All posts by Chris Bishop

The Limey’s with the London Sounds “Come Back” on Sherwood

The Limeys profiled in the Miami News March 15, 1966The Limeys were Andrea Gennard and Stephen Gennard, a sister and brother duo who arrived in Miami, Florida from London about 1962. While students at Rockway Junior High, they made this great single “Come Back” / “Green and Blue” with the London Sounds.

Limey's with the London Sounds, Sherwood 45 Come Back

Released on Sherwood 1715, a Miami News notice gave the exact release date, Monday, April 25, 1966. Printed sleeves included a small photo of the duo.

An February 25, 1966 ad for the Palmetto Bandstand featured the Limey’s backed by the Outcasts, on a bill with the Dirt Merchants. (The following night featured the Invaders, the Impacts and the Hares.)

The Miami News profiled the band on March 15, 1966, including:

Here are two down-to-earth teens with an out-of-this-world singing talent. They have no set style, but their music lends itself mostly to folk-rock …

Limeys Miami News May 27, 1966Stephen and Andrea, together with their parents, Mr. and Mrs. Eddie Gennard, of 1715 SW 97th Pl., arrived from London almost four years ago …

Usually they are coupled with a five-member band, the Outcasts.

With the Outcasts, the Limeys have appeared on Florida Bandstand, the Miami-Dade Junior College campus, on Chuck Zinc’s TV program and at the Cloverleaf Center.

The entire Gennard family has become involved: Dad is business manager, Mom a critic and booster.

They also appeared on the Rick Shaw show on May 27.

Limey's with the London Sounds, Sherwood 45 Green and BlueOn the single, the backing band is called the London Sounds, and includes horn players and strings. I’m not sure if the Outcasts were involved, or even who was in the Outcasts – if anyone knows please contact me.

Stephen and Andrea wrote “Come Back”, and co-wrote “Green and Blue” with Pat Tallis, publishing by Chalfont Music Publishing.

Copyright registration from February 1966 shows three other songs: “Take It Easy”, “I Love You”, and “Melonie”, the last two co-written with Pat Tallis.

In June both the Miami News and the Herald mentioned the duo signing to Scepter Records, I wonder if anything came of that.

They must have been unaware of the English group the Limeys, releasing singles on Amcan in the U.S. and Decca and Pye in the UK.

Andrea Gennard Miami News March 8, 1966

Back in England, Record Mirror profiled the duo on May 11, 1968, providing different last names, Andrea Gerome and Steve Gerome.

The article mentions they did work in America “but, as ever, work permits for artistes so young (Anna is 17, Steve 16) proved difficult. Anna used to be apprenticed to hairdresser Vidal Sassoon, abandoning haircutting for disc-cutting.”

Anna and Steve made two singles for Fontana under the artist name Too Much, “Wonderland of Love” / “Mr. Money” (written by Gerome) in 1967, then “It’s a Hip Hip Hippy World” / “Stay in My World” in February 1968.

As Anna Hamilton with Stephen they made another single on Fontana in April 1968, “Everybody Wants to Go to Heaven (But Nobody Wants To Die)” / “You Laughed When I Cried” (b-side writing credited to Gerome). Their version competed with the Karlins, (triplets Linda Wilson, Elaine Wilson and Evelyn Wilson) who released their 45 on Columbia (UK) about the same time.

Thank you to Ansgar for pointing me to the Record Mirror article (which I never would have found considering they had changed their name!).

Andrea and Steve Gerome in Record Mirror, May 11, 1968

Thee Society “That Girl” / “Determined Mind” on Revolvo

Thee Society Revolvo 45 Determined MindI don’t know if Thee Society were a working band or a studio group. They released only one single, “That Girl” / “Determined Mind” on Revolvo RV-45-217, probably in 1968 or 1969, out of Hollywood, CA.

The A-side is pop, the flip a stomping dance number. E. Nagatoshi wrote both sides, published by Earthquake Music, like other later Revolvo releases.

Not much to go on, but I found a copyright registration to Edward Nagatoshi for a song “We’ll Live On” from February 1966. I’m not sure if this was recorded or if Ed Nagatoshi had any other involvement in music.

Revolvo released a good psychedelic 45 by the Glass Managerie [sic] “End of the Line” / “Troubled Mind” that I’d like to know more about. Dennis Hardy wrote both songs.

Grayson Izumi of Beaudry Express, who commented below, added in a message to me that Thee Society had three vocalists including John Hubbard, and David Akiyama on keyboards. He also recommends the book Chronicles of a Sansei Rocker by Harry Manaka.

The Truths “Pending” / “Why” on Circle Records

Truths Circle 45 PendingThe Truths made this one fine Byrds-influenced 45, “Pending” / “Why” on Circle Records 45-953, in August 1965.

Roy Harris wrote “Pending”, and co-wrote “Why” with James Pettey, with publishing by Chu-Fin Music, Inc.

I can find almost no info on the group online. I’ve read the band came from Riverside, California. However, the Playground Recording Studio site notes:

Playground Studios originally built and completed in 1969 by Finley Duncan is located in the heart of old downtown Valparaiso, Florida.

It was the home of Minaret Records, Turrett Records, Choctaw and Circle Records.

Playground also administers Chu-Fin Music.

“Pending” charted on WNVY in Pensacola, Florida.

Roscoe Mitchell and Malachi Favors Maghostut / Horace Tapscott and Roberto Miranda at James Moore Theater, October 16, 1993

Roscoe Mitchell, Malachi Favors Maghostut, Horace Tapscott, Roberto Miranda at the James Moore Theater, Oakland Museum, October 16, 1993 ticket stub

I came across this ticket stub for a “Double-Up” concert produced by Koncepts Cultural Gallery on October 16, 1993 at the James Moore Theater in the Oakland Museum. The concert featured two duos, Roscoe Mitchell & Malachi Favors Maghostut; and Horace Tapscott & Roberto Miranda.

I can still hear Roscoe playing the soprano sax (or was it sopranino) without pause using circular breathing.

I’m posting this in the hope that photos or a recording of the event exists.

The Long Island Sounds on Wonder Records

Long Island Sounds Wonder 45 TigerThe Long Island Sounds came from Branford and East Haven Connecticut. They achieved a fine surf sound on their two singles on Wonder Records 165 and 166.

Their first single was “Tiger” / “Lucky Guy”, followed by “Don’t Cry Linda” / “(Ballad of) Marvin Crump”.

Members were:

Fred O’Brien – lead vocals
Tony Pragano – harmony vocals
Angelo Frisketti – lead guitar
Tom Hanlon – guitar and harmony vocals
Bobby Pasternak – keyboards
Jack Russell – drums

Fred O’Brien wrote all their songs, published by Checkmark Music, owned by Arthur Czech, which also published the North Atlantic Invasion Force “Blue and Green Gown” / “Fire, Wind and Rain” among others.

“BRS” etched into the runout of the second record indicates it was likely recorded at Broadway Recording Studios in New York.

I’ve seen Tony Pragano’s name spelled Pregano, not sure which is correct.

Anyone have a photo of the group?

Long Island Sounds Wonder 45 Don't Cry Linda

Gary Steffins & the Fugitives 5 “I’m a Lover” / “Back Track” on RMP

Gary Steffins & the Fugitives 5 RMP 45 I'm a LoverA

Fugitives 5 RMP 45 Back TrackGary Steffins & the Fugitives 5 “I’m a Lover” / “Back Track” on RMP is an obscure 45 from one of the suburbs of Chicago, from March, 1966.

The lead guitar is strong on both sides, especially the neat instrumental “Back Track”.

A couple of photos have turned up on youtube videos, but I haven’t seen a list of band members.

On August 16, 1975, about nine years after the record, the Atlanta Constitution ran a profile of Daphne’s Lounge at the Sheraton near Hartsfield airport, with an interesting paragraph:

The band of the moment is Crystal Ball, a group formed five years ago in Chicago and now relocating to Atlanta. Gary Steffins handles most of the vocals and plays the congas. Other personnel are Steve Farrell, lead guitar, his brother Bill [Farrell] on drums, Joe Grimm on keyboards, and Greg Curbow on bass.

Surely the lineup changed in the intervening years, but I would like to know the names of the original group on the single.

Kennett Sound Studio acetates – Unknown and unidentified artists

Claud Stuard [sic] – Claude Stewart, or Claude Steward?
Bands and musicians from Schenectady, Albany, Poughkeepsie, and other areas traveled to Kinderhook to record at Earl Kennett’s studio.

A number of lacquer demos (commonly called acetates) of various sizes remained when Kennett Sound Studio closed and the property sold. Many of these demos are of the Cleaners (later known as the East Coast Clique), the group Kennett worked with the most. Others duplicate the recordings that would be released on 45 rpm records.

Below is a list of demos by unknown artists, in approximate chronological order. Because Earl was blind, many were unlabeled, though Earl’s young daughters sometimes added names or titles. Many song titles below are my guesses based on the lyrics.

Please take a listen to the audio excerpts and contact me if you know any of these artists.

8″ acetate by James Morse, not the same song as the Claude Steward, above. Another 8″ acetate has his name as Jimmy Morse
8″ lacquer acetates

Claude Steward (Claude Stewart?)
“I’m Going Your Way, I’ll Walk You Home” (excerpt)
“Goodbye Girl” (excerpt)

Jimmy Morse / James Morse
(two 8″ acetates, circa 1967)
“Can’t You See I Want You (Time After Time)” (excerpt)
“Back Alley Blues” (excerpt)
“Hey Little Girl” (excerpt)

Horvath family song, 1967 – Excerpt

Chain Reactions Kennett Sound Studio Acetate 45 Black and Blue

7″ lacquer acetates:

Unknown rock group circa 1968
“Goodbye” (excerpt)
“Girl” (excerpt)
Group from The Office Kennett Sound Studio Acetate 45
Chain Reactions (circa 1967)
“Black and Blue” (excerpt)

Group from “The Office” (circa 1968)
“He Was a Friend of Mine” (excerpt)
“Who Do You Love” (excerpt)

Unknown soul group – male lead with female backup
“Baby” excerpt

Pink Sydel Kennett Sound Studio 12 inch acetate
The Pink Sydel ?!

12″ lacquer acetates:

The Pink Sydel, 4/20/1968
“Memories”
“The Pink Sydel” (excerpt)
“Happy Together”
“We Gotta Get Out of this Place”

Unknown rock band circa 1969
“Darling Please” (excerpt)
“Please Try” (excerpt)

Folk singer Greg (surname?), associated with Hudson River Clearwater Sloop, circa 1969. Five songs, may not have been recorded at Kennett as it sounds like a radio broadcast.
Hear “My Dirty Stream” with discussion of Sloop restoration

Unknown band with horns, circa 1970:
“Vanilla on My Mind” (originally done by the Yellow Payges)
“Lady in the Night” (excerpt)
“Forty Million Dreams” (excerpt)
“It Will Take Time” (excerpt)

The Coachmen – “Green Green Grass of Home”
Unknown (The Coachmen?) – “Green River” (excerpt)
Unknown (The Coachmen?) –“You’re Gonna Be My Girl” (excerpt)

Unknown female vocalist with acoustic guitar, flute & drums, early ’70s:
“Lonely Eyes” (excerpt)
“If There’s No You Baby” (excerpt)

Unknown lounge/pop singer with combo:
“Lonely” (excerpt)
“Around the World” (excerpt)

Those Two Plus – Alex Rotter and Dawn Mickle “I’ll Be There”

Schenectady Gazette, September 17, 1968

Those Two Plus Kennett 45 I'll Be There

Those Two Plus – “I’ll Be There” / “It’s Rainin’ (Where I’m Bound)” (both by Alex Rotter, arranged by “Those Two”) Kennett Sound 0017, 1969.

Alex Rotter and Dawn Mickle performed as simply “Those Two” in a couple news reports. The Oneonta Star noted on August 10, 1968 that the duo took second place in the Folk Music Contest at the Otsego County Fair.

The Schenectady Gazette ran a photo of the duo on September 17, 1968:

Those Two, folksingers Dawn Mickle of Warnerville and Alex Rotter of Schenectady, who won top honors at the Cobleskill Fair and first in the semi-finals of the State Fair, entertained patients at the Eden Park Nursing home …

I have a 12″ acetate from the Kennett Sound Studio that includes both songs from the single. Another 12″ acetate contains five songs performed by Alex and Dawn which were not released.

From listening, I believe four of these to be original songs: “If I Were Free”, “Take Me to the Land of Lovin'”, “I Can Tell”, and “I Know What You Mean to Say” (titles are based on the lyrics), along with a version of Fred Neil’s “The Other Side of this Life”:

The Kennett Studio labels are blank.

Thank you to Peter Aaron for loan of the Those Two Plus single, and for finding the Gazette article on the duo.

Update: I’m pleased to say I was able to send the 12″ acetate of five unreleased songs to Alex Rotter’s family. Thank you to Sherry Rotter for contacting me.

The Venus Flytrap “The Note” / “Have You Ever” on Jaguar Records and Mijji

Venus Flytrap Redwood City Tribune August 3, 1967
The Venus Flytrap came from Redwood City, CA. Info on the group is a scattershot, so I’ve decided to compile what I’ve found in the hope of getting more information.

Venus Flytrap Jaguar 45 Have You Ever

They made one great single, “The Note” / “Have You Ever”, released on two different labels.

The original release came on Jaguar Records J-103, owned by Barry Wineroth. It was a hit in the Santa Barbara area, but the band also had a following in the South Bay, which may be why Mijji repressed it on Mijji M-3005, adding a production credit to Gilbert Day, drummer with the Bundles.

The Redwood City Tribune announced the release of the single on August 3, 1967, but copyright registration came later. Both songs have words by Don Danielli (not sure of the spelling – Donald Danelli ?), and music by Dan Sanchez, copyrighted on April 15, 1968 with publisher by Wren Music BMI, and again a week later with new publisher Guard Music BMI, part of Golden State Recorders.

Venus Flytrap Mijji 45 The NoteAt the time of the single, the Venus Flytrap members were:

Nancy Morgan – lead singer
Peter Sessions – lead guitar
Dan Sanchez – rhythm guitar
Ken Czapkay – bass
Debbie Binetti – drums

Bard Dupont of the Outfit replaced Ken Czapkay when he was drafted, and Michele Sevryn replaced Nancy Morgan shortly before the band split.

The Venus Flytrap after the single: from left: Bard Dupont, Debbie Binetti, Pete Sessions, Nancy Morgan and Dan Sanchez

The Venus Flytrap recorded two other songs, “California” and “Gentle Breaker” at Pacific Recording Studios in San Mateo, with Karen Jenson on backup vocals.

Venus Flytrap Redwood City Tribune, August 22, 1969

There is also a live recording from Redwood City (which I have not heard) with a different lineup: Nancy Morgan and Dan Sanchez joined by Jacque Aknin on drums, Charles J. Ashton on bass and Ralph Pena on organ. Songs include “Whiskey Train”, “Paraphenalia” and “Brand New Dress”.

The group played many venues in the area, including the Mt. Carmel Teen Club on December 1, 1967 with the Mourning Reign, and Light show by the Brothers Grimley. I can find notices for the band’s shows as late as May, 1970.

Darline Elswick, Bonnie Borelli and Marge Boutwell headed fan clubs for the group.

Members would join other groups such as the Great Society, Phoenix, New Generation, and Howl & the Raven.

Nancy Morgan (now Nancy Coggins) sent a pdf with b&w collages of photos, business cards etc. Hopefully the originals will be located for better quality images. There’s also a somewhat blurry photo around of Peter Sessions and Nancy Morgan standing in front of the hieroglyphics wall of the Matrix.

The Bay Area Bands site reprints Alec Palao’s article on Bard Dupont from Cream Puff War No. 2, February 1993.

Nancy Morgan was no longer in the Venus Flytrap by the time of this May 29, 1970 article in the Tribune for the People Helping People festival in San Mateo, with Smoke, Clover, and Cousin Roberts and Friends, plus the Illegitimate Theatre.

Eddy and the Upsets “I Got News” / “Cry Cry Cry”

Eddie and the Upsets, with Eddie on left, and Jesus Escoto on right

Eddy and the Upsets Dektr 45 I Got NewsEddy and the Upsets had a number of singles beginning in 1966, sometimes as Eddie Dimas & the Upsets. Most of their singles are Mexican guitar instrumentals or ballads, but “I Got News” sounds very garage. Recorded at Audio Recorders in Phoenix, it was released on Dektr ARA-41668 in 1966 with the ballad “Cry Cry Cry” on the flip.

The band formed at Phoenix Union high school. Eddie Dimas played lead guitar and sang some lead vocals. His older brother was Benny Dimas of the Majestic Five.

Eddy and the Upsets Dektr 45 Cry Cry CryJesus Escoto is on bass in the black & white photo and wrote “So Long”.

I don’t know the names of other members of the ’60s version of the band.

Dave Rivero wrote “I Got News” and the ballad “Don’t You Ever”.

Eddie Dimas at the Id Club on South Central Ave in Phoenix
Freddie Brown sings lead on “No Me Tengas Compacion”, the B-side to a single on Christy as Eddy Dimas and the K-Men. Freddie Brown had his own releases on Christy.

Arthur Castro co-arranged “El Mitote”, and Benny Dimas co-arranged “La Vieja Seca”. Ross Benavidez produced a 1970 single on the Lance label.

Johnny Collins produced the Dektr singles, while G.G. Hardin gets production credit for most of the Cristy singles. Christy collected a number of instrumentals for an album El Mosquito on Christy CR 5007.

Edward Dimas passed away on March 8, 2013, and his brother Bennie Dimas on April 12, 2018.

Thank you to Francisco Candia for suggesting this post and for providing info, photos, and scans of the singles.

Eddie and the Upsets at the Id Club, Phoenix