The Penny Peepshow in 1968, clockwise from centre: Martin Barre, Denny Alexander, Malcolm Tomlinson, Mike Ketley and Bryan Stevens
Denny Alexander (lead vocals) Martin Barre (lead guitar) Mick Ketley (keyboards, vocals) Bryan Stevens (bass) Malcolm Tomlinson (drums, vocals)
1967
August Having worked as The Motivation since November 1966, the latest line up returns from London to Bognor Regis to reinvent themselves. Eschewing their stax/soul sound and covers material, the band embraces the burgeoning psychedelic scene while singer Denny Alexander starts to write a batch of strong original material for the band. Initially, The Motivation work under the name The Penny Peepshow.
September (15-16) Having rehearsed the new material at the Shoreline Club in Bognor Regis, The Penny Peep Show begin to gig nationally. One of their first shows takes place at the Gala Ballroom in Norwich, Norfolk with Alex Wilson’s Sect and Chances of Life.
(17) The group travels across to the West Midlands for a concert at the Swan in Yardley with Jigsaw.
(23) The band plays at the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset.
(25) The Penny Peep Show appear at the Belfry, Wishaw, West Midlands with Sight and Sound.
(29) The group plays at the Blue Powder Discotheque in Bilston Town Hall, Bilston, West Midlands.
October (7) The band returns to the Birmingham area to play a show at the Penthouse in the city centre with New Zealand band, The Human Instinct.
(14) The Penny Peep Show appears at the Flamingo Ballroom, Penzance in Cornwall with The Circuit Five.
(21) The group appears at the Steering Wheel in Weymouth, Dorset.
(22) The band plays at the Indigo Vat, Southsea, Hampshire.
(26) Billed as The Penny Peeps they play at the Concorde in the Basset Hotel, Southampton, Hampshire.
November (3) Returning to the West Midlands, they play at the Penthouse in Birmingham.
(4) The Penny Peep Show perform at the Ringway Club in Birmingham. Around this time they also play the freshers’ ball at Birmingham University where Bryan Stevens meets his future wife.
(9) The group appears at Carnival Hall, Basingstoke, Hampshire with The Wrong Direction.
(10) Originally booked to play at the Royal Ballrooms in the Boscombe Royal Arcade, Boscombe, Dorset, The Just Us is listed on the day the Bournemouth Evening Echo is printed. However, they may have played the day before after or before the Basingstoke gig.
(11) The group appears at St Nicholas Chamberlaine School in Bedworth, Warwickshire with The Matadors.
(19) Direct from London The Penny Peep Show appear at the Tudor Club, Mercers Arms in Coventry.
(24) One night at the 76 Club in Burton-on-Trent, Staffordshire.
December (1) The Penny Peep Show play at the Steering Wheel in Weymouth, Dorset.
(2) The band appears at Willenhall Baths Assembly Hall, Willenhall, West Midlands with The Bostons.
(3) The musicians return to the south coast and play at the Indigo Vat in Southsea, Hampshire.
(8) The Penny Peep Show play at the Boscombe Royal Arcade, Boscombe, Dorset.
(10) Another show takes place in the West Midlands with the band appearing at the Swan, Yardley with Magazine.
(20) The band performs at the Steering Wheel in Weymouth, Dorset.
(23) The Penny Peep Show play at the Indigo Vat in Southsea, Hampshire.
(25) Through Pete Hockham, formely an agent at Bob Gaitley’s Beat Ballad and Blues Agency in Worthing and now working for the recently deceased Brian Epstein’s North End Music Stores (NEMS) agency, The Penny Peep Show sign to NEMS. They start to perform on the London scene with a show at the popular nightclub, Hatchettes on Piccadilly.
(30) The group appears at the Wellington Club in Dereham, Norfolk with The Special Offer.
1968
January The Penny Peep Show sign a deal with Liberty Records and begin recording over an album’s worth of original material, most of which comprise demos. Alexander has acquired a songwriting contract with Metric Music, which requires him to produce a certain amount of songs in a given period. The band are paid as session musicians to record the demos in a studio behind the Marquee in Wardour Street. A couple of Alexander’s strongest numbers – “Helen Doesn’t Care” and “Into My Life She Came”, the latter featuring Barre on flute, will surface decades later on Rev-Ola’s compilation CD Psychedelic Jumble Volume One in 2007.
(2) Billed as The Penny Peeps, the musicians appear at the Concorde in the Basset Hotel, Southampton, Hampshire.
(5) The band returns to play at the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset.
(28) The Penny Peep Show play at the Castaways Discotheque in Birmingham with The Stretch Wilcox Limbo Dancers.
February (2) The Penny Peep Show appear at the Steering Wheel in Weymouth, Dorset.
(8) Billed as The Penny Peeps, the band makes a notable appearance at the 100 Club on London’s Oxford Street with The Mike Stuart Span.
(9) Reverting back to The Penny Peep Show, they travel to Nottingham to play at the Nottingham Boat Club.
(11) The next day, the band appears at the Blue Ball Hotel in Risley, Derby.
(16) Liberty Records releases The Penny Peeps’ debut single, a cover of Les Reed and Barry Mason’s “Little Man With A Stick” backed by Alexander’s mod rocker “Model Village”, which becomes a cult classic and is picked up for various compilation albums over the years, most notably the Rubble CD Acid Drops, Spacedust and Flying Saucers. The band, however, is not happy about the decision to release “Little Man With A Stick”. The musicians had lobbied for “Model Village” to be the A-side, backed by another one of Alexander’s numbers, “Meet Me At The Fair”. The latter track remains unreleased until being picked up by Rev-Ola for Psychedelic Jumble Volume One. Tony Blackburn opens his Radio 1 show every morning with “Model Village” for a week but the single fails to chart.
(17) The Penny Peep Show appears at Framlingham Assembly Hall, Framlingham in Suffolk.
(22) Having changed name to The Penny Peeps, the band is invited to back The Scaffold and perform in its own right at the Dome in Brighton on a bill that also features The Bonzo Dog Doo-Dah Band.
(25) The band (billed as The Penny Peep Show) play at the Cellar Club, the County, in Blaby, Leicestershire.
(28) Returning to London, the band appears at the Speakeasy on Margaret Street.
(29) The Penny Peeps appear at the Concorde in the Basset Hotel, Southampton.
March(8) The Penny Peeps perform at the Nottingham Boat Club.
(17) The Penny Peeps perform with the Way of Life at the Crown and Cushion Club in Birmingham.
(22) Billed as The Penny Peep Show, they play at the Fiesta Hall, Andover, Hampshire.
(23) The Penny Peeps return to Nottingham for a show at the Beachcomber Club.
(31) The band plays at the Linden Sports Club, Bournemouth, Dorset.
April (3) The Penny Peep Show appear at the Steering Wheel in Weymouth, Dorset.
(20) The Penny Peeps play at the Cobweb, Marine Court, St Leonards, East Sussex, with Tony Rivers & the Castaways.
(25) Billed as The Penny Peep Show, the band appears at Hatchetts Playground in Piccadilly, central London.
May (3) Billed as The Penny Peeps, they perform at the Nottingham Boat Club.
(12) Billed as The Penny Peep Show, they appear at the Forty Thieves, Swinging Discotheque in Coventry.
(18) The Penny Peeps perform at the Walton Hop in Walton-on-Thames, Surrey
(31) The Penny Peep Show appear at the 400 Ballroom in Torquay, Devon
June(6) The group appears at the Summer House, the Portway, Kingswinford, West Midlands.
(15) The Penny Peeps play at the Beachcomber Club in Nottingham.
(16) The band returns to Linden Sports Club, Bournemouth, Dorset.
(21) Liberty Records releases The Penny Peeps’ second single, coupling Alexander’s “I See The Morning” with “Curly, The Knight of The Road” but it fails to chart.
July(2) The Penny Peeps appear at the Concorde in the Basset Hotel, Southampton, Hampshire.
(13) Another show takes place at the Beachcomber Club.
(18) The Penny Peeps appear at Liberal Hall, Yeovil, Somerset with The Knock-Out.
(25) Billed as The Penny Peep Show, the band returns to London for a show at the Hatchetts Playground.
(27) Billed again as The Penny Peep Show, they appear at Leicester Rowing Club with The Trendmen.
(28) Reverting back to The Penny Peeps, they return to the Linden Sports Club in Bournemouth.
August (2) The group are billed to play at the Bag O’ Nails in Kingley Street, Soho, central London around this time (see below) but it’s not certain they appear.
(3) Billed again as The Penny Peep Show, the band appears at the Swan, Yardley, West Midlands with Gilt Edge. Soon after this gig, The Penny Peep Show are playing at a venue where their current set list meets an icy response. Alexander suggests that they play some blues, which goes down a storm. The band decides to move in a blues rock direction and changes name to Gethsemane. Within a week or so, Alexander opts to leave and Ketley and Tomlinson assume joint lead vocals. Alexander will retire from professional playing and try his hand as a trainee publican. Back in Liverpool, he gathers together some friends and records six tracks during 1972. The songs – “Don’t Let It Rain (Wedding Day)”, “Crossroads of Life”, “My Last Goodbye To You”, “I’d Like To Get To Know You Girl”, “Your Alive” and “Babe I Love You” remain unreleased to this day. He subsequently turns his back on the music industry and works in the financial services industry, retiring in the early 2000s.
(4) The Penny Peep Show play at the Walgrave, Coventry.
September (7) Billed as The Penny Peeps they perform (with St John’s Wood) at the Cobweb, Marine Court, St Leonards, East Sussex.
The Penny Peepshow in 1968, clockwise from bottom left: Martin Barre, Denny Alexander, Malcolm Tomlinson, Bryan Stevens and Mike Ketley
Sources: Flying Colours by Greg Russo, Crossfire Publications, 2009. The South Coast Beat Scene of the 1960s by Mike Read, Woodfield Publishing, 2001. The Tapestry of Delights Revisited by Vernon Joynson, Borderline Productions, 2006.
Many thanks to Bryan Stevens, Mick Ketley, Denny Alexander, Malcolm Tomlinson and Mick Capewell.
Disclaimer: Concert adverts have been sourced from a number of music magazines and regional newspapers listed below. They have been reproduced fairly for research purposes and are not to be copied for any other use.
Live dates sourced from various sources, including: Melody Maker, Nottingham Evening Post, Birmingham Evening Mail, Evening Argus (Brighton), Eastern Evening News (Norwich), Ipswich Evening Star. Other newspapers sources are listed in the comments below.
I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com
In Isleworth – Martin Barre, Mike Ketley, Denny Alexander, Malcolm Tomlinson and Bryan StevensAbove, in Isleworth, left to right: Denny Alexander, Malcolm Tomlinson, Martin Barre (sitting), Bryan Stevens and Mick Ketley
The Motivation, 1967, left to right: Bryan Stevens, Malcolm Tomlinson, Jimmy Marsh, Mick Ketley, Chris Rodger and Martin Barre All photos of the band courtesy of Bryan Stevens
Jimmy Marsh (lead vocals) Martin Barre (lead guitar, saxophone) Mick Ketley (keyboards, backing vocals) Bryan Stevens (bass) Chris Rodger (saxophone, trumpet) Malcolm Tomlinson (drums, backing vocals)
1966
October The group evolves out of Bognor Regis group, The Noblemen, which was formed in late 1964 to back South African singer Beau Brummell (aka Mike Bush). Bass player Bryan Stevens (b. 14 November 1943, Laha Datu, North Borneo) and keyboard player Mick Ketley (b. 1 October 1947, Balham, London) have been with the band from the outset. After splitting from Brummell in April 1966, the Noblemen undergo a significant change in personnel when most of the members leave in June. The following month, Stevens and Ketley reorganise The Noblemen bringing in a new singer, Jimmy Marsh (b. 9 April 1941, Carmarthen, Wales). Marsh first met Stevens and Ketley in mid-1964 at the Top Hat in Littlehampton when they were playing with The Detours and he was fronting The Del Mar Trio.
When The Noblemen’s drummer Bernie Smith opts to take up a more regular job, Marsh suggests his former colleague Malcolm Tomlinson (b. 16 June 1946, Isleworth, Middlesex) as his replacement. Tomlinson has worked with Marsh in The Del Mar Trio and James Deane and The London Cats. Before that, he was a member of Jeff Curtis and The Flames. Stevens advertises for a new sax player in the 23 July issue of Melody Maker, which hits the newsstands on 16 July. Former Moonrakers members, Chris Rodger (b. 16 October 1946, Solihull, Warwickshire) and Martin Barre (b. 17 November 1946, Kings Heath, Birmingham) respond to the advert after missing out on a job with Screaming Lord Sutch. On 22 July, Barre buys a saxophone at Sound City in London’s Shaftsbury Avenue for the audition three days later. Both Rodger and Barre are hired for the new line up as sax players, with Rodger doubling up on trumpet and Barre doubling up on lead guitar. In September, the new Noblemen line up moves up to London and shares a flat in Chelsea (and later Gloucester Road). They sign to the Roy Tempest Agency and start backing up visiting US soul acts.
Motivation on Bognor Regis station, late 1966 – left to right: Bryan Stevens, Martin Barre, Mick Ketley, Malcolm Tomlinson, Chris Rodger and Jimmy MarshBognor Regis station, late 1966, left to right: Jimmy Marsh (white top), Martin Barre, Bryan Stevens, Mick Ketley, Chris Rodger and Malcolm Tomlinson
November (1-2) Having supported The Vibrations, The Drifters, Lee Dorsey, Edwin Starr and Alvin Robinson as The Noblemen during September-October, the group adopts the more ‘Mod’ sounding name Motivation (although they are sometimes still billed as The Noblemen, at least until early December). As The Motivations, the band plays with Alvin Robinson at the Club Cedar in Birmingham for two nights. Soon after, The Motivations back Robinson at Newcastle University (quite possibly 3 November).
Motivation, Hyde Park, late 1966
(4) Billed as The Noblemen, they begin backing The Coasters with a show at the King Mojo Club in Sheffield with Sonny Childe & The TNT. The Coasters will perform at the Starlite Ballroom in Greenford, west London on 11 November with The Mode but no support group is listed (unless it was The Mode).
(12) Having changed their name to (The) Motivation, they perform at the Oasis club in Manchester with The Coasters and Hari Kari.
(13) The Coasters are billed playing at Tiles on Oxford Street in central London (most likely with Motivation in support). Two days later, The Coasters appear at the Whisky A Go Go. It is around this time that Mike Ketley and Malcolm Tomlinson take up The Coasters’ offer to attend a party where Jimi Hendrix (who had previously played with The Coasters’ support band) is in attendance. The Jimi Hendrix Experience are launched to the British press on 25 November.
(20) After playing at the Cavern in Liverpool with The Coasters the previous day (where they are billed as The Noblemen), Motivation join the soul singers for two shows in Greater Manchester, starting with the Domino Club in Openshaw and culminating with a second gig at the Princess Theatre in Chorlton. A riot takes place at the second venue after disturbances between The Coasters and the rowdy crowd.
(25) Billed as The Noblemen, they support The Coasters at the New Yorker Discotheque in Swindon, Wiltshire. The previous day The Coasters performed at the Whisky A Go Go in Wardour Street, Soho, central London but no support band is listed.
(26) Motivation appear at the Starlight Room at the Boston Gliderdrome, Lincolnshire with The Coasters. Also on the bill are Ronnie Jones & The Blue Jays and Heart & Souls. On the same day, the group supports The Coasters at the Burlesque in Leicester.
(27) The Coasters perform at Kirklevington Country Club in Kirklevington, North Yorkshire. The advert doesn’t list Motivation but presumably they were the backing band.
Syon Park, early 1967
December (4) Having finished supporting soul acts for the Roy Tempest Agency, Motivation begin to work under their own name. On this day, they perform at the Hotel Leofric in Coventry. Motivation are also billed to play at the Stoke Hotel in Guildford on this day with Whisker Davies. It’s not clear if this is the same group; it might have been the Norbury version, which split up in late 1966.
(9) The band appears at the New Yorker Discotheque in Swindon, Wiltshire.
(10) Billed as The Motivations, they play at the Gala Ballroom in Norwich.
Thanks to Peter Ellis for the scan and date
(16) Billed as Lee Dorsey’s backing band, the group appears at the Koo-Koo Byrd Discotheque, Cardiff, Wales.
(17) Motivation perform at the Britannia Rowing Club in Nottingham.
(20) The group appears at the Concorde at the Basset Hotel in Southampton, Hampshire.
(22) A band called The Motivation plays at the Co-Operative Hall in Nuneaton, Warwickshire with The Orange Pips. This may have been the same group as Warwickshire was Martin Barre’s home turf.
(24) The Motivation appear at the Lion Hotel in Warrington, Cheshire with The Fix and The Undertones.
(31) The group heads to Ashford, Kent to see how the year at the ‘2 ‘B’s’ Club with The Suspects.
1967
January (1) The Motivation start the new year with an appearance at the Tavern Club in Dereham, Norfolk.
(6) After playing a gig in Acton, west London on 2 January, The Motivation travel to the southwest and appear at the Winter Gardens Ballroom in Penzance, Cornwall with The Modesty Blues.
(7) Billed as Brian Stevens and The Motivation they appear at the Blue Lagoon in Newquay, Cornwall with The Accoustics.
(8) The band performs at the Bure Country Club in Mudeford in Dorset with The Tension and Lavina Lavells. Rodger says that the club closed after this evening’s show.
(9) The Motivation make an appearance at the New Spot in Thorngate Halls, Gosport, Hampshire. The next day, they play a venue in Portsmouth, most likely a naval base.
(14) They were listed as playing in Bradford, West Yorkshire the previous day, after which The Motivation move south to appear at the New Yorker Discotheque in Swindon, Wiltshire with supporting acts.
(20) The group appears at the Bromel Club in Bromley, Kent.
(21) Motivation travel to Norfolk and play a show at the Royal Links Pavilion in Cromer with Soul Concern.
(24) Having played a gig in the Bournemouth area on 22 January, the band performs a show at the Concorde at the Basset Hotel, Southampton, Hampshire. Before the end of the month, they appear at a club in Ashford, Kent.
February (3) Not listed in Bryan Stevens gig diary, The Motivation play at the Kingfisher Hall in Redditch, Worcestershire. This might have been another version of The Motivation but it’s close to Martin Barre’s home town.
(4) Another gig that is not listed in Stevens’ gig diary is a show at Maidstone Corn Exchange in Maidstone, Kent with The Blues System. However, on the same day the band does return to the ‘2 ‘B’s’ Club in Ashford, Kent so perhaps they played both on the same day as the towns are close together.
(5) The group travels back to Norfolk to play the Tavern Club in Dereham on a bill that also features The Barry Lee Show.
(6) The Motivation play their first show at the famous Marquee club, opening for The Herd.
(7) The band appears at Kodak Hall, Harrow, west London with The Beachcombers.
(9) The Motivation play at the New Central Ballroom, Aldershot, Hampshire with Ziggy Turner Combo.
(10) The group travels to the Birmingham area and performs at the Carlton Ballroom in Erdington, billed as The Fantastic Motivations. The next day, they head to the Southwest and play a venue (possibly the town hall) in Exeter, Devon.
(13) The band appears at the Steering Wheel in Weymouth, Dorset. The next day, The Motivation travel to Portsmouth and make an appearance at a venue in the city (possibly another naval gig).
(16) The Motivation head to Oxfordshire and perform for the Royal Air Force at RAF Benson.
(17) The day after, the band returns to London and appears at the Cooks Ferry Inn in Edmonton with John Evan Smash (who will morph in to Jethro Tull, a band that Barre will join in December 1968). There is a gap in the bookings until 25 February when The Motivation play an Oxford University college. The day after, they perform in Tunbridge Wells, Kent.
March (1) Not listed in Bryan Stevens’ gig diary, the group appears at the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset, which is a venue they will return to a lot over the next year.
(4) The musicians return to London and perform at Tiles on Oxford Street with C Jam Blues and Malcolm Magaron.
(6) The Motivation head back to the Marquee for a second show supporting The Herd. On 8 March, the band leaves for Rome, Italy to hold down a four-week residency at the Piper Club. After driving for 60 hours, they arrive on 11 March and start that night. Gigs at the Imperial Club, Redditch, Worcestershire (as The Motivations) on 26 March and 9 April would have been cancelled.
(11) – April (13) The band plays at the Piper Club for four weeks. While playing at the club, Ray Charles’s dancers come in one evening and dance to the band’s set. Some of The Rolling Stones’ entourage visit the club while The Motivation are playing. The Rolling Stones are playing in Rome on 6 April and there is talk about getting the band on the Stones’ tour as a warm up act. No commitment comes from the discussions. Jimmy Marsh punctures his vocal chords and returns home. Marsh drops out of the music business, only resurfacing briefly in the early 1980s with the short-lived west London band, A Touch of Gold. Marsh died on 13 April 2020.
By the river near Syon Park, spring 1967, left to right: Chris Rodger, Martin Barre, Mick Ketley, Jimmy Marsh, Malcolm Tomlinson and Bryan Stevens
(14) With Ketley assuming lead vocals, they head for Livorno to play at the Piper Club there for three consecutive weekends. Various gigs advertised in England this month are cancelled, including the New Yorker Discotheque in Swindon.
(15-16) The Motivation play at the Piper Club in Livorno this weekend.
(22-23) The band performs at the Piper Club in Livorno this weekend.
(29-30) The Motivation play at the Piper Club in Livorno this weekend.
May (1) The musicians return to Rome for further gigs. Numerous English gigs billed to The Motivation are subsequently cancelled while the group remains in Italy.
(2-14) The Motivation appears at the Cabala Club in Rome. While there Lord Snowdon comes up to the stage one night and requests the band plays Sandie Shaw’s “Puppet on a String”.
(27) Having arrived back in England the previous week and taking a week off, The Motivation appear at the Playboy Club on Park Lane, central London. It is Rodger’s final gig and he leaves the band.
June Stevens and Ketley remember a talented singer from Liverpool band, The Clayton Squares, who had shared the stage with Beau Brummell & The Noblemen in West Germany in March 1966 – Denny Alexander (b. 10 March 1946, Liverpool). The Clayton Squares have recorded two brilliant singles for Decca before splitting in late 1966. Alexander, who has gone on to sing with The Thoughts, is invited to join The Motivation and fulfil outstanding dates. The group rehearses new material at the Shoreline Club in Bognor Regis.
(27) The new line-up appears at the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset.
July(1) In what is one of their most high-profile shows, The Motivation support Cream at the Upper Cut in Forest Gate, east London.
(3) The group returns to the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset.
(7) The Motivation plays at the Warwick Arms, Redditch, Worcestershire with Hedgehoppers Anonymous.
August (4) The group plays at Caesar’s Place, the Mulberry Tree in Stratford-upon-Avon, Warwickshire with The Agency.
(5) The Motivation travel to the Birmingham area and appear at the Carlton Ballroom in Erdington, which is followed by a second show on the same night at the Elbow Room in Aston.
(6) The group appears at the Casablanca Club in the Sportsman’s Arms, Allesley, Coventry.
(11) The band plays at the Beeches Barn Theatre in Cirencester, Gloucestershire.
(19) They return to the Royal Ballrooms, Boscombe Royal Arcade, Boscombe, Dorset.
(20) The next day, the band plays at the Indigo Vat in Southsea, Hampshire.
(25) The Motivation play at Chateau Ipney in Droitwich, Worcestershire. The band’s stax/soul sound is becoming increasingly outdated as the psychedelic scene blossoms. The Motivation return to Bognor Regis and rehearse a new act, introducing Alexander’s strong original material into the set and changing name to The Penny Peep Show.
Sources:
Flying Colours by Greg Russo, Crossfire Publications, 2009. The South Coast Beat Scene of the 1960s by Mike Read, Woodfield Publishing, 2001.
Many thanks to Bryan Stevens, Mick Ketley, Chris Rodger, Jimmy Marsh, Malcolm Tomlinson, Martin Barre, Denny Alexander, Dave Allen, Nigel Norman, Mick Capewell, Chris Bishop and Sylvia Stephen.
Thank you Bryan for The Motivation gig listing for January/February 1967 and Ian Green for some additional dates.
Disclaimer: Concert adverts have been sourced from a number of music magazines and regional newspapers listed below. They have been reproduced fairly for research purposes and are not to be copied for any other use.
Additional concert listings sourced from Melody Maker, Nottingham Evening Post, the Liverpool Echo, the Manchester Evening News, Birmingham Evening Mail, Bournemouth Evening Echo, Southern Evening Echo, Portsmouth Evening Argus, Portsmouth News, Sheffield Star, Coventry Evening Telegraph, Harrow Observer, Cornish Guardian, The Cornishman, the Lincolnshire Standard and Eastern Evening News. The comments section below also lists some additional gigs.
I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com
Mick Pye sent in these great photos of of an unidentified band possibly from the coastal area south of London. Though nearly identical, there are small differences between the two. Mick tells me these are from glass negatives.
Any help with identifying these musicians would be appreciated. Mick also sent photos of Johnny Devlin and the Detours taken in 1962 or 1963, likely the same time period when these were taken.
Update, November 2012:
Luckily bassist John Garrett saw these photos and wrote to me with some information:
The band in the graveyard were Lee Tracy & The Tributes. Lineup: Lee Tracy (Graham Smithen) lead guitar; Martyn Pearse later to be replaced by Ray Flacke, rhythm guitar; Nick O’Brian; me, John Garrett on bass and Chris Hunt drums. The band members were from Arundel & Bognor.
The photo was taken in 1963. We played at most of the local venues: Top Hat, Mexican Hat, Rex Ballroom, The Green Topper, plus all the surrounding village halls. More information can be found in Mike Read’s book, The South Coast Beat Scene of the 1960′s.
1962 or 1963, from left: Arthur Biggs, Bob Pettit, Bernie Smith, Johnny Devlin, Bryan Stevens, Mick Ketley, and Chuck Fryers
Mick Pye sent in these great photos of Johnny Devlin & the Detours, who later evolved into the Noblemen. Mick tells me these are from glass negatives, which I would think was an antiquated format for 1962 or 1963.
Notice retouching to remove the background on the promo shot, above.
Bryan Stevens wrote in a comment below with identifying info for the photos. He gives the lineup above as:
Arthur Biggs – rhythm guitar – Burns Black Bison 3 pick up 6 string guitar Bob Pettit – alto/tenor/baritone sax Bernie Smith – drums (replaced Roger Yardley) Johny Devlin – vocals Bryan Stevens – Burns Black Bison bass guitar Mick Ketley – Vox Continental keyboard Chuck Fryers – Lead guitar – Burns Black Bison 4 pick up 6 string guitar
Thank you to Bryan for identifying all the musicians and for sending in the poster below for their upcoming reunion show.
1961 or 1962, clockwise from top left: Roger Yardley, Mick Ketley, Bob Pettit, Johnny Devlin, Bryan Stevens, Arthur Biggs and Chuck Fryers.
Back to the 60’s – Revival Featuring The Detours, Johnny Devlin, The Diamonds, Dave Hooper, The Southbeats, Roy Haines of the Fenmen, The Concords, Colin Madeley and Cosy. Riverside, February 18, 2012Johnny Devlin & the Detours, The Post, January 25, 1964, submitted by Nick Warburton
The Noblemen, January 1965. Left to right: Mike Turnill, Bernie Smith, Bryan Stevens, Mick Ketley and Chuck Fryers
Chuck Fryers (guitar, vocals) Mick Ketley (keyboards, vocals) Bryan Stevens (bass) Bob Pettit (sax) Bernie Smith (drums)
1964
December The group evolves out of Bognor Regis group, The Detours, which was formed in early 1960 by bass player Bryan Stevens (b. 14 November 1943, Laha Datu, North Borneo). The Detours have gone through numerous personnel changes over the years with singer Johnny Devlin (real name: Johnny Hobbs, not the New Zealand singer) joining in early 1962. His arrival prompts a name change to Johnny Devlin & The Detours. Shortly afterwards, Stevens recruits former Soundtracks keyboard player Mick Ketley (b. 1 October 1947, Balham, London). Later that year, he also brings in former Cruisers guitarist Alan Paul “Chuck” Fryers (b. 24 May 1945, Bognor Regis, West Sussex) and adds sax player Bob Pettit from a Chichester abattoir. In 1963, Bernie Smith, another former Soundtracks member, takes over the drum stool. Johnny Devlin & The Detours sign to Pye in November and record two tracks – “Sometimes” and “If You Want Someone”, which are coupled for a single, released in January 1964. Despite a group appearance on TV show Thank Your Lucky Stars, the single fails to chart and Devlin leaves. Pete Townshend and John Entwistle see Devlin’s band on the TV show and decided to change their band’s name from The Detours to The High Numbers, which will subsequently become The Who. The group carries on with singer John Read and plays venues on the south coast like Littlehampton’s Top Hat and Worthing’s Mexican Hat. Bob Gaitley, who runs both clubs, invites The Detours to back a new singer, South African Mike Bush, who is launching himself as Beau Brummell. The group accepts and changes name to The Noblemen. EMI producer Bob Barrett signs Beau Brummell and The Noblemen and takes them into Abbey Road to record a single – Beau Brummell Esquire and His Noblemen’s “I Know, Know, Know” backed by a version of “Shopping Around” from Elvis’ film GI Blues.
1965
January Mike Turnill briefly joins on sax taking over from Pettit, who returns to work in an abattoir and plays with Johnny Devlin in Act IV.
Photo: Evening Argus, 9 January 1965
(4) The new line up appears on Granada Television in Manchester. Despite an appearance by Brummell on TV show Ready Steady Go, his debut single, released on Columbia, does not chart.
Brighton Crescent, spring 1965, from left: Bryan Stevens, Chuck Fryers, Mick Ketley, Bob Lomas, Malcolm Randall and Bernie Smith
February Bob Lomas replaces Turnill. The group also takes on a second sax player Malcolm Randall, who has placed an advert in Melody Maker after playing with Jeff Curtis & The Flames, and joins The Noblemen in time for a short trip to West Germany, where they play at the Storyville Jazz Club in Cologne before returning to the UK that spring. The Noblemen are photographed in Brighton wearing regency clothes.
April(25) Beau Brummell & The Noblemen perform at the Whitehall, East Grinstead, West Sussex with The Dagoes.
Bob Lomas and Malcolm Randall, West Germany, spring 1965
May(1) Beau Brummell and His Noblemen appear at the California Ballroom in Dunstable with The Downsiders and The Richochets.
(9) The band appears at the Majestic Ballroom in Luton, Bedfordshire with Randall’s former group, Jeff Curtis & The Flames.
(14) Beau Brummell is listed appearing at the Carlton Ballroom in Erdington, West Midlands with The Chucks.
(22) Beau Brummell & The Noblemen perform Malborough Hall, in Halifax, West Yorkshire.
(29) The band plays at the Assembly Hall, Mold, Flintshire, Wales with The Denims.
May (16) Billed as Beau Brummell with his Exclusive Noblemen Orchestra, the group appears at Cubiklub in Rochdale, Greater Manchester.
June (13) The Noblemen plays at the Downs, Hassocks, West Sussex.
(19) The group appears at the New Cornish Riveria Lido in St Austell, Cornwall with The Guild.
July (2) Billed as Beau Brummell & The Nobles, they perform at the Guildhall, Axminster in Devon.
(3) The Noblemen appear at Torquay Town Hall, Torquay, Devon with Johnny Carr and The Cadilacs and The Vicarage Five.
(9-11) With a new sax player called John replacing Bob Lomas, Beau Brummell & The Noblemen play at the Star Club in Hamburg. Immediately afterwards, the band plays at the Storyville Jazz Club in Duisberg (most likely from 12-15 July) and Randall jumps ship to join The Manchester Playboys back in England.
(16) Beau Brummell & The Noblemen play a double-nighter in Greater Manchester, starting off with a show at the Domino Club in Openshaw with Lulu & The Luvvers and then the Princess Club, Chorlton with Julie Grant.
(19) The group plays at the Manor Lounge, Stockport, Greater Manchester. This may have been Randall’s final gig as The Manchester Playboys are performing in nearby Bolton this evening and are based in the Greater Manchester area.
(24) The group, billed as The Beau Brummell Band, appears at Shefford Hardwicke in Bedfordshire.
(30) Billed as Beau Brummell & his exclusive Noblemen Orchestra, the musicians perform at the New Embassy Club, Stoke-on-Trent, Staffordshire.
August (14) The band appears at the New Cornish Riviera Lido, St Austell, Cornwall with The Road Runners. Immediately afterwards, John, the temporary sax player, also departs. Back in England, The Noblemen take on new sax players Keith Gemmell (b. 15 February 1948, Hackney, London) and former Gene Vincent sideman, Jeremy “Jem” Field.
(20) Beau Brummell and His Noblemen Orchestra appear at Cheltenham Town Hall in what is one of the first shows by the new formation.
(21) Beau Brummell and The Noble Men play at the Galaxy Club in Basingstoke, Hampshire.
(22) The band appears at the Mexican Hat in Worthing with The Beat Merchants.
(23) The group plays at the Majestic Ballroom, Newport, south Wales with The Cellar Set.
Oslo National Park, Norway, 1965: Chuck Fryers, Mick Ketley, Bryan Stevens, Bernie Smith, Keith Gemmell and Jem Field
September The band travels to Scandinavia to play some gigs in Norway and Sweden.
(18) Beau Brummell & The Noblemen arrive in Oslo. According to Norwegian newspaper Aftenposten, the band opens at the city’s Rondo Club, possibly for a week’s residency, with The Dukes, featuring singer Ingerid Marie.
Photo: Aftenposten. Thanks to Christopher Hjort for the photo
(26) Returning from Norway, The Noblemen join The Beat Merchants for another show at the Mexican Hat in Worthing. The Worthing Gazette advert notes that this is the band’s final British appearance for six weeks. Immediately afterwards, the band head to Rome, Italy to play at the Piper Club.
The Noblemen at the Piper Club, Rome in October 1965 Left to right: Chuck Fryers, Mick Ketley, Keith Gemmell and Jem Field
October(1) Beau Brummell and The Noblemen start working at the Piper club for a six-week stand, travelling through the city in an open carriage drawn by four white horses. During their stint at the club, the band meets actor Vincent Price and George Harrison’s parents who have won a holiday to Rome. While playing at the Piper club, the band is invited to play at the coming-out dance of the daughter of the millionaire, Prince Ruspoli. They also meet a female American singer called Kathy, who sets up a gig for the band at the Big Apple Club in Munich (where she lives) for the following May.
November After completing a six-week season, Beau Brummell and The Noblemen perform in Milan for 10 days and record four tracks in a studio that was formerly a church. These include the powerful sax-driven “Jezebel” and the Brummell composed, “I’m In Love”, a slow lilting number, neither of which are released. The group then heads south to Naples to play further dates before returning to Rome where The Noblemen sans Brummell record the tracks “Jump Back Baby” and “Ecstasy” with Chuck Fryers on lead vocals. Columbia releases Brummell’s third single (and second with the band) – “A Better Man Than I”, a spoken number, backed by “Teardrops”, which is credited to Brummell’s “Noblemen Orchestra” but it does not chart.
December Beau Brummell and The Noblemen play in Ostend in Belgium before returning to the UK.
(12) The Noblemen appear at the Mexican Hat in Worthing with The Look.
(17) The group returns to the continent to play in Turin. An engagement in St. Moritz is announced but the band do not play there.
(25-31) Beau Brummell and The Noblemen play at a club in Turin through to the new year and share the bill with Mussolini’s son Romano who plays piano with his jazz group. During January 1966, Brummell briefly splits from The Noblemen to return to Rome and tries to get into the film industry.
The Noblemen, early 1966. Clockwise from centre: Bryan Stevens, Bernie Smith, Keith Gemmell, Jem Field, Chuck Fryers and Mick Ketley
1966
January Columbia releases a final Brummell single, a cover of Ray Donner’s “You Don’t Know What You’ve Got” backed by “Take Me Like I Am”, but it fails to chart.
Photo: Worthing Gazette
(7) Back in England, The Noblemen appear at the Top Hat in Littlehampton, West Sussex. The advert in the Worthing Gazette notes that they have just returned from Italy.
(8) Beau Brummell & The Noblemen play at the Shoreline Club in Bognor Regis, West Sussex.
February(27) The Noblemen are a late addition to an all-nighter show at the original Cavern in Liverpool, which closes after tonight’s performance. Also included on the bill are Rory Storm and The Hurricanes and The Big Three among many others. The Cavern will officially reopen on 23 July.
March The Noblemen perform at the Storyville Jazz Club in Duisberg before moving on to Cologne.
(7-10) Beau Brummell rejoins The Noblemen briefly to share a week-long residency at the Storyville Jazz Club in Cologne with The Clayton Squares. The Squares’ singer Denny Alexander will reunite with Ketley and Stevens in The Motivation in June 1967. While in Cologne (this may have been spring 1965 trip instead), the group meets English group The Loving Kind featuring guitarist Noel Redding, who will join The Jimi Hendrix Experience in September. After playing at the Storyville Jazz Club in Cologne, the band holds down a residency at Frankfurt’s Storyville Jazz Club with Rory Storm and The Hurricanes and Johnny Guitar Watson.
(19) The Noblemen appear at the Flamingo Ballroom in Redruth, Cornwall with The Misfits.
The Noblemen in Pisa, Italy, April 1966, left to right: Mick Ketley, Bryan Stevens, Jem Field, Keith Gemmell and Chuck Fryers
April The Noblemen split from Brummell who returns to South Africa and records further singles (and later owns a naturist valley in the Northern Transvaal). The Noblemen accept a short residency at the Livorno Club in Pisa, Italy.
May(20) Thanks to the American singer they met in Rome last October, the group opens for The Spencer Davis Group at the Big Apple Club in Munich and both performances are recorded for German TV. Fryers has to borrow Spencer Davis’s guitar as his own was stolen while playing in Italy.
with the Spencer Davis Group, Big Apple Club
(21) Field leaves the band and returns home by train. Stripped down to a quintet, The Noblemen play some US air bases in West Germany with singing group, The New Faces. Gemmell does not stay long and returns home with The New Faces a few weeks later. Gemmell will find success in the late 1960s/early 1970s with the progressive rock outfit, Audience and also plays with Sammy.
June On the way home, the remaining members back country and western singer/comedian Don Bowman, who invites Fryers to return to Nashville as his guitarist. The Noblemen then play at the Star Club in Hamburg before arriving back in the UK. Fryers, Ketley, Smith and Stevens decide to carry on as The Noblemen and bring in a new singer, Jimmy Marsh (b. 9 April 1941, Carmarthen, Wales). Marsh first met the group members in 1964 at the Top Hat in Littlehampton when they were The Detours and he was fronting The Del Mar Trio. When Bernie Smith opts to take up a more regular job, Marsh suggests his former colleague Malcolm Tomlinson (b. 16 June 1946, Isleworth, Middlesex) as drummer. Tomlinson has worked with Marsh since 1964 in The Del Mar Trio and James Deane and The London Cats. Before that, he was a member of Jeff Curtis and The Flames. Bernie Smith will later reunite with Mick Ketley in Bognor Regis group, The Concords in 1969.
July (3) The Noblemen are billed to play at the Royal Ballrooms in Boscombe, Dorset with Karl & The Rapiers. This might be one of the last gigs with Bernie Smith or one of the first with Jimmy Marsh and Malcolm Tomlinson.
(16) Stevens advertises for a new sax player in the 23 July issue of Melody Maker, which hits the newsstands on this day. Former Moonrakers members, Chris Rodger (b. 16 October 1946, Solihull, Warwickshire) and Martin Barre (b. 17 November 1946, Kings Heath, Birmingham) respond to the advert after Rodger misses out on a job with Screaming Lord Sutch. Rodger has joined Syndicate 1 in 1963 after leaving school in Dorset but meets Barre in Midlands band The Moonrakers in January 1965.
(22) Barre buys a saxophone at Sound City in London’s Shaftsbury Avenue for the audition three days later. On the same day, the band is billed to perform at the Cricketers Inn in Southend, Essex but it’s not clear if the current five-piece (sans saxes) perform.
(23) The Noblemen are advertised to appear at the Waterfront in Southampton, Hampshire for an evening show followed by a second gig at Le Disque A Go Go in Bournemouth, Dorset with a midnight performance leading into the 24th.
(24) Both Rodger and Barre are hired for the new line up as sax players, with Rodger doubling up on trumpet. Rodger recalls that their debut takes place at a US service club (most likely Douglas House) in Lancaster Gate at 4pm this afternoon. After the gig, they all return to Bognor Regis to rehearse at the Shoreline Club but Fryers leaves before the week is out.
After leaving The Noblemen in late July 1966, Fryers joins Bognor Regis group, The Warren J Five with Colin Madeley (trumpet) and Geoff Prior (bass), formerly of The Treatment. The new group is completed with former Untamed/John Lee’s Groundhogs’ drummer Terry Slade and singer John Read from The Hustlers. The Warren J Five travel to Hamburg, Germany and play at the Top Ten Club with singer Tony Sheridan. During 1967, The Warren J. 5 travel to Rome and perform regularly at the Piper club. The band records an album in Italy entitled Rhythm & Blues for the Vedette label and a single, “Sto Con Te (Tell It to the Rain)” c/w “Se Hai Qualcosa Da Dire (Tell Me)” before splitting with Read. After a brief period as The Reflections, Fryers and Prior return to the UK and join Coventry group, The Sorrows.
The Noblemen, Bognor Regis Beach, summer 1966. Left to right: Mick Ketley, Martin Barre, Jimmy Marsh, Chris Rodger, Malcolm Tomlinson, Bryan Stevens
(30) Without Fryers, The Noblemen are billed to play at the Lion Hotel in Warrington, Cheshire with The Atlantics and The Atlanta Roots.
August (6) The group travels to the southwest and performs at the Budleigh Salterton Public Hall, Budleigh Salterton, Devon. They may well have played at the 400 Club in Torquay the day before.
(7) The Noblemen appear at the Royal Ballrooms, Boscombe, Dorset with Teak & The Smokey.
(13) The Noblemen start a weekly residency at the 400 Ballroom in Torquay, Devon.
(15-19) After taking the Sunday off, The Noblemen continue their weekly residency at the 400 Ballroom in Torquay, Devon.
(20) The group travels back to the southwest for a show at the Flamingo Ballroom, Redruth, Cornwall with The Blaizes.
(21) The next day, they play at the Park Ballroom’s Beat Centre in Plymouth, Devon.
(25) The Noblemen take part in the Big Beat Boat at Bournemouth, Dorset with The Mozzeletoft.
(27) Back in the southwest, they perform at the Blue Lagoon in Newquay, Cornwall with The Nite People.
(28) On the way up to London, The Noblemen perform at the Stoke Hole at the Stoke Hotel in Guidford, Surrey.
(29) The group appears to have seen out the month playing at the 2 ‘B’s’ Club in Ashford, Kent with The End.
September The new Noblemen move up to London and share a flat in Chelsea (and later Gloucester Road).
(2) The band appears at the Fiesta Hall in Andover, Hampshire.
(3) The Noblemen play at the Steering Wheel in Weymouth, Dorset. They sign to the Roy Tempest Agency and start backing up visiting US soul acts.
(10) The Noblemen back The Vibrations at the Starlight Room at the Boston Gliderdrome in Lincolnshire on a bill that also includes Zoot Money’s Big Roll Band and The Little People.
(11) The Vibrations (most likely supported by The Noblemen) appear at Toft’s in Folkestone, Kent.
(13) The Vibrations (most likely with The Noblemen backing) play at the Club Cedar in Birmingham.
(16) The Vibrations appear at the Domino club in Openshaw and the Princess Theatre in Chorlton, Greater Manchester with seven other acts (most likely with The Noblemen backing them).
(17) The Noblemen back The Vibrations at the new Cavern club in Liverpool. Also on the bill are Sooner or Later, Intent and Purpose, The Klubs, The Signs, The Times, The Tremas, The Dark Ages and Jimmy James and The Vagabonds.
(18) The Vibrations appear at Kirklevington Country Club in Kirklevington, North Yorkshire (most likely with The Noblemen backing them).
(18-19) Around this time, The Vibrations (backed by The Noblemen) appear at the Scotch of St James in Mayfair, central London. American soul legend Otis Redding, who has been touring the UK for the first time, turns up as does Mick Jagger. (On 18 September, Redding played a show at the Ram Jam Club in Brixton, south London. He played at Tiles in Oxford Street on 16 September; his only West End show).
(21) The Vibrations play at the Orchid Ballroom in Purley, Surrey but the support band is not listed.
(22) The Noblemen back The Vibrations at the Carlton Club in Erdington, West Midlands and also play another set at the Cedar Club. Later that evening, they play at the Cue Club in Paddington.
(23) The group backs The Vibrations at Toft’s in Folkestone, Kent. Former Loving Kind guitarist Noel Redding joins the musicians backstage after the show. Little does he know but his future band leader Jimi Hendrix is flying out from the USA tonight on route for London. (Redding will audition unsuccessfully for The Animals on 29 September but is picked up by Chas Chandler for The Jimi Hendrix Experience the same day.)
(25) The Vibrations are advertised to play at the Club West Indies in Stonebridge Park, northwest London but no backing band is listed. The previous evening the soul singers appeared at the Twisted Wheel in Manchester but the support group weren’t advertised.
(29) The Vibrations are booked to appear at the King Mojo Club in Sheffield for an All-nighter with London’s Ravers (who could well be The Noblemen). Also on the bill are The Amboy Dukes Big Band.
October Around early October The Noblemen back The Drifters (possibly for a one-off gig in London). The most likely date is at Tiles in Oxford Street on 7 October.
(15) Billed as (The) Motivation (a name they will change to next month), The Noblemen are billed to play at the Orford Cellar in Norwich. However, Rodger recalls The Noblemen went to play US air bases in West Germany for a week, travelling on German railway and were away on his birthday on 16 October. This means this gig didn’t happen. It seems most likely they left for West Germany around Sunday, 9 October.
(16) Around this time, the group starts to work with Edwin Starr. They are advertised to back him at the Beachcomber club in Nottingham with John Mayall’s Bluesbreakers also on the bill. However, Alan Chamberlain, singer with The Guests, says it was his group that did the honours. Rodger confrims that the group played in West Germany on his birthday which is today.
(17) Rodger says that The Noblemen backed Lee Dorsey at Tiles on Oxford Street, central London. This is the date that Dorsey is advertised for that gig in Melody Maker. The group does work with Lee Dorsey around this time who also plays at the Saddle Room in London on 19 October. However, the advert does not list a support group for the Saddle Room date.
(21) The Noblemen play at De Montfort in Leicester backing Edwin Starr on a bill that also features The Ike & Tina Turner Revue, Alvin Robinson, Family and others. On the same day, Edwin Starr appears at Sleaford Mabern Club, Sleaford, Lincolnshire (backed by The Senate), Midnight City in Birmingham (with The Night People) and the New All-Star Club near Liverpool Street. However, it’s not clear if The Noblemen backed him at either of the latter two shows.
(22) Edwin Starr appears at Reading University but no backing group is listed. It is more likely that the group backs Alvin Robinson at the Blue Moon in Cheltenham as they start working with him around now.
(23) Edwin Starr is billed to play at the Starlite Ballroom in Greenford, west London. However, it’s not clear whether The Noblemen backed the singer. It’s possible they may have backed Lee Dorsey instead at the Club West Indies in northwest London today. Alvin Robinson appears at Kirklevington Country Club in Kirklevington, North Yorkshire on this date but he’s backed by another band (The Ziggy Turner Combo). However, Tomlinson remembers backing Robinson at Newcastle University which is not far away so it’s possible this gig is in a few days’ time. (28) The Noblemen works with Alvin Robinson, performing with the singer at the Dungeon club in Nottingham.
(29) The Noblemen back Alvin Robinson at the Starlight Room at the Boston Gliderdrome in Lincolnshire on a bill that also features The Alan Bown Set, John McCoy’s Crawdaddies and Listen (with a young Robert Plant on vocals). On the same day Alvin Robinson performs at the Burlesque in Leicester (most likely with The Noblemen).
(30) Alvin Robinson plays at the Jigsaw in Manchester.
(31) Robinson is billed to appear at the Whisky A Go Go in Wardour Street, Soho, central London. While it cannot be confirmed with any certainty that The Noblemen are the backing band for the 29-31 October dates, it is likely as they support Alvin Robinson for two shows in Birmingham on 1-2 November billed as The Motivations. However, Ketley has no recollections of ever playing at the Whisky A Go Go.
November(4) The Noblemen back The Coasters (and appear in their own right) at the King Mojo Club in Sheffield with Sonny Childe & The TNT.
(5) The Coasters (most likely backed by The Noblemen) appear at Rawmarsh Baths in Rawmarsh near Rotherham, West Yorkshire. Also on the bill are Brian Poole & The Tremeloes and The Dawley Crews Amblers. Around this time, they change name to The Motivation but are often billed as The Motivations (and sometimes still The Noblemen).
(9) Advertised as The Noblemen, the group supports The Coasters at the Mecca Ballroom on the Royal Pier, Southampton, Hampshire.
(10) Chris Rodger says the group supported Ben E King at the Twisted Wheel in Manchester, which took place today.
(19) Billed as The Noblemen, the musicians back The Coasters at the Cavern in Liverpool. Also on the bill are The Hideaways, The Kids, The Love Trade and The Escorts. After an all-nighter show, The Coasters perform (presumably backed by The Noblemen) at the Twisted Wheel in Manchester.
(25) The Noblemen support The (Original) Coasters at the New Yorker Discotheque, Swindon. They continue as (The) Motivation throughout the rest of 1966 and into 1967 before evolving (through various line up changes) into The Penny Peep Show, The Penny Peeps and Gethsemane. Martin Barre will join Jethro Tull in December 1968. Malcolm Tomlinson will move to Canada in January/February 1969 and form Milkwood. Ketley will join The Concords on bass, reuniting with former Noblemen drummer Bernie Smith. Smith later opens a music shop and drum school in Chichester.
1968
Former Noblemen guitarist, Chuck Fryers records an album with The Sorrows in Italy entitled Old Songs New Songs for the Miura label. After a handful of singles on the Pye and Miura label, Fryers joins Electric Heart. In 1969, he marries his girlfriend in Chichester and returns to Italy. Over the next few years, he plays with Treves Blues Band. During the 1970s, Fryers performs with The Baker Street Band and then forms his own group, which records a CD Fryers and Friends First. He currently lives in Milan and has released a solo CD That’s It?
Sources:
Bognor Regis Post, 9 January 1965 and 18 December 1965. Flying Colours by Greg Russo, Crossfire Publications, 2009. Music Echo – Liverpool, week ending 12 March 1966. The Best of Cellars – The Story of The Cavern Club by Phil Thompson, Bluecoat Press, 2007. The South Coast Beat Scene of the 1960s by Mike Read, Woodfield Publishing, 2001. The Tapestry of Delights Revisited by Vernon Joynson, Borderline Productions, 2006.
Many thanks to Bryan Stevens, Chuck Fryers, Mick Ketley, Bernie Smith, Jim Marsh, Malcolm Tomlinson, Keith Gemmell, Chris Rodger, Nigel Norman and Sylvia Stephen.
Live dates sourced from Melody Maker, New Musical Express, Nottingham Evening Post, the Liverpool Echo, the Manchester Evening News, Sheffield Star. Other newspaper sources are listed in the comments below.
I have tried to ensure the accuracy of this article but I appreciate that there are likely to be errors and omissions. I would appreciate any feedback from anyone who can provide any additions or corrections. Email: Warchive@aol.com
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