at the Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Rodgers Lodgers.
(26) “Here Comes The Night” hits US #24. On the same day, the Lincolnshire Standard reports that Them play at the Starlight Ballroom, Boston Gliderdrome, Lincolnshire with Mike Sheridan & The Nightriders and Rodgers Lodgers.
July Original Them member, Eric Wrixon completes his studies.
(3)The Lancashire Evening Post reports that Them appear at Public Hall, Preston, Lancashire with Bob Johnson & The Bobcats and The Wildcats.
Photo: Cityweek
(9)Harrison responds to rumours that Them are breaking up in an article in Cityweek. In the article, entitled “We are not breaking up”, he insists the group has no intention of splitting.
(15)Them perform at Salisbury City Hall, Salisbury, Wiltshire. Around his time Billy Harrison is sacked and replaced by Scottish guitarist Joe Baldi (b. Joseph Baldi, 16 March 1943, La Spezia Italy), who has played with Bardens in Hamilton King’s Blues Messengers. Harrison will briefly return in mid-October.
Photo: Richard Gleave
(17) Them appear at Clacton Town Hall, Clacton, Essex with The Vaqueros and The Blue-Berries.
(18) The new line-up plays the Whitehall in East Grinstead, West Sussex backed by Johnny Fine & The Ramblers, according to the Sussex Evening Express.
(19) The Belfast Telegraph reports that Pat McAuley was sacked today. He is subsequently replaced by Englishman Terry Noon, who has previously worked with Gene Vincent.
(21)The Littlehampton Gazette lists the band at the Top Hat in Littlehampton, West Sussex, possibly marking Noon’s debut.
Photo: Cityweek
(23)Cityweek reports that Them now contains only Van Morrison and Alan Henderson in an article entitled “…And then there were two”. Peter Bardens, however, does remain with the band. The Belfast publication also notes that Pat McAuley resigned from the band rather than was sacked.
(26-27) Them’s new line up appears at the Queen’s Ballroom, Cleveleys, Lancashire with two supporting groups after playing in Scarborough on the 25th July.
(28) The Bolton Evening News says the band performs at the Beachcomber, Bolton, Greater Manchester.
(29) Beat Instrumental reports that Them are appearing at the Pavilion Ballroom on the Isle of Man.
August A second Berns song, “(It Won’t Hurt) Half As Much” is released but doesn’t chart. In the US the single’s b-side “I’m Gonna Dress In Black”, written by producer Tommy Scott under the pseudonym ‘Gillon’, is released instead but is not a success.
(3) Them play at the Mexican Hat, Worthing, West Sussex, according to the Worthing Gazette.
(4) The Camberley News reports that Them play at the Agincourt Ballroom in Camberley, Surrey.
(15) The Western Gazette advertises the group appearing at the Gaumont, Bournemouth, Dorset with The Byrds, Unit 4 Plus 2, Charles Dickens & The Artwoods, Johnny B Great & The Quotations, Sue Holloway and Jerry Stevens .
(23) The Cambridge News reports that Them play at the Dorothy Ballroom in Cambridge.
(28) The Lancashire Evening Post lists the band appearing in the Marquee in the grounds of Clitheroe Castle, Burnley, Lancashire with The Fortune Tellers.
(30) The Cambridge News advertises the group appearing at Bigmore Hall in Cambridge.
(31) The Eastern Evening News reports that Them appear at the Gala Ballroom in Norwich with Pentad.
September (1) Former members Billy Harrison and Pat McAuley (now on keyboards) announce their own version of Them in London on this day, which contains singer Nick Wymer (ex-Pink Faires), drummer Skip Alan (ex-Donovan) and bass player Mark Scott (ex-Adam Faith). The group is initially dubbed “Some of Them”.
(4) The Bolton Evening News reports that Van Morrison’s Them play at Bury Palais De Danse, Bury, Greater Manchester. Soon afterwards, Baldi returns to Scotland. Bardens also departs and forms The Shotgun Express. He later moves into session work, records two solo albums for Transatlantic Records and then forms 1970s progressive/rock outfit, Camel. Terry Noon also leaves but will return briefly in mid-October.
Back in Belfast, Morrison and Henderson have formed a new version of Them with lead guitarist Jim Armstrong (b. 24 July 1944, Belfast, N. Ireland) from The Melotones and keyboard/sax, flute player and vibes player Ray Elliott (b. 23 January 1944, Belfast, N. Ireland; d. June 1993, Toronto) from The Broadways. Apparently, original keyboard player Eric Wrixon fills in briefly but soon leaves to rejoin Portadown band, The People before Elliott joins. The new version of Them is completed with new drummer John Wilson (b. 6 November 1947, Belfast, N. Ireland) from The Misfits. The band rehearses at the Martime for two weeks before making its live debut in Lisburn on 24 September (see below). Belfast’s publication Cityweek had reported in its 23 September issue that Morrison rehearsed with Wilson’s band The Misfits as a potential new version of Them for three days before the new line up was agreed.
Photo: Cityweek
(24)Morrison’s new version of Them make their debut at the Top Hat club, Lisburn, Northern Ireland where they perform a 40-minute set. Shortly after a show at the Flamingo in Ballymena, Morrison’s band returns to London and resumes work on its second album. The group’s debut album is released in the US as Them and hits #54.
Photo: Cityweek
(30) Cityweek‘s 30 September issue features an article on the new formation entitled “The return of Them”.
October(11) Morrison’s Them play at the Thorngate, Gosport, Hants.
Photo: Melody Maker
(15)Van Morrison’s Them play at Zeeta House, Putney, southwest London.
Rare French EP showing short-lived line up from October 1965, from left: Billy Harrison, Alan Henderson, Van Morrison, Ray Elliott and Terry Noon
(16) Them are billed to play at Big Daddy’s in Halifax, West Yorkshire with The Blues Set. Around this time, Jim Armstrong is forced to pull out of the band at short notice. Billy Harrison is drafted in to play some UK dates before joining the group for French and (in December) Scandinavian dates (see later).
Photo: Cityweek
(19) Them (with Billy Harrison) appear at the Olympia in Paris, France with Bo Diddley. The gig is reported in Cityweek‘s 21 October issue. John Wilson, who is considered to be too young to travel, is replaced by former member Terry Noon. The group then travels to Scandinavia for more live dates (although this may be later in the year). Back in England later this month, Noon makes way for a returning John Wilson and joins The Yum Yum Band before moving into rock management, working initially with Honeybus.
(21) Belfast publication, Cityweek reports that John Wilson’s former band, reduced to a trio since he left, is moving to London.
(22)Streatham News reports that Them play at the Wimbledon Palais in southwest London. However, it is not clear whether this is the rival Them or Morrison’s group after returning from Paris.
(31) The Eastern Evening News reports that Them appear at the Royal Hotel in Lowestoft, Suffolk with The Easi-beats.
November Early in the month, Skip Alan leaves the Harrison/McAuley Them to replace Viv Prince in The Pretty Things, who soon takes up Skip Alan’s place for a few weeks. Harrison, who has briefly returned to the rival Them after Jim Armstrong resumes his place, departs when Skip Alan lands the job with The Pretty Things. Harrison does session work for producer Joe Meek.
(4)Pat McAuley’s rival Them registers the Them name. By now the group contains a new guitarist, known as Don, who has replaced Billy Harrison.
(25) The Western Gazette advertises the band (but not clear which version) appearing at Liberal Hall, Yeovil, Somerset with The Fortunes and Screaming Lord Sutch & The Savages.
December(2) When Viv Prince leaves Pat McAuley’s rival Them, his place is taken by Ken McLeod.
(4) “Mystic Eyes” fares better in the States where it reaches #33. On the same day, Boyfriend magazine notes that Them appear at Leeds College.
Photo: Cityweek
(9) Cityweek reports that Billy Harrison has joined The Pretty Things and is currently touring with that band in Holland. He also plays with The Pretty Things on a Scandinavian tour in early December. At the turn of the year, he also covers for Jim Armstrong in Them for their first Scandinavian shows. Harrison quits the music business in mid-1966 after playing with The Pretty Things in the Isle of Wight during March and joins the GPO. Original Them keyboard player Eric Wrixon meanwhile had joined The Kings showband in late November before re-joining The People, according to Cityweek.
(10) The Gloucester Citizen reports that Them appear at Lydney Town Hall, Lydney, Gloucestershire, which might be a gig by the rival version of Them.
(17) The Southend Standard lists Them appearing at the Cricketers Inn, Westcliff, Southend, Essex with The Orioles.
Photo: Evening Sentinel. Wymer’s final gig with the rival Them
(19) Wymer leaves the rival Them after a gig in Stoke-on-Trent (this is Mr Smith’s in Hanley with The Beatroots). Soon afterwards, he is replaced by Pat’s brother Jackie McAuley on keyboards/vocals, who has been living in Dublin. Pat moves on to drums and Ken McLeod takes over guitar from Don who leaves in mid-January. On the same day, Van Morrison’s Them play at the nearby Majestic Ballroom in Shropshire. Around this time, the group plays in Liverpool and after the show Armstrong collapses with a suspected perforated appendix. He spends Christmas in the emergency ward at Liverpool’s Southern Hospital, according to Cityweek‘s 6 January 1966 issue.
Photo: Cityweek
(23) Cityweek notes that John Wilson left Them last weekend but no replacement has been announced. The article entitled “Them rush-release second album for States” also profiles the forthcoming Them Again LP. Wilson rejoins The Misfits (until April 1967) and then works with Belfast groups, Derek & The Sounds and Cheese. In the late 1960s, he joins guitarist Rory Gallagher in Taste before forming Stud in the early 1970s.
Photo: Cityweek, 6 January 1966
(29) Cityweek‘s 6 January 1966 issue reports that Alan Henderson and Ray Elliott have flown to Stockholm to join the other Them members (Van Morrison and Billy Harrison) for two shows at the weekend of 31-December-2 January. The group is still without a permanent replacement for John Wilson. However, David Harvey (b. David Tufrey 29 July 1943, Bude, Cornwall, England) takes his place on the drums in January after the group use a succession of temporary fill ins.
(31) Boyfriend magazine reports that Them play at the Fender Club in Kenton, northwest London but it’s not clear which version this is. However, it is most likely the Pat McAuley version considering Morrison’s version play in Stockholm this weekend.
1966
January Them’s second album Them Again fails to chart in the UK. It contains two of Morrison’s best songs: “Hey Girl” and “My Lonely Sad Eyes”, as well as an edited version of Bobby Bland’s “Turn On Your Love Light”. Original Them member Eric Wrixon leaves The People, who have relocated to Blackpool, and joins another expatriate Belfast band, The Wheels in February, who record two singles for Columbia.
Photo: Cityweek, 6 January 1966
(1) Jackie McAuley makes his debut with the rival Them in Peckham, southeast London. On the same day, Cityweek reports that Them make their first trip to Scandinavia this weekend, even though Armstrong hasn’t fully recovered from his hernia operation in late December. Billy Harrison takes Armstrong’s place.
(3) Van Morrison’s Them appear at the Shoreline club in Bognor Regis, West Sussex with new drummer David Harvey.
(4) Morrison’s Them play at the Assembly Hall, Aylesbury, Bucks.
(6)Cityweek reports that Them will return to Paris’ Olympia next week and are also resident in the Club Locomotive for three days.
(10) Them appear at the Labour Hall, Bletchley, Bucks.
(11) Morrison’s latest line up play at the Hut, Westcott, Surrey.
(22) The Coulsdon & Purley Advertiser reports that Them play at the Club Nevada, West Croydon, south London.
(27) Them appear at the Whitehall, East Grinstead, West Sussex. On the same day, Cityweek reports on the legal row over who is Them. Van Morrison’s version are currently on tour in Wales.
(30) The North Herts Herald reports that Them perform at Newbury Plaza Ballroom in Berkshire with The Just Men.
February(4) The McAuley brothers’ Them record three tracks at a demo session: a cover of Graham Bond’s “I Want You”, a cover of Bob Dylan’s “It’s All Over Now Baby Blue” and Jackie McAuley’s “Movin’ Free”.
(11) The Luton News reports that Them appear at Parkside Ampthill, Bedfordshire with The Sneakers but it is not clear which version this is.
(15)The Coulsdon & Purley Advertiser reports that Van Morrison’s Them appear at Club Nevada, West Croydon, south London.
(16)Melody Maker lists the band playing at the Last Chance on Oxford Street, central London.
(18)The rival Them perform at the KB Hall, Copenhagen, Denmark with The Pretty Things.
(19)Van Morrison’s version appears at Floral Hall, Southport, Lancashire with The Cryin Shames.
Photo: Melody Maker
(21) According to Melody Maker, The Van Morrison version of Them play at the Club Continental in Eastbourne.
(22)Chris Groom’s book Rockin’ and around Croydon lists Van Morrison’s Them at the Gun Tavern in Croydon, south London.
March Morrison’s version of Them’s cover of producer Tommy Scott’s “Call My Name” fails to chart.
(5) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Lighting Blues but it is not clear which version this is.
Photo: Melody Maker
(7) The McAuley brothers’ Them appear at the Club Continental, Eastbourne.
Photo: Eastbourne Herald Chronicle
(9) The rival Them lose their court case and change name to “Some of Them”.
Photo: Melody Maker
(11) Van Morrison’s version play at Tiles on Oxford Street, central London with Steve Darbyshire and The Yum Yum Band.
Photo: Melody Maker
(28) Van’s version returns to Tiles for another show with The Quiet Five in support.
April Morrison’s Them’s final session produces a cover of Paul Simon’s “Richard Cory” and Morrison’s “Mighty Like A Rose”. “Gloria” is re-issued and climbs to US #71.
(2) The Nelson Leader reports that Them (possibly with Dave Harvey on drums) appear at the Imperial, Nelson, Lancashire with Cliff Bennett & The Rebel Rousers and Sounds Incorporated.
(9) Van Morrison’s version of Them appear at Torquay Town Hall in Devon with The Hunters and The Javelins, according to the Herald Express.
(16) The Shadows Of Knight’s version of “Gloria” hits US #10. On the same day, the Grantham Journal has Them playing at Drill Hall, Grantham, Lincolnshire with The Beathovens and The Nemkons.
From KRLA’s Beat, April 30, 1966. From left to right: Ray Elliott, John Wilson, Jim Armstrong, Van Morrison and Alan Henderson
KRLA’s Beat, April 23, 1966
May Paul Simon’s “Richard Cory” is the group’s last official single but is not a success. Morrison is particularly annoyed by its release, preferring his own song “Mighty Like A Rose” as a prospective single. In the US, Tommy Scott’s “I Can Only Give You Everything” is released as a final single and is quickly adopted by US garage bands like The MC5 as a punk anthem. Them Again reaches US #138.
(2)The Coulsdon & Purley Advertiser reports that Them perform at the Star Hotel in Croydon, south London.
(7) The Luton News reports that Them appear at Harpenden Public Hall, Harpenden, Herts with The Fuzz Bugs but it is not clear which version this is.
(14) Them perform at Decca Entertainment Centre, Ashton-under-Lyne, Greater Manchester.
(21) The Malvern Gazette reports that Them perform at the Malvern Winter Gardens in Worcestershire with Group 66 but it is not clear which version this is. In late May, PACE magazine reports that Van Morrison’s version play at Crayford Town Hall in southeast London. Soon afterwards, Morrison’s version flies out to New York to begin its debut US tour, with the first show in Arizona.
(27) Some of Them record two tracks with Kim Fowley – “Gloria’s Dream” and “Secret Police”. On the same day, Van Morrison’s Them appear at the Rollarena, San Leandro, California.
(30) Some of Them perform in Blackpool, Lancashire. On the same day, Van Morrison’s Them begins a residency at the Whisky-A-Go Go, West Hollywood, California.
May(31) – June (17)Morrison’s Them performs at the Whisky-A-Go-Go, West Hollywood, California, where they are sometimes supported by The Doors.
June (3) The rival version of Them performs at the Cricketers Inn, Westcliff, Southend, Essex with the Orioles, according to the Southend Standard.
(13 & 15)Some of Them record further tracks in London.
(18) On the last night at the Whisky, The Doors’ vocalist Jim Morrison joins Van Morrison’s group on stage for a 20-minute improvisation of “Gloria”.
(19)The band discovers that the club has been willing to pay the group $10,000 per week. However, due to their management deal with Phil Solomon (whereby they have agreed to play for $2,000 a week minus a 35% management fee and a guarantee), Them have received considerably less than they think they should. This causes a lot of bitterness between the group and Solomon, and as a result Them inform promoter Bill Graham that they will only play at their forthcoming Fillmore concert if they are paid in advance.
Photo: Cherwell
(21) Some of Them (billed as Them) appear at Balliol College, Oxford University alongside The Kinks, The Fortunes, The Alan Price Set, Geno Washington & The Ram Jam Band, The Caribbean All-Steer Band and Bunny Thompson.
(23) Morrison’s Them appear at San Francisco’s Fillmore Auditorium with The New Tweedy Brothers. After their performance, Morrison meets his future wife Janet Planet who accompanies the band on the rest of the tour. (She will be the inspiration for Morrison’s Astral Weeks.)
KRLA’s Beat, June 25, 1966
(26) Morrison’s group is supported by The Association at the Oakland Auditorium, Oakland, California.
(27-29)Some of Them move to Denmark where they perform as Them. The group performs three shows in Copenhagen and finish their final recordings. Over the next five months, the band gigs in Denmark, Sweden and Norway. In the last week of July, the band is briefly joined by former Them member Peter Bardens on keyboards, allowing Jackie McAuley to come up front as lead singer.
July(1-2) Morrison’s Them perform at the “Beat On The Beach”, Santa Monica, California with The New Generation.
(8-9)Them appear at the Waikiki Shell, Kapiolani Park, Honolulu, Hawaii.
(23) The band performs at the Strand Theater, Modesto, California.
(28) Morrison’s group is supported by The Doors and The Count Five at the Starlight Ballroom, Oxnard and (in the evening) the Earl Warren Showgrounds, Santa Barbara, California.
(29-30) Morrison’s Them is supported by The Sons Of Champlin at the Fillmore Auditorium, San Francisco.
August (9) The McAuley brothers’ Them play at the Complain-LA-Tour jazz festival in Belgium.
(19-21) Morrison’s group performs at the Losers North, San Jose, California.
(23-28) A further set of dates take place at the Losers North.
The Wheels with Eric Wrixon, September 1966
September (1) Belfast publication Cityweek reports that The Wheels are back in the city. The band will split soon after, however. In 1967, Eric Wrixon will move to West Germany with The Never Never Band and plays regularly at Hamburg’s Star club, supporting soul acts like Sam & Dave.
KRLA’s Beat, September 24, 1966
(2-3) Them performs at the Longshoreman’s Hall, San Francisco.
(8) Cityweek reports that Van Morrison, Alan Henderson and Jim Armstrong arrived home from America last week so it’s not clear whether the September US dates took place despite being advertised.
Photo: Cityweek
(9) They are billed to appear in Fresno, California. However, Morrison and Henderson may have already returned to London to sort out business matters with Solomon. Morrison continues to work on some new songs that will later comprise his masterpiece Astral Weeks.
The Belfast Gypsies, released as ThemRare French EP with Belfast Gypsies listed
(17) The McAuley brothers’ group, now dubbed The Belfast Gypsies score a minor US hit when “Gloria’s Dream” hits #124.
(22) Morrison and Henderson are profiled in Cityweek‘s 22 September issue in an article entitled ‘Van and Co. back to “square one”‘.
Photo: Cityweek
(29) Cityweek reports that Ray Elliott flew in to Belfast last week.
October(2) The Weston Mercury reports that Them appear at the Winter Gardens, Weston-Super-Mare, Somerset. This would have been the McAuley brothers’ version. In Belfast, Morrison soon returns to occasional live work in a new outfit dubbed, Van Morrison and “Them Again”, which features former Castaways and Unit guitarist Eric Bell alongside former Alleykatz members Joe Hanratty (drums) and Mike Brown (bass). Alan Henderson doubles up on second bass.
Photo: Cityweek. Eric Bell (top right)
(13) Cityweek reports that Jim Armstrong has left Them to play with The Federals. Ray Elliott will also briefly join this outfit, according to the paper, a short while later.
Photo: Cityweek
(28) The Belfast Telegraph reports that Van Morrison and Them play (their debut show) at the Square One Discotheque in Belfast with The Blue Angels.
Photo: Cityweek
November(4) Cityweek‘s 3 November issue reports that Them appear at Carrickfergus Town Hall today with The Carpetbaggers and The Fugitives.
Photo: Cityweek
(5) The McAuley brothers’ Them play their final date in Stockholm.
(10) The Belfast Telegraph reports that Van Morrison & Them perform at Sammy Houston’s Jazz Club. When Eric Bell leaves immediately after the Queen’s University rag ball gig, the band implodes. Van Morrison concentrates on a solo career. Bell meanwhile moves to Glasgow and plays with The Bluebeats for two years.
Cityweek profile October 1965
December Armstrong, Elliott, Harvey and Henderson decide to carry on with Them’s name, now that Morrison has abandoned the name and is pursuing a solo career. The group recruits a new vocalist Ken McDowell (b. 21 December 1944, Belfast, N. Ireland), previously a member of Belfast group The Mad Lads, who have recorded a number of singles for Decca Records, as well as a lone release “I Went Out With My Baby” as Moses K. & The Prophets. The new version of Them writes to Carol Deck, Californian editor of Flip magazine (who had given the band some encouraging reviews during its US tour) asking for help, and she in turn introduces them to Texan producer Ray Ruff, who has his own indie label, Ruff Records. The new version of Them moves out to Amarillo, Texas in June 1967.
1967
January Major Minor Records releases “Gloria”, backed by another Morrison song, the acoustic “Friday’s Child” as a UK single. The McAuley brothers’ Them implodes and Jackie McAuley returns to Dublin and forms Cult with singer/songwriter and guitarist Paul Brady.
March A second Major Minor single “The Story Of Them” is released. Morrison signs a solo contract with Bert Berns and travels to New York to record for his Bang label. This will result in an immediate US hit “Brown Eyed Girl”, which makes #10. After Berns’ death in December 1967, Morrison will sign with Warner Brothers and record the classic Astral Weeks, which proves to be the beginning of an illustrious career.
Photo: Cityweek
(4) The Belfast Telegraph reports that Van Morrison is one of the opening acts for The Stormsville Shakers at Queen’s University’s student union in Belfast together with The Interns.
June (30) The US-based Them appear at the Purple Onion Teen Club, Wichita Falls, Texas.
Them in Checkmate Studios, Amarillo, 1967, from left: Ray Elliott, Alan Henderson, Dave Harvey, Ken McDowell and Jim Armstrong. Photo from the collection of Tom McCarty
July (12) According to the Childress Index, Them appears at Fair Park Auditorium, Childress, Texas. The next day they also play a gig in Farmington, New Mexico. The newspaper says they will tour for five months and play 20 times in Texas.
KRLA’s Beat, May 6, 1967The McAuley brother’s group
August Nearly year after the band’s final performance, the McAuley brothers’ group The Belfast Gypsies have a belated album release on the Swedish label Sonet as Them Belfast Gypsies. Having relocated to Amarillo, Texas, Henderson’s Them release their debut single without Morrison, a cover of Tom Lane’s “Dirty Old Man (At The Age Of Sixteen)” / “Square Room” on Sully Records before a nation-wide distribution deal is struck with Tower Records.
(10) The Evening Sentinel reports that Eric Wrixon’s latest group, The Never Never Band appear at the Golden Torch in Tunstall, Staffordshire.
Above and below, first record by the Amarillo, Texas based Them
September Starting off in Amarillo, Henderson’s group kicks off a major tour. The gruelling 61-date tour takes the musicians across the US Midwest and then to Los Angeles, where Them begin work on its first album without Morrison. Santa Rosa, California-based newspaper, the Press Democrat notes in its 1 January 1968 issue that the LP is recorded in studios in Texas, Oklahoma and Hollywood, California.
November Henderson’s Them release a second 45, the band composition “Walking In The Queens Garden” b/w “I Happen to Love You” on Ruff Records.
December Tower issues two singles, one includes newly recorded versions of “Dirty Old Man (At The Age Of Sixteen)” and “Square Room” and the second reissues the Ruff 45.
(8-10) The band appears at the Whisky-A-Go-Go, West Hollywood, California with Love and Blue Cheer. Santa Rosa paper the Press Democrat, says they play at the Vets Building in Santa Rosa, California over the Christmas weekend.
Poster from Amarillo, 1967, from left: Jim Armstrong, Dave Harvey, Ken McDowell, Ray Elliott and Alan Henderson. Poster from the collection of Tom McCarty
1968
January A new album, Now And Them is released featuring Them’s reply to the Doors’ “The End”, the extended raga piece “Square Room”.
February Tower reissues the Ruff 45 of “Walking In The Queens Gardens” but its success is limited to the West Coast.
March (24) The Hamilton Spectator’s 22 March issue, page 30, notes Them are playing in Toronto and will appear at Carl’s in Hamilton, Ontario on this date with David Clayton-Thomas and Combine. The group’s incessant touring prompts Elliott to quit the band while Them are in New York. He returns to Belfast briefly before working with an Irish showband in Leeds alongside guitarist Eric Bell from “Them Again”. Bell soon returns to Belfast to replace guitarist Gary Moore in The Shades of Blue before working with the Dublin-based The Dream showband.
April “But It’s Alright”, an out-take from the album is released as a single but doesn’t sell.
(11) According to the Odessa American newspaper, Them plays at Ector County Coliseum, Odessa, Texas.
May(24-25) Henderson’s Them appear alongside The Incredible String Band at the Kaleidoscope, Hollywood, California.
July The title track from their forthcoming album Time Out For Time In is released but is not a success.
August(14-15) The band plays with Frank Zappa & The Mothers of Invention at the Electric Theatre, Chicago. Them also performs at the Baton Rouge Festival on a bill that features Freddie King.
November Them’s second album Time Out Time In For Them is released. It has been recorded at Los Angeles’ Gold Star studios in the wake of Elliott’s departure and features session drummer John Guerin on a number of tracks. A single “Waltz Of The Flies” is extracted but fails to chart.
1969
March Them’s final single, a cover of the traditional Corinna is released but fails to chart. Unhappy with Ruff’s management and production, Armstrong and McDowell leave and return to Belfast where they put together Sk’Boo with Ricky McCutcheon and Colm Connolly. Henderson, meanwhile, remains with Ruff in L.A. and continues with the Them name; using guitarist Jim Parker and drummer John Stark from Amarillo band, The Kitchen Cinq, he produces two further albums: Them (1969) and In Reality (1970) for the Chicago label Happy Tiger. David Harvey also stays behind in California but will leave the music business.
June After working briskly throughout Ireland and the British mainland, Armstrong and McDowell shelve Sk’Boo (after a farewell gig in Wolverhampton) and return to the US later that year. Based in Chicago, the duo recruit an American rhythm section comprising bassist Curt Bachman (ex-The Buckinghams) and drummer Reno Smith formerly of Baby Huey and The Babysitters in a new group called Truth, which becomes house band at Beavers. The Chicago Tribune‘s 2 November 1969 issue runs a spread on the newly formed group. The band tours extensively around the Chicago area for the next 18 months, and also contributes several songs to the soundtrack for Pat Mulcahy’s film Cum Laude Fraud (later released as College For Fun And Profit), before being offered a recording deal with Epic Records. Ex-Them member Ray Elliott rejoins the band during its lifespan but subsequently leaves after contributing to some recordings and returns to England.
July(26) Them and Truth* both appear at the Eugene Pop Festival, Hayward Field, University of Oregon, Eugene alongside Alice Cooper, The Doors and others.
* Neal Skok and I have been trying to find out for some time now what “Them” this was — there is a slim chance it was the Tower Records ensemble. But the “Truth” that is listed for this gig is most definitely not the Chicago-based Truth comprised of the ex-Them gents (whose CD Neal and I put out on his “Epilogue” label in ’94). This “Truth” was a NW teen rock band – and of course there were several Christian bands that used that name in the ’60s and later. – John Berg
October Having returned from Germany and joined The Trixons showband, original Them member Eric Wrixon joins guitarist Eric Bell from the short-lived “Them Again” in the original Thin Lizzy. He leaves in early 1970 and returns to Germany to play with Junior Walker, Junior Wells and Buddy Guy among others.
1970
January (21) Truth play at the New Cellar, Chicago alongside The Mauds.
March Having moved to Beirut in Lebanon with The League of Gentlemen the previous year, former Them member Jackie McAuley returns to England and forms Trader Horne with Judy Dyble, who has previously worked with the original Fairport Convention. The duo release the album, Morning Way, which features contributions from former Them member Ray Elliott. When Trader Horne split later in the year, McAuley forms the short-lived One with Rosko Gee and Adam Marsh before starting on a solo album.
Japanese sleeve with Alan Henderson’s Them
1971
February Truth return to Belfast for a working holiday before sessions in London begin later that month. Unfortunately, Epic Records undergoes a change in management and following a communication problem, Truth’s band members fall apart before they have a chance to enter the studio. Elliott subsequently moves to Canada (where he dies in June 1993 in Toronto), while Bachman and Smith return to the US. Armstrong and McDowell move back to Belfast where Armstrong joins the Civil Service and McDowell becomes a member of The College Boys. (Truth’s private recordings and studio sessions from Chicago are later released by Epilogue Records as The Truth Of Them And Other Tales in 1995.)
March Jackie McAuley releases his eponymous debut solo album on the small Dawn label, before later working with bands Wand and Mackeral Sky. He also spends four years working with Lonnie Donegan. Jackie’s brother Pat (who turns down an offer to play with Marc Bolan), sadly dies in a drowning accident in Donegal on 11 August 1984.
1972
August Compilation album Them Featuring Van Morrison hits US #154.
1973
After working with cabaret singer Roly Stewart, Jim Armstrong has rejoined Ken McDowell in The College Boys in the early 1970s. The pair then join Reunion before working with another former Them member John Wilson in Bronco. The pair also form the band Spike, which works at the Pound club in Belfast. Wilson subsequently becomes Northern Ireland’s top session drummer.
Deram double LP repackages their first two U.S. LPs minus two tracks each.
1974 Backtrackin’ released only in the U.S., featured obscure b-sides and songs not previously available in the U.S.: “Richard Cory”, “I Put a Spell on You”, “Just a Little Bit”, “I Gave My Love a Diamond”, “Half as Much”, “Baby Please Don’t Go”, “Hey Girl”, “Don’t Start Crying Now”, “All for Myself” and “Mighty Like a Rose”. All the tracks except the last, however, were in simulated stereo.
1978
Armstrong leaves Spike and forms his own band Light, who record an eponymous album on the small Mint label in Ireland only.
1979
Billy Harrison reforms Them with original keyboard player Eric Wrixon. Initially, Harrison intended to complete the group with John Wilson, who’d played drums on Them Again album, together with bass player Jackie Flavelle and singer Mel Austin but Wilson and Flavelle drop out prompting him to bring in drummer Billy Bell. He also brings back Henderson, who has spent several years working on his Connecticut farm. Them move to Germany where they hold down a residency in Hamburg. While there the group records the album Shut Your Mouth for Teldec/Decca before Jim Armstrong and Brian Scott from Light replace Harrison and Wrixon. However, after a brief tour of Germany the group splinters. Armstrong reunites with Ken McDowell in a new version of Sk’Boo, who release one single “It’s A Hard Road” for the small Cuecomber label.
From left: Joe Baldi, Terry Noon, Peter Bardens, Van Morrison and Alan Henderson from summer of 1965
1980
Harrison emerges with the solo album Billy Who? on the German Vagabond label. He then abandons a music career and become a marine electrician. Jackie McAuley spends most of the 1980s and 1990s working with Poor Mouth, who release a number of albums, including Gael Force. In 1982, he co-writes “Dear John”, which is a hit for Status Quo.
1989
Original member Eric Wrixon forms The Belfast Blues Band with another former Them member, John Wilson.
1994
Jackie McAuley emerges with a new solo album, Headspin. Guitarist Jim Armstrong meanwhile has formed The Belfast Blues Band with original Them member Eric Wrixon. His former band mate, Ken McDowell has continued to work with Sk’Boo and then plays with Hens Teeth before forming The Kenny McDowell/Ronnie Greer Band in the early 2000s.
1998
Jackie McAuley releases another solo release, Shadowboxing.
2000
Jackie McAuley puts out another solo release, Bad Day At Black Rock. McAuley subsequently joins The Harbour Band, who release the album Live In The Spirit Tour in 2003.
2003
The Ken McDowell/Ronnie Greer Band release the album, Live At The Island. Jim Armstrong leaves The Belfast Blues Band and reforms The Jim Armstrong Band.
Sources:
Clayson, Alan. Call Up The Groups – The Golden Age Of British Beat,
Blandford Press, 1985, pages 168-170.
Doggett, Peter. “Them”, Record Collector # 149, January 1992, pages 112-116
Du Noyer, Paul. “Heart & Soul Of Van Morrison”, Mojo Magazine, November 1993, page 84.
Gray, Michael. Mother – The Frank Zappa Story, Plexus, 1993.
Grushkin, Paul D. Art Of Rock – Posters From Presley To Punk, Artabras, Cross River Press Ltd, 1987.
Harper, Colin. Sleeve notes to CD Belfast Beat, 1998.
Harper, Colin and Hodgett, Trevor. Irish Folk, Trad & Blues – A Secret History, Cherry Red Books, 2004.
Hodgett, Trevor. “Them After Van Morrison”, Record Collector #89, pages 52-57.
Hogg, Brian. “Van Morrison & Them”, Strange Things Are Happening, Vol 1, #4, Sep/Oct 1988, Bam-Caruso Books, pages 6-14 and 20.
Housden, David Peter. The Castle, Love #9, December 1995, page 28 and 57.
Housden, David Peter. The Castle, Love #10, 1996, pages 6-7.
Rees, Dafydd and Crampton, Luke. Guinness Book Of Rock Stars, 2nd Edition, Guinness Publishing, 1991, page 528.
Rogan, Johnny. CSN&Y – The Visual Documentary, Omnibus Press, 1996, page 10.
Shaw, Greg. The Doors On The Road, Omnibus Press, 1997, pages 14 and 172.
Turner, Steve. Van Morrison – Too Late To Stop Now, Bloomsbury, 1993, pages 49 and 60.
Unterberger, Richie. “Belfast Gypsies” article in Ugly Things issue 23.
Whitburn, Joel. Bubbling Under Hot 100 1959-1985, Billboard Researchers Inc, 1985.
Sleeve notes to the Deram Anthology The Story Of Them – Featuring Van Morrison, 1997.
Sleeve notes to Epilogue CD, The Truth Of Them And Other Tales, 1995.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
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